Record Reviews

BERNARD MASELI SEPTET ~ GOOD VIBES OF MILIAN FOR TUNE 0151 (Barcode: 5906395808663) ~ POLAND ~ Jazz Recorded: 2017 Released: 2021 This is an album by veteran Polish Jazz vibraphonist / composer Bernard MaseliFind albums by this artist and his septet, which comprises of four vibraphonists (Maseli, Bartosz PieszkaFind albums by this artist, Dominik BukowskiFind albums by this artist and Karol SzymanowskiFind albums by this artist) and a rhythm section (pianist Boguslaw KaczmarFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Marcin JahrFind albums by this artist), a classic “Summit” format, which I utilize since many years in my Singer Jazz Festival, and which was initially devised by my Friend and Mentor Joachim BerendtFind albums by this artist. The album is a tribute to one of the Godfathers of Polish Jazz, vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist, a pillar of modern Polish Jazz and one of the greatest composers, especially of orchestral Jazz, on the European Jazz scene. It presents a live recording of a concert recorded a few years back, which offers seven tracks, six of which were compositions by Milian (one co-composed with Krzysztof KomedaFind albums by this artist, another iconic figure of Polish Jazz) and one composed by Pieszka. The sound quality and clarity is excellent. The artwork features Milian’s wonderful paintings, an Artform Milian embraced after retiring from active performing life, which are reproduces in full color, for the first time in the many years of For TuneFind albums on this label Records history ;) The lines notes by Krzysztof BalkiewiczFind albums by this artist are well written and informative. The music holds no surprises, perfectly executed by the professional team and beautifully weaved by the Master composer, with the expected focus on the vibraphone (and marimba) as the tool of delivery. The vibraphone is a very dominant instrument and the thought of four vibraphone playing simultaneously is pretty scary; fortunately, most of the time it is just one of the four vibraphones (or two of them) that plays at a given moment, which makes the music perfectly audible and balanced. Since the listener is not present at the performance, it would have been nice to have a list of who is soloing on which track, but credits aside, all the players do a perfect job, as does the excellent rhythm section, driving the music steadily and securely. Overall this is an important tribute to the composing Genius of Milian and a very pleasant listening experience. For vibraphone enthusiasts this is of course a true feast. Of course it is also a well-deserved tribute to Polish Jazz history. Well done Gentlemen!

Updated: 29/12/2023Posted: 17/07/2021

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OLES BROTHERS / BARTOSZ PIESZKA ~ KOMEDA AHEAD NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2021 Released: 2021 In 2013 Oles BrothersFind albums by this artist, i.e. bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, recorded the “Komeda AheadFind albums with this title” album with the great German vibraphonist Christopher DellFind albums by this artist. Jumping eight years forward, the “Komeda Ahead” project was revived, this time with Polish vibraphonist Bartosz PieszkaFind albums by this artist, and a tour by that trio was commemorated by a limited “special tour edition” CD, which is a kind of “remake” of the prior recording. The new recording includes six compositions by Krzysztof KomedaFind albums by this artist, all of which are also present on the aforementioned album. It is of course quite natural to compare the two recordings, but honestly that would completely miss the point of the music. Each of the Oles Brothers projects is so completely unique, that every performance they give, and I have had the pleasure to be present at many of those, is entirely different, and in this case we have a case of participation of two different musicians, so a priori any comparison would be futile. As I have stated repeatedly, Komeda’s music has been abused so many times by Polish Jazz musicians, that over time I have developed an allergy to Komeda related projects, with only a very few exceptions, and of course Oles Brothers are exceptional in every sense, so they are on the shortlist. Pieszka is a highly educated and experienced musician, but most importantly he is able to create an intimate rapport with the Oles Brothers, which is the basis of the music they create together, on this album or any other album they recorded. The trio treats Komeda’s music with respect and obvious reverence, as appropriate, and the minimalist approach leaves the listener to connect the dots in his mind. As a result, this album stands completely on its own right, as continues the exceptional recorded legacy of the Oles Brothers, even if it’s just a tour “memento”. Overall, for the many Oles Brothers followers, this album is a must in their collection, and for the Polish Jazz fans, this is a wonderful example of how Komeda’s music should be treated; respectfully, imaginatively and aesthetically. Thank you for the music and for many years of Friendship!

Updated: 02/10/2022Posted: 02/10/2022

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BARTLOMIEJ OLES QUARTET ~ ELEVEN PHRASES – LIVE IN CSK NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2023 Released: 2024 This is an album by Polish Jazz drummer / composer Bartlomiej OlesFind albums by this artist, recorded in a quartet setting with saxophonist Bartlomiej PrucnalFind albums by this artist, vibraphonist Bartosz PieszkaFind albums by this artist and the leader’s twin brother, bassist Marcin OlesFind albums by this artist. The music was recorded live and presents three original compositions by the leader, with the central piece being an eleven-parts suite, which last for almost fifty minutes. Following the musical path of the Oles BrothersFind albums by this artist, as they are collectively often referred to, both together and individually, since their debut recordings in 1999, i.e. for the last twenty-five years, has been one of the most profound experiences on my Polish Jazz quest during that period. With over three dozen albums to their credit, their highly diverse output, which spans Free Jazz / Improvised Music, Jazz-World-Fusion, and many other, often difficult to characterize experiences, is definitely one of the most impressive achievements on the local Jazz scene since the turn of the Millennium. Musically, the compositions presented on this album are in many respects a full circle closure, returning to melody and harmony, after years of exploration of more abstract forms and soul searching. Perhaps years of experience are the necessary ingredients in order to relax, grow up and return to the basics. Whatever the processes behind writing this music are, they prove to be highly effective and the result is brilliant in every respect. Reinforced by two younger, but highly experienced representatives of the Polish Jazz scene, the Oles Brothers rhythm section proves again to be the best one out there, switching moods, tempi, volumes and complexities with ease and elegance, pushing the epic suite forward step by step, somewhat similarly to the modus operandi of the great Charles MingusFind albums by this artist, who also used to expand his pieces during live concerts to last, as if time was of no essence. In the liner notes Bartlomiej Oles, tells us that the suite was composed over a period of over twenty years, with the individual parts reflecting the ups and downs of his life during that time. Regardless of the circumstances leading to their creation, they are all exceedingly beautiful, sometimes sweet, sometimes sad, but always deeply moving. We, the listeners, should be grateful for sharing them with us. Overall, this is another marvelous album by Bartlomiej and his cohorts, a highly emotional musical experience, somewhat surprising by its lyricism and gentleness, all for the good of course. I am sort of speechless here, which does not happen to me often. I regret not to being there, when this music was recorded, but I had my share of luck of hearing you play live, so thanks for capturing it for posterity. A big, big hug and as usual a deep bow…

Updated: 25/03/2024Posted: 25/03/2024

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BARTOSZ PIESZKA ~ SLOW MOTION SJ 008 (Barcode: 5912596066078) ~ POLAND ~ Jazz Recorded: 2007 - 2009 Released: 2013 This is the debut album by the young Polish Jazz vibraphonist Bartosz PieszkaFind albums by this artist and his quartet, which also includes pianist Nikola KolodziejczykFind albums by this artist, bassist Maciej SzczycinskiFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. Guest musicians: oboe player Katarzyna RudaFind albums by this artist and bass clarinetist Piotr TorunskiFind albums by this artist are featured ne one track each. The album presents ten pieces, of which four are standards and six are originals, four by Pieszka, one by Szczycinski and one co-composed by Pieszka and Kolodziejczyk. The album was recorded over a period of two years several years back but only now sees the light of day. The vibraphone, one of the noblest instruments, which has a wonderful tradition in Jazz music, is sadly almost forgotten in recent years. The Polish Jazz scene is perhaps the last bastion where the vibraphone plays a significant role in Jazz music and new players of the instrument still join the ranks of legendary veterans. It is therefore with great joy and special attention that every new discovery in that area is welcomed by me and other Polish Jazz enthusiasts. This album presents a balanced mixture of original music and standards, ballads and up-tempo numbers, all kept within mainstream Jazz tradition. There is nothing groundbreaking about this music and the no risks are taken, but the overall result is definitely enjoyable and well done, especially in view of the young age of the players involved. Mainstream Jazz connoisseurs will definitely enjoy this ride from start to finish. As far as individual contributions are concerned, Pieszka emerges somewhat subdued and is seldom in the lead. To be perfectly hones this album is absolutely "stolen" by the incredible performances by Kolodziejczyk, who plays most of the solos and is by far the most gifted player on this album. The rhythm section is also interesting, which the drummer being a bit too busy for my taste, buy playing with feel and imagination. The bassist is very musical and supportive. The album often makes the impression of a piano trio album rather than a quartet recording. As debuts go, this is fresh and promising, hopefully providing a glimpse of future to come for these youngsters. Definitely a nice listening experience!

Updated: 02/10/2022Posted:

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SCHMIDT ELECTRIC ~ LIVE SJ 020 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2015 - 2016 Released: 2017 This is the second album by the Schmidt ElectricFind albums by this artist ensemble, led by trumpeter Piotr SchmidtFind albums by this artist and also including keyboardist Tomasz BuraFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Sebastian KuchczynskiFind albums by this artist and British guitarist Alex HutchingsFind albums by this artist. The core quintet was expanded for this live recording by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), electronics wizard Joanna SzymalaFind albums by this artist and vibraphonist Bartosz PieszkaFind albums by this artist. The ensemble performs six original compositions, four composed by Schmidt and two by Bura, a short solo trumpet intro by Schmidt and another intro by Szymala, altogether eight tracks. Yours truly was present during the live recording in Katowice, one of the two venues where these live recordings were captured, and therefore a part of my soul is also captured on this album, like every other person who was ever present in the audience during a live recording. The music is a natural extension to what the released earlier studio debut album offered, i.e. an excellent melodic version of modern Fusion, which flows smoothly from one tune to another, but preserves class and elegance and above all is great fun to listen to. The live ambience allows the musicians to take extended solo parts and show their chops, which they all do to the max. The music is diverse and offers many moods, which of course contributes significantly to the fact that the album keeps the listener on his toes for the entire duration. It is great to see Schmidt to finally settling down within a domain, which suits him the best in my opinion. This music allows him to express his superb compositional talents and lead a highly professional ensemble, which can make him proud as a leader. His trumpet playing also reaches a refined stage of expressiveness and eloquence, especially effective on the slow tempo ballads, which are absolute goose bumps generators. The use of turntablism and electronics adds an up to date flavor to the music, without overshadowing the main melodic, harmonic and rhythmic coherence and the strong Jazzy groove. Schmidt manages to create music which can be enjoyed by a wide age range of listeners, which of course is commendable. Overall a great contemporary Fusion album, full of great melodies, fine arrangements, excellent performances and above all great fun! Wholeheartedly recommended!

Updated: 02/10/2022Posted: 07/07/2017

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PIOTR SCHMIDT ~ TRIBUTE TO TOMASZ STANKO SJ 038 (Barcode: 5912596066696) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is an album by Polish Jazz trumpeter / composer / bandleader / entrepreneur Piotr SchmidtFind albums by this artist, recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents twelve compositions, eight of which are credited to all four members of the quartet, two were composed by Schmidt and one each were composed by Krzysztof KomedaFind albums by this artist and Bartosz PieszkaFind albums by this artist. The death of the Polish / European Jazz icon, trumpeter / composer / bandleader Tomasz StankoFind albums by this artist, in June of 2018, marked an end of a chapter, or rather an end of an era in European Jazz. Although in recent years many of the most prominent representatives of post WWII European Jazz sadly departed, Stanko was in many respects more than most an epitome of modern European Jazz and his life and career exemplified the most important characteristics of the idiom. His relentless search of uncharted territory, complete disregard of fads and fashions, his open-mindedness and chameleonic, often extremely dramatic changes in his stylistic approach to Jazz and above all his aesthetics, with reminded uncompromising till the very end, were all also often characteristic of many other leading European Jazz Masters, who managed to create an entirely new form of the Jazz essence, completely free of the limitations and shackles enslaving the genre in the past. Tributes are a tricky business, especially so in the case of iconic figures, which were active for decades and managed to produce not only a rich legacy of recorded music, but more importantly were constantly groundbreaking and innovative. How can a "tribute" album express a respectful and artistically coherent picture of an icon? It takes a lot of courage and determination to attempt a tribute recording, which will be meaningful and offer some intrinsic value beyond being just a reflection of the light of a Giant, with the possibility of failure always lurking in the background. Considering the fact that Stanko´s legacy was to a large extent involved with Avant-Garde, Improvised Music and Free Jazz, whereas Schmidt consistently dedicates his career to more mainstream manifestations of the Jazz idiom, always emphasizing melody, harmony, ambience and lyricism, the first reaction to the idea of Schmidt recording a Stanko tribute might be that of disbelief and surprise. But Schmidt already proved to be a mastermind of invention in the past and this time he has surely outdone himself, by finding an ingredient of Stanko´s legacy that fits like a glove to his own modus operandi. As a result Schmidt, rather than creating a "general" tribute to Stanko, decided to put the spotlight on the gentler side of the Stanko´s heritage – Stanko the charmer, the balladeer, the weaver of heartbreakingly beautiful melodies, in short Stanko the Gentle Giant. The resulting concept presents an album full of beautiful, melodic, lyrical Jazz, which strongly resembles that gentle side of Stanko that we all love, but at the same time is completely original as far as the music itself is concerned. The atmosphere and ambience of the album are wonderfully coherent and the music flows serenely penetrating directly the very soul of the listener. The decision of not using and specific tunes composed by Stanko, but creating instead music that "might have been composed" by him is of course brilliant in every respect. The quartet performing the music is ideal for the task. Garbowski and Gradziuk played with Stanko in the recent years and know his music intimately, and their position as one of the leading Polish Jazz rhythm sections is fully justified. They add the ingredients of space and freedom to the quartet´s playing, which is exactly what this music needs to make it completely unwavering and related to Stanko´s musical spirit. Niedziela is beautifully romantic and expressive, with each and every note he plays being exactly what is needed to make the overall sound perfect. Schmidt plays delightfully as well, rather sparingly and delicately, again exactly right for what this music needs. At times, with the eyes closed, his trumpet sounds exactly like Stanko´s, but obviously Schmidt is not trying to imitate Stanko´s playing but, as the entire album does, reproduce the very Stankoish ambience and spirituality. Overall this is a wonderfully executed and cleverly planned piece of music, which achieves the ambitious goal assigned to it in full. It is also a textbook example of what "tribute" albums should sound like, as well as a wonderful example of a bridge over a chasm of the infamous generation gap, which enables a smooth transition of the heritage from one generation to another. Polish Jazz at its best!

Updated: 02/10/2022Posted: 23/11/2018

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PIOTR SCHMIDT INTERNATIONAL SEXTET ~ HEARSAY SJ 074 (Barcode: 5905489720379) ~ POLAND ~ Jazz Recorded: 2022 Released: 2023 This is an album by Polish Jazz trumpeter / composer / bandleader Piotr SchmidtFind albums by this artist, who leads an international sextet, with Lithuanian saxophonist Kestutis VaiginisFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist, Polish pianist Pawel TomaszewskiFind albums by this artist and alternating American / Polish rhythm sections of Harish RaghavanFind albums by this artist and Jonathan BarberFind albums by this artist / Michal BaranskiFind albums by this artist and Sebastian KuchczynskiFind albums by this artist. The album presents six tracks, five of which are original compositions by Schmidt and one is a composition by Polish Jazz vibraphonist / composer Bartosz PieszkaFind albums by this artist. The music was recorded at the same sessions and with the same lineup, as the material for the previous album by Schmidt, called “Komeda Unknown 1967Find albums with this title”. To Hi-Fi enthusiasts, the CD is gold plated. The music is another great collection of highly melodic and lyrical tunes, characteristic of the Polish melancholy, excellently performed by the sextet, which includes superb instrumentalists of international fame. Schmidt offers some scorching trumpet soloing, Vaiginis and Doruzka add their harmonic support and solo occasionally, Tomaszewski anchors everything with his sublime piano work and the rhythm section adds the swinging element. Together they create truly classic Jazz sextet sound, which reminds the best such ensembles, active throughout the Bebop era and beyond. Overall, this is a beautiful example of modern mainstream Polish Jazz, full of the melancholy elements that characterize the local strain of the genre since the 1960, continuing the great tradition with honors. Schmidt, who firmly established his position as a musician / composer, bandleader and activist on the local scene, is a proud representative of the second-generation of Polish Jazz musicians, which continues to develop the scene and keep the flame burning.

Updated: 01/08/2023Posted: 01/08/2023

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