Record Reviews

LUKASZ KOKOSZKO ~ NEW CHALLENGE SJ 030 (Barcode: 5912596066337) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz guitarist / composer Lukasz KokoszkoFind albums by this artist, recorded in a quartet setting with pianist Grzegorz ZiolekFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist, all representatives of the youngest wave of Polish Jazz musicians at present (2018). The album presents nine original compositions, all by Kokoszko. The music is a melodic variety of Fusion, with stronger Jazz ties than usual Fusion material, especially in view of the fact that except for the electric guitar the rest of the instruments play acoustically. The compositions are also more complex than the usual Fusion stuff, so the overall stylistic environment is somewhere between melodic modern Jazz and Fusion. The music is mostly very calm and melancholic, and perhaps more up tempo numbers would have served the album well to add more variety. All four musicians perform very well, with the obvious emphasis on the leader, who sets the tone, playing the themes and long improvisations. Ziolek also adds several wonderful piano solos and the rhythm section splendidly supports them along the way. Kokoszko is a splendid guitar player, strongly based in the Blues tradition, which is relatively uncommon among contemporary guitar players. His personal style is very unique, which is a great virtue these days, with most guitar players imitating other guitar players. Overall this is a first class debut album, which shows a lot of potential by the leader and his splendid team. Solid compositions and excellent performances add together to create a very pleasant listening experience and the unusual guitar sound and drive are certainly worth being discovered. Well done indeed!

Updated: 05/08/2018Posted: 05/08/2018

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SABINA MECK ~ SLOWO NA T SJ 048 (Barcode: 5912596066849) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the third album by Polish Jazz vocalist / songwriter Sabina MeckFind albums by this artist (a.k.a. Sabina MyrczekFind albums by this artist), recorded in a sextet setting with saxophonist Przemyslaw ChmielFind albums by this artist, guitarist Lukasz KokoszkoFind albums by this artist, pianist Michal JakubczakFind albums by this artist, bassist Piotr NajarowskiFind albums by this artist and drummer Szymon MadejFind albums by this artist. Sabina´s brother vocalist Wojciech MyrczekFind albums by this artist guests on one track. The album presents ten original songs, all written (music and lyrics, all bar one in Polish language) by Meck. The album was recorded at the Monochrome Studio and engineered by Ignacy GruszeckiFind albums by this artist with excellent, as usual, sound quality. The album is a perfect document of the process Meck completed in the first five years of her career, both as vocalist and even more so as songwriter. The choices she made here to sing only original material and finally singing in Polish prove to be the right ones in every respect, as this album is definitely the most advanced and sophisticated achievement she made so far, even though the two previous albums were already remarkable by any standard. The most striking quality of this album is the quality of the compositions, which is nothing short of astounding. Although hey are all full of beautiful melodies, they also dare to explore much less conventional areas, sometimes even bordering on Free. The rhythmic patterns are often unusual and convoluted as well. As a result musically the album enters another dimension entirely, stepping beyond what is expected from "song oriented" music. Meck utilizes all her wonderful vocal abilities augmented by an extensive technical range, singing both lyrics and vocalese, spoken word and theatrical phrasing, each and every time perfectly appropriate to the given musical setting. Singing in Polish allows her to emphasize the dramatic qualities of her lyrics, which adds another layer to the songs´ overall effectiveness. She is beautifully supported by the five instrumentalists, who spice the proceedings with superb soloing and steady rhythmic flow, which is extremely important in this complex music. The young generation of Polish Jazz musicians is so full of wonderfully talented people that we take this level of quality for granted, but in fact this is true miracle. 2019 finally proved to be a remarkably fruitful year for Polish vocal Jazz albums after many decades of relative stagnation. This album is certainly one of most impressive of these albums, deserving as much love and attention as possible. I am happy so see that my high hopes and expectations from Sabina Meck, from the moment I first heard her, proved to be justified and it makes me extremely happy to see her consistently reaching for the stars. You make me proud my Dear!

Updated: 26/12/2019Posted: 26/12/2019

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SOUNDMECK ~ ERUPTION POLSKIE RADIO 2109 (Barcode: 5907812244972) ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is the second album by Polish Jazz vocalist / composer / lyricist Sabina MeckFind albums by this artist (a.k.a. Sabina MyrczekFind albums by this artist) and the first under the ensemble moniker SoundmeckFind albums by this artist, a quintet led by Meck and also including trumpeter Pawel SurmanFind albums by this artist, guitarist Lukasz KokoszkoFind albums by this artist, bassist Adam TadelFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents eight original songs, one of which has a short instrumental introduction. Seven of the songs feature lyrics in English and one song has lyrics in Polish. Meck wrote all the music and the lyrics. The music on this album is quite different from what Meck presented on her sensational debut a year earlier. The ensemble has a much richer sound than the previously featured classic piano trio and the sound is much more contemporary, electric, vibrant and sparkling. The music, although still very much Jazzy, opens out to other directions, like Pop, Rock, Cabaret and other genres. Meck´s songwriting reaches here the full bloom and presents her as a diverse, sensitive and sophisticated songweaver. Meck´s vocal performances on this album are also a major step forward, again presenting a wider, much more varied vocal technique, use of vocalese and theatrical trickery, which is fascinating and extremely attractive. She handles the English lyrics well, perhaps not completely "properly" as far as the pronunciation is concerned, but her idiosyncrasies are charming rather than problematic. Personally I still love the song with the Polish lyrics best, but that is just me. The accompanying quartet´s instrumental performances are all absolutely brilliant. Kokoszko plays a really tasty guitar and solos abundantly and it is his stylistic diversity that takes the music out of the strict Jazz environment into other areas. His Rock oriented solo on one of the tracks is one of the best Rock guitar solos I came across in a long time. Surman plays less up front, but his unisono parts with Meck are exquisite and are one of the trademarks of the music presented on this album. The rhythm section is also superb all along, keeping the complex music afloat and supporting the vocals amicably, always with grace and elegance. It is remarkable to hear the delicate balance between the vocals and the instrumental work on this album, one of the best examples of such cooperation. There is an implicit sharing of responsibilities between the ensemble members, mutual respect and a sense of common goal. The time span of vocal and instrumental parts is beautifully balanced, which of course emphasizes the ensemble effect. Overall this is a remarkable and outstanding album in every respect, definitely one of the best Polish Jazz (and beyond) vocal albums so far this year and a giant step forward for Meck and her compadres. The average age of these musicians is nothing short of astounding and the proportion between their ages and abilities is frightening – in the best way of course. A brilliant piece of music from start to finish, which deserves nothing but praise and respect!

Updated: 10/06/2017Posted: 10/06/2017

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PAWEL WSZOLEK ~ CHOICE FRESH SOUND 478 (Barcode: 8427328424783) ~ POLAND ~ Jazz Recorded: 2015 Released: 2015 This is the debut album by young Polish Jazz bassist Pawel WszolekFind albums by this artist recorded with his quartet with also includes guitarist Lukasz KokoszkoFind albums by this artist, pianist Sebastian ZawadzkiFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents nine original compositions, all by Wszolek and was released on the Spanish Fresh SoundFind albums on this label label as part of the prestigious New Talent series. The music is all within the melodic modern mainstream boundaries, solid and well crafted, but not particularly ambitious. It is, however, excellently executed, especially due to the superb piano parts by Zawadzki and sensitive drumming my Madej, who have both already appeared with great success on other Polish Jazz recordings in the last few years. Wszolek also plays well, handling the bass solos with self confidence and playing alongside his cohorts amicably. Of course, although he is the quartet´s leader, playing a bass solo on every track of the album is a bit excessive. The guitar, however, I find a bit overbearing, as it is loud in the mix and its sound is slightly harsh (too much echo?), not fitting ideally to the acoustic piano trio setting of the rest of the band. Stylistically the round guitar sounds are definitely way too related to Pat MethenyFind albums by this artist for my taste. Nevertheless this is still a very strong debut effort, which should satisfy most mainstream Jazz fans and serve as a sold proof of the talents of these young musicians, who are after all at the very early stages of their career. I look forward to hear more of Wszolek´s music in the future, after he matures a bit and gains the experience so much needed when playing Jazz.

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PAWEL WSZOLEK ~ FAITH FOR TUNE 0106 (Barcode: 5906395808083) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is a second album by young Polish Jazz bassist / composer Pawel WszolekFind albums by this artist, which follows his debut album, released just a year earlier. This time the music is recorded by a quintet, which includes all the players present alongside the leader on the debut effort, i.e. guitarist Lukasz KokoszkoFind albums by this artist, pianist Sebastian ZawadzkiFind albums by this artist and drummer Szymon MadejFind albums by this artist, and adds saxophonist Mateusz SliwaFind albums by this artist. The album presents eight original compositions, all by Wszolek. Musically the album marks a significant step forward towards compositional maturity, and continues the excellent level of execution present on the debut. The tunes are significantly less straightforward than those on the predecessor, with more complex harmonic structure and melodic diversity, which results in an overall aesthetic aura, which projects seriousness and depth. Wszolek is lucky to have these talented players as members of his quintet, as their individual contributions lift the music to a connoisseur level, which of course serves the compositions very well. The album is full of great solo statements by the participants, but manages to maintain a calm, relaxed atmosphere of melancholy, typical of Polish Jazz recordings. Wszolek plays the bass parts with confidence and determination, obviously leading the quintet all the way through. His beautifully melodic and round sound is an excellent anchor that keeps the music in check. Zawadzki´s statements are, again, the most impressive as far as soloing is concerned, and in spite of his young age he is slowly emerging as a significant pianist on the very crowded Polish Jazz scene, still waiting for his definitive album to be released. Overall this is a very solid release, full of great tunes and excellent performances, which proudly represents the state of contemporary Polish Jazz and compares favorably to anything in the similar vein recorded anywhere in the world. All these musicians are part of the next generation of Polish Jazz, slowly taking over the center stage from the aging (albeit hopefully slowly) current residents. Well done!

Updated: 31/12/2016Posted: 31/12/2016

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