Record Reviews

GUSTAV BROM ~ JAZZ GALEN 19 157 (Barcode: 8594042901668) ~ CZECH REPUBLIC ~ Jazz Recorded: 1963 - 1965 Released: 2019 This is a reissue of the sensational debut album by Czech Jazz arranger / bandleader Gustav BromFind albums by this artist, who headed for five decades one the most renowned and highly regarded Jazz Orchestras / Big Bands in the world. This album, originally released in 1965, presents five (one a three-part suite) original compositions by musicians from his orchestra (two by trumpeter Jaromir HnilickaFind albums by this artist, and one each by saxophonist Josef AudesFind albums by this artist, pianist Oldrich BlachaFind albums by this artist and bassist Milan Rezabek)Find albums by this artist, one composition by the legendary modern Czech composer Pavel BlatnyFind albums by this artist and one arrangement (by saxophonist Zdenek NovakFind albums by this artist) of a standard by Oscar PetersonFind albums by this artist. This remastered edition offers a crystal clear sound quality and preserves the specific ambience of the original recording. It is almost impossible to believe that this music was recorded fifty-five years ago, as the music is so incredibly advanced and sophisticated in comparison to contemporary orchestral Jazz and light years ahead of what other Jazz orchestras around the world were playing at the time this music was recoded behind the Iron Curtain. The influence of Gunther SchullerFind albums by this artist´s "Third Stream" is especially obvious on the Blatny´s piece, but also resonates in the other pieces, as do Cool Jazz and the entire American West Coast ambience, but again only lurking somewhere in the background rather than being copied or mimicked. Brom manages to create his very own atmosphere, basically his very own unique statement. The level of the technical proficiency of the orchestra members is no less astounding, and easily matches that of players across the European divide as well as across the pond. The same easily applies to the arrangements and the overall orchestra sound. Brom and his Orchestra managed to record a string of highly successful albums, all of which are warmly recommended, especially those which feature his cooperation with the Polish composer Jerzy MilianFind albums by this artist, but this iconic album, available here on CD for the first time, is a true gem of special significance. For connoisseurs of Orchestral / Big Band Jazz this album is an absolute must and a wonderful example of the European Jazz idiosyncrasy. Side Note The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge. For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.

Updated: 02/06/2020Posted: 02/06/2020

CD 1 Digipak Remastered Recommend To A Friend

ORNETTE COLEMAN ~ BEAUTY IS A RARE THING: THE COMPLETE ATLANTIC RECORDINGS RHINO 71410 (Barcode: 081227141028) ~ USA ~ Jazz Recorded: 1959 - 1961 Released: 1993 This magnificent Box Set includes some of the most revolutionary music ever recorded on this planet. Ornette ColemanFind albums by this artist’s music dropped on the jazz scene with the force of an atom bomb by the end of the 1950s. Although other great jazz pioneers, especially John ColtraneFind albums by this artist and Miles DavisFind albums by this artist, were already slowly approaching the free / Avant-Garde jazz idiom, Coleman’s bold and fearless attack on the conventional jazz form was completely radical and innovative, splitting the jazz community immediately into the pro and contra camps, with discussions as heated as they can get. Coleman was ridiculed and called bad names by critics and listeners alike, who failed to comprehend his prophetic statement, and it took many years before this music was widely accepted into the jazz canon and treated with the proper esteem. Recorded between May 1959 and March 1961 (less than 2 years!) this music includes all 9 Coleman’s albums released on Atlantic (The Shape Of Jazz To ComeFind albums with this title, Change Of The CenturyFind albums with this title, This Is Our MusicFind albums with this title, Free JazzFind albums with this title, Ornette!Find albums with this title, Ornette On TenorFind albums with this title, The Art Of The ImprovisersFind albums with this title, TwinsFind albums with this title and To Whom Who Keeps A RecordFind albums with this title), as well as previously unreleased material and selections from Gunther SchullerFind albums by this artist’s Jazz AbstractionsFind albums with this title featuring Coleman. As usual in such Box Sets, the music is presented in chronological recording order. As to the musicians, most of the music was recorded in quartet setting, with Coleman and trumpeter Don CherryFind albums by this artist as the permanent core of the group and various bass / drums rhythm sections, which included Charlie HadenFind albums by this artist, Scott LaFaroFind albums by this artist and Jimmy GarrisonFind albums by this artist on bass and Billy HigginsFind albums by this artist and Ed BlackwellFind albums by this artist on drums. The legendary “Free Jazz” session features a double quartet and includes Eric DolphyFind albums by this artist on bass clarinet and Freddie HubbardFind albums by this artist on trumpet. There is hardly any need to go into the description of the music itself - whole books have been written on the subject and the music is indescribable anyway. What is important however, is the fact that any respectable jazz collection could never be considered comprehensive if it didn’t include this music. Absolutely essential!

Updated: 12/04/2019Posted:

CD 6 Box Set Remastered Bonus Tracks Essential Recommend To A Friend

DETROIT SYMPHONY ORCHESTRA ~ WYNTON MARSALIS: BLUES SYMPHONY PENTATONE 8717306262323 (Barcode: 8717306262323) ~ USA ~ Jazz-Classical Fusion Recorded: 2023 Released: 2025 This is an album by the Detroit Symphony OrchestraFind albums by this artist, conducted by the Italian conductor Jader BignaminiFind albums by this artist, who is also the orchestra’s musical director, performing the “Blues Symphony”, composed by the renown American Jazz trumpeter / composer / bandleader Wynton MarsalisFind albums by this artist in 2009. Marsalis describes it as follows: “The Blues Symphony is a seven-movement work, that gives a symphonic identity to the form and feeling of the blues”. The recording was made in close cooperation with the composer. Wynton Marsalis is undoubtedly one of the greatest American Jazz trumpeters in all time, a highly talented Jazz composer and a renowned bandleader, as well as a respected performed of Classical Music, but he is also a highly controversial figure among the worldwide Jazz community, often accused of being intolerant and despotic. Regardless of where one finds oneself with regards to this debate, there is no denying that he knows his music, which is also obvious to anybody listening to this album. In some respects, the symphony is conceptually and aesthetically similar to earlier works, which combine the Blues / Jazz threads with Classical Music, such as those of George GershwinFind albums by this artist, Leonard BernsteinFind albums by this artist or Gunther SchullerFind albums by this artist, to name just a few American composers (but there were also many European ones as well of course). My personal attitude to this amalgam is purely non-cerebral and I try to enjoy them, rather than analyze them, since purely theoretical / musical analysis often works against them, which the Yiddish phrase “nisht ahin und nisht aher” sums up perfectly. Overall, this is a very entertaining, easy-listening and enjoyable piece of music, which does not really require any serious knowledge of neither the Blues nor Symphonic Music. The orchestra performs the music superbly, the sound is very well balanced and clear, and the music is pleasant and flows elegantly, what more should one ask for?

Updated: 21/03/2025Posted: 21/03/2025

CD 1 Digipak Recommend To A Friend

DON ELLIS / WOJCIECH KAROLAK TRIO ~ POLISH RADIO JAZZ ARCHIVES VOL.02 POLSKIE RADIO 1590 (Barcode: 5907812245900) ~ USA ~ Jazz Recorded: 1962 Released: 2013 This is the second installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well. The material presented here was recorded in 1962 during the 5th Jazz Jamboree and features American trumpeter Don EllisFind albums by this artist, accompanied by a Polish rhythm section consisting of pianist Wojciech KarolakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist. All the six tracks were recorded live during the Festival, the last of which is an extended suite composed by Polish pianist / composer Andrzej TrzaskowskiFind albums by this artist presented as part of a concert dedicated to the Third Stream (early Jazz-Classical Fusion initiated by American composer Gunther SchullerFind albums by this artist in the late 1950s). On that track the quartet is accompanied by the Polish National Philharmonic Chamber Orchestra. Of the five shorter Jazz pieces, two are original compositions by Ellis and the remaining three are standards. Ellis was the second US musician who opted to play with a local rhythm section, following Stan GetzFind albums by this artist who did so two years earlier (as captured on the first volume of this series). Although he was just 28 years old at the time, he already had a lot of experience and quite a reputation as a result of playing with many top American Jazz acts in the late 1950s and early 1960s. His Polish partners: Karolak (aged 23), Dylag (aged 24) and Dabrowski (aged 24) sound like veterans, obviously ready and able for the occasion. Ellis was the ideal choice as a performer of the orchestral piece by Trzaskowski, as he was one of the musicians / composers involved in this genre from its early stage. There is a clear division between the first part of this album, which includes the five Jazz pieces and the orchestral suite, which is quite Avant-Garde and geared more towards Classical music listeners. Both parts are excellent, each presenting different merits of course. The fact that Trzaskowski composed the orchestral suite at that time is quite astonishing, considering the limited information about contemporary musical trends and developments that managed to cross over from behind the iron curtain. Obviously he was a man of great vision beyond his obvious talents as a player and composer. The wonderful ambience of the hall and the remastered sound quality are spectacular, worm and natural, leaving many contemporary recordings way behind, even though they were done 51 years ago using quite primitive equipment. The only note of criticism about this new edition is the lack of a proper booklet with proper liner notes, photographs and other well deserved details, which this monumental music truly deserves. Polish Radio really should have made an effort there. A pity! In retrospect this is a great document of the era and an integral part of the Polish Jazz saga, which deserves to be told and studied. The presence of the orchestral suite makes this an absolute must for collectors of Polish Jazz albums and Third Stream followers.

Updated: 12/04/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

JERZY MILIAN ~ CIRCULATIONS GAD 071 (Barcode: 5901549197969) ~ POLAND ~ Jazz Recorded: 1966 - 1969 Released: 2018 This is the seventh installment of the archival series released by GADFind albums on this label Records, which presents the work of Polish Jazz vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist. This chapter is dedicated to Milian´s recordings from mid to late 1960s, done in Belgium with the Belgian (Radio & TV) BRT Jazz OrchestraFind albums by this artist, directed by Etienne VerschuerenFind albums by this artist. The album presents six original compositions, three of which are three part suites, all composed by Milian. Milian would of course return to work with the BTR Jazz Orchestra in the 1980s, which is documented on the third installment of this series. The music is a wonderful orchestral Jazz, which at the time was considered as part of the searching Third Stream, which was supposed to merge Jazz and contemporary Classical Music, as initiated by the American composer Gunther SchullerFind albums by this artist in the late 1950s and had many sympathizers among leading American Jazz musicians in the 1950s and 1960s, but never became part of the mainstream of Jazz per se. Milian did not follow the Third Stream conventions by the letter, but his complex compositions and Jazzy improvisations by the orchestra on top of the scores can be without doubt associated with the idiom. In some respects Third Stream was an attempt to Europeanize American Jazz and failed mostly due to the basic cultural incompatibility between mainstream American Jazz and sophisticated European contemporary Classical music, which Americans rejected but some Europeans (Milian included, but also the great Polish composer Krzysztof PendereckiFind albums by this artist and many others) embraced warmly. Milian´s compositions are absolutely brilliant and remain completely valid half a Century later, as if composed today. Sophisticated, elegant, clever and beautifully melodic, in some cases incorporating Polish Folklore sources, this music is alive and kicking as it was at the time it was created. The BTR Jazz Orchestra included many excellent instrumentalists, who performed the difficult music without a hitch. Overall this is an incredible piece of Polish / European Jazz history, which absolutely deserves to be heard and studied. With Milian´s recent passing it is even more important to document his work and bring it to the public. For orchestral Jazz enthusiasts this album is an absolute must!

Updated: 15/04/2018Posted: 15/04/2018

CD 1 Remastered Recommend To A Friend

JERZY MILIAN ~ OPTIMA FIDE GAD 208 (Barcode: 5903068123108) ~ POLAND ~ Big Band Jazz Recorded: 1968 - 1970 Released: 2022 This is the eleventh installment of the archival series released by GADFind albums on this label Records, which presents the work of Polish Jazz vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist. This chapter is dedicated to Milian´s recordings from the late 1960s and early 1970s, done in Brussels, with Belgian (Radio & TV) BRT Jazz OrchestraFind albums by this artist conducted by Etienne VerschuerenFind albums by this artist and the BRT Jazz ComboFind albums by this artist conducted by Freddy SunderFind albums by this artist. The album presents seven original compositions by Milian and one arrangement of a Classical piece by Polish composer Stanislaw MoniuszkoFind albums by this artist. The compositions include a concerto for vibraphone and Jazz Orchestra and a suite, which gives this album its title. This album is a companion release to the seventh part of this series called “CirculationsFind albums with this title”. The music is a wonderful orchestral Jazz, which at the time was considered as part of the searching Third Stream, which was supposed to merge Jazz and contemporary Classical Music, as initiated by the American composer Gunther SchullerFind albums by this artist in the late 1950s and had many sympathizers among leading American Jazz musicians in the 1950s and 1960s, but never became part of the mainstream of Jazz per se. Milian did not follow the Third Stream conventions by the letter, but his complex compositions and Jazzy improvisations by the orchestra on top of the scores can be without doubt associated with the idiom. In some respects, Third Stream was an attempt to Europeanize American Jazz and failed mostly due to the basic cultural incompatibility between mainstream American Jazz and sophisticated European contemporary Classical music, which Americans rejected but some Europeans (Milian included, but also the great Polish composer Krzysztof PendereckiFind albums by this artist and many others) embraced warmly. Milian´s compositions are absolutely brilliant and remain completely valid half a Century later, as if composed today. Sophisticated, elegant, clever and beautifully melodic, in some cases incorporating Polish Folklore sources, this music is alive and kicking as it was at the time it was created. The BTR Jazz Orchestra included many excellent instrumentalists, who performed the difficult music without a hitch. Overall, this is an incredible piece of Polish / European Jazz history, which absolutely deserves to be heard and studied. With Milian´s passing it is even more important to document his work and bring it to the public. For orchestral Jazz enthusiasts this album is an absolute must!

Updated: 09/10/2022Posted: 09/10/2022

CD 1 Remastered Recommend To A Friend

JOE ZAWINUL ~ THE RISE & FALL OF THE THIRD STREAM / MONEY IN THE POCKET RHINO 71675 (Barcode: 081227167523) ~ AUSTRIA ~ Jazz Recorded: 1965 - 1967 Released: 1994 Joe ZawinulFind albums by this artist arrived in the US in 1958, after being one of the first European musicians to win a scholarship to Berklee, but he left the school almost immediately and became active on the US jazz scene as pianist, arranger and composer. He played with Maynard FergusonFind albums by this artist, Slide HamptonFind albums by this artist and Dinah WashingtonFind albums by this artist before landing on the piano chair with Cannonball AdderleyFind albums by this artist’s quintet, where he stayed for 9 years (1961-1969). Towards the end of his Adderley days Zawinul played for almost 2 years (1969-1970) with Miles DavisFind albums by this artist, participating in the seminal recordings Miles made at that period. In 1970 Zawinul formed the legendary Weather ReportFind albums by this artist, which would revolutionize the jazz and fusion genres and continue (in a slightly different direction) the pioneering breakthroughs made by Davis. Over the years Zawinul recorded only three albums as a leader (on AtlanticFind albums on this label and VortexFind albums on this label), two of which are included here (The eponymous album from 1969 was really the starting point for Weather Report). Money In The PocketFind albums with this title, recorded in 1965, finds him in a setting similar to his Adderley’s quintet gig both musically and personally. He uses the quintet’s bass player (Sam JonesFind albums by this artist) and drummer (Louis HayesFind albums by this artist) and adds three excellent horn players: Blue MitchellFind albums by this artist (trumpet), Joe HendersonFind albums by this artist (tenor sax) and Pepper AdamsFind albums by this artist (baritone sax). The sextet plays a great set of bebop material, including mostly original material by Zawinul, Jones and Henderson and two standards. Zawinul’s elegant and soulful piano playing sets a firm basis for the music’s graceful flow. The Rise & Fall Of The Third StreamFind albums with this title, recorded in 1967, is a completely different album and a most ambitious and pioneering jazz venture for the time. It involves a meeting between the American jazz tradition and the European classical tradition, but as the title suggests it was meant to be a new kind of synthesis to the one attempted earlier in the US by Gunther SchullerFind albums by this artist and named “The Third Stream”, which seemed to be forced and artificial rather than natural. A meeting between Zawinul and American classical composer William FisherFind albums by this artist led to the two of them working together in an attempt to create a natural synthesis of the two musical worlds. The project involved a jazz ensemble and a string quartet, playing music composed and arranged by Fisher. The jazz ensemble includes Zawinul on acoustic and electric piano, Jimmy OwensFind albums by this artist on trumpet, Richard DavisFind albums by this artist on bass, Roy McCurdyFind albums by this artist and Freddie WaitsFind albums by this artist on drums, Warren SmithFind albums by this artist on percussion and Fisher on tenor sax. The result is a stunning piece of music, a completely new and previously attempted kind of musical vista. In retrospect one can of course hear the seeds of what Zawinul will be doing just a couple of years later with Davis and then Weather Report. Although sadly overlooked and rarely mentioned, this is a seminal album in every respect and surely ahead of its time in every respect. For the intelligent jazz lover, interested in the forces that forged the jazz revolution of the late 1960s this is an absolute must!

Updated: 09/01/2025Posted:

CD 1 Remastered Recommend To A Friend