Record Reviews

ATOM ACCORDION QUINTET ~ ATOM ACCORDION QUINTET REQUIEM 120 (Barcode: 5902547013411) ~ POLAND ~ Classical Recorded: 2015 Released: 2016 This is the debut album by Polish ensemble Atom Accordion QuintetFind albums by this artist, which comprises of accordionist Rafal GrzakaFind albums by this artist and the renowned string quartet called Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Together they perform four contemporary Classical compositions by young Polish composers: Mikolaj MajkusiakFind albums by this artist, Piotr WrobelFind albums by this artist, Krzysztof Lenczowski and Nikola KolodziejczykFind albums by this artist. While the works by the Majkusiak and Wrobel are single-piece compositions, the work by Lenczowski is a four-part Quintet and the work by Kolodziejczyk is three-part suite. The album was released simultaneously on two Polish labels: RequiemFind albums on this label Records and DUXFind albums on this label Records As much as I appreciate the need to expose young composers, which this album is all about, somehow I felt a bit disappointed when the music was over. Contemporary Classical music can be, and often is challenging and groundbreaking but this album has little of these qualities. The sound of accordion and a string quartet works together well but was already explored before, and although the musicians are top class, but the music itself just fails to make a strong impression. Even the music by Lenczowski, who writes wonderful music in the Jazz idiom, somehow does not present his usual excellence here, being simply too conventional, even if it is beautifully melodic and gracefully melancholic. An example of the lack of originality is the very last track on this album (by Kolodziejczyk), which sounds almost exactly like music by Astor PiazzollaFind albums by this artist with string quartet. Somehow the entire album invokes a kind of a déjà vu symptom. The album is supposed to offer, according to the enclosed booklet, an amalgam of Classical Music, Folklore and Jazz. There is Classical music in abundance, there are some Folkloristic motifs, but there is certainly no Jazz at all, as there is obviously no improvisation involved since all the music is strictly written. This of course is not a problem by itself, but simply an unnecessary confusion. Obviously the album has its positive sides as well: a profound European aesthetics, wonderful performances by all five musicians, who are obviously virtuosic players, an excellent recording and sound quality and elegant packaging that includes informative bilingual liner notes. Overall this is a well done and original presentation of contemporary Polish Classical Music, which can be enjoyed by many Classical Music connoisseurs anywhere in the world and serve as a wonderful calling card of Polish Culture.

Updated: 22/11/2016Posted: 22/11/2016

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ATOM STRING QUARTET ~ ATOMSPHERE KAYAX 087 (Barcode: 5907678818454) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2014 Released: 2015 This is the 3rd album by the Polish string quartet called Atom String QuartetFind albums by this artist, one of the most unique and successful music ensembles on the local scene in the last half-decade, which comprises of violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. Recorded a couple of years after its predecessor, this album, spread over two CDs, presents twelve new original compositions (five by Lenczowski, two by Smoczynski, two by Lubowicz, two by Zaborski and one co-composed by all of them), two compositions by Polish contemporary Classical composer Witold LutoslawskiFind albums by this artist (arranged by Lenczowski) and finally one by legendary Polish Jazz violinist Zbigniew SeifertFind albums by this artist (arranged by Smoczynski). Musically this album more or less follows the same pattern already established by its predecessors, with the quartet walking the rope between Jazz influenced pieces and more "serious" Classically influenced pieces, somehow managing to keep the two quite diverse trends to merge and coexist. They are all obviously extremely talented musicians and composers, virtuosi performers and great entertainers, but at this point of their existence the question if their novelty and extraordinary abilities are enough to keep them going? Perhaps the decision to release a double album was a bit hasty as the material, as good as it is, is certainly not diverse enough to justify a two CD extravaganza. Perhaps a single CD of more simmered down, distilled and self-censored material would have worked better? On the other hand these young people have obviously a lot to say and feel an urge to share their musical discoveries with a large audience, which is perfectly fine. They can, after all, play extremely well and the string wizardry is always exciting. Personally after listening to this double album several times I still can´t grasp exactly why I feel a bit disappointed? Perhaps the feeling of déjà vu is to blame; in any case I am sure that many listeners will find this album very satisfying. I still hope these young people have more in them that shown herein.

Updated: 27/06/2024Posted:

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ATOM STRING QUARTET ~ ESSENCE REQUIEM / LYDIAN 2022/24 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2022 This is the 8th album by Polish ensemble Atom String QuartetFind albums by this artist, a string quartet comprising of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist, which is the world leading string quartet combining Jazz and Classical Music. The album presents ten original compositions, all by the quartet members, composed between 2010 and 2016. The album was not released through common distribution and can only be obtained during the quartet’s concerts or bought directly from the label that released it. The album is a kind of summary of the quartet’s decade long activity and presents mostly compositions, that were already recorded by the quartet on their earlier albums, like “PlacesFind albums with this title” and “AtomsphereFind albums with this title”, except three compositions that appear here for the first time as quartet performances, all newly arranged and performed with the benefit of a decade of experience and afterthought. There is no doubt that Atom String Quartet managed to establish a unique position for their music not only on the Polish scene, but internationally as well, primarily because it unites four exceptional instrumental virtuosi, who are able to interact telepathically, but also because of the incredible level of compositions these four individuals are capable of creating. If this is not enough to make them stand out, they also manage to combine the worlds of Jazz and Classical Music in such brilliant way, that it sounds like a natural amalgam of the two quite distant universes. Classical structures and harmonies swing perfectly to Jazzy rhythms and phrasing, and every note falls exactly in its perfect place. It is also important to emphasize the great respect the members of the quartet treat Polish musical tradition with, both Classical and Folklore, shades of which are clearly perceptible within their music. The Polish melancholy and sublime lyricism are felt strongly throughout this music, and they are heart melting. Overall, although the material on this album is not new per se, and is a kind of “best of” compilation (well, an oxymoron of sorts, as it is already the best), it offers absolutely wondrous music and heavenly performances, which can move the souls of stones. I cannot imagine any music lover on this globe to stay emotionless when this music is playing, so although it’s not going to be easy, grab a copy of this treasure!

Updated: 27/06/2024Posted: 24/03/2022

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ATOM STRING QUARTET ~ FADE IN KAYAX 050 (Barcode: 5907678818096) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2012 This is the debut album by the Polish Jazz string quartet called Atom String QuartetFind albums by this artist, comprising of violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist, which introduced a novel and revolutionary concept on the local scene combining the Classical Chamber music tradition and Jazz. The violin has been used in Jazz over the years, although not nearly often enough as this noble instrument truly deserves, but a concept of a string quartet which plays improvised music is actually pretty rare and has but a few parallels worldwide. The album was recorded live at Polish Radio Katowice and presents ten compositions, one of which is a standard, two are arrangements of compositions by the Godfather of Polish Jazz Krzysztof KomedaFind albums by this artist and the rest are original compositions: two each by Lenczowski and Zaborski, one each by Lubowicz and Smoczynski and the remaining one co-composed by Lenczowski and Smoczynski. The initial impact of this music is quite overwhelming, especially to listeners who are familiar with Classical music or Chamber music in particular, in parallel to their Jazz exposure. The string quartet is the "holy grail" of Classical music and such unconventional usage of the quartet as heard herein is truly surprising at first. But as the music takes the listener further and further into this unique world of sound, a transformation occurs from surprise and awe into joy and delight. Hearing a string quartet swing is an unearthly experience, recommended to every Classical music lover. Of course all four individual members of the quartet display virtuosic abilities and their combined performance is nothing short of amazing. Since they don´t play Classical Chamber music it is impossible and improper to compare them to those quartets which do so. Atom String Quartet is a class in itself and until another quartet arrives doing what they do, which is highly improbable, they are safe from comparisons. Since the music is mostly original, the quartet also has a lot to offer on the compositional platform, which is yet another aspect of their strength. They manage to bring forward a diverse scope of musical influences in their original compositions, not only from Classical music but also from Jazz and even Rock (Lenczowski is also a gifted Jazz-Rock / Fusion guitarist), which make their program interesting and full of unexpected surprises. There is no doubt that this is an exceptional album, which breaks new ground and opens new possibilities and yet comes from deep respect of existing musical tradition. Events like this are very rare and therefore they should be celebrated accordingly by all music connoisseurs. One can only hope that this music will reach listeners beyond the local Polish scene, as it so much deserves.

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ATOM STRING QUARTET ~ PENDERECKI FILHARMONIA SZCZECIN 008 (Barcode: 602508182679) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 Released: 2019 Despite the fact that the Atom String QuartetFind albums by this artist is one of the most household names on the Polish music scene in the last decade since their inception in 2010, this is surprisingly only the 6th album released under the quartet´s moniker. However, the still relatively young members of the quartet: violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist, already amassed a most impressive recording legacy of over thirty albums, covering a broad stylistic range, in which they participated either individually or collectively, and which is a most impressive achievement for just one decade by any standard. The essence of the Atoms (as the quartet is fondly referred to by the locals) is perhaps mostly characterized by the dichotomy (imaginary of not) between their Classical roots and other musical idioms, Jazz in particular, in which they were involved with so far. This album is not their first encounter with contemporary Polish Classical Music of course and followers of the Atoms are already familiar with their treatments of works by Witold LutoslawskiFind albums by this artist, but at the same time also with their interpretations of music by Polish Jazz Giants such as Krzysztof KomedaFind albums by this artist or Zbigniew SeifertFind albums by this artist, not ignoring the original compositions by the quartet members, which often dance on the thin wire stretched over the chasm dividing "serious" music from the rest of the world. Polish Jazz and the musicians involved with the genre display an obvious obsession with Polish Classical Music, by far more evident and noticeable than any other local European Jazz scene. One might speculate if this is a result of the inferiority complex, which many Jazz musicians suffer from, cultivated by the music education establishment ruled by Classical Music fanatics, or by the love of Polish musical tradition (your guess is as good as mine), but the fact is that the amount of Polish Jazz albums dealing with music of Frederic ChopinFind albums by this artist (just as an example) is staggering if not to say ridiculous. Maestro Krzysztof PendereckiFind albums by this artist is of course quite a different pair of galoshes; his brilliant music is always challenging and intricate, and the fact that some of the Polish Jazz musicians are willing to tackle this difficult subject is a proof not only of their phenomenal technical / virtuosic skills but more importantly their intellectual faculties. The first serious and a most passionate treatment of Penderecki´s work was undertaken in the recordings by Polish Jazz pianist Piotr OrzechowskiFind albums by this artist (a.k.a. PianohooliganFind albums by this artist), such as "Experiment: PendereckiFind albums with this title" or "24 Preludes & ImprovisationsFind albums with this title", and this album is a most welcome follow up on the same ambitious path. The music selected for this album concentrates mostly on early works (from 1950s and 1960s but also more recent compositions), chamber and solo pieces for wind instruments and the lovely music composed for the 1965 Polish movie "The Saragossa Manuscript" (which I remember seeing in the cinema accompanied by the leading actor Zbigniew CybulskiFind albums by this artist, who smuggled me in – I was under aged then). All the string arrangements were done by the quartet members of course. The decision to concentrate on the early works, which obviously are less Avant-Garde oriented than the Maestro´s later compositions, and also less grandiose, is one of factors contributing to success of the project. Obviously the huge scale orchestral works would have been almost impossible to transcribe onto the string quartet format, or perhaps the Atoms plan further explorations of Penderecki´s music, which will cover later works. The future will tell. One might ponder if this music has any relationship to Jazz? Well, on the face of it, there is very little, if anything, that might strike a Jazz fan as "familiar". The arrangements are kept well within the Classical Music idiom, staying authentic and close to the source, with no obvious improvisation element, which is considered crucial for Jazz. But when examined more closely the music is definitely Jazzy in spirit even if less so in body, which means that this music crosses the genre boundaries in the listener´s head rather than within the recorded notes. Confused? Great! Overall, this is definitely a beautiful piece of Art, divinely conceived and executed by Masters of the trade. Sublime music and musicianship of the highest class and above all uncompromising and challenging and yet accessible to any open minded music lover. Of course one expects nothing less from the Atoms these days, which is the price to be paid for Fame and Glory. As somebody who stood behind these wonderful musicians from day one and every step of the way, it is enormously satisfying to see them being able to grow continuously and stay forever restless. God speed!

Updated: 27/06/2024Posted: 21/09/2019

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ATOM STRING QUARTET ~ PLACES KAYAX 049 (Barcode: 5907678818089) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2012 Released: 2012 This is the 2nd album by the Polish Jazz string quartet called Atom String QuartetFind albums by this artist, comprising of violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist, which introduced a novel and revolutionary concept on the local scene combining the Classical Chamber music tradition and Jazz. Following the debut album recorded live, this is their first studio effort and it includes ten pieces, with just one originating outside the quartet (Chick CoreaFind albums by this artist´s "Spain"); the rest are all originals: four by Lenczowski, two by Zaborski, one each by Lubowicz and Smoczynski and the remaining one co-composed by Smoczynski and Lenczowski. The album was recorded at the Polish Radio studios in Warsaw and mastered by Jan SmoczynskiFind albums by this artist at his Studio Tokarnia, as usual with spectacular sonic results. Following the spectacular debut, which took the local scene by surprise, the approach on this album is quite different. This album is much more concentrated on the compositions rather that the virtuosic performances and the element of novelty which dominated its predecessor. The album presents a "concept" of the relationship between music and the place it originates from, trying to show the different and the similar at the same time. Therefore many folkloristic themes from all over Europe appear here as part of the milieu, including of course the beautiful Polish melancholy, which is omnipresent in music originating from Poland. This World Music tendency takes this album a bit further away from Jazz, at least conceptually. As expected, the individual performances are nothing short of sublime, and the entire album is a deeply moving listening experience. However, listeners familiar with their debut might miss the "spark" and "spontaneity", which was so evident there and which were replaced here by careful planning, maturity and eloquent elegance. It is therefore almost impossible to compare these two albums, as they in fact present the different facets of the same group. Listeners longing for the lively approach of the debut will have to see the group live or perhaps wait for the next live recording. For me the most important and meaningful aspect of this album is the progress in the quality and strength of the compositions, which start to become identifiable with the ensemble, which of course is an important step forward. Once the quartet develops its true individual musical identity (overcoming the fact that the music comes form four individual members), they will reach the apex of their development. For now we are presented with another excellent album by one of the most intriguing music ensembles in contemporary music, which is definitely not only a great listening experience but also a victory of quality and intelligent music over our mundane "cultural" encounters in real life. Well done Gentlemen!

Updated: 27/06/2024Posted:

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ATOM STRING QUARTET ~ SEIFERT ZBIGNIEW SEIFERT FOUNDATION 1 (Barcode: 5907222048009) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is the 4th album by the prominent Polish string quartet called Atom String QuartetFind albums by this artist, which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. As the title suggests, this is a tribute to the iconic Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist, presenting ten of Seifert´s original compositions and one composition by Lubowicz, inspired by a Seifert composition. Of the eleven pieces on the album, eight are performed by the entire string quartet, one is a duo performance by Zaborski and Lenczowski and two are solo violin performances, one each by Smoczynski and Lubowicz. The Polish Jazz violin school is experiencing a tremendous renaissance in the last decade or so, with renewed interest in the violin as a Jazz instrument and numerous young players popping out like mushrooms after the rain, all in a frenzy of recording and concert activity. The biennial International Zbigniew Seifert Jazz Violin Competition also adds to the overall effect. The life and career of Seifert, tragically cut short by illness, is an important founding stone of modern Polish / European Jazz, and the admiration of his music is fully justified not only by its legendary status, but most importantly by its superb musical depth. For someone familiar with Seifert´s music, like me, the string quartet arrangements of his music sound somewhat eccentric, at least at the first encounter. Hearing this music without its rhythmic layer, which was always very important in Seifert´s case, takes time to get used to and requires patience and open mindedness. The intricate aspects of the music and its aesthetic idiosyncrasies are far from being trivial and in their transformed appearance are even more elusive and multifaceted. In short the quartet´s interpretation of Seifert´s music is definitely challenging and less immediately striking than the original, which obviously enhances the entire experience of listening to this album. As expected, the music is executed with the outmost care and sheer virtuosity, which easily explains the revered status of the quartet. Both individually and as an ensemble, Atom String Quartet are simply magnificent from start to finish. This album, in view of its challenges and rigorous outline, proves to be the quartet´s best recording to date as far as I am concerned. The limitations created by the repertoire turned out to be an asset and the quartet emerges victorious from the obvious challenge. Overall this is a magnificent album, which deserves repeated listening and can definitely be considered as a commendable tribute to Seifert´s music and his legendary legacy, full of love and respect beautifully combined. Hats off gentlemen!

Updated: 27/06/2024Posted: 06/07/2017

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ATOM STRING QUARTET ~ UNIVERSUM WARNER MUSIC POLAND 5054197808319 (Barcode: 5054197808319) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2024 This is the 9th album by Polish Atom String QuartetFind albums by this artist (ASQ), which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The 2CD album presents four string quartets, each of which was composed by one of the quartet members. Although the music is strictly composed, the spirit of it reflects the unique attitude of the quartet, which constantly floats between composed and improvised music, creating a well-earned association with Jazz-Classical Fusion, which is omnipresent on this album as well. Followers of the quartet’s thirteen years long recording legacy will probably not be surprised by the music this album presents, despite the fact that it consists of four full-length string quartets, signaling a Classical connection of unprecedented scale and scope. But in fact the music is completely and utterly unique and way beyond what one expects to hear in a Classical string quartet, even in the contemporary / modern ones. The spirit of freedom, fantasy and wild imagination prevails for the entire duration, refusing to stick to any “rules” prescribed by Classical Music theory, including even a strong notion of improvisation, if not de facto then surely in spiritu. The music, with its wonderfully rich melodic content and fascinating diversity, serves as ideal vehicle to showcase the incredible virtuosity of these musicians, both as individuals and even more importantly as a collective ensemble. The perfect balance they manage to achieve at all time, the interplay and collaboration, are all absolutely breathtaking, which results in ASQ achieving the well-earned position at the absolute worldwide top of string quartet Artistry. The music offers an incredible richness of Polish musical traditions, both Classical and Folkloristic, which are reflected throughout. Deep lyricism and underlying melancholy are spiced with rhythmic modernism and harmony, and although the music was composed by four quite dissimilar composers, it works perfectly together, keeping the listener on edge with dramatic passages and underlying tension. Overall, this is another brilliant addition to the ASQ recording legacy, which holds a unique position on the Polish / European music scene, clearly marking their position at the very top. Although the music is strictly composed, it holds for me clear elements of Jazz, such as swing and freedom, which are omnipresent in their music since its inception. Superbly recorded, breathtakingly performed and overwhelmingly beautiful, this is a musical nectar of the Gods.

Updated: 01/03/2024Posted: 01/03/2024

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ATOM STRING QUARTET / NFM LEOPOLDINUM ORCHESTRA ~ SUPERNOVA NFM 48 (Barcode: 5902176502447) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2018 This is the 5th album by the Polish Atom String QuartetFind albums by this artist, which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. On this album they cooperate with the NFM Leopoldinum OrchestraFind albums by this artist, conducted by Christian DanowiczFind albums by this artist. The album was recorded live and presents eight tracks, seven of which were composed by members of the quartet and one was composed by Hanna Kulenty-MajoorFind albums by this artist. The music follows the pattern, which the quartet already perfected in the past, combining composed classical oriented music with a degree of improvisation during the performance. It is sound-wise one of the most “strictly” classical albums recorded by the quartet so far, but the compositions, as usual, travel wide and far from the accepted norms and patterns of Classical Music, offering new aesthetic approaches, uneven rhythmic meters and unconventional harmonies, which are of course the quartet’s trademarks. The level of performance by the quartet and the orchestra are absolutely breathtaking and the complex and highly sophisticated music sounds completely coherent and approachable thanks to these outstanding musicians. The music is certainly demanding to some extent, and might perhaps require more than just one listening session to get into, but the effort is certainly worth it, as this is surely some of the most innovative and artistically pleasing 21st Century music that I had the pleasure to listen to. The level of interplay between the quartet members is one of their greatest merits, and here it is enhanced by collaboration with the orchestra, which also works like magic. Overall, this is another brilliant piece of music created by the Atom String Quartet, which, as all of their other albums, is a must in any serious music collection, as they are completely unique and innovative. In just over a decade the ASQ managed to record an enormous amount of superb music, unparalleled on the World scale. It is a pity this album is rather difficult to find ant it took six years to arrive on my desk – but as usual, better late than never, as it was absolutely worth the wait!

Updated: 27/06/2024Posted: 27/06/2024

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ATOM STRING QUARTET / SZCZECIN PHILHARMONIC WIND QUARTET ~ KARLOWICZ RECOMPOSED FILHARMONIA SZCZECIN 015 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2021 This is the 7th album by the Polish Atom String QuartetFind albums by this artist, recorded in cooperation with the Szczecin Philharmonic Wind QuartetFind albums by this artist, dedicated to the compositions by Polish Classical composer Mieczyslaw KarlowiczFind albums by this artist, concentrating on his songs for voice and piano, which he composed to poems by Polish Romantic Poets and poets of the Young Poland movement like Kazimierz Przerwa-TetmajerFind albums by this artist. The eleven songs presented on the album have been arranged and / or “recomposed” by the members of the Atom String Quartet: violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The beautifully melodic and deeply romantic original music by Karlowicz, which is saturated with Polish Folklore, was transposed quite dramatically into contemporary musical environment, brilliantly using the balance between the string quartet, which improvises and plays polyrhythmically, and the wind quartet which faithfully represents the original compositions, allowing the string quartet members to create the magic, which they do ever so gracefully. The arrangements and the performances are all brilliant from start to finish, creating a superb listening experience, which the Atom String Quartet followers expect time after time and which so far the quartet managed to deliver without a hitch, which by itself is an unprecedented success. Although the music on this album has only limited direct links with Jazz, the spirit of Jazz is of course present here, as on all their albums, with the spirit of Freedom and Creativity at the helm. It is quite an unusual album in their recording legacy, but on the other hand there is no such thing as a “normal” album when the Atom String Quartet involved. Overall this is a masterful piece of Polish / European music, which pays tribute to the Cultural legacy and manages to remain contemporary and up to date. Brilliant music and breathtaking performance skills leave absolutely no prisoners. Hats off!

Updated: 27/06/2024Posted: 08/07/2021

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GRAZYNA AUGUSCIK ORCHESTAR ~ INSPIRED BY LUTOSLAWSKI FOR TUNE 0044 (Barcode: 5902768701470) ~ POLAND ~ Jazz-World Fusion Recorded: 2013 Released: 2014 This extraordinary album is a superb example of intelligent contemporary music, which is completely unlimited by the imaginary bounds set up by genres and other labeling concepts. Polish vocalist Grazyna AuguscikFind albums by this artist embarked on this ambitious project with the help of some of the most important musicians on the Polish scene, who cover a wide scope of stylistic spheres including Classical Music, Folklore and Jazz, all of which have been already visited by her during her prolific career. The music combines Polish Folk songs and the work of the esteemed Polish modern Classical composer Witold LutoslawskiFind albums by this artist, which were based on or inspired by Polish Folklore. Lutoslawski, like all the composers living and working behind the Iron Curtain, was forced (directly or indirectly) by the regimes ruling Eastern Europe at the time, to include folkloristic motives in his compositions, often completely artificially and against all aesthetic or compositional reasoning. The refusal to do so would effectively mean an artistic ban by the authorities and in extreme cases political persecution. The compositions included here were created by Lutoslawski in the 1950s, the most oppressive period in the Socialist era, and for many years thereafter were considered as his less important and definitely less appreciated works. However, in retrospect the composer´s genius obviously overcame the obstacles and this music turns out to be a completely relevant component of his grand legacy. Auguscik combined forces with the brilliant keyboardist / composer / arranger Jan SmoczynskiFind albums by this artist, who was entrusted with the enormous task of arranging all the music, both the Classical and Folklore pieces, and than participate in the recording, as well as being the sound engineer, since the recording took place in his now legendary Studio Tokarnia, with spectacular sonic results, as usual in his case. In many respects this album is as much a credit to Auguscik as it is to Jan Smoczynski. The research of the Polish Folklore as well as the leadership of the ensemble performing the folk songs was left in the hands of violinist Janusz PrusinowskiFind albums by this artist. Overall twelve musicians take part in the entire project in addition to Auguscik, who sings the lead vocals: the Jan Smoczynski Trio (with bassist Wojciech PulcynFind albums by this artist, drummer Tomasz WaldowskiFind albums by this artist and vocalist Sylwia SmoczynskaFind albums by this artist), the Janusz Prusinowski Trio (with clarinetist Michal ZakFind albums by this artist, percussionist Piotr PiszczatowskiFind albums by this artist and bassist Piotr ZgorzelskiFind albums by this artist) and Poland´s most celebrated string quartet, the Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). The album comprises of twelve pieces (and a radio edit bonus), ranging from "pure" folklore songs, which were the original songs upon which Lutoslawski based his compositions, to more arranged pieces of folk songs and Lutoslawski´s pieces performed by the ensemble and finally to a quite Jazzy songs based on folkloristic motifs. In spite of the variety and wealth of the musical material the album creates a coherent and aesthetically pleasing outcome, which is a music connoisseur´s wet dream. The beautiful arrangements, passionate performance and depth of respect for the Polish musical tradition and legacy are all combined herein with truly spectacular results. Auguscik takes a step back from the limelight on this album, preferring to play the role of an integrator rather than the leading person. She sings beautifully, as always, but with less spectacular attitude, almost leaving out completely her Jazzy improvisations and vocalese acrobatics, which are her trademarks. This is a very courageous artistic decision, for which she deserves a lot of respect. There is no doubt that this is definitely one of the most important and beautiful albums released in Poland in 2014, a "complete" multi-layered, multi-faced effort involving the talents of many wonderful musicians and setting a golden standard for future projects, which will be very difficult to match end even more so to rise above. Polish music scene and Polish Culture is glorified by this project, which should make all Poles proud. Being realistic, however, it will probably reach only e very limited scope of listeners, which of course is tragic. My deepest thanks to everybody involved in this project for the pleasure it causes to this humble listener.

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BESTER QUARTET ~ BAJGELMAN. GET TO TANGO ANAKLASIS 013 (Barcode: 5907795209739) ~ POLAND ~ Jazz-World Fusion Recorded: 2020 Released: 2020 This is an album by Polish Jazz ensemble Bester QuartetFind albums by this artist, led by accordionist / composer / bandleader Jaroslaw BesterFind albums by this artist, with violinist Dawid LubowiczFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Ryszard PalkaFind albums by this artist. The ensemble was expanded for this album to include three top Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Jorgos SkoliasFind albums by this artist. Trumpeter Michal BylicaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist guest on most of the tracks. The album presents ten tracks, one instrumental and nine songs, all composed by the Jewish / Polish violinist / composer / songwriter / bandleader Dawid BajgelmanFind albums by this artist, with words (originally in Yiddish, except for one in Polish) by himself and other lyricists. This studio recording is a documentation of a special concert originally performed in 2018 as part of the anniversary commemorating the liquidation of the Lodz Ghetto in 1944, with was devised and produced by Miron ZajfertFind albums by this artist. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series. Jaroslaw Bester was one of the first Polish musicians to accept the challenge of treating seriously the Jewish Music created in Poland during the centuries of Jewish presence on the Polish soil. Sadly, most of the attempts to deal with Jewish Music border between kitsch and chaltura, but Bester managed consistently to avoid falling into this trap over the years. He founded the Cracow Klezmer BandFind albums by this artist in 1997, which later morphed into the Bester Quartet, with a long series of successful recordings to his credit. Following the initial period of focus on the Klezmer tradition, he expanded his vision to include other musical traditions, especially the tango, which became his passion in more recent years. Jewish Music and tango come together hand in hand on this album, since the secular Jewish Music in Poland, during the period between the two great wars, was fascinated with the tango as well. The life’s story of Dawid Bajgelman is easily divided between his meteoric career before WWII, which found him as a highly successful composer and songwriter, with his songs performed by the most popular Polish singers at the time, but in parallel his massive composing legacy for local Jewish cultural life in Lodz, at the time the second biggest urban Jewish community after Warsaw, and of course his activity in the Lodz Ghetto during the Holocaust period, which came to the end with his tragic death in Auschwitz, cynical and absurd, just a few days after the camp’s liberation. His songs, written in the ghetto, are some of the most expressive manifestations of the horror and misery of that time. Although Bester’s role on this album seems somewhat less illustrious than on his other recordings, limited to arrangements and leadership of the project, he does an absolutely splendid job herein. The music is brilliantly executed by all the participants, the recording offers a high quality sound and the entire project offers a deeply moving aesthetic experience. The vocalists are amongst the finest Polish Jazz Artists, quite different from each other in every possible sense, and yet they manage to cooperate perfectly when singing duets or trios, in addition to their solo parts. They also manage to handle the Yiddish lyrics reasonably well, but the four texts translated into Polish and the original Polish lyrics are of course as perfect as one might expect from such pros. The vocalese, although used sparingly, is also just right. The instrumental parts are all superbly done, with the new lineup of the Bester Quartet reaching a level of coherence higher than ever before. The trumpet is a nice touch, building an imaginary bridge to the original sound of these songs. Overall, this is a beautiful album, full of heartbreaking nostalgia and a proper, wonderfully conceived and executed tribute to the great contribution of the Polish / Jewish composer Dawid Bajgelman to the Polish Culture, one of so many so often forgotten Polish Jews, who shaped contemporary Polish identity, whether one likes it or not. My personal thanks to Miron Zajfert, who shares my passion of exposing our proud legacy, and of course to all the participants, who are amongst my favorite Polish musicians. May the Force be with you!

Updated: 17/02/2023Posted: 17/02/2023

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CUP OF TIME ~ MODERN TANGOS REQUIEM / LYDIAN 2020/15 (Barcode: 5906874951354) ~ POLAND ~ Classical Recorded: 2020 Released: 2020 This is an album by Polish quartet Cup Of TimeFind albums by this artist, comprising of four classically trained musicians: flautist Ryszard BorowskiFind albums by this artist, violinist Agnieszka CyprykFind albums by this artist, accordionist Rafal GrzakaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. This time the quartet picked the Tango as the theme of their album, and presents lesser known facets of the passionate Argentinean dance, mostly taken from Classical music, composed by the Czech / Jewish composer Erwin SchulhoffFind albums by this artist, who died in a Nazi concentration camp, French composer Charles-Camille Saint-SaensFind albums by this artist, Russian composer Igor StravinskyFind albums by this artist, Czech composer Bohuslav MartinuFind albums by this artist and Argentinean composer Alberto GinasteraFind albums by this artist. In addition, one piece composed by the American Jazz pianist / composer / arranger / bandleader Gil EvansFind albums by this artist and another one composed by Borowski are also included. Many Tango lovers will be obviously surprised by these glimpses of their favorite music appearing in such broad spectrum of chameleonic exposures, often very different to what is usually taken for granted when Tango comes to mind. And since broadening one’s horizons is always something people should strive to do, listening to this album can be quite educational, as well as enjoyable. Of course the music is highly professionally performed, and offers a broad spectrum of modern Classical Music, which is relatively little known to most listeners. Although I find the albums by Cup Of Time a bit of a hit-and-miss sometime, this one is definitely worth exploring and offers many nice surprises, and as such welcome and recommended!

Updated: 03/03/2022Posted: 18/04/2021

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CUP OF TIME ~ PLAYS NAMYSLOWSKI DUX 1101 (Barcode: 5902547011011) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2013 Released: 2014 This album by Polish ensemble Cup Of TimeFind albums by this artist, which comprises of four classically trained musicians: flautist Ryszard BorowskiFind albums by this artist, violinist Agnieszka CyprykFind albums by this artist, accordionist Rafal GrzakaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist (of the Atom String QuartetFind albums by this artist fame), is a tribute to one of the Godfathers of Polish Jazz, saxophonist / composer Zbigniew NamyslowskiFind albums by this artist. The ensemble, founded in 2008, is associated with the Jazz-Classical Fusion, or what they describe (incorrectly of course) as "third stream", which tries to incorporate classical music approach with Jazz compositions, but is involved with other types of music as well. This album presents thirteen compositions, eight of which are by Namyslowski, including some of his iconic tunes, representing his career over time. Of the five additional compositions, two are folk tunes, one is composed by Polish composer Grazyna BacewiczFind albums by this artist and the remaining are one each by Lenczowski and Borowski. Namyslowski himself plays saxophone on those five tunes, which are not his compositions, transforming the quartet into a quintet. Although personally I´m quite fond of Jazz-Classical projects, this one sadly falls into the category of good ideas that eventually simply fail to deliver. It is difficult to pinpoint exactly why, but the beautiful music of Namyslowski, which is magical in the Jazz environment, loses most of its magic and charm when transformed into seemingly elegant and polished classical setting. This newly created version of the music simply lacks the essential qualities which characterize Jazz, even when combined with other musical genres, the most important of which is of course swing. This music simply does not swing at all, and if it ain´t got that swing… Of course the quartet members are all first rate musicians and the album is well recorded, but even Namyslowski´s saxophone parts, which are wonderfully played as usual, don´t manage to break the spell of estrangement and certain sterility that dominates these proceedings. Even a glass of red wine did not help – this music, as far as I am concerned, if not fun to listen to nor is it intellectually challenging enough to be enjoyable. But of course other listeners might think differently.

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AGA DERLAK ~ PARALLEL NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2021 Released: 2023 This is the third album as a leader by Polish Jazz pianist / composer Aga DerlakFind albums by this artist, recorded in a septet setting with trumpeter Jerzy MalekFind albums by this artist, saxophonists Wojciech LichtanskiFind albums by this artist and Marcin KaletkaFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Szymon MadejFind albums by this artist and vocalist Basia DerlakFind albums by this artist. The septet is further expanded by the Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). The album presents nine tracks, all original compositions by Aga Derlak. Following two albums recorded in a classic Jazz piano trio setting, this album is a giant step forward (pun intended) in Derlak’s career, which takes her right into the “serious” league, with complex compositions and elaborate arrangements for an ensemble of eleven musicians, all of which requires not only a lot of work and talent, but also courage to undertake such an adventurous and risky enterprise. I am happy to say that despite my initial concern, she manages to pull it off without a hitch. The music is quite diverse and moves between song oriented parts with the vocals up front, extended instrumental passages spiced with soloing, orchestral movements with the strings parts dominating the proceedings, in short an ever changing stream of aural explorations, which keeps the listener on edge. Aga’s piano is omnipresent, supplying the harmonic and melodic compass to the entire enterprise and she solos sparingly, which is not surprising, considering how much is happening on this album almost at any moment. She weaves beautiful, romantic melodies, which are ideal for the songs (the lyrics of which remain uncredited), which are beautifully performed by Basia, who also offers some lovely vocalese parts, which are used somewhat in the background in instrumental capacity. The brass players offer some excellent soli, with Malek being as always the romantic heartbreaking champion, and the saxophonists moving more into somewhat more advanced Jazz areas. The rhythm section is as perfect as can be, despite the fact that I personally have a problem with the dry and muffled sound of the drums (not the playing, just the sound), which unfortunately seems to be the latest fashion, but of course this is a minor issue and a matter of taste. Overall, this is a wonderful Jazz album, which offers a capsule of contemporary European Jazz aesthetics, with great instrumental work, vocals and string arrangements, all coherently combined and balanced, and of course a set of great compositions. Hats off Aga for your vision and the stamina to make it happen. You have earned my respect and the well-deserved position on the Polish Jazz scene, which nobody can deny.

Updated: 19/08/2023Posted: 19/08/2023

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FUSION GENERATION PROJECT ~ NO FUSION ALLEGRO 027 (Barcode: 5901157049278) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2012 - 2013 Released: 2013 This is the debut album by young Polish quartet called Fusion Generation ProjectFind albums by this artist, which consists of keyboardist Dariusz PeteraFind albums by this artist, guitarist / cellist Krzysztof LenczowskiFind albums by this artist, bassist Lukasz Jan JozwiakFind albums by this artist and drummer Krzysztof KwiatkowskiFind albums by this artist. They perform nine original compositions, six of which are by Petera and the rest are one each by the other three quartet members. Saxophonist Marcin KajperFind albums by this artist and American trumpeter Michael Patches StewartFind albums by this artist appear as guest on a few tracks. The music is a nice brand of Jazz-Rock Fusion, on the lighter side of the genre almost touching on instrumental Pop occasionally. The tunes are very melodic and pretty straight-forward, but the level of performances as well as the general atmosphere of the album is quite excellent. There are also a few nice surprises, for example when the guitarist plays the cello out of the blue, and other less enjoyable ones when the album starts with a long drums solo track. The keyboardist, who is also the principal composer of the material, is the Jazziest player in the quartet, whereas the guitarist (at least when playing the guitar) is a definite Rocker. The excellent rhythm section is quite Funky on the other hand, so the overall effect works well, without taking any major risks. The usage of the sax and trumpet seem a bit out of place as the band sounds pretty balanced as a quartet and loses the focus with the addition of the brass. Stewart´s solos, although adequate, seem out of place stylistically and sort of misguided. But overall the music is good fun and a nice listen, especially when driving. I´d prefer that such talented musicians would have played a more adventurous and challenging music altogether, but each to his choices and the future will tell where does all this lead. In the meantime this album will surely find many satisfied listeners.

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FUSIONATOR ~ KUNG FU NOT ON LABEL (Barcode: 5903292102993) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012 This is the debut album by the young Polish Fusion band FusionatorFind albums by this artist, which comprises of guitarist Krzysztof LenczowskiFind albums by this artist, keyboardist Wawrzyniec PrasekFind albums by this artist, bassist Lukasz Jan JozwiakFind albums by this artist and drummer Szymon LinetteFind albums by this artist. The violin virtuoso Adam BaldychFind albums by this artist guests on two tracks. The album includes ten original compositions, six composed by Lenczowski, and two each by Prasek and Jozwiak. The music is quite conventional as far as Fusion goes, with a tendency more towards Rock than Jazz, demonstrated both in the improvisational approach and the choice of rhythmic patterns. If fact Progressive Rock listeners should feel especially "at home" with this music, as it is similar to many other efforts in that area. Whatever is missing here as far as innovation and exploration are concerned is balanced by the excellently crafted tunes and the individual performances, which are mostly excellent, especially those by the guitarist, who is undoubtedly the most imaginative player in the group as well as the main composer. Stylistically he is heavily influenced by Mike SternFind albums by this artist (who also tends to sound Rockier rather than Jazzier) and a plethora of other guitar heroes, but manages to find an individual voice, which is quite rare these days. Although obviously an introductory effort, this is quite an impressive debut, which should provide an exciting listening experience for Fusion / Prog enthusiasts, especially in view of the complete lack of excitement in that area in years. There is a lot of potential herein, which hopefully will turn into a more mature achievements in the not to distant future. Definitely worth investigating!

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CEZARIUSZ GADZINA / ATOM STRING QUARTET ~ THE FIFTH ELEMENT TAK 15002 (Barcode: 5905669373005) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2014 Released: 2015 This album presents a meeting between Polish (resident in Belgium) saxophonist / composer Cezariusz GadzinaFind albums by this artist and Poland´s premiere string ensemble, the Atom String QuartetFind albums by this artist, which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. Together they perform eleven pieces, seven of which were composed by Gadzina, three are co-composed by all five participating musicians and one was composed by Lenczowski. Gadzina has been active for years on the Jazz-Classical Fusion field and therefore the music on this album is exactly his "cup of tea". The association with Atom String Quartet is of course ideal for such kind of project. The music, which is beautifully melodic, mostly full of the archetypal Polish melancholy and lyricism, is a superb example of the cross-genre approach to music, combining elements of Classical harmony and arrangement, Jazz improvisation and Folkloristic musical themes. Most importantly, this is one of the cases where all these elements amalgamate completely naturally, in contrast to many similar projects where they are forcefully and clashingly put together. Gadzina and the "Atoms", as they are often referred to on the Polish scene, seem to be fused together into a symbiotic ensemble. The soprano saxophone is tonally pretty close to the string instruments and fits the bill ideally. There is also an obvious camaraderie between the musicians, which can be felt in the relaxed and cooperative atmosphere, which is reflected by the music making, This album is full of unexpected twists and turns, unusual sounds produced by the instruments and above all by the obvious level of talent and dedication by the participants. In many respects this is one of the highlights of the "Atoms" recorded legacy so far, stronger and more cohesive than some of their quartet recordings. Whatever the listener chooses to hear in this music: the contemporary Classical elements, the fascinating musical layers or the Jazzy improvisations, or perhaps all of those and more, this is definitely an excellent album which should satisfy even the most demanding connoisseurs. I can therefore do nothing else but to recommend it wholeheartedly!

Updated: 19/02/2016Posted: 19/02/2016

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JAZZ CONSTRUCTION ~ JAZZ CONSTRUCTION MTS 014 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2008 Released: 2009 This is the debut album by the young Polish Jazz quintet Jazz ConstructionFind albums by this artist, which comprises of saxophonist Marcin KaniaFind albums by this artist, guitarist Krzysztof LenczowskiFind albums by this artist, pianist Wawrzyniec PrasekFind albums by this artist, bassist Jacek KaliszewskiFind albums by this artist and drummer Wojciech BylicaFind albums by this artist. Lenczowski also plays cello in the string quartet, which accompanies the group. The album presents eight original compositions, five of which were composed by Lenczowski and three by Prasek. The album was recorded at the wonderful Studio Tokarnia with Jan SmoczynskiFind albums by this artist at the console, which of course is immediately audible, as the sound quality is gorgeous. Although the music is quite diverse stylistically, the overall ambience presiding is that of melodic Jazz-Rock Fusion. The guitar, which stands out as the most effective solo instrument, is sonically very close to the classic early Pat MethenyFind albums by this artist sound, round and slightly melancholic, but always very effective. Each of the guitar solos on this album is a masterpiece of construction and a perfect example of showmanship by Lenczowski. But his colleagues are not far behind and they all display formidable technique and feel for the music. As usual with young Polish Jazz groups one keeps wondering how it´s possible for such young players to sound so mature. The group displays its Jazz roots by offering a couple of tunes, which are clever tributes to Jazz Giants like John ColtraneFind albums by this artist and Miles DavisFind albums by this artist and their overall approach is also Jazzier than most Fusion groups. The individual contributions of all the band members are truly praiseworthy. Overall, although hardly groundbreaking, this is a very solid debut effort, which features excellent original music and first-class performances, which are as good if not better from most similar material released anywhere in the world. For some strange reason this album slipped under my radar at the time of its release, but it´s never too late to acknowledge a worthy effort. Very well done gentlemen!

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ANNA MARIA JOPEK / BRANFORD MARSALIS ~ ULOTNE AMJ 001 (Barcode: 5906395769315) ~ POLAND ~ Jazz Recorded: 2015 - 2017 Released: 2018 Every new release by the Polish Diva Anna Maria JopekFind albums by this artist is a celebration of Culture and a major musical event on an international scale, especially so when it involves a revered Jazz superstar like saxophonist Branford MarsalisFind albums by this artist. Jopek, famous for her consistent independent Artistic vision, managed to create her own universe, where she does not need to compare or compete with the rest of the world, which enables her complete freedom of expression and self-determination, which only very few Artists worldwide were able to achieve over time. Recording an album with Marsalis was a dream, which Jopek held on to since the time she heard him playing with StingFind albums by this artist, which of course was a huge influence on every true music lover at the time. The incredible chemistry that Sting and Marsalis demonstrated was an extremely tall order to follow, but Jopek never eschewed a challenge and this album proves that the realization of that dream was indeed worthwhile waiting for. The album was recorded during two separate recording sessions, twenty one months apart, which considering the busy schedule that Jopek and Marsalis are both entangled in, is not as surprising as it might sound. The somewhat esoteric group of musicians includes percussionist Mino CineluFind albums by this artist, pianists Krzysztof HerdzinFind albums by this artist (who was also in charge of arrangements and conducting) and Marcin WasilewskiFind albums by this artist, multi-instrumentalist Piotr NazarukFind albums by this artist, bassist Robert KubiszynFind albums by this artist and Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Polish Folklore Guru Maria PomianowskaFind albums by this artist guests on one track. The album presents ten tracks on the "formal" first CD and four additional tracks (one of which is an alternate version of a track on the album) on the "bonus" second CD. The songs are mostly originals, written by Jopek or co-written with her spouse Marcin KydrynskiFind albums by this artist, one song is by Herdzin, one by Tomasz StankoFind albums by this artist (see below), one by Andrzej ZielinskiFind albums by this artist (SkaldowieFind albums by this artist) and one by Harry KandelFind albums by this artist with the rest being originally traditional Polish Folklore songs. Musically the album marks a return to Jopek´s established modus operandi, which combines Polish Folklore and original songwriting, spiced with Jazzy arrangements and of course dominated by her highly original expressionism. The music is deeply soaked in Polish lyricism and melancholy and her decision to sing in the Polish language emphasizes these elements even further. Marsalis plunges into this Slavic environment with vigor and determination, as if Eastern European sensitivities were his second nature, which is quite remarkable. It proves not only his openness and ability to embrace diverse Cultures, but also his incredible musicality, which enables him to feel completely at home in this Slavic musical setting. It also proves, perhaps more importantly, that music is universal, as is human soul, and ethnic boundaries can be crossed and amalgamated on the collective plane. Jopek, Marsalis and all the musicians involved in the recording of this album are of course veteran professionals in addition to their individual Artistic abilities, which results in the music being perfectly and incredibly sensitively executed. This music requires total dedication and every single note played by every musician at every given moment must be precisely articulated to achieve the desired effect. Luckily this team rises to the challenge admirably. The delicate and wonderfully written string arrangements performed by the Atoms add a superbly "angelic" aura to the overall sound and the folkloristic elements by Nazaruk spice the proceedings splendidly. Marsalis plays a series of breathtaking solos throughout the album, exactly as expected of course and Jopek, as always, manages to create goose bumps all over the listener´s body regardless if she sings lyrics or awe-inspiring vocalese. When selecting the material for this album, Jopek requested the permission of Tomasz Stanko to use his beautiful ballad "A Farewell To MariaFind albums with this title", originally used in the soundtrack of a movie of the same name, as she was sure Marsalis would be able to embrace the lyricism of this incredible melody and create a marvelous solo while performing it. She was right of course and this track is definitely one of the highlights of this album, and at the same time it constitutes a mournful tribute to Stanko, who passed away before the album was released. Another interesting piece is the excellent arrangement of the classic Harry Kandel (born in Lwow) Klezmer tune "A Night In The Garden Of Eden", which features Jopek´s hair-raising vocalese. Of course Klezmer music has always been an integral part of the Polish Folklore tapestry, in which the Jewish contribution was invaluable. Overall this album is a Masterpiece from start to finish, which is no news to the numerous Jopek´s fans. There is not one moment on this album, which is not inspirational and eloquent, heartwarming and heartfelt. Both deeply Polish and at the same time universally appealing this music knows no stylistic or Cultural boundaries. It is beautiful and sensitive and at the same time deeply emotional, soul-searching and introspective. In short, this album delivers everything one expects to hear when Great Artists are involved. Thank you, as always, my Dear!

Updated: 08/12/2018Posted: 08/12/2018

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JADZKA KLAPA ~ PUNT STYKU NOT ON LABEL ~ POLAND ~ Jazz & Poetry Recorded: 2022 Released: 2023 This is the debut album as a leader by Polish vocalist / saxophonist / keyboardist / songwriter Jadzka KlapaFind albums by this artist, recorded with keyboardist Pawel Bzim ZareckiFind albums by this artist, bassist Maciej SzczyczynskiFind albums by this artist, drummer Pawel DobrowolskiFind albums by this artist, violist Krzysztof LenczowskiFind albums by this artist and violinist Mateusz SmoczynskiFind albums by this artist. The album presents fifteen songs, all by Klapa, and it is lavishly packaged in a box containing a book of short stories written by her, sixteen inserts with the song’s lyrics and details about the participating musicians and of course the CD, all in all a true multimedia package with music, poetry, prose, photography and graphic Art of the highest aesthetic level, an obvious total offering of love, perhaps appropriately designed (as the title suggests) to be a “touching point” of a complex, very personal offerings. The music, although obviously Jazz influenced and encrusted by instrumental improvisation, is all over the place (in the best meaning of this phrase), with traces of Blues, Rock, Cabaret, Polish omnipresent melancholy and a myriad of other influences, creating a magical amalgam, which holds the listener literary by his throat. For a lack of a better definition, the entire package falls neatly into my beloved Jazz & Poetry idiom, and we shall leave it at that. As usual in such cases, the literary layer becomes oblivious to non-Polish language native speakers, but even then the album is able to hold the listeners in its nets of charms, created by the aural layers. Klapa is a wonderful voice manipulator and her vocal range, expressiveness and theatrical characteristic go beyond language limitations. Her cohorts are all, like one, brilliant for the entire duration. The rhythm section handles the tricky rhythm changes and odd meters like a breeze, and the short, concise instrumental solos by Klapa and Zarecki ornament the proceedings with finesse. The two string players, brothers in arms in the Atom String Quartet, fully justify their fame and glory. The sound recording and mix are also extraordinary, enabling all the nuances to be heard vividly, offering a very contemporary approach, more Alternative Rock oriented that Jazz, which usually bothers me, but in this case adds to the mystique and charm of the entire package. Overall, this is a powerful (and yet delicate) and complex piece of Art by a highly multi-talented Lady (she is also a MD I understand), which took a while to develop and ripen, resulting in a truly wonderful piece reflecting her personality, which she gracefully is willing to share with the world. This is definitely one of the most exciting new releases on the Polish scene this year and a most rewarding musical (and more) experience, for which I personally thank you Milady!

Updated: 22/07/2023Posted: 22/07/2023

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JOACHIM KUHN NEW TRIO / ATOM STRING QUARTET ~ KOMEDA ACT 9972 (Barcode: 614427997227) ~ GERMANY ~ Jazz-Classical Fusion Recorded: 2022 Released: 2023 This is an album by German Jazz pianist / composer Joachim KuhnFind albums by this artist and his (not so) New Trio with Canadian bassist Chris JenningsFind albums by this artist and drummer Eric SchaeferFind albums by this artist and the Polish Atom String QuartetFind albums by this artist, which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and violinist Krzysztof LenczowskiFind albums by this artist. As the title suggests, the album is dedicated to the music of the Godfather of Polish modern Jazz, pianist / composer Krzysztof KomedaFind albums by this artist. The album was recorded live at the Berlin Philharmonic, and presents nine tracks, eight of which are Komeda’s compositions and one is a composition by Joachim Kuhn, dedicated to the memory of his older brother (and my Dear Friend) clarinetist / composer Rolf KuhnFind albums by this artist, who sadly departed almost exactly a year ago. The seeds of this album were planted almost sixty years ago: in December of 1965, the twenty-one years old Joachim Kuhn was invited to take part in the most important East European Jazz festival at the time, the annual Jazz Jamboree in Warsaw, where he performed with his trio. Kuhn, who still lived in East Germany (DDR or GDR) at the time, was considered a prodigy and a rebellious pioneer, playing Free Jazz / Improvised Music, which for some strange combination of political circumstances, was allowed at the epicenter of Eastern Block’s stern Cultural censorship and oppression, similar in many ways to what happened at the time in the neighboring Socialist States, as far as Jazz Music was concerned. In Warsaw, Kuhn met many Polish Jazz musicians, most importantly Krzysztof Komeda, who also performed at the festival with his quintet. Komeda invited Kuhn to attend the recording session for his epic debut album “AstigmaticFind albums with this title”, which was held a couple of days after the quintet’s appearance and recorded at the same Philharmonic Hall. As a result, Kuhn was among the first people to hear the album and even to discuss the music with Komeda shortly after it was recorded. Less than a year later Kuhn would join his older brother in West Germany and later move to Paris and Komeda would leave for Hollywood, where his cinematic career promised to explode, only to be dead, following a tragic accident, by April 1969. Their musical paths never crossed again but, as said earlier, the seeds of this album were planted. The link to the Atom String Quartet, Poland’s most versatile, inventive, prestigious and unique string quartet, is also obvious, following the duo album recorded by Joachim Kuhn and Mateusz Smoczynski in 2019, called “Speaking SoundFind albums with this title”, which evidently planted another seed. I have repeatedly criticized the almost brutal, often opportunistic misuse of Komeda’s music and memory by numerous musicians over the years, which not only did not pay tribute to Komeda’s Genius and revolutionary contribution to European Jazz, but in some cases tarnished it completely. Therefore, it gives me deep pleasure to say that this album beautifully fills all the requirements to serve as an appropriate tribute to Komeda and his legacy. The carefully selected material depicts both the revolutionary aspects of Komeda’s Avant-Garde approach to Jazz, but also reflects his wonderful lyricism and deep Polish melancholy, which are the base of most of Komeda’s cinematic music. The album offers the entire content of “Astigmatic” (three compositions) and the "Roman II" piece as examples, which reflect the former as well as the beautiful ballads from the soundtracks of Roman PolanskiFind albums by this artist’s movies like “Rosemary’s Baby” or “Knife in the Water”, which reflect the latter. The idea of using a string quartet as part of the arrangements of Komeda’s music seemed extremely risky at first, especially being exposed in the past to some horrific attempts in that direction, but upon hearing the result my instinctive reservations melted without a trace. Obviously adding individual string instrument soloing is much more straightforward, but Kuhn’s arrangements skillfully utilize the entire quartet to enhance the dramatic effects of the music. Nevertheless, it takes the extraordinary skills of all four “Atoms” to achieve such a level of fusion, like what can be witnessed herein, which emphasizes their unique capabilities. It seems that Kuhn manages to sound more like Komeda would have liked to sound himself. Komeda’s virtues as a composer and visionary overshadow his role as a piano player and he lacked perhaps the virtuosity and spark as a pianist, which Kuhn certainly has plenty of. As a result, Komeda’s music on this album sounds in many respects more invigorated than ever before, perhaps even elevated to another level by sheer concentration of musical talent and sincerity, which dominates this album. Since I have had the pleasure of hearing every album Kuhn ever recorded, I must say that this album is not only one of his best ever, but also one of his most wholehearted ones. It certainly is a kind of a life circle closure for Kuhn, although I do wish him many more years of successful career and happy life. Overall, this is a monumental recording for the true Jazz enthusiasts and lovers of the genre. Polish Jazz fans will find here an exquisite reminder of their beloved and legendary pioneer, German Jazz fans will discover a little known chapter in Kuhn’s life, which left a significant mark on his future career, European Jazz lovers will find here everything European Jazz stands for: versatility, innovation, pursuit of excellence and aesthetics and true love of all forms of music, and finally for all Jazz lovers, a beacon of true talent, which is eternal and omnipresent. This is an absolutely essential piece of music in every serious music collection!

Updated: 04/08/2023Posted: 04/08/2023

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LESZEK KULAKOWSKI ~ LOOKING AHEAD FOR TUNE 0043 (Barcode: 5902768701524) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 In the last few years preceding the release of this album celebrated Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist concentrated on producing large orchestral works, which had either no direct connection to Jazz while pushing the boundaries of contemporary Classical idiom or floated somewhere within the Jazz-Classical Fusion, combining the two genres. Therefore this album comes as most welcome return to his Jazz roots. Recorded in a sextet setting with German trumpeter Christoph TitzFind albums by this artist, saxophonist Tomasz GrzegorskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist, the album presents nine original compositions, all by Leszek Kulakowski. Kulakowski was always first and foremost a superb song-weaver, which is very evident on this album from start to finish. The various melodies are the deepest root of this music, which then gets expanded into the modern mainstream language, floating gently and elegantly from one tune to another, caressed and pampered on its way by the musicians, who add their individual touches. There is plenty of freedom and breathing space within this music to inspire a relaxed, moderate approach by the players, which proves to be ideal in this context. Of course certain traces of Classical compositional tricks and arrangement devices can be picked up by the experienced listeners. The overall atmosphere of this recording is reminiscent of the Scandinavian sound, more so than to the usual Polish Jazz recordings. A certain ECM-ism can also be detected. The individual contributions by its participants are another forte of this album; everybody´s playing sounds truly inspired here. Titz is a wonderful trumpeter, who somehow never really gets the credit for his work that he usually deserves. His performances on this albums rank among his best work done on record, and although his phrasing derives from other great European trumpet Masters, his deep lyricism and feel are uniquely his own. The most surprising and at the same time impressive soloist on this album is the young cellist Krzysztof Lenczowski, whose name pops up on the local scene with a feverish frequency and in some most unexpected places, in addition to his regular work with the Atom String QuartetFind albums by this artist. Kulakowski relays on his solo parts in several of the compositions presented here, and his decision to engage Lenczowski in this project pays off splendidly. Grzegorski and Kulakowski also play some excellent solos in the various tunes, which perhaps are less spectacular but no less expressive and supportive in the common effort invested to create this music. The rhythm section is extremely supportive throughout and plays with precision and sensitivity, exactly when and as needed. In many respects this is probably the most "conventional" album released by the For TuneFind albums on this label label so far and it´s good to see that the people running the label have no preconceptions overshadowing their judgment and recognize great music even if it is decently (but not to conservatively) dressed. It´s good to see Kulakowski playing and composing Jazz again, especially when the music is as good as what we can hear on this album. Chapeau bas indeed!

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KRZYSZTOF LENCZOWSKI ~ INTERNAL MELODY ALLEGRO 031 (Barcode: 5901157049315) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2015 This is (finally!) the debut album by Polish cellist / guitarist / composer Krzysztof LenczowskiFind albums by this artist, one of the most prominent representatives of the young generation of Polish musicians, who is characterized by a total cross-genre approach to music, tipping his fingers in anything from Pop, Rock, Fusion, Jazz and deep into contemporary Classical music, always with grace and sublime talent. The fact that this is his debut album, already preceded by dozens of albums recorded as a group member or sideman, is surprising, but on the other hand nothing about Lenczowski should be really surprising, as he is an Artist of the unexpected. This album, recorded in a quartet setting with saxophonist Grzech PiotrowskiFind albums by this artist, organist Jan SmoczynskiFind albums by this artist and drummer Tomasz WaldowskiFind albums by this artist, was recorded at the Studio Tokarnia (owned by Smoczynski who also engineered the recording with the usual spectacular sonic results) presents eight original compositions, all by Lenczowski. From the very first tones heard on this album it becomes immediately apparent that this is a piece of music completely unique and incomparable to anything else happening anywhere. Yes, completely unexpected in every aspect: sound, melody, use of instruments, atmosphere and overall feel of this album are all absolutely stunning. Cello is by far not the most popular instrument outside of the Classical Music idiom and Lenczowski´s determination to stick with this instrument despite the obvious difficulty, is commendable. But the entire instrumentation of his music on this album is far from being easy on the ear: Jazzy saxophone playing complex extended solos, organ playing mostly bass lines and very limited melody / chord lines and a Rocky drummer on top – a strange recipe to say the least. And yet against all odds this music works splendidly and extremely effectively. Lenczowski´s cello parts are of course incredible all the way through, which is hardly surprising in his case. Surprisingly (again) Piotrowski plays beautifully and ambitiously as well, and Lenczowski´s decision to use him here turned out to be the right one, in spite of Piotrowski´s problematic flirts with Smooth muzak in the past. Smoczynski, as always, turns out to be an island of serenity and his somber, church like organ sound, creates a solid layer upon this music solidly rests, or floats above. Waldowski´s drums become an integral part of the ensemble and his sensitivity, elegance and coolness are exemplary. As usually the strength of the entire ensemble only works out if all the participants contribute on the same emotional level, which obviously happens in this case. Lenczowski also deserves praise for his compositions, which are all not only beautifully melodic, but also delightfully lyrical and emotionally deep. The music sounds at times like medieval chant, or charmingly discloses touches Middle Eastern mystique, or brings fond memories of early days of Progressive Rock glory. Regardless of the many associations, it is always inspired and rewarding. Overall this is a most impressive debut album by an experienced and mature musician, who is still searching and ready for the challenges of the future. It is definitely one of the finest albums released this year on the Polish scene, with very few challengers around. An absolute must for any true music lover!

Updated: 26/10/2016Posted:

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KRZYSZTOF LENCZOWSKI ~ LOST JOURNEY REQUIEM / LYDIAN 2021/17 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2020 Released: 2021 This is the third album as a leader by Polish Jazz cellist / composer (and now also guitarist) Krzysztof LenczowskiFind albums by this artist, primarily known as a member of the superb Atom String QuartetFind albums by this artist, but with a rich and exciting recording legacy of dozens of albums by top Polish artists. This album finds him in an exciting organ trio format with the wonderful organist Kajetan GalasFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. The album presents ten original compositions, all by Lenczowski. The music is absolutely delightful, like a ten-course meal in a tree-star Michelin restaurant. Each and every of those compositions is completely different and the diversity is simply astounding, including Classical Music, Rock, Prog, Fusion, World and other influences, skillfully exploited to create a dazzling kaleidoscope of sounds. It is hard to believe that all this music is performed by just three instrumentalists, which emphasizes their individual skills and talents. Lenczowski is a brilliant cellist of course but here he demonstrates amazing scale of different sounds he is able to create on his cello. Galas, whom I have been following closely for a few years now, is a stunning talent, able to express a myriad of feelings using the keyboards. Staromiejski adds his robust drumming to drive the music steadily through the rapid turns and twists and frequent mood changes with sensitivity and skill. It is very difficult to accurately define this music stylistically, and for luck of a better term, it would probably be best described as Jazz-Rock Fusion, although that might not do the music justice, as it is way more rich in textures than what usually passes as Fusion. The leagues of Prog fans should also feel perfectly comfortable with this music, as in fact should all lovers of ambitious melodic music, full of surprising vistas and virtuosic performances. There are very few musicians today, who can match Lenczowski’s compositional ingenuity and chameleonic cross-genre and cross-idiom approach. A retrospective glance at his recorded legacy so far is already highly impressive, and one can never guess what he will come up with next – which of course is one of his many virtues. Overall this is an absolute gem of an album, which a great appeal to all Artistic souls out there, of all ages and all musical affiliations. I can’t imagine anybody not loving this music, and if they don’t I am really sorry for them…

Updated: 01/04/2021Posted: 27/03/2021

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KRZYSZTOF LENCZOWSKI ~ RZECZY OSOBISTE REQUIEM 169 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2018 Released: 2018 This is the second solo album by Polish cellist / composer Krzysztof LenczowskiFind albums by this artist and his first solo cello recording. Lenczowski is primarily known as a member of the celebrated Atom String QuartetFind albums by this artist, but he is often involved in other projects as well. The album presents eleven compositions, including three originals and one improvised piece, and the rest are his interpretations of Jazz, Pop and Classical standards, both international and of Polish origin. This eclectic collection of musical sources serves Lenczowski well, since a solo cello album is a trying experience both for the artists and the listeners. It allows Lenczowski to display his diversity and obvious technical proficiency, as well as to create a multi-faced portrait of his talents. As the album´s title suggests ("Personal Things" in Polish) he selected this time a gathering of pieces that he likes, rather than offer a novel musical concept. This bold decision might result in criticism from some "critics", but Lenczowski is obviously way beyond that by now. The album is a very pleasing listening experience, changing moods and stylistic approaches constantly. The very personal interpretations are often quite removed from the origins, which of course is all for the better. What Lenczowski is saying here is that genres are simply points of reference and music is one. It either works and manages to move the listener or doesn´t work, regardless of the genre; a statement I also adhere to. Overall this is a very unusual, highly personal statement by a superb musician, who wishes to share his personal musical preferences with his listeners, rather than venture into a specific musical venture. Beautifully played and full of elegance and sensitivity, it is a little gem one can return to when the world seems bleak and gloomy. The album is warmly recommended to appreciative listeners, who are tired of flashy and empty statements and need something to hold on to, which is unpretentious and genuinely embracing.

Updated: 27/07/2018Posted: 27/07/2018

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KRZYSZTOF LENCZOWSKI ~ UNICORN REQUIEM / LYDIAN 2023/31 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2023 This is the 4th album as a leader and second solo album by Polish cellist / composer Krzysztof LenczowskiFind albums by this artist, who plays many different instruments herein, like violin, guitar, percussion instruments and of course cello, which were recorded on separate tracks and finally overlaid to create a group / orchestra sound. The album presents five tracks, all original compositions, three short ones, appropriately called “Prelude”, “Interlude” and “Postlude”, and two lengthy pieces, both about twenty minutes in duration. Lenczowski, primarily known as a member of the celebrated Atom String QuartetFind albums by this artist, is a versatile and completely cross-genre musician, who shuns from none of the many music genres, and stunningly excels in them all, as evident on his numerous recording with the Atoms and his appearances as guest musician on albums by other musicians, and of course his albums as a leader. The music is as cross-genre as imaginably possible, with beautifully romantic and lyrical themes, strong emphasis on improvisation and some World Music elements, all combined intelligently and skillfully, resulting in a splendid musical tapestry, which makes perfect sense and offers beauty and highly aesthetic approach to composition and performance in one. The two main pieces, called simply “Chapter One” and “Chapter Two”, are in fact two cello concertos, which remain so far unrecorded, and still wait for their full scale realization, performed here by the virtual one-man Lenczowski orchestra. Both are, not surprisingly, absolutely stunning pieces of music. But all the five pieces, combined, are a perfectly coherent and deeply moving piece of music, which, at least for me, are simply irresistible in their beauty and elegance. Overall, this is another brilliant album by Lenczowski, whose trademark is a quality symbol of the highest standard. I had the pleasure the observe his development since the very beginning of his career as a recording artists, and he never failed my highly demanding expectations even once, which is truly remarkable. Thank you for the music, my Friend, and I wish many, many more listeners will find it as delightful as I do!

Updated: 13/05/2024Posted: 13/05/2024

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NIKA LUBOWICZ ~ NIKA`S DREAM FOR TUNE 0065 (Barcode: 5902768701654) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by Polish Jazz vocalist / composer Nika LubowiczFind albums by this artist, who is accompanied by a very impressive group of musicians, which includes her siblings: violinist Dawid LubowiczFind albums by this artist (Atom String QuartetFind albums by this artist) and keyboardist Jakub LubowiczFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist (also Atom String Quartet), bassist Marcin MurawskiFind albums by this artist, drummer Marcin UlanowskiFind albums by this artist, percussionist Bogusz WekkaFind albums by this artist, guitarist Artur GierczakFind albums by this artist and trumpeter Piotr SchmidtFind albums by this artist. Veteran pianist Andrzej JagodzinskiFind albums by this artist guests on a couple of tracks. The album presents nine tracks, three of which are standards, two are by Dawid Lubowicz, another two by Krzysztof Lenczowski and yet another two by Nika Lubowicz herself. All songs feature English lyrics except for the last track which has lyrics in Polish. From the very first notes of this album it´s plainly evident that this is no ordinary vocal Jazz album. The arrangements, which in most cases feature either the violin or the cello up front alongside the vocal parts, replace the usual "vocals with piano trio" setting. The arrangements also include other unusual lineups, keeping the listener on his toes at all times. The overall atmosphere of this album is all about the essence of music, freely crossing genre boundaries, comfortably and elegantly touching upon mainstream Jazz, ethnic music, Pop and Soul with the same artistically predetermined frivolity. I even have to agree with all the compliments listed in the album´s liner notes authored by Krzysztof HerdzinFind albums by this artist, which happens extremely rarely. Nika Lubowicz uses her vocal abilities wisely and intelligently, switching between lyrics and vocalese with grace. Her vocalese parts are in fact way more impressive than her actual singing lyrics, which as always in such cases suffer from the English pronunciation, being far from ideal. The closing track sung in Polish is a sore proof of this. Luckily her singing lyrics are altogether just a minor part of the entire endeavor. I have not timed the album but about half of the album´s duration is instrumental, which is highly unusual for albums involving vocals, and which is a very courageous and in this case extremely tasteful decision. This is the second album in the "pink" (Jazz vocals) series by For TuneFind albums on this label Records, and it is again a big time winner. Albums of such quality and obvious aesthetic approach are extremely rare and the fact that at least once a year they do materialize makes life worth living, at least for people who love music. This is definitely a most impressive debut and so far the best vocal Jazz album released this year on the Polish Jazz scene. Well done girl!

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MALGORZATA MARKIEWICZ ~ BRING THE LIGHT REQUIEM / LYDIAN 2020/07 ~ POLAND ~ Smooth Jazz Recorded: 2019 Released: 2020 Although her career goes back over two decades, this is finally the debut album by Polish vocalist Malgorzata MarkiewiczFind albums by this artist. It was recorded with the vocals supported by a basic trio consisting of keyboardist Nikola KolodziejczykFind albums by this artist, bass guitarist Maciej SzczycinskiFind albums by this artist and drummer Michal BryndalFind albums by this artist. In addition a string quartet, which is 3/4 of the Atom String QuartetFind albums by this artist (violinist Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist (Malgorzata´s husband) and cellist Krzysztof LenczowskiFind albums by this artist) and violinist Marta ZalewskaFind albums by this artist takes part in the recording as well as eight other musicians playing / singing on selected tracks. The album presents twelve original songs, nine of which were composed by Markiewicz (two co-composed with others) and three were composed by Gabriela KapczukFind albums by this artist. She also wrote three of the lyrics and co-wrote one with the rest being by different authors. Six of the songs feature lyrics in Polish language and the other six feature lyrics in English. The album is elegantly packaged and offers the lyrics, arty photographs and stylish design. The songs are all typical contemporary Polish Pop, very melodic and solidly written but slightly samey. The album offers a modern production and sound, which I personally don´t appreciate very much. But the instrumental arrangements, with just a tinge of Jazz here and there, and the playing / singing are absolutely perfect and professional. If not for the Polish lyrics, this album might have been mistaken for an American album, which proves that the Poles can beat the Americans at their own Smooth Jazz production game, but as such does not offer much originality. With that said, Markiewicz proves she can write great tunes and sing them with true feeling, even in English, which most of her local vocal colleagues fail at badly. It is obvious that a lot of thought and work was invested into creating this album and the result is highly entertaining and offers a great listening experience, which Pop and Smooth Jazz listeners should enjoy immensely. Overall this is an excellently produced and beautifully performed album, full of great tunes and typical Smooth Jazz feel, which should make aficionados of that genre perfectly happy.

Updated: 09/01/2021Posted: 25/03/2020

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MACIEJ MIECZNIKOWSKI & KRZYSIA GORNIAK ~ TRIBUTE TO NAT KING COLE DUX 1237 (Barcode: 5902547012377) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2015 Released: 2015 This is an album by Polish vocalist / guitarist Maciej MiecznikowskiFind albums by this artist and female guitarist Krzysia GorniakFind albums by this artist, who present their interpretations of eleven songs associated with the legacy of American singer / pianist Nat King ColeFind albums by this artist. The pair is accompanied by veteran Polish Jazz rhythm section: bassist Pawel PantaFind albums by this artist and drummer Adam LewandowskiFind albums by this artist and the excellent Polish Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Miecznikowski sings the songs in a very straightforward manner, very closely to the original performances. His English pronunciation and accent are bearable, but not ideal of course, part of the usual insurmountable problems that Polish vocalists face while singing English lyrics. He uses his smooth baritone voice with skill and intelligence and all in all his vocal performances are fine, but not exceptional and surely not extraordinary. The string arrangements are also pretty mundane, kept well in the background and adding very little to the overall effect. Of course Atom String Quartet is a superb ensemble, but here their role is severely limited, not to say a stronger word. The rhythm section does its job amicably, but again there us very little it can actually contribute within this concept. The only ray of sunshine on this album is the incredible guitar work by Gorniak, who really shines from start to finish. She plays a real Jazz guitar, something almost completely absent on today´s scene with all the guitarists playing Fusion or God only knows what, but surely not Jazz guitar. In short there is almost no reason to listen to this album other than to listen to some great guitar parts, since what is the sense in listening to pale versions of songs when one can hear the originals? A decent album, that´s what it is ;)

Updated: 12/05/2017Posted: 12/05/2017

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DARIUSZ PETERA ~ FLASHOVER REQUIEM / LYDIAN 2019/4 ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is the debut album as a leader by Polish Jazz pianist / composer Dariusz PeteraFind albums by this artist recorded in a sextet setting with some of the top Polish Jazz musicians: trumpeter Emil MiszkFind albums by this artist, saxophonist Maciej KocinskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. The album presents ten original compositions, all by Petra. The music was recorded at the excellent RecPublica Studios and offers a superb sound quality. It also offers a highly aesthetic packaging. The music is a wonderful example of contemporary Polish / European Jazz, which combines melodic themes with open structures, which enable the music to spread freely in many different directions not being limited by traditional Jazz pre-conceptions, resulting in many unexpected manifestations of the compositional palette. Petera certainly arises as a new talent on the local Jazz scene and the fact that the last time he took part in recording an album happened six years ago is very intriguing. But the long wait was certainly worthwhile, as the compositions on this album are all perfectly rounded and coherent, mature and most importantly present unique personal stylistic idiosyncrasies, characterized by the dominant role of the rhythmic pulse, which stands on the same level as the melodic and harmonic contents. The performances are all absolutely stellar, which of course is hardly surprising. Kocinski, Swies and Szmanda, who together with Krzysztof DysFind albums by this artist at the piano played together for many years as the sublime SoundcheckFind albums by this artist quartet, one of my favorite Polish Jazz ensembles which sadly dropped off the horizon, are of course Masters of the trade. Lenczowski, who made a spectacular career with the Atom String QuartetFind albums by this artist and recorded superb solo albums, is a Superstar. And finally Miszk, who is the most in demand young generation upcoming Polish Jazz trumpeter. In short Petera might have as well called this ensemble All Stars. Of course Petera also plays excellently, but respectfully shares the spotlight more or less evenly with the rest of the sextet members. Overall this album is undoubtedly a notable event on the Polish Jazz scene, especially in view of the incredibly high competition that scene generates. It is also a splendid debut effort, which hopefully will be followed by many similar achievements of the same significance and Artistic scale. Well done indeed!

Updated: 30/05/2019Posted: 30/05/2019

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DARIUSZ PETERA ~ WLADZA ALGORYTMOW AUDIO CAVE 2023/005 (Barcode: 5908298549582) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2022 Released: 2023 This is the second album by Polish Jazz pianist / composer Dariusz PeteraFind albums by this artist, recorded with the same sextet lineup that appears on the debut album “FlashoverFind albums with this title”, with trumpeter Emil MiszkFind albums by this artist, saxophonist Maciej KocinskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. Brothers Mateusz SmoczynskiFind albums by this artist on violin and Jan SmoczynskiFind albums by this artist on synthesizer appear as guests. The album presents seven tracks, which are said to be mostly improvised during the recording sessions, with three tracks partly based on pre-composed themes by Petera. The album was recorded at the excellent Studio Tokarnia and engineered by Jan Smoczynski, with the usual splendid sonic result. The music is a powerful display of group improvisation, brilliantly executed by these highly talented musicians. The sound of the sextet (and at times octet) is dense and complex, and despite the fact that the music is improvised, offers a wonderful continuity and coherence. Although large group improvisation is not new in Jazz (what is?), it is relatively quite rare in contemporary Polish Jazz, making this album especially interesting and refreshing. In comparison to Petera’s debut album, recorded four years earlier, this album climbs to a whole different level and is a Milestone in his musical development. The concept of group improvisation is a double-edged sword, in a sense that in some cases the music offers a collection of individual improvised statement by the musicians in a group, not necessarily corresponding to each other, whereas in this case the individual improvisations serve a purpose of creating an ensemble statement, not ignoring individual contributions of course, but rather combining them into a whole new collective amalgam, which this album manages to do remarkably well. Overall, this is an outstanding achievement by Petera and his cohorts, a powerful, beautifully played musical statement, offering unconventional approach and preferring the common musical good over individual statements, not by ignoring them, but by unifying them into a greater whole. This album is quite a surprise, and I love surprises, as we all should. Well done my Friends – respect is due!

Updated: 30/04/2023Posted: 30/04/2023

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GRZECH PIOTROWSKI ~ SIX SEASONS ALCHEMIK ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2016 This is the seventh album by Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist (a.k.a. Grzegorz PiotrowskiFind albums by this artist), recorded in a quartet setting with pianist Marcin WasilewskiFind albums by this artist, bassist Jaroslaw StokowskiFind albums by this artist and drummer Robert LutyFind albums by this artist, and with a superb string quartet, which includes violinists Mariusz PatyraFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Aleksandra JarosinskaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The album presents six original compositions, all by Piotrowski, named after the usual four seasons with two additional seasons added ("pre-spring" and "pre-winter"), which together constitute a suite-like structure. The music is an ambitious Jazz-Classical Fusion project, beautifully melodic and gently flowing from one part of the suite to another, full of melancholy and tranquility. In some respects it often sounds like a soundtrack of an imaginary movie, inspiring colorful visions in the mind of the listener. It is all about precision, delicate relationships between the harmonies and elegant melodic vistas, with no much space left for spontaneity. The performances by all the participants are perfectly suited to this specific musical environment, with Jazzy improvisation being relatively limited, due to the strict arrangements, but nevertheless quite impressive. This album is not intended to present individual virtuosity as much as it is about coordinated effort, perfectly matched and working towards a common goal. Some critics will probably say that this music is way too sweet and organized and borders on Smooth Jazz or even pastiche. Admittedly, such music as presented herein, quite often ventures into these territories, but in this specific case it does not happen at all. Yes, the music is pleasant and easy on the ear, but at the same time it is full of original melodic themes, superb orchestration and arrangements, topped with flawless execution. There is an obvious effort and talent invested here by Piotrowski, and the resulting music can be seen as a tribute to Romanticism and Classical Music tradition, wonderfully intertwined with contemporary tools of the trade, used in Jazz and Pop. Personally I had a wonderful time listening to this music, which despite its pleasurable appearance, offers many inspiring moments, superb instrumental solos and fifty minutes of calmness and tranquility, which in our world happen way to infrequently. The album comes in a hand-made packaging, which adds another highly personal dimension to the entire project. Definitely not for everybody, but hopefully many listeners will find this gorgeous music deeply moving and penetrating their souls.

Updated: 26/10/2016Posted: 17/10/2016

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WLADYSLAW SENDECKI / ATOM STRING QUARTET ~ LE JARDIN OUBLIE / MY POLISH HEART NEU KLANG 4198 (Barcode: 4012116419832) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2018 Released: 2018 This is an album by the Polish (resident in Germany) pianist / composer Wladyslaw SendeckiFind albums by this artist, who is accompanied by the highly esteemed Polish Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). The album presents ten compositions, five of which are original composition by Sendecki, two were composed by his brother Stefan SendeckiFind albums by this artist, one was composed by Krzysztof KomedaFind albums by this artist, another one by Polish Classical composer Karol SzymanowskiFind albums by this artist and finally one was composed by the German composer Wolf KerschekFind albums by this artist. Three of the compositions were arranged by the great British composer / arranger Michael GibbsFind albums by this artist. The music focuses on relatively little known facet of Sendecki´s activity and is mostly dedicated to contemporary Classical music, with relatively limited Jazz references. The piano / string quartet setting suits this musical direction ideally of course and the chamber atmosphere prevails throughout. The piano concerto "My Polish Heart" was composed especially by Kerschek for Sendecki and was performed by him with the NDR Big Band, of which he is the resident pianist. The intimate version of this wonderful piece present here includes only part of the entire composition, but reflects the spirit of the work perfectly. All the pieces on the album are full of the characteristic Polish melancholy and lyricism, which can be found in all Polish music regardless of the genre: Classical, Jazz, Rock or Folklore. The most Jazz oriented piece on the album is of course the "Komeda Hommage", which is a medley of two Komeda´s compositions, brilliantly combining the Jazz and Classical idioms thanks to the unique arrangement by Sendecki and the Atoms and taking a form of a beautiful suite. This album requires very serious listening with attention to details and patience, as it offers a wealth of musical thrills in every aspect. The compositions, arrangements and performances are all loaded with deeply emotional content and are full of virtuosic performances, which are very difficult to be absorbed all at once. Each listening experience promises new discoveries of course. Overall this is a wonderful album full of great music, which offers a Jazz-Classical Fusion of the highest caliber. Lovers of Polish music, regardless of style and fashion, should be delighted by what this album has to offer.

Updated: 11/11/2018Posted: 11/11/2018

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STRING BIG BAND ~ STRING BIG BAND POLSKIE RADIO 1634 (Barcode: 5907812246341) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2013 Released: 2013 It takes a true musical "nut" (of the nicest sort), like The Polish pianist / composer / arranger / conductor Krzysztof HerdzinFind albums by this artist to come up with a project like this, which is designed to establish a new musical "genre" (or sub-genre) of chamber string music he defines as "string big band", a marriage between the European tradition of the string orchestra and the American Jazz Big Band. In order to prove his point, Herdzin took ten "classic" Jazz standards, some of which are closely associated with Big Band performances, others that aren´t, and arranged them for a musical collective, which brings together the sensational Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist) with Sinfonia VivaFind albums by this artist orchestra to create a large string ensemble equivalent to the size of a Big Band. Bassist Robert KubiszynFind albums by this artist and vocalist Agnieszka WilczynskaFind albums by this artist (she sings on a couple of tracks only) also take part and the entire ensemble, conducted by Herdzin, which is appropriately named String Big BandFind albums by this artist. I must admit that before I listened to the music, just by looking at the CD and reading the texts, I was absolutely sure I´m going to hate this thing with vengeance. Boy was I wrong! It turned out to be one of the most uplifting pieces of musical delight I have heard in a long time. Herdzin somehow managed the impossible: he turned a potentially kitschy and schmaltzy musical idiom into absolute magic. I felt transformed back in time, about ninety years or so back in time, watching a Broadway stage performance at the peak of the Great Gatsby´s "Jazz Age", with tall women in tight lush dresses, glasses of champagne and all that Jazz! Pure Magic! Of course a big part of the success goes also to the wonderful performers; Atom String Quartet emerges as one of the most intriguing discoveries on the Polish scene in the last decade and the Sinfonia Viva orchestra, which Herdzin utilizes repeatedly as part of his projects, is definitely a group of most talented and worthy of admiration musicians. But Maestro Herdzin is definitely the main honcho, the inspirer and the chief (or perhaps chef) of this whole crazy happening. It takes a lot of courage and self confidence to undertake such a perilous venture and to emerge triumphant and victorious is simply phenomenal. This music can be enjoyed by almost anybody who has a working pair of ears on him, and it so multilayered and elegant that the more experienced and sophisticated the listener, the more pleasurable the experience becomes. Kudos Krzysztof, you really hit the jackpot this time! The live recording at the Polish Radio studio #3 in Warsaw has an unusually excellent, clear and vibrant sound quality, which enhances the whole album tremendously. The stars were definitely smiling at that project!

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TOMASZ WENDT TRIO & ATOM STRING QUARTET ~ BEHIND THE STRINGS SJ 018 (Barcode: 5912596066207) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is the debut album as a leader by Polish Jazz saxophonist / composer Tomasz WendtFind albums by this artist presented in a trio setting with bassist Grzegorz PiaseckiFind albums by this artist and drummer Wojciech BulinskiFind albums by this artist. The trio is accompanied on several tracks by the excellent Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violinist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Vocalist Magdalena ZawartkoFind albums by this artist guests on two tracks and pianist Lukasz DamrychFind albums by this artist guests on three tracks. The album presents eight original compositions, all composed and beautifully arranged by Wendt. What might appear on the surface as another "Sax & Strings" Smooth Jazz project turns out to be a brilliant musical enterprise, which offers superb Mainstream Jazz music, which has depth and meaning. The compositions are all wonderfully solid and coherent, full of typical Polish melancholy and lyricism, and all skillfully arranged for this unusual setting. The music is diverse and rich in harmonic layers and rhythmic patterns, providing a fascinating journey to the listener, which is moving from one climax to another. Wendt plays expressively and his improvisations perfectly suit the musical boundaries, being interesting and complex but not crossing the line into becoming too intricate for a mainstream Jazz enthusiast. The rhythm section supports the leader amicably, with Piasecki filling the bottom pulsations which make this music swing and Bulinski setting the pace with his skillful and highly original drum parts. The Atom String Quartet does exactly what it is famous for, i.e. plays some superb string ornamentations and in the process produces breathtaking violin solos. The album is a wonderful example of good taste and elegance. The proportions between the saxophone, rhythm section and the string quartet are beautifully balanced, magnificently recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist. Overall this is a gem of an album for fans of sophisticated mainstream Jazz, which offers an unusual instrumental setting and great compositions, superb arrangements and perfect execution; in short some of the best Polish Jazz has to offer. Wholeheartedly recommended!

Updated: 25/03/2017Posted: 25/03/2017

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