Record Reviews

PIOTR DAMASIEWICZ ~ MNEMOTAKSJA FOR TUNE 0028 ~ POLAND ~ Jazz Recorded: 2009 Released: 2014 This is the debut album by the Polish Jazz quartet led by trumpeter / composer Piotr DamasiewiczFind albums by this artist, which also includes saxophonist Gerard LebikFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Wojciech RomanowskiFind albums by this artist. The music was conceived and created around 2008 / 2009, when the quartet played and rehearsed inside the Baptist Church in the center of Wroclaw, and where it was also eventually recorded live but without audience. It was available as an obscure private edition in a CD-R version and finally got its long overdue formal release, after a careful remix and sonic improvement by the excellent For Tune label. The album consists of ten original compositions, nine of which are by Damasiewicz and one by Garbowski. There is no doubt that Damasiewicz manages to establish a well deserved position as one of the top young Polish Jazz trumpeters on the contemporary scene, which is not by any means self-understandable considering the truly fierce competition and incredible flow of talent in that area. It is worth to compare this album with the trio recording Garbowski and Damasiewicz made at about the same time, called "ElementsFind albums with this title", which to some extent has a similar atmosphere. Stylistically the album sounds quite "retro", resembling the glorious moments when modern Polish Jazz was at the first peak of its aesthetic and artistic development, led by the Godfathers of the genre like Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist and others. The compositions are very much in the same mood as the music played then: romantic, minimalistic, delicate and full of lyricism and intrinsic melancholy. The same elements that made that music created half a Century ago completely eternal and outside of the time scale, are at work here as well. This music might have been made any time between the 1960s and now and would have fitted perfectly, being simply aloof from fads and fashions. The performances are also exceptional in every respect, both individually and collectively. Everything is kept in a relaxed, but disciplined mode, with conversation between the musicians being kept at the epicenter. The solos are inconspicuous, emerging slowly from the melodic heads, gently prompted by the superb rhythm section, which demonstrates an incredible affinity towards the music at all times, being as much creative as the two horns every step of the way. Garbowski has already an established record as one of the leading Polish Jazz bassists, but Romanowski, who also cooperates with another superb Polish Jazz trumpeter, Artur MajewskiFind albums by this artist, is a true discovery herein. Overall this is definitely one of the strongest and most significant statements on the Polish Jazz scene in the last decade, even though Damasiewicz has moved on in the meantime towards more improvised music beyond any stylistic conventions. Even if this album should remain as his only contribution to modern Polish Jazz in the true sense of the Jazz tradition, it will still be a remarkable achievement. This is also one of the most remarkable albums in the fast growing catalogue of the For Tune label, certainly from a historic perspective. Undoubtedly this is an album every true connoisseur of Jazz will cherish in his collection and return to repeatedly.

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KALUZA / MAJEWSKI / MAZUR / SUCHAR ~ TONE HUNTING CLEAN FEED 285 (Barcode: 5609063002850) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the debut album by the Improvising Music quartet, which consists of German saxophonist Anna KaluzaFind albums by this artist and three Polish musicians: trumpeter Artur MajewskiFind albums by this artist, acoustic bass guitarist Rafal MazurFind albums by this artist and drummer Kuba SucharFind albums by this artist. Majewski and Suchar are or course known as the excellent duo MikrokolektywFind albums by this artist and Mazur is a member of the TRC TrioFind albums by this artist. The album presents five extended improvisations, credited to all quartet members and was released by the excellent Portuguese Clean FeedFind albums on this label label. The music is a great example of the vitality of the Polish / European Improvising Music scene, which is enjoying a tremendous Renaissance and involves a new generation of players and enthusiasts. These four musicians are among the most innovative and interesting representatives of the genre and have been already recognized internationally as important creative forces. Listening to this album clearly shows why they deserve such recognition. Although improvised, the music presents a diverse stylistic collage of sound vistas, from minimalistic and delicate breathing tones to expressive collective forceful statements. Most of the sounds and tones heard on this album are quite remote from what one would expect from the conventional usage of the instruments involved, and yet they somehow make all perfect sense and create a wonderful amalgam, which is obviously unlike almost anything heard before. In most cases the quartet members produce a series of rapid staccato sounds, which then are all intermixed into one sonic whole. In contrast to most "conventional" music, which once stated becomes unwavering in consequent listening encounters, this music is constantly alive and chameleonic, changing each time one listens to it. That elusiveness and constant ability to be transformed is of course what makes this music so fascinating. Obviously this is definitely not something for a casual listener and its overall accessibility is limited to connoisseurs of the genre, but as such, it is unquestionably one of its finest exhibits.

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LIQUID QUINTET ~ FLUX FSR 2019/17 (Barcode: 5905279364561) ~ SPAIN ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2019 This is a live recording, captured during the 12th Ad Libitum Festival in Warsaw, by the Liquid QuintetFind albums by this artist, one of several Improvising Music ensembles under the "Liquid" moniker, led by Spanish pianist Agusti FernandezFind albums by this artist. The other members of the quintet are Spanish saxophonist Albert CireraFind albums by this artist and drummer Ramon PratsFind albums by this artist, who together with Fernandez constitute the Liquid TrioFind albums by this artist, and Polish trumpeter Artur MajewskiFind albums by this artist and bassist Rafal MazurFind albums by this artist. The album presents five tracks, all co-credited to the five musicians taking part in the music-making process, as appropriate for the idiom. Fernandez, who is undoubtedly the most internationally recognized representative of the Spanish musical Avant-Garde, is a most prolific artist with a huge number (around 100) of recordings as a leader and sideman, probably more than any other European Improvised Music activist. There is nothing wrong with this fact per se, but it does create certain "cautiousness" upon approaching his recordings. The connection between him and the Polish Avant-Garde is quite natural and produced several earlier fruitful meetings, including the participation of Mazur on several occasions. The music is exactly what one would expect from such spontaneous performance; a continuous barrage of notes exchanged between the quintet members, which vary in intensity from hardly audible to overwhelming, creating, as the title suggests, a prolonged flux of energy and sound. There us an obvious affinity and musical conversation between the quintet members, but with a complete lack of melody, harmony and structure, this music can be considered as "digestible" only by the very innate circle of hardcore Improvised Music / Avant-Garde connoisseurs, which of course is perfectly fine. All five musicians are excellent instrumentalist, which can be heard by a trained-ear listener. Although the concept of soloing is nonexistent in a group improvisation idiom as such, there are many moments where just one musician is left "up front" by his cohorts and is able to articulate his statement more recognizably on top of the quiet background improvisations. But of course the telepathic communication between the musicians is the essence. Improvised music is very similar to nonfigurative visual arts; the combination of colors and shapes either convinces the person looking at it or doesn´t, which is often mood dependent. This music is offered to the listener on the exact same principle: take it or leave it. Count me in :)

Updated: 02/09/2020Posted: 02/09/2020

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MIKROKOLEKTYW ~ REVISIT DELMARK 591 (Barcode: 038153059125) ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the debut album by Polish Jazz duo MikrokolektywFind albums by this artist, which includes trumpeter Artur MajewskiFind albums by this artist and drummer Kuba SucharFind albums by this artist. Both musicians play also electronic keyboards. The album includes eleven tracks, all composed by the duo members, either individually or collectively. The album was released on the veteran US (Chicago) DelmarkFind albums on this label label and was the label´s first release by Eastern European Jazz musicians. Mikrokolektyw creates a wonderful musical world of their own, with the trumpet and drums becoming one as if fused together and the electronic effects and sounds provide a background upon with the melodic content is spread. Although very close to Free Jazz, the music is lyrical and surprisingly melodic, not crossing over to the spontaneous Improvised Music territory. It is obvious that the music is carefully planned, before being executed, but during the actual performance a wide range of musical freedom is involved. Although the concept of a trumpet / drums duo is seldom seen in Jazz, the Polish Jazz scene seems to be an exception, with several such duos active on the local scene. The excellent Wojciech JachnaFind albums by this artist / Jacek BuhlFind albums by this artist album "Niedokonczone KsiazkiFind albums with this title" is in fact quite similar to this album, but there are several others. Of course one can always go back to the roots and seek out the Don CherryFind albums by this artist / Ed BlackwellFind albums by this artist collaboration "MuFind albums with this title". Of course the music of Mikrokolektyw is well based on the Jazz tradition, but tries to innovate on many fronts, including the electro-acoustic sound and the World Music influences. They also display a phenomenal level of communication with each other, which is essential especially in an intimate setting like a duo. Overall this album is a great example of Jazz being alive and kicking, developing and growing, with an interesting future ahead. Hopefully other US and European labels will decide to release more albums originating in Poland, as that country seems to have more to offer than most others these days. Jazz enthusiasts, who like their music with an interesting twist, will have a field day with this album!

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BARTLOMIEJ OLES / TOMASZ DABROWSKI ~ CHAPTERS FENOMMEDIA 012 (Barcode: 5907604327128) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 Trumpet / drums duo recordings are a very special chapter in Jazz history and they include some fascinating interplays recorded over time by American Jazz musicians, such as the legendary Don CherryFind albums by this artist / Ed BlackwellFind albums by this artist or Max RoachFind albums by this artist / Dizzy GillespieFind albums by this artist recordings. Some American / European trumpet / drums duos are also worth mentioning, such as the Leo SmithFind albums by this artist / Gunter SommerFind albums by this artist, Dave DouglasFind albums by this artist / Han BenninkFind albums by this artist or Bill DixonFind albums by this artist / Tony OxleyFind albums by this artist, documented on their respective recordings. On the contemporary Polish Jazz scene this relatively rare pairing of instruments seems to be quite favorable, with such excellent examples like Wojciech JachnaFind albums by this artist / Jacek BuhlFind albums by this artist, Artur MajewskiFind albums by this artist / Kuba SucharFind albums by this artist and others. Trumpeter / composer Tomasz DabrowskiFind albums by this artist already has one trumpet / drums album under his arm, recorded with the American drummer Tyshawn SoreyFind albums by this artist and now he joins the brilliant drummer / composer Bartlomiej OlesFind albums by this artist in a new trumpet / drums duo, captured on this album. Bartlomiej Oles is of course known to all Polish Jazz connoisseurs as half of the Oles Brothers rhythm section, which in time achieved a legendary status as one of the best modern Jazz rhythm sections around, but this album focuses on his work as composer. Of the ten pieces presented on this album, Oles composed eight, and co-composed one with Dabrowski, with the remaining piece, which closes the set, being a Thelonious MonkFind albums by this artist composition. In comparison to the trumpet / drums albums listed in the opening paragraph, this recording is definitely the most lyrical and deeply melodic of them all. Oles demonstrated his lyricism and love of melody over the years in the numerous compositions he contributed to the vast Oles Brothers recorded legacy. Additionally, his treatment of the drums as a melodic instrument has always been his particular trademark, as he almost never simply sets a rhythm but rather plays the drums in par with his musical partners in various ensembles. The intimacy of just two instruments is an ideal opportunity to place these compositional and performance qualities at the center of the listener´s attention. Dabrowski, whose meteoric rise to fame is fully justified, seems to be an ideal partner aiding Oles to achieve his goals. His virtuosic attack, combined with the intrinsic lyricism, turn his trumpet into a seemingly unlimited tool able to express an enormously diverse set of emotions, from whisper to shout, anger to joy, despair to mellow melancholy. Playing side by side with Oles, who is of course more experienced and mature, pushed Dabrowski really hard to reach and than cross his limits, which resulted in the best performance of his life so far. Oles managed to catalyze and crystallize Dabrowski´s unique style and mannerism, molding them into a perfect musical entity. There is so much music on this album that a true comprehension and appreciation of it requires several listening sessions even for the most experienced music lovers. Peeling off the layers of aesthetic and emotional essence captured herein by these two Masters is a delightful and rewarding experience. There is no doubt that this is a monumental achievement in every sense and a model of lofty, almost spiritual communication between an Artist and his audience. Personally I have a deep satisfaction from the fact that I have always considered these two musicians as representatives of what is best about Polish Culture in general and Polish Jazz in particular: honesty, consistency and a proper usage of a God given talent. Thank you both for such a wonderful gift!

Updated: 02/01/2017Posted:

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RGG ~ OCTOBER SUITE FSR 2022/09 (Barcode: 5904441617108) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2020 Released: 2022 This is a live album by Polish Jazz trio RGGFind albums by this artist, which comprises of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, which was expanded to a sexted for the appearance at the 15th Ad Libitum Festival in Warsaw, recorded on October 17, 2020. The additional musicians are vocalist Marta GrzywaczFind albums by this artist, cornet player Artur MajewskiFind albums by this artist and flautist Dominik StrycharskiFind albums by this artist (the last two also use some electronic effects). The album presents a seven-part suite (on seven tracks), which remains uncredited and is assumed to be co-created by all the participants. The music appears to be completely freely improvised, with no melodic threads as such, but is beautifully coordinated between the participating musicians, who perform a group improvisation with great respect towards each other, exactly what such format demands. The music is sparse and most of the time minimalist, but occasionally intensifies into bursts of energetic exchange of common improvisations. The RGG trio leads the proceedings steadily and dominantly, with the excellent rhythm section firmly dictating the tempi and the piano spreading harmonic splashes, which build the fabric for the rest of the team to place their colorful ornaments on. For me, personally, the music creates strong visual associations, in addition to the obvious aural content. The individual contributions by all the participants are superb, and the excellent recording sound quality adds to the total result. Although Free Jazz / Improvised Music is rarely able to create music, which offers a lasting value, beyond the actual moment of being created, this album certainly offers a piece of music, which can be returned to periodically and enjoyed repeatedly. Overall, this is a wonderful example of Free Jazz / Improvised Music, which has a lasting value. Definitely not for casual listeners, but those who enjoy the convoluted minds of musicians, who eschew triviality and conformism, this is definitely a splendid occasion to enjoy themselves.

Updated: 12/01/2025Posted: 12/01/2025

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MARIUSZ SMOLINSKI ~ MYSLIWSKI NA GLOS NOT ON LABEL ~ POLAND ~ Jazz & Poetry Recorded: 2023 Released: 2024 This is the 2nd album by Polish Jazz pianist / composer Mariusz SmolinskiFind albums by this artist, recorded again in a classic piano trio setting with bass guitarist Bartosz KuczFind albums by this artist and drummer Piotr BudniakFind albums by this artist. Cornet player Artur MajewskiFind albums by this artist guests on one track. Two speakers recite fragments from three novels written by Polish author Wieslaw MysliwskiFind albums by this artist at the start of each of the six tracks, which remain title-less, all composed by Smolinski and inspired by Mysliwski’s works. Although not strictly a “Jazz & Poetry” project, this album is close enough to belong to the category. In contrast to the debut album, this recording presents straightforward Jazz played on acoustic piano, and the only “link” to the Fusiony debut is the sound of the electric bass guitar. The compositions are also way more advanced and offer a beautiful melodic themes, full of typical Polish lyricism, excellently weaved and obviously inspired. The trio performances are also absolutely perfect and the presence of the electric bass guitar is refreshing and ornaments the music structurally and rhythmically, with obvious technique and feel. Smolinski plays with confidence, without any excessive soloing, which would have been out of place in this delicate lyrical environment. Budniak is also perfect for the job, precise, inventive and most importantly supportive. Overall, this is a wonderful piano trio album, which should keep Jazz lovers around the globe perfectly happy. This is pure Jazz, completely devoid of fleshy exhibitionism and pretenses. The Polish texts are kept to a minimum, and should not disturb listeners, who do not speak the language, and are a nice spicing for those who do. Wholeheartedly recommended!

Updated: 29/01/2025Posted: 29/01/2025

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