Record Reviews

AD SHAVE ~ AD COMPLEMENTUM SOLITON 880 (Barcode: 5901571098807) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is an album by Polish Jazz drummer / composer Adam GolickiFind albums by this artist, which compliments (as the title suggests) his debut album entitled "Ad ShaveFind albums with this title", released this time under the Ad ShaveFind albums by this artist moniker rather than under his own name. It was recorded with an excellent team of Polish Jazz musicians which include saxophonist Maciej SikalaFind albums by this artist, trumpeter Marcin GawdzisFind albums by this artist, pianist / accordionist Cezary PaciorekFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and several other musicians appearing on selected tracks. The album presents ten tracks, seven of which are composed or co-composed by Golicki, one each is composed by Paciorek and Lemanczyk and one is a Classical piece. The music is a wonderful collection of beautiful melodies, arranged mostly in a smooth Jazz-Rock Fusion mode and superbly performed by all the musicians involved. Although not innovative as such, the music is simply perfect in what it stands for and a schoolbook example of contemporary Fusion, which concentrates on excellent compositions and skillful arrangements rather than exploring endless instrumental doodling. The album is a most enjoyable ride, full of excellently weaved melodies, exciting soloing and a coherent "good time" approach, which is a breath of fresh air as far as most contemporary Fusion is concerned. Personally I had a great time listening to this music, which although seemingly pretty straightforward, does not make any compromises as far as aesthetic values are concerned and is an example of good taste and first class craftsmanship both on the compositional and performing platforms. Warmly recommended to Jazz-Rock Fusion fans, which prefer depth to flashy showmanship!

Updated: 04/05/2019Posted: 04/05/2019

CD 1 Digipak Recommend To A Friend

MARCIN GAWDZIS ~ MIND RECOVERY SOLITON 892 (Barcode: 5901571098920) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is an album by veteran Polish Jazz trumpeter / composer Marcin GawdzisFind albums by this artist recorded in a quartet setting with other veterans of the Polish Baltic Jazz scene: pianist Cezary PaciorekFind albums by this artist (mostly known as an accordion virtuoso), brilliant bassist Piotr LemanczykFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album presents seven original compositions, all by Gawdzis. The music is a highly melodic mainstream Jazz, somewhere between Bebop and Hard Bop, but with the usual Polish twist, adding elements of Slavic melancholy and lyricism. Al the melodies are wonderfully crafted and harmonically coherent, serving as excellent examples of contemporary Jazz firmly based in the classic Jazz tradition. If blind tested this album might be easily mistaken as a Blue Note session from the 1960s, and I mean this as a compliment. All four instrumentalists present a proficient technical level and a high sensitivity, which is obviously world class in every respect. Gawdzis has a clear and precise tonality and his solos are perfectly structured. Paciorek is the romantic of the four and his harmonies are always where they belong and his solos are heartbreaking. Lemanczyk, as always, pours his heart out and his bass lines are elegant and sophisticated, as expected from one of the top bass players in the country. Sowinski plays delicately, in accordance with the character of the music, staying mostly in the background, but his presence is felt in the places where a rhythmic support is needed. Polish Jazz scene is famous for its young generation of superb Avant-Garde / modernist trumpeters, which is truly amazing in every respect, but there are still several excellent conventional players, like Gawdzis, who also deserve the attention of Jazz fans; this album is definitely the proof of such well deserved attention. Overall this is a splendid mainstream Jazz album with excellent compositions and admirable performances, which should be interesting to every Jazz connoisseur on this globe. Very well done Gentlemen!

Updated: 03/05/2019Posted: 03/05/2019

CD 1 Digipak Recommend To A Friend

MARCIN GAWDZIS ~ SHADOWS OF AUTUMN SOLITON 305 (Barcode: 5901571093055) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the debut album as a leader by Polish Jazz trumpeter / composer Marcin GawdzisFind albums by this artist recorded in a quintet format with saxophonists Szymon LukowskiFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, bassist Maciej SadowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album includes seven compositions, six of which are Jazz standards and one is an original composition by Gawdzis. The format is, as expected, a straightforward mainstream Jazz, which basically offers the "more of the same" formula of this format, which was previously used countless times earlier. Of course all these musicians are perfectly well trained professionals and their playing is spotless and even inspired at times, but the question is why listen to this specific album as opposed to countless others exactly like it? Let´s leave the Americans to keep repeating themselves ad nauseam with their mainstream Jazz and look for something at least slightly different? But all things considered this is after all a very good mainstream album, which will surely keep listeners of such music very happy. Gawdzis has a nice round tone and plays solidly, without taking many risks or offering bravado displays. Bukowski, who is the most interesting player in this quintet, displays his usual virtuosity, but the battered standards don´t leave him with many options to show up his true abilities. The rest of the guys schlep on happily and without much effort. Not really my cup of tea, as this is nice, but banal music as far as I´m concerned, but I´m sure many other listeners will be able to enjoy it.

CD-R 1 Digipak Recommend To A Friend

SZYMON LUKOWSKI ~ SZYMON LUKOWSKI QUINTET SOLITON 338 (Barcode: 5901571093383) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by Polish Jazz saxophonist / composer Szymon LukowskiFind albums by this artist, recorded in a quintet format with trumpeter Marcin GawdzisFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, bassist Maciej SadowskiFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist. The album features seven original compositions, five by Lukowski and one each by Sadowski and Gawdzis. This album presents the same lineup (except for the drummer) that recorded the album "Shadows Of AutumnFind albums with this title" by Gawdzis, and unfortunately presents the identical worn out mainstream Jazz formula, that contributes neither intellectual nor aesthetic challenge to the listener, sounding very much like American Jazz recorded a few decades earlier (and that is not meant as a compliment). The compositions are unremarkable and the playing, except for Bukowski, who is always highly professional, uninspired. I already stated what I think about this kind of music in my review of the a.m. album and there is nothing else to add. Some people like this stuff, but I definitely try to avoid it.

CD 1 Digipak Recommend To A Friend

EMILIA PAWLOWSKA ~ NIEBO NAD JEZIOREM SOLITON 1111 (Barcode: 5903684231119) ~ POLAND ~ Sung Poetry Recorded: 2019 - 2021 Released: 2021 Although not her debut release, this is the debut album by Polish singer / songwriter Emilia PawlowskaFind albums by this artist, which offers her original material. It presents eleven songs, all co-composed by Pawlowska with keyboardist Adam LemanczykFind albums by this artist, who was also in charge of all the arrangements. Veteran Jazz trumpeter Marcin GawdzisFind albums by this artist plays on five tracks. The lyrics to all the songs were written by two Polish poetesses Anna SzucaFind albums by this artist and Alina RzepeckaFind albums by this artist. Not surprisingly, the album sits firmly within the Sung Poetry idiom, which is sadly less popular these days, but used to be Poland’s musical pride for many years in the good old times. The music fits the lyrics beautifully and the arrangements present a diverse kaleidoscope of influences, with a distinct Jazz subtext, emphasized by the trumpet solos, but also some shades of World Music and Polish Folklore. Each and every song is quite different from all the others, but at the same time the album offers a remarkable musical and conceptual coherence. Obviously Sung Poetry is also about selecting the poetry carefully and delivering it properly, which in this case was certainly appropriately done. It seems that Polish poetry is largely in the hands and minds of female poetesses these days, many of which I personally admire, and the female sensitivity of selecting the right words and expressing strong emotions without necessarily using “strong” bombastic vocabulary seems to be their main strength. Pawlowska certainly treats the poetry with respect, eschewing theatrics and pompous trickery, which dominates contemporary popular music. Her delicate, often seemingly aloof vocal delivery, is a perfect way to transfer the depth of the poetic charm straight into the listener’s heart. Her vocals are recorded without artificial electronic enhancement, which allows the natural warmth of her voice to work the magic. Obviously Sung Poetry, however dressed up musically, requires careful listening and I must admit that the album sounds quite differently each time I listened to it, which is part of its appeal. The superb instrumental delivery by all the participants and the concise / precise soli ornament the songs beautifully. The sound quality, production and arrangements are all highly professional and are a perfect example of how little details and touches can be more important that a dreadful wall of sound, which characterizes most of what we can hear on albums recorded today. Especially impressive is the skillful use of electronic effects and synthesizers, which when used sparingly can be highly effective. Overall this is a very impressive album, carefully planned and beautifully executed, which pays tribute to good taste, cultural values and artistic desires, all at the same time. It is definitely outstanding on the contemporary Polish music scene and is worthy of praise and recognition, although being an old cynic, it is also one of those rare albums that are too good to be successful. Nevertheless, the old romantic in me hopes it will get to as many listeners as it deserves. Women power rules!

Updated: 20/07/2021Posted: 20/07/2021

CD 1 Digipak Recommend To A Friend

SPECIAL JAZZ SEXTET ~ PROJEKT ELBLAG ALLEGRO 022 (Barcode: 5901157049223) ~ POLAND ~ Jazz Recorded: 2010 Released: 2011 This is the debut album by a Polish Jazz sextet, which changed its lineup and name several times before settling with the name Special Jazz SextetFind albums by this artist, before this album was recorded. It is led by keyboardist Bartek KrzywdaFind albums by this artist and includes saxophonist Szymon ZuehlkeFind albums by this artist, trombonist Artur OlewniczakFind albums by this artist, trumpeter Marcin GawdzisFind albums by this artist, bassist Janusz MackiewiczFind albums by this artist and drummer Grzegorz SyczFind albums by this artist. Saxophonist Przemek DyakowskiFind albums by this artist guests on five tracks and guitarist Jaroslaw SmietanaFind albums by this artist and violinist Jerry GoodmanFind albums by this artist each guest on one track. The album presents eight original compositions, all by Krzywda. The music is melodic mainstream Jazz bordering on Jazz-Rock Fusion. The brass section is skillfully used in the arrangements to support the keyboards / rhythm section passages and overall the sextet functions as a solid well synchronized unit, achieving a polished and highly professional effect. There are plenty of excellent solo parts by all the participants and the guests. The individual contributions by all the participants are truly outstanding and although these are not "famous" Polish Jazz musicians, their level of technical proficiency and skillful delivery are as good as those by musicians from the "premier league", which of course is a testimony of the incredibly high level of Polish Jazz in general. Overall this is a very well played mainstream Jazz album, which should be satisfying to all listeners the world over. It is fun to listen to and presents first-class musicianship and interesting compositions.

CD 1 Digipak Recommend To A Friend

KRYSTYNA STANKO ~ NOVOS ANOS FOR TUNE 0113 (Barcode: 5906395808151) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is the eighth album by Polish Jazz vocalist Krystyna StankoFind albums by this artist, recorded with her regular wonderful Baltic crew which includes vibraphonist Dominik BukowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and guest Brazilian drummer / percussionist Ze Luis NascimentoFind albums by this artist. Trumpeter Marcin GawdzisFind albums by this artist guests on two tracks and drummer Lukasz ZytaFind albums by this artist on three tracks. Together they perform eleven songs (one is repeated twice), six of which were composed by Antonio Carlos JobimFind albums by this artist, and the rest by different composers like Chick CoreaFind albums by this artist, Mongo SantamariaFind albums by this artist and others, all with a distinct samba and bossa nova character. All the songs use English lyrics. This album marks a significant diversion in Stanko´s career, which is usually focused on singing original material composed by her or her band members. When I visited her in Gdansk three months ago, not long after this album was recorded, she told me that this was a conscious decision to create an album which could be enjoyed by a much wider audience than her previous recordings, without compromising the artistic and aesthetic values. There is no doubt that she and her band managed to do just that. The album includes mostly very well known songs, which have been previously recorded many times by artists all over the world. This album offers however a slightly different approach, with the instrumental arrangements being much more Jazzy than similar efforts. The presence of Bukowski adds another dimension, normally not present on such recordings and the brilliant bass playing by Lemanczyk firmly places these interpretation within the Jazz idiom rather that the usual Pop or easy Jazz genre. Wadolowski adds some beautiful guitar parts, which are also quite different from the standard guitar parts used on samba albums and so does Gawdzis, albeit briefly. Of course having a Brazilian drummer / percussionist on boards ensures that rhythmically everything works perfectly. Stanko´s deep sensual voice is of course ideally suited for these songs, and her vocal theatrics fit the bill perfectly. Although her pronunciation is not exactly "perfect" English, it is not significant as these songs have been sung in English by Jobim himself, Astrud GilbertoFind albums by this artist and countless other non-native English speaking vocalist and a slightly foreign accent in this case is perhaps an asset rather than a weakness. Stanko of course has the perfect feel needed to perform these songs and does it with obvious passion and love. She uses superb vocalese parts in addition to the lyrics, which are truly delightful. For me the most touching song of the album is the intimate trio which finds Stanko supported just by vibraphone and bass, which is perfection itself. Stanko respectfully leaves a lot of space for instrumental parts, which is most appropriate. If this album will bring Stanko to a wider public attention, it will serve its purpose ideally. She deserves to be heard and adored by everybody as much as I do adore her, regardless what she does, not because she is my friend, but because she is a true Artist and a wonderful human being. Well done Krystyna, Dear!

Updated: 26/11/2016Posted: 20/11/2016

CD 1 Mini-Sleeve Recommend To A Friend

KRYSTYNA STANKO ~ SECRETLY STM 001 (Barcode: 5905912559279) ~ POLAND ~ Jazz Recorded: 2010 Released: 2010 This is the fifth album by Polish singer / songwriter Krystyna StankoFind albums by this artist, who this time sets aside her own music and pays homage to the songwriting talents of Brit Peter GabrielFind albums by this artist. Gabriel, who came to fame as the eccentric, theatrical and quite over the top charismatic front man of the legendary proggers GenesisFind albums by this artist, calmed down considerably after he opted for a solo career, which in retrospect was a smart move, both artistically and commercially. Over time Gabriel recorded an impressive number of albums, containing mostly his self-penned material, which overall is excellent Pop music in today´s standards, gaining acclaim by critics and fans alike. For her album Stanko selected eight songs, seven of which are Gabriel´s creations and one, which was covered by him on his eights studio album "Scratch My BackFind albums with this title", and was originally written by Stephin MerrittFind albums by this artist, front-man of The Magnetic FieldsFind albums by this artist. She is accompanied by a dreamy quintet, which includes trumpeter Marcin GawdzisFind albums by this artist, bass clarinetists and flautist Irek WojtczakFind albums by this artist, veteran drummer Cezary KonradFind albums by this artist and her regular cohorts vibraphonist Dominik BukowskiFind albums by this artist and bassist extraordinaire Piotr LemanczykFind albums by this artist. On the non-Gabriel song she sings a duet with singer Mieczyslaw SzczesniakFind albums by this artist, who appears as a guest. Jazz tributes to Pop artists are a perilous path, often leading straight off the cliff and I must say that this album is one of the very few such attempts that actually work, which already is a success. What makes this music work is mostly the fact that Stanko as a performer and Bukowski / Lemanczyk as arrangers (although not credited as such on the album´s cover, but audibly so) did not just perform a tribute to Gabriel´s music by covering the songs but in fact transformed the music, often quite dramatically, into a different platform, which has very little to do with the original Pop environment it was created in, and sits firmly in the Jazz idiom every step of the way. All the solos, the incredible work of the rhythm section and Stanko´s vocals are dripping Jazz honey every step of the way and I´d even risk speculating that many of Gabriel´s fans would not recognize some of the original songs under the disguise they appear here in. I dare say that I find it a pity Stanko did not take this project one step further, by translating the original lyrics into the Polish language, which would have made her vocal expression much more sophisticated and intense. Singing in a foreign language is an effort, which usually limits the vocalist by robbing them of their total attention towards the music, so necessary in order to create a perfect vocal delivery. Nevertheless this is a speculation and the album is definitely an excellent piece of music the way it was recorded. I have no idea if Gabriel ever heard this album, but I´m quite sure he´d approve and appreciate it, considering he´s one of the more open-minded and non-prejudicial heroes of the contemporary music biz (or whatever is left of it). This is definitely an album worth having and hearing again and again, in different moods and circumstances, as it is multifaceted and capable of uplifting the spirits repeatedly. There is something in there for a wide audience of music lovers, from Jazz buffs to Pop aficionados (providing they wash their ears first). Kudos Krystyna!

CD 1 Digipak Recommend To A Friend

KRYSTYNA STANKO ~ SNIK NOT ON LABEL 001 ~ POLAND ~ Jazz-World Fusion Recorded: 2014 Released: 2014 This is the seventh album by Polish vocalist / composer / lyricist Krystyna StankoFind albums by this artist, marking a new direction in her career with an ambitious exploration of her Kashubian roots combined with her already established Jazz accomplishments. The Kashubians are an ethnic minority living in the North of Poland (Pomerania), which uses a regional language formally recognized in Poland as an official language, being the only one of many other languages / dialects to be awarded such status. On this album Stanko is accompanied by a wonderful trio comprising of her regular cohorts: vibraphonist / composer Dominik BukowskiFind albums by this artist, legendary bassist / composer Piotr LemanczykFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. In addition several guest musicians are featured, including trumpeter Marcin GawdzisFind albums by this artist. The album has thirteen tracks, four of which are parts of an improvised suite based on a legend written by Aleksander MajkowskiFind albums by this artist, a leading Kashubian literary figure before WWII. These four tracks are split throughout the first half of the album and are co-composed by the core quartet members. Of the remaining tracks three are traditional songs arranged by Stanko, another three are composed by Lemanczyk, two by Stanko and one by Bukowski. Stanko wrote the lyrics to all the songs composed by her and also to those composed by Lemanczyk and Bukowski. It becomes immediately apparent from the very start of this album that Stanko made a conscious decision to embark upon a new voyage, quite different form the Jazz & Poetry genre, that dominated her marvelous album "Kropla SlowaFind albums with this title" released a couple of years earlier. Although some of the songs present here, especially those composed by Lemanczyk, are somewhat similar in their lyricism and melodic qualities to the songs from the earlier album, the majority of the material and more importantly the overall feel and atmosphere are dramatically different, with the utilization of strong ethnic elements, both musical and verbal. It is quite obvious that Stanko wishes to present a tribute to her roots and expose the listeners to the mysticism and beauty of the Kashubian culture. The four parts suite also exposes her more improvisational nature, with so far had only limited exposure in her work, but which turns out to be quite fascinating. Stanko´s vocal performances are, as usual, wonderful throughout the album, exposing a wide rage of her sensual voice, from whisper and caress to energetic vocalese. She is in full bloom as a vocalist and has very few competitors on the Polish scene as of now. The instrumentalists are also superb from start to finish with Lemanczyk being simply sensational in every capacity, both as time keeper, melody supporter and creator of beautiful notes, all right on the spot. Bukowski uses his electronic instrument, the xylosynth, which enables him to produce a great variety of sounds often similar to those produced by a keyboard, but with a different attack, which add a lot of diverse sound colors to the proceedings. Jarosz turns out to be a sensitive and supportive drummer, who is always there, when needed. Sadly I must conclude my assessment of this wonderful album on a sad note; it seems that this one will not be received as warmly and enthusiastically as its predecessor, simply for the reason that it crossed the invisible line between sophisticated and elegant entertainment and Art. The listeners might, unfortunately, find parts of this album to be too strange and less accessible, as will probably some learned critics. All I can say at this point is: well done girl, kudos, ignore those ignoramuses and just do your own thing. And of course a big thank you!

CD 1 Digipak Recommend To A Friend

VARIOUS ARTISTS ~ TRIBUTE TO ANDRZEJ PRZYBIELSKI VOL.1 SJP 001 ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is a criminally overdue tribute album to the Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist (born 1944), who died in 2011, recorded by an ensemble which features six Polish Jazz trumpeters: Maciej FortunaFind albums by this artist (born 1982), Marcin GawdzisFind albums by this artist (1972), Wojciech JachnaFind albums by this artist (1976), Tomasz KudykFind albums by this artist (1976), Piotr SchmidtFind albums by this artist (1985) and Maurycy WojcinskiFind albums by this artist (1988), i.e. mostly members of the middle aged and young generation of the Polish Jazz scene. The ensemble also features a rhythm section which comprises of guitarist Jakub KujawaFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist. Together they perform four compositions by Przybielski and three collectively improvised pieces. The album also includes a conversation with Przybielski recorded in 2007 at the legendary Mozg club in Bydgoszcz, Przybielski´s home town, which also includes fragments of his performances. The recording and the release of this album was the initiative of Fortuna, who felt an obligation to document and commemorate Przybielski´s contribution to Polish Jazz, which is of course highly praiseworthy. However it is difficult to ignore the fact that Przybielski died a dissolute, lonely, sick, neglected and forgotten man, which left a huge black stain on the Polish Jazz scene. Not less significant is the absence on this album of the top Polish Jazz trumpeters of his generation, which painfully emphasizes the fact that Przybielski never received the recognition he so much deserved from his contemporaries and was mostly adored and respected by musician much younger than himself. His life´s story is a classic epos of Avant-Garde being denied recognition at its peak only to be recognized in the aftermath. Personally I had the pleasure of knowing Przybielski and working with him on several projects in the 1980s, being immediately convinced that he is the most interesting Polish Jazz trumpeter on the local scene at that time. My admiration for his work never ceased, being only rekindled following the tragic news of his death. With all respect to the actual music present on this album, which is very good, it is only secondary to the very existence of this project. Thanks and salutations are of course due to Fortuna and the many people who made this project possible and which, as the Vol.1 suggests, will be continued in the future. There are many fascinating moments on this album, some superb trumpet passages and solos, great group improvisations and so on. The musical concept is however a bit unclear, as far as I am concerned. Also the idea of six trumpeters playing together, as potentially interesting as it might appear is less effective in reality in my opinion. Perhaps a collection of pieces featuring prominently just one trumpeter or at most two, playing in turn might have been more effective? But these are just matters of personal taste. Of course all these trumpeters can play and they do play well, but as far as a tribute is concerned, the music is supposed to be spiritually convergent to the music of the subject to whom the tribute is dedicated, which, as already mentioned above, is not really apparent herein. But all things considered, this is a very important album, not only for its music but primarily for what it symbolizes, for its historical importance and for the example it sets. As such it is undoubtedly a major event and a great success!

Updated: 12/04/2019Posted: 15/11/2016

CD 1 Mini-Sleeve Slipcase Recommend To A Friend

VARIOUS ARTISTS ~ TRIBUTE TO ANDRZEJ PRZYBIELSKI VOL.2 SJP 004 ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is second volume of the wonderful project which pays tribute to the great Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, who died in 2011. Six relatively young but already established Polish Jazz trumpeters: Maciej FortunaFind albums by this artist, Marcin GawdzisFind albums by this artist, Wojciech JachnaFind albums by this artist, Tomasz KudykFind albums by this artist, Piotr SchmidtFind albums by this artist and Maurycy WojcinskiFind albums by this artist and a rhythm section comprising of guitarist Jakub KujawaFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist perform five pieces, three of which are original compositions by Przybielski, one is a long improvised piece (over half an hour in duration) and the last is the bugle call of Bydgoszcz, the home town of Przybielski. A DVD filmed during the premiere of the first volume of this album is also included. The music is of course a continuation of the content of the first album and readers wishing to read more about the historical background and Przybielski´s contribution to Polish Jazz are invited to read my review of that album and other albums by Przybielski. By a weird coincidence I am writing these words just a few days following the death of Tomasz StankoFind albums by this artist, the Polish Jazz Colossus. The many parallels, stylistically and otherwise, and of course great differences between these two trumpeters is one of the most fascinating stories of Polish Jazz, definitely worth a book on the subject. Beyond the music per se, these two albums are an important glimpse into Polish Jazz history and an effort to bring Przybielski into the awareness of the Polish Jazz fans, which he sadly almost completely missed during his lifetime. They also show the will of the young generation of Polish Jazz players to continue the tradition and remember the idiom´s heroes. For Polish Jazz fans this is definitely something they should have in their collections. Hats off to all the people who contributed to this project and made it happen.

Updated: 01/08/2018Posted: 01/08/2018

CD+DVD 2 Mini-Sleeve Slipcase Recommend To A Friend