Record Reviews

BEATA PRZYBYTEK ~ THE ISLAND PRK 057 ~ POLAND ~ Jazz Recorded: 2003 Released: 2004 This is the second album by Polish Jazz vocalist Beata PrzybytekFind albums by this artist, recorded with her quintet, which comprises of saxophonist / flautist Marcin ZupanskiFind albums by this artist, pianist Dorota ZaziabloFind albums by this artist, bassist Robert SzewczugaFind albums by this artist and drummer Ryszard BalcerFind albums by this artist. Same as its predecessor, which was recorded eighteen month earlier, this album presents nine classic Jazz vocal standards, sung in their original English version. There are no arrangement credits on the album´s liner notes. The album was recorded while Przybytek was still a student at the Academy of Music in Katowice where she studied Jazz vocals and her group comprises of her fellow students from the same school as well as students from the Academy of Music in Krakow. The result is in many respects a direct continuation of what the debut recording offered, but it is much more relaxed (and even somewhat lax), suggesting more self-confidence. Effectively it lacks the youthful enthusiasm and spontaneity and therefore also looses some of the charm of the debut album. Przybytek saves the day by exposing her ability to stretch her voice and use a husky tone most effectively, which brings her closer sonically to Soul and Blues rather than to the straight-forward Jazz format. On this album her talent obviously outgrows the abilities of her cohorts and with a different band she would have probably achieved a much better result. All in all this is still a very nice mainstream vocal Jazz album, which should make most of the fans utterly satisfied. Przybytek is a very talented singer and once she reached her full potential as singer / songwriter all her qualities came to full bloom. In the meantime this is a nice souvenir from the student days. Definitely worth investigating!

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BEATA PRZYBYTEK ~ WONDERLAND NOT TWO 767 (Barcode: 5907589871678) ~ POLAND ~ Jazz Recorded: 2005 Released: 2005 This is the third album by Polish Jazz vocalist Beata PrzybytekFind albums by this artist, recorded with her quartet, which comprises of pianist Dorota ZaziabloFind albums by this artist, bassist Konrad BasiukFind albums by this artist and drummer Ryszard BalcerFind albums by this artist. Guest artists include percussionist Slawomir BernyFind albums by this artist, guitarists Jacek KrolikFind albums by this artist and Jaroslaw SmietanaFind albums by this artist and veteran saxophonist Janusz MuniakFind albums by this artist. On this album Przybytek says farewell to the Jazz standards songbook, which she used on her two earlier recordings, and dedicates this entire project to songs by the great Stevie WonderFind albums by this artist, selecting ten of his well-known tunes and presenting them in new arrangements, which results of course in a tribute album of sorts. Wonder´s songs, although catchy and beautifully melodic, are by no means straightforward musically and Przybytek takes quite a risk here attempting to re-invent the Master singer / songwriter by changing his original songs utilizing a Jazzy arrangement but also playing around with the melodies harmonically, twisting them and altering their tempi, usually to half the original speed. Somehow magically all this works out fine and the resulting music has a life of its own; still close enough to the source to be easily identified but at the same time significantly different to make things interesting. Her vocal performances are her best to date, showing undeniably that she sings well when not limited by stylistic restrictions, i.e. her Jazz education and experience, utilizing mannerisms and vocal routines commonly used in Soul, Rhythm And Blues and even Rock. All these influences finally amalgamate in her vocal performance on this album, which immediately put her on a completely new plane musically. Her vibrato is simply irresistible, causing goose bumps and other inexplicable physical and metaphysical effects to the innocent listener. She gets a very sympathetic support from the quartet, especially the acoustic bass, which is right at her side at all times supporting her wonderfully. The percussionist plays on several tracks, keeping his arsenal to minimum, which is very tasteful and rare since percussionists often tend to dominate every recording they´re on. Both guitarists and the saxophonist solo briefly, ornamenting the album but not adding any vital contributions, which would change its quality. All in all this is a very bold statement, beautifully executed and full of wonderfully sensitive musical tricks and treats. It takes more that a single listening sessions to really appreciate this album, but that is quite customary for all quality musical ventures as this one. A few more spins and the listener is hooked entirely. In many respects this album could appeal to a wide range of music connoisseurs, both those who prefer Jazz and those who like Pop material. Quality is a universal heart opener, and this album definitely opens many hearts!

Updated: 08/05/2023Posted:

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BEATA PRZYBYTEK ~ YOU DON`T KNOW WHAT LOVE IS PRK 049 ~ POLAND ~ Jazz Recorded: 2002 Released: 2003 This is the debut album by Polish Jazz vocalist Beata PrzybytekFind albums by this artist, recorded with her quintet, which comprises of saxophonist / flautist Marcin ZupanskiFind albums by this artist, pianist Dorota ZaziabloFind albums by this artist, bassist Robert SzewczugaFind albums by this artist and drummer Ryszard BalcerFind albums by this artist. Violinist Krzysztof MaciejowskiFind albums by this artist guests on one track. The album presents nine classic Jazz vocal standards, sung in their original English version. There are no arrangement credits on the album´s liner notes. The album was recorded while Przybytek was a student at the Academy of Music in Katowice where she studied Jazz vocals and her group comprises of her fellow students from the same school as well as students from the Academy of Music in Krakow. The result is certainly well above the expectations one might have from a group of very young and inexperienced musicians. Both the vocals and the instrumental backing are quite excellent and most importantly have a unique sound and afresh approach to these standards, which have been tried countless times before. The arrangements include enough space for the instrumentalists to be able to show their skills, which they do repeatedly. Przybytek unveils her warm and expressive voice, which she playfully stretches between seductive meows and heartbreaking howls, all in good taste and with obvious talent. She does not use often the husky tone, which she utilizes on her later recordings, but her enormous potential is quite evident here. She also is one the very few Polish vocalists that can get away with singing in English without sounding utterly ridiculous, which works in her favor. Her intonation tends to be on the Gospel / Blues side, which suits her well. Overall, although not very innovative or groundbreaking, this is a very solid offering, which as a debut can be definitely regarded as an outstanding effort. Vocal Jazz fans will find this quite delightful, combining youthful enthusiasm and innocence with talent and dedication. Well done!

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SILBERMAN QUARTET ~ ASANISIMASA AUDIO CAVE 2019/003 (Barcode: 5905669566728) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2019 This is the fifth album released under the "Silberman" moniker, this time recorded by a quartet of Polish Jazz musicians: keyboardists Dorota ZaziabloFind albums by this artist (who played on the debut album) and Mateusz GawedaFind albums by this artist (who played on the third and fourth albums), bassist Jakub MielcarekFind albums by this artist (who also played on the previous two albums) and drummer Lukasz StworzewiczFind albums by this artist (a.k.a. SilbermanFind albums by this artist). Together they perform seven compositions, four by Stworzewicz, one credited to all four members of the quartet, one of unknown origin and finally one based on a Classical piece by the Tatar-Russian composer Sofia GubaidulinaFind albums by this artist, which makes me happy that she is finally being discovered by young musicians. The music is a wild amalgam of stylistic influences, constantly moving between Avant-Garde Jazz, Improvised Music and mainstream Jazz. The double-keyboards lineup opens wide possibilities between the acoustic piano and the synthesizer sounds, which are fascinating and constantly changing. There are some very nice melodic themes scattered between the more open / improvised pieces, which helps to maintain a nice balance and coherent diversity. Both keyboards players manage to produce a kaleidoscope of sound vistas, which is quite innovative and more importantly they support and complement each other successfully. Mielcarek does a splendid job, both as a rhythmic, Jazz oriented player and as an improviser, including some surprising bow work. Stworzewicz is of course one of the most original drummers on the Polish scene and his work on this album emphasizes his maturity and stylistic freshness. The album not only offers some superb music and excellent execution, but also a musical and sound concept as a whole. The dark, often minimalist atmosphere and the atypical lineup, combined with the weird / atypical sound of the drums, offer to the listener a whole new experience, which happens relatively rarely. Although not specifically stated as such (except perhaps by the album´s artwork), this music definitely offers a musical parallel to the film noir, or perhaps an imaginary soundtrack to an imaginary movie created in that genre. The ambience of uncertainty, apprehension and ambivalence is certainly present within the music, although obviously echoes differently with each listener. In retrospect this is certainly the most coherent and mature album recorded under the "Silberman" moniker so far, and a truly unique piece of music, which stands out even on the extremely competitive Polish Jazz scene. It should be listened to not only by Jazz listeners, but by all open-minded music connoisseurs, who are always searching for new thrills. Hats off to the Silberman phenomenon ;)

Updated: 12/04/2019Posted: 12/04/2019

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