Record Reviews

EUROPEAN JAZZ ENSEMBLE ~ LIVE AT THE JAZZ CLUB U MUNIAKA NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2023 Released: 2023 This is a wonderful video by the European Jazz EnsembleFind albums by this artist, a quintet comprising of German baritone saxophonist August Wilhelm ScheerFind albums by this artist, Polish (resident in Munich) saxophonist / composer Leszek ZadloFind albums by this artist, Polish pianist Wojciech GroborzFind albums by this artist and young rhythm section: bassist Wojciech SzwugierFind albums by this artist and drummer Wieslaw JamiolFind albums by this artist. During the two hours concert they perform mostly music by John ColtraneFind albums by this artist in the first set and standards in the second set. The U Muniaka Jazz Club in the old town of Krakow is one of the most legendary and oldest Jazz Clubs in Poland and has a wonderful atmosphere due to its location in an ancient cellar. Zadlo, my dear Friend since many decades, is undoubtedly the greatest Polish interpreter of Coltrane’s music, and his virtuosity, talent, dedication and decades of experience make him a true phenomenon on stage, as can be witnessed here. But the entire quintet performs brilliantly and fans of Modern Jazz should enjoy this music immensely. Overall, this is an excellent opportunity to hear the music of John Coltrane performed by European musicians, with a different aesthetic and dynamic approach usually heard on the other side of the pond. This DVD could be quite difficult to find, but making an effort will be definitely worth it!

Updated: 15/12/2023Posted: 15/12/2023

DVD 1 Recommend To A Friend

JOHNNY GRIFFIN / HAL SINGER / LESZEK ZADLO / FERDINAND POVEL ~ SWISS RADIO DAYS TCB 02362 (Barcode: 725095023627) ~ POLAND ~ Jazz Recorded: 1975 - 1980 Released: 2013 This is a live archival album, which combines four sessions recorded by the Swiss Radio with a local Swiss rhythm section comprising of German (resident in Switzerland) pianist Klaus KoenigFind albums by this artist, bassist Peter FreiFind albums by this artist and drummers Alberto CanonicoFind albums by this artist, Peter SchmidlinFind albums by this artist or Pierre FavreFind albums by this artist and guest musicians: American saxophonists Johnny GriffinFind albums by this artist from 1975, and Hal SingerFind albums by this artist from 1980, Polish Saxophonist Leszek ZadloFind albums by this artist from 1979 and Dutch saxophonist Ferdinand PovelFind albums by this artist from 1978. The first three sessions present one track and the fourth session presents two tracks. Griffin, as expected, plays pretty straightforward mainstream Jazz, but the expanded playing time allows him to display his intensive improvisational abilities. Singer is mostly a Blues traditionalist, and his melodic performance is completely predictable. Zadlo, resident in Germany since 1975, is obviously the most interesting player on this album, pushing the boundaries of modern Jazz and Improvised Music, in the John Coltrane tradition. His fiery performance is convincing and jaw-dropping, and his presence on this album is the real reason why it is worth having a copy of it. Povel, who is an excellent player, very active on the European scene at the time, shows that his performances, although still rooted in Bebop, are way more advanced harmonically than anything originating from across the pond. Overall, due to the presence of Zadlo and Povel, this is a document of the European Jazz scene, especially important since the “Swiss Radio Days” series releases concentrated mostly on visiting American musicians, which seldom contributed interesting material.

Updated: 11/02/2025Posted: 11/02/2025

CD 1 Recommend To A Friend

AGNIESZKA HEKIERT ~ STORIES UNIVERSAL 028947651475 (Barcode: 028947651475) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 Polish Jazz vocalist / composer Agnieszka HekiertFind albums by this artist, who combines the careers of a vocalist and a successful vocal coach for TV reality shows, released this album eight years after her last release called "Night And Day SwingFind albums with this title", which she recorded with the pianist / composer Krzysztof HerdzinFind albums by this artist and his trio. In the meantime she also recorded the "European ImpressionsFind albums with this title" album with my dear friend, the great Polish saxophonist / composer Leszek ZadloFind albums by this artist, which unfortunately remains unreleased so far. From that session she carried over the Bulgarian pianist / composer Konstantin KostovFind albums by this artist (who studied with another friend of mine, the Russian pianist / composer Leonid TschischikFind albums by this artist, now living and teaching in Germany), who is her closest collaborator on this album. The other musicians, who constitute the piano trio on this album, are bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist. Guest appearances also include Herdzin on flute (yes I smiled too), vocalist Kuba BadachFind albums by this artist and the superb Atom String QuartetFind albums by this artist. The album includes twelve songs, four of which are Kostov / Hekiert originals, another four are by Hekiert or feature her lyrics, one is a standard, one is a song by StingFind albums by this artist, another one by Polish vocalist KayahFind albums by this artist and the last of mysterious Far East source (sic!); overall quite a mishmash of styles and influences, which are unified by the arrangements (the arranger is not listed) and excellent performances by the piano trio. Kostov is a brilliant player, which is evident both on his solo spots and his skillful accompaniment, and so are of course veterans Kubiszyn and Konrad. Hekiert is a talented vocalist, singing lyrics and vocalese with obvious ease and technical proficiency. Most of the vocals are in Polish, which of course is highly commendable, with few exceptions, which are unfortunately less impressive. Overall the vocal parts are kept within very safe limits of mainstream Jazz, which is somewhat lacking, as she obviously could have taken a few more risks and less obvious choices. Perhaps the fact that the album was released by Universal signifies an attempt to produce a much wider accessible music? In any case compared to some truly exciting vocal albums released in 2012 in Poland, this one sadly does not challenge any of them. Connoisseurs of vocal Jazz will find this a pleasant listening experience, with excellent instrumental parts and professional vocal performances, no less and no more.

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LOTUS EATERS ~ FOR VERY SAD AND VERY TIRED WHYPLAYJAZZ 012 (Barcode: 4050486098578) ~ GERMANY ~ Jazz Recorded: 2012 Released: 2014 This is the debut album by the quartet called Lotus EatersFind albums by this artist, led by German saxophonist / composer Wanja SlavinFind albums by this artist and including pianist Rainer BohmFind albums by this artist, Danish bassist Andreas LangFind albums by this artist and drummer Tobias BackhausFind albums by this artist. Saxophonist Philipp GropperFind albums by this artist guests on one track. For Slavin, who in the past was a student of my dear friend Leszek ZadloFind albums by this artist, this is a second album as a leader, following the debut entitled "SciroccoFind albums with this title" from 2010. The album presents six tunes, five of which are originals and one is a standard by Billy StrayhornFind albums by this artist, which gives both the album and the group their respective names. In the liner notes Slavin refers to his original compositions as "inspired by" certain Jazz tunes or Jazz musicians, like Charles LloydFind albums by this artist or Hermeto PascoalFind albums by this artist. These compositions are very melodic, mostly low key ballads, full of melancholy and lyricism. The quartet performs them delicately and with an obvious respect, trying not to push them beyond their original framework. The last rack is the most open and includes an extended freely improvised section, but the overall impression is quite "conventional", which is rather unusual for the albums released on the WhyPlayJazzFind albums on this label label. The individual statements by the quartet members are all splendid. Slavin´s alto saxophone has a mellow, enchanting tone, which caresses the listener´s ears gently. Bohm does a wonderful job supporting the leader and although plays little foreground solos, his background layers are as much important. Lang is as usual simply outstanding and step by step becomes one of my favorite bassist of the young European scene. Backhaus is a bit too busy for my taste and not completely compatible with the album´s concept, but perhaps his activity provides a contrast which has a positive influence on the overall sonic result. This kind of music should be accessible to a wide range of Jazz listeners, as there is so much to like herein, that everybody can hand on to something else that strikes a chord; some will like the tunes, others the splendid performances and yet others might be delighted by the degree of freedom and space present, in spite of the seemingly "simple" approach. Regardless of the specific viewpoint, it is very hard not to like this album from the first hearing. Well done!

CD 1 Mini-Sleeve Recommend To A Friend

HAROLD RUBIN ~ IVORY TOWER NOT ON LABEL ~ ISRAEL ~ Jazz Recorded: 2001 Released: 2001 Harold RubinFind albums by this artist not only single-handedly created the improvised music scene in Israel since the early 1990’s, but was also the spiritual father of an entire generation of young Israeli players, who were receptive and open-minded enough to embrace this musical form. Many of the players, who started their way in various trios / quartets led by Harold, became leaders and first-rate musicians in their own right, often returning to play with their mentor years later. This album is an example of such a case, as it brings Harold together with a former member of his group ParparFind albums by this artist (Butterfly in Hebrew), pianist Daniel SaridFind albums by this artist. Sarid took part in the recording of the wonderful meeting between Harold and the Polish saxophonist Leszek ZadloFind albums by this artist (released on JazzisFind albums on this label Records) a decade earlier and this album puts them side by side in the studio again. Of course Daniel refined and advanced his music immensely over the years and this meeting places him alongside Harold not as a student / disciple, but as an equal partner in the creative process. About a year before these sessions were recorded, Daniel recorded an excellent duo / trio album with his partner Hagai FershtmanFind albums by this artist (see their album on EarsayFind albums on this label Records), so it was only natural to have Hagai as the drummer. Young bass player Adam SheflanFind albums by this artist completed the quartet. The music is of course outstanding, as one might expect. Although written by Harold, other quartet members contributed a lot of creative input. There is plenty of wonderful solos and the quartet swings beautifully, even though the music is mostly free spirited and improvised. Harold recites some of his poems (with music in the background), something that has become an integral part of his unique Jazz act. This is a superb album in every respect and my only hope is that as many people can access this heavenly music as humanly possible.

CD-R 1 Recommend To A Friend

WLADYSLAW SENDECKI ~ PIANO PROVOCATEUR 1039 (Barcode: 5038491103929) ~ POLAND ~ Jazz Recorded: 2007 Released: 2007 Polish pianist / composer Wladyslaw SendeckiFind albums by this artist is one of the finest representatives of European Jazz. As a child prodigy he started his classical studies at the age of 11 and performances at the age of 15. Once he discovered Jazz, his passion for music concentrated in this field and he became involved with the Polish Jazz scene, playing piano in famous Polish groups like Extra BallFind albums by this artist and Sun ShipFind albums by this artist, both of which pioneered the Polish Jazz-Rock Fusion movement. In 1981 Sendecki left Poland (as did many gifted musicians at the time) first to Sweden and later settled in Switzerland. In 1990 he moved to Germany (Hamburg) and took the resident piano chair with the excellent NDR Big BandFind albums by this artist. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Bronislaw SuchanekFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. This beautiful piano solo album was recorded 20 years after his last recording as a leader and is a most welcome return and a great opportunity for new listeners to get exposed to his great talent. He composed most of the music, including the three parts suite dedicated to painter Marc Chagall and the Art of painting. Three pieces by other composers are also included, reflecting his love of music by other talented composers. The album is an absolutely stunning piece of music, performed with virtuosity and deep musical sensitivity. Sendecki keeps his brilliant technique “in check”, not letting it overshadow his delicate and impressive improvisational exploits. For well-trained listeners, the Polish musical tradition, especially the piano legacy of Frederic ChopinFind albums by this artist, is quite evident (Chopin’s romanticism and soul-searching qualities influence all Polish piano players to this very day). The music flows beautifully from one piece to another and for me it was all over much too soon, which means it will be played again many a time. The sound quality of the album is (not surprisingly) excellent, as all the other recordings on the ProvocateurFind albums on this label label. Piano lovers, Jazz lovers or just plain music enthusiasts should find plenty of content here and even if the Artist’s name is completely unfamiliar to them, it is absolutely worth investigating. I for one am proud to have such a superb musician for a friend. Hopefully we won’t have to wait for 20 years to enjoy another album of his.

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BARTOSZ SMORAGIEWICZ ~ HUSTLE & BUSTLE ARTISTS RECORDS ~ POLAND ~ Gypsy Jazz Recorded: 2015 Released: 2017 This is the debut album by the Polish ensemble led by clarinetist / saxophonist / composer Bartosz SmoragiewiczFind albums by this artist, which also includes violinist Marcin SkabaFind albums by this artist, guitarist Sebastian IwanowiczFind albums by this artist and bassist Piotr DomagalskiFind albums by this artist. The album presents nine original compositions, all by the leader. The music is an updated version of early Gypsy Jazz ensembles going back to the legacy of Django ReinhardtFind albums by this artist, with uses the tango and the waltz as departure points into improvisation, all kept within the melodic and harmonic conventions set up eighty years ago. The acoustic quartet lineup is also faithful to the tradition, although clarinet and violin are not the first association fans of Gypsy Jazz would come up with. Nevertheless the music is all coherent and well weaved, with plenty of excellent melodies and vitality, which are the core of this idiom. Some other musical traditions can be also found within this music, like Hassidic and Spanish motifs Smoragiewicz, who studied with my friend Leszek ZadloFind albums by this artist in Germany, is obviously a very proficient and talented player and his clarinet work is excellent. Skaba plays very nice violin parts and Iwanowicz, although slightly less present as a soloist, plays excellent accompaniment. Domagalski stands solidly in the background serving as the backbone of the quartet´s performances. Although on the lighter side of the Jazz spectrum, this is overall a very enjoyable album, which at the same shows a high quality of composition and performance and keeps the Gypsy Jazz tradition alive. Definitely worth investigation!

Updated: 03/04/2018Posted: 03/04/2018

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BRONISLAW SUCHANEK / DOMINIK WANIA ~ SKETCH IN BLUE NOT ON LABEL (Barcode: 786851249323) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008 This beautiful bass / piano duo album presents a meeting between two generations of great Polish Jazz players. Veteran bassist Bronislaw SuchanekFind albums by this artist was one of the most prominent players on the Polish modern Jazz scene, playing with top names, like Tomasz StankoFind albums by this artist (see the groundbreaking legendary “Music For KFind albums with this title” album). He left Poland during the turbulent years of Socialist regime, first to Sweden and later to USA, where he lives now. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Wladyslaw SendeckiFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. Dominik WaniaFind albums by this artist is a Polish pianist, with an impressive list of musical achievements in spite of his young age. Wania traveled to Boston, to get his Masters degree in music and there he met Suchanek. This album is a result of their musical cooperation. Both players are virtuoso performers on their respective instruments and their cooperation is in perfect sync, creating great exchange of ideas and interplay. Both musicians contribute equally to the compositional content, each of them by writing four compositions and one composition being co-authored. There are some superb melodies here and of course great performances from start to finish, full of sensitivity and intelligence, typical European Jazz at its best. Wholeheartedly recommended!

CD-R 1 Recommend To A Friend

LESZEK ZADLO ~ KOMEDA. WYGNANIE Z RAJU FOR TUNE 0140 (Barcode: 5906395808502) ~ POLAND ~ Jazz Recorded: 2016 Released: 2019 Leszek ZadloFind albums by this artist and I share many common crossroads in our life´s stories. We were both forced to leave Poland in the 1960s for political reasons. Leszek left first to Austria and later to Germany and I left to Israel. We both managed to build successful personal lives and careers in our new homelands, but we also kept in touch with our Polish friends and of course with the Polish Culture in general and Polish Jazz in particular. Both of us were banned from visiting Poland for many years and our Polish passports were confiscated and voided. We both organized concerts and events to support the Polish "Solidarity" movement in its struggle for political freedom in Poland and we both rejoiced when Poland finally managed to break the shackles of Socialist tyranny. During all these years and to this very day, for five decades, we stayed in constant contact, supported each other in hours of need and sorrow and consoled each other when dark skies have hidden the sunshine. In the 1980s and first half of 1990s my family (my wife, my daughter and myself) have spent many days in the incredible house in the suburbs of Munich, where Leszek and Basia (as we called Barbara) and their lovely dogs greeted as always with friendship and love and great food and splendid company. We shared our love of people, music, movies and of course dogs, spending hours on end talking and eating and drinking wine till the small hours of the night. In 2016 Leszek and I received on the same stage our respective Polish Jazz "Oscars", he for his lifetime achievements as a musician and I for my achievements in Jazz Journalism. A few months later I invited Leszek to be the Resident Artist of the Singer Jazz Festival, of which I am the Artistic Director. During this residency Leszek, supported by a dream team of top Polish Jazz musicians, performed the lost musical composed by the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist, called "Wygnanie Z Raju" ("Exile From Eden"), which we immediately re-christened jokingly as "Wygnanie Z Kraju" ("Exile From Our Country") referring to our common past. The recording of this historic concert is now released by For Tune Records. Leszek never played an unnecessary note in his life and his interpretation of Komeda´s music was always one of the best imaginable. Everything else is already within the music itself. For me Leszek will always be the greatest Polish saxophone player of all times. Love you my friend, as always! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 20/05/2019Posted: 20/05/2019

CD 1 Recommend To A Friend

LESZEK ZADLO ~ LESZEK ZADLO ENSEMBLE POLJAZZ / ANEX 316 (Barcode: 5907513047711) ~ POLAND ~ Jazz Recorded: 1973 Released: 2009 Polish saxophonist / composer Leszek ZadloFind albums by this artist is undoubtedly one of the greatest Jazz musicians born in that country. A brilliant player and improviser, Zadlo continues the John ColtraneFind albums by this artist legacy of playing the saxophone as if his life depended on it, with total devotion and sublime natural talent. Of course he is also my close personal friend, so don´t expect any objectivity here. This is his debut recording with an ensemble comprising of some fellow Austrian players whom he met during his musical studies in Austria. Following his studies Zadlo settled in Germany, where he lives since the early 1970s, returning often to Poland to partake in the country´s many different Jazz activities, like festivals, workshops, etc. He teaches Jazz and performs vigorously with several groups, recording his works (including on my JazzisFind albums on this label label). This beautiful album is a glimpse of a young, but already mature player; performing music he composed in modern / Free Jazz setting, full of virtuoso performances and uplifting strength. The album was originally released under the title "Inner SilenceFind albums with this title". Anybody interested in Easter European Jazz should find this album fascinating and I can only recommend it wholeheartedly.

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LESZEK ZADLO ~ MISS B. FOR TUNE 0136 (Barcode: 5906395808489) ~ POLAND ~ Jazz Recorded: 1995 Released: 2018 This is an archival album by Polish (resident in Germany) Jazz saxophonist / composer / educator Leszek ZadloFind albums by this artist recorded in a trio format with bassist Andrzej CudzichFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The album presents six compositions, four of which are originals composed by Zadlo and two are standards. The album was recorded the day after the funeral ceremony of Barbara Kwiatkowska-LassFind albums by this artist (the Miss B. to whom this album is dedicated), Leszek´s wife. Sadly both Cudzich and Stefanski are not longer with us as well. Although this is supposed to be an album´s review, this music and the people behind it are way to close to me and my family to allow me to write about it in an objective way, and I´d rather state here a few personal comments / memories about it. Leszek and I share many common crossroads in our life´s stories. We were both forced to leave Poland in the 1960s for political reasons. Leszek left first to Austria and later to Germany and I left to Israel. We both managed to build successful personal lives and careers in our new homelands, but we also kept in touch with our Polish friends and of course with the Polish Culture in general and Polish Jazz in particular. Both of us were banned from visiting Poland for many years and our Polish passports were confiscated and voided. We both organized concerts and events to support the Polish "Solidarity" movement in its struggle for political freedom in Poland and we both rejoiced when Poland finally managed to break the shackles of Socialist tyranny. During all these years and to this very day, for five decades, we stayed in constant contact, supported each other in hours of need and sorrow and consoled each other when dark skies have hidden the sunshine. In the 1980s and first half of 1990s my family (my wife, my daughter and myself) have spent many days in the incredible house in the suburbs of Munich, where Leszek and Basia (as we called Barbara) and their lovely dogs greeted as always with friendship and love and great food and splendid company. We shared our love of people, music, movies and of course dogs, spending hours on end talking and eating and drinking wine till the small hours of the night. Basia was the sweetest, gentlest person one can imagine. She was completely devoid of the ego mannerisms often associated with film stars, a wonderful devoted mother and a true friend. The news about her serious illness and finally about her tragic and unexpected death were a horrific blow to Leszek and of course to all the people who knew and loved her, our family amongst them. We all remember her most fondly and she will always be a part of our lives. In 2016 Leszek and I received on the same stage our respective Polish Jazz "Oscars", he for his lifetime achievements as a musician and I for my achievements in Jazz Journalism. A few months later I invited Leszek to be the Resident Artist of the Singer Jazz Festival, of which I am the Artistic Director. During this residency Leszek, supported by a dream team of top Polish Jazz musicians, performed the lost musical composed by the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist, called "Wygnanie Z RajuFind albums with this title" ("Exile From Eden"), which we immediately re-christened jokingly as "Wygnanie Z Kraju" ("Exile From Our Country") referring to our common past. The recording of this historic concert will be released by For TuneFind albums on this label Records, hopefully soon. As to the album I am supposed to write about: Well Leszek never played an unnecessary note in his life and the traumatic circumstances surrounding this recording only emphasize his sublime power of expression, with the music serving as the only way to both escape and express his grief. Everything else is already within the music itself. For me Leszek will always be the greatest Polish saxophone player of all times. Love you my friend, as always!

Updated: 28/10/2018Posted: 28/10/2018

CD 1 Recommend To A Friend

LESZEK ZADLO / EUROPEAN ART ENSEMBLE ~ EMOTION JBBO ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 Polish (resident in Germany) Jazz saxophonist / composer / educator Leszek ZadloFind albums by this artist (born 1945) is one of the most formidable representatives of the first post WWII generation of Polish Jazz musicians. He was also one of the first amongst the Polish Jazz musicians to leave his country, which he did in the mid-1960s, first to Austria and then to Germany. Of course he still keeps very strong ties with the Polish Jazz scene and plays there often, and his ensembles often include other Polish Jazz musicians. On a personal note, Leszek and I have been friends since many decades. Musically Zadlo is a modernist, playing contemporary Jazz based mostly on the post John ColtraneFind albums by this artist tradition and his virtuosic abilities as a player place him in the top class of the Polish Jazz saxophonists, if not at the very top. His compositions are all classics of the Polish Jazz tradition, continuing, perhaps in the closest possible way, the path set by the compositions of Krzysztof KomedaFind albums by this artist. This album is a live recording of a quintet led by Zadlo, which also features the German baritone saxophonist August-Wilhelm ScheerFind albums by this artist and Polish Jazz musicians: pianist Wojciech GroborzFind albums by this artist, bassist Tolek LisieckiFind albums by this artist and drummer Wieslaw JamiolFind albums by this artist. The quintet performs eight compositions, one of which is an original by Zadlo and seven are standards, three of them by John Coltrane and two by Wayne ShorterFind albums by this artist, i.e. classic modern Jazz material. Obviously an informal session, this music is all about having a good time and playing some great music. For listeners unfamiliar with Zadlo´s abilities as a player this is a wonderful opportunity to hear a true Master at work. Scheer also plays some very fine solos. The rhythm section supports the two soloists sympathetically and solidly. Overall this is a classic live modern Jazz recording, which should appeal to all lovers of the genre. The Zadlo original, which is also the longest track on the album, is an absolute marvel.

CD 1 Digipak Recommend To A Friend

LESZEK ZADLO QUARTET ~ LIVE IN HAMBURG `75 FOR TUNE 0170 (Barcode: 5906395808847) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1975 Released: 2024 By the mid-1970s West Germany became a true Mecca of European Jazz. The great economic resurgence allowed benevolent support of Arts by the German regional and Federal governments, and Jazz became a highly popular and flourishing Artform, bursting with concert activity all around the country. The many indoor and outdoor Jazz festivals, venues ranging from newly constructed concert halls to small clubs and cellars, music schools with Jazz departments and a vast number of thriving independent record labels, like MPSFind albums on this label, ECMFind albums on this label and EnjaFind albums on this label, to mention but a few, all these created a climate, which not only enabled the local musicians to flourish, but also acted like a magnet pulling Jazz musicians from all over the world to move to Germany and take part in the celebration of creating the new European Jazz miracle. Since Europe was at the time literally split by the Iron Curtain into “West” and “East”, moving to Germany from the USA or other West European countries was a breeze. However, as far as East European Jazz musicians were concerned, such move was, more often than not, only but a dream. That did not mean, of course, that some of them would not try, and eventually also succeed to make such transition. Born in Krakow in 1945, Polish Jazz saxophonist / flautist / composer / educator Leszek ZadloFind albums by this artist was one of the first Polish Jazz musicians, who managed to make the “West” their new home. He moved first to Austria, in 1966, where he polished his education and performing skills, playing constantly with the best local and visiting international Jazz players. There he recorded his debut album “Inner SilenceFind albums with this title” in 1973. In 1975 Zadlo relocated to Germany, settling in Munich and quickly becoming an integral part of the busy local scene. This album presents a live recording by Zadlo with an international quartet, which includes American pianist Larry PorterFind albums by this artist, who was one of the many US musicians staying at the time in Germany, and a German rhythm section comprising of bassist Gunter LenzFind albums by this artist and drummer Joe NayFind albums by this artist. The concert was a part of the 1. New Jazz Festival, which took place in Hamburg in June of 1975. The festival’s concerts were presented at two legendary local venues: “Fabrik” and “Onkel Pös Carnegie Hall”, where the music on this album was recorded. The Festival’s lineup included several ensembles, led by important international Jazz artists, like Norwegian Terje RypdalFind albums by this artist, American Dave LiebmanFind albums by this artist, German Eberhard WeberFind albums by this artist and… Polish Tomasz StankoFind albums by this artist, another proud representative of the Eastern European Jazz scene. Parts of the performances by these artists were included on a commemorative album released by the Polydor label later that year. The fact that Leszek Zadlo was invited to take part in this important festival speaks volumes about his status as a part of the evolving European Jazz Avant-Garde. The music is, as expected, a brilliant example of European Free Jazz / Improvised Music hurricane, exploding with emotions and sublime musicianship. Zadlo’s “infatuation” with the music of John ColtraneFind albums by this artist is obvious, but Zadlo offers his very own voice and interpretation of Freedom, which is perhaps less wild and instinctive, but rather more expressive and balanced, without losing touch with the world around. There is no doubt that Zadlo was at that period of his life perhaps the most “Coltrane oriented” European Jazz musician, all the way as total as the great Master, and with complete and full control of his faculties. Watching Zadlo on stage was like facing a Force of Nature, being totally and utterly swept by flow of his energy, all of which is wonderfully captured herein. His partners in crime are completely up to the task, as expected. It would be a sin to leave this music dormant in the vault and I am extremely happy to see it out in the open. Love you my Friend, as always! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 06/12/2024Posted: 06/12/2024

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