Record Reviews

BESTER QUARTET ~ BAJGELMAN. GET TO TANGO ANAKLASIS 013 (Barcode: 5907795209739) ~ POLAND ~ Jazz-World Fusion Recorded: 2020 Released: 2020 This is an album by Polish Jazz ensemble Bester QuartetFind albums by this artist, led by accordionist / composer / bandleader Jaroslaw BesterFind albums by this artist, with violinist Dawid LubowiczFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Ryszard PalkaFind albums by this artist. The ensemble was expanded for this album to include three top Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Jorgos SkoliasFind albums by this artist. Trumpeter Michal BylicaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist guest on most of the tracks. The album presents ten tracks, one instrumental and nine songs, all composed by the Jewish / Polish violinist / composer / songwriter / bandleader Dawid BajgelmanFind albums by this artist, with words (originally in Yiddish, except for one in Polish) by himself and other lyricists. This studio recording is a documentation of a special concert originally performed in 2018 as part of the anniversary commemorating the liquidation of the Lodz Ghetto in 1944, with was devised and produced by Miron ZajfertFind albums by this artist. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series. Jaroslaw Bester was one of the first Polish musicians to accept the challenge of treating seriously the Jewish Music created in Poland during the centuries of Jewish presence on the Polish soil. Sadly, most of the attempts to deal with Jewish Music border between kitsch and chaltura, but Bester managed consistently to avoid falling into this trap over the years. He founded the Cracow Klezmer BandFind albums by this artist in 1997, which later morphed into the Bester Quartet, with a long series of successful recordings to his credit. Following the initial period of focus on the Klezmer tradition, he expanded his vision to include other musical traditions, especially the tango, which became his passion in more recent years. Jewish Music and tango come together hand in hand on this album, since the secular Jewish Music in Poland, during the period between the two great wars, was fascinated with the tango as well. The life’s story of Dawid Bajgelman is easily divided between his meteoric career before WWII, which found him as a highly successful composer and songwriter, with his songs performed by the most popular Polish singers at the time, but in parallel his massive composing legacy for local Jewish cultural life in Lodz, at the time the second biggest urban Jewish community after Warsaw, and of course his activity in the Lodz Ghetto during the Holocaust period, which came to the end with his tragic death in Auschwitz, cynical and absurd, just a few days after the camp’s liberation. His songs, written in the ghetto, are some of the most expressive manifestations of the horror and misery of that time. Although Bester’s role on this album seems somewhat less illustrious than on his other recordings, limited to arrangements and leadership of the project, he does an absolutely splendid job herein. The music is brilliantly executed by all the participants, the recording offers a high quality sound and the entire project offers a deeply moving aesthetic experience. The vocalists are amongst the finest Polish Jazz Artists, quite different from each other in every possible sense, and yet they manage to cooperate perfectly when singing duets or trios, in addition to their solo parts. They also manage to handle the Yiddish lyrics reasonably well, but the four texts translated into Polish and the original Polish lyrics are of course as perfect as one might expect from such pros. The vocalese, although used sparingly, is also just right. The instrumental parts are all superbly done, with the new lineup of the Bester Quartet reaching a level of coherence higher than ever before. The trumpet is a nice touch, building an imaginary bridge to the original sound of these songs. Overall, this is a beautiful album, full of heartbreaking nostalgia and a proper, wonderfully conceived and executed tribute to the great contribution of the Polish / Jewish composer Dawid Bajgelman to the Polish Culture, one of so many so often forgotten Polish Jews, who shaped contemporary Polish identity, whether one likes it or not. My personal thanks to Miron Zajfert, who shares my passion of exposing our proud legacy, and of course to all the participants, who are amongst my favorite Polish musicians. May the Force be with you!

Updated: 17/02/2023Posted: 17/02/2023

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TUBIS TRIO ~ SYGNOWANO BAJGELMAN: IMPRESJE NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the fourth album by Polish Jazz piano trio (Tubis TrioFind albums by this artist) led by pianist / composer Maciej TubisFind albums by this artist with bassist Pawel PuszczaloFind albums by this artist and drummer Przemyslaw PacanFind albums by this artist. The album is a tribute to the Jewish violinist / conductor / composer Dawid BajgelmanFind albums by this artist, who was the director of the Lodz Yiddish Theater and who composed music for many Yiddish theatre plays, including S. Ansky´s "The Dybbuk", as well as many popular songs. Bajgelman was a prominent figure in the cultural life of the flourishing Jewish community of Lodz in the period between the two World Wars. He was interned in the Lodz ghetto in 1940 where he lived until 1944, and was sent by the last transport from the ghetto to Auschwitz, where he died in early 1945 shortly before the liberation. The album, commemorating the 75th Anniversary of the liquidation of the Lodz ghetto, presents Jazz arrangements by Tubis of seven songs composed by Bajgelman. Tubis made a remarkable job in transporting Bajgelman´s music almost a Century forward in time, proving how timeless and universal the music was to start with. The trio performs the music with passion and elegance, expressing the mixture of joy and melancholy that Jewish music is always immersed in, reflecting Jewish passion for life, which often is met with harsh reality. The trio members are all seasoned musicians and their instrumental performances are all, as expected, beyond reproach. The ensemble performances sound as if performed by one spiritual body of music-makers, and the dynamics and sensitivity in relation to the original music is truly superbly expressed. Listeners familiar with the original songs will be able to recognize the motifs of course, but one can assume that Bajgelman´s music is not easily found these days, and therefore this album serves a great opportunity to re-discover this immensely talented composer. Although inevitably soaked in the Holocaust historic setting, the music is a celebration of life and creativity and a wonderful tribute to Jewish Culture and tradition. Thank you Maciej for undertaking this challenging project and putting so much soul into making it come true!

Updated: 18/09/2019Posted: 18/09/2019

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