Record Reviews

CHICAGO EDGE ENSEMBLE ~ DECAYING ORBIT NOT ON LABEL ~ USA ~ Free Jazz / Improvised Music Recorded: 2016 Released: 2017 This is the debut album by American (from Chicago) quintet called Chicago Edge EnsembleFind albums by this artist, which comprises of saxophonist Mars WilliamsFind albums by this artist, trombonist Jeb BishopFind albums by this artist, guitarist Dan PhillipsFind albums by this artist, Polish (resident in US) bassist Krzysztof PabianFind albums by this artist and drummer Hamid DrakeFind albums by this artist. The album presents seven original compositions, all by Phillips, who is the leader of the ensemble. In contrast to the music Phillips creates with his trio, which is original and interesting, the music presented here is mostly typical American Free Jazz, which did not change much in the last fifty years since its inception. Each of the tracks is based on a sketchy melodic riff, which is than expanded into lengthy improvisations performed by the three front players and supported by the rhythm section, which swings at times and plays free time at others. The ensemble sounds at its best when the music becomes more Fusion oriented, with a strong Rocky pulse and Phillips´ scorching guitar in the lead, but these moments are relatively rare. The music moves between organized passages, with clearly defined roles as far as the players are concerned, and completely Free parts, which are less impressive. All these musicians are excellent instrumentalist and play formidable solo parts, especially Phillips, whose guitar manages to be searching and expressive. Pabian plays beautifully and his pulsations keep the music together, especially in view of the challenging, but of course excellent drumming by Drake. The trombone and saxophone parts are technically impressive, but offer nothing that was not heard in Free Jazz time and again before. Overall this is a very solid offer by an excellent ensemble, especially for Free Jazz connoisseurs, but is also accessible to a broader audience since the Free elements are relatively tame and the album also offers quite a few Fusion oriented vistas. Definitely worth investigation!

Updated: 10/04/2018Posted: 10/04/2018

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CHICAGO EDGE ENSEMBLE ~ INSIDIOUS ANTHEM TROST 177 (Barcode: 9120036682733) ~ USA ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2018 This is the second album by the American Jazz quintet Chicago Edge EnsembleFind albums by this artist, led by guitarist / composer Dan PhillipsFind albums by this artist, which also includes trombonist Jeb BishopFind albums by this artist, saxophonist Mars WilliamsFind albums by this artist, Polish (based in US) bassist Krzysztof PabianFind albums by this artist and drummer Hamid DrakeFind albums by this artist. The album presents eight original compositions, all by Phillips. In contrast to the debut album, the music on this album is much more organized, with clearly composed themes, which are pushed forward and directed by the leader, and then stretched into lengthy improvised passages, backed by a swinging rhythm section. As such this music is closer to contemporary modern Jazz, which includes freely improvised parts, but is focused in coherent more often than not. All five instrumentalists are obviously very experienced and talented, which contributes to the superb level of execution felt all the way through. Phillips, who uses a scorching Fusion oriented sound, is the most unique voice of the quintet, although Bishop and Williams contribute hot and inspiring parts as well. Pabian is a very distinctive bassist, perfectly balancing the rhythmic pulsations with the harmonic support he offers to the soloists. Drake is a Master drummer, who is well beyond the need to prove anything and his versatile rhythmic support is beyond reproach. Overall the album offers some very exciting modern Jazz, which offers an elegant balance between melody and Freedom, with the music swinging splendidly from start to finish. With first class musicianship and great compositions, the album is real pleasure to listen to and deserves repeated spins to get all the hidden complexities, which are revealed only after careful and attentive listening. Personally I believe this is a much better offering than the debut, which already makes me curious as to their next offer. Well done Gentlemen!

Updated: 26/03/2019Posted: 26/03/2019

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HERA / HAMID DRAKE ~ SEVEN LINES MULTIKULTI 030 (Barcode: 5907796319512) ~ POLAND ~ Jazz-World Fusion Recorded: 2012 Released: 2013 This is the third album by Polish Ethno-Jazz ensemble HeraFind albums by this artist, led by saxophonist / composer Waclaw ZimpelFind albums by this artist. The album contains a live concert recording by the ensemble, with featured as special guest the American drummer Hamid DrakeFind albums by this artist. The participating ensemble members are: saxophonist Pawel PostaremczakFind albums by this artist, hurdy-gurdy player Maciek CierlinskiFind albums by this artist, guitarist Raphael RoginskiFind albums by this artist, bassist Ksawery WojcinskiFind albums by this artist and drummer Pawel SzpuraFind albums by this artist. The music consists of five pieces, four of which are over fifteen minutes in duration, all of which are based on World Music ethnic riffs and melodies, partly composed or arranged by Zimpel and in one case including a melody contributed by Drake. Except for Drake´s chanting his own melody, the rest of the music is instrumental and mostly improvised. It is much easier to say what this music isn´t than to say what it actually is, but that is hardly relevant as music is basically created in order to be listened to and not to be written about. Nevertheless one can try one´s best. So this is definitely not Jazz as most people conceive it, not even Jazz-World Fusion, as it goes well beyond the usual boundaries of that sub genre. Yes it is mostly improvised, but so is much of Ethnic music, which after all begot Jazz in the first place. The closest definition that I can come up with is Spiritual Music, a kind of collective trance induced by repeated rhythmic patterns and a feeling of sharing and togetherness, which inspires the musicians involved. However, the problem with such music is that is works absolutely divinely live, but translates less efficiently into albums. Of course in this case the actual music is strong enough to carry on a potent impression, but probably much is also lost in the process. This music is also definitely not for everybody. Conventional Jazz listeners will find it not Jazzy enough; others might find the strong Ethnic influences outlandish and unfamiliar. Only listeners with a highly developed open-mindedness and readiness to accept what is different will discover the true delight of this music. The individual performances are of course blissful as always in Hera´s case. Zimpel and Postaremczak weave some beautiful snaky improvisations; Roginski rocks things up with a great guitar solo and the expanded rhythm section transports the music into a different universe. Overall it is quite a musical experience, which should not be missed. People familiar with the two earlier albums by Hera are of course already hooked for good. I always wonder where Zimpel will take the ensemble next. I guess we´ll all have to wait until the next album appears before us. Until then, may the spirits of music be with you all.

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JUNGLE: MAT WALERIAN / MATTHEW SHIPP / HAMID DRAKE ~ LIVE AT OKUDEN ESP 5009 (Barcode: 825481500920) ~ POLAND ~ Jazz Recorded: 2012 Released: 2016 This is the second album by Polish (resident in the US) Jazz saxophonist / flautist / composer Mat WalerianFind albums by this artist, recorded live, this time in a trio format with veteran heroes: pianist Matthew ShippFind albums by this artist and drummer Hamid DrakeFind albums by this artist. Same as the debut release a year earlier, the music was recorded during the Okuden Music Concert Series in 2012 and was released by the legendary ESP label. The 2CD set presents thirteen pieces, nine of which were composed by Walerian, one is a traditional tune, one was co-composed by Shipp and Drake and the remaining two were co-composed by all three members of the trio. Walerian´s debut was one of the strongest album releases of last year (2015) and this follow up is certainly another worthy contestant for this year´s top of the crop. Almost out of nowhere Walerian emerges as one of the most versatile and virtuosic players in the Free Jazz / Improvised Music genre. His rapport with the genre´s veterans, Shipp and Drake, is almost hard to believe and sounds as if they have been playing together for ages. His ability to create a wide range of atmospheres and moods, his usage of a range of instruments and last but not least his ability to write subtle melodic lines, which than serve as vehicles for collective improvisation is nothing short of extraordinary. The music, although obviously free spirited and unbounded, is also surprisingly calm and relaxed, and always carries a melodic subtext, which makes it easy to follow by the listener. This dichotomy between intellectual freedom of creation and aesthetic oneness creates a wonderful tension, which lifts this music way above the "usual" free form musical encounters, which often propose nothing but weirdness. This wonderful music is simply beautiful as music, regardless of the way it is delivered. Of course a trio recording is above all a joint venture between the trio members, which in this case works out like a dream. Shipp and Drake must be admired for their deliberate restrain and amicable attitude, which allows Walerian to present his often delicate statements without disturbance. Shipp´s supportive chord structures allow Walerian to spread his wings and blow his heart out, having a steady and reliable basis behind him. In many respects this is similar to McCoy TynerFind albums by this artist´s playing behind John ColtraneFind albums by this artist during the heydays of the Quartet. Drake, who can be a very powerful and dominant drummer, also limits his creative support to supporting the music´s rhythmic layer, ornamenting it rather than leading it. Overall the collective effort is simply perfect for this outstanding piece of music. As already stated, this album is definitely one of the strongest statements released so far this year and a wonderful example of contemporary Art of music, a manifestation of human ingenuity and talent of rare significance. Obviously this album deserves to be heard by as many music connoisseurs as possible, who will be blessed by its significance if let into their hearts.

Updated: 30/05/2017Posted: 27/04/2016

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OKUDEN: MAT WALERIAN / MATTHEW SHIPP / WILLIAM PARKER / HAMID DRAKE ~ EVERY DOG HAS ITS DAY BUT IT DOESN`T MATTER BECAUSE FAT CAT IS GETTING FATTER ESP 5037 (Barcode: 825481503723) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2018 Released: 2020 This is the fourth album by Polish (resident in NY) Jazz multi-instrumentalist / composer Mat WalerianFind albums by this artist, released by the reanimated legendary NY ESPFind albums on this label label. The lineup, under the OkudenFind albums by this artist moniker, is expanded to a quartet and includes all three musicians who took part in the three previous recordings: pianist Matthew ShippFind albums by this artist, bassist William ParkerFind albums by this artist and drummer Hamid DrakeFind albums by this artist – icons of the American Free Jazz / Improvised Music scene. The 2CD album presents six (one a three-part piece) original compositions, all by Walerian. The music, recorded during one session, is an archetypal example of a metaphysical conversation between experienced musicians, which moves freely from subject to subject, in perfect coherence and mutual respect. Although Walerian sets the tone and direction, ever so gently, moving between the saxophone, clarinets and flute, the rest of the quartet follows suit fluidly and the musicians add their input to the conversation with elegance and remarkable aptitude. Despite the “usual” aggressive atmosphere associated with Improvised Music, this recording offers a completely calm and orderly fashion of mutual exchange and development of ideas, relaxed cooperation and as strange as it might sound results in “pleasant” aural vistas, certainly not what one would expect from these musicians. Walerian proves to be not only an excellent catalyst, but also an anodyne. As a result, the music offers a remarkable calmness and ease, without any compromise whatsoever of the complexity and quality of the music. Overall this is definitely the strongest and most mature statement by Walerian so far and brings on a true satisfaction to see a Polish Jazz musician perform with esteemed American partners without any inferiority complex. It must be said that as far as Shipp, Parker and Drake are concerned, this is also some of the best work they recorded, and they all have an extensive recording legacy to their credit. In many respects this album is much better and more interesting than many Free Jazz / Improvising Music albums released in Poland lately, where this idiom seems to be lost wondering in the desert and devoid of clear musical / spiritual leadership, with many of the original Avant-Gardists being no longer with us. This album is warmly recommended to all listeners of Free Spirited Jazz music anywhere and definitely worth the effort of searching out a copy, which will be rewarded by a couple of hours of highly aesthetic and spiritual experience.

Updated: 07/03/2021Posted: 07/03/2021

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QUARTET NEXT ~ DUTIFUL DISSENT LIZARD BREATH (Barcode: 755491150245) ~ USA ~ Free Jazz / Improvised Music Recorded: 2018 Released: 2019 This is an album by the American ensemble called Quartet NextFind albums by this artist, led by guitarist / composer Dan PhillipsFind albums by this artist and including saxophonist Dave RempisFind albums by this artist, legendary drummer Hamid DrakeFind albums by this artist and Polish (resident in the US) bassist Krzysztof PabianFind albums by this artist. The album presents eight original pieces, seven composed by Phillips and one co-credited to all four members of the quartet. Philips records prolifically in the last few years with his trio, quartet and the Chicago Edge EnsembleFind albums by this artist, all of which include also Pabian on bass. Drake is also a member of Chicago Edge Ensemble, which already recorded a couple of albums. His music is mostly within the Free Jazz / Improvised Music idiom, although strong Fusion elements are also present. The music on this album is also a mixture of Free Jazz and Fusion riffs, which serve as breaks between the lengthy improvised passages. Despite the seemingly total freedom, the improvisations fall exactly within the tonal structures defined by the compositions. Rempis, a well respected member of the Chicago Jazz / Improvising Music scene, is a significant addition of fresh energy and variety and his playing expands the music into uncharted territory, taking the focus away from the guitar, which balances the overall sound of the quartet. His playing is a wonderful example of coherence and inner calmness, which keep the music well organized, but still open and far reaching. Phillips plays superbly, as usual, with traces of early Fusion but very open to exploring new ideas, sounds and techniques. On this album his playing is less dominant, mostly due to the space he allows for Rempis, and their dialogues are absolutely fascinating. Pabian and Drake provide the quartet with an excellent basis, always precisely on time and highly imaginative. Their work during the many relaxed / quiet moments on this album is truly superb. Overall this is a beautiful piece of music, relaxed and contemplative, which although firmly belonging to the Improvising Music idiom, is one of the most gentle, introspect and delicate manifestations of that genre. In many respects this is, for me, the most perfect album Phillips created so far and listening to this music is nothing short of pleasure incarnate. Kudos indeed to you, sir!

Updated: 31/10/2020Posted: 31/10/2020

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VIKTOR TOTH ~ CLIMBING WITH MOUNTAINS BMC 132 (Barcode: 5998309301322) ~ HUNGARY ~ Jazz Recorded: 2006 Released: 2007 This is a brilliant album by Hungarian saxophonist / composer Viktor TothFind albums by this artist, one of the most prominent young European Improvised Music advocates, who has been very active in the last few years releasing several important recordings and performing many concerts. The album documents the first meeting between Toth and the legendary American drummer Hamid DrakeFind albums by this artist, which resulted in recording this great music. Of the 11 tracks present on this album, six are recorded in a trio format with the excellent bassist Matyas SzandaiFind albums by this artist, and the remaining five in a quartet format with trumpeter Ferenc KovacsFind albums by this artist. Toth composed ten pieces and the remaining one was composed by the bassist. The music is remarkably melodic and often even lyrical, which is not something one expects form a Free Jazz setting, but Toth is simply a romantic at heart and his melodies cut deeply. Drake´s phenomenal playing is trimmed accordingly and he displays his ability to stay overtly melodic, which he rarely does elsewhere. The bassist does a perfect job every time and complements Drake as if they played together since years. The trumpeter, who is also a very experienced musician in the Avant-Garde circles, contributes some superb licks as well. The atmosphere of this recording fondly reminds the early Ornette ColemanFind albums by this artist quartet with Don CherryFind albums by this artist, especially in view of the obvious joy and personal satisfaction displayed by the musicians involved. The listener should be able to enjoy this music even if his experience with Free Form is somewhat limited, as these performances are so overwhelming that all barriers are immediately removed. Connoisseurs of the great Eastern European Jazz should grab this gem on sight, satisfaction guaranteed!

Updated: 12/04/2019Posted:

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VIKTOR TOTH ~ TARTIM BMC 150 (Barcode: 5998309301506) ~ HUNGARY ~ Jazz Recorded: 2008 Released: 2009 This is an excellent album by Hungarian saxophonist / composer Viktor TothFind albums by this artist, one of the most prominent young European Improvised Music advocates, who has been very active in the last few years releasing several important recordings and performing many concerts. The album, recorded live in Budapest, includes 13 tracks with original music, of which Toth composed the first nine and the remaining four are collective improvisations. The music is presented gradually, starting with a trio format (the first five tracks), where Toth is accompanied by the excellent bassist Matyas SzandaiFind albums by this artist and the legendary American drummer Hamid DrakeFind albums by this artist. Next the trio is expanded to a quartet with the addition of the trumpeter / violinist Ferenc KovacsFind albums by this artist (on the next four track) and finally the group is expanded into septet with the addition of saxophonist Mihaly DreschFind albums by this artist, viola player Adam JavorkaFind albums by this artist and another drummer Gyorgy JeszenszkyFind albums by this artist, which takes the music into the group improvisation realm. In spite of its adventurous nature, the music is quite straightforward and often retains a strong melodic element, which makes it accessible to a large Jazz-loving audience well beyond Free Jazz / Improvised Music purists. The performances are excellent, with Toth displaying a complete command of his instrument as well as fruitful imagination. The rhythm section is brilliant with Drake dazzling, as usual, with his incredible musicality. This is something people not aware of how good Eastern European Jazz is should definitely try out at the earliest opportunity!

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