Record Reviews

EDUARDO BORTOLOTTI ~ HUAPPANGO NIGHTS SOLITON 1092 (Barcode: 5903684250921) ~ MEXICO ~ Jazz-World Fusion Recorded: 2020 Released: 2020 This is the debut album by Mexican (resident in Poland) Jazz violinist Eduardo BortolottiFind albums by this artist recorded in a quartet setting with Columbian (also resident in Poland) bassist Edilson SanchezFind albums by this artist and two Polish musicians: keyboardist Mateusz SobiechowskiFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. Percussionist Alberto SuazoFind albums by this artist guests on selected tracks. The album presents nine pieces, four of which are arrangements of Mexican Folk tunes and five are original compositions by Bortolotti. The music is typical Jazz-World Fusion with strong Mexican / Latin tinge, skillfully performed by the participants. The sound of the violin is certainly quite unusual in this musical environment and takes a moment to get used to, but it certainly works out eventually. The closing track offers a much open and free attitude and perhaps hints as to Bortolotti´s future development. Bortolotti, who studied with leading Polish Jazz violinists: Marcin HalatFind albums by this artist and Henryk GembalskiFind albums by this artist, is certainly well schooled and his technical proficiency is beyond reproach. His personal style still needs to be crystallized, which is sure to happen in time, combining the Polish influences and his Mexican roots and creating a unique voice. The rest of the players are also skilled performers, with the two Polish musicians having already proven recording experience. They all support the leader amicably and the group sound is coherent and well balanced. Overall this is a promising debut album, which shows potential and talent, and is definitely worth checking out, especially since the violin in Jazz is relatively obscure and deserves wider recognition.

Updated: 11/01/2021Posted: 11/01/2021

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BYRKLYMYNY TRIO ~ OPERA IN HEAVEN ALLEGRO 033 (Barcode: 5901157049339) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2005 Released: 2016 This is the archival debut album by Byrklymyny TrioFind albums by this artist led by veteran Polish Jazz violinist Henryk GembalskiFind albums by this artist and including bassist Wojciech ZduniakFind albums by this artist and drummer Michal ZduniakFind albums by this artist. The album presents an original nine-piece suite credited to all three trio members. The music is quite versatile and moves between Ambient, Jazz and Jazz-Rock Fusion, with an emphasis on the latter, especially due to the use of electric bass and rhythmic Rock patterns. Although based on melodic themes, the music ventures into lengthy improvised passages, which feature the violin using a plethora of synthesized effects, sounding nothing like the traditional acoustic instrument. The overall effect of the music creates a kind of imaginary voyage or soundtrack of an imaginary movie, hypnotic and absorbing. The rhythm section is very much involved in the actual creation of the music, playing much more than is simply required to keep the tempo, adding polyrhythmic pulsations and groovy / funky bass lines. Combined with the violin extravaganza on top of the rich rhythmic layer the music keeps the listener on edge for the entire duration of the album. This album is another example of the versatility and depth of the Polish Jazz violin school that is experiencing a wonderful renaissance lately and is probably the leading world center of violin oriented Jazz activities in the world, taking over the traditional lead from France. This phenomenon is definitely worth a closer study. Gembalski, who is a part of the Polish Jazz scene since many years, and who was usually associated with the more Avant-Garde oriented circles, takes a new position within the mainstream this time, without of course lowering his standards or giving up his musical integrity. This album should expose his great talent to many new listeners, who have somehow missed him earlier on. For violin lover this album is definitely a must, especially in view of its unique approach to the instrument and excellent, albeit unusual, musical contents. Wholeheartedly recommended!

Updated: 12/04/2019Posted: 24/03/2017

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CHOCHOL / GEMBALSKI / MAJCHRZAK / ZDUNIAK ~ OUR LAST SESSION NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2008 Released: 2019 This is an archival release of an improvised recording session by four Polish Jazz musicians: guitarist Andrzej ChocholFind albums by this artist, violinist Henryk GembalskiFind albums by this artist, bassist Krzysztof MajchrzakFind albums by this artist and drummer Michal ZduniakFind albums by this artist, all members of groups like LabiryntFind albums by this artist, ZdubopFind albums by this artist (or Zdu-bopFind albums by this artist) and other ensembles, active usually on the alternative Polish Jazz scene far from the fame and glory of the mainstream but certainly not less significant. The session was recorded at the studio owned by Zduniak, who was at the time already gravely ill and sadly died a year to the day since the session date. The album presents seven tracks, six of which are spontaneous improvisations and one was composed by Majchrzak. The music is an incredibly dense barrage of group improvisation by these four veteran musicians, creating a wall of sound effect, which still enables the individual instruments to be heard clearly. The individual parts vary in their intensity and dynamics, bringing each of the musicians up front, but there are no straightforward solo parts as such. Although this music is all about group improvisation, the individual contributions are all first rate. Gembalski is sadly one of the most underrated Polish Jazz violinists and his parts on this album are nothing short of spectacular. Majchrzak is a brilliant bass guitarist, also sadly little known beyond a close list of friends and followers. Perhaps the fact that he lives in Paris since many years took him out of the public eye, but he is a world class player and has little competition on the local Polish scene. Chochol contributes some hair-rising electric guitar soli, and he also deserves a much wider recognition. Zduniak contributed superb drumming parts to many iconic Polish Jazz albums and his untimely death was a blow to the scene. It is truly great to have this music available, as it not only deserves to be heard, but is also an important historic record of the lesser known components of the Polish Jazz scene, which should be remembered and documented. Overall this is a fascinating piece of music with historic significance, which is worth looking for and listening to, and which might surprise many listeners with its richness and uniqueness.

Updated: 04/01/2020Posted: 04/01/2020

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FREE COOPERATION ~ POLISH RADIO JAZZ ARCHIVES VOL.18 POLSKIE RADIO 1668 (Barcode: 5907812246686) ~ POLAND ~ Jazz Recorded: 1985 Released: 2014 This is the eighteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is perhaps one of the most important pieces of the Polish Jazz legacy issued so far as a part of this series. It presents the cult Free CooperationFind albums by this artist ensemble, an informal gathering of top young Polish Jazz musicians active in the 1980s, which in retrospect turned out to be the next generation of the local scene, which carried on the tradition into the difficult next decade, after Poland finally received its political independence. The music of Free Cooperation was an eccentric amalgam of cross-genre explorations, moving between Reggae and Jazz-Rock, through the Jazz Big Band tradition and far out into collective improvisation and even some World Music influences. The music was composed by the ensemble´s members, like keyboardist Wojciech KonikiewiczFind albums by this artist, flautist / saxophonist Aleksander KoreckiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Wojciech CzajkowskiFind albums by this artist. Among the ensemble members we find the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, whose solos on this album are absolutely breathtaking. Other members include trumpeters Antoni GralakFind albums by this artist and Mariusz StopnickiFind albums by this artist, saxophonists Mateusz PospieszalskiFind albums by this artist and Marek KazanaFind albums by this artist, trombonist Bronislaw DuzyFind albums by this artist, electric bassist Marcin PospieszalskiFind albums by this artist, violinist Henryk GembalskiFind albums by this artist and drummers Michal ZduniakFind albums by this artist and Sarandis JuvanudisFind albums by this artist. Piotr BikontFind albums by this artist recited poetry, which accompanied some of the compositions. Listening to the music today, almost three decades after it was recorded, clearly points out how revolutionary and ahead of its time it was, not only as far as the local scene is concerned, but on the entire European Jazz scale. Free Cooperation came to the public attention thanks to their appearance at the 1985 Jazz Jamboree festival, which is documented here on one of the tracks; the other six tracks were recorded at the Polish Radio Studio in Poznan some months earlier. The ensemble was active between 1985 and 1988 and recorded two albums for the PoljazzFind albums on this label label, which are still waiting to be reissued, which is a true shame. In April 2014 the remaining members reactivated Free Cooperation playing a gig in a club in Krakow. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must. Side Note: In 1985 I returned to Poland for the first time after leaving the country in 1967, in order to record the now legendary "The Book Of JobFind albums with this title" project (follow the link to read the entire story). Andrzej Przybielski was one of the musicians participating in that project and he told me about Free Cooperation, which I than saw in person a few days after the recording was over on the stage of the Sala Kongresowa during the a.m. Jazz Jamboree performance, which of course left me flabbergasted. This album is therefore especially dear to my heart.

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GEMBALSKI / IWANSKI / MAJCHRZAK / ZDUNIAK ~ 1999 HARMOLODIC ODYSSEY MTJ 11977 (Barcode: 5906409119778) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1999 Released: 2020 This is an archival album by a Polish Jazz quartet comprising of violinist Henryk GembalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Krzysztof MajchrzakFind albums by this artist and drummer Michal ZduniakFind albums by this artist. The album presents five lengthy improvised pieces, co-credited to the participating musicians. The music was recorded live and waited for over twenty years to be finally released. It is dedicated to the memory of Zduniak, who sadly passed in 2006. Polish political martyrology created the “cursed soldiers” idiom to commemorate the lesser known heroes of the struggle for independence, but many Polish Culture champions, who acted over the years on the margins of the Polish post WWII State sanctioned mainstream Culture never won the proper recognition, neither collectively as a movement nor individually as fighters for intellectual freedom. Polish Jazz is of course no different. In parallel to the Jazz activities overseen by the State recognized Polish Jazz Society, which controlled the local scene with an iron fist, many less conformist Jazz musicians managed to create their own, mostly Avant-Garde oriented facet of Polish Jazz, which enjoyed many creative peaks. People like Andrzej MitanFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and many others were almost completely anonymous on the Polish Jazz scene for decades, and even today are known only to a handful of hardcore specialists. The musicians on this album also belong to the league, which operated mostly on the outskirts of the Polish Jazz mainstream, taking part in ensembles like LabiryntFind albums by this artist, Tie BreakFind albums by this artist, Free CooperationFind albums by this artist and others, playing exactly what they wanted to, regardless if it fit any “party line” or not, and often suffering the consequences. The music is a mixture of Fusion and Avant-Garde, or Avant-Garde Jazz-Rock Fusion, which is a wonderful amalgam of the four individual voices, with diverse stylistic accents, which creates a forceful statement, losing nothing of its intensity and innovation over time. Between Gembalski, who represents the Free Jazz approach, Iwanski, who is a Rocker at heart, Majchrzak, who is a Fusion kicks-ass and Zduniak, who is simply a brilliant drummer beyond classification, the music is a highly concentrated exchange of individual soloing and ensemble playing, which although demanding, is unique and superbly uplifting, with energies equaling an erupting volcano. Overall this is excellent document of the lesser travelled path of Polish Jazz, that rightfully deserves to be a part of the documented history of the genre. Good to see it finally available and hopefully more of such hidden gems will float to the surface. It would be a Cultural crime to have this music doomed as forgotten.

Updated: 30/03/2021Posted: 30/03/2021

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WLODZIMIERZ NAHORNY ~ CHOPIN GENIUS LOCI CONFITEOR 005 (Barcode: 9788393161003) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2010 Released: 2010 The veteran Polish Jazz pianist / saxophonist / composer Wlodzimierz NahornyFind albums by this artist, one of the Godfathers of the post-WWII Polish Jazz scene, manages continuously to display a phenomenal vitality and unprecedented imagination, often much superior to those of his colleagues, often decades younger than himself. This album is a wonderful proof of exactly these qualities. Recorded in a sextet setting, with vocalist / violinist Dorota MiskiewiczFind albums by this artist, violinist Henryk GembalskiFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist, Nahorny presents a set of Jazz transcriptions of eight pieces by the Polish composer Frederic ChopinFind albums by this artist, three pieces by a lesser known 20th Century Polish composer Roman MaciejewskiFind albums by this artist and one piece by Karol SzymanowskiFind albums by this artist. In addition one original composition by Nahorny is also included. Polish Jazz suffers terribly from overexploitation of Chopin´s music, which varies in quality from brilliant (rarely) to completely banal (most of the time). Therefore another attempt to interpret Chopin in the Jazz context is always a perilous undertaking. Nahorny´s bold and far fetching approach results in transcriptions, which although quote the original music, move very far away from the source during their execution, being in fact completely new and whole pieces of music, which Nahorny even names anew, giving the source as a reference only. Although such liberties might appear sometimes as to audacious, in Nahorny´s case they are fully justified and simply brilliant. The eleven transcriptions, spread over two CDs, are all fascinating musically and serve as wonderful vehicles for the musicians to display their respective talents. Miskiewicz sings some great vocalese, at times even almost free form, using lyrics on just one piece. Gembalski plays some scorching violin passages and Staroniewicz, as always, charms with his beautiful saxophone tone. The rhythm section keeps the music together with flair and elegance, pushing it ahead with just the right amount of energy. And last but not least Nahorny´s piano serves as glue between the Classical and the Swinging elements, bridging and bonding everything together. Although seemingly positioned well within the mainstream Jazz boundaries (except for the Classical references of course), this music displays quite a lot of freedom and unexpected ventures into less programmatic areas, sometimes almost touching upon Free / Avant Garde idioms, which of course is nothing new as far as Nahorny´s music is concerned. This album is a living proof that the Jazz-Classical Fusion can avoid pastiche, cliché and kitsch, and simply bite!

Updated: 17/12/2018Posted:

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STOL PANSKI ~ GADAJACE DRZEWO ZBIG 001 ~ POLAND ~ Jazz-World Fusion Recorded: 1996 Released: 1997 This is the only album by Polish Jazz ensemble Stol PanskiFind albums by this artist, led by guitarist / composer Zbigniew KunkowskiFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, flautist / saxophonist Janusz SmykFind albums by this artist, keyboardist Slawomir KulpowiczFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist, drummer Michal ZduniakFind albums by this artist, vocalist Joachim JankoFind albums by this artist, violinist Henryk GembalskiFind albums by this artist, saxophonist Aleksander KoreckiFind albums by this artist and several other players. Some of these players used to be a decade earlier members of the legendary ensemble Free CooperationFind albums by this artist. The album presents seven original compositions, all composed by Kunkowski and arranged by Kulpowicz. There is also a hidden / undocumented track, which follows the seventh tracks, which is a free improvised piece. Musically the album presents a fascinating amalgam of Jazz with Groove, Funk and World Music. Most of the music consists of a simple melody line played over a repetitive groove and serving as a background for extensive improvisations by the soloists. The main and most impressive soloist is of course the legendary trumpeter Andrzej Przybielski, who plays on this album some of the most coherent and beautiful solos in his entire career, which bridge between his free improvising tendencies and the melodic approach he uses here. Especially impressive are his muted trumpet parts, which easily compare to those played by Miles DavisFind albums by this artist. Since every note of the Przybielski legacy is utterly sacred, this album is an absolutely must to every follower of the Polish Jazz trumpet heritage. Overall this album is one of the hidden gems in the Polish Jazz discography, which disappeared from the shelves shortly after being released almost two decades ago and never reissued. True Polish Jazz fans should make every effort to get hold of a copy, at all costs.

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WESTON / MAJCHRZAK / GEMBALSKI ~ MAGIC HANDS NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2013 Released: 2014 This is a live recording by a trio comprising of American drummer / multi-instrumentalist Calvin WestonFind albums by this artist and two Polish musicians: bassist / guitarist Krzysztof MajchrzakFind albums by this artist and violinist Henryk GembalskiFind albums by this artist. The album presents eight original pieces, all spontaneously improvised by the trio and co-credited to them. The music is an amalgam of influences but basically comes down to Avant-Garde Jazz-Rock Fusion, which although improvised has a clear melodic backbone, which serves as the underlying element for the extended improvisations. The unusual instrumental lineup creates a very effective ambience and the use of violin brings fond memories of early Fusion ensembles that featured the violin, like Flock, Hands and others. Gembalski, one of the most underappreciated Polish Jazz figures, clearly proves that he is as good as any of his contemporaries, but his association with the Polish Avant-Garde prevented his recognition in the mainstream Jazz circles, which is a great pity. Majchrzak drives the trio with his full bodied bass lines, which provide the continuity needed to avoid total mayhem. He is a perfect link between the stratospheric violin parts and the down to earth rhythmic layer provided by the drums. Weston, a veteran improviser who played with some of the most important American Jazz innovators, turns out to be a gifted trumpeter as well, and his tribal drumming is exactly what this music needs. Overall this is a very interesting musical adventure, different stylistically and aesthetically from the usual Fusion outings, full of excellent solo parts and superb cooperation between the participating musicians, especially in view of the fact that the music was improvised live. For connoisseurs of the violin in Jazz / Fusion, this is a revelation.

Updated: 12/04/2019Posted: 25/09/2018

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