Record Reviews

HANS KOLLER / FREE SOUND ~ PHOENIX (MOST PERFECT SOUND EDITION) MPS 9813438 ~ AUSTRIA ~ Jazz Hans KollerFind albums by this artist was the most internationally famous Austrian jazz musician. Born in 1921, he was active on the European scene since the mid-1940’s, playing mostly jazz modeled on then contemporary American jazz. However by the mid-1950’s Koller already established a new European jazz vocabulary, like some of his pioneering European peers: Lars GullinFind albums by this artist in Sweden, Krzysztof KomedaFind albums by this artist in Poland, Martial SolalFind albums by this artist in France and many others. By the end of 1950’s Koller almost completely removed himself from the musical scene, devoting his life to painting, which was his alter-ego vocation. Only a decade later, when the free jazz movement started to spread in Europe, he returned to active performing and recording, finding this new style challenging enough for him to contribute his input. This album, recorded 1972, marks his return to full-time jazz duties and is a pivotal step not only in his personal career, but also in the entire European free jazz movement. Koller clearly defines the basic difference in approach to free jazz between the American “school”, which is highly emotional, wild and often purposely excessively chaotic and extremist, and the European “school”, which is more subdued, elegant, delicate and firmly connected to melodic structures. The entire quartet – sax / piano / bass / drums - (with three musicians much younger that the leader) performs music composed mostly by Koller and bassist Adelhard RoidingerFind albums by this artist, which retains enough melodic contents to be coherent, but adds incredible intensity and tension. A true must for serious jazz connoisseurs. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted:

CD 1 Digipak Oversampling Remastered Recommend To A Friend

NIKOLA KOLODZIEJCZYK ORCHESTRA ~ CHORD NATION FOR TUNE 0042 (Barcode: 5902768701487) ~ POLAND ~ Jazz Recorded: 2011 Released: 2014 This is the debut album by young Polish Jazz pianist / composer / bandleader Nikola KolodziejczykFind albums by this artist, recorded by a twenty five piece orchestra, with members who originate from three different countries, which presents a five-part suite, which in turn is a hybrid of contemporary Classical music, classic mainstream Big Band and Free Jazz / Improvised music. There is no doubt that this is a very ambitious project, brought into reality against all odds and one that refuses to compromise and takes no prisoners. Although highly motivated and certainly ingenious, this project is not quite as revolutionary or innovative as one might imagine. In fact it continues the European orchestral Jazz tradition, which followed a different path from the American orchestral Jazz tradition, which flourished in the US in the early 20th Century and was than imported into Europe and mimicked for a few decades until the emancipation of the European Jazz in the 1960s. Since than a long line of superb European Jazz orchestras carried the torch towards new horizons, starting with the British orchestras led by Neil ArdleyFind albums by this artist, Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist and many others and than gradually spread across Europe and even behind the Iron Curtain, with such notable bandleaders as Gunter HampelFind albums by this artist, Hans KollerFind albums by this artist, Martial SolalFind albums by this artist, Gustav BromFind albums by this artist and such distinguished ensembles as the NDR Big BandFind albums by this artist, the Vienna Art OrchestraFind albums by this artist and so many others. Many of these European Jazz orchestras often use similar characteristic devices to those used in the process of making the music heard on this album: switching between melodic mainstream Big Band parts and freely improvised passages, using string arrangements and wordless human vocalese, in short the typical palette of contemporary European Jazz orchestral music. Considering Kolodziejczyk´s age, limited experience, restricted resources and all the obstacles that he had to confront in order to record this album, one must admit that this is a remarkable achievement, not only from the aesthetic perspective but also from the pure organizational one. But of course most listeners are not really interested in the behind the scenes of music making and judge it by what they hear. As far as the music is concerned, Kolodziejczyk presents a collection of sonic plateaus, which intertwine and develop slowly, and are best listened to in the sequence dictated by the album´s tracks and as a whole. The separate parts of the suite do not really stand on their own, as the melodic content of the entire proceedings is relatively limited. To use a metaphor from a different media, the suite makes sense the same way a complete canvas of a painting makes sense, and wouldn´t do so if looked at when sliced into several pieces. At times one might get the impression that this music is more about "how" than about "what". Kolodziejczyk is obviously enamored with the bag of tricks that are at his disposal as a composer / orchestrator, and with the sound of the orchestra, much more than with the actual compositions, and as a result we get a complex baroque musical structure, supported by quite simple foundations. Sometimes the instinctive urge to show as much of one´s talents as possible, here and now, can prove hazardous. This often happens to young and talented artists and is quite meaningless in a long range, provided that Kolodziejczyk is treating this project as just one of many lessons he has to go through during his long and hopefully very successful career. All in all this is a very impressive, ambitious and unusual debut album by an obviously talented musician / composer, who presents enormous potential, which hopefully will be fully realized in his future projects. Since orchestral Jazz albums are extremely rare, this is even more of a valuable contribution to the Polish Jazz scene. Thanks to For Tune for finally releasing this album, over three years after it was recorded, it´s certainly better off now in the open for all music lovers to enjoy. I am anxiously waiting for the next project.

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ROLF KUHN ~ INTERNAL EYES INTUITION 750447332829 (Barcode: 750447332829) ~ GERMANY ~ Jazz Recorded: 2000 - 2001 Released: 2001 This is a fine album by German clarinetist / composer Rolf KuhnFind albums by this artist, one of my all time favorite musicians, recorded with members of the younger generation of the German Jazz scene: organist Frank ChastenierFind albums by this artist, bassist Detlev BeierFind albums by this artist and drummer Wolfgang HaffnerFind albums by this artist and several guest stars: American saxophonist Bob MintzerFind albums by this artist, Swedish pianist Claes CronaFind albums by this artist, French pianist Martial SolalFind albums by this artist, American guitarist Chuck LoebFind albums by this artist and drummer Peter ErskineFind albums by this artist. Together they perform ten tunes, five of which are originals by Rolf Kuhn, three are by Mintzer and the remaining two are standards. The album was partly recorded by the legendary sound engineer / producer Walter Quintus and the sound quality is of course excellent. The music on this album is mostly mainstream Jazz, which pays tribute to the American Jazz tradition, with elegant and sophisticated touches of European Jazz. When Mintzer plays up front, everything sounds American and when Kuhn plays up front everything sounds European, which is hardly surprising. Same can be said about Crona and Solal, who come from two very different Jazz environments. The two tracks that feature Loeb are Fusion oriented. In short this album embraces both the traditional approach and the modern one, treating them both with respect and as a result presents Kuhn as a versatile, relevant figure despite his advanced age. Kuhn´s clarinet sound, which has been his trademark for decades, is absolutely unique, combining the traditional Jazz approach originating in the early Jazz days and European modernism. Kuhn, who often joins forces with his pianist brother Joachim KuhnFind albums by this artist, produced a substantial and consistently excellent body of recorded work over time, which in retrospect is an integral part of the European Jazz and one of its finest facets. This is one of the most accessible and straightforward albums that Kuhn recorded during his extended career and as such is highly recommended to listeners who are not familiar with his work, perhaps serving as an introduction to the Rolf Kuhn universe, which is vast and versatile. Definitely worth exploring!

Updated: 05/02/2016Posted: 05/02/2016

CD 1 Digipak Recommend To A Friend

WES MONTGOMERY ~ THE NDR HAMBURG STUDIO RECORDINGS JAZZLINE 77078 (Barcode: 4049774770784) ~ USA ~ Jazz Recorded: 1965 Released: 2021 This is an archival album by the seminal American guitarist / composer Wes MontgomeryFind albums by this artist, recorded live on April 30, 1965, during his European tour, which also included an appearance at the Ronnie ScottFind albums by this artist’s club in London just prior to this recording. Montgomery is supported by a dreamy octet, which includes British saxophonists Scott and Ronnie RossFind albums by this artist, and drummer Ronnie StephensonFind albums by this artist (the 3 Ronnies), Austrian saxophonist Hans KollerFind albums by this artist, American (resident in Europe from 1963) saxophonist Johnny GriffinFind albums by this artist, French pianist Martial SolalFind albums by this artist and bassist Michel GaudryFind albums by this artist. The album presents ten tracks, four of which are Montgomery’s originals, two are by Ross, one each by Solal and Griffin, one is by Thelonious MonkFind albums by this artist and one is a standard. The recording offers a brilliant sound quality. The bonus BD offers a half an hour glimpse at the octet’s rehearsal a couple of days before the concert. Montgomery was at the top of his career at the time and his death, which came just three years after this recording was made, was a complete shock and a tragic premature end of his life and career. The guitarist feels absolutely delighted supported by these European musicians, who offered already at that time a much more refined, delicate and ambitious approach to the Bebop atmosphere, and presented a highly sophisticated individual abilities as soloists. The music is performed at a relaxed atmosphere, which emphasizes the obvious camaraderie between the musicians, and is in interesting document of the European scene at the time, as well as a tribute to Montgomery’s brilliant and innovative approach to the guitar. Overall, for the many fans of Montgomery, this is an absolute must, not only as a document of his performances, but especially due to the unusual setting in which these recordings were made. One has to be grateful to those Germans, who keep all that historical material in perfect form, as usual.

Updated: 09/02/2024Posted: 09/02/2024

CD+BD 2 Digipak Remastered Recommend To A Friend

VARIOUS ARTISTS ~ JAZZ ON VOGUE SONY 887254437727 (Barcode: 887254437727) ~ USA ~ Jazz Recorded: 1947 - 1957 Released: 2013 This incredible Box Set collects 35 early Jazz albums released on the legendary French Jazz labels: Disques VogueFind albums on this label founded in 1947 and its subsidiary SwingFind albums on this label, which was originally established in Paris in 1937 by Charles DelaunayFind albums by this artist and passed to Vogue in 1948. The music was recorded during the first post WWII decade (1947-1957) and features both American Jazz artists, who visited France or lived in France at the time as well as European Jazz artists. Paris was at the time the European Jazz center, which corresponded splendidly with its status as the European intellectual center, which produced dramatic and groundbreaking developments in European Philosophy, Plastic Arts, Cinema, Literature and of course music. Most of these albums were originally released on 10-inch LPs, which had a time limit under half an hour, and therefore they are arranged here to span over 20 CDs, each well over an hour long. The music was beautifully remastered and sounds remarkably fresh and vibrant. The list of the performers reads like a who´s who of American Jazz at the time: Dizzy GillespieFind albums by this artist, Roy EldridgeFind albums by this artist, Sidney BechetFind albums by this artist, Mary Lou WilliamsFind albums by this artist, Lee KonitzFind albums by this artist, Lionel HamptonFind albums by this artist, Clifford BrownFind albums by this artist, Jimmy RaneyFind albums by this artist, Oscar PettifordFind albums by this artist, Gerry MulliganFind albums by this artist, Thelonious MonkFind albums by this artist, Roy HaynesFind albums by this artist, Lalo SchifrinFind albums by this artist and many others. The Europeans (French and Belgian in this case) are represented by Django ReinhardtFind albums by this artist, Martial SolalFind albums by this artist, Bobby JasparFind albums by this artist, Henri RenaudFind albums by this artist, Rene ThomasFind albums by this artist, Andre HodeirFind albums by this artist, Barney WilenFind albums by this artist and many others. Stylistically the music spans quite a wide range of Jazz sub-genres, from New Orleans via Swing, Bee Bop, Cool and Early European Modern Jazz. Of course all of it is absolutely classic stuff as far as Jazz history is concerned and is essentially timeless. The most astonishing discovery, in retrospect, is the fact that the European musicians at that early stage already hold their ground opposite the Americans, showing early signs of a much more open-minded approach and a will to step beyond the American dominated Jazz conventions of the time. Many of these albums were never before released on CD; some of them are ultra-rare collectors´ items since decades. For example the three early Martial Solal releases (collected on CD number 6) are absolutely stunning examples of modern European piano trio recordings, which is decades ahead of its time, as are several other albums in this set. This is an essential collection for any serious Jazz connoisseur, which covers a huge void in many record collections. This box is worth its price (which is very reasonable) in gold and should serve as an example of how reissue projects should be produced. An absolute must!

Updated: 26/01/2019Posted:

CD 20 Mini-Sleeve Box Set Remastered Recommend To A Friend

ZOLLER / KOLLER / SOLAL ~ ZOLLER KOLLER SOLAL (MOST PERFECT SOUND EDITION) MPS 843107 ~ HUNGARY ~ Jazz Recorded: 1965 This recording unites three of the greatest European jazz musicians at the time in order to perform as a trio (without bass / drums), a setting pretty adventurous and ambitious. The resulting music is simply breathtaking – a series of solo, duo and trio performances by telepathically connected musical geniuses. Hungarian guitarist Attila ZollerFind albums by this artist, Austrian saxophonist Hans KollerFind albums by this artist and French pianist Martial SolalFind albums by this artist were all seasoned musicians with a proven record and much mutual respect and admiration for each other’s talent. Often putting such highly individual players together can turn out sour, but in this case it works magic. The interplay is phenomenal and the music is elegant and intriguing. The nine compositions they perform include four Zoller originals and one by Koller. The rest are standards, which are a given a very unique treatment. The album was produced by the legendary European jazz critic / writer / producer Joachim BerendtFind albums by this artist (my dearly beloved Friend and Mentor, unfortunately no longer with us), who also wrote the liner notes for the album. Let me quote just one passage: "The improvisations that Zoller, Koller and Solal play in their solos, duos and trios are very European in spirit – and one hardly needs to add that, in a year when American jazz magazines have praised European jazz records more highly then ever before, the word "European" can imply a special seal of quality, even in jazz. Attila Zoller, the Hungarian, who, via Germany has made America his chosen land… - Martial Solal, the Frenchman from Algeria… - and Hans Koller, the Austrian tenor saxophonist who paints abstract art on the German-Swiss border: they build a trio that is completely different from a group of musicians who have all grown up together in Hastings Street in Detroit. Zoller-Koller-Solal: a guitarist, a saxophonist, and a pianist who all have the courage to be in jazz what they were born to in life – Europeans with the whole, rich variety of this continent. And this is especially evident in their ensemble playing." Needless to say this album also received a five star rating from the American "down beat". Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 29/12/2023Posted:

CD 1 Digipak Oversampling Remastered Recommend To A Friend