Record Reviews

RASM ALMASHAN ~ YEMENIA SOLITON 365 (Barcode: 5901571093659) ~ POLAND ~ Jazz-World Fusion Recorded: 2018 - 2019 Released: 2020 This is the debut album as a leader by Polish (of Yemeni origin) vocalist Rasm AlmashanFind albums by this artist (a.k.a. Rasm Al-MashanFind albums by this artist), recorded with an excellent group of musicians: percussionist Adeb ChamounFind albums by this artist, oud player Mateusz SzemrajFind albums by this artist, drummer Pawel DobrowolskiFind albums by this artist, bassist Bartozzi WojciechowskiFind albums by this artist and keyboardist Adam LemanczykFind albums by this artist. Saxophonist Grzech PiotrowskiFind albums by this artist, who is the musical producer of the album, guests on three tracks and violinist Stanislaw SlowinskiFind albums by this artist guests on one track. The album presents nine songs, six of which are composed by Almashan, two are co-composed by her and Piotrowski and one is a traditional Yemenite song, made world-famous by Israeli singer Ofra HazaFind albums by this artist as "Im Nin´alu", who also had Yemenite roots. Most of the lyrics (In Yemeni Arabic and English) were also written by Almashan, except for "Im Nin´alu" which has lyrics in Hebrew written by Rabbi Shalom ShabaziFind albums by this artist, and two songs with lyrics by the great Yemeni singer Abu Bakr Salem BelfqihFind albums by this artist. The music is an amalgam of Pop and Middle Eastern / African Folklore elements with a strong Jazz-World Fusion accompaniment, excellently put together and very entertaining. Melodically and rhythmically the music is mostly quite European, but the arrangements are strongly influenced by Ethnically sounding ornamentations and Jazzy improvisations. For a person like me, who is surrounded by Middle Eastern music every day, this music does not sound "authentic" enough, but for European listeners this might work out perfectly, especially in view of the fact that Middle Eastern scales and phrasing can sound very outlandish to a European ear. However, this music sounds great regardless of its distance from authenticity, thanks to the great melodies and superb performances by all the participants, mixing perfect doses of European melody and exotic Middle Easter spices. Almashan is an excellent vocalist, whom I have been lucky to hear live many times, with a wide range, great sensitivity and wonderful musicality. The Jazzy accompaniment suits her perfectly and personally I love most the songs on which she lets go of the strict melody and ventures into more improvised passages, which are the absolute highlight of this album. Listeners who love Pop songs with strong Ethnic elements and Jazzy accents, similar to the music of the lamented Ofra Haza, should be delighted by this album from start to finish, as it is full of great playing and superb vocal parts, offering new musical layers with each repeated listening session and bridges Cultures in a most accessible and heartfelt manner. Warmly recommended!

Updated: 05/03/2020Posted: 05/03/2020

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PAWEL KACZMARCZYK ~ AUDIOFEELING ARMS 03 (Barcode: 5900238791020) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 Brilliant debut album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 22 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. Three saxophonists: Radoslaw NowickiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist and Grzech PiotrowskiFind albums by this artist join the trio on several tracks, turning it into a quartet and on one track a sextet, when they all play together. Of the ten tracks present here, eight were composed by Kaczmarczyk and the other two co-composed by Kaczmarczyk and Piotrowski. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and the quartets / sextet introduce an ensemble approach. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

Updated: 26/10/2016Posted:

CD 1 Digipak Gold Recommend To A Friend

MACIEJ KADZIELA ~ THE TASTE OF THE WORLD MULTICULTI MPJ 014 (Barcode: 5907796319796) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the second album by young Polish Jazz saxophonist Maciej KadzielaFind albums by this artist, recorded in a quartet setting with pianist Artur TuznikFind albums by this artist and Swedish rhythm section: bassist Johannes VahtFind albums by this artist and drummer Olle DernevikFind albums by this artist. Polish saxophonist Grzech PiotrowskiFind albums by this artist guests on two tracks. The quartet was formed in Copenhagen, where these musicians studied together at the local Music Academy and summarizes Kadziela´s experiences during his stay in Denmark. The album presents ten original compositions, all by the leader. The album immediately strikes the listener as a mature and serious offering, which presents Kadziela playing with remarkable fluidity and confidence, completely uncommon among Jazz musicians of his age group. The rest of the quartet members stand shoulder to shoulder with the leader, supporting him amicably and intelligently all the way through. Beautifully lyrical piano by Tuznik, solid and virtuosic bass layer keeping the music on solid ground at all times by Vaht and explosive but always at the right measure percussive ornamentation by Dernevik are an excellent examples of what team work is all about. The music is typical modern European Jazz, dancing elegantly on the verge of mainstream melodic lines and free vistas, creating a wonderful tension and keeping the listener on edge throughout the entire duration of the album. The melodic layer tends to be filled with typical Polish melancholy, but the energetic performances by the musicians save it from being overtly lethargic. Some Scandinavian elements are also clearly audible, which of course makes perfect sense considering the quartet´s lineup and common history. Some references to the compositions of Krzysztof KomedaFind albums by this artist and the playing of John ColtraneFind albums by this artist are inevitable, but those are subtle and Kadziela will soon find his very own original voice as a composer and saxophonist. Overall this is a most impressive album, full of wonderful playing, searching and experimenting, as appropriate for Jazz. Definitely one of the best Polish Jazz releases so far in 2016, and beyond. Hopefully more of such splendid music will follow suit in not too distant future. I can´t wait already!

Updated: 26/10/2016Posted: 23/09/2016

CD 1 Mini-Sleeve Recommend To A Friend

KRZYSZTOF LENCZOWSKI ~ INTERNAL MELODY ALLEGRO 031 (Barcode: 5901157049315) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2015 This is (finally!) the debut album by Polish cellist / guitarist / composer Krzysztof LenczowskiFind albums by this artist, one of the most prominent representatives of the young generation of Polish musicians, who is characterized by a total cross-genre approach to music, tipping his fingers in anything from Pop, Rock, Fusion, Jazz and deep into contemporary Classical music, always with grace and sublime talent. The fact that this is his debut album, already preceded by dozens of albums recorded as a group member or sideman, is surprising, but on the other hand nothing about Lenczowski should be really surprising, as he is an Artist of the unexpected. This album, recorded in a quartet setting with saxophonist Grzech PiotrowskiFind albums by this artist, organist Jan SmoczynskiFind albums by this artist and drummer Tomasz WaldowskiFind albums by this artist, was recorded at the Studio Tokarnia (owned by Smoczynski who also engineered the recording with the usual spectacular sonic results) presents eight original compositions, all by Lenczowski. From the very first tones heard on this album it becomes immediately apparent that this is a piece of music completely unique and incomparable to anything else happening anywhere. Yes, completely unexpected in every aspect: sound, melody, use of instruments, atmosphere and overall feel of this album are all absolutely stunning. Cello is by far not the most popular instrument outside of the Classical Music idiom and Lenczowski´s determination to stick with this instrument despite the obvious difficulty, is commendable. But the entire instrumentation of his music on this album is far from being easy on the ear: Jazzy saxophone playing complex extended solos, organ playing mostly bass lines and very limited melody / chord lines and a Rocky drummer on top – a strange recipe to say the least. And yet against all odds this music works splendidly and extremely effectively. Lenczowski´s cello parts are of course incredible all the way through, which is hardly surprising in his case. Surprisingly (again) Piotrowski plays beautifully and ambitiously as well, and Lenczowski´s decision to use him here turned out to be the right one, in spite of Piotrowski´s problematic flirts with Smooth muzak in the past. Smoczynski, as always, turns out to be an island of serenity and his somber, church like organ sound, creates a solid layer upon this music solidly rests, or floats above. Waldowski´s drums become an integral part of the ensemble and his sensitivity, elegance and coolness are exemplary. As usually the strength of the entire ensemble only works out if all the participants contribute on the same emotional level, which obviously happens in this case. Lenczowski also deserves praise for his compositions, which are all not only beautifully melodic, but also delightfully lyrical and emotionally deep. The music sounds at times like medieval chant, or charmingly discloses touches Middle Eastern mystique, or brings fond memories of early days of Progressive Rock glory. Regardless of the many associations, it is always inspired and rewarding. Overall this is a most impressive debut album by an experienced and mature musician, who is still searching and ready for the challenges of the future. It is definitely one of the finest albums released this year on the Polish scene, with very few challengers around. An absolute must for any true music lover!

Updated: 26/10/2016Posted:

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RUTH WILHELMINE MEYER ~ KLANGBIOTOPER OZELLA 083 (Barcode: 4038952000836) ~ NORWAY ~ Avant-Garde Jazz Recorded: 2016 - 2017 Released: 2018 This is the second album as a leader by Norwegian vocalist / composer Ruth Wilhelmine MeyerFind albums by this artist recorded with tuba player Lars Andreas HaugFind albums by this artist, Polish saxophonist Grzech PiotrowskiFind albums by this artist (Mayer is a member of Piotrowski´s World OrchestraFind albums by this artist) and percussionist Terje IsungsetFind albums by this artist. The album presents eleven compositions, seven of which are originals by Meyer and four originate mostly in Norwegian Folklore. The music includes some melodic references, but is mostly improvised by the participating musicians, creating a bizarre Avant-Garde sound environment sculptured by Meyer´s wordless vocalese and the unusual instrumentation. The message behind the music, which relates to the treatment of Nature by the Humans, as the album´s title suggests, is achieved by creating a biotope like sound environments, each telling a different tale. Meyer brilliantly uses the minimalist setting at her disposal to create a continuous evolving story that happens within the listener´s mind. The Norwegian Folk elements are smoothly absorbed within the unique sound universe that Meyer creates and become an integral part of the entire concept. Obviously this nontrivial music is not easy on the ear and requires open-mindedness and intellectual effort to get into, but for fans of ambitious musical terrain and adventurous escapades, should be able to feel home. Meyer deserves praise and respect for doing her own thing and taking no shortcuts or easy solutions. This music takes no prisoners and if one is not used to getting involved, please s better tay away. Overall this is uncompromising Avant-Garde statement, which offers novel vocal approach and truly inspiring, albeit fragmented instrumental contributions, which against all odds eventually make sense. Enter all ye brave!

Updated: 12/04/2019Posted: 13/11/2018

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GRZECH PIOTROWSKI ~ LECH CZECH I RUS SYMPHONY POLSKIE RADIO 2045 (Barcode: 5907812248178) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017 This is the eighth album by Polish saxophonist / composer Grzech PiotrowskiFind albums by this artist, which is his most ambitious project by far. It involves a large international instrumental ensemble he leads, called World OrchestraFind albums by this artist, a symphony orchestra (National Polish Radio Symphony OrchestraFind albums by this artist a.k.a. NOSPRFind albums by this artist), National Folk Instrument OrchestraFind albums by this artist from Kiev and two choirs (Choir Pro FormaFind albums by this artist from Poland and Choir Ars BrunensisFind albums by this artist form Czech Republic), altogether a mindboggling amount of players and musical complexity, recorded live at the magnificent NOSPR concert hall in Katowice. Piotrowski deserves the highest respect just for putting this gargantuan project together and for pulling it off. The music is a wonderful Jazz-Classical Fusion with strong ties to Slavic folklore, which of course is the subject matter of the entire enterprise. The legend about the three brothers that started the Slavic Nations (Poles, Czechs and Rus´) gives the point of reference and points out that despite historic developments the Slavic people share common ancestry and above all common Cultural values. The Classical Music nerds would probably debate the "symphony" part of the work´s title, as the thirteen-part composition is probably more a suite that a symphony, but overall the scope and the scale are definitely of symphonic proportions. The melodic motifs keep flowing one after another, arranged for many different vocal and instrumental setups and featuring many solo parts, some of which are partly improvised. The mood keeps changing from somber melancholic, typical Slavic melodies to highly expressive up-tempo dance-like frenzy, keeping the listener at his toes for the entire duration. This album is a proof that seemingly impossible undertakings can be realized by people of great talent and strong will. The most important message this music emphasizes is the universal unity of music, which freely crosses genres, languages, epochs and National borders. This music is accessible to every person on this planet, which is a very rare quality. Overall this album is a wonderful journey into the Slavic Culture, full of brilliant melodies and excellently performed by all the participants. Wholeheartedly recommended!

Updated: 06/07/2017Posted: 06/07/2017

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GRZECH PIOTROWSKI ~ SIX SEASONS ALCHEMIK ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2016 This is the seventh album by Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist (a.k.a. Grzegorz PiotrowskiFind albums by this artist), recorded in a quartet setting with pianist Marcin WasilewskiFind albums by this artist, bassist Jaroslaw StokowskiFind albums by this artist and drummer Robert LutyFind albums by this artist, and with a superb string quartet, which includes violinists Mariusz PatyraFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Aleksandra JarosinskaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The album presents six original compositions, all by Piotrowski, named after the usual four seasons with two additional seasons added ("pre-spring" and "pre-winter"), which together constitute a suite-like structure. The music is an ambitious Jazz-Classical Fusion project, beautifully melodic and gently flowing from one part of the suite to another, full of melancholy and tranquility. In some respects it often sounds like a soundtrack of an imaginary movie, inspiring colorful visions in the mind of the listener. It is all about precision, delicate relationships between the harmonies and elegant melodic vistas, with no much space left for spontaneity. The performances by all the participants are perfectly suited to this specific musical environment, with Jazzy improvisation being relatively limited, due to the strict arrangements, but nevertheless quite impressive. This album is not intended to present individual virtuosity as much as it is about coordinated effort, perfectly matched and working towards a common goal. Some critics will probably say that this music is way too sweet and organized and borders on Smooth Jazz or even pastiche. Admittedly, such music as presented herein, quite often ventures into these territories, but in this specific case it does not happen at all. Yes, the music is pleasant and easy on the ear, but at the same time it is full of original melodic themes, superb orchestration and arrangements, topped with flawless execution. There is an obvious effort and talent invested here by Piotrowski, and the resulting music can be seen as a tribute to Romanticism and Classical Music tradition, wonderfully intertwined with contemporary tools of the trade, used in Jazz and Pop. Personally I had a wonderful time listening to this music, which despite its pleasurable appearance, offers many inspiring moments, superb instrumental solos and fifty minutes of calmness and tranquility, which in our world happen way to infrequently. The album comes in a hand-made packaging, which adds another highly personal dimension to the entire project. Definitely not for everybody, but hopefully many listeners will find this gorgeous music deeply moving and penetrating their souls.

Updated: 26/10/2016Posted: 17/10/2016

CD 1 Mini-Sleeve Recommend To A Friend

PIOTR SCHMIDT ~ SAXESFUL SJ 032 (Barcode: 5912596066658) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 What is this thing called Jazz? This question seems to reverberate for over a Century now among Jazz musicians, connoisseurs of the genre and scholars of the idiom, with the answer intractably remaining as elusive and mysterious, as the very nature of the music itself. Perhaps the splendor of Jazz is characterized by the inability to define or even properly describe it? Jazz keeps evolving and growing as an Art Form, combining its tradition with new discoveries and innovation, which soon after become part of the essence of the same Jazz idiom, in a perpetuum mobile like fashion. Polish Jazz, one of the most vital and ingenious local scenes on the world scale, which started while the country was still isolated from the rest of the world by the Iron Curtain, managed to flourish and explode artistically over the years, against all odds. Today Poland is a Jazz Super Power, leading the European Jazz scene in every aspect, all thanks to the seemingly inexhaustible influx of young and talented musicians, who treat their Jazz as seriously as their life. Piotr SchmidtFind albums by this artist (born 1985) is certainly one of those Polish Jazz mavericks. Not only is he well educated, talented and ambitious, but he is also a restless entrepreneur, record label owner, bandleader and educator who keeps constantly coming up with new ideas, maintaining his Jazz alive and kicking. This album is only one of such ideas, but the scale and audacity required to put such a project into life can be understood only by the cognoscenti of the Jazz scene. This album is a multilayered tribute to the Jazz tradition. It presents seven classic Jazz standards, each performed by the core quartet and featuring a different saxophonist. The list of the saxophonists reads like the who´s who of Polish Jazz and is also an obvious tribute to Polish Jazz itself. With their ages ranging from Jan Ptaszyn WroblewskiFind albums by this artist (born 1936), Zbigniew NamyslowskiFind albums by this artist (born 1939), Henryk MiskiewiczFind albums by this artist (born 1951), Maciej SikalaFind albums by this artist (born 1961), Piotr BaronFind albums by this artist (born 1961), Adam WendtFind albums by this artist (born 1962) and finally Grzech PiotrowskiFind albums by this artist (born 1974), i.e. four generations of Polish Jazz players, they represent the incredible power and stylistic versatility of the scene. The core quartet is by no means less impressive, featuring Schmidt on trumpet, pianist Wojciech NiedzielaFind albums by this artist and Poland´s top rhythm section comprised of bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, all of which have a most impressive list of achievements under their arms. But tributes and history aside, this album is also a wonderful collection of great tunes, beautifully performed and entertaining, in the most positive meaning of the word. Jazz is, after all, also a source of unadulterated pleasure to those, who love it, and this album is certainly a concentrated dose of such pleasure. Enjoy! Adam Baruch, August 2018 Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 19/09/2018Posted: 19/09/2018

CD 1 Slipcase Recommend To A Friend

PIOTR SCHMIDT ~ SAXESFUL VOL II SJ 056 (Barcode: 5902596066703) ~ POLAND ~ Jazz Recorded: 2018 Released: 2021 It’s not a secret that when recording an album, the producer often “thinks ahead” and takes the opportunity of the studio sessions already in place to record much more material than actually needed to complete one album. This is exactly the case with the recording sessions for the album “SaxesfulFind albums with this title”, which took place in 2018, recorded by Polish Jazz trumpeter, composer, bandleader, record label owner and producer Piotr SchmidtFind albums by this artist. Following the hiatus of the COVID-19 pandemic and the recent passing of Piotr’s Father, Prof. Andrzej SchmidtFind albums by this artist, an iconic figure on the Polish Jazz scene, whom I had a great pleasure to meet many a time, Piotr decided to return to the unreleased material from the “Saxesful” sessions and release a follow up album with that material, among other things to commemorate his Father’s memory. The concept of “Saxesful” was to present a series of Polish Jazz saxophonists, each playing on a different track. This second volume does exactly the same, presenting six classic Jazz standards, each performed by the core quartet and featuring a different saxophonist. The list of the saxophonists reads like the who´s who of Polish Jazz and is also an obvious tribute to Polish Jazz itself. With their ages ranging from Jan Ptaszyn WroblewskiFind albums by this artist (born 1936), Zbigniew NamyslowskiFind albums by this artist (born 1939), Henryk MiskiewiczFind albums by this artist (born 1951), Maciej SikalaFind albums by this artist (born 1961), Adam WendtFind albums by this artist (born 1962) and finally Grzech PiotrowskiFind albums by this artist (born 1974), i.e. four generations of Polish Jazz players, they represent the incredible power and stylistic versatility of the scene. The core quartet is by no means less impressive, featuring Schmidt on trumpet, pianist Wojciech NiedzielaFind albums by this artist and Poland´s top rhythm section comprised of bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, all of which have a most impressive list of achievements under their arms. My Grandmother loved to quote the Polish proverb, which says: ”Those, who eat the leftovers are smooth and beautiful” (In Polish: “Kto zjada ostatki, ten jest piękny i gładki”). The meaning of this proverb is, that leftovers are as good, if not better, than the original food and should not be discarded, which applies exactly to the music on this album in every sense, and it would have been a shame to leave this music unreleased. Once again we have here a feast great classic Jazz music and first rate performances, which is a tribute to the genre itself, Polish Jazz history and tradition and a great listening experience. Enjoy! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 30/08/2021Posted: 30/08/2021

CD 1 Slipcase Recommend To A Friend

WORLD ORCHESTRA ~ LIVE IN GDANSK UNIVERSAL 028948107599 (Barcode: 028948107599) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2013 The World Orchestra is a brainchild of Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist, who managed to create an international ensemble of dozens of musicians from all over the world, which performs a sort of Jazz-World Fusion music, based on melodic themes with strong ethnic flavors. This album presents a live recording by the World Orchestra, featuring some world-famous World Music artists, like the Bulgarian kaval player Theodosii SpassovFind albums by this artist, Finnish kantele player Sinikka LangelandFind albums by this artist, the Bulgarian Voices AngeliteFind albums by this artist choir and many others. Polish artists included Atom String QuartetFind albums by this artist, pianist Marcin WasilewskiFind albums by this artist and a large orchestra; all in all 84 (according to the liner notes) musicians on one stage. They perform fourteen pieces, most of which were composed by Piotrowski, with a few exceptions. Although the logistics behind this project must have been staggering and the basic idea of combining musical cultures is definitely commendable, the overall result is very problematic. There is no common bond linking the different pieces together, no thematic thread, not even a loosely devised common denominator. As a result each of the pieces more or less works on its own, but is not connected to anything before and after it and the entire concert becomes a sort of tribute to different folkloristic themes, but not more. Although all the musicians involved are true masters of their respective trade, the lush orchestral arrangements and the ambience of Smooth Jazz floating above create a typical overproduced easy-listening music, which keeps the brain in a state of blissful lethargy. This kind of domesticated World Music is very popular since it is accessible to large crowds, who would definitely have a problem to stomach some authentic Folklore and need the sugary envelope to be able to swallow it. Of course one can wonder is this is the correct way to bring new musical thrills to people, but that becomes a question of moral / artistic choices. The CD is accompanied by a DVD of the same concert, which adds no additional music beyond the contents of the CD and is therefore completely redundant.

Updated: 26/10/2016Posted:

CD+DVD 2 Digipak Recommend To A Friend