Record Reviews

NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS DUSK FIRE 101 (Barcode: 5060051330889) ~ UK ~ Jazz-Rock Fusion Recorded: 1976 Released: 2005 Composer / arranger / bandleader Neil ArdleyFind albums by this artist left a remarkable mark on modern British Jazz in the 1960s and 1970s. As the musical director of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley was responsible for creation of the innovative Big Band / Orchestra sound, one of the great ingredients of modern British Jazz. Influenced by Gil EvansFind albums by this artist, another pioneering figure of Jazz orchestration, Ardley took the matters further, adopting rock elements into his scores and creating unique Jazz-Rock Orchestral music. His skills as a composer of large-scale suite-like scores were best documented by a series of recordings of his works. This album was a third in a series of such works and a final part of an orchestral trilogy, which started with "The Greek VariationsFind albums with this title" and continued with "A Symphony Of AmaranthsFind albums with this title". As usual in his case, the music is a multi-part orchestral suite, performed by a Jazz ensemble with plenty of space for extended improvisations by soloist. Having at his disposal the burgeoning British Jazz community of musicians, Ardley selected the excellent Ian CarrFind albums by this artist’s NucleusFind albums by this artist as the core of this ensemble, expanding it with additional musicians he was used to work with. The list of players is most impressive and includes among others: Ian Carr on trumpet, Brian SmithFind albums by this artist, Barbara ThompsonFind albums by this artist and Stan SultzmannFind albums by this artist on saxophone, Tony CoeFind albums by this artist on clarinet, Dave MacRaeFind albums by this artist and Geoff CastleFind albums by this artist on piano, Roger SuttonFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums and vibraphone. The music moves between atmospheric soundscapes and highly rhythmic Jazz-Rock pieces, with excellent solos in each of the suite’s seven parts. In retrospect the music lost none of its original charm and beauty, and sadly one must admit: “they don’t make music like that any more”. Ardley was to produce one more orchestral masterpiece, called "Harmony Of The SpheresFind albums with this title", by the end of the 1970s, before the changing musical and economic climate eradicated ambitious / artistic music almost completely. He became a very successful writer and best-selling author before he died in 2004. I hope all of his splendid musical works will be properly reissued, including previously unreleased stuff left in his estate. As for this album, just grab a copy and take the A(rdley) train into musical lands of rare beauty – an experience you’ll never forget.

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NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75 JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion Recorded: 1975 Released: 2021 This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here. The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history. “Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music. The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version. Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music. As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.

Updated: 03/07/2021Posted: 03/07/2021

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NEIL ARDLEY / NEW JAZZ ORCHESTRA ~ ON THE RADIO: BBC SESSIONS 1971 DUSK FIRE 115 (Barcode: 5065001032516) ~ UK ~ Jazz Recorded: 1971 Released: 2016 This is a wonderful archival album from the seemingly bottomless vault of the BBC recordings, which presents two sessions led by British composer / bandleader Neil ArdleyFind albums by this artist. The first session (six tracks) presents the full glory of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) led and conducted by Ardley and the second session (one track) presents a suite-like composition performed by a small Jazz ensemble, which also includes a string section and electronics. The lineup of the New Jazz Orchestra includes the crème de la crème of the British Jazz players at the time: trumpeters Nigel CarterFind albums by this artist, Bud ParkesFind albums by this artist, Harry BeckettFind albums by this artist, Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Derek WadsworthFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player Dick HartFind albums by this artist, saxophonists Don RendellFind albums by this artist, Barbara ThompsonFind albums by this artist, Brian SmithFind albums by this artist, Dave GellyFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist and percussionist / vibraphonist Frank RicottiFind albums by this artist. The small ensemble includes several NJO members and also features bassist Barry GuyFind albums by this artist and the man in charge of the electronic sounds Keith WinterFind albums by this artist. For listeners familiar with the NJO recordings the music presented here will not be unanticipated, as it follows the pattern presented on their studio recordings, which is based on intricate and lavish orchestral arrangements and excellent solos by the orchestra members. The live sound and the raw power of the twenty piece orchestra are of course irresistible and illustrate the supremacy of orchestral music over small ensembles as far as the scale of possibilities is concerned. The orchestra performs two compositions by the lamented pianist / composer Mike TaylorFind albums by this artist, who was already deceased when this music was recorded. Another pleasant surprise is the inclusion of a composition by the legendary Jack BruceFind albums by this artist, who played in the earlier lineup of the orchestra. The presentation of the tunes by the no less legendary Humphrey LytteltonFind albums by this artist is the proverbial cherry on the top. The suite-like piece marks the beginning for Ardley´s interest in electronic music, which started when he met Keith Winter a year before this music was recorded. His future recording will feature synthesizers of course but this early, both technologically and conceptually, meeting between electronic and acoustic sounds is truly fascinating and innovative, especially since it also features a string section. Overall this album is an invaluable historical document of the time and of the British Jazz history, and well deserved thanks go to Peter MuirFind albums by this artist, the man behind the Dusk FireFind albums on this label / Market SquareFind albums on this label labels and to Dave Gelly for the informative liner notes and his first hand experiences. This is an absolute must to all British Jazz connoisseurs, and in fact to all Jazz lovers around the world, especially the young musicians, who should be aware of how much can be learned from music made in the past. Not to be missed!

Updated: 23/05/2018Posted: 31/05/2017

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GORDON BECK / GYROSCOPE ~ PROGRESS JAZZ IN BRITAIN 12 (Barcode: 5060774190777) ~ UK ~ Jazz Recorded: 1973 - 1974 Released: 2024 This is an archival album by the British pianist / composer / bandleader Gordon BeckFind albums by this artist, which collects the available recordings of the short-lived GyroscopeFind albums by this artist ensemble from 1973 and 1974. The work on this project goes back a few years, to the early days of the Jazz In BritainFind albums on this label label, and after being delayed for various reasons, was finally released in 2024. The convoluted story of the “making of…” is described in the wonderfully informative extended booklet, included with the 3CD album. The album presents eighteen lengthy tracks, sourced from rehearsals, live gigs and radio broadcasts. Four of these tracks were previously released on cassette only on Beck’s JaguarFind albums on this label Records label as “One, Two, Three… Go!Find albums with this title”, and the rest are all previously unreleased. Gyroscope consisted of Beck on piano / electric piano, saxophonist / flautist Brian SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Saxophonist / flautist Stan SulzmannFind albums by this artist replaced Smith in late 1973. The music, as expected, is absolutely brilliant, which is not surprising to anybody familiar with Beck’s work as leader and sideman. His extensive recorded legacy, which spans over thirty albums, is full of sublime music, which has always been one of my personal British Jazz favorites. His 1980s / 1990s releases on French OwlFind albums on this label and JMSFind albums on this label labels are among my favorites, but everything he recorded was blessed by his incredible talent and good taste. These early 1970s recordings are especially interesting for two reasons: Firstly, the extensive use of the electric piano: Beck was enamored with the instrument and managed to create way more than one would expect was possible from the limited (in comparison to the acoustic piano) instrumented, being a true innovator, which is plainly audible on this album. Secondly, the stylistic freedom, which was somewhat typical at the time especially in British Jazz, which allowed an unrestrained mixture of Jazz subgenres to united “under one roof” so to speak. As a result, we can hear on this album Latin, Funk, Modern Jazz, Modal, post-Bebop and even some Free Jazz touches, which swiftly move from one to the other, in complete fluency and harmony. Overall, this is a true gem of an album, worth the long wait, which is richly rewarded by the sublime musical content. For me it is one of the most important Jazz In Britain releases so far, not only because of my personal love of everything Gordon Beck related, but because it offers a comprehensive, well researched and put together piece of British Jazz history. As such, it is of course absolutely essential to all British Jazz lovers!

Updated: 12/01/2025Posted: 12/01/2025

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IAN CARR DOUBLE QUINTET ~ SOLAR SESSION JAZZ IN BRITAIN 25 (Barcode: 5060774190227) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 Released: 2021 This is an archival album by British trumpeter / composer / bandleader / author Ian CarrFind albums by this artist, which presents a radio broadcast of a live session, recorded in October of 1970. The lineup is a tentet (or double quintet), which consists of Top British Jazz musicians of the time, some of which were members of Carr’s band NucleusFind albums by this artist at the time and other were invited to record the Nucleus third album “Solar PlexusFind albums with this title”: trumpeter Harold BeckettFind albums by this artist, saxophonists Brian SmithFind albums by this artist and Tony RobertsFind albums by this artist, bass clarinetist Karl JenkinsFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Ron MathewsonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer John MarshallFind albums by this artist, percussionist Chris KaranFind albums by this artist and finally synthesizer (VCS3) player Keith WinterFind albums by this artist. The album presents five tracks and the total playing time is only twenty-six minutes, which makes it rather an EP than a full CD. Perhaps with some patience more Ian Carr’s archival material might have been discovered to make this a more significant release, which of course does not undermine the value of the material included herein. The sound quality of this material is quite flat and a proper remaster might have added some glamour. This session was recorded shortly before the recording of “Solar Plexus” commenced, and includes abridged versions of most of the material that was eventually included on that album, which in today’s terms would have been called a “sneak preview”. The lineup misses the great Kenny WheelerFind albums by this artist, who took part in the recording of the “Solar Plexus” album, playing on some tracks, alongside Beckett, who played on the other tracks. The music, as wonderful as it is, appears somewhat hesitant and slightly “undercooked” in comparison to the future album’s versions, which makes this release slightly less essential than most of the Jazz In BritainFind albums on this label releases so far, but for Carr / Nucleus completists is probably essential. Overall this album is definitely worth investigating, although does not add anything highly significant to Ian Carr’s recorded legacy as such. As usual kudos to the label for digging this material up.

Updated: 22/06/2021Posted: 22/06/2021

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MARTIN DREW / TONY LEE ~ MARTIN DREW BAND / STREETS OF DREAMS VOCALION 8462 (Barcode: 765387846220) ~ UK ~ Jazz Recorded: 1977 - 1979 Released: 2009 By the late 1970s the fantastic British Jazz scene, which thrived during the previous two decades producing some of the most revolutionary music ever and breaking many barriers of conceptual approach to Jazz, was unfortunately suffering badly. Many different factors contributed to this phenomenon: musical, social, economic and so on, but the situation "on the ground" was getting pretty desperate, with major record labels almost completely banning Jazz material from their repertoire of new releases, contrary to their traditional support of Jazz music. This new development opened a new opportunity for small independent British labels to step in and provide a platform, which would enable British Jazz musicians to record and release their music. One of such labels was the tiny, but excellent Lee LambertFind albums on this label label and this album is a long overdue reissue of two of the albums original released by that label in the late 1970s. Drummer Martin DrewFind albums by this artist presents an album recorded by his quintet / sextet with superb musicians: saxophonist Brian SmithFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and percussionist Chris FletcherFind albums by this artist. Pianist Tony LeeFind albums by this artist presents an album recorded by his quartet with bassist Tony ArcherFind albums by this artist, drummer Martin Drew and congas player Tony UterFind albums by this artist. Both albums are full of excellent musicianship and great ideas. The music includes mostly Jazz standards but there´s nothing standard about the way they are performed here. Both albums are excellent examples of how mainstream Jazz can be of high quality and completely devoid of boredom. Highly recommended!

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MAYNARD FERGUSON ~ M. F. HORN / M. F. HORN 2 / M. F. HORN 3 BGO 1110 (Barcode: 5017261211101) ~ CANADA ~ Brass Rock Recorded: 1970 - 1973 Released: 2013 This is a reissue of three albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the second, fourth and fifth albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. The first two albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings except the last, i.e. the third album included here, which was produced by Teo MaceroFind albums by this artist and which was mostly recorded in UK and had some minor touches added later in the US. "M. F. HornFind albums with this title" was released as "The World Of Maynard FergusonFind albums with this title" in the US. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. The "M. F. Horn" series of albums reflects that glorious period perfectly! The first two "M. F. Horn" albums and the album "Alive & Well In LondonFind albums with this title" (released as "Maynard FergusonFind albums with this title" in the US), which was "sandwiched" between them, follow a similar formula of presenting a mixture of wonderful arrangements of popular songs and original compositions, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonists Chris PyneFind albums by this artist and Derek WadsworthFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and other top British Jazz players at the time. "M. F. Horn 3Find albums with this title" is somewhat different in the choice of material, as it does not include covers of popular material but includes soundtracks, Jazz standards and no less than three original compositions by pianist Pete Jackson. It is generally considered as the Jazziest album of the "M. F. Horn" series, probably due to the fact that Macero produced it, but in retrospect it is undoubtedly an integral part of the same musical direction and spirit. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value and deserves an honorable place in any serious music collection. An absolute must!

Updated: 29/05/2020Posted: 29/05/2020

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MAYNARD FERGUSON ~ THE BALLAD STYLE OF MAYNARD FERGUSON / ALIVE & WELL IN LONDON BGO 1206 (Barcode: 5017261212061) ~ CANADA ~ Brass Rock Recorded: 1969 - 1971 Released: 2016 This is a reissue of two albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the first and third albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. Both albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. However his ambitions had to be postponed for a while, due to the fact that CBS was mostly a Pop / MOR repertoire oriented label and wanted, at least until the label heads could be persuaded otherwise, start Ferguson´s CBS stretch with a much more commercial recording, which resulted in the recording of "The Ballad Style Of Maynard FergusonFind albums with this title". The material consisted of eleven arrangements of well known movie themes and other popular songs, but in the capable hands of Mansfield and his superb orchestra, which included some of the best British Jazz musicians at the time, and of course Ferguson´s fabulous trumpet playing characterized by the piercing high notes, the album, although certainly widely appealing, remains a masterpiece of Jazz flavored popular orchestral music. "Alive & Well In LondonFind albums with this title" (a.k.a. "Maynard FergusonFind albums with this title") is a completely different story. It followed the recording of the second album for CBS entitled "M. F. HornFind albums with this title" (a.k.a. "The World Of Maynard FergusonFind albums with this title"), which gave a birth to a series of "M. F. Horn" albums, and which opened a new chapter in Ferguson´s recording legacy, which find him playing a soaring Jazz-Rock / Brass Rock arrangements of popular songs and original material by the members of the orchestra. This album includes eleven popular songs, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonist Chris PyneFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and others. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value. Wholeheartedly recommended!

Updated: 19/04/2020Posted: 17/04/2020

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KARL JENKINS ~ PENUMBRA II JAZZ IN BRITAIN 41 (Barcode: 5060774190432) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2022 The great abundance of creativity and recording activity, which blessed the British Jazz scene during the Golden Decade (1965-1975), created, among many other cultural marvels, also the “silent hero” phenomenon, which in case of the great multi-instrumentalist / composer Karl JenkinsFind albums by this artist, is a classic embodiment of that concept. Although firmly present at the epicenter of the music-making turmoil at the time, from Graham CollierFind albums by this artist, via Neil ArdleyFind albums by this artist, NucleusFind albums by this artist, and most prominently Soft MachineFind albums by this artist, Jenkins’ name would hardly be the primary association for most people thinking about the music of that period, despite his enormous contributions – the fate of a “silent hero”. I have faithfully followed his continuous activity over the decades, which shifted primarily into the Classical Music idiom, which included grand pieces like “RequiemFind albums with this title” or intimate beauties like the latest “PianoFind albums with this title”, always with great satisfaction and pleasure. This wonderful archival release brings us a three-part suite, composed by Jenkins and recorded live in 1971 with a dreamy ensemble, which includes the crème de la crème of the British Jazz-Rock musicians at the time: Jenkins on piano with trumpeter Ian CarrFind albums by this artist, saxophonists Brian SmithFind albums by this artist, Ray WarleighFind albums by this artist and Alan SkidmoreFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, pianist Dave MacRaeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist, drummer John MarshallFind albums by this artist and percussionist Frank RicottiFind albums by this artist, arguably the best ensemble ever put together at that time. Although relatively short, running just under half an hour, the music is an absolute classic example of what was being created at the time, and as such somewhat similar, at least spiritually and aurally, to many other recordings of the period. The composition is based on a steady riff, which develops slowly and offers splendid opportunity to all the instrumentalists to create hair-raising solo parts. The sound quality is perfect, which makes the music to be audible in great detail. Overall, this is a superb musical time capsule, brought to us courtesy of the people behind the Jazz In BritainFind albums on this label label, who work tirelessly to unearth the great treasures of the British Jazz, making us, the followers and enthusiasts, ecstatically happy. It is also a much deserved “thank you” note to the contributions bestowed on us by this wonderful musician.

Updated: 30/11/2022Posted: 30/11/2022

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ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965 RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock Recorded: 1962 - 1965 Released: 2024 This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time. As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984. The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it? Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!

Updated: 02/10/2024Posted: 01/10/2024

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NUCLEUS ~ HEMISPHERES HUX 078 (Barcode: 682970000787) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 - 1971 Released: 2006 Led by trumpeter / composer Ian CarrFind albums by this artist, NucleusFind albums by this artist were not only the most important UK Jazz-Rock ensemble but in fact one of world’s pioneers of the genre. Carr created Nucleus to take the next step in his already well-established Jazz career. During the 1960s Carr was a co leader of the Don RendellFind albums by this artist / Ian Carr Quintet, one of the best UK modern Jazz ensembles. However by the end of the 1960s Carr felt a need to change his direction and move into the Rock influenced Jazz-Rock Fusion. Following the steps of US pioneers of the genre like Gary BurtonFind albums by this artist and Charles LloydFind albums by this artist and UK ensembles like the Graham Bond OrganizationFind albums by this artist, Carr put together a group of the best players on the UK scene to create Nucleus. The band was an instant success and a revelation, soon to be recognized as the leading force of the newborn genre. The first incarnation of the group included (in addition to Ian Carr who played trumpet and flugelhorn) Karl JenkinsFind albums by this artist on electric piano and oboe, Brian SmithFind albums by this artist on tenor and soprano saxophones, Chris SpeddingFind albums by this artist on guitar, Jeff ClyneFind albums by this artist on bass and John MarshallFind albums by this artist on drums. Between 1970 and 1971 this lineup recorded three fabulous albums: Elastic RockFind albums with this title, We`ll Talk About It LaterFind albums with this title and Solar PlexusFind albums with this title, which belong to the absolute classics of the genre. This album includes two live performances of this incarnation of Nucleus, recorded almost a year apart. The sound quality is truly amazing and the performances are stellar. Most of the material is taken from the a.m. three albums, but previously never released tunes are also included, which makes this album even more important. This is a prime example of European Jazz-Rock at its best, alive and kicking. Absolutely essential listening!

CD 1 Remastered Recommend To A Friend

NUCLEUS ~ LIVE AT THE BBC REPERTOIRE 1410 (Barcode: 4009910141021) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 - 1991 Released: 2021 This is a monumental 13CD archival Box Set by British Jazz-Rock Fusion ensemble NucleusFind albums by this artist, founded and led by trumpeter / composer / author / bandleader Ian CarrFind albums by this artist, one of the key figures on the British Jazz scene for five decades from 1960s on. The Box Set collects 28 radio broadcasts recorded between July 1970 and November 1991, an incredible document of the British Jazz history, the development of the genre in general and Jazz-Rock Fusion in particular. Painstakingly collected, organized, remastered / restored, the music is a priceless tribute to one of the most creative bands active in Britain ever. The Box Set includes an informative booklet with an essay written by Roger FarbeyFind albums by this artist. The Nucleus lineup included over time the absolute Who’s Who of the British Jazz scene, including many of the first generation of players, who revolutionized British Jazz in the late 1960s. Some of the most prominent figures, who played with the ensemble for many years were saxophonist / keyboardist Karl JenkinsFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer John MarshallFind albums by this artist (who apart from Carr plays on almost all the tracks in this Box Set), saxophonist Brian SmithFind albums by this artist, guitarist Chris SpeddingFind albums by this artist and many others. Many of the ensemble members contributed also their original compositions to the repertoire performed by the ensemble, especially in the early days, with Carr’s compositions dominating the repertoire in the later period. Although Nucleus, contrary to Farbey’s statement, did not pioneer British Jazz-Rock Fusion as such, the ensemble was one of the key focal points of the genre for many years, even after the genre run out of steam by the mid-1970s. Carr was a prolific composer and Nucleus was for many years the best environment to develop and present his compositions in the most successful way. As usual with such releases, based on material from the BBC vaults, it is imperative to emphasize the role of the BBC in the development of music in Britain, when it supplied the stable platform for musicians to perform, with the music being broadcast (sometimes worldwide) and eventually archived for posterity. This unmeasurable contribution to British Culture is truly phenomenal. Considering the fact that the music in this Box Set was taken not only directly from the BBC archives but also from many secondary private sources, often with problematic sound quality, the sonic effect, especially of the early material, is not up to par with today’s standards, but in view of its historic quality is welcome here, although with a slight unease. Overall, this Box Set is a remarkable effort to document the history of one of the greatest Jazz-Rock Fusion ensembles of all times, and considering the fact that it is mostly previously unreleased, it is a collector’s treasure chest. It is definitely somewhat expensive, but for avid collectors it is worth its weight in gold.

Updated: 06/03/2022Posted: 06/03/2022

CD 13 Mini-Sleeve Box Set Remastered Recommend To A Friend

TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz Recorded: 1980 - 1983 Released: 2023 This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist. Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is. The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured. The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s. Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness. Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!

Updated: 12/03/2023Posted: 12/03/2023

CD 2 Digipak Remastered Recommend To A Friend