Record Reviews
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  | JERRY BERGONZI / JACEK KOCHAN / PIOTR LEMANCZYK ~ THREE POINT SHOT INTUITION 71302 (Barcode: 608917130225) ~ USA ~ Jazz Recorded: 2009 Released: 2010
This is an album by a trio comprising of American saxophonist / composer Jerry BergonziFind albums by this artist and a Polish rhythm section with bassist Piotr LemanczykFind albums by this artist and drummer Jacek KochanFind albums by this artist. The album presents eight tracks, three composed by Bergonzi, two each by Lemanczyk and Kochan and one by Finnish saxophonist Joonatan RautioFind albums by this artist.
The music is modern Jazz, quite remote from the American tradition, despite the fact that Bergonzi played with many top American Jazz musicians for many years. The two Poles have a strong influence on the proceedings, both as composers and performers, and are both up to the challenge playing with Bergonzi without any inferiority feelings involved.
The intimate trio format allows all three musicians to show their skills and talents, which of course are very impressive. Lemanczyk is definitely one of the top Polish Jazz bassists and a very able composer, and Kochan is utterly unique and original drummer, who follows his own rules and desires. Combined with Bergonzi’s refined skills and great experience, the trio is able to weave some very inspiring moments, which border on Free but never quite leave the melodic and rhythmic threads.
Overall, this is a very impressive saxophone trio recording, which is not an easy listening experience but offers musical depth and incredible instrumental abilities by these excellent musicians. Jazz listeners, who love their music served with some challenge, should find this album most rewarding.
| Updated: 17/02/2025Posted: 17/02/2025 | CD 1 Recommend To A Friend |
  | JACEK KOCHAN ~ AJEE AUDIO CAVE 2018/007 (Barcode: 5905669566599) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2018 Released: 2018
This is an album by veteran and prolific Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist, recorded in a core trio format with the incredible keyboardist Dominik WaniaFind albums by this artist, who plays synthesizers exclusively on this album, and saxophonist Bartlomiej PrucnalFind albums by this artist. Several guest artists appear, mostly on vocal parts. The album presents thirteen original compositions, nine by Kochan and four by Wania.
The music, as usual with Kochan´s albums, is completely original and unexpected. Characterized by odd meters, which are the drummer´s trademark, it is a form of Fusion, but completely different from the typical Fusion approach. There are elements of Groove, Hip-Hop, Rap and Funk, and the sound of the analog synthesizes (which produce also the bass parts) brings back fond retro memories of early Funk albums and the playing of the iconic George DukeFind albums by this artist.
The individual performances by the participating musicians are all first rate, as expected. Wania dominates the album with his synthesizer parts, which expose a new facet of his immense talent. He manages to create a dark, a tad reserved atmosphere, but his virtuosic playing and incredible sense of time are simply astounding. Prucnal adds a more melodic, soulful layer, which at times is very intensive and superbly crafted. Kochan manages to steer the music smoothly through the crazy rhythmic patters, with flair and elegance, which only Master drummers are capable of.
This album is quite removed from the Jazz mainstream and as such it will be probably sniffed at by the Jazz "critics", but Kochan is way beyond such trivialities and his constant search after new forms of expression is a virtue he does not have to apologize for. This album is full of wonderful music, lyricism and sophistication, which one rarely expects to pop up in the Fusion idiom.
Overall this is a superb piece of music, which takes time to get into and get used to, but offers layer over layer of excellent music and fantastic instrumental work by the participants. Hopefully Kochan will continue to explore and expand the horizons of music and I am already anxious to hear his next album, which hopefully will be here soon. Hats off Gentlemen!
| Updated: 20/11/2018Posted: 30/07/2018 | CD 1 Digipak Recommend To A Friend |
  | JACEK KOCHAN ~ MAN OF NO WORDS GOWI 64 (Barcode: 786497357222) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008
Polish drummer / composer / arranger Jacek KochanFind albums by this artist is one of the country´s most active music leaders with an impressive and prolific career in both Jazz and contemporary experimental music. Kochan spent considerable periods of time living, studying and performing in the USA and Canada and upon his return to Poland in the mid 1990s he swiftly established his position as a central figure on the local scene. Since then he recorded a considerable number of albums as a leader, co-leader and sideman with many musicians from around Europe and the US as well as local musicians of course. This is a document of one of such projects, which features alongside the leader the US saxophonist Gary ThomasFind albums by this artist with excellent young Polish pianist Dominik WaniaFind albums by this artist and bassist Michal BaranskiFind albums by this artist. This quartet is expanded on several tracks by guest musicians playing various instruments or vocalizing. All the music on the album (ten listed and one unlisted "hidden" track) was composed and arranged by Kochan and presents his talents as a composer in their full glory. The music is a mixture of contemporary, melodic mainstream Jazz, with some almost contemporary Classical music arrangements on one hand and a lot of free space on the other, which allows for expanded improvisations by the soloists. Kochan´s brilliant and as usual completely unusual drumming and his electronic sound effects complete the overall sound and atmosphere, which is full of tension and sense of urgency, which keeps the listener on edge at all times. Thomas and Wania play breathtaking solos and the entire ensemble sounds completely focused around the convoluted melody lines and tricky rhythm patterns, which just keep coming at the listener mercilessly. Listening to this music attentively is so intense, that one feels actual physical exhaustion by the time the music is over, as a result of the effort to get it all in one take. This music exists beyond any reasonable categorization, being intrinsically completely cross-genre. Jazz buffs and contemporary Classical music connoisseurs might find this to be just the cup of tea they love. In any case this music is simply too good to be ignored and if it happens to be available, should be consumed at once. Brilliant stuff!
| | CD 1 Recommend To A Friend |
  | JACEK KOCHAN ~ ONE EYED HORSE GOWI 61 (Barcode: 786497357024) ~ POLAND ~ Jazz Recorded: 2005 Released: 2005
Polish drummer / composer / arranger Jacek KochanFind albums by this artist is one of the country´s most active music leaders with an impressive and prolific career in both Jazz and contemporary experimental music. Kochan spent considerable periods of time living, studying and performing in the USA and Canada and upon his return to Poland in the mid 1990s he swiftly established his position as a central figure on the local scene. Since then he recorded a considerable number of albums as a leader, co-leader and sideman with many musicians from around Europe and the US as well as local musicians of course.
This is a document of one of such projects, which features US saxophonist Greg OsbyFind albums by this artist and Austrian trumpeter Franz HautzingerFind albums by this artist. They perform a set of fifteen compositions, all by Kochan, which are duets between the drums and electronically produced sounds (loops, samples, etc.), courtesy of Kochan and one of the two soloists playing with him. Some vocal parts, mostly mixed into the background, are performed by the Polish Jazz vocalist Krystyna StankoFind albums by this artist. The music is very difficult to categorize and although Jazz is the general idiom here, it moves smoothly between pretty melodic mainstream, funky passages, ambient soundscapes and almost Free Jazz, all in one tune and very swiftly.
Kochan is a master atmosphere builder with his array of rhythmic tricks and electronic sound effects, which provides a full-fledged basis for the soloists to improvise on top of it. As far as originality and uniqueness are concerned, one need to look no further, as this album simple explodes with completely innovative sounds and ideas. Of course the music is pretty demanding and attentive listening is a requirement, but the effort pays off in full.
Both Osby and Hautzinger play really beautifully and seem to enjoy the unusual setting to the fullest, as evident from the resulting music. Since words are hardly adequate to describe sonic experiences, the obvious thing to do is of course to listen to this incredible music. I can only hope that my wholehearted recommendation will prompt some people to give it a try, as it is definitely too good to be ignored. This is modern Jazz at its best, which actually manages to expand the boundaries of the genre, which is rare indeed. A must!
| Updated: 18/01/2021Posted: | CD 1 Recommend To A Friend |
  | JACEK KOCHAN ~ THIRD OF THREE AUDIO CAVE 2014/001 (Barcode: 5902596954734) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014
This is an album by Polish Jazz drummer / composer Jacek KochanFind albums by this artist, one of the most prolific and internationally involved Polish musicians. On the album he presents a trio led by him and also including two pianists: the Italian Mauro SchiavoneFind albums by this artist, who plays acoustic piano and the Polish Dominik WaniaFind albums by this artist, who plays the electric piano, both playing side by side with the leader. The trio presents eight original compositions, all by Kochan.
All three instrumentalist need little introduction and anybody familiar with the Polish Jazz scene should be aware of Kochan´s achievements since the 1980s. He released close to twenty albums as a leader, many of which feature top Jazz players from around the world. Schiavone has already a proven record as an excellent player and Wania, who is the youngest trio member, is one of the "hottest" Jazz musicians on the Polish scene in the last decade.
A trio consisting of a drummer and two pianists is highly atypical and I can´t recall any other example of such musical configuration prior to this one. Consequently the music sounds quite strange and unusual, and takes a while to get used to. The compositions are also eerie, somewhere between industrial and ambient, with twisted melodic contents and jumpy rhythmical patterns, in short definitely not your average easy listening Jazz experience. After a while this strange brew starts to make sense and exposes an exciting listening adventure, which is definitely different from most other stuff one comes across, all for the best of course.
Overall this is quite an ambitious piece of music, requiring attentive and repeated listening in order to be truly appreciated. Kochan is to be congratulated for exploring new areas and not standing still, like many other players of his generation. Definitely worth exploring!
| Updated: 17/06/2021Posted: | CD 1 Recommend To A Friend |
  | JACEK KOCHAN / MUSICONSPIRACY ~ PARENTES HEVHETIA 0158 (Barcode: 8588005258210) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2017 Released: 2017
This is an album by veteran Polish Jazz drummer / composer Jacek KochanFind albums by this artist, recorded in a quartet setting with young virtuoso accordionist Zbigniew ChojnackiFind albums by this artist, Italian guitarist Fabrizio BruscaFind albums by this artist and bassist Michal KapczukFind albums by this artist. Ten additional musicians (brass and string sections) play on some tracks. The album presents nine original compositions, all by Kochan.
The music is dominated by odd meters and irregular rhythmic patterns as well as World Music motifs and Rock / Fusion excursions, with strong Jazz affiliations but not really Jazz per se; altogether pretty weird and intriguing mixture of styles and influences. The melodic content is ragged and difficult to follow for an average listener. The overall result is quite a challenge to the listeners, but also offers plenty of opportunities to find a connection with fairly uncommon music.
The individual performances are all excellent with Chojnacki stealing the show with his incredible sensitivity and layers of melodic revelations. Brusca is more proficient in the Rock / Fusion environment than within the Jazz idiom. Kapczuk plays well and provides a solid bottom that holds the music together. The leader´s assertive drumming dominates the proceedings taking no prisoners. The occasional orchestral arrangements do not change the character and outcome of the music significantly.
Overall this is an interesting and challenging album, which may require several listening sessions to win the listener over. Kochan does not stay still and constantly tries out new ways to express his musical ideas and doing his own thing, for which he deserves to be praised. This is not easy stuff, but definitely worth investigating.
| Updated: 03/11/2017Posted: 03/11/2017 | CD 1 Digipak Recommend To A Friend |
  | JACEK KOCHAN / NAKAJEE ~ LIFE, STRESS AND OTHER PLEASURES AUDIO CAVE 2022/005 (Barcode: 5908298549353) ~ POLAND ~ Jazz Recorded: 2020 Released: 2022
This is an album by Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist recorded with the NakajeeFind albums by this artist ensemble, which includes Canadian guitarist Jerry De Villiers Jr.Find albums by this artist and Polish keyboardist Dominik WaniaFind albums by this artist, saxophonist Bartlomiej PrucnalFind albums by this artist, bassist Michal KapczukFind albums by this artist and a mysterious bass guitarist Mo BooFind albums by this artist. The album presents nine original compositions, all by the leader.
The music is completely beyond any genre classification, characterized by strong Groove, but entirely uneven rhythm patters, which create a completely unique aural experience. Kochan takes his music “further out” in comparison to his previous album, which also featured Wania and Prucnal, and although it contains clear melody patterns, the rhythm is the leading inspiration at all times, and the melodies remain secondary.
As a result of this innovative approach the music is certainly quite difficult for listeners accustomed with “straightforward” rhythmic patterns and takes a while to get accustomed to even by experienced listeners. Kochan confirms his role as drummer / leader / composer, which characterizes his music since the early days, and for me reaches an apogee with this album, with all the elements falling right into place, creating a perfectly coherent sonic landscape.
Of course this perfection is largely achieved thanks to the incredible contributions by the ensemble members, with Wania at the helm, who is in charge of the tricky melodic layers. Wania plays both acoustic piano and synthesizers, always with elegance and technical perfection, but more importantly with sublime taste and flexibility. Prucnal and De Villiers add solid improvisations and impressive soloing, and the basses keep the complex net in check, providing depth and anchor. Kochan is fully in charge of the rhythmic / polyrhythmic engine, which drives the ensemble forward.
Overall, this is a very impressive, mature, complex and delightful piece of music, which firmly establishes Kochan as one of Polish Jazz great talents, who certainly creates his very own musical universe, quite apart from the mainstream of the local scene. Kochan certainly deserves a much wider recognition, but fame and glory where never his goals – the music and his inner truth are what matters, and this is why I love him and his music. An absolute must to listeners, who think they have already heard everything!
| Updated: 10/06/2022Posted: 10/06/2022 | CD 1 Digipak Recommend To A Friend |
  | PIOTR LEMANCZYK ~ AMHRAN SOLITON 267 (Barcode: 5901571092676) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013
Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist is a household name on the local scene and over the years he gained a considerable reputation as one of the most talented, versatile, dependable and imaginative bass players around. His numerous recordings in the last decade present a musician of many faces, who feels completely comfortable playing Free Jazz, melodic lyrical mainstream Jazz and anything in between.
This album finds Lemanczyk in a trio setting, with US (British born) saxophonist Seamus BlakeFind albums by this artist and Polish drummer Jacek KochanFind albums by this artist, playing mostly music he composed. Of the eight compositions present on the album seven are by Lemanczyk and the remaining one is by Kochan. The music is free-spirited and open, not Free Jazz per se, as it is based on pre-composed themes, but it emphasizes the improvisations, focusing on them rather than on the melodic or even harmonic backbone. Naturally the saxophone stands in the centre of attention, but a careful listener will notice immediately that this is first and foremost a collective performance, which never falls back into a soloist / rhythm section situation, like most other saxophone trio recordings. Although Lemanczyk solos as well, his most significant contribution is simply playing along with his cohorts, demonstrating ears wide open and undivided attention and respect towards his partners. The drums often take a step back on this album, which leaves the dialog between the saxophone and bass as the centerpiece of this beautiful music.
I wonder if other listeners will share my view that this album is largely atypical as far as Polish Jazz is concerned. That omnipresent lyricism / intrinsic melancholy, that is the trademark of Polish Jazz, is almost completely gone herein. If I listened to this music blindfolded, I´d most probably deduce that this is an American album. It is difficult to pinpoint exactly why, but the way the saxophonist improvises and Lemanczyk / Kochan respond is a classic example of contemporary American Jazz characteristics.
Any way one looks at (or rather listens to) this music, one thing is apparent: this is masterly conceived and superbly executed stuff, which has so much to offer that even an experienced Jazz connoisseur will need to contemplate and absorb this music for a while in order to fully comprehend it. There is simply to much aesthetic beauty here to be taken in at one go. One can only hope this music will reach as many appreciative listeners as it truly deserves.
This album is an absolute must for all Polish Jazz fans and any serious Jazz buff anywhere on this planet should be able to enjoy this music to the fullest, even if it will take more than one listening session to get there. Wholeheartedly recommended!
| | CD 1 Digipak Recommend To A Friend |
  | NAK TRIO ~ AMBUSH FOR TUNE 0122 (Barcode: 5906395808243) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2017
This is the second album by Polish Jazz ensemble called NAK TrioFind albums by this artist, led by veteran drummer / composer Jacek KochanFind albums by this artist and also including pianist Dominik WaniaFind albums by this artist and bassist Michal KapczukFind albums by this artist. The trio is accompanied by a nine players strong string section, which includes violinist Mateusz SmoczynskiFind albums by this artist, who plays solos on a couple of tracks. The album presents eight original compositions, all by Kochan and all arranged by him except for one of the string arrangements done by Smoczynski.
The music is quite complex and although melody based, in features confusing rhythmic patterns and fragmented pieces of melodies, which don´t make it easy on the listener to find his way along the tunes. The string arrangements add another layer of complexity to the proceedings and the final result presents music which moves between modern Contemporary Classical elements and Jazz and require attentive listening and patience.
Wania, who plays electric piano on this album (Fender Rhodes and Wurlitzer), is the chief soloist and his playing is, as usual, very convincing and technically perfect. He handles the odd meters and tempi changes with ease and elegance. Kapczuk supplies the basic bottom lines all along with a few nice solos on the way. Kochan delivers the complex polyrhythmic drive with obvious talent and skill.
Overall this is a very ambitious undertaking, which might be a tad too much for the average Jazz listener. The electric piano combined with the Classical sound of the strings and the unfamiliar rhythmic patterns are an acquired taste. Wania´s piano playing and the violin solos are the highlights of this unusual album, which is definitely worth investigating by the more motivated listeners. The album also emphasizes the diversity and multifaceted involvedness of the Polish Jazz scene.
| Updated: 11/04/2017Posted: 11/04/2017 | CD 1 Recommend To A Friend |
  | NAK TRIO ~ THE OTHER SIDE OF IT CHALLENGE 71154 (Barcode: 608917115420) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015
This is the debut album by the Polish Jazz NAK TrioFind albums by this artist, led by drummer Jacek KochanFind albums by this artist, with pianist Dominik WaniaFind albums by this artist and bassist Michal KapczukFind albums by this artist. The album presents seven original compositions, all composed by the leader.
The music is a beautiful example of modern European Jazz, superbly performed by the trio. It showcases the outstanding virtuosity of Wania, although this is a relatively early recording in his impressive career. Wania played in Kochan’s groups since 2008, which undoubtedly served as a great environment to perfect his skills. By the time this album was recorded Wania was already in full bloom, which is plainly evident herein.
Kochan is a great example of my observation, that Jazz drummers are often some of the most impressive composers, and his extensive recorded legacy is an undeniable proof of that. He is able to combine beautiful melody lines and complex rhythmic layers, which makes his often intricate music flow smoothly and convincingly. He is certainly one of my favorite Polish Jazz composers.
Overall, modern Jazz piano trio albums don’t get any better that this, and although this album is relatively obscure to Polish Jazz lovers, it definitely deserves to be heard and loved, and can be found relatively effortlessly. Of course I wholeheartedly recommend grabbing a copy ASAP.
| Updated: 16/02/2025Posted: 16/02/2025 | CD 1 Digipak Recommend To A Friend |
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