Record Reviews

NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS DUSK FIRE 101 (Barcode: 5060051330889) ~ UK ~ Jazz-Rock Fusion Recorded: 1976 Released: 2005 Composer / arranger / bandleader Neil ArdleyFind albums by this artist left a remarkable mark on modern British Jazz in the 1960s and 1970s. As the musical director of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley was responsible for creation of the innovative Big Band / Orchestra sound, one of the great ingredients of modern British Jazz. Influenced by Gil EvansFind albums by this artist, another pioneering figure of Jazz orchestration, Ardley took the matters further, adopting rock elements into his scores and creating unique Jazz-Rock Orchestral music. His skills as a composer of large-scale suite-like scores were best documented by a series of recordings of his works. This album was a third in a series of such works and a final part of an orchestral trilogy, which started with "The Greek VariationsFind albums with this title" and continued with "A Symphony Of AmaranthsFind albums with this title". As usual in his case, the music is a multi-part orchestral suite, performed by a Jazz ensemble with plenty of space for extended improvisations by soloist. Having at his disposal the burgeoning British Jazz community of musicians, Ardley selected the excellent Ian CarrFind albums by this artist’s NucleusFind albums by this artist as the core of this ensemble, expanding it with additional musicians he was used to work with. The list of players is most impressive and includes among others: Ian Carr on trumpet, Brian SmithFind albums by this artist, Barbara ThompsonFind albums by this artist and Stan SultzmannFind albums by this artist on saxophone, Tony CoeFind albums by this artist on clarinet, Dave MacRaeFind albums by this artist and Geoff CastleFind albums by this artist on piano, Roger SuttonFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums and vibraphone. The music moves between atmospheric soundscapes and highly rhythmic Jazz-Rock pieces, with excellent solos in each of the suite’s seven parts. In retrospect the music lost none of its original charm and beauty, and sadly one must admit: “they don’t make music like that any more”. Ardley was to produce one more orchestral masterpiece, called "Harmony Of The SpheresFind albums with this title", by the end of the 1970s, before the changing musical and economic climate eradicated ambitious / artistic music almost completely. He became a very successful writer and best-selling author before he died in 2004. I hope all of his splendid musical works will be properly reissued, including previously unreleased stuff left in his estate. As for this album, just grab a copy and take the A(rdley) train into musical lands of rare beauty – an experience you’ll never forget.

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NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75 JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion Recorded: 1975 Released: 2021 This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here. The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history. “Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music. The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version. Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music. As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.

Updated: 03/07/2021Posted: 03/07/2021

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GARY BOYLE ~ THE DANCER ESOTERIC 2307 (Barcode: 5013929430747) ~ UK ~ Jazz-Rock Fusion Recorded: 1977 Released: 2012 This is the 1st solo album by the excellent British guitarist / composer Gary BoyleFind albums by this artist, recorded after his excellent group IsotopeFind albums by this artist disbanded. A brilliant guitarist, Boyle enjoyed success as a sideman both in the Prog and Jazz circles in UK, and the work with Isotope firmly established his reputation as a formidable Jazz-Rock Fusion player. This album, recorded with a dreamy team of superb players: keyboardists Zoe KronbergerFind albums by this artist (who also contributed two compositions), Dave MacRaeFind albums by this artist (ex-Matching MoleFind albums by this artist) and Rod ArgentFind albums by this artist (ex-ZombiesFind albums by this artist), bassist Doni HarveyFind albums by this artist, drummer Simon PhillipsFind albums by this artist and many others, is a classic example of the British Fusion, full of intricate melodies and virtuosic performances. There is not a dull moment here, from start to finish, and Fusion fans, who for some strange reason might have overlooked this treasure are about to discover a goldmine of pleasures. A must to any intelligent Fusion fan!

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MICHAEL GIBBS ~ JUST AHEAD BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz Recorded: 1972 Released: 2005 Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!

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KARL JENKINS ~ PENUMBRA II JAZZ IN BRITAIN 41 (Barcode: 5060774190432) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2022 The great abundance of creativity and recording activity, which blessed the British Jazz scene during the Golden Decade (1965-1975), created, among many other cultural marvels, also the “silent hero” phenomenon, which in case of the great multi-instrumentalist / composer Karl JenkinsFind albums by this artist, is a classic embodiment of that concept. Although firmly present at the epicenter of the music-making turmoil at the time, from Graham CollierFind albums by this artist, via Neil ArdleyFind albums by this artist, NucleusFind albums by this artist, and most prominently Soft MachineFind albums by this artist, Jenkins’ name would hardly be the primary association for most people thinking about the music of that period, despite his enormous contributions – the fate of a “silent hero”. I have faithfully followed his continuous activity over the decades, which shifted primarily into the Classical Music idiom, which included grand pieces like “RequiemFind albums with this title” or intimate beauties like the latest “PianoFind albums with this title”, always with great satisfaction and pleasure. This wonderful archival release brings us a three-part suite, composed by Jenkins and recorded live in 1971 with a dreamy ensemble, which includes the crème de la crème of the British Jazz-Rock musicians at the time: Jenkins on piano with trumpeter Ian CarrFind albums by this artist, saxophonists Brian SmithFind albums by this artist, Ray WarleighFind albums by this artist and Alan SkidmoreFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, pianist Dave MacRaeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist, drummer John MarshallFind albums by this artist and percussionist Frank RicottiFind albums by this artist, arguably the best ensemble ever put together at that time. Although relatively short, running just under half an hour, the music is an absolute classic example of what was being created at the time, and as such somewhat similar, at least spiritually and aurally, to many other recordings of the period. The composition is based on a steady riff, which develops slowly and offers splendid opportunity to all the instrumentalists to create hair-raising solo parts. The sound quality is perfect, which makes the music to be audible in great detail. Overall, this is a superb musical time capsule, brought to us courtesy of the people behind the Jazz In BritainFind albums on this label label, who work tirelessly to unearth the great treasures of the British Jazz, making us, the followers and enthusiasts, ecstatically happy. It is also a much deserved “thank you” note to the contributions bestowed on us by this wonderful musician.

Updated: 30/11/2022Posted: 30/11/2022

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MATCHING MOLE ~ LITTLE RED RECORD (EXPANDED EDITION) ESOTERIC 2312 (Barcode: 5013929431249) ~ UK ~ Canterbury Scene Recorded: 1972 Released: 2012 This is the 2nd and last album by Matching MoleFind albums by this artist, the seminal Canterbury ensemble formed by drummer Robert WyattFind albums by this artist, after he left Soft MachineFind albums by this artist. Although Wyatt was determined to start a solo career following his split with Soft Machine, Matching Mole was born and kept going for about a year, recording two legendary studio albums. Live performances and BBC radio recordings gave birth, decades later, to three albums, which consist of material from these sources and now the expanded editions of the two studio albums give us another two new CDs of Matching Mole material, all together 7 CDs worth of superb Canterbury stuff at its best. The lineup, which recorded this music, consisted of Wyatt, keyboardist Dave MacRaeFind albums by this artist, guitarist Phil MillerFind albums by this artist and bassist Bill MacCormickFind albums by this artist. MacRae contributed or co-contributed most of the music on this album, with Wyatt taking charge of occasional vocal parts and lyrics. The music lost absolutely nothing of its freshness and the wonderful weirdness, which characterizes most of Canterbury output. Of course the genre would fully blossom only shortly after Matching Mole would be no more and its members would form such legendary groups like Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist. This is music straight from heaven, for listeners inclined towards the more sophisticated end of the spectrum, combining complex improvisation and quirky rhythmic patterns, which have no parallel anywhere. Of course this kind of music should be kept alive at all costs and this new edition does the job just fine, with a crisp new remaster and plenty of previously unheard stuff to make every fan green from ear to ear. Essential stuff for body and soul!

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MATCHING MOLE ~ MATCHING MOLE (EXPANDED EDITION) ESOTERIC 2311 (Barcode: 5013929431140) ~ UK ~ Canterbury Scene Recorded: 1971 - 1972 Released: 2012 This is the eponymous debut album by British Canterbury / Prog / Jazz-Rock ensemble Matching MoleFind albums by this artist, formed in 1971 by drummer / vocalist Robert WyattFind albums by this artist, after being kicked out from Soft MachineFind albums by this artist due to "artistic differences" between him and the other Soft Machine members, mainly as to the shift of the group´s music towards Free Jazz / Improvised Music. In retrospect it turned out that fate was about to play a trick with Wyatt´s ideas, as Matching Mole was about to embark on an almost identical path as Soft Machine. Of course, again in retrospect, the listeners got to enjoy the music of two superb groups instead on one. The name Matching Mole was a pun on the French for of Soft Machine – "machine molle". Wyatt was joined by brilliant Canterbury keyboardist David SinclairFind albums by this artist, who about the same time left the legendary CaravanFind albums by this artist, guitarist Phil MillerFind albums by this artist (ex-DeliveryFind albums by this artist) and bassist Bill MacCormickFind albums by this artist. The group jammed in Wyatt´s garage for a few weeks and by the end of 1971 was already recording this debut album. Ridden by technical problems the recording took much longer than expected and the album was finally released in April 1972. A second keyboards player, Dave MacRaeFind albums by this artist, took part as a guest in the recording sessions, and by the time the album was released he formally replaced Sinclair, who decided to move on to other things. Wyatt wrote most of the music on this album, which also features his wonderfully eccentric vocals. Stylistically the music is all over the musical landscape of the time, with ambient, Jazz and Jazz-Rock Fusion elements dominating the proceedings, but Wyatt´s classic ballad "O Caroline" is also included. This wonderful extended version sheds a lot of light as to the album´s recording sessions with a plethora of previously unreleased outtakes, as well as a couple of BBC recordings made at the time. Of course this is absolutely classic stuff, which should be part of the eternal music legacy as well as an essential part of every serious music collection. An absolute must!

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MATCHING MOLE ~ ON THE RADIO HUX 083 (Barcode: 682970000831) ~ UK ~ Canterbury Scene Recorded: 1972 Released: 2006 Although Matching MoleFind albums by this artist existed for barely a year, they are still considered one of the most important Canterbury scene bands and their musical legacy achieved legendary status over the years. Formed in late 1971 by Robert WyattFind albums by this artist, who left Soft MachineFind albums by this artist dissatisfied with the Free Jazz phase the band he founded was going through at the time, this new band was much closer stylistically to the Soft Machine Jazz-Rock period, which recorded ThirdFind albums with this title. The original lineup included (apart from Wyatt) the ex-CaravanFind albums by this artist keyboards wizard Dave SinclairFind albums by this artist, bassist Bill MacCormickFind albums by this artist and guitarist Phil MillerFind albums by this artist. Pianist Dave MacRaeFind albums by this artist joined later, playing alongside Sinclair and when Sinclair left he stayed on as the resident keyboards player. The band recorded two excellent albums: the self-titled debut Matching MoleFind albums with this title and Little Red RecordFind albums by this artist. Following the band’s split by the end of 1972, Wyatt started his solo career and Sinclair and Miller went on to form Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist, the two most significant Canterbury bands ever. The CuneiformFind albums on this label label released two albums with live Matching Mole material in the 2000s (Smoke SignalsFind albums with this title and MarchFind albums with this title), but their BBC sessions reminded unreleased until now. This is the first time that the BBC sessions, recorded between January and April of 1972, can be heard by the numerous fans of the band, myself included. Both the quintet and the later quartet versions of the band can be heard. The music is of course phenomenal and needs no further recommendation, something any Canterbury fan around the globe will surely agree with.

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ANNIE ROSS ~ ME AND MY BABY – AN EVENING WITH ANNIE ROSS VOCALION 8451 (Barcode: 765387845124) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2009 British singer Annie RossFind albums by this artist has spent many years in the USA, where she came to fame as one of the most important and innovative Jazz vocalists and is mostly known for her part in the vocal trio Lambert, Hendricks & RossFind albums by this artist, which revolutionized the group vocal approach in Jazz. Upon her return to the UK, Ross continued to record, perform and even acted in the movies. This album is a document of her one-women show at the Hampstead Theatre, where she performed a vide range of Jazz, Bossa Nova and even Progressive Rock (yes! She sings a King CrimsonFind albums by this artist song as well) material, accompanied by a wonderful band, which included keyboardist Dave MacRaeFind albums by this artist (another Prog connection, as we was at the time a member of Matching MoleFind albums by this artist), guitarist Gordon EdwardsFind albums by this artist, bassist Rick LairdFind albums by this artist (Mahavishnu OrchestraFind albums by this artist) and drummer Dave MontgomeryFind albums by this artist. This was 1971 and anything was possible! Of course this recording is very different from what most Annie Ross fans would expect to hear from her, and therefore quite special in every way. I have no idea how many people are even aware of this rare album, but surely many will be interested to check it out!

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ZBIGNIEW SEIFERT ~ LIVE RECORDINGS 1973 & 1976 SWR JAZZHAUS 479 (Barcode: 730099047951) ~ POLAND ~ Jazz Recorded: 1973 - 1976 Released: 2021 This is a sensational archive album by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist. It presents live recordings from the vaults of the German SWR broadcasting corporation. The first four tracks are performed by a duo comprising of Seifert and legendary German trombonist Albert MangelsdorffFind albums by this artist, captured at the 1976 Donaueschingen Musiktage, produced by my Friend and Mentor Joachim BerendtFind albums by this artist. Two of the pieces are spontaneously improvised and the other two are composed one each by Seifert and Mangelsdorff. The fifth track, recorded at the 1973 New Jazz Meeting in Baden-Baden, also produced by Berendt (at his home town), finds Seifert as a member of an international Jazz-Rock Fusion sextet with New Zealand (resident in UK at the time) pianist Dave MacRaeFind albums by this artist, Dutch keyboardists Jasper van`t HofFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, who also composed the tune they perform, German bassist Peter TrunkFind albums by this artist and British drummer John MarshallFind albums by this artist. The duo tracks are simply sensational, a beautiful example of the “Art of the Duo” idiom and Improvised Music at its best. Mangelsdorff was already a veteran pioneer of the duo (and solo) formats by that time, but as far as Seifert was concert this is certainly a rare occasion to hear him is such naked intimate setting, although a few months earlier Seifert recorded his solo violin album, which was still unreleased at the time. The sextet track reflects perfectly what Seifert was into at the time, playing and recording with European musicians, who recognized his exceptional talent, and paving his way to the international career he was destined for, which sadly never materialized when his lost his battle with cancer. The SWR vaults are a treasure chest of superb live music, which is being constantly released on records. In this case the material is especially important due to the relatively limited recorded legacy by Seifert, which means that every bit of his music is priceless, especially when recorded at such high sound quality as the music on this album. Overall this is an absolute essential piece of the Polish Jazz recorded history, which dedicated fans will nor willingly miss. But it is recommended to all European Jazz fans since it reveals the incredibly high level of creativity and versatility the genre enjoyed in the 1970s. Wholeheartedly recommended!

Updated: 29/12/2023Posted: 31/03/2021

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MIKE WESTBROOK ~ CITADEL / ROOM 315 BGO 713 (Barcode: 5017261207135) ~ UK ~ Big Band Jazz Recorded: 1975 Released: 2006 This magnificent album marks a pivotal point in the career of pianist / composer Mike WestbrookFind albums by this artist, a transition between the first and the second phases of his monumental life’s achievement. Since it is a suite composed for and performed by a large ensemble (19 musicians in this case), it continues the pioneering work by Westbrook as a composer of large scale orchestral music and closes the cycle which started with the debut "CelebrationFind albums with this title" and continued with "ReleaseFind albums with this title", "Marching SongsFind albums with this title", "Love SongsFind albums with this title" and "MetropolisFind albums with this title". In between “Metropolis” and "Citadel / Room 315Find albums with this title" Westbrook ventured into Jazz-Rock Fusion with the group Solid Gold CadillacFind albums by this artist, returning to Jazz with the new suite, which was commissioned by the Swedish Radio Jazz Group with John SurmanFind albums by this artist as a guest soloist. It was first performed and recorded in 1974, but for various reasons the recording was not released, so Westbrook decided to record it with a British lineup, following several performances in UK a year later. As usual in his case, he managed to assemble the best Jazz players on the British Jazz scene to participate in the recording, including John Surman as the main soloist on baritone and soprano saxophone, with Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist on trumpet, Dave MacRaeFind albums by this artist on piano, Brian GoddingFind albums by this artist on guitar, Chris LaurenceFind albums by this artist on bass and Allan JacksonFind albums by this artist on drums and many others. The music is of course brilliant, as always, but surprisingly more melodic and accessible than most of his earlier works, with clear “winks” towards the work of Duke EllingtonFind albums by this artist. Superbly arranged and performed, this is an epic achievement, sadly one of the last great Jazz works of such scale, as the climate in Britain was about to change very soon and the magnificent Golden Decade was facing an inevitable comedown. Westbrook was of course to continue his extraordinary work as a composer, but his albums will be gradually released on small independent labels and sell meagerly. Well, we still have this essential recording to re-visit any time we feel a need to refill out batteries with some highly charged musical delight. Essential!

Updated: 12/03/2022Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend