Record Reviews

NOVI ~ POLISH RADIO JAZZ ARCHIVES VOL.24 POLSKIE RADIO 1670 (Barcode: 5907812246709) ~ POLAND ~ Jazz Recorded: 1968 - 1971 Released: 2016 This is the twenty-fourth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The thirteen tracks collected here were recorded during three separate occasions by the sensational Polish Jazz vocal quartet NOVIFind albums by this artist Singers: a Polish Radio Studio session from 1968 (four tracks), a live performance at the 1969 Jazz Jamboree Festival (five tracks) and finally a live performance at the 1971 Jazz Jamboree Festival (four tracks). NOVI, formed in 1964 by Bernard KawkaFind albums by this artist, included also Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. During the studio session they were accompanied by an orchestra of unknown lineup, during the 1969 concert they were accompanied by a trio comprising of organist Krzysztof SadowskiFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and finally during the 1971 concert they were accompanied by a Big Band which included trumpeters Stanislaw MizeradzkiFind albums by this artist and Bogdan SkawinaFind albums by this artist, trombonist Stanislaw CieslakFind albums by this artist, saxophonists Tomasz SzukalskiFind albums by this artist, Janusz MuniakFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist, guitarist Marek BlizinskiFind albums by this artist, pianist Jan JarczykFind albums by this artist, bassist Tadeusz GogoszFind albums by this artist and drummer Kazimierz JonkiszFind albums by this artist. The material is mostly original with five compositions by Kawka, two by Parzynski and one by Mych. Three tracks are standards, one was composed by Namyslowski and one is an arrangement of a Classical piece by Frederic ChopinFind albums by this artist, which the quartet performs a cappella. Inspired by such vocal groups like the French Les Double SixFind albums by this artist and The Swingle SingersFind albums by this artist, also originally formed in France, NOVI took the vocal group artistry a notch further, presenting a wide and ambitious repertoire ranging from arrangements of Classical Music via complex Jazz compositions, mostly original, featuring advanced vocal shenanigans and finally arrangements of Pop material. They used lyrics in some of their material but were absolutely at their best when singing wordless vocalese, which they brought to perfection. This particular album had the potential of being one of the most interesting releases in this series, since live material by NOVI is almost completely absent from their recorded legacy, but sadly it suffers from some problems, which make it much less attractive that it should have been. Firstly the tracks recorded during the three separate sessions have been sequenced here quite randomly, rather than being presented grouped together by session. Secondly the recording quality is sadly very problematic on most of these tracks and even the careful restoring and remastering was not able to make them sound better. Of course the human voice is the most difficult recording challenge and considering the limitations present at the time the quality should be judged leniently, but in this case the sound quality seriously hinders the listening experience. Thirdly, as usual for this series, there is no background information about the artists, historic background, etc. which recordings of such importance truly deserve. Nevertheless all things considered, this is still a very important document of the Polish Jazz legacy and considering the importance of this material this album immediately becomes another must have for all Polish Jazz fans and collectors of Polish Jazz recordings.

Updated: 17/07/2016Posted: 17/07/2016

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BOGUSLAW RUDZINSKI ~ ZIMNA KAPIEL GAD 195 (Barcode: 5903068122941) ~ POLAND ~ Jazz Recorded: 1962 Released: 2022 This is an archival album by Polish Jazz saxophonist / composer Boguslaw RudzinskiFind albums by this artist recorded in a classic quintet setting with trumpeter Wieslaw EjssymontFind albums by this artist, pianist Krzysztof SadowskiFind albums by this artist, bassist Janusz RafalskiFind albums by this artist and drummer Wladyslaw JagielloFind albums by this artist. The album presents eight original compositions, five by Sadowski and three by Rudzinski. The music was recorded at the time as library music, to be used as background for documentary films. The legendary “Polish Jazz” series of LPs did not yet exist at the time and the first bona fide Jazz LP would be recorded only over a year later on. The music is surprisingly advanced for the time, a fully developed Bebop, which was closely resembling the music one could hear at the time in any NY Jazz club. The compositions are coherent and well structured, the performances are passionate and are not inferior to most Jazz music played over the ocean. These musicians listened to American mainstream very carefully and were able to imitate it with vengeance. This deep knowledge of the American Jazz tradition, quite extraordinary considering the Iron Curtain that divided West and East not only politically but also Culturally, was of course the reason for Polish Jazz to make very fast giant steps in the years that followed this recording, and create its own Jazz idiom, which respectfully absorbed the tradition but move forward toward intellectual / stylistic independence and emancipation. Overall, this is an excellent example of early Polish Jazz, superbly recorded and played, which lost nothing of its charm over time and sound today as graceful as and American Jazz album recorded at the time. As usual, GADFind albums on this label Records fill a gap in the history of Polish music, which would have probably remained oblivious if not the tireless efforts of the label to continuously revive it. An absolute must for Polish Jazz fans!

Updated: 14/05/2022Posted: 14/05/2022

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KRZYSZTOF SADOWSKI ~ AND HIS HAMMOND ORGAN (POLISH JAZZ VOL.21) MUZA 1021 ~ POLAND ~ Jazz Recorded: 1970 Released: 2006 This is the first album on the legendary Polish Jazz series, which is dedicated to the Hammond organ, the godfather of the electronic keyboards and probably the most significant new instrument, which dominated Jazz and Progressive Rock in the late 1960s and early 1970s (although available since the 1930s). Keyboardist Krzysztof SadowskiFind albums by this artist belongs to the first post WWII generation of Polish Jazz musicians, debuting in the 1950s and active on the local scene for many years. He combined his love of Jazz and Rock, playing with the leading ensembles of both genres with equal dedication and success. This album presents his Hammond organ performances in two different environments: Side A of the original LP captures him accompanied just by drummer Andrzej DabrowskiFind albums by this artist and the duo moves through a Rocky set, which includes a BeatlesFind albums by this artist medley. Side B finds him accompanied by the Polish Radio Jazz Studio OrchestraFind albums by this artist, led by saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist and featuring top Polish Jazz players, among them saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and many others. This set is much closer to Jazz and features a beautiful version of Krzysztof KomedaFind albums by this artist´s ballad from "Rosemary´s Baby".

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KRZYSZTOF SADOWSKI ~ NA KOSMODROMIE GAD 030 (Barcode: 5901549197389) ~ POLAND ~ Jazz Recorded: 1972 Released: 2015 This is a reissue (first time on CD) of the second album by Polish Jazz keyboardist / composer Krzysztof SadowskiFind albums by this artist recorded with an ensemble called Organ GroupFind albums by this artist, which also included flautist / vocalist Liliana UrbanskaFind albums by this artist, Dutch trumpeter Eddie EngelsFind albums by this artist, saxophonist Wlodzimierz NahornyFind albums by this artist, bass guitarist Pawel DabrowskiFind albums by this artist, drummer Tomasz ButowttFind albums by this artist and congas player Jozef GawrychFind albums by this artist. This album was not released at the time as part of the legendary "Polish Jazz" series, for reasons that are way beyond the scope of this text. The original album included only six tracks, the first of which gave the album its title and was a twenty minutes long six parts suite originally found on side A of the LP. The five tracks on side B were all much shorter. All the compositions were originals, four composed by Sadowski and one each by Nahorny and Engels. This remastered reissue adds three bonus tracks recorded at the Polish Radio. By the time this album was released the Polish Jazz scene was in a state of upheaval, torn between two extremes: Free Jazz on one side and Jazz-Rock Fusion on the other. Strangely this album presents a bit of both, since although conceptually belonging to the Jazz-Rock Fusion genre it features a few Free Form solos. Obviously Sadowski was shifting his organ playing stylistics from the traditional influences (Jimmy SmithFind albums by this artist) towards (then) contemporary keyboard approach represented by Herbie HancockFind albums by this artist or Weather ReportFind albums by this artist´s Joe ZawinulFind albums by this artist. The use of vocalese, which was one of the trademarks of Polish Jazz at the time, utilized extensively by Urszula DudziakFind albums by this artist in Michal UrbaniakFind albums by this artist´s ensemble, is only one of the parallels between these two pioneering Fusion bands active at the time. The space exploration, which seems a bit strange as a subject matter of a Jazz album, was at the time one of the main pillars of the Socialist propaganda, which excitedly participated in the space race between USSR and USA, with an obvious winning side. Picking such a subject increased of course significantly the possibility to have one´s music released by the State controlled solitary record company in existence at the time in Poland (Polskie Nagrania). In retrospect the albums is a great document of the time at which it was recorded, proving that in spite of the relative separation from what was happing beyond the Iron Curtain, Polish Jazz was responding rapidly to the changes in the Jazz idiom, often with ferocity and ingenuity, which were impossible to hold back by the political regime. As usual it is my duty to thank GADFind albums on this label Records for taking care of the Polish Jazz heritage, who is sadly a lonely rider on that trail. This superb music definitely needs to be fondly remembered and discovered by new generations!

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KRZYSZTOF SADOWSKI ~ THREE THOUSANDS POINTS (POLISH JAZZ VOL.47) GAD 031 (Barcode: 5901549197396) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1974 - 1997 Released: 2015 This is a reissue (first time on CD) of the third album by Polish Jazz keyboardist / composer Krzysztof SadowskiFind albums by this artist recorded with an ensemble called Organ GroupFind albums by this artist, which also included flautist / vocalist Liliana UrbanskaFind albums by this artist, saxophonists Vesselin NikolovFind albums by this artist and Tomasz SzukalskiFind albums by this artist, guitarist Winicjusz ChrostFind albums by this artist, bass guitarist Wojciech BruslikFind albums by this artist, drummers Zbigniew KitlinskiFind albums by this artist and Wojciech MorawskiFind albums by this artist and finally percussionists Andrzej ZielinskiFind albums by this artist and Bozena BruszewskaFind albums by this artist. The reason for the long lineup is the fact that the album was recorded during two separate sessions with two different lineups. This album was released at the time as part of the legendary "Polish Jazz" series (as Vol.47) and included originally only four tracks, the first of which gave the album its title and was a twenty one minutes long suite originally found on side A of the LP. The three tracks on side B were shorter and spanned between three to nine minutes in duration. Two of the compositions were originals, both composed by Sadowski; one was a Keith JarrettFind albums by this artist tune and one was a Classical piece. This remastered reissue adds three bonus tracks recorded at the Polish Radio. The music on this album shows Sadowski at full swing as a Jazz-Rock Fusion musician, firmly based in the Fusion idiom, which was pretty well established by then both on the Polish scene and abroad. He expands his arsenal and uses electric piano and early synthesizer (ring modulator) gadgets. The flute parts are more daring and the vocalese more developed, clearly following the work of Urszula DudziakFind albums by this artist. Nikolov adds a tinge of Balkan spice and Szukalski blows away like only he could, touching upon Free at times. The rhythmic support is very Rock oriented and the overall sound and feel of the music resembles to some extent the best Fusion ensembles active in the West but maintains an East European identity both harmonically and melodically. In retrospect the album is a great document of the time at which it was recorded, proving that in spite of the relative separation from what was happing beyond the Iron Curtain, Polish Jazz was responding rapidly to the changes in the Jazz idiom, often with ferocity and ingenuity, which were impossible to hold back by the political regime. The grammar mistake in the English version of the title (preserved for historic consistency) is a nice reminder of Socialist bureaucracy (an insider´s joke). As usual it is my duty to thank GADFind albums on this label Records for taking care of the Polish Jazz heritage, who is sadly a lonely rider on that trail. This superb music definitely needs to be fondly remembered and discovered by new generations!

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LILIANA URBANSKA ~ LILIANA URBANSKA GAD 101 (Barcode: 5903068120404) ~ POLAND ~ Jazz-Pop Fusion Recorded: 1971 - 1974 Released: 2019 This is a reissue of the debut album as a leader by Polish vocalist / flautist Liliana UrbanskaFind albums by this artist, best known as a member of the groups led by her husband, organist Krzysztof SadowskiFind albums by this artist. The ensemble that accompanies her on this album is the Krzysztof Sadowski Organ GroupFind albums by this artist and the background vocals are performed by the vocal ensemble PartitaFind albums by this artist (which is still active today). The original album presented eleven songs, nine of which were composed by Sadowski, one was a folk song and one was composed by Alina PiechowskaFind albums by this artist. This reissue adds four bonus tracks originating from an EP Urbanska recorded three years earlier. Contrary to her usual involvement with Jazz, this album is a collection of songs, which move between Pop, Soul, Folk and Rhythm And Blues. Considering the fact that almost all of the music and the instrumental parts involve Sadowski, the Jazzy feeling is quite dominant throughout the album. Urbanska plays a few flute solos as well. In retrospect this album sounds dated and even the nostalgia is not able to save it from a musty atmosphere. Except for a couple of poetic songs, especially the one based on a poem by Jaroslaw IwaszkiewiczFind albums by this artist and the a.m. song by Piechowska, which get close to the Jazz & Poetry idiom, the rest is quite forgettable. Overall for Polish Jazz completists this album is a nice nostalgic memorabilia, which certainly justifies having this album reissued, but probably won´t generate a lot of excitement in other circles.

Updated: 08/05/2023Posted: 09/03/2020

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VARIOUS ARTISTS ~ KRONIKI FILMOWE GAD 064 (Barcode: 5901549197877) ~ POLAND ~ Soundtracks Recorded: 1963 - 1978 Released: 2017 This is an archival release collecting mostly previously unreleased music, which was originally recorded as background music for films made by the Polish Film Chronicle (Newsreel) between 1963 and 1978. The album presents thirteen recordings by Polish Jazz, Rock and Classical musicians, such as Krzysztof SadowskiFind albums by this artist, KlanFind albums by this artist, Polish Jazz QuartetFind albums by this artist, SBBFind albums by this artist and others. The music represents the incredible variety of musical resourcefulness in Poland during the 1960s and 1970s, across different genres. These recordings are all fantastic gems of the era and a testimony to the fact that the Socialist Regime was unable to limit or castrate the creativity that the Polish musical scene always proudly cultivated and exposed. Most of the music belongs to the Jazz and Jazz-Rock Fusion idioms, which experienced a period of rapid development and great achievement during that time. Although compilations are not my favorite cup of tea, this compilation is so marvelous, interesting and surprising, that it easily holds its ground and makes perfect sense musically, in addition to being an incredible document of the era. For music connoisseurs unfamiliar with the Polish scene in the 1960s and 1970s this is an incredible introduction, a gateway into a whole musical universe that holds many treasures. For collectors this album offers many previously unreleased missing pieces of the grand puzzle called Polish Jazz. Beautifully remastered and accompanied by intelligent liner notes with historic information, this is one more gem that the GADFind albums on this label Record labels offers to its faithful supporters. Incredible stuff!

Updated: 29/01/2019Posted: 30/01/2018

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.15 POSKIE RADIO 1665 (Barcode: 5907812246655) ~ POLAND ~ Jazz Recorded: 1961 - 1962 Released: 2014 This is the fifteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents the second volume of recordings made in 1961 and 1962 by Polish Radio in several Polish cities, presenting Polish Jazz ensembles performing American Jazz standards. Although played well, this music presents very few challenges as far as Jazz development is concerned, but from a historical perspective that stage of development was an important step towards a the creation of a new voice in modern Polish Jazz, which was just around the corner. Playing standards prepared these musicians for the challenges that were in store for them when the music made a decisive leap forward towards the new Polish / European Jazz. The album includes sixteen tracks, by two ensembles, playing as mentioned earlier standards, in a manner still very similar to their American models. The ensembles are: Zbigniew NamyslowskiFind albums by this artist (saxophone) Jazz RockersFind albums by this artist with saxophonist Michal UrbaniakFind albums by this artist, pianist Krzysztof SadowskiFind albums by this artist, bassist Adam SkorupkaFind albums by this artist and drummer Andrzej ZielinskiFind albums by this artist (thirteen tracks) and Andrzej KurylewiczFind albums by this artist (piano / trumpet) quintet with saxophonists Jan Ptaszyn WroblewskiFind albums by this artist, pianist Wojciech KarolakFind albums by this artist, bassist Roman DylagFind albums by this artist (bassist Jan ByrczekFind albums by this artist plays on one track) and drummer Andrzej DabrowskiFind albums by this artist (three tracks). Stylistically the music is based on mostly Bee Bop and Hard Bop standards, played with obvious talent and affinity, but lacking any originality. Of course this is still an important document of the era and fans of mainstream Jazz and Polish Jazz history should be happy with it. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 12/06/2018Posted:

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