Record Reviews

BLOTO ~ EROZJE ASTIGMATIC 013 ~ POLAND ~ Jazz-Funk Fusion Recorded: 2018 Released: 2020 This is the debut album by Polish quartet BlotoFind albums by this artist, which is a classic "Son of Godzilla" type of offshoot of the popular EABSFind albums by this artist ensemble, comprising of keyboardist Marek PedziwiatrFind albums by this artist (a.k.a. LatarnikFind albums by this artist), saxophonist Olaf WegierFind albums by this artist (a.k.a. Ksiaze SaxoniiFind albums by this artist), bassist Pawel StachowiakFind albums by this artist (a.k.a. Wuja HZGFind albums by this artist) and drummer Marcin RakFind albums by this artist (a.k.a. Cancer GFind albums by this artist). The quartet and its music are a result of an incidental gathering of these musicians in a studio, during a short break in the EABS tour, which resulted in a spontaneous recording session undertaken without any preparation whatsoever. The well oiled EABS PR machine as well as the contemporary sound and attitude managed to create a stir on the local market and even the COVID-19 pandemic did not manage to halt the viral reaction. The album presents ten tracks, which were cut from the ninety minutes of music that was recorded, lasting just above forty minutes. The music is indeed fresh, vibrant and a great fun to listen to, but it is not that much different from the improvised passages played during EABS live performances, which of course is not very surprising. Hypnotic groove, synthesizer soundscapes, dynamic rhythms and almost Free Jazz solos on top are a well oiled formula that EABS perfected over time and this session basically offers nihil novi sub sole. The album´s title and the PR material allude to a parallelism between this album and the iconic recording "KorozjeFind albums with this title" by Polish Jazz legends Andrzej KurylewiczFind albums by this artist and Tomasz StankoFind albums by this artist. Personally I find nothing in common between these two albums and the unnecessary references to the Polish Jazz history are more damaging than useful. EABS are not like any of the Polish Jazz past icons, and they don´t need to be. They are an excellent ensemble living in a different era and playing music that has five decades of additional musical influences to absorb, which they indeed do all the time. Overall this album offers many great moments and an ambience that brings young generation of listeners closer to Jazz, which by itself is a great success. It is first and foremost oriented towards the wide circle of the EABS fans base, but being less visceral that the EABS albums, it also appeals to new listeners, which again is a good thing. These guys are excellent musicians and they still have a lot of youthful enthusiasm and creativity, so let´s enjoy them as long as that lasts. Is it Jazz?... Frankly, my dears, I don´t give a damn!

Updated: 20/06/2020Posted: 20/06/2020

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MACIEJ FORTUNA / KRZYSZTOF DYS ~ TROPY FM 011 (Barcode: 888174340111) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the debut recording by the Polish Jazz duo comprising of trumpeter / composer Maciej FortunaFind albums by this artist and pianist Krzysztof DysFind albums by this artist. Fortuna is a relatively new arrival on the local scene, but his prolific and outstanding achievements in the last few years are so impressive, that he immediately emerged as a serious candidate to become a member in the very exclusive club of top Polish Jazz musicians. Dys, with a slightly longer presence on the scene is primarily known as a member of the wonderful SoundcheckFind albums by this artist quartet. The album includes seven original compositions all co-composed by the duo, and was recorded inside a church, which adds a wonderful ambience to the recording. From the opening notes of this album, any listener familiar with the Polish Jazz scene is immediately transferred a few decades into the past, when the Polish Jazz scene was majestically emerging in the late 1960s as one of the most important Jazz World centers. A young trumpeter named Tomasz StankoFind albums by this artist was one of the great hopes of that scene and in years to come he evolved into one of the top World Jazz Masters. Fortuna´s playing evokes exactly the same feelings and emotions, which early Stanko recordings stirred then. The same vibrato, staccato, tone and even melodic motifs are present here, with the same intensity, expressiveness and brilliance. Also the unusual setting of a trumpet / piano duo has been utilized by Stanko some thirty years earlier on the album "KorozjeFind albums with this title" recorded with pianist Andrzej KurylewiczFind albums by this artist. Of course the tonal similarity does not imply, not even in the slightest, that this is a form of replication or copying pre-existing music. On the contrary, this music, in spite of the fact that it brings up fond memories of great music from the past, is completely and utterly original. Fortuna and Dys, who emerges as a wonderful co-creator, manage to create a world of their own, where the combination of the two spirits turns out to become greater that the sum of its ingredients. The music portrays a rare affinity between musicians who shift lead responsibilities between themselves, compliment each other with great sensitivity, respect each other´s space and individuality and above all communicate. Consequently this is not only an example of great music but also a living proof of camaraderie and musical co-existence of the highest level. This album is surely one of the strongest releases on the Polish Jazz scene in 2013 and a candidate to the "classic" status in the days to come. It is also probably the strongest statement made so far by Fortuna, although all his recordings to date are simply excellent. I´d even go as far as saying that I wish Maestro Stanko would return to playing music like this one… This album is an absolute must to every Polish / European Jazz connoisseur!

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HERDZIN / BOGDANOWICZ / BISKUPSKI ~ SERIALE SERIALE CONFITEOR 001 ~ POLAND ~ Jazz Recorded: 1997 Released: 1998 This is the third album by Polish Jazz pianist / composer Krzysztof HerdzinFind albums by this artist, this time co-leading a piano trio with bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist, accompanied by a string sextet. It presents the musical themes of eight Polish TV serials arranged by Herdzin and composed by various Polish composers, among then two with very strong Jazz ties: Andrzej KurylewiczFind albums by this artist and Jerzy MatuszkiewiczFind albums by this artist, who contribute two compositions each. The music is all very solid and is also a wonderful example of the fact that music for TV productions can be intelligent and wonderfully crafted, as this album demonstrates and emphasizes. The overall atmosphere of the piano trio accompanied by strings obviously tends to sound somewhat corny and commercial, but careful listening reveals that the level of performances is highly professional and the result is anything but trivial. Herdzin, who was a member of the ensemble led by Zbigniew NamyslowskiFind albums by this artist at the time of the recording of this album, was already recognized as one of the brightest upcoming Polish Jazz musicians and his talent and ability are obvious. The string arrangements reveal Herdzin´s respect and love of Classical music, which will, in later stages of his career, come to the forefront of his activities. The rhythm section, which already at that time had a long tradition of playing together, is a perfectly oiled and masterfully synchronized team, which in the years to come will prove to be one of the best of its kind on the Polish Jazz scene. Although very accessible, this is still a great mainstream piano trio album, which sounds as good today as it did at the time of its recording and can be enjoyed both by Jazz enthusiast and listeners who do not listen to Jazz on a regular basis. Definitely worth looking for and being discovered now, almost twenty years later.

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KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965 GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz Recorded: 1965 Released: 2023 The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels. The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965. The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time. For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years. The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”. Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe. Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 21/02/2024Posted: 21/02/2024

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WLODZIMIERZ KORCZ ~ 07 ZGLOS SIE (SOUNDTRACK) GAD 036 (Barcode: 5901549197464) ~ POLAND ~ Soundtracks Recorded: 1976 - 1987 Released: 2015 This album collects a series of compositions by pianist / composer Wlodzimierz KorczFind albums by this artist, which were used as the soundtrack of the Polish TV thriller series called "07 Zglos SieFind albums with this title" (07 Call In). Most of the thirty five short (around two minutes on average) tracks are instrumentals and only a few are songs which include lyrics. The music was recorded mostly by the Polish Radio and TV Orchestra, which featured many top Polish Jazz players active at the time and was directed by Andrzej KurylewiczFind albums by this artist. The exact lineups of the orchestra and other combos are undocumented. The music, although with a certain Jazz tinge, is mostly just easy listening material, which has a certain nostalgic value, but not a real musical impact. What might have been ideal as a soundtrack does not really hold water on its own. Of course some of these compositions are really nice, and are beautifully performed, like the closing track which features saxophonist Henryk MiskiewiczFind albums by this artist, but by and large they are pretty forgettable. Of course for generation of Polish TV viewers this music is an endless source of nostalgic memories, which take them back in time. The cult status of this series, which is still regularly screened by the Polish TV, seems to be everlasting, with young generations of viewers discovering it anew.

Updated: 27/02/2016Posted: 27/02/2016

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ANDRZEJ KURYLEWICZ ~ TRIO POLSKIE RADIO 0226-0227 (Barcode: 5901448112261) ~ POLAND ~ Jazz Recorded: 2000 Released: 2007 The legendary Polish Jazz pianist / composer Andrzej KurylewiczFind albums by this artist is one of the godfathers of the great Polish Jazz movement, starting from the 1950s. Sadly his role is often almost forgotten and certainly much less appreciated that that of his counterpart pianist / composer Krzysztof KomedaFind albums by this artist, who managed to achieve some international exposure and prominence. Kurylewicz is a formidable force and his skills as pianist / composer / arranger / conductor are truly admirable. He also composed music for cinema, theatre and TV as well and contemporary Classical music. Unfortunately his recorded legacy of Jazz performances is rather limited and therefore the outmost importance of this superb album, which documents his return to Jazz piano after several years of absence, with his brilliant trio with bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. These absolutely stunning recordings present the trio playing a set of original compositions and standards, played with finesse and taste completely unmatched. Of course the age and experience of the veteran musician have a lot to do with this (he was almost 70 by the time of this recording) but the talent and above all his incredible feel for Jazz, melody and improvisation, which are simply beyond what most other musicians have to offer. In his own compositions Kurylewicz is deeply rooted in the Polish musical tradition, which incorporates folklore and Classical music. His interpretation is typically European; elegant, sophisticated, clever and moving and this music simply uplifts the listener to another plane. The album also includes several video clips taken during the recording sessions of this album, which are also a great pleasure to watch. In short this is a great example of Polish (and European) Jazz at its finest moments, which should be treasured by Jazz connoisseurs around the world. A must!

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ANDRZEJ KURYLEWICZ / TOMASZ STANKO ~ KOROZJE POLJAZZ / ANEX 218 (Barcode: 5907513047476) ~ POLAND ~ Jazz Recorded: 1983 Released: 2009 Two icons of Polish Jazz: pianist / composer Andrzej KurylewiczFind albums by this artist and trumpeter / composer Tomasz StankoFind albums by this artist combine forces on this superb album presenting an unusual setting of piano / trumpet duets. This intimate meeting of Giants is full of beautiful interplays and intelligent music, effortlessly overcoming the limitations of the absence of a rhythm section. The music, although pre-composed is basically improvised on the spot, based mostly on the intimate dialog between these two outstanding musicians. The album requires attentive listening and probably repeated listening sessions to be completely understood, but after all this is typical of all great music. Enthusiasts of Polish Jazz will find this album an integral part of their collection and all lovers of modern Jazz should definitely try it out. Superb stuff!

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ANDRZEJ KURYLEWICZ / WANDA WARSKA / NIEMEN ~ MUZYKA TEATRALNA I TELEWIZYJNA MUZA 842 (Barcode: 5907783498428) ~ POLAND ~ Jazz Recorded: 1971 Released: 2006 Since the day this album was released I´ve always cherished it as one of the greatest albums ever recorded. Undoubtedly my Polish background, my love of the Polish Culture and my ability to understand the lyrics / poetry has something to do with the fact that this album is so meaningful to me, but honestly I believe that any music connoisseur in the world should be moved by this extraordinary music and performances. The music, composed by pianist / composer Andrzej KurylewiczFind albums by this artist, one of Poland´s musical icons and a precursor of Polish Jazz, was originally written for theatre and television and is presented here in a special arrangement for a string orchestra and Jazz combo, featuring two of Poland´s most extraordinary vocal talents: Wanda WarskaFind albums by this artist and NiemenFind albums by this artist. The Jazz combo consists of the composer on piano, trumpeter Andrzej PrzybielskiFind albums by this artist, bassist Jacek BednarekFind albums by this artist and drummer Wladyslaw JagielloFind albums by this artist. The lyrics are all based on Polish poetry, mainly works of the great Polish poet Cyprian Kamil NorwidFind albums by this artist. Warska, the leading interpreter of Polish poetry and faithful performer of the music composed by Kurylewicz, is a superbly sensitive singer blessed by an angelic voice and extraordinary theatrical sensitivity. Niemen is of course Poland´s all time greatest musical genius known worldwide for his achievements, but his appearance on this album is one of the highlights of his career. Niemen´s "obsession" with Norwid´s poetry comes here to an ideal fruition and his vocal parts are simply breathtaking. Although not strictly a Jazz album, the album´s music has a distinct Jazzy character and falls easily into the extended definition of the genre. Overall this is a masterpiece of rare beauty, perfect in every sense, everlasting and always inspiring. An absolute must in every respect!

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MAREK NAPIORKOWSKI / ARTUR LESICKI ~ CELULOID V 009 (Barcode: 5903111377076) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the fifth album as a leader (or co-leader in this case) by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, one of the most respected musicians on the local scene. This time Napiorkowski teams up with another Polish guitarist / composer Artur LesickiFind albums by this artist, and as a duo they deliver a series of wonderful tunes, dedicated, as the title suggests, to the Polish Cinema and the music associated with Polish Cinematic Art. The album´s nine tracks feature music from six classic Polish movies (or TV series), composed by such luminaries as Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Wojciech KilarFind albums by this artist, Andrzej KurylewiczFind albums by this artist and others, directed by no less iconic figures such as Roman PolanskiFind albums by this artist, Andrzej WajdaFind albums by this artist and others. Both Napiorkowski and Lesicki contribute one original composition each, with the title tune (by Napiorkowski) repeated twice. The intimate and delicate duet setting creates a truly magical atmosphere, with the perfect balance between the acoustic and touches of electric sound, melody and improvisation, lyricism and inspiration. In fact this is definitely one of the best guitar duo albums I had the pleasure to listen to ever since I can remember. It is a perfect example of a case when two musicians simply amalgamate into one completely symbiotic and integral musical unit. Although obviously at some moments one of the players does play the lead and the other accompanies him, interchangeably of course, they are at all times simply one instrument, producing a coherent and fused soundscape. The music selections as well as the original compositions are all beyond reproach and the affectionate and intelligent treatment applied by the musicians awards everything such great music deserves: respect, love and personal involvement. Although seemingly basic and simple, the resulting music is full of intricacies that can be revealed only by very attentive and open-minded listening, which this exquisite album truly deserves. It is such a pleasure to see Napiorkowski move forward and try new things on his musical path. Compared to the complexity and sophistication of his previous album "Up!Find albums with this title" the intimacy and modesty of this album might appear as strikingly different, and yet Napiorkowski manages to preserve the quality and total dedication in full, regardless of the external form of his work. There are but a few musicians around with such class. In short this is simply a gem of an album, which enchants and uplifts spiritually from the very first to the very last note delivered. Superb sound quality and production turn it into a superb aesthetic treasure, which should not leave any listener unmoved. Hats off to both magicians!

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ORANGE TRANE ~ INTERPERSONAL LINES SOLITON 526 (Barcode: 5901571095264) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the fifth album by the excellent Polish Jazz ensemble Orange TraneFind albums by this artist, which consists of vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz LosowskiFind albums by this artist. On this album two players are featured as guest musicians: the British saxophonist Soweto KinchFind albums by this artist and the young Polish saxophonist Jakub SkowronskiFind albums by this artist. The album presents seven pieces, five of which are original compositions (four by Lemanczyk and one by Bukowski) and two are compositions by legendary Polish Jazz figures: Zbigniew SeifertFind albums by this artist and Andrzej KurylewiczFind albums by this artist, included here as the band´s tribute to the older generation of Polish Jazz pioneers. The band continues its musical path faithfully, playing modern Jazz at the highest possible standard, characterized by the virtuosic vibraphone parts by Bukowski, no less virtuosic bass playing by Lemanczyk, who consistently delivers superb lines as only he can and is completed by the energetic and elegant drumming by Losowski. The addition of the two saxophonists expands the overall sound of the band, but does not change dramatically the character of the music. As usual, Lemanczyk also delivers his lovely compositions, which serve as ideal vehicles for the members of the ensemble to carry their individual statements. The collection of his compositions for Orange Trane, his solo albums and other recordings emerges as one of the most consistent bodies of Jazz compositions on the Polish scene, for which he deserves much more recognition than is actually awarded to him. The greatest asset of Orange Trane is the consistency of their work, which does not try to show off or amaze the listeners but rather concentrates on keeping the musical excellence and deliver honest, straightforward musical message. There is a certain minimalism and introversion involved in their musical delivery, which often emphasizes the "less is more" principle. Overall this is another great addition to the Orange Trane legacy, which over time achieved the symbol of quality, which does not disappoint. Well done gentleman, again!

Updated: 26/09/2016Posted: 26/09/2016

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KUBA PLUZEK ~ ELEVEN SONGS V 007 (Barcode: 5903111377069) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the second album by young Polish Jazz pianist / composer Kuba PluzekFind albums by this artist and his first solo piano outing. It presents, as the title suggests, eleven "songs", or rather compositions, treated in a very melodic way, two of which are his own compositions and the remaining nine are by Polish (Zbigniew WegehauptFind albums by this artist, Andrzej KurylewiczFind albums by this artist) and other (Brad MehldauFind albums by this artist, Michel PetruccianiFind albums by this artist, Dave HollandFind albums by this artist) Jazz musicians / composers or by non-Jazz cinematic composers (Hans ZimmerFind albums by this artist, Luis BacalovFind albums by this artist). From the very first notes of this album it becomes immediately apparent that Pluzek justifies all the high hopes expressed as a result of his debut album a couple of years earlier. His technique and touch are completely fluid and seamless, which is quite exceptional at his age. His choice of material seems to be no less intelligent and sophisticated than the actual performance, creating a roundness and sense of continuity, which only a few solo piano albums are able to achieve. The piano playing style Pluzek utilizes on this album is based on extended continuous left hand arpeggios and the right hand stating the melody lines and chord progressions, which is somewhat similar to early Keith JarrettFind albums by this artist solo piano work, and is equally effective. His ability to play around with the tempi and producing a wide range of dynamic shifts is also impressive. But beyond the technical facets of his playing, Pluzek expresses a beautiful lyricism and romance, which only the greatest piano players are blessed with. His interpretation of the classic ballad "Danny Boy", which has been performed countless times before, is a case in point. The entire experience of listening to this album is full of straightforward joy of music and of life, a rare moment of pure pleasure, which leaves the listener relaxed and deeply satisfied once the journey is over. Although this is one of the first Polish Jazz albums of 2015, it is already pretty sure to become one of the contenders of the annual competition of top albums for this year. Definitely a commendable successor to the exceptional debut, this album is everything a piano solo album is supposed to be – a spiritual experience!

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POLISH RADIO JAZZ ORCHESTRA / ANDRZEJ KURYLEWICZ ~ POLISH RADIO JAZZ ARCHIVES VOL.23 POLSKIE RADIO 1875 (Barcode: 5907812248758) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015 This is the twenty-third installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The nineteen tracks collected here were recorded in 1964 by the Polish Radio Jazz OrchestraFind albums by this artist conducted by pianist / trumpeter / trombonist / composer Andrzej KurylewiczFind albums by this artist. Sixteen tracks were recorded by the Polish Radio Studio during various sessions and three were recorded live during the seventh Jazz Jamboree Festival. The orchestra included at the time several well known musicians, like saxophonists Michal UrbaniakFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist, vibraphonist Jerzy MilianFind albums by this artist and others. The material is a mixture of Jazz standards (five tracks) and original compositions by Polish Jazz composers: Jan Ptaszyn WroblewskiFind albums by this artist (six tracks), Jerzy Milian (three tracks), Andrzej Trzaskowski (two tracks), Edward DylagFind albums by this artist (two tracks) and Michal Urbaniak (one track). The arrangements and orchestrations are firmly based in the American Big Band tradition, but the overall sound of the orchestra already shows the European approach and the majority of original compositions reflects the tendency to find a new path, which will take big format Jazz another step forward in the years to follow. Of course the individual performances, soloing and orchestral harmonization are all top-notch. In the historic perspective this is a superb document of the transition between the American influenced Jazz and the emancipated European Jazz that is about to erupt, including the big format Jazz environment. Trzaskowski, of course, was definitely one of the pioneers of this new movement, and his influence was crucial as far as the Polish Jazz is concerned, prompting and leading it to make the shift. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

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KRYSTYNA STANKO ~ USLYSZ MNIE POLSKIE RADIO 1125 (Barcode: 5907812241254) ~ POLAND ~ Pop & Rock Recorded: 2005 - 2007 Released: 2008 This is the fourth album by Polish singer / songwriter Krystyna StankoFind albums by this artist, which marks an end of the initial phase of her career during which she tried to establish a unique identity, both as a songwriter and a singer. All through that phase she moved between Pop, Alternative Rock and even Jazz-Rock Fusion and recorded three albums with two different groups she was part of at the time and finally recorded this, her "real" debut solo album. The album presents twelve songs, eleven of which are original creations by Stanko (lyrics and music) and the last one is a tribute to the great Polish Jazz pianist / composer / arranger Andrzej KurylewiczFind albums by this artist, who wrote this beautiful lullaby to the words of Polish National Poet Adam MickiewiczFind albums by this artist, which was previously magnificently performed by the great NiemenFind albums by this artist. The album was recorded during two separate recording sessions, almost a couple of years apart. Stanko is basically accompanied by a trio: guitarist Jacek KrolikFind albums by this artist, bassists Piotr ZaczekFind albums by this artist (electric) or Piotr LemanczykFind albums by this artist (acoustic) and drummer Piotr KrolikFind albums by this artist with five additional musicians contributing occasionally on several tracks. In spite of this rather limited instrumental accompaniment, the overall result is beautifully coherent and sounds complete as it is. Her vocals are the focus of this album, and rightly so, as her vocal abilities, her intelligent treatment of the lyrics and her emotional range are all of star quality, in evidence of her coming of age as an artist and a vocalist. But the most amazing thing about this album is of course the quality of the original songs, all of which are excellently crafted musically and adorned by meaningful, sometimes witty and always sincere lyrics, which are extremely rare these days. Stanko doesn´t hold back and dares to touch on painful subjects and deeply personal feelings about human relationships and even political / social issues, reminiscent of the protest songs of the 1960s. In complete contrast to the brainless lyrics the showbiz and media use to brainwash the human race, these songs really have something to say. In retrospect one might lament the fact that Stanko did not (yet) repeat this format, i.e. writing lyrics and music herself, in her next albums, hoping that this will be remedied soon. Her decision to move into the Jazz & Poetry realm is now completely understandable of course. This album lost nothing of its charm and freshness over time. It´s probably less perfect than her later recordings, but who cares; this is a beautiful collection of superb songs, which should make any listener happy. Grab it before it disappears forever!

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.06 POLSKIE RADIO 1625 (Barcode: 5907812246259) ~ POLAND ~ Jazz Recorded: 1962 Released: 2013 This is the sixth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents a second batch of recordings made during the 5th Jazz Jamboree Festival, which took place between October 27 and 29, 1962 in Warsaw. The artists include mostly Polish Jazz ensembles: Andrzej KurylewiczFind albums by this artist quintet (with Kurylewicz playing trumpet rather than piano), legendary singer Wanda WarskaFind albums by this artist with pianist Wojciech KarolakFind albums by this artist trio, Jan TomaszewskiFind albums by this artist Big Band, Jerzy MatuszkiewiczFind albums by this artist Swingtet and New Orleans StompersFind albums by this artist. In addition the album also includes two tracks by the Hungarian pianist Atilla GarayFind albums by this artist and his trio and one track by Soviet pianist Vadim SakunFind albums by this artist and his sextet, which includes legendary Soviet Jazz players like guitarist Nikolaj GrominFind albums by this artist and saxophonist Aleksiej KozlovFind albums by this artist. In many respects this is a review of Eastern European Jazz at the time. The music includes original compositions (Kurylewicz, Garay and Gromin) and Jazz standards, from Dixieland to Bebop, which were the model for most modern European Jazz musicians at the time, leading to the development of a new style, which would crystallize over the next few years. The performances are all excellent and their invaluable historical significance is beyond reproach. Beautifully restored sound quality and a warm ambience of the live analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its meaning to the development of Polish Jazz in particular and Polish Culture in general. Nevertheless this is an essential piece of history which every Polish / Eastern European Jazz fan will surely consider an absolute must.

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.08 POLSKIE RADIO 1627 (Barcode: 5907812246273) ~ POLAND ~ Jazz Recorded: 1961 - 1962 Released: 2013 This is the eighth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made during 1961 and 1962 by the top Polish Jazz musicians active at the time, exhibiting a wonderful panorama of the local scene at the time. All the thirteen tracks are Jazz standards performed by Jazz musicians all over the world and therefore the album is a superb opportunity to compare the level of musicianship of the first post WWII generation of Polish Jazz to their American and European counterparts. Listening to the album immediately shows that technically these players were as gifted and skilled as any other Jazz performers at the time, despite the disadvantage of living and playing behind the Iron Curtain and being almost completely isolated from the current developments. Stylistically Polish Jazz at the time was still very much under the American mainstream influence, and although Free Jazz was already making a rapid progress and breaking all the established boundaries in the US, it would take a few years until it bloomed in Poland as well. The material was recorded by four iconic figures of the early Polish Jazz and their respective ensembles: pianist / composer Andrzej TrzaskowskiFind albums by this artist and his quintet, saxophonist / composer Zbigniew NamyslowskiFind albums by this artist and his quintet called Jazz RockersFind albums by this artist, vibraphonist / composer Jerzy MilianFind albums by this artist and his quintet and trumpeter / composer Andrzej KurylewiczFind albums by this artist and his group. The most renowned sidemen include saxophonist Michal UrbaniakFind albums by this artist, pianist Wojciech KarolakFind albums by this artist, bassist Roman DylagFind albums by this artist and many others. The performances are all excellent and their invaluable historical significance is beyond reproach. Beautifully restored sound quality and a warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Polish Jazz. Nevertheless this is an essential piece of history which every European Jazz fan will surely consider an absolute must.

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.15 POSKIE RADIO 1665 (Barcode: 5907812246655) ~ POLAND ~ Jazz Recorded: 1961 - 1962 Released: 2014 This is the fifteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents the second volume of recordings made in 1961 and 1962 by Polish Radio in several Polish cities, presenting Polish Jazz ensembles performing American Jazz standards. Although played well, this music presents very few challenges as far as Jazz development is concerned, but from a historical perspective that stage of development was an important step towards a the creation of a new voice in modern Polish Jazz, which was just around the corner. Playing standards prepared these musicians for the challenges that were in store for them when the music made a decisive leap forward towards the new Polish / European Jazz. The album includes sixteen tracks, by two ensembles, playing as mentioned earlier standards, in a manner still very similar to their American models. The ensembles are: Zbigniew NamyslowskiFind albums by this artist (saxophone) Jazz RockersFind albums by this artist with saxophonist Michal UrbaniakFind albums by this artist, pianist Krzysztof SadowskiFind albums by this artist, bassist Adam SkorupkaFind albums by this artist and drummer Andrzej ZielinskiFind albums by this artist (thirteen tracks) and Andrzej KurylewiczFind albums by this artist (piano / trumpet) quintet with saxophonists Jan Ptaszyn WroblewskiFind albums by this artist, pianist Wojciech KarolakFind albums by this artist, bassist Roman DylagFind albums by this artist (bassist Jan ByrczekFind albums by this artist plays on one track) and drummer Andrzej DabrowskiFind albums by this artist (three tracks). Stylistically the music is based on mostly Bee Bop and Hard Bop standards, played with obvious talent and affinity, but lacking any originality. Of course this is still an important document of the era and fans of mainstream Jazz and Polish Jazz history should be happy with it. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 12/06/2018Posted:

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.21 POLSKIE RADIO 1873 (Barcode: 5907812248734) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015 This is the twenty-first installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The seventeen tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. This is second part of the Jazz Jamboree 1964 recordings. The music was performed by four different ensembles, which are: the Polish Radio Jazz OrchestraFind albums by this artist conducted by Andrzej KurylewiczFind albums by this artist (four tracks), the Czechoslovak Gustav Brom OrchestraFind albums by this artist (five tracks), the Polish Traditional Jazz ensemble Warsaw StompersFind albums by this artist (three tracks) and finally the Dutch singer Rita ReysFind albums by this artist accompanied by a trio led by her husband pianist Pim JacobsFind albums by this artist with his brother Ruud JacobsFind albums by this artist on bass and guitarist Wim OvergaauwFind albums by this artist (five tracks). Most of the music consists of standards, but the Polish Radio Orchestra plays two, the Gustav Brom Orchestra four and the Warsaw Stompers one original composition. The music performed by the Gustav Brom Orchestra is by far the most interesting part of this album, and includes very advanced modern compositions, arrangements and individual performances. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.26 POLSKIE RADIO 2058 (Barcode: 5907812247119) ~ POLAND ~ Jazz Recorded: 1965 Released: 2016 This is the twenty-sixth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The tracks presented here were recorded live in December 1965 during the eighth Jazz Jamboree Festival in Warsaw and are the first volume of a collection of tracks from that event. The first five tracks present the great British vocalist Annie RossFind albums by this artist, who revolutionized the vocal Jazz idiom as a member of the legendary trio Lambert, Hendricks & RossFind albums by this artist, which she left in late 1962 to start her solo career. She is accompanied by a trio consisting of Polish pianist Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. All the songs are Jazz standards. The next four tracks present the great Polish vocal ensemble NOVIFind albums by this artist in their earliest incarnation as a quintet, which includes in addition to their leader Bernard KawkaFind albums by this artist also Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist, Waldemar ParzynskiFind albums by this artist and Aleksander GluchFind albums by this artist, who left the ensemble before they recorded their debut album Bossa NovaFind albums with this title in 1967. NOVI modeled their vocal style on earlier vocal Jazz ensembles like Lambert, Hendricks & Ross, and their tracks appearing immediately following the Ross´s tracks is symbolic. NOVI are accompanied by pianist Adam MatyszkowiczFind albums by this artist (Adam MakowiczFind albums by this artist), bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. All the tracks are vocal arrangements of Jazz standards. The next three tracks present a quartet led by legendary Polish Jazz pianist / trombonist / composer Andrzej KurylewiczFind albums by this artist with guitarist Janusz SidorenkoFind albums by this artist, bassist Edward DylagFind albums by this artist (older brother of Roman DylagFind albums by this artist, who is mistakenly listed here) and drummer Jerzy BartzFind albums by this artist. The rare appearance of Kurylewicz playing the trombone is one of the highlights of this album. They perform a couple of adaptations, one of a classical piece by Polish composer Stanislaw MoniuszkoFind albums by this artist and the other of a folk tune and finally one original composition by Kurylewicz. The last two tracks present a quartet led by legendary Polish Jazz saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist with pianist Wojciech Karolak, bassist Juliusz Sandecki (here misspelled as Janusz), and drummer Andrzej DabrowskiFind albums by this artist. They perform on original composition by Wroblewski and an extended version of a Miles DavisFind albums by this artist classic. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 03/12/2016Posted: 02/12/2016

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WANDA WARSKA ~ DOMOWE PIOSENKI POLSKIE RADIO 1984-1985 (Barcode: 5907812249847) ~ POLAND ~ Jazz & Poetry Recorded: 1964 - 2015 Released: 2016 This is a phenomenal collection of radio recordings by the iconic Polish Jazz vocalist Wanda WarskaFind albums by this artist, the wife of the Godfather of Polish Jazz, pianist / trumpeter / trombonist / composer / arranger / conductor / bandleader Andrzej KurylewiczFind albums by this artist. In retrospect, considering the criminally limited recorded legacy by Warska, in spite of her status and immense talent, she was perhaps overshadowed by the colossal figure of her husband and perhaps decided to support his career rather than develop her own. Whatever the reasons might have been, there is almost nothing available on the Polish music market that reflects her incredible artistry and this collection is a most welcome, albeit much belated, tribute to this Wonder Women! This 2CD album presents thirty seven stunning songs, all of which have two things in common: Warska sings them all and she wrote the lyrics to all of them, unveiling a part of her creative nature less know to the public. As if this wasn´t impressive enough, she also composed twenty four of these songs. Those she did not composed are mostly by Brazilian composers: Antonio Carlos JobimFind albums by this artist, Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist and Joao GilbertoFind albums by this artist, the Godfathers of Bossa Nova and modern Brazilian music (total nine songs). Warska started her career as a lyricist in 1964, when she translated into Polish the a/m Bossa Nova songs, which swept the Polish scene as they did all over the world at the time. The remaining four songs come from other sources and interestingly none of the songs on this album were composed by Kurylewicz. These songs were recorded during a number of recording sessions as follows: one song was recorded in 1963, five songs were recorded in 1964, seven songs were recorded in 1966, one song was recorded in 1971 and seven songs were recorded in 1972; on all of the above twenty one songs Warska is accompanied by various ensembles led by Kurylewicz, lineups of which are unknown. Thirteen songs were recorded in 2002 and one in 2004 with a quartet which included Kurylewicz on piano, guitarist Marek NapiorkowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. Two more songs were recorded in 2015 (after the passing of Kurylewicz in 2007) with a trio featuring pianist Andrzej JagodzinskiFind albums by this artist, Napiorkowski and Panta. The songs composed by Warska are all pearls of the Polish Jazz & Poetry idiom, full of that heartbreaking lyricism, Slavic melancholy and beautiful melodies, that only Poles are capable of weaving. Warska´s interpretations of these songs are absolutely divine, although she was always the absolute Queen of Cool, playing around with her beautiful voice and using cleverly the idiosyncrasies of the Polish language and diction, but eschewing theatrics and drama. This perfect minimalism is her trademark, and sets her apart from all other Polish Jazz vocalists, regardless of their age. In truth this album is a wonderful opportunity to compare Warska to her alter ego, the legendary Polish Jazz vocalist Ewa DemarczykFind albums by this artist, who also enjoys an iconic status based mostly on a very limited number of recordings done decades ago. Demarczyk and Warska are the two most important figures of the Polish Jazz vocal artistry, and they both remain unchallenged so far. Demarczyk, the absolute Drama Queen, is the devilish face of Polish Jazz vocals whereas Warska is the absolute angelic face of it. They compliment each other perfectly, like Yin & Yang and a prospect of seeing them both on one stage and / or the possibility of them making an album together gives me the Goosebumps. As usual in such cases, the lyrical content of this album is sadly limited to those listeners who understand the Polish language, however I´m pretty sure that the beauty and the power of these songs is much stronger than language barriers and all sensitive listeners anywhere on this planet should be able to enjoy this album immensely. As far as Polish Cultural Heritage is concerned, this is an absolute National Treasure, which deserves to be cherished and studied by young musicians in Poland, first and foremost by vocalists of course. For us, the humble admirers, this is an essential addition to our record collections, no questions asked. We thank you from the bottom of our hearts!

Updated: 05/05/2016Posted: 05/05/2016

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JAN PTASZYN WROBLEWSKI ~ MOI PIERWSI MISTRZOWIE BOOGIE 007 (Barcode: 5903292108902) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is a live recording by one of Polish Jazz Godfathers, saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist and his sextet, which also includes trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, pianist Wojciech NiedzielaFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist, all renowned Polish Jazz musicians. As the album´s title suggests, Wroblewski (born 1936) pays tribute to three Polish Jazz icons, with whom he played as a young musician: Krzysztof KomedaFind albums by this artist (born 1931), Andrzej TrzaskowskiFind albums by this artist (born 1933) and Andrzej KurylewiczFind albums by this artist (born 1932). Sadly all three are no longer with us. Of the six tracks on the album, three were composed by Komeda, two by Trzaskowski and one by Kurylewicz. In the liner notes Wroblewski lists the many differences between these three legendary figures and his personal experiences from the encounters with them. The music is kept well within the mainstream modern Jazz idiom, perfectly and flawlessly performed by all the musicians involved, but somehow lacking the excitement and exhilaration one might expect but such classy company and such ambitious task. The arrangements of the remarkable compositions presented herein are also not in par with the expectations, especially the Komeda tunes, which sound as if they were simplified and sound way too "smooth" in comparison to their original form, as intended by the composer. Overall this is a first class collection of classic Polish Jazz compositions, played by a highly professional sextet, which sadly fails to reach the level of depth and sincerity these tunes deserve. Of course mainstream Jazz enthusiasts will find this album to be perfectly adequate, but for me a feeling of a missed opportunity is lingering as this music plays in the background. The individual solo spots, which are quite impressive in some cases, fail to save the day. I´m sure Wroblewski and his cohorts will rise to the challenge again next time.

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