Record Reviews
14 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | AMALGAM ~ ANOTHER TIME
FMR 116 (Barcode: 649849981615) ~ UK ~ Jazz
Recorded: 1976 Released: 2003
5th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Steve HaytonFind albums by this artist, bassist Pete CowlingFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks the beginning of the second phase of Amalgam, which is characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts, who after the departure of drummer John StevensFind albums by this artist became the group´s main composer. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and electric bass the sound of the band changes completely, with a distinct Fusion feel, but the dexterity and obvious genius are still the same as always. This is probably the most accessible Amalgam album ever recorded and young listeners, ignorant of the band´s Improvised Music roots should be able to enjoy it immensely. This is still a classic, although a different cup of tea altogether. Brilliant stuff!
| | | CD 1 Recommend To A Friend |
  | AMALGAM ~ DEEP
FMR 127 (Barcode: 649849981677) ~ UK ~ Jazz
Recorded: 1977 Released: 2003
7th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Dave ColeFind albums by this artist, bassists Harry MillerFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks the second phase of Amalgam, characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and double electric bass the sound of the band becomes even more close to Fusion, but the extended improvisations and the virtuosity of the performers are still the same as always. This is again quite an accessible Amalgam album ever and easily enjoyed both by Jazz and Fusion adventurous music fans. This is still a classic and brilliant stuff as always!
| | | CD-R 1 Recommend To A Friend |
  | AMALGAM ~ INNOVATION
FMR 119 (Barcode: 649849981592) ~ UK ~ Jazz
Recorded: 1974 Released: 2003
3rd album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup includes the legendary drummer John StevensFind albums by this artist, pianist Keith TippettFind albums by this artist, bassists Kent CarterFind albums by this artist and Lindsay CooperFind albums by this artist and conga player Terri QuayeFind albums by this artist. The music includes four compositions by Stevens and one by Watts, all of which are excellent vehicles for the extended improvisations. This album was originally released on the tiny independent TangentFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. In many respects this album is quite different from most of the ensemble´s output, as it includes a piano, which was not usually included in the lineup, mellowing the overall sound. Tippett plays wonderfully of course and his contribution is most valuable. Overall this is yet another example of the wonderful forces at work during a most illustrious period in British Jazz. A classic of the genre and a must for any Free Jazz / Improvised Music buff!
| | | CD 1 Recommend To A Friend |
  | AMALGAM ~ OVER THE RAINBOW
FMR 132 (Barcode: 649849981745) ~ UK ~ Jazz
Recorded: 1979 Released: 2003
9th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Keith RoweFind albums by this artist, bassist Colin McKenzieFind albums by this artist and drummer Liam GenockeyFind albums by this artist, the last stable lineup of the ensemble before it disbanded in 1980 marking 13 years of activity. The music is written by Watts or is spontaneously composed and was recorded live. This album was originally released on the ArcFind albums on this label label, owned by Watts, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and electric bass the sound of the band is close to Fusion, but with the extended improvisations, complete freedom of expression and virtuosity of the performers the music retains all of the qualities of Improvised Music remaining relatively accessible. This set includes visionary, complex and dense music, which is completely unique and unprecedented. Listeners looking for a total musical experience should look no further. This is classic and brilliant stuff in every respect!
| | | CD 1 Recommend To A Friend |
  | AMALGAM ~ PLAY BLACKWELL & HIGGINS
FMR 146 (Barcode: 649849982353) ~ UK ~ Jazz
Recorded: 1972 - 1973 Released: 2004
2nd album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a trio, including the legendary drummer John StevensFind albums by this artist and bassists Ron HermanFind albums by this artist and Jeff ClyneFind albums by this artist. As the title suggests, Amalgam play tribute to two almost anonymous heroes of the American Jazz revolution, drummers Ed BlackwellFind albums by this artist and Billy HigginsFind albums by this artist, both of which played on the pioneering recordings by Ornette ColemanFind albums by this artist and contributed their share in expanding the Jazz horizons. The music is recorded live and both extended compositions included here are by Stevens. This album was originally released on the tiny independent AFind albums on this label label, owned by Watts, and was unavailable for many years, which is now rectified by this CD issue. The performances are inspired and fiery, proving how advanced the British scene was at the time. Watts´ saxophone work summarizes the development of the instrument in the hand of geniuses like Coleman, Albert AylerFind albums by this artist and John ColtraneFind albums by this artist. Overall this is yet another example of the wonderful forces at work during a most illustrious period in British Jazz. A true classic of the genre and a must for any Free Jazz / Improvised Music buff!
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  | AMALGAM ~ PRAYER FOR PEACE
FMR 096 (Barcode: 649849981417) ~ UK ~ Jazz
Recorded: 1969 Released: 2002
Legendary debut album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist and including the legendary drummer John StevensFind albums by this artist. Both Watts and Stevens were also founding members of the Spontaneous Music EnsembleFind albums by this artist (SME), which was in some respect the alter ego of Amalgam, whereas SME concentrated on freely Improvised Music, Amalgam used more structured themes, mostly pre-composed, as the basis for their expanded Jazz improvisations. In many respects Amalgam and SME lineups, musical directions and intentions overlapped and the collective recorded legacy of these two groups is an icon of some of the most daring and wonderfully adventurous music ever recorded. This initial lineup of Amalgam was a trio, including the superb bassist Jeff ClyneFind albums by this artist, who is replaced on the title track of this album by another British bass legend Barry GuyFind albums by this artist. The album was originally released on the TransatlanticFind albums on this label label and for many years was on of the most thought after Jazz collector´s items. The music is absolutely stunning from start to finish and what makes this album so special is the inclusion of three versions of the same tune ("Judy´s Smile"), so brilliantly different from each other, that they are a classic example of the gift of improvisational ability. An absolute classic of the genre and a must for any Free Jazz / Improvised Music buff!
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  | AMALGAM ~ SAMANNA
FMR 125 (Barcode: 649849981608) ~ UK ~ Jazz
Recorded: 1977 Released: 2003
6th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quintet, including guitarist Dave ColeFind albums by this artist, bassists Pete CowlingFind albums by this artist and Colin McKenzieFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks an extension of the quartet that recorded the previous album at beginning of the second phase of Amalgam, characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and double electric bass the sound of the band becomes even more close to Fusion, but the extended improvisations and the virtuosity of the performers are still the same as always. This is again quite an accessible Amalgam album ever and easily enjoyed both by Jazz and Fusion adventurous music fans. This is still a classic and brilliant stuff as always!
| | | CD 1 Recommend To A Friend |
  | AMALGAM ~ WIPE OUT
FMR 111 (Barcode: 649849982445) ~ UK ~ Jazz
Recorded: 1979 Released: 2007
10th and final recording by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Keith RoweFind albums by this artist, bassists Colin McKenzieFind albums by this artist and George LyleFind albums by this artist and drummer Liam GenockeyFind albums by this artist, the last stable lineup of the ensemble before it disbanded in 1980 marking 13 years of activity. The music is written by Watts or is spontaneously composed and was recorded live during Amalgam´s last British tour. This album was originally released on the legendary independent ImpetusFind albums on this label label as a 6 LPs set, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and electric bass the sound of the band is close to Fusion, but with the extended improvisations, complete freedom of expression and virtuosity of the performers the music retains all of the qualities of Improvised Music remaining relatively accessible. This set includes three hours of visionary, complex and dense music, which is completely unique and unprecedented. Listeners looking for a total musical experience should look no further. This is classic and brilliant stuff in every respect!
| | | CD 3 Recommend To A Friend |
  | TREVOR WATTS / LIAM GENOCKEY ~ THE ART IS IN THE RHYTHM
JAZZ IN BRITAIN 39 (Barcode: 5060774190418) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1989 Released: 2022
I have been following the Artistry of British saxophonist / composer / bandleader Trevor WattsFind albums by this artist for almost six decades now, starting with the early days of SMEFind albums by this artist (Spontaneous Music EnsembleFind albums by this artist) and later AmalgamFind albums by this artist, Moire MusicFind albums by this artist, London Jazz Composers` OrchestraFind albums by this artist and his work with other British and international improvisers, which over the years amasses to a vast recorded legacy, surely one of the most impressive achievements of the British Improvised Music scene and beyond. We are so lucky to have him around with us, still contributing new music continuously, although this album is of a retrospective / archival nature, documenting Watts’ duets with Irish drummer Liam GenockeyFind albums by this artist, who earned his fame on the British Folk-Rock scene, but in fact was active on the British Jazz, Jazz-Rock and Improvised Music scene as well, including his work with Watts as early as 1976, when he became a member of Amalgam.
This archival album presents three improvised pieces, recorded over three decades ago, two of which last almost half an hour and the remaining one half that time, which of course is nothing exceptional in Improvised Music. The recording offers an excellent sound quality and separation (drums on the far left and saxophones on the far right), which allows the listener to enjoy the phenomenal interplay between the two musicians, who converse, exchange ideas and dance around each other in perfect accord.
Improvised Music tends to be mostly a spur of the moment affair, which is a brilliant, but often sadly of very temporary nature. Most improvised concerts do not manage to encapsulate the energy and emotional delivery when transferred to a recording, which a listener would return to repeatedly. This recording manages to break the pattern, and certainly offers enough aesthetic and artistic value, which is worth keeping for posterity and listening to, since it offers a timeless tale of human communication, not only on the musical plane, but also on a perceptional “higher” plane, which is not even possible to be explained verbally and has to be experienced at first hand in order to participate in the event. Of course the Masterly abilities of both these musicians are plainly evident herein, and as the title suggests, it is worth to listen carefully to the rhythmic effect of this music, which of course is present not only in the drum parts.
As usual kudos to the people behind the Jazz In BritainFind albums on this label label, which keeps all the British Jazz fans around the globe hooked on its excellent output, which never ceases to deliver exactly what we all wish to hear.
Overall, this is another excellent piece of the puzzle, which presents the diverse musical history of the British Jazz, which remains to be a wonderful treasure chest, which sometime seems like a bottomless pit, considering the amount of music it offers time and again.
| | Updated: 26/09/2022Posted: 26/09/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | TREVOR WATTS / MOIRE MUSIC ~ LIVE IN KARLSRUHE
FMR 232 (Barcode: 649849982810) ~ UK ~ Jazz
Recorded: 1989 Released: 2007
Live recording by the Moire MusicFind albums by this artist ensemble, founded by saxophonist Trevor WattsFind albums by this artist after his previous band, AmalgamFind albums by this artist, disbanded. In contrast to Amalgam, Moire Music is a large ensemble, varying in size around 10 members, and often features a brass section, a string section and an expanded percussion section, including African drums. In contrast to Amalgam´s music, which was based mainly on a small group improvisation, this ensemble performs music which is well structured and arranged, but allows plenty of individual improvisation to take place. It also tends to include many World Music elements, incorporating them into the Jazz framework. This particular lineup of the ensemble includes the esteemed saxophone player Simon PicardFind albums by this artist. The drummer is another ex-Amalgam member Liam GenockeyFind albums by this artist. This material was previously unreleased and is a most welcome addition to this band´s recorded legacy. It goes without saying that the music is brilliant, as anything Watts is associated with, I can hardly imagine a Jazz enthusiast who would remain impartial to these performances, while listening to this music and my warm recommendation is self-explanatory. Great stuff!
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  | TREVOR WATTS / MOIRE MUSIC ~ MOIRE MUSIC
FMR 250 (Barcode: 649849983053) ~ UK ~ Jazz
Recorded: 1985 Released: 2008
Debut album by the Moire MusicFind albums by this artist ensemble, founded by saxophonist Trevor WattsFind albums by this artist after his previous band, AmalgamFind albums by this artist, disbanded. In contrast to Amalgam, Moire Music is a large ensemble, varying in size around 10 members, and often features a brass section, a string section and an expanded percussion section, including African drums. In contrast to Amalgam´s music, which was based mainly on a small group improvisation, this ensemble performs music which is well structured and arranged, but allows plenty of individual improvisation to take place. It also tends to include many World Music elements, incorporating them into the Jazz framework. This particular lineup of the ensemble includes the legendary saxophonist Lol CoxhillFind albums by this artist and another esteemed saxophone player Simon PicardFind albums by this artist. The drummer is another ex-Amalgam member Liam GenockeyFind albums by this artist. The music was recorded live and the original album was released on the independent ArcFind albums on this label label, owned by Watts. Unavailable for many years, this is a long overdue first appearance on CD, which of course is most welcome. It goes without saying that the music is brilliant, as anything Watts is associated with, I can hardly imagine a Jazz enthusiast who would remain impartial to these performances, while listening to this music and my warm recommendation is self-explanatory. Great stuff!
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  | TREVOR WATTS / MOIRE MUSIC ~ WITH ONE VOICE
FMR 108 (Barcode: 649849981523) ~ UK ~ Jazz
Recorded: 1988 Released: 2002
2nd album by the Moire MusicFind albums by this artist ensemble, founded by saxophonist Trevor Watts after his previous band, AmalgamFind albums by this artist, disbanded. In contrast to Amalgam, Moire Music is a large ensemble, varying in size around 10 members, and often features a brass section, a string section and an expanded percussion section, including African drums. In contrast to Amalgam´s music, which was based mainly on a small group improvisation, this ensemble performs music which is well structured and arranged, but allows plenty of individual improvisation to take place. It also tends to include many World Music elements, incorporating them into the Jazz framework. This particular lineup of the ensemble includes the esteemed saxophone player Simon PicardFind albums by this artist. The drummer is another ex-Amalgam member Liam GenockeyFind albums by this artist. The music was recorded live and the original album was released on the independent ArcFind albums on this label label, owned by Watts. Unavailable for many years, this is a long overdue first appearance on CD, which of course is most welcome. It goes without saying that the music is brilliant, as anything Watts is associated with, I can hardly imagine a Jazz enthusiast who would remain impartial to these performances, while listening to this music and my warm recommendation is self-explanatory. Great stuff!
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  | TREVOR WATTS & VERYAN WESTON ~ AT AD LIBITUM
FOR TUNE 0057 (Barcode: 5902768701593) ~ UK ~ Jazz
Recorded: 2013 Released: 2015
This is a live recording by the British duo comprising of saxophonist Trevor WattsFind albums by this artist and pianist Veryan WestonFind albums by this artist, captured during the 2013 edition of Warsaw´s Ad Libitum festival. The album presents five pieces of improvised music, credited to both members of the duo, one of which lasts for over twenty minutes.
Watts can be considered as one of the Godfathers of the Free Jazz / Improvised Music scene in Britain and his pivotal and groundbreaking recordings with the Spontaneous Music EnsembleFind albums by this artist, AmalgamFind albums by this artist, London Jazz Composers` OrchestraFind albums by this artist, Moire MusicFind albums by this artist and other ensembles constitute a most significant part of the modern British Jazz legacy. Weston, who is perhaps less prominent outside a closed circle of "insiders", has also an impressive legacy and his activities over the years are worth being discovered. Their performances as a duo are always a thrill and sound youthful and contemporary, as if time stood completely still for them.
The music herein is a perfect example of what Improvised Music is all about; the intimate duo format allows both musicians to exchange musical ideas on the fly, probing and responding almost instantly, which often sounds as if the duo was in fact one mind occupying two persons. Playing together for quite a while allows these two Masters to approach their music without any inhibitions or barriers, simply communicating on a telepathic level, and the resulting music sounds perfectly coherent and natural.
I have followed Watts every step since the 1960s, attending numerous gigs he played all over Europe and of course listening to all the albums he released over time. There are very few Jazz artists that can match his consistent excellence and his everlasting drive to move forward with his musical ideas. This duo suits his characteristics perfectly and Weston proves a worthy and inspiring partner. Together they create heavenly music!
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