Record Reviews

KRZYSZTOF HERDZIN ~ JESTES SWIATLEM UNIVERSAL 602537293872 (Barcode: 602537293872) ~ POLAND ~ Jazz & Poetry Recorded: 2012 Released: 2013 The Jazz & Poetry sub-genre is one of the pillars of Polish Jazz in particular, but also Polish Music in general, as it appears on the scene in many variations and crosses genre boundaries between Pop, Rock and Jazz since many decades. The abundance of great poets and poetesses as much as composers and performers, the intrinsic Polish lyricism and melancholy and the intellectual elitism of Polish Art evidently produce a fruitful ground for such meetings between words and music, which happen in the Polish Culture more often then anywhere else in the world. This album by celebrated Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is his contribution to the Jazz & Poetry legacy. It presents eight original compositions and one arrangement of a song by the Polish 19th Century Romantic composer Karol KurpinskiFind albums by this artist to the words of a late 18th / early 19th Century poet Franciszek KarpinskiFind albums by this artist, the father of Polish Sentimentalism. Of the eight compositions by Herdzin, one (the title track closing the album) is an instrumental and the others have lyrics by contemporary Polish poets: Konstanty Ildefons GalczynskiFind albums by this artist (one of my favorite Polish poets) and Kazimierz Przerwa-TetmajerFind albums by this artist. Herdzin assembled a dreamy team to record this music, which features him on keyboards and a plethora of other instruments, bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist. Guitarist Marek NapiorkowskiFind albums by this artist guests on five tracks. The vocal tracks are sung by the legendary Anna Maria JopekFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Grzegorz TurnauFind albums by this artist. Herdzin himself sings on one track and adds background vocals on two more. In spite of the truly excellent instrumental accompaniment and no less excellent vocals, the focus of this album is the original music, which spotlights Herdzin´s talent as a composer. Diverse and often even contrasting in the many tempi and cross-genre excursions, from deep lyricism to exotic World Music themes, this music remains constantly beautifully melodic and round. It fits the various poems used as the lyrics perfectly, which is always a great challenge for any composer. Even though Herdzin is still a relatively young musician, his enormous experience and his many talents come to full fruition herein. The instrumental work is pretty exciting as well, with Herdzin changing instruments more often that he changes his socks, playing all of them quite well, Kubiszyn playing some very nasty fretless bass parts that make the hair on your neck curl, Konrad keeps the entire ensemble rolling like only he can, and Napiorkowski adds some superbly tasty ornamentation. All three (or four in fact) vocalists are without reproach, with Jopek being (for me) divine as always, but the others not falling behind by any means. Turnau, who specializes in the Jazz & Poetry niche, sings most of the vocals, always with sensitivity and exquisite diction. So here we have it, another great album by Maestro Herdzin, whose inexhaustible energies know no limits. Jazz & Poetry buffs will of course love this to bits, but for any cultural music connoisseur this is a piece of music worthy admiration and a source of many pleasurable moments.

Updated: 01/01/2016Posted:

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ANNA JOPEK ~ INSIGHT ALPAKA 021 (Barcode: 3663734142872) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2022 This is the debut album by young Polish Jazz pianist / composer Anna JopekFind albums by this artist (not to be confused with the vocalist Anna Maria JopekFind albums by this artist), recorded with saxophonist / clarinetist Jakub KlemensiewiczFind albums by this artist, trumpeter Adam SkorczewskiFind albums by this artist and cellist Michalina SokolowskaFind albums by this artist. The album presents ten original compositions, all by Jopek except for the title track, which was co-composed by her and Klemensiewicz. The music is beautifully recorded and offers a sensational sound experience, and is elegantly packaged, including a set of monochromatic photographs, which ideally suit the music. The music is strikingly minimalist, offering mostly duos between the piano and saxophone / clarinet and is spiritually close to 20th Century Classical music with just an undercurrent of Jazz inclinations. There are strong Polish Folklore ties, not surprisingly, and the album is soaked in typical in Polish lyricism and deep melancholy. Klemensiewicz is the focal soloist here and his moving performances perfectly comply with his earlier recordings with Dominik KisielFind albums by this artist, which are amongst the finest examples of the work by the new Polish Jazz generation. This album firmly fortifies that position. Jopek’s piano performances are elegant, but subdued and her role often focuses on introducing the themes and then accompanying the saxophone / clarinet parts. Of course, as the composer, she deserves all the praise for creating this beautiful, moving and highly intelligent music, which despite its seeming simplicity is hugely effective. Even though there is no explicit innovation or revolutionary character in this music per se, it sounds remarkably fresh and intriguing, which is sadly extremely rare in today’s music. As already stated in several of my recent reviews, there is now an obvious tendency in the young Polish Jazz scene toward minimalism and deep exploration of Polish Folklore roots, probably as an antidote to the music pollution surrounding us all incessantly. This music definitely offers a balsam for the listener’s ears. Overall, this is a deeply moving, highly original album, and a sensational debut by a new talent on the Polish Jazz scene, which is definitely worthy of attention and following. Calm, soothing, soul-drenching and above all wonderfully musical, this is a true discovery. Well done young Lady!

Updated: 23/05/2022Posted: 23/05/2022

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ANNA MARIA JOPEK ~ DWA SERDUSZKA CZTERY OCZY UNIVERSAL 602517947825 (Barcode: 602517947825) ~ POLAND ~ Jazz-World Fusion Recorded: 2005 - 2008 Released: 2008 This phenomenal Box Set, or rather book set, combines three albums by Polish vocalist / songwriter Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist), recorded over a period of several years in the mid 2000s. It includes the album "IDFind albums with this title", a CD full of demos and outtakes which did not make it to be included on "ID" and the live album "JO & COFind albums by this artist". Together these three CDs summarize the "ID" period, which was a groundbreaking step in AMJ´s development as an artist. Packaged with a marvelous book full of black & white photographs of AMJ and the participating musicians, elegantly designed and exquisitely printed, this is a piece of Art in every sense of the word. Surrounded by a group of wonderful musicians form Poland and the world over she performs mostly self-written songs, mixing Jazz and World Music with the typical Polish melodic / lyrical atmosphere, which dominates the proceedings. The list of world famous musicians participating on "ID" is most impressive and includes saxophonist Branford MarsalisFind albums by this artist, bassists Christian McBrideFind albums by this artist and Richard BonaFind albums by this artist, drummer Manu KatchéFind albums by this artist, percussionist Mino CineluFind albums by this artist, oud player / vocalist Dhafer YoussefFind albums by this artist, guitarist / vocalist Oscar Castro NevesFind albums by this artist and pianist Tord GustavsenFind albums by this artist. Polish musicians include keyboardist Pawel Bzim ZareckiFind albums by this artist, guitarists Marcin KydrynskiFind albums by this artist and Marek NapiorkowskiFind albums by this artist, pianist Leszek MozdzerFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, pianist / arranger Krzysztof HerdzinFind albums by this artist, who is in charge of the string quartet and orchestral arrangements (performed by the Sinfonia VivaFind albums by this artist Orchestra). The live album includes also organist Jan SmoczynskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The music presents a complex panorama of sounds and ideas, which include many cross-genre excursions, vocal experiments, poetic vistas and intimate dialogs between the Artist and the world that surrounds her. AMJ has one of the sweetest voices on this planet and her big artistry is all about not to make sugary music, which would be quite natural for many other singers. She also has an incredible sense of rhythm in general and Jazzy swing in particular, which is quite rare. Her affinity to music originating beyond her native Polish / European sphere of influence is also quite remarkable. All these, combined with her unique expressionism as a singer and delicate, elegant, intricate vocal delivery make her one of my favorite singers of all times. AMJ enjoys a superstar status in Poland, which usually is a sign of tasteless commercialism and total lack of any artistic values. Her ability to be extremely popular and at the same time produce first class music is therefore especially impressive. Although some snobbish Jazz circles in her country deem her commercial and populist, this is simply completely unjustified and probably a sign of narrow-mindedness if not worse. I find it hard to believe that anybody listening to this music would feel anything but total admiration, as it is simply perfect.

Updated: 26/01/2019Posted:

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ANNA MARIA JOPEK ~ ID (POLISH EDITION) UNIVERSAL 602517348424 (Barcode: 602517348424) ~ POLAND ~ Jazz-World Fusion Recorded: 2006 - 2007 Released: 2007 Twelve brilliant albums in just ten years are surely an awe-inspiring record for even a most accomplished musician. Polish singer / composer / lyricist extraordinare Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist) seems to be unstoppable in her continuous path towards a secure position in the Pantheon of contemporary Jazz vocal achievements. Classically trained (at The Warsaw Music Academy) as a concert pianist, her Jazz singing was a second career opportunity, inspired by her stint at the Manhattan School of Music. The world of Jazz opened an entire new universe, which she embraced wholeheartedly and never looked back. Stars certainly smiled upon her as her career in her native Poland literally exploded, with her albums reaching Gold and Platinum sales one after another. Her big international break happened when Pat MethenyFind albums by this artist agreed to record an album with AMJ entitled "UpojenieFind albums with this title" (note also Metheny’s memorable cooperation with Israeli singer NoaFind albums by this artist a.k.a. Achinoam NiniFind albums by this artist). This opened a gate for AMJ to cooperate with many more world-class musicians, as demonstrated on this album. AMJ sings mostly songs she either wrote herself or were written by her husband / musical soul mate Marcin KydrynskiFind albums by this artist. Over the years the couple created a vast songbook, which deserves praise and admiration for it’s consistent quality. This album is in many respects a glorious expansion of AMJ’s already remarkable accomplishments. The creative process took over a year until fruition, with recordings in studios located across Poland, Paris and New York, with tragic personal events lurking in the background, which inevitably had a momentous influence on the outcome. The list of participating musicians is very impressive and includes such renowned Jazz and World Music artists as saxophonist Branford MarsalisFind albums by this artist (his solos are a sweet reminder of his fabulous work alongside StingFind albums by this artist), percussionist Mino CineluFind albums by this artist, bassist Christian McBrideFind albums by this artist, bassist Richard BonaFind albums by this artist, singer and oud player Dhafer YoussefFind albums by this artist, singer and guitarist Oscar Castro NevesFind albums by this artist and percussionist Manu KatchéFind albums by this artist. Top Polish players like Robert MajewskiFind albums by this artist (flugelhorn) and Leszek MozdzerFind albums by this artist (piano) also participate, alongside AMJ’s regulars: Pawel Bzim ZareckiFind albums by this artist (keyboards), Marcin Kydrynski (guitar) and Marek NapiórkowskiFind albums by this artist (guitar). The music (as already mentioned) is an extension of AMJ’s existing repertoire, with the usual deeply lyrical / melancholic ballads and highly expressive vocal improvisations beautifully spiced with World Music elements. Vocal duets with the African / Middle-Eastern motifs sung by Youssef are among the best of the kind ever attempted. Although profoundly melodic, AMJ’s music is full of surprises, with ever changing rhythm patterns, unusual harmonies and intelligent instrumentation. Songs are often multi-layered and complex technically, but the overall effect is easy on the ear and goes straight into the listener’s heart. This fantastic talent to weave this musical tapestry is something I admire in AMJ above all her many virtues. Of course her outstanding delivery is right on the money time after time. Regardless of the mood, tempo or harmony, her deep voice modulating between whisper and shout remains clear, expressive, sexy and enchanting. The entire album is very skillfully put together, with exceptional sound quality and superb recording. Definitely a masterpiece of contemporary Jazz-World Fusion and an essential piece of evidence pointing to the fact that music (and Art in general) know no bounds, no borders and no limits. 100 % Brilliant! Side Note: This is a Polish edition of the album. Apparently an international edition (with different contents) is due to be released later this year. Well, I can’t wait to put my hands on that. BTW the album went Platinum in Poland just 3 weeks after its release – apparently I’m not the only person who loves this stuff.

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ANNA MARIA JOPEK ~ LUSTRA UNIVERSAL 602527835242 (Barcode: 602527835242) ~ POLAND ~ Jazz-World Fusion Recorded: 2010 - 2011 Released: 2011 Polish vocalist extraordinaire Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist) never stops to amaze her faithful fans and devoted listeners, but this, her latest Box Set (or rather book set), which consists of not one, not two but three full-fledged musical projects released simultaneously, is simply awe-inspiring. The three projects, entitled "PolannaFind albums with this title", "HaikuFind albums with this title" and "SobremesaFind albums with this title", were also released separately, but this set includes all three of them packaged with a marvelous book full of photographs and background information, elegantly designed and exquisitely printed, in a format similar to her previous 3 CD set "Dwa Serduszka Cztery OczyFind albums with this title", released three years earlier. The three projects, although diametrically different from each other, form a coherent "whole", which reflects AMJ´s complex artistic vision of this world, which bridges different cultures, traditions and backgrounds, finding the common beauty in all of them, and engulfing her inner spirit. Obviously she feels completely "at home" with her music, regardless if it is rooted in the Polish melancholy, Japanese introversion and minimalism or Portuguese / African pulsations. Spanning the entire world this music is simply a living proof that geography, language and nationality have absolutely no meaning when artistic expression is concerned. As usual AMJ is surrounded by excellent musicians, some from Poland, other from around the world. The list is very long and can be studied by reading the book, but the most significant names include Japanese pianist / composer Makoto OzoneFind albums by this artist, Cuban pianist / composer Gonzalo RubalcabaFind albums by this artist, American keyboardist / producer Gil GoldsteinFind albums by this artist and many more. Polish musicians include, among others, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The music on all the albums is superbly recorded and mastered, being not only perfect musically but also sublime sonically even to the most uncompromising sound quality connoisseurs. This is a "total" listening experience, which is so incredibly rare these days. I must say that every time I confess my love of AMJ´s work my Jazz friends give me a "funny" look, which I find often infuriating. This is not Free Jazz, it´s not freely improvised music, and in fact it is only marginally Jazz at all, or rather a Jazz-World Fusion. So what? I find it fulfilling, challenging, aesthetic and meaningful nevertheless. The fact that this music can be enjoyed by a wide circle of listeners without losing an iota of quality and dedication testifies of its inherent value, which I´m always ready to defend. So overall this is a serious piece of excellent music, diverse and surprising, deeply heartbreaking at times and unboundedly cheerful at others, but always honest and straight to the point, again a rare quality these days. Keep doing what you are doing girl, never look back!

Updated: 26/01/2019Posted:

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ANNA MARIA JOPEK / BRANFORD MARSALIS ~ ULOTNE AMJ 001 (Barcode: 5906395769315) ~ POLAND ~ Jazz Recorded: 2015 - 2017 Released: 2018 Every new release by the Polish Diva Anna Maria JopekFind albums by this artist is a celebration of Culture and a major musical event on an international scale, especially so when it involves a revered Jazz superstar like saxophonist Branford MarsalisFind albums by this artist. Jopek, famous for her consistent independent Artistic vision, managed to create her own universe, where she does not need to compare or compete with the rest of the world, which enables her complete freedom of expression and self-determination, which only very few Artists worldwide were able to achieve over time. Recording an album with Marsalis was a dream, which Jopek held on to since the time she heard him playing with StingFind albums by this artist, which of course was a huge influence on every true music lover at the time. The incredible chemistry that Sting and Marsalis demonstrated was an extremely tall order to follow, but Jopek never eschewed a challenge and this album proves that the realization of that dream was indeed worthwhile waiting for. The album was recorded during two separate recording sessions, twenty one months apart, which considering the busy schedule that Jopek and Marsalis are both entangled in, is not as surprising as it might sound. The somewhat esoteric group of musicians includes percussionist Mino CineluFind albums by this artist, pianists Krzysztof HerdzinFind albums by this artist (who was also in charge of arrangements and conducting) and Marcin WasilewskiFind albums by this artist, multi-instrumentalist Piotr NazarukFind albums by this artist, bassist Robert KubiszynFind albums by this artist and Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Polish Folklore Guru Maria PomianowskaFind albums by this artist guests on one track. The album presents ten tracks on the "formal" first CD and four additional tracks (one of which is an alternate version of a track on the album) on the "bonus" second CD. The songs are mostly originals, written by Jopek or co-written with her spouse Marcin KydrynskiFind albums by this artist, one song is by Herdzin, one by Tomasz StankoFind albums by this artist (see below), one by Andrzej ZielinskiFind albums by this artist (SkaldowieFind albums by this artist) and one by Harry KandelFind albums by this artist with the rest being originally traditional Polish Folklore songs. Musically the album marks a return to Jopek´s established modus operandi, which combines Polish Folklore and original songwriting, spiced with Jazzy arrangements and of course dominated by her highly original expressionism. The music is deeply soaked in Polish lyricism and melancholy and her decision to sing in the Polish language emphasizes these elements even further. Marsalis plunges into this Slavic environment with vigor and determination, as if Eastern European sensitivities were his second nature, which is quite remarkable. It proves not only his openness and ability to embrace diverse Cultures, but also his incredible musicality, which enables him to feel completely at home in this Slavic musical setting. It also proves, perhaps more importantly, that music is universal, as is human soul, and ethnic boundaries can be crossed and amalgamated on the collective plane. Jopek, Marsalis and all the musicians involved in the recording of this album are of course veteran professionals in addition to their individual Artistic abilities, which results in the music being perfectly and incredibly sensitively executed. This music requires total dedication and every single note played by every musician at every given moment must be precisely articulated to achieve the desired effect. Luckily this team rises to the challenge admirably. The delicate and wonderfully written string arrangements performed by the Atoms add a superbly "angelic" aura to the overall sound and the folkloristic elements by Nazaruk spice the proceedings splendidly. Marsalis plays a series of breathtaking solos throughout the album, exactly as expected of course and Jopek, as always, manages to create goose bumps all over the listener´s body regardless if she sings lyrics or awe-inspiring vocalese. When selecting the material for this album, Jopek requested the permission of Tomasz Stanko to use his beautiful ballad "A Farewell To MariaFind albums with this title", originally used in the soundtrack of a movie of the same name, as she was sure Marsalis would be able to embrace the lyricism of this incredible melody and create a marvelous solo while performing it. She was right of course and this track is definitely one of the highlights of this album, and at the same time it constitutes a mournful tribute to Stanko, who passed away before the album was released. Another interesting piece is the excellent arrangement of the classic Harry Kandel (born in Lwow) Klezmer tune "A Night In The Garden Of Eden", which features Jopek´s hair-raising vocalese. Of course Klezmer music has always been an integral part of the Polish Folklore tapestry, in which the Jewish contribution was invaluable. Overall this album is a Masterpiece from start to finish, which is no news to the numerous Jopek´s fans. There is not one moment on this album, which is not inspirational and eloquent, heartwarming and heartfelt. Both deeply Polish and at the same time universally appealing this music knows no stylistic or Cultural boundaries. It is beautiful and sensitive and at the same time deeply emotional, soul-searching and introspective. In short, this album delivers everything one expects to hear when Great Artists are involved. Thank you, as always, my Dear!

Updated: 08/12/2018Posted: 08/12/2018

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ANNA MARIA JOPEK / GONZALO RUBALCABA ~ MINIONE UNIVERSAL 602557398083 (Barcode: 602557398083) ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 Polish Diva Anna Maria JopekFind albums by this artist reached a stage in her career, which places her outside the helter-skelter of the local music scene, basically free to do whatever she loves to do. This magnificent album is a result of her desire to re-examine the Polish popular music of the pre-WWII period, the music of her Grandmother and the music of Warsaw, the Warsaw Tango, which thrived in the city´s nightclubs but was also on the lips of Warsaw people during their daily mundane lives. The passionate songs about love, desire, betrayal and despair and love again, which squeezed tears from women´s blue, black, green or brown eyes since the beginning of humanity. These songs were written by such highly talented composers like Wladyslaw DanFind albums by this artist (Danilowski), Zygmunt BialostockiFind albums by this artist, Jerzy PetersburskiFind albums by this artist, Artur GoldFind albums by this artist and others and featured lyrics by poets like Andrzej WlastFind albums by this artist, Julian TuwimFind albums by this artist, Zenon FriedwaldFind albums by this artist and others; and yes they were mostly Polish Jews, which means that many of them did not survive the Holocaust: Bialostocki, Gold and Wlast perished in the Warsaw Ghetto or in concentration camps. Therefore this album is not only a tribute to the Polish Tango, but also homage to its creators. The album´s eleven tracks present eight Polish evergreens, one classic non-Polish song, which Jopek performs as a vocalese, and two short piano fragments related to two of the songs. Jopek selected an ideal partner for this recording in the brilliant Cuban pianist Gonzalo RubalcabaFind albums by this artist, whose virtuosity but more importantly incredible sensitivity and understanding of the tango rhythmic intricacies turn this album into a true masterpiece. The rhythm section consists of two renown Cuban musicians: bassist (electric and acoustic) Armando GolaFind albums by this artist and drummer Ernesto SimpsonFind albums by this artist. Together, in the minimal vocals / piano trio format, they create their magic, delicate, somewhat subdued and melancholic, but always directly penetrating the soul. This album stands out on its own in many respects, beyond comparison and competition, a mature piece of Art, which immediately enters the Polish Jazz vocal Hall of Fame, even if Jazz is not really its focal point. Jopek´s interpretations of these songs could be considered theatrical rather than straightforward Jazzy, but combined with the exquisite accompaniment the album stays within the Jazz idiom for the entire duration. And most importantly, as usual in such cases, is the fact that this is not just one more vocal Jazz album; it is way more in every sense: aesthetic, conceptual, historical and cultural. It is a symbol of good taste, respect of one´s tradition and roots, continuity and Artistic consistency, being a true beacon of Polish Culture in the best meaning of the term. My deepest heartfelt thanks to you my Dear Anna Maria!

Updated: 15/09/2017Posted: 15/09/2017

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KROKE ~ FEELHARMONY EMI 5099901770827 (Barcode: 5099901770827) ~ POLAND ~ Jazz-World Fusion Recorded: 2012 Released: 2012 In autumn of 2011 I had the pleasure of being present at the opening concert of the Singer´s Warsaw Festival, which featured Poland´s most prominent World Music ensemble KrokeFind albums by this artist and their guest, superstar vocalist Anna Maria JopekFind albums by this artist. Jopek, who in recent years discovered World Music herself, as evident on her latest recordings, was nevertheless quite a surprising partner for Kroke, and considering she only landed in Warsaw a few hours before the concert and managed only a brief rehearsal with them, things were quite tense. But when the lights went out and the music started, it was obvious that magic was in the air that night and for the next two hours the audience was completely mesmerized. Obviously the very same magic prompted Kroke to include Jopek on this, their next studio album. Kroke, which consists of viola player Tomasz KukurbaFind albums by this artist, accordionist Jerzy BawolFind albums by this artist and bassist Tomasz LatoFind albums by this artist, started in the early 1990s as a Klezmer band, one of numerous such bands established in Poland as a result of the Renaissance of the Jewish Culture in the country. They started to perform at Krakow´s old Jewish district Kazimierz, which became a fashionable tourist attraction, and in time their reputation grew. They were lucky to gain international attention and soon became the resident ethnic stars. In time they left Klezmer music almost entirely and embraced World Music originating in many different cultural spheres and added noticeable Jazz influence to their music. For this album Kroke joined forces with, in addition to the a.m. Anna Maria Jopek, also the excellent drummer Slawomir BernyFind albums by this artist and pianist / composer / arranger Krzysztof HerdzinFind albums by this artist, who co-produced the album, composed and arranged some orchestral intros to the band´s music and conducted the Sinfonietta CracoviaFind albums by this artist, which performed the orchestral parts. The album presents twelve pieces, eleven of which are original compositions by the band´s members and one is by the pioneer of modern Klezmer music Harry KandelFind albums by this artist. As the title suggests, the band intended to "take a step" into a more "symphonic" sound for their music, utilizing the orchestra. Unfortunately, intentions aside, the album fails to achieve the same level of excitement and spontaneous inspiration, which characterized the live concert I witnessed. Although Jopek delivers some superb vocal parts, they constitute only a small contribution to the entire project. The orchestral arrangements sound quite out of place in this case, turning the free spirit of World Music into a housebroken animal, which is a pity. Some things simply don´t go well together. Overall there is plenty of great music here and even if the album sounds very commercial at times, it was created by excellent musicians, who meant well.

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MAREK NAPIORKOWSKI ~ UP! V 002 (Barcode: 5903111377014) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 Although this is only his fourth album as a leader, Polish guitarist / composer Marek NapiorkowskiFind albums by this artist is one of the most recorded artists on the local scene, being probably the most in-demand session guitarist since many years, which resulted in him taking part in over 140 different albums so far. He played and recorded with many world famous musicians and literally with everybody who is anybody on the local Polish scene; people like Tomasz StankoFind albums by this artist and Anna Maria JopekFind albums by this artist, to mention just two extremely different environments, which emphasize his legendary diversity and chameleonic ability to suit every musical milieu. This is by far his most ambitious project so far, which involves eight of his original compositions arranged for a Jazz ensemble and a nine-piece chamber ensemble. The Jazz players are saxophonist Adam PieronczykFind albums by this artist, bass clarinet player Henryk MiskiewiczFind albums by this artist, pianist Krzysztof HerdzinFind albums by this artist, bassist Robert KubiszynFind albums by this artist and American drummer Clarence PennFind albums by this artist. Herdzin was also the man in charge of the arrangements, orchestration and conducting the chamber ensemble, turning him in many respects into the most significant contributor to this album alongside Napiorkowski. The result is a sophisticated Jazz-Classical Fusion, based on solid melodies and featuring many excellent guitar solos, which floats between energetic up-tempo moods and gentle melancholic themes. Although the individual tunes are not related per se, the overall ambience and atmosphere of the album turns it into a kind of orchestral suite for chamber orchestra and Jazz soloists. The guitar work on this album, both in the acoustic and the electric tonalities, is simply brilliant and for me the best ever achieved by Napiorkowski. Rather than trying to prove his ability as a player, which is already established anyway, Napiorkowski really concentrates on playing music, the essence that so often tends to be forgotten in favor of flashy emptiness. Herdzin, the Polish musical Wizard of Oz, once again manages to sprinkle his magic all over this music, both as a pianist and of course as the man behind the ornamentation, which makes this music spark and sizzle. Luckily he found the way of balancing the basic Jazz contents and the chamber enhancements, keeping them both intact and coexisting alongside each other rather than mixing them into an undistinguishable mesh, which happens, unfortunately, way to often in such situations. Herdzin is probably the only person on the local scene who can pull this off. Some listeners might have a problem to identify with this music, which often happens when an Artist changes his established path in search of new means of expression. Perhaps this will be either too Jazzy or not Jazzy enough for some? One can never satisfy everybody and it´s preferable that the Art prevails rather than the attempt to be liked by everyone. This album is a statement by a mature, self-aware musician, who presents his vision, hoping that other can share it with him. I certainly hope many will do so!

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PAWEL ROSAK ~ WHO KNOWS MJM 5273 (Barcode: 5908243452738) ~ POLAND ~ Smooth Jazz Recorded: 2016 Released: 2016 This is an album by Polish (resident in Spain) singer / songwriter / multi-instrumentalist Pawel RosakFind albums by this artist, recorded with a stellar lineup of support musicians, including Polish vocal diva Anna Maria JopekFind albums by this artist and bassist Robert KubiszynFind albums by this artist, American saxophonist Gary MeekFind albums by this artist, Brazilian guitarist Oscar Castro NevesFind albums by this artist, British (Scottish) guitarist Hugh BurnsFind albums by this artist, Cuban (resident in US) trumpeter / percussionist Lulo PerezFind albums by this artist and many others. The album presents eight original songs (one repeated twice), all written (in English) and composed by Rosak. The album was recorded in studios in Spain, US, UK and Poland and has a wonderfully warm and crystal clear sound quality. The music has a distinctive Latin / Brazilian feel, with Bossa Nova in the helm. The exquisite melodies are all carefully woven and sound so authentic that nobody would ever be able to guess they were created by a Polish artist, a fact which again proves that music knows absolutely no borders. Although the music is very accessible, it is elegant, intelligent and creative and keeps a highly aesthetic level. The instrumental arrangements are all perfectly suiting the music, emphasizing both the melodic character and the rhythmic vitality. The musicianship is obviously stellar, as can be guessed from the list of participants, but there is no unnecessary showing off by individual musicians, but rather a well balanced group effort to build up the best possible sonic backing to Rosak´s vocals. There are numerous short solos spread all over the album´s tracks of course, which are all little gems, but they don´t try to steal the show. Rosak has a very unique voice, which he uses wisely and effectively. The softness of his voice and his power of expression, both when singing lyrics or vocalizing, is very convincing and captivating and is perfectly suited to the music he creates. Moving between seductive almost whisper to fully evocative singing is one of his many talents. Overall this is a beautiful and highly rewarding album, which offers Bossa Nova and Cuban influenced music, with Jazz arrangements, superbly crafted musically and wonderfully executed by its author and a stellar team. Highly recommended to listeners with a romantic heart that beats a Bossa Nova rhythm. Satisfaction guaranteed. Side Note: Pawel´s and mine paths crossed many years ago in London via a mutual friend, the wonderful saxophonist Chris FrancisFind albums by this artist. We lost contact completely but recently renewed it, again with a little help from Chris, which led Pawel to send me his new album. Friendship is a wonderful power!

Updated: 30/01/2018Posted: 30/01/2018

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