Record Reviews

GERI ALLEN ~ TIMELESS PORTRAITS AND DREAMS TELARC 83645 (Barcode: 089408364525) ~ USA ~ Jazz Recorded: 2006 Released: 2006 Every new release by Geri AllenFind albums by this artist is always a source of joy and this one does not disappoint as well. Allen’s delicate lyricism (often resembling Bill EvansFind albums by this artist) and fantastic technique go hand in hand with her highly developed sense of melody, producing jazz which is both melodic and intellectual. This album is quite different from her previous releases, as in addition to the piano trio format (here with veterans Ron CarterFind albums by this artist – bass and Jimmy CobbFind albums by this artist – drums) Allen uses several guests, including Wallace Roney on trumpet, two vocalist and even a chorus. The reason for the presence of the vocalist becomes apparent when one realizes that Geri re-visits the gospel roots of jazz and brings them up to date as an integral part of her musical landscape. The performances are of course brilliant, as usual in her case, and the sound quality staggering (kudos to TelarcFind albums on this label again). I loved every moment of this and I’m pretty sure every serious jazz connoisseur will join me here. Includes bous CD single

CD 2 Audiophile Recommend To A Friend

ARILD ANDERSEN ~ THE TRIANGLE ECM 1752 (Barcode: 602567430469) ~ NORWAY ~ Jazz Recorded: 2003 Released: 2019 This is a reissue of a wonderful album by Norwegian bassist / composer Arild AndersenFind albums by this artist, recorded in a trio setting with Greek pianist Vassilis TsabropoulosFind albums by this artist and British drummer John MarshallFind albums by this artist. The album presents nine tracks, three composed by Andersen, four by Tsabropoulos, one a Classical piece arranged by him and finally one co-credited to all three musicians. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by my Friend Jan Erik KongshaugFind albums by this artist, with the usual sublime sound quality. The music is all beautifully melodic and lyrical, brilliantly performed by these Giant musicians. This is a 2nd album recorded by this trio, following the no less beautiful “AchiranaFind albums with this title”, originally released in 2000. Tsabropoulos, who emerged as a Classical pianist, turns out to be a most sensitive Jazz musician, with wonderful improvisational qualities. Marshall, the veteran of British / European Jazz scene since the 1960s, was at the time still one of the best drummers around, here sticking mostly to the “less is more” approach. The leader, and one of my favorite bass magicians on this planet, displays his usual qualities, which are simply breathtaking. Overall, this is an absolutely “classic” Jazz piano trio album, which deserves an honorary place on the shelf of the “best ever” recordings in that niche. Lovers of the Artistry of Bill EvansFind albums by this artist should be especially interested, as Tsabropoulos has often a very similar touch and style to the American Giant. Criminally overlooked and absolutely essential Piano trio album, which should not be missed by anybody, who calls himself a Jazz lover!

Updated: 03/08/2024Posted: 03/08/2024

CD 1 Mini-Sleeve Recommend To A Friend

GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984 TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz Recorded: 1964 - 1984 Released: 2018 This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation. On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck. The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony. The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD. The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one). The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs. Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience. The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product. Absolutely essential to all British / European Jazz connoisseurs!

Updated: 16/02/2019Posted: 15/02/2019

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

GORDON BECK ~ REFLECTIONS ART OF LIFE 1005 (Barcode: 804640100522) ~ UK ~ Jazz Recorded: 1997 Released: 2003 Pianist / composer Gordon BeckFind albums by this artist is a living legend. Considered as one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. Fortunately for us, Jazz lovers, Beck continues his remarkable career, producing exquisite musical marvels, now in his 7th decade. He seems to be untouchable by time and his playing is as vigorous and energetic, as it was 40 years ago. This marvelous solo piano concert brilliantly recorded by the BBC, portraits Beck, as he truly is – a romantic, gentle and highly intelligent musician with thousands of volts running through his magic fingers. The album is a tribute to the genius of Bill EvansFind albums by this artist, including one of his compositions and standards Evans often played. But it is way beyond just a tribute; it is a re-examination of the entire Jazz piano tradition, and even a reflection on Beck’s entire lifetime as a pianist. Although very much an innovator and ceaseless explorer, Beck never ignored the 100 years of piano playing by other Jazz piano giants. Therefore in addition to traces of Evans, there are subtle hints of such divers musicians as Thelonious MonkFind albums by this artist, Oscar PetersonFind albums by this artist, Keith JarrettFind albums by this artist and countless other piano players creating an amalgam, which in Beck’s hands become a unique new creation. Listening to the uplifting music could be one of the most enjoyable hours ever spent while listening to music and I wish every Jazz enthusiast would come across it. The album also includes a bonus track, which has Beck performing a composition by his life-long musical partner, guitarist Allan HoldsworthFind albums by this artist, who collaborated with Beck on many recordings. This album is an absolute must have for Jazz piano lovers of all ages, a work of rare sensibility and artistic perfection. Wholeheartedly recommended!

CD 1 Digipak Remastered Recommend To A Friend

MICHAEL BLOCH ~ FIRST LIGHT AMP 003 (Barcode: 662578830955) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the debut album by Norwegian pianist / composer Michael BlochFind albums by this artist, recorded in a classic piano trio format with bassist Frode BergFind albums by this artist and drummer Anders ThorenFind albums by this artist. The album presents ten pieces, nine of which are original compositions by Bloch and one is a standard. The music is an excellent example of beautiful modern mainstream piano Jazz, strongly influenced by classic Jazz tradition, such as the work of Bill EvansFind albums by this artist, and yet definitely strongly individual and unique to stand on its own. The wonderful Evans´ lyricism and flow are certainly there, but so are traces of many other influences, including Nordic melancholy and European impressionism. The level of the compositions is excellent and consistently coherent, which in the naked piano trio environment is an essential ingredient of the music´s overall impact. The playing is also exceptional, with Bloch displaying the quality of a mature and rounded pianist, despite his relatively young age. His dynamics and sensitivity are fond reminders of the great classic pianists of the times long gone. The excellent rhythm section supports the leader amicably and with great respect, doing exactly what is required in such setting. Berg stands shoulder to shoulder with Bloch, playing the bass pulsations harmoniously and rhythmically optimized to each of the tunes. Thoren, like all great drummers, is extremely delicate and considerate, staying respectfully in the background, subtly laying down the rhythmic tracks, being heard exactly when his presence is required and taking a step back when the music calls for it. Overall this is a superb debut effort and a must have for all piano trio connoisseurs, who should love this stuff to bits, especially since the album is also excellently recorded and offers a superb sound quality. Being definitely a foreteller of great things to come, this album is wholeheartedly recommended!

Updated: 20/10/2017Posted: 20/10/2017

CD 1 Digipak Recommend To A Friend

JOHN BOSTOCK ~ JOURNEY TO GYTHIA NOT ON LABEL ~ ISRAEL ~ Jazz Recorded: 2004 Released: 2004 Australian born pianist / composer John BostockFind albums by this artist has been living in Israel since the late 1980s and by now is an integral part of the local music scene. Although primarily celebrated for his work in the contemporary Classical Music, his ongoing flirt with Jazz has become his second nature by now. Although some Jazz motifs have sneaked here and there into his Classical compositions over the years, this is debut Jazz album. The music was written about a decade prior to the recording, inspired by his trip in Greece. Bostock attempted to record the music shortly after it was written but abandoned the project, obviously not “ready” at the time. His instinct paid off big time, as I can’t imagine a more perfect execution of this music other than what is present on this record. Supported by two marvelous players: Guy LevyFind albums by this artist on bass and Danny BenedictFind albums by this artist on drums, this piano trio (my favorite Jazz format) is truly exceptional, bringing immediate associations with Bill EvansFind albums by this artist being the most obvious, especially in view of the absolute technical brilliance and fluidity of Bostock’s piano playing, the amazing interplay between the trio members and the romantic, lyrical character of the music. The music, all composed by Bostock (except for one standard) is also exceptional. Beautifully melodic and yet full of brilliant ideas and harmonic surprises, seemingly “easy” on the ear but full of unique ideas. In short – a great example of what Jazz is really all about. I must admit that this album shatters one of the “commonly known” cliches: “Classical musicians can’t swing”, as it swings like hell from start to finish. Beautifully recorded (by Yair NisimovFind albums by this artist at HaOgen studios – where I recorded many of my productions), with perfect balance between the three instruments, which is so devilishly difficult to achieve, it surely deserves the title of an audiophile recording. I can say with clear conscience that this is one of the best Jazz albums ever recorded in Israel and I can’t wait for the next Bostock piano trio album. Marvelous!

CD 1 Recommend To A Friend

RON CARTER ~ ETUDES WOUNDED BIRD 6214 (Barcode: 664140621428) ~ USA ~ Jazz Recorded: 1982 Released: 2008 Legendary US bassist Ron CarterFind albums by this artist, one of the great Jazz veterans of the genre and the backbone of countless Jazz recordings, presents here a series of new compositions accompanied by other great musicians: trumpeter Art FarmerFind albums by this artist, saxophonist Bill EvansFind albums by this artist and drummer Tony WilliamsFind albums by this artist. This piano-less quartet might sound slightly unusual at first, but just a few bars into the music it becomes clear that they are s superb unit of Master musicians. Both Farmer and Evans solo with confidence and flair, Williams displays his usual pyrotechnics, which is second to none, and Carter confidently and with virtuosity sets the pace and puts down the backbone at all time. His beautiful tone (excellently recorded) is overwhelming and inspiring. The music includes four compositions by Carter and two by Williams and although it´s not experimental or particularly innovating, is well structured and makes perfect sense musically, allowing plenty of space for soloing. Carter´s solos are of course, as always, full of inspiration and virtuosity and Williams proves to be a perfect partner – well they did play together for many years in the legendary Miles DavisFind albums by this artist second quintet after all. This album is an absolute must for all bass enthusiasts, but every Jazz lover will find plenty of great music here.

CD 1 Recommend To A Friend

CHICK COREA ~ PLAYS CONCORD 888072171442 (Barcode: 888072171442) ~ USA ~ Jazz Recorded: 2018 Released: 2020 This is a 2CD album of solo piano performances by iconic American Jazz pianist / composer Chick CoreaFind albums by this artist. The recording dates and places are not specified, which is highly unusual, but the album was released first on Chick’s label in 2018, and this is the second edition released in 2020, just a few months before his death. The recording quality is absolutely sublime all the way through. Corea plays some of his original compositions as well as his interpretations of works by Classical Music composers like Wolfgang Amadeus MozartFind albums by this artist, Domenico ScarlattiFind albums by this artist and Frederic ChopinFind albums by this artist or other Jazz composers like Bill EvansFind albums by this artist, Thelonious MonkFind albums by this artist, George GershwinFind albums by this artist, Antonio Carlos JobimFind albums by this artist and Paco De LuciaFind albums by this artist. A couple of piano duets (played on one piano) are also included, one with Israeli pianist Yaron HermanFind albums by this artist and another with French pianist Charles HeisserFind albums by this artist. Corea also adds his spoken word commentary about the music he is about to perform. Although the music does not add anything new to listeners familiar with Corea’s music, it is a great document of his Artistry, versatility and his excellent contact with his audience, which always was one of his virtues. Overall this is a wonderful addition to the extensive recording legacy left to us by Corea, which sparkles and shines, and as always brings infinite joy to the listeners. He was a unique musician and a beautiful human being, and I have been lucky to enjoy both of these qualities at first hand.

Updated: 18/02/2022Posted: 18/02/2022

CD 2 Digipak Recommend To A Friend

CHICK COREA ~ PORTRAITS STRETCH 888072356030 (Barcode: 888072356030) ~ USA ~ Jazz Recorded: 2011 - 2012 Released: 2014 As incredible as it might sound, pianist / composer Chick CoreaFind albums by this artist has been an integral and continuous element of the soundtrack of my life for the last five decades. I travelled with him hand in hand through every album he released over the years, moving from modern Jazz, to Free and Improvised Music, to piano solo miniatures, to Fusion, back to modern mainstream, to piano-vibraphone duets, to piano duets, to electric groups and acoustic trios, to Classical explorations and on and on. What a journey... As usual every new album by Chick is an adventure. It´s been a while since he released a solo piano album and this 2CD set full of outstanding solo performances is a true delight in every sense. All the music was recorded live during his solo piano performances in Europe, Canada and US (and even Africa). On the first CD Chick performs several lengthy interpretations of pieces by Thelonious MonkFind albums by this artist, Bud PowellFind albums by this artist and Bill EvansFind albums by this artist, one standard and one pop song by Stevie WonderFind albums by this artist. The last track on the first CD is his composition dedicated to Paco De LuciaFind albums by this artist. On the second CD he performs twenty five miniatures, first by Classical composers Alexander ScriabinFind albums by this artist and Bela BartokFind albums by this artist and then two sets of his own compositions grouped under the common titles: "Children´s Songs" and "Portraits". Both CDs include Chick´s spoken interludes explaining his intentions and motivations behind the music he performs. It seems pretty superfluous to try and explain anything about the music herein. Obviously it presents a wide scope of cultural backgrounds from Classical European music to modernism and than Jazz and its various facets and finally the personal universe of Chick Corea, which is able to contain all that infinite richness and expand upon it. Chick´s way of playing is very personal and quite recognizable to his followers and connoisseurs, so there are no great surprises in that area, except that for a man in his seventies Chick is infinitely more alive, creative and inventive than today´s young zombie generation stuck inside their smart phones. Technically the music is superbly recorded, with excellent detail and warm ambience, which makes listening to this album a delightful experience. Chick is still one of the leaders of the Jazz pack and life seems to treat him and his music well, for which we all should be grateful. Listening for two hours to this music is a trip to sanity so put your feet up and enjoy as long as you can.

Updated: 26/08/2020Posted:

CD 2 Mini-Sleeve Recommend To A Friend

WOLFGANG DAUNER ~ DREAM TALK L+R 710627 (Barcode: 4003099710627) ~ GERMANY ~ Jazz Recorded: 1964 Released: 2008 This is a reissue of the debut album by legendary German pianist / composer Wolfgang DaunerFind albums by this artist, recorded in a classic piano trio setting with no less legendary bassist Eberhard WeberFind albums by this artist and American, living in Germany, Master drummer Fred BracefulFind albums by this artist. This album, which also marks a recording debut for both Weber and Braceful, presents eight tunes, five of which are original compositions by Dauner, one is by Ornette ColemanFind albums by this artist, another one is by Mal WaldronFind albums by this artist (another US compatriot living in Germany) and the remaining one is a standard. Originally recorded in 1964, this is one of the earliest German and European Jazz recordings, which symbolize the rebirth of Jazz in Europe, taking a radical step forward from the American Jazz tradition. The great Horst LippmannFind albums by this artist, my friend and founder of the L+RFind albums on this label label (named after the concert agency he managed for many years with his friend Fritz RauFind albums by this artist), makes an interesting and quite prophetic observation on the album´s original liner notes, which compares this piano trio with the legendary Bill EvansFind albums by this artist trio with bassist Scott LaFaroFind albums by this artist; he states that Evans and LaFaro revolutionized the role of the bass in a piano trio, bringing the bass to an equal level with the piano, and Dauner made the same giant step with revolutionizing the role of the drums, bringing them in turn to an equal level with the piano and the bass, something Evans never managed to do in his trio. Of course there is so much more to this album than just the change of the status of the drums – it revolutionizes the piano trio mostly by inserting the huge amount of freedom and space, while maintaining a perfect order and logic, not to mention elegance and sophistication. As Lippmann says in his liner notes to the vinyl reissue from 1980, this album was light years ahead of its time and was fully understood and appreciated by just a very small group of Jazz connoisseurs, open minded enough to grasp its significance at the time. Even today this music sounds not only completely up to date, but also absolutely stunning, although over five decades passed since it was first recorded. In retrospect this is one of the most pivotal European Jazz recordings, taking the Jazz idiom a giant step forward into the unknown (at the time), without compromising the tradition and at the same time bravely and unwaveringly crossing over into the European aesthetic, which was erupting at the time on the Continent, strong enough to penetrate even beyond the Iron Curtain. This is an absolutely essential piece of European Jazz history, which should find a highly respected place in every meaningful Jazz record collection anywhere in the world. Thank God this music is still available for us to enjoy and not buried away and forgotten as so many of its parallels. The remastered edition offers a spectacular sound quality. An absolute must have!

Updated: 25/03/2016Posted: 24/03/2016

CD 1 Remastered Essential Recommend To A Friend

MILES DAVIS ~ AT CARNEGIE HALL: THE COMPLETE CONCERT COLUMBIA 65027 (Barcode: 5099706502722) ~ USA ~ Jazz Recorded: 1961 Released: 1998 It’s good to see that record companies sometimes are able to get a grip and correct the mistakes of the past. ColumbiaFind albums on this label has certainly tried its best to do justice to the magnificent recorded legacy of Miles DavisFind albums by this artist and this album is a part of that effort. This album assembles the complete Miles Davis Quintet / Gil EvansFind albums by this artist Orchestra concert recorded on May 19, 1961 at the Carnegie Hall, putting everything at the original recording order without editing or dubbed applause (the music included here was previously available on two separate albums: Miles Davis At Carnegie HallFind albums with this title and More Music From The Legendary Carnegie Hall ConcertFind albums with this title). This album is of course a perfect companion to the sublime Columbia 6 CDs Box Set The Complete Columbia Studio RecordingsFind albums with this title, especially as the concert was the first time Miles performed with the Gil Evans Orchestra live. 1961 marked an extremely busy and productive year for Miles. Following the departure of John ColtraneFind albums by this artist and Bill EvansFind albums by this artist, the “first” legendary Miles Davis Quintet was history and Miles quickly organized a new Quintet, which was to be his vehicle for an interim period of about two years, until the “second” legendary Quintet was to rise like a phoenix and take Jazz places never dreamt about. The “interim” Quintet included excellent and experienced players: Hank MobleyFind albums by this artist – saxophone, Wynton KellyFind albums by this artist – piano, Paul ChambersFind albums by this artist – bass and Jimmy CobbFind albums by this artist – drums (the last two were remaining members from the “first” Quintet). These players followed their leader with skill and devotion, creating some of the best modern jazz on record. Just one month before this concert the Quintet recorded a magnificent live album In PersonFind albums with this title (which is now available as a 4 CDs Box Set In Person Friday And Saturday Nights At The Blackhawk, CompleteFind albums with this title). The studio album Someday My Prince Will ComeFind albums with this title was recorded just a couple of months before the Carnegie concert recording. The next (and last) studio recording with Gil Evans (Quiet NightsFind albums with this title) was just months ahead. Looking back at this period it becomes plainly evident that Miles was already “miles ahead” in his mind, looking for a new vehicle and a new direction, which would commence shortly with the formation of the new Quintet and the groundbreaking new album ahead (Seven Steps To HeavenFind albums with this title). That of course makes this music no less magnificent, as Miles was destined to be “in transition” for the duration of his entire career. It remains here, recorded for posterity, for us mortals to enjoy (almost 46 years later), loosing absolutely nothing of its relevance and eternal beauty. Miles of course was one of the very few artists, who made a statement with every note they played. As such, these notes are a source of inspiration and joy for those who love this music. Essential!

Updated: 26/01/2019Posted:

CD 2 Oversampling Remastered Essential Recommend To A Friend

MILES DAVIS ~ THAT`S WHAT HAPPENED 1982-1985: THE BOOTLEG SERIES VOL.7 COLUMBIA 194398638522 (Barcode: 194398638522) ~ USA ~ Jazz Recorded: 1982 - 1985 Released: 2022 This is the 7th installment of the “Bootleg Series recordings by American trumpeter / composer / bandleader / visionary Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. It presents previously unreleased material by Davis, captured during the period following his return to recording and performing after a five years long hiatus (1975-1980). It follows the previous installment in the series, which was released in 2018 and offers 3 CDs of studio and live material. CD1 presents material recorded during the “Star PeopleFind albums with this title” sessions in late 1982 and early 1983, with saxophonist Bill EvansFind albums by this artist, trombonist J.J. JohnsonFind albums by this artist, guitarist Mike SternFind albums by this artist, bass guitarist Marcus MillerFind albums by this artist, drummer Al FosterFind albums by this artist and percussionist Mino CineluFind albums by this artist. Additionally, two tracks are from the “DecoyFind albums with this title” sessions from 1983, with guitarist John ScofieldFind albums by this artist, bass guitarist Darryl JonesFind albums by this artist, drum programing by Robert Irving IIIFind albums by this artist and Cinelu. CD2 presents material recorded during the “You`re Under ArrestFind albums with this title” sessions between January 1984 and January 1985, with saxophonist Bob BergFind albums by this artist, Scofield or John McLaughlinFind albums by this artist, Irving (on keyboards), Jones, Foster or Vince Wilburn, Jr.Find albums by this artist on drums and percussionist Steve ThorntonFind albums by this artist. CD3 presents a live recording from July 7, 1983 captured at the Montreal Jazz Festival, with Scofield, Evans, Jones, Cinelu and Foster. The music is all by Davis, except for the interpretation of a Cindy LauperFind albums by this artist song, and illustrates the transition period between the decades of recording for Columbia, with the last three albums on that label, and the explosive career of the “new” Miles Davis following his signing with Warner Bros.Find albums on this label and the release of “TutuFind albums with this title”, and the last years of his life (1986-1991). Overall, as usual with any archival material by Miles Davis, the music is absolutely Godly, stressing again his unshaken position as the greatest Jazz musician of all time. Although the music does not reveal any surprising elements, it affirms his status, and for every Davis’ follower on this planet is absolutely essential.

Updated: 31/12/2024Posted: 26/10/2022

CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend

MILES DAVIS ~ WARSAW CONCERT 1983 IMMORTAL 104243 (Barcode: 8712177056620) ~ USA ~ Jazz-Rock Fusion Recorded: 1983 Released: 2010 The importance of this music stretches far beyond the fact that this is music played by the great Miles DavisFind albums by this artist during the last decade of his life, when his playing was rejuvenated and full of creative powers again. This unique recording was captured during the Warsaw´s Jazz Jamboree festival, Easter Europe´s most important Jazz even for several decades during the Socialist regime. In fact Warsaw´s JJ was almost the only Jazz Festival where Eastern European Jazz enthusiast could hear Western Jazz musicians live. The fact that the JJ festival was able to bring Miles Davis over, during a renewed peak of his world popularity and against all odds (economic, political, etc.), is a miracle and the fascinating story behind the scenes is worthy of a movie script. I´ve been privileged to be a part of this story, but that is well beyond the scope of these notes. The music presents Miles accompanied by an ensemble of young and talented musicians, which consists of saxophonist Bill EvansFind albums by this artist, guitarist John ScofieldFind albums by this artist, keyboardist Robert Irving IIIFind albums by this artist, bassist Darryl JonesFind albums by this artist, drummer Al FosterFind albums by this artist and percussionist Mino CineluFind albums by this artist. They play the material that Miles preferred at the time, which is funky rhythmically, but quite complex harmonically. There is plenty of space for extended improvisations, with Miles playing more than he did in a long time, blowing the listeners away every time. In retrospect the music sounds as good today as it did at the time, which once again confirms Miles´ genius and prophetic vision of music. Since this is not a part of the Miles´ Columbia output, it is much more difficult to find. Great stuff!

CD 2 Digipak Recommend To A Friend

MILES DAVIS / JOHN COLTRANE ~ THE COMPLETE COLUMBIA RECORDINGS 1955-1961 COLUMBIA 90922 (Barcode: 827969092224) ~ USA ~ Jazz Recorded: 1955 - 1961 Released: 2004 This is the 1st chapter in the ColumbiaFind albums on this label’s epic series of Miles DavisFind albums by this artist Box Sets, which is a monumental reissue project of recordings by the most important Jazz musician of the 20th century. Recorded between October 1955 and March 1961 the music includes everything Miles recorded for Columbia with his legendary first quintet and sextet. John ColtraneFind albums by this artist, Cannonball AdderleyFind albums by this artist and Hank MobleyFind albums by this artist on saxes, Bill EvansFind albums by this artist, Red GarlandFind albums by this artist and Wynton KellyFind albums by this artist on piano, Paul ChambersFind albums by this artist on bass and Philly Joe JonesFind albums by this artist and Jimmy CobbFind albums by this artist on drums are the protagonists on these legendary sessions, creating this heavenly music, under the Master’s spiritual leadership. The music included here appeared on the albums: ’Round About MidnightFind albums with this title, MilestonesFind albums with this title, Kind Of BlueFind albums with this title and Someday My Prince Will ComeFind albums with this title, as well as on numerous compilation albums released later. There is little that I need to say about the music herein, as almost every Jazz lover is acquainted with at least the “Kind Of Blue” album, being the most widely sold Jazz recording of all times. The combination of the geniuses of Miles and Trane turn these sessions into a fundamental and quintessential Jazz experience, which serves as a model for all generations of Jazzman to come. Both of them were constantly on a spiritual quest to expand both their performing skills, taking them beyond the humanly possible, as well as crossing musical planes uncharted and visionary. Although created by humans, this music is worthy of Gods and should it have happened a few thousands of years earlier, it would be probably heard on the mount Olympus. I simply can’t imagine anybody not owning this music and listening to it repeatedly, as it is timeless and everlasting. Beyond essential!

Updated: 26/01/2019Posted:

CD 6 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend

JACK DEJOHNETTE ~ MADE IN CHICAGO ECM 2392 (Barcode: 602537809356) ~ USA ~ Jazz Recorded: 2013 Released: 2015 Although born, raised and musically educated in Chicago, pianist / Master drummer / composer / bandleader Jack DeJohnetteFind albums by this artist left the Windy City and moved on to the Big Apple in 1966, leaving behind his schoolmates and bandmates from the Chicago loft scene. He soon got involved with such pivotal Jazz figures like Charles LloydFind albums by this artist, Bill EvansFind albums by this artist, Stan GetzFind albums by this artist, Miles DavisFind albums by this artist and Keith JarrettFind albums by this artist, and later on led many of his own ensembles, living one of the most fulfilling and artistically creative lives in American Jazz history. In the meantime his Chicago cohorts: pianist Muhal Richard AbramsFind albums by this artist and saxophonists Roscoe MitchellFind albums by this artist and Henry ThreadgillFind albums by this artist became the core of the AACM, one of the most important American Jazz platforms, which gave birth to countless revolutionary recordings and kept the American Jazz developing and expanding the boundaries set by the stale mainstream traditionalism. The celebrations of DeJohnette´s seventieth birthday created the opportunity to bring DeJohnette together again with Abrams, Mitchell and Threadgill. The specially formed quintet was formed by adding the Chicago born and based bassist Larry GrayFind albums by this artist and the quintet recorded the music presented here live. They perform six original compositions, two of which are by Mitchell, one each by Abrams, DeJohnette and Threadgill and one is credited to all five quintet members. People familiar with the recordings by the Chicago scene musicians will find this music pretty familiar stylistically and the AACM aesthetic prevails throughout, with long, slowly developing themes and extended improvisations setting the tone. The melodic threads, stated usually after a moody preamble, are then extensively improvised upon, only to be repeated by the end of each track. There is a lot of space and freedom in this music, which allows all the musicians to state their own ides as well as exchange ideas with the other members of the quintet. This is definitely not the kind of music that DeJohnette usually plays outside of this specific project and his ability not only to blend in but also contribute significantly to the overall result is truly remarkable. His incredible sensitivity, elegance and technical brilliance are here right in the open, for the listener to enjoy. As much as this album celebrates DeJohnette´s lifetime achievements, even more so it celebrates the Chicago Jazz scene, which is undoubtedly the most creative and adventurous center of ambitious music in the USA, burgeoning with inventiveness and passion, not only amongst the older generation but also involving many your Jazz and Improvising Music artists. Should this album prompt more listeners to plunge deeper into Jazz Made in Chicago, DeJohnette added another milestone to his magnificent career.

CD 1 Slipcase Recommend To A Friend

ARI EREV ~ A HANDFUL OF CHANGES NOT ON LABEL (Barcode: 885767262577) ~ ISRAEL ~ Jazz Recorded: 2011 Released: 2012 Almost four years after his sensational debut album, Israeli pianist / composer Ari ErevFind albums by this artist returns with his second album as a leader. As the title suggests, it´s all about changes, and therefore this outing is very different from the previous one in every respect. Whereas the debut was a classic piano trio album, with subtle, delicate and often introvert musical love-making, this one is joyous and energetic, recorded mostly in a quintet setting. Of the eleven compositions included herein, seven are Ari´s originals, two are by the great Israeli composer Alexander ArgovFind albums by this artist and the remaining two are standards. The quintet, which recorded most of the music, consists of prominent American (NY) tenor and soprano saxophonist Joel FrahmFind albums by this artist, Ari on piano, bass guitarist Arie VolinezFind albums by this artist, drummer Eitan ItzcovichFind albums by this artist and percussionist Gilad DobreckyFind albums by this artist. Bassist Tal RonenFind albums by this artist plays double bass on three tracks and reeds player Ofer ShapiroFind albums by this artist plays alto saxophone on one track and clarinet on another. The overall level of performance is absolutely spotless from start to finish, presenting sophisticated and intelligent mainstream Jazz, which is as good as anything recorded in America or Europe in the same category. Volinez and Itzcovich are a formidable rhythm section, with decades of playing together behind them; Shapiro delivers a wonderfully heartfelt clarinet work; Dobrecky ornaments the music with his rhythmic inventions, adding a slightly exotic tinge; Frahm plays beautifully and skillfully; but of course it´s Ari´s piano work that shines brightly and is exceptionally lovely throughout. His touch and intimate feel for the melody is absolutely gorgeous and as much as I try to forget it, it keeps reminding me of Bill EvansFind albums by this artist´ playing. My personal favorite track on this album is the wonderful piano / sax duet, which in its intimacy and nakedness presents the beauty of the music at its fullest. But of course the entire album is a feast from start to finish. I can only thank Ari and his cohorts for bestowing upon us all such wonderful music. It proves that the Israeli Jazz scene, regardless of the fact if it happens here or in the middle of NY, reached a maturity and professionalism I dreamt about since decades. Hats off Ari and may the (Jazz) Force be with you!

Updated: 06/03/2025Posted:

CD 1 Digipak Recommend To A Friend

ARI EREV ~ ABOUT TIME NOT ON LABEL (Barcode: 094922849564) ~ ISRAEL ~ Jazz Recorded: 2007 Released: 2008 1st album by Israeli Jazz pianist / composer Ari ErevFind albums by this artist. The title is most appropriate, as Ari has been playing and composing for quite a while and it’s about time for us to enjoy the fruits of his labor. The album presents him in a piano trio setting (my favorite Jazz format) with Israeli veterans Yorai OronFind albums by this artist on bass and Gideon PasahovFind albums by this artist on drums. Of the thirteen tunes played six are original compositions, five are standards (two of them not surprisingly by Bill Evans) and the remaining two are his interpretations of Israeli evergreens by Shalom HanochFind albums by this artist and Nurit HirshFind albums by this artist. It’s pretty obvious, from the very first few chords on this album, that Ari is deeply inspired by the piano work of Bill EvansFind albums by this artist, with Evans’ spirit hovering over his shoulder at all times. The choice of material, the delicate touch, the intrinsic melancholy are all signatures of the great Master. Of course Ari manages carefully to avoid the trap of becoming an Evans impersonator, and his own personal approach is strong enough to indicate his own input. Overall this is a splendid album, quiet and introversive, full of beauty and romance. Considering the fact that this is a first of its kind recording in Israeli Jazz, I can only congratulate him for this wonderful gift to our country’s cultural legacy and Jazz achievements. Most warmly recommended!

CD 1 Recommend To A Friend

ARI EREV ~ CLOSE TO HOME NOT ON LABEL (Barcode: 195079892035) ~ ISRAEL ~ Jazz Recorded: 2020 Released: 2021 This is the fourth album by Israeli Jazz pianist / composer Ari ErevFind albums by this artist, recorded with a core trio which includes bassist Assaf HakimiFind albums by this artist and Slovenian (resident in Israel) drummer Gasper BertonceljFind albums by this artist. Guest musicians include saxophonists Yuval CohenFind albums by this artist, flautist Hadar NoibergFind albums by this artist and percussionist Gilad DobreckyFind albums by this artist. The album presents thirteen tracks, eight of which are original compositions by Erev and five are arrangements of tunes by other composers. The music is, as always, first and foremost beautifully melodic, with strong rhythmic presence, all well within the mainstream Jazz idiom. Erev is a wonderful songweaver and his original melodies all sound like “instant” standards, even if heard for the first time. The rhythm section and guests all perform amicably of course, as expected from highly professional musicians, but personally Erev’s piano playing remains the focus of the album, and it never disappoints. His magic touch on the keyboard is pure delight and I have never enough of listening to him, with glimpses of Bill EvansFind albums by this artist lurking from above. Erev is not looking for any experimentation here, simply trying to deliver a highly melodic, pleasant and straight to the heart message of good time, which often gets forgotten in contemporary Jazz. This album is another solid addition to Erev’s recorded legacy, and a fine portrait of the diversity of Israeli Jazz, which sadly remains almost completely anonymous outside of the country’s borders. Highly recommended, as always, and hopefully we won’t have to wait another five years for the next one.

Updated: 14/05/2021Posted: 14/05/2021

CD 1 Mini-Sleeve Recommend To A Friend

BILL EVANS ~ ALBUM (EXPANDED EDITION) COLUMBIA 64963 (Barcode: 5099706496328) ~ USA ~ Jazz Recorded: 1971 Released: 1996 The history of jazz is crowned by a small pantheon of stellar figures, which are (more or less) unequivocally accepted as the most prominent contributors to the development of the genre. Miles DavisFind albums by this artist and John ColtraneFind albums by this artist are members of that exclusive club and so is Bill EvansFind albums by this artist, the most influential jazz pianist ever. Since Evans’ biography is available from many sources, I won’t go into it here, so here are just a few personal comments: Although Evens played in a variety of settings, he surely deserves the title of inventor of the piano trio, a format in which most of his exceptional work was done. Over the years Evans led a series of legendary trios with the most eloquent bass and drums players, primarily noticeable for the phenomenal and telepathic level of interplay between the trio members. His (fortunately) numerable trio recordings are not only a document of his exceptional sensibility and lyricism as a player and composer, but also cornerstones of musical collaboration. Starting from the first trio (1959) with Scott LaFaroFind albums by this artist and Paul MotianFind albums by this artist and up to the last moments of his life (1980) with Marc JohnsonFind albums by this artist and Joe LaBarberaFind albums by this artist, the trio recording have always been the safest bets on musical delight one might ever take when buying a jazz album. This particular album, recorded with legends Eddie GomezFind albums by this artist on bass and Marty MorellFind albums by this artist on drums, is very important in Evans’ history. It includes his first contributions on the electric piano (a custom-made version of the Fender Rhodes), which he will explore more extensively later in his career. It also includes exclusively his own compositions, as opposed to his treatments of jazz standards, which were earlier the bulk of his recording material. This was the first of the only two albums Evans recorded for ColumbiaFind albums on this label – the other (“Living Time”) still awaiting a proper reissue. I can’t imagine anybody who loves jazz (or in fact anybody who loves music) ignoring this album, so if you still don’t have it – now is your chance. Absolutely essential!

Updated: 01/03/2024Posted:

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

BILL EVANS ~ ANOTHER TIME: THE HILVERSUM CONCERT RESONANCE 2031 (Barcode: 096802280405) ~ USA ~ Jazz Recorded: 1968 Released: 2017 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded in a classic piano trio setting with bassist Eddie GomezFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. It is only the 3rd album released by this particular trio. The music was recorded at the Dutch Radio Union studio on June 22, 1968, just a couple of days after the recording at the legendary MPSFind albums on this label Records studio in Villingen, Germany, on June 20, 1968, which yielded the “Some Other Time: The Lost Session From The Black ForestFind albums with this title”, released by ResonanceFind albums on this label Records a year earlier. The recording took place just one week after Evans and the trio recorded the iconic live album “At The Montreux Jazz FestivalFind albums with this title”. The album presents nine tracks, three of which are Evans’ originals and the rest are standards. It offers a stunning sound quality, one of the absolutely best live Evans’ recordings. It also features an extended booklet with interviews with Gomez and DeJohnette and other background information. The music is executed with passion and elegance, which were always the essential ingredients of Evans’ music. There are trio, duo and solo performances. The phenomenal and literally symbiotic relationship between Evans and Gomez is omnipresent and the bass gets a prominent presence in the mix and numerous solo spots, in contrast to the drums, which are almost completely far in the background, when present at all. DeJohnette was a member of the trio for just a few months and this is perhaps why his role on this album is minimized, which results in most of the music sounding like a piano / bass duo, which of course does not lessen any of the music’s magic quality. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering a lesser documented period of his activity. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 23/02/2024Posted: 23/01/2024

CD 1 Digipak Remastered Recommend To A Friend

BILL EVANS ~ BEHIND THE DIKES: THE 1969 NETHERLANDS RECORDINGS ELEMENTAL MUSIC 5990441 (Barcode: 8435395503164) ~ USA ~ Jazz Recorded: 1969 Released: 2021 This is an archival live album by American pianist / composer Bill EvansFind albums by this artist, recorded in a trio setting with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The music was recorded in March, 1969 at the KRO Radio station in Hilversum and RAI Congrescentrum in Amsterdam. Two newly discovered tracks were recorded at Vara Studio 8 in Hilversum with the Metropole OrkestFind albums by this artist. The 2CD album presents twenty-four tracks, six of which are original compositions by Evans and the rest are standards. This particular Bill Evans trio was the longest lasting of his trios (1968-1974) and his collaboration with Gomez (1968-1977) was the longest lasting cooperation with a bassist, and this album, recorded about a year after this trio was formed, explains why it lasted so long. The telepathic rapport between the trio members is absolutely unique and the way they share the stage is absolutely beyond human. The remastered recording offers excellent sound quality, with an intimate closeness to the original sound and good balance between the piano and rhythm section, which is often totally botched by professionals recording live, especially piano trios. Gomez solos extensively, and his virtuosic and unique approach is audible herein at its full magnificence. The album includes an extensive booklet with fabulous photographs, well written articles and interviews with Gomez, Morell and others. Overall, this is another archival Bill Evans album label, which brings to life previously legally unreleased recordings by the piano Genius, which of course immediately becomes an essential piece of every Evans’ collector music library. Although the same tunes are already available on other albums, live and studio, Evan’s touch and the trio’s symbiosis are worth being listened to in every possible shape and form.

Updated: 29/03/2024Posted: 29/03/2024

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ ESCAPE ESCAPADE 03650 ~ USA ~ Jazz-Rock Fusion Bill Evans is one of the leading figures in the world of jazz fusion and he played on numerous albums as a leader and sidemen. This is his second solo effort and he really shines here, mostly on soprano sax. Stellar line-up including all his fusion buddies. A couple of tracks feature hip-hop / rap vocals, which are great fun. A good mixture of funky tracks and soulful ballads.

CD 1 Recommend To A Friend

BILL EVANS ~ EVANS IN ENGLAND RESONANCE 2037 (Barcode: 712758040329) ~ USA ~ Jazz Recorded: 1969 Released: 2019 This is an archival live album by American pianist / composer Bill EvansFind albums by this artist, recorded in a trio setting with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The music was recorded illegally in December, 1969 at the Ronnie Scott’s Club in London by a French fan who followed Evans to attend all his European concerts and record them on a mobile tape recorder. The 2CD album presents eighteen tracks, six of which are original compositions by Evans and the rest are standards. This particular Bill Evans trio was the longest lasting of his trios (1968-1974) and his collaboration with Gomez (1968-1977) was the longest lasting cooperation with a bassist, and this album, recorded about a year after this trio was formed, explains why it lasted so long. The telepathic rapport between the trio members is absolutely unique and the way they share the stage is absolutely beyond human. Despite the fact that the music was recorded using a single microphone, the sound quality is perfect as far as live recordings are concerned, with an intimate closeness to the source and good balance between the piano and the bass, which is often totally botched by professionals recording live, especially piano trios. As it turns out it was absolutely worth the fifty years’ wait to be able to hear these recordings. Overall, this is another archival Bill Evans albums released by the ResonanceFind albums on this label label, which brings to life previously unreleased recordings by the piano Genius, which of course immediately becomes an essential piece of every Evans’ collector music library. Although the same tunes are already available on other albums, live and studio, Evan’s touch and the trio’s symbiosis are worth being listened to in every possible shape and form.

Updated: 02/06/2023Posted: 02/06/2023

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ IN NORWAY: THE KONGSBERG CONCERT ELEMENTAL MUSIC 5990447 (Barcode: 8435395503935) ~ USA ~ Jazz Recorded: 1970 Released: 2024 This is another archival live album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his trio with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The album presents thirteen tracks, recorded on June 26, 1970, at the peak of Evans’ creative power. It features, as usual, an extended booklet with interview with Evans by Norwegian journalist / critic Randi HultinFind albums by this artist the day after the concert, reflections by Gomez, Morell and others, superb historic photographs and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds the pleasure of listening to the music. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. These recordings, made with his longest lasting trio (six years 1968-1974), show Evans at his best, full of lyricism and sophisticated delicate touch on the keyboard. Gomez’s incredible support on the bass is absolutely stunning, a true soul brother and musical companion to Evans, as is the intricate playing by Morell. Overall, this is a wonderful addition to the Bill Evans recorded legacy. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 05/01/2025Posted: 05/01/2025

CD 1 Digipak Remastered Recommend To A Friend

BILL EVANS ~ INNER SPIRIT: THE 1979 CONCERT AT THE TEATRO GENERAL SAN MARTIN, BUENOS AIRES RESONANCE 2062 (Barcode: 617270122808) ~ USA ~ Jazz Recorded: 1979 Released: 2022 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his last trio with bassist Marc JohnsonFind albums by this artist and drummer Joe LaBarberaFind albums by this artist. The 2CD album presents thirteen tracks, recorded on September 27, 1979, almost exactly a year before Evans’ untimely death. This album is a companion release to the album “Morning Glory: The 1973 Concert At The Teatro Gran Rex, Buenos AiresFind albums with this title”, which was recorded six years earlier with a different trio. It also features an extended booklet with interviews with Johnson, LaBarbera and others and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds the pleasure of listening to this album. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. These late recordings with his last trio show Evans still at his best, but quite different from his classic earlier recordings, with much more intense and almost “busy” playing, far from the delicate, lyrical performances in his earlier days. Johnson’s incredible support on the bass is absolutely stunning, although again very different from his predecessors in the trio, as is the energetic playing by LaBarbera. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his live appearances in Argentina. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 01/03/2024Posted: 01/03/2024

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ LIVE AT ART D`LUGOFF`S TOP OF THE GATE RESONANCE 2012 (Barcode: 724101961526) ~ USA ~ Jazz Recorded: 1968 Released: 2012 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his trio with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The 2CD album presents two full sets played at that date, together seventeen tracks, recorded on October 23, 1968, at the peak of Evans’ creative power. Three of the performed compositions appear in both sets. All the tracks are standards, except for one original composition by Evans. As usual the album features an extended booklet with essays, superb historic photographs and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds to the pleasure of listening to the music. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. These recordings, made with his longest lasting trio (six years 1968-1974), show Evans at his best, full of lyricism and sophisticated delicate touch on the keyboard. Gomez’s incredible support on the bass is absolutely stunning, a true soul brother and musical companion to Evans, as is the intricate playing by Morell. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his early dates with the Gomez / Morell trio. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 15/06/2024Posted: 15/06/2024

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ MORNING GLORY: THE 1973 CONCERT AT THE TEATRO GRAN REX, BUENOS AIRES RESONANCE 2061 (Barcode: 617270122761) ~ USA ~ Jazz Recorded: 1973 Released: 2022 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his trio with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The 2CD album presents thirteen tracks, recorded on June 24, 1973, at the peak of Evans’ creative power. This album is a companion release to the album “Inner Spirit: The 1979 Concert At The Teatro General San Martin, Buenos AiresFind albums with this title”, which was recorded six years later with the last trio. It also features an extended booklet with interviews with Gomez, Morell and others, superb historic photographs and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds the pleasure of listening to the music. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. These recordings, made with his longest lasting trio (six years 1968-1974), show Evans at his best, full of lyricism and sophisticated delicate touch on the keyboard. Gomez’s incredible support on the bass is absolutely stunning, a true soul brother and musical companion to Evans, as is the intricate playing by Morell. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his live appearances in Argentina. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 08/05/2024Posted: 08/05/2024

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ SOME OTHER TIME: THE LOST SESSION FROM THE BLACK FOREST RESONANCE 2019 (Barcode: 096802280276) ~ USA ~ Jazz Recorded: 1968 Released: 2016 This is a sensational archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded in a classic piano trio setting with bassist Eddie GomezFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. The music was recorded at the legendary MPSFind albums on this label Records studio in Villingen, Germany, on June 20, 1968, by the owner of the label Hans Georg Brunner-SchwerFind albums by this artist (HGBS) and produced by my Friend and Mentor Joachim BerendtFind albums by this artist. The material was subsequently not released, despite several attempts, and remained in the MPS vaults for almost five decades, to be finally released by ResonanceFind albums on this label Records. The recording took place just five days after Evans and the trio recorded the iconic live album “At The Montreux Jazz FestivalFind albums with this title”. The 2CD album presents eleven tracks on CD1, which were selected for the intended MPS album, which never materialized, and ten tracks on CD2, which are outtakes and alternate takes, all of course worth being heard. Evans did eventually record an album for MPS some six years later, the groundbreaking orchestral “SymbiosisFind albums with this title”, which is a completely another pair of shoes. The music consists of a mixture of standards and Evans’ originals, executed with passion and elegance, which were always the essential ingredients of Evans’ music. There are trio, duo and solo performances. The phenomenal and literally symbiotic relationship between Evans and Gomez is omnipresent and the bass gets a prominent presence in the mix and numerous solo spots, in contrast to the drums, which are almost completely far in the background, when present at all. DeJohnette was a member of the trio for just a few months and this is perhaps why his role on this album is minimized, which results in most of the music sounding like a piano / bass duo, which of course does not lessen any of the music’s magic quality. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering a lesser documented period of his activity. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history

Updated: 23/02/2024Posted: 15/05/2023

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ SYMBIOSIS MPS 4029759115489 (Barcode: 4029759115489) ~ USA ~ Jazz-Classical Fusion Recorded: 1974 Released: 2016 This is a reissue of the seminal album by American pianist / composer Bill EvansFind albums by this artist, which was his only album for MPSFind albums on this label, recorded with his trio featuring bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist and accompanied by an Orchestra conducted by the legendary German composer / arranger / conductor Claus OgermanFind albums by this artist, who also composed and arranged the two-movement concerto performed by the trio and the Orchestra. The Orchestra included members of the New York PhilharmonicFind albums by this artist and many top American Jazz musicians, like saxophonist Phil WoodsFind albums by this artist, flautist Hubert LawsFind albums by this artist, trumpeter Marvin StammFind albums by this artist and many others. The music is a sensational example of early Jazz-Classical Fusion, combining elements of Twentieth Century European Classical Music and Jazz, masterly composed and arranged by Ogerman, who was one of the greatest orchestrators of his time and who boldly combined Classical music with Rock, World Music and Jazz, like no others before him and was revered by many musicians and music lovers around the world. Evans, who was the greatest Jazz piano player ever, was a natural choice to become a part of this cross-genre project, as his enormous sensitivity and sublime virtuosity was always soaked with typical European melancholy and harmonic structures. His performances on this album, which is by far his most atypical recording, prove that his open-mindedness and vision allowed him to cope effortlessly with the unusual orchestral ambience this music required of him. His acoustic and electric piano sounds perfectly right every time it is heard on this album, creating an integral part of the overall orchestral reverberation. The magnificent bass playing by Gomez is always side by side with Evans, who is known to have developed symbiotic relationships with his bassist over the years. Morell keeps a wonderfully precise and delicate time during the trio parts, as he always did with Evans. Since this was the Evans´ longest-lasting and most stable trio, no wonder their performances together are simply marvelous. This awe-inspiring album lost absolutely nothing of its intrinsic beauty and expressiveness over the time, au contraire it still remains as one of the most perfect Jazz-Classical Fusion recordings ever, certainly as far as aesthetics, intelligence, sophistication and inspiration are concerned. Although probably Evans´ least know album, surely in America, it is definitely one of his most auspicious achievements, certainly more important from the historic point of view than his less ambitious, albeit always brilliant, albums recorded for the American market. This is an absolute gem and an essential piece of every decent collection of good music. It is certainly wonderful to have it back in circulation. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 30/11/2016

CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend

BILL EVANS ~ TALES: LIVE IN COPENHAGEN (1964) ELEMENTAL MUSIC 5990445 (Barcode: 8435395503751) ~ USA ~ Jazz Recorded: 1964 - 1969 Released: 2023 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded in a classic piano trio setting with bassist Chuck IsraelsFind albums by this artist and drummer Larry BunkerFind albums by this artist during Evans’ first European tour. The album presents eleven tracks, six recorded on August 10, 1964 at Danish Radio (without audience), four recorded on August 25, 1964 at Danish TV and finally one (“bonus”) track recorded on November 21, 1969 with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. Three of the tracks are Evans’ originals and the rest are standards. This album is a follow up release to the 2CD album “Treasures: Solo, Trio And Orchestral Recordings From Denmark (1965-1969)Find albums with this title”, which presents other recording by Evans in Denmark, and which completes these historical recordings. It also features an extended booklet with interviews with Israels and Bunker’s widow and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds to the pleasure of listening to this album. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his live appearances in Europe. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 23/02/2024Posted: 26/01/2024

CD 1 Digipak Remastered Recommend To A Friend

BILL EVANS ~ TREASURES: SOLO, TRIO & ORCHESTRA RECORDINGS FROM DENMARK (1965-1969) ELEMENTAL MUSIC 5990444 (Barcode: 8435395503645) ~ USA ~ Jazz Recorded: 1965 - 1969 Released: 2023 This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded at various occasions in Denmark and including solo piano performances, trios with Danish bassist Niels-Henning Orsted PedersenFind albums by this artist / American bassist Eddie GomezFind albums by this artist and Danish drummer Alex RielFind albums by this artist / American drummers Alan DawsonFind albums by this artist or Marty MorellFind albums by this artist and The Royal Danish Symphony OrchestraFind albums by this artist and The Danish Radio Big BandFind albums by this artist conducted by trumpeter, arranger Palle MikkelborgFind albums by this artist. The 2CD album presents thirty tracks, recorded between 1965 and 1969. This album is a companion release to the album “Tales: Live In Copenhagen (1964)Find albums with this title”, which presents other performances by Evans in Denmark, and which completes these historical recordings. It also features an extended booklet with interviews with Gomez, Morell, Riel, Mikkelborg and others and other background information. The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds the pleasure of listening to this album. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula. Of course this is also a relatively rare opportunity to hear Evans playing solo piano and the trio playing with Orchestra / Big Band, which expands the presentation of Evans’ brilliance and incredible musicianship. Luckily for the many Evans’ fans, he was extensively recorded and his recorded legacy is truly extensive, with this album being an exemplary part of it. Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his live appearances in Europe. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.

Updated: 25/03/2024Posted: 23/02/2024

CD 2 Digipak Remastered Recommend To A Friend

BILL EVANS ~ YOU MUST BELIEVE IN SPRING (EXPANDED EDITION) RHINO 73719 (Barcode: 081227371920) ~ USA ~ Jazz Recorded: 1977 Released: 2003 Although recorded in 1977 this wonderful album by Bill EvansFind albums by this artist was only released originally in 1981, after Evans` untimely death. Evans of course was the greatest jazz pianist of all time and a class in himself. His superb technique, but even more importantly his exceptional feel of melody and lyrical expressionism are unmatched. His favorite format was the piano trio (piano, bass & drums) and the majority of his very extensive recorded legacy is in that format. This album is a prime example of the trio format (with Eddie GomezFind albums by this artist - bass and Elliot ZigmundFind albums by this artist - drums). An absolute must!

Updated: 23/02/2024Posted:

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

RICHARD FAIRHURST & JOHN TAYLOR ~ DUETS BASHO 49 (Barcode: 832929004926) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This wonderful and criminally little known album by British Jazz pianists Richard FairhurstFind albums by this artist and John TaylorFind albums by this artist presents a series of eleven piano duets performed by the two. The music includes two original compositions by Fairhurst, two pieces co-composed by them both, one composition by Taylor, another one by Kenny WheelerFind albums by this artist, a two-part piece by Pete SabertonFind albums by this artist and finally a trio of Bill EvansFind albums by this artist compositions. The music is splendidly recorded and offers a true feast to Jazz piano lovers. Separated by a generation age gap, Fairhurst (born 1975) and Taylor (born 1942) are able to bridge that gap without a hitch, playing in perfect harmony both technically and spiritually. Their treatment of the Evans compositions is absolutely breathtaking and manages to preserve the delicate climate and lyricism of the original compositions and yet transform them to a more European Jazz sensitivity. But the entire selection of tunes is brilliant from start to finish and a true delight to Jazz connoisseurs, who might try and guess who plays what, which for a trained ear is not that difficult. The idea of this project was born when Fairhurst was invited to take part in the Steinway Two Pianos Festival in London in 2010 and asked John to join him, and continued when John asked Richard to take part in his 70th Birthday Celebration concert in 2012, which allowed them to collect enough material suitable for a recording session, which resulted in this album. Sadly less than two years after this album was recorded John departed prematurely and the album was released posthumously. Overall this is a classic example of Jazz piano duet performance and the "Art of the Duo" idiom and a beautiful memento of John´s artistry. For the many followers of Taylor´s music this is an absolute must of course, but Fairhurst is also to be complimented on his brilliant playing, which is definitely worthy of being closely followed! A true gem!

Updated: 03/09/2020Posted: 03/09/2020

CD 1 Digipak Recommend To A Friend

ROBBEN FORD & BILL EVANS ~ COMMON GROUND MPS 4029759178842 (Barcode: 4029759178842) ~ USA ~ Smooth Jazz Recorded: 2020 Released: 2022 This is the 2nd album by the duo of American Fusion musicians, guitarist Robben FordFind albums by this artist and saxophonist Bill EvansFind albums by this artist, recorded with bassist Darryl JonesFind albums by this artist and drummer Keith CarlockFind albums by this artist. Vocalist Max MutzkeFind albums by this artist appears on one track. The album presents nine tracks, five by Ford and four by Evans. The music is a predictable mixture of Blues, Melodic Fusion and Smooth Jazz, which is very listenable and widely accessible, but lacks any particular artistic values, except of course the very high level of professional performance skills by all the participants. Ford is an exceptionally gifted Blues guitarist and Evans a great Jazz saxophonist, but they are here to enjoy themselves rather than play some serious music. Overall, this is a highly entertaining album, smoothly performed by all participants, ideal for cocktail parties and long rides in a cabriolet. I confess that when I am particularly gloomy and tired, this kind of music is exactly what the doctor prescribed!

Updated: 23/07/2024Posted: 23/07/2024

CD 1 Digipak Recommend To A Friend

ROBBEN FORD & BILL EVANS ~ THE SUN ROOM EAR MUSIC 4029759140412 (Barcode: 4029759140412) ~ USA ~ Smooth Jazz Recorded: 2019 Released: 2019 This is the debut album by the duo of American Fusion musicians, guitarist Robben FordFind albums by this artist and saxophonist Bill EvansFind albums by this artist, recorded with bassist James GenusFind albums by this artist, drummer Keith CarlockFind albums by this artist and keyboardist Rob AiresFind albums by this artist. Vocalist Lurie WheelerFind albums by this artist appears on a couple of tracks. The album presents nine tracks, four by Ford and five by Evans. The music is a predictable mixture of Blues, Melodic Fusion and Smooth Jazz, which is very listenable and widely accessible, but lacks any particular artistic values, except of course the very high level of professional performance skills by all the participants. Ford is an exceptionally gifted Blues guitarist and Evans a great Jazz saxophonist, but they are here to enjoy themselves rather than play some serious music. Overall, this is a highly entertaining album, smoothly performed by all participants, ideal for cocktail parties and long rides in a cabriolet. I confess that when I am particularly gloomy and tired, this kind of music is exactly what the doctor prescribed!

Updated: 01/07/2024Posted: 01/07/2024

CD 1 Recommend To A Friend

KRZYSZTOF HERDZIN ~ LIVE IN TYGMONT ALLEGRO 011 ~ POLAND ~ Jazz Recorded: 2004 Released: 2006 This album presents a live recording captured at the Warsaw´s Tygmont club by pianist / composer Krzysztof HerdzinFind albums by this artist and his trio, with bassist Zbigniew WegehauptFind albums by this artist and drummer Cezary KonradFind albums by this artist. The trio performs six compositions, four of which are originals by the leader and two are standards. The recording has a beautiful realistically captured live sound and an overall superb sound quality. People familiar with the Polish Jazz scene are surely aware of the fact that Herdzin is one of the busiest and most versatile musicians in the country, who left his mark on a large scale of different musical projects in Contemporary Classical music, Jazz and Popular music. His work as an arranger / orchestrator marks most of the great Pop albums recorded in the last two decades in Poland. Sometimes it seems as if there is hardly anything happening in Polish music, which does not involve Herdzin one way or another. Of course such omnipresence can be dangerous and lead to spreading the talents thin, but one must admit that everything Herdzin touches turns out well, which simply proves his incredible talent, versatility, stamina, perseverance and above all professionalism. To be fair one must remember that this album presents just one aspect of Herdzin´s activity, i.e. his work as a leader of a classic Jazz piano trio. During his career Herdzin recorded several albums in this format, and I must admit this is the favorite one for me. There are several reasons why I feel that way; firstly the material included herein presents a wide emotional range, from up-tempo numbers presenting Herdzin as a virtuoso pianist performing neck-breaking solos and up to deeply contemplative ballads, where the listener can hear Herdzin the atmospheric painter. Secondly the trio work, which is absolutely stunning, is a superb example of creative cooperation in real time, which after all is what Jazz is all about. The dazzling displays of piano bravura are brilliantly supported at all times by the rhythm section, which at the time of the recording was probably the best in the country. My deeply lamented personal friend Zbigniew Wegehaupt, who left us at a ridiculous young age a year ago, was undoubtedly one of the greatest bassists to emerge on the local scene and drummer Cezary Konrad, with whom Herdzin works often, is probably to top drummer of the second Jazz generation in Poland. This is a classic piano trio album in every respect, which should satisfy even the sternest and most capricious Jazz connoisseurs. Regardless if your champion is Chick CoreaFind albums by this artist, Bill EvansFind albums by this artist or Herbie HancockFind albums by this artist, you will find something here, which is of course first and foremost Herdzin´s statement, but sits firmly in the same state of mind that these great Masters bestowed upon us. A timeless jewel!

CD 1 Recommend To A Friend

BODEK JANKE ~ SONG 2 NOT ON LABEL 4260014871218 (Barcode: 4260014871218) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2019 Released: 2020 This is an album by Polish (resident in Berlin) Jazz drummer / composer Bodek JankeFind albums by this artist recorded in an international quartet setting with Namibian vocalist / guitarist Shishani VranckxFind albums by this artist, Estonian pianist Kristjan RandaluFind albums by this artist and British bassist Phil DonkinFind albums by this artist. The excellent Polish Atom String QuartetFind albums by this artist provide the string parts and world class guests: American saxophonist Bill EvansFind albums by this artist, Israeli guitarist Gilad HekselmanFind albums by this artist and German trumpeter Sebastian StudnitzkyFind albums by this artist appear on selected tracks. The album presents ten tracks, five of which are originals (two by Janke and three by Vranckx) and the rest are arrangements of Pop songs. As the title suggests, this album is a continuation of its predecessor called "SongFind albums with this title" released a couple of years earlier. Although basically a Jazz album, the concept it presents is a mixture of inventive and ambitious arrangements of well known Pop songs and original compositions, with the emphasis on transforming the music into way more complex setting than its origins. Not surprisingly, since the leader is a drummer, the most striking feature of the music is a completely idiosyncratic rhythmic / polyrhythmic approach, which takes the music into an entire new dimension. The instrumental performances by all the participants on this album are simply phenomenal. Bodek is the rhythmic machine, which drives the entire ensemble, but the superb piano parts and excellent support by the bassist create a most impressive ambience of pulsating / vibrating musical unity, which sparks with originality. Vranckx adds her warm and somewhat mystical vocals, which bring the depth of African music into the proceedings. The guest stars add the proverbial cherry on top, carefully trying not to steal the show and respectfully naturally expand the ambience. The string arrangements deserve a special mention, not only because they are brilliantly executed, which is hardly surprising, but mostly due to their perfect fit to the core of the music, and not just an artificial ornamentation. Overall this is a most unusual and highly fascinating album, which requires repeated attentive listening sessions in order to truly expose its hidden treasures. It offers strikingly unusual arrangements and brilliant performances, full of aesthetic sophistication and reflecting the best European Jazz has to offer. This music should find a wide range of listeners, who are sure to enjoy its beauty, both within the circles of Jazz connoisseurs and beyond. Wholeheartedly and highly recommended!

Updated: 08/04/2020Posted: 08/04/2020

CD 1 Mini-Sleeve Recommend To A Friend

PAWEL KACZMARCZYK ~ AUDIOFEELING ARMS 03 (Barcode: 5900238791020) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 Brilliant debut album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 22 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. Three saxophonists: Radoslaw NowickiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist and Grzech PiotrowskiFind albums by this artist join the trio on several tracks, turning it into a quartet and on one track a sextet, when they all play together. Of the ten tracks present here, eight were composed by Kaczmarczyk and the other two co-composed by Kaczmarczyk and Piotrowski. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and the quartets / sextet introduce an ensemble approach. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

Updated: 26/10/2016Posted:

CD 1 Digipak Gold Recommend To A Friend

PAWEL KACZMARCZYK ~ LIVE PRK 067 ~ POLAND ~ Jazz Recorded: 2005 Released: 2005 Brilliant live album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 21 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. This music was recorded one year prior to the recording of the trio´s sensational "formal" debut album called "AudiofeelingFind albums with this title" and was released by the Silesian branch of Polish Radio, and is now a collectors´ item. Of the four tracks present here, three were composed by Kaczmarczyk and the fourth co-composed by all the trio members. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and individual virtuosity. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

CD 1 Digipak Recommend To A Friend

MIECZYSLAW KOSZ ~ MIECZYSLAW KOSZ POLJAZZ / ANEX 311 (Barcode: 5907513047667) ~ POLAND ~ Jazz Recorded: 1972 - 1973 Released: 2009 This incredible album presents a series of recordings by the virtuoso Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, one of the greatest hopes of the country´s scene, tragically cut short by his unexpected death at the age of 29. Often compared to Bill EvansFind albums by this artist, Kosz played with wonderful warmth and incredible musicality, combining the best of Jazz with his Classical education, which enabled him fluidity and superb use of harmony. These trio and solo recordings, released posthumously, are the only additional document of his incredible talent, besides the sole album he recorded during his lifetime called "ReminiscenceFind albums with this title", released as part of the Polish Jazz series. He was also a gifted composer, as evident from several of his compositions included on this album, and a great interpreter of Jazz standards, also featured here extensively. The recordings constitute mainly of radio sessions, luckily captured on tape and preserved for eternity, and were originally released as a double LP. This is some of the most exquisite piano trio and solo ever recorded, so don´t hesitate even for a second before grabbing it !

CD 1 Digipak Recommend To A Friend

MIECZYSLAW KOSZ ~ POLISH RADIO JAZZ ARCHIVES VOL.10 POLSKIE RADIO 1629 (Barcode: 5907812246297) ~ POLAND ~ Jazz Recorded: 1967 - 1971 Released: 2013 This is the tenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made between 1967 and 1971 by the legendary Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, all of which ale solo piano pieces. The material covers a mixture of Jazz standards, Jazz arrangements of Classical pieces and original compositions by Kosz (six of the sixteen tracks of the album). Kosz, who was blind since the age of 12, died tragically in 1973, at a ridiculous young age of 29. During the short period he was active on the Polish Jazz scene (1967-1973) he managed to record just one single studio album released as part of the "Polish Jazz" series ("ReminiscenceFind albums with this title" Vol.25) and some radio and concert recordings were released posthumously, but of course his overall legacy is criminally limited. Therefore every bit of music he managed to record is absolutely priceless. Although often compared to Bill EvansFind albums by this artist due the obvious lyrical similarities, Kosz was infinitely more than a Bill Evans impersonator. He had a unique style, which was a mixture of Classical and Polish Folklore roots and Jazz, which was completely distinctive. He also had a very personal sound and technique, which created the impression that he barely touched the keys even during the most powerful passages. And of course he was also a superb composer, spinning superb melody lines, which often included sophisticated hooks and twists. His expression "only sadness is beautiful" reflects perfectly his tormented personality and private life, as well as most of his compositions. Some of his later compositions encompassed strong Free Jazz elements, which would have probably played a more central role in his music, which sadly remains a speculation. But above all Kosz was a virtuosic pianist, which is immediately apparent to anybody listening to any of his recording. His technique and even more importantly his wonderful feel for Jazz was simply phenomenal. His playing is captivating and mercilessly overwhelming, and in retrospect emphasizes the scale of the loss Polish and European Jazz suffered as a result of his death. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Polish Jazz. Nevertheless this is an absolutely essential piece of Jazz history which every European Jazz fan will surely consider an absolute must.

CD 1 Digipak Remastered Recommend To A Friend

MIECZYSLAW KOSZ ~ POLISH RADIO JAZZ ARCHIVES VOL.37 POLSKIE RADIO 2429 (Barcode: 5905610870249) ~ POLAND ~ Jazz Recorded: 1967 Released: 1971 This is the thirty-seventh installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made between 1967 and 1971 by the legendary Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, which are previously unreleased solo, duo and trio piano pieces. It is the second collection of recordings by Kosz in this series. The material covers a mixture of Jazz standards, Jazz arrangements of Classical pieces and original compositions by Kosz (six of the eighteen tracks of the album) and two excerpts from radio interviews. Kosz, who was blind since the age of 12, died tragically in 1973, at a ridiculous young age of 29. During the short period he was active on the Polish Jazz scene (1967-1973) he managed to record just one single studio album released as part of the "Polish Jazz" series ("ReminiscenceFind albums with this title" Vol.25) and some radio and concert recordings were released posthumously, but of course his overall legacy is criminally limited. Therefore, every bit of music he managed to record is absolutely priceless. Although often compared to Bill EvansFind albums by this artist due the obvious lyrical similarities, Kosz was infinitely more than a Bill Evans impersonator. He had a unique style, which was a mixture of Classical and Polish Folklore roots and Jazz, which was completely distinctive. He also had a very personal sound and technique, which created the impression that he barely touched the keys even during the most powerful passages. And of course he was also a superb composer, spinning superb melody lines, which often included sophisticated hooks and twists. His expression "only sadness is beautiful" reflects perfectly his tormented personality and private life, as well as most of his compositions. Some of his later compositions encompassed strong Free Jazz elements, which would have probably played a more central role in his music, which sadly remains a speculation. But above all Kosz was a virtuosic pianist, which is immediately apparent to anybody listening to any of his recording. His technique and even more importantly his wonderful feel for Jazz was simply phenomenal. His playing is captivating and mercilessly overwhelming, and in retrospect emphasizes the scale of the loss Polish and European Jazz suffered as a result of his death. The first track, recorded in 1967, is a solo piano piece The next three tracks, recorded in 1968, feature a trio with bassist Janusz KozlowskiFind albums by this artist and drummer Sergiusz PerkowskiFind albums by this artist. The next six tracks, recorded in 1969 and 1970 (three each year), are piano solo pieces The next track, recorded in 1970, is a duo with bassist Bronislaw SuchanekFind albums by this artist. The next five tracks, recorded in 1971, are solo piano pieces. The last two tracks, recorded in 1971, are excerpts from radio interviews. The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers bi-lingual liner notes, fitting the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.

Updated: 05/07/2023Posted: 05/07/2023

CD 1 Digipak Remastered Recommend To A Friend

MIECZYSLAW KOSZ ~ REMINISCENCE (POLISH JAZZ VOL.25) MUZA 925 ~ POLAND ~ Jazz Recorded: 1971 Released: 2004 Mieczyslaw KoszFind albums by this artist was one of the greatest hopes of Polish Jazz and his untimely death at a ridiculously young age (29) was a true tragedy. He was a most lyrical and technically perfect pianist ever on the Polish scene and everybody compared his work with that of Bill EvansFind albums by this artist. Unfortunately this album is the only proper recording of his superb playing (some more material does exists but the recording quality is not that great). On this album Kosz plays some of his interesting interpretations of classical music and some of his elegant compositions. For lovers of piano trios this is a true diamond!

CD 1 Digipak Oversampling Remastered Recommend To A Friend

MAHAVISHNU ORCHESTRA ~ MAHAVISHNU WOUNDED BIRD 5190 (Barcode: 664140519022) ~ UK ~ Jazz-Rock Fusion Recorded: 1984 Released: 2002 7th album by Mahavishnu OrchestraFind albums by this artist, recorded almost 6 years after the last album recorded by MO Mk. III (which means this was MO Mk. IV). In the years that passed between these two incarnations of MO John McLaughlinFind albums by this artist recorded several superb solo albums as well as trio albums with Al Di MeolaFind albums by this artist & Paco De LuciaFind albums by this artist and of course led the ShaktiFind albums by this artist World-Fusion ensemble – a truly astonishing body of music. The reincarnation of MO served as a project to take another look at the Fusion genre and reflect the changes that the genre went through. McLaughlin selected some of the best Fusion players for his group, with veteran Billy CobhamFind albums by this artist on drums, Swedish bass player Jonas HellborgFind albums by this artist (with whom he recorded several duo and trio albums later), and two excellent representatives of the second generation of US Fusion players: Bill EvansFind albums by this artist (the other Bill Evans) on sax and Mitchell FormanFind albums by this artist on keyboards. The music on this album is very different from what the first six MO albums presented. It is much more laid-back, relaxed, serene and cerebral. McLaughlin plays with layers of electronic sounds produced by his guitar synthesizer and Forman’s keyboards, with plenty of space for Evans to solo. The rhythm section is also much looser and provides just the right setting for this music. If you are just into the Fusion pyrotechnics as displayed on the early MO albums, this one will be a disappointment, but if you are into great music, you will truly appreciate this one. The fact that AtlanticFind albums on this label never reissued this album proves how blind and deaf the Majors are and I am grateful to Terry from Wounded BirdFind albums on this label to bring this superb music back to life.

CD 1 Recommend To A Friend

GARY MCFARLAND / ORCHESTRA ~ SPECIAL GUEST SOLOIST: BILL EVANS FIVEFOUR 3 (Barcode: 5013929310322) ~ USA ~ Jazz Recorded: 1962 - 1963 Released: 2005 This wonderful and sadly little known album combines the talents of two great American Jazz Masters: composer / arranger / vibraphonist Gary McFarlandFind albums by this artist and virtuoso pianist Bill EvansFind albums by this artist. McFarland composed and arranged this music for his Orchestra with Bill Evans in mind as the featured soloist and fortunately the project was eventually realized. His beautifully lyrical and contemplative music is an ideal vehicle for Evans´ exquisite piano playing, which always shared the same musical qualities as McFarland´s compositions. The music is seemingly quite melodic, but the undercurrents of contemporary Classical counterpoint and sophisticated multi-layered arrangements turn the music into an enchanted listening experience. Apart from McFarland and Evans, other musicians participating in the recording are all stars by themselves: guitarist Jim HallFind albums by this artist, reedman Phil WoodsFind albums by this artist, bassist Richard DavisFind albums by this artist and drummer Ed ShaughnessyFind albums by this artist. In retrospect this music is still completely valid and intellectually challenging some 40 years after it was recorded. It´s great to have this gem back in circulation and hopefully younger listeners will discover its beauty.

CD 1 Recommend To A Friend

JOHN MCLAUGHLIN ~ INDUSTRIAL ZEN VERVE 983932 (Barcode: 602498393284) ~ UK ~ Jazz-Rock Fusion Recorded: 2006 Released: 2006 Here it is at last – the finest album recorded in the 21st century! As lofty and far-fetched as this might sound, I’m ready to defend this statement for as long as it takes. This masterpiece by the legendary guitarist is a complex, multi-layered work of art. On one hand it is contemporary in every sense, especially as far as the overall sound is concerned, on the other hand however it is also an amalgam of John McLaughlinFind albums by this artist’s entire life as a musician, including every style, genre, direction and sound he played over the years, all of these synthesized into an integral new entity. For people familiar with McLaughlin’s illustrious career it should be quite easy to recognize the familiar elements: the spontaneity of the Miles DavisFind albums by this artist sessions, the fire of Mahavishnu OrchestraFind albums by this artist, the grace of his solo work on acoustic and electric guitar and of course his sensitivity and openness to other cultures as demonstrated in ShaktiFind albums by this artist and Remember ShaktiFind albums by this artist. Every note here is original and yet every note also has traces and links to something accomplished in the past. As far as the sound and instrumentation are concerned, these are completely new to McLaughlin. As the title of the album suggests, he uses plenty of electronics here – synth-guitar, keyboards and even drums are used to produce a plethora of both foreground and background electronic sounds, somewhat similar to the so-called “Industrial” sound used in Rock, but of course infinitely more complex and interesting. In addition, the album is very rhythmic and percussive, with two drummers and percussion players present simultaneously on most tracks. To achieve the maximal effect McLaughlin uses different players on various tracks and the list is most impressive: Mark MondesirFind albums by this artist, Vinnie ColaiutaFind albums by this artist, Dennis ChambersFind albums by this artist, Gary HusbandFind albums by this artist – drums; Otmaro RuizFind albums by this artist, Gary HusbandFind albums by this artist – keyboards; Bill EvansFind albums by this artist, Ada RovattiFind albums by this artist – sax; Matthew GarrisonFind albums by this artist, Hadrien FeraudFind albums by this artist – bass; Zakir HussainFind albums by this artist – tabla; Shankar MahadevanFind albums by this artist – vocals. This superb group of musicians supports their Master with love and devotion, which is evident, every step of the way. Another very interesting aspect of this album is that it seems McLaughlin is paying homage to the greatest Fusion ensemble in history – Weather ReportFind albums by this artist. Two of the tracks are explicitly named after WR members: “For Jaco” (Jaco PastoriusFind albums by this artist) and “Wayne’s Way” (Wayne ShorterFind albums by this artist) but also the entire sound and feel of the album reflects very closely the feel of WR albums. I had a distinct feeling as if listening to a new album by an expanded version of WR including guitar. Perhaps something that was meant to happen but never did (i.e. WR playing with McLaughlin) finally materializes here? Fusion Karma? Whatever the Gods intended is besides the point here; one thing is sure: to create such divine music McLaughlin surely had to have a measure of godly intervention / inspiration. Bless you John for giving us such a wonderful musical gift. You do make life endurable again with your beacon clearly showing the direction to ships sailing the oceans of musical ennui.

CD 1 Essential Recommend To A Friend

JOHN MCLAUGHLIN ~ MONTREUX CONCERTS WARNER MUSIC SWITZERLAND 9701 (Barcode: 5050466970121) ~ UK ~ Jazz-Rock Fusion Recorded: 1974 - 1999 Released: 2003 This monumental Box Set (17 CDs!) is a collection of live recordings by John McLaughlinFind albums by this artist and his various ensembles at the Montreux Jazz Festival in Switzerland between 1974 and 1999. 25 years of McLaughlin’s brilliant career are summarized here in a continuous stream of mind-bugging musical brilliance and diversity. The exceptionally warm response and rapport between the musicians and the audience (which is so typical of the Montreux Festival) and the brilliant sound quality turn this set into a dream-come-true for every McLaughlin fan on earth. The various McLaughlin’s groups captured here are: Mahavishnu OrchestraFind albums by this artist Mk. II (with Jean-Luc PontyFind albums by this artist and Gayle MoranFind albums by this artist), ShaktiFind albums by this artist, One Truth BandFind albums by this artist, Mahavishnu Orchestra Mk. IV (with Bill EvansFind albums by this artist), Free SpiritsFind albums by this artist, Heart Of ThingsFind albums by this artist and Remember ShaktiFind albums by this artist. Also included are duets with Chick CoreaFind albums by this artist, Paco De LuciaFind albums by this artist and Carlos SantanaFind albums by this artist. McLaughlin plays acoustic and electric guitar and the guitar synthesizer, all of them with his usual eloquence and elegance. All this is an ocean of music, crossing genres like Fusion, Jazz and World Music, always brilliantly performed and highly inspiring. The genius of John McLaughlin as a player, composer, bandleader and visionary artist is omnipresent here from the first note to the very last. Although this set is relatively expensive, buying it is money well spent, probably better spent than any other recorded music you can get. Absolutely essential!

Updated: 07/01/2022Posted:

CD 17 Box Set Essential Recommend To A Friend

JOHN MCLAUGHLIN ~ THIEVES AND POETS EMARCY 801075 (Barcode: 602498010754) ~ UK ~ Jazz-Classical Fusion Recorded: 2003 Released: 2003 John McLaughlinFind albums by this artist is not only the world’s finest guitar player, but surely also the most versatile one. Throughout his illustrious career he played almost in every conceivable jazz-related genre between free jazz, Jazz-Rock Fusion, mainstream jazz, Jazz-World Fusion and so on. This gorgeous album opens yet another area for his musical achievements – the marriage of classical music and jazz or Jazz-Classical Fusion. The contents of the album can be divided into two parts. First comes a title piece – a splendid suite for acoustic guitar and orchestra (over 26 minutes long in 3 parts), which presents McLaughlin accompanied by the Deutsche KammerphilharmonieFind albums by this artist (with Renato RivoltaFind albums by this artist conducting). The music shows McLaughlin’s skills as a composer of contemporary music, based on the European romantic tradition. It is passionate and elegant, as one might expect from McLaughlin and quite a revelation for many of his admirers. The second part of the album consists of four jazz standards performed here in a very special guitar arrangement with McLaughlin accompanied by guitar based classical Aighetta Quartet. As these four standards have been mostly associated with legendary jazz pianist (Bill EvansFind albums by this artist, Herbie HancockFind albums by this artist, Chick CoreaFind albums by this artist and Gonzalo RubalcabaFind albums by this artist) McLaughlin presents them as homage to these jazz Giants. This is a very personal album, delicate and subtle, requiring a most attentive listening and deserving repetitive exploration. Essential musical experience!

CD 1 Digipak Essential Recommend To A Friend

AZIZA MUSTAFA ZADEH ~ DANCE OF FIRE COLUMBIA 480352 ~ AZERBAIJAN ~ Jazz Recorded: 1995 3rd album by the Azerbaijani pianist / singer Aziza Mustafa ZadehFind albums by this artist. This is her most `mainstream` jazz album (if her work can be ever considered mainstream) with a stellar cast of musicians: Al Di MeolaFind albums by this artist - Acoustic Guitar, Bill EvansFind albums by this artist - Soprano and Tenor Sax, Stanley ClarkeFind albums by this artist - Acoustic Bass, Electric Basses, Kai E. Karpeh De CamargoFind albums by this artist - 5-string Electric Basses and Omar HakimFind albums by this artist - Drums. The performances and the compositions are truly superb and this is one of those albums you never want to take out of your player - a must!

CD 1 Recommend To A Friend

MYRCZEK & TOMASZEWSKI ~ LOVE REVISITED FOR TUNE 0038 (Barcode: 5902768701432) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by the Polish Jazz duo: vocalist Wojciech MyrczekFind albums by this artist and pianist Pawel TomaszewskiFind albums by this artist. Myrczek recorded his debut album three years earlier while he was still a student at the Katowice Academy of Music, where he is now a member of the faculty. Tomaszewski, a graduate of the same Academy, is a seasoned and much respected pianist with an impressive recorded legacy, mostly as a sideman. The album presents ten classic vocal standards performed by the duo, recorded in a Swiss studio with astounding sonic quality. In many respects this is the most surprising album released on the Polish Jazz scene in 2014. I mean the sheer chutzpah of these two guys fooling around with the holy grail of Jazz vocals? Who do they think they are? The trifling comparison often quoted in the duo´s PR material and other reviews referencing this album to the archetypal Tony BennettFind albums by this artist & Bill EvansFind albums by this artist albums from 1975 & 1977 is completely counterproductive in this case. This music sounds nothing like the referenced albums, which of course is all for the good, since letting the bygones be bygones is the only way to get anywhere. Initially the album has everything working against it. The Polish Jazz male vocalists are few and far between, and with rare exceptions are all quite insignificant. The standards all feature lyrics in English and Polish vocalist singing in English usually simply stink (again with very few exceptions). But most importantly: the concept of this duo, which places a vocalist, who uses conventional (well mostly) techniques against a pianist who plays completely unconventionally, often pretty wildly and freely, is absolutely atypical for a vocals / piano setting. And yet, against all odds, this album is simply a gem from start to finish. Myrczek arises as a gifted vocal magician, able to use a wide vocabulary of possibilities, from crooning sweetness to improvised scat, vocalese and imitating bass lines vocally. It is obvious that he is having a great time and there is no tension (other that creative tension of course) limiting his performances. Although there is not much innovation as far as Jazz singing is concerned, with obvious references ranging from Kurt EllingFind albums by this artist to Bobby McFerrinFind albums by this artist, the overall effect of his singing is simply irresistible. There is also an obvious pinch of humor omnipresent herein, most evident when Myrczek recites a fragment of a book in the Polish language in the middle of one of the songs. Even his English accent and pronunciation are only very slightly off, which can be considered as charming, rather than disturbing. Tomaszewski, in complete contrast to Myrczek, treats the music completely on his own terms, playing anything but what would normally be expected of him and taking liberties with the melodies, the chords and even the time, which although must have been very difficult for Myrczek to sing along with, is wonderfully effective, creating a much more expressive result than the usual vocals / piano setting. Comparing his work on his earlier recordings, including those featuring vocalists, his playing here is the more adventurous and daring than ever. His work on this album definitely marks him as one of the Polish Jazz pianists who deserve a much wider exposure than what he enjoys currently. So here we are again; the Polish Jazz scene is able to come up with another pleasant surprise, which is pretty astonishing, considering the overly excellent level of music released in Poland. The music this album offers is nothing but pure joy, elegance, class and panache, all of the highest caliber. It is definitely one of the nicest releases of 2014, which should stay with the listeners for many years to come. Another surprising element is the fact that this album was released by the For TuneFind albums on this label label, which is usually associated with Avant-Garde and other alternative music forms. It is heartwarming to see that the label recognized the fact that seemingly conventional music can also be challenging and adventurous. The album is the label´s debut on the new "pink" series (the exact meaning of the various colors of their releases is kept in deep secret), and regardless of the "pinkness", will be very had to beat.

Updated: 12/04/2019Posted:

CD 1 Recommend To A Friend

RGG ~ UNFINISHED STORY – REMEMBERING KOSZ ECNALUMBA ~ POLAND ~ Jazz Recorded: 2007 Released: 2007 This is the 3rd album by the Polish Jazz ensemble RGGFind albums by this artist, which consists of pianist Przemyslaw RaminiakFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. As the title suggests, it is dedicated to the memory of the great Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, who died tragically at the ridiculous age of 29, leaving behind him just a handful of recordings and a memory of a brilliant musician, who was destined for greatness, but missed the opportunity; an unfinished story indeed. The Polish Jazz scene produced a multitude of tribute albums over the years, most of which commemorate the Godfather of Polish Jazz, pianist / composer Krzysztof KomedaFind albums by this artist. Many of these albums are excellent and worth listening to, but the decision made by RGG to follow a less obvious path (which seems to me their favorite modus operandi) and create a tribute to a much lesser known figure is truly courageous and admirable, especially in view of the fact that rather than present their interpretation of the music composed by Kosz, they created an "in spiritu" homage. Of the twelve tracks on the album only two are compositions by Kosz and one is a classical piece, which he used as a basis for improvisation (see "ReminiscenceFind albums with this title", his only album released during his lifetime). The rest of the album is all original and was mostly composed by Raminiak, Garbowski or co-composed by these two. Two tracks are group improvisations and are credited to the trio. The members of RGG concentrate on the less obvious side of the Kosz musical heritage. Although mostly portrayed as a romantic and lyrical player in the Bill EvansFind albums by this artist vein, he also displayed an enormous longing for the free form improvisation, keeping the melodic fluidity intact, an element RGG members explore to the max. Therefore, although the album is seemingly almost romantically melodic, this is just a clever illusion masterfully created by the RGG musicians. In fact an attentive listening will reveal that most of the music is full of free elements, amalgamated in a way that emphasizes an "organized and orderly freedom". As usual, RGG members display a phenomenal interplay, switching the spotlight from one instrument to another, changing tempi and melodic hints, all of that with elegance and flair, which keep them apart from most other piano trios in Jazz today. Although not explicitly specified on the album´s cover, it was recorded in the legendary Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, the studio owner, a guarantee of superb sonic quality. The musical quality is of course beyond reproach, and this album joins the other albums by RGG as some of the most important Polish Jazz recordings and superb gems of piano trio Jazz.

CD 1 Digipak Recommend To A Friend

GEORGE RUSSELL ~ SEVEN CLASSIC ALBUMS REAL GONE JAZZ 353 (Barcode: 5036408140425) ~ USA ~ Jazz Recorded: 1959 - 1962 Released: 2012 This is a reissue of the early recordings by the legendary American pianist / composer / arranger / music theorist George RussellFind albums by this artist This set collects recordings made between 1959 and 1962, which present Russell playing with small orchestral ensembles and small combos, introducing elements of his Lydian Chromatic Concept and later Modal Jazz. The six albums included here are: "New York, N.Y.Find albums with this title" from 1959, "Jazz In The Space AgeFind albums with this title" from 1960, "StratusphunkFind albums with this title" from 1960, "George Russell Sextet In K.C.Find albums with this title" from 1961, "Ezz-TheticsFind albums with this title" from 1961, "The Stratus SeekersFind albums with this title" from 1962 and "The Outer ViewFind albums with this title" from 1962. The musicians participating in these recordings include some of the most important American Jazz players at the time, like saxophonists John ColtraneFind albums by this artist and Eric DolphyFind albums by this artist, pianists like Bill EvansFind albums by this artist and Paul BleyFind albums by this artist, bassists Chuck IsraelsFind albums by this artist and Steve SwallowFind albums by this artist and drummers Joe HuntFind albums by this artist and Pete La RocaFind albums by this artist, to mention just a few. Overall this is a fascinating collection of great Jazz music performed by some of the best players at the time, and which has additionally also an enormous historical value. I can’t imagine any true Jazz fan missing this set! Side Note The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain. There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history. The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.

Updated: 27/05/2018Posted: 02/10/2016

CD 4 Remastered Recommend To A Friend

STEVE SMITH / VITAL INFORMATION ~ VITALIZATION HUDSON 101 (Barcode: 884088156442) ~ USA ~ Jazz-Rock Fusion Recorded: 2006 Released: 2007 This is the twelfth album by the American Jazz / Fusion drummer Steve SmithFind albums by this artist and his quartet Vital InformationFind albums by this artist, which includes veteran keyboardist Tom CosterFind albums by this artist, bassist Baron BrowneFind albums by this artist and the new guitar player Vinny ValentinoFind albums by this artist. Several guest musicians also take part in the recording, including the excellent saxophonist Bill EvansFind albums by this artist. The album presents twelve original compositions, all by the group members, often co-composed by more than one person. Vital Information has been active since the early 1980s and is one of the steadiest and most consistent American Fusion bands and Steve Smith is one of the most respected and revered American drummers with an impressive resume and practically limitless experience. The album presents an interesting twist on two of the tracks, which is the result of Smith´s studies of Indian rhythms, which he utilizes by using konnakol (Indian vocal, i.e. sung, percussion). The rest of the material is completely straight forward Fusion stuff, perfectly executed by all the musicians, with a lot of Funky beats and incredible feel. The music is quite nice, but does not offer anything that the genre did not present earlier on. Basically the album epitomizes Fusion (and particularly American Fusion) as a genre that got out of wind decodes ago and has been threading in one place since. In spite the fact that there are incredibly talented musicians involved, the music offers more of the same time after time. Perhaps Fusion is still a viable environment for live music, but on record it lost its impact long time ago. Fusion fans will find this definitely interesting and worth listening to; as for the rest of the music loving community, it is always great to play this music while driving an open car in hot climates.

CD 1 Digipak Recommend To A Friend

TSABROPOULOS / ANDERSEN / MARSHALL ~ ACHIRANA ECM 1728 (Barcode: 602448279248) ~ GREECE ~ Jazz Recorded: 1999 Released: 2022 This is a reissue of a wonderful album by a trio consisting of Greek Jazz pianist / composer Vassilis TsabropoulosFind albums by this artist, Norwegian Jazz bassist / composer Arild AndersenFind albums by this artist and British Jazz drummer John MarshallFind albums by this artist. The album presents nine tracks, five composed by Tsabropoulos, two composed by Andersen and two co-composed by all three musicians. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by my Friend Jan Erik KongshaugFind albums by this artist, with the usual sublime sound quality. The music is all beautifully melodic and lyrical, brilliantly performed by these Giant musicians. This is the 1st album recorded by this trio, followed by the no less beautiful “The TriangleFind albums with this title”, originally released in 2004. Tsabropoulos, who emerged as a Classical pianist, turns out to be a most sensitive Jazz musician, with wonderful improvisational qualities. Andersen, one of my favorite bass magicians on this planet, displays his usual qualities, which are simply breathtaking. Marshall, the veteran of British / European Jazz scene since the 1960s, was at the time still one of the best drummers around, here sticking mostly to the “less is more” approach. Overall, this is an absolutely “classic” Jazz piano trio album, which deserves an honorary place on the shelf of the “best ever” recordings in that niche. Lovers of the Artistry of Bill EvansFind albums by this artist should be especially interested, as Tsabropoulos has often a very similar touch and style to the American Giant. Criminally overlooked and absolutely essential Piano trio album, which should not be missed by anybody, who calls himself a Jazz lover!

Updated: 05/08/2024Posted: 05/08/2024

CD 1 Mini-Sleeve Recommend To A Friend

EMIL VIKLICKY ~ BALLADS AND MORE ARTA 10161 (Barcode: 8595017416125) ~ CZECH REPUBLIC ~ Jazz Recorded: 2007 Released: 2008 The piano trio is the perfect Jazz format; it has everything that Jazz is all about: melody, harmony, rhythm, interplay, individual and collective improvisation, in short the essence of Jazz. To make it work as a perfect format, one needs three great musicians to play together in a piano trio setting, and this one is as close to perfect as one dares to hope for, sending that delightful thrill down the listener´s spine, when listening to a Keith JarrettFind albums by this artist or Bill EvansFind albums by this artist piano trio recording. This trio comprises of three Czech Jazz veterans: leader / pianist / composer Emil ViklickyFind albums by this artist, extraordinary bassist Frantisek UhlirFind albums by this artist and drummer Laco TroppFind albums by this artist. All three have been active on the local, as well as international scene for decades. Both Viklicky and Uhlir are recognized worldwide as top performers on their respective instruments and have been my personal favorites since hearing them for the first time ages ago. For this album Viklicky decided to perform a set of Jazz standards rather than playing his own music, which is what he usually does. Only one of the thirteen tracks is his original composition by Viklicky and another one by Uhlir. The rest of the music is composed by well known Jazz artists as diverse as Keith Jarrett and Pat MethenyFind albums by this artist or standards. For a pianist with such a rich songbook, as the one composed by Viklicky, playing compositions by other composers is a matter of choice and of course a great challenge, considering of course the need to present an interpretation worthy of a masterful musician, such as Viklicky indisputably is. Of course the result is exactly as expected: intelligent, delicate, touching, elegant and simply brilliant. Viklicky´s interplays with Uhlir are nothing short of the legendary Bill Evans / Scott LaFaroFind albums by this artist magic and his solos are masterly and aesthetically perfect. Tropp plays mostly very subtly and distinctly low level, which is exactly right for this kind of music. Altogether this is a beautiful and deeply touching piano trio album, one of those you never get tired of, never!

CD 1 Recommend To A Friend

KENNY WHEELER ~ 1976 JUST A MEMORY 9506 (Barcode: 068944950621) ~ UK ~ Jazz Recorded: 1976 Released: 1996 This is a reissue of a relatively obscure album by British Jazz trumpeter Kenny WheelerFind albums by this artist, recorded in a quintet setting with Canadian saxophonist Art EllefsonFind albums by this artist, pianist Gary WilliamsonFind albums by this artist and bassist Dave YoungFind albums by this artist and American drummer Marty MorellFind albums by this artist (of Bill EvansFind albums by this artist’ fame). The music was recorded by a Canadian Radio station and originally released by the radio’s label, remaining almost completely “buried”. The album presents six tracks, four of which are original compositions by Wheeler, and one each are by Morell and Ellefson. The music is, not surprisingly, absolutely fabulous, with a modern sound emphasized by the presence of electric piano, which adds a slight Fusiony kick. The quintet members are all highly proficient musicians, who play with confidence and obvious affinity. The entire session has a distinct British Jazz tinge, despite the fact that Wheeler is the only British connection, but his presence and compositions have a dominant influence on the entire proceedings. The music is highly melodic, with the specific Wheeler’s romanticism prevailing, and the quintet follows his lead amicably. Wheeler delivers some divine soloing, which is heart melting, as usual, and the album is definitely as good as all the material Wheeler recorded in UK and Europe at the time. Overall, this is a brilliant document of Wheeler’s artistry, which is in very sense as good as his celebrated European recordings done at the time. It is of course an absolute must for all Wheeler enthusiasts / collectors and deserves an honorable place in every serious British Jazz record collection.

Updated: 24/04/2023Posted: 24/04/2023

CD 1 Recommend To A Friend

AGA ZARYAN ~ PICKING UP THE PIECES BLUE NOTE 5099909494329 (Barcode: 5099909494329) ~ POLAND ~ Jazz Recorded: 2006 Released: 2010 This is the 2nd album by the undeniable present-day diva of Polish Jazz, vocalist Aga ZaryanFind albums by this artist. Recorded almost five years after the debut album, which is an agonizingly long break especially in the initial stage of her career, the album is both a conceptual continuation of the debut and a giant step in her artistic development. The eleven tracks are again predominantly standards with just two originals: one by guitarist Larry KoonseFind albums by this artist with lyrics by Zaryan and the other by bassist Darek OleszkiewiczFind albums by this artist. Koonse and Oleszkiewicz are the main accompanying musicians with percussionist Munyungo JacksonFind albums by this artist and cornet player Nolan ShaheedFind albums by this artist contributing on some tracks. Musically the album is much more challenging than the debut, especially in view of the fact that Zaryan gives up the security of the usual piano-led quartet as her support group and presents mostly a series of intimate duets with the bassist or the guitarist or trios with both of them present. As already mentioned, only a few tracks are further ornamented with percussion or cornet sounds. Her rapport and affinity with her cohorts is absolutely stunning and deeply moving, being examples of the rare intimacy and telepathic musical cooperation like that of pianist Bill EvansFind albums by this artist and bassist Scott LaFaroFind albums by this artist. The overall relaxed and intimate atmosphere hides of course a multitude of exquisite instants of sheer musical joy and there are absolutely no dull moments here from start to finish. One can hardly decide what to savor first: the beauty of the music, the sophistication of simplicity, the twists and idiosyncrasies, the elegance or the charm. Whichever way one looks at this music, it is utterly fascinating without a trace of being a cliché or a déjà vu. In retrospect this is definitely a milestone recording in the history of contemporary Polish Jazz music and Aga Zaryan´s illustrious career so far. It remains a timeless beauty and a favorite album, which I intend to revisit time and again. Extraordinary! Side Note: This album was originally recorded in Los Angeles in 2006 and released the same year on an independent label. This version of the album is released on Blue NoteFind albums on this label in 2010, after the legendary Jazz label signed Aga Zaryan as the first Polish Jazz artist in its roster. The sound quality is simply marvelous!

CD 1 Digipak Recommend To A Friend