Record Reviews

ASAF ~ SILENT PRAYER SOLITON 669 (Barcode: 5901571096698) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the second album by the Polish Jazz quartet ASAFFind albums by this artist, following a sixteen years break in its activity. The current lineup includes saxophonist Maciej SikalaFind albums by this artist, pianist Joanna GajdaFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist (who replaced the original bassist Michal BaranskiFind albums by this artist) and drummer Piotr JankowskiFind albums by this artist. Bassist Michal BakFind albums by this artist and vocalist Barbara PospieszalskaFind albums by this artist guest each on one track. The album presents seven original compositions, four recorded in studio and three recorded live on various occasions. Sikala and Gajda composed two of pieces each, Pospieszalski and Bak composed one piece each and the last is by Polish Jazz bassist / composer Andrzej CudzichFind albums by this artist, who sadly departed at a tragically young age in 2003. The debut album by ASAF from 2004 was dedicated to the memory of Cudzich. The music is strictly mainstream Jazz oriented, with solid melodic themes and straightforward arrangements, which offers little innovation or challenge but is excellently executed by the participating musicians, who are all highly professional. The superb saxophone parts by Sikala, who is after all one of the top Polish Jazz players, are especially impressive. Despite the fact that the album mixes studio and live recordings, the overall sound quality is very good and the album offers a coherent sound and stylistic continuity. The nature of the music is rather contemplative and as the album´s title and individual track titles (as well as the album´s liner notes) suggest, the music is an attempt to offer a spiritual message with the music serving as a medium. The atmosphere of some of the compositions is definitely soaked in deep melancholy, which of course every listener can interpret in his own way. Overall this is a good mainstream Jazz album, which should make fans of music closer to the American rather than European Jazz aesthetic very happy. Great compositions and perfect execution is exactly what the doc prescribed. Definitely worth checking out!

Updated: 26/05/2020Posted: 26/05/2020

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ADAM BALDYCH ~ LEGEND ANAKLASIS 020 (Barcode: 5907795211855) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2022 This is an album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist, recorded in a quintet setting with saxophonist Marek KonarskiFind albums by this artist, pianist Lukasz OjdanaFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist, and Polish Classical violinist Agata SzymczewskaFind albums by this artist. The album presents compositions inspired by the music of Polish Classical violinist / composer Henryk WieniawskiFind albums by this artist, nine of which are original compositions by Baldych and one is variation on a composition by Wieniawski. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series. I have followed Baldych’s career closely since his arrival on the scene over a decade ago and even had the pleasure of writing the liner notes for one of his early albums, always believing in his extraordinary talent and proudly watching his amazing achievements over time. His participation in this prestigious series is therefore not surprising at all. The meeting of Jazz and Classical violins is not a completely novel idea of course, but in the past this happened mostly on the lighter side of the music spectrum (see kitsch), whereas here we witness a true connubiality of the two with no concessions whatsoever to the aesthetic meritum of the entire concept. Baldych’s compositions are sublimely melodic, absolutely soaked in the Polish lyricism and melancholy, not far in spirit from the music of this album’s patron. Therefore, the “inspired by” relationship is perhaps the most vivid of all the albums in this series. Even when the music ventures into a more Avant-Garde territory, it still firmly relates to the subject matter, not losing any of its melodicism of even lyricism. The members of the quintet stand up to the challenge with flying colors, providing a full-fledged harmonious base for the two violinist to play solos and duets at lengths. Ojdana, a brilliant Jazz pianist by any standard, is absolutely instrumental to the success of the whole project, showing wonderful restraint and profound understanding of his supportive role, but soloing with class and exceptional fluidity. Konarski adds his saxophone parts also extremely carefully and delicately, sounding somehow like another violin, as outlandish as this might sound. The highly proficient rhythm section is also completely enlisted to the cause, providing the ever so delicate Jazzy heartbeat to the proceedings. Almost anything said about the two violinist might sound completely superfluous, as they are both already established as Masters of their Art. It is very comforting that the initial fears and reservations proved to be completely baseless and everything worked out magnificently well. One can only hope that this duet will meet again soon, and judging by Baldych’s love of the duet idiom, my hopes are high. Overall, this is an absolutely marvelous album, one of the most natural amalgamations of Jazz and Classical Music I have encountered over the years. Everything here breathes music, elegance, dedication, good taste and impeccable performances. What a coincident that I should write these words on Valentine’s Day, as this album is so Romantic it simply melts one’s heart away. Thank you my Friends for another sublime gift of Music!

Updated: 14/02/2023Posted: 14/02/2023

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ADAM BALDYCH ~ POETRY ACT 9939 (Barcode: 614427993922) ~ POLAND ~ Jazz Recorded: 2021 Released: 2021 This is the seventh album on the prestigious German ACTFind albums on this label label by Polish Jazz violinist / composer Adam BaldychFind albums by this artist recorded with his Polish quintet, which comprises of saxophonist Marek KonarskiFind albums by this artist, pianist Krzysztof DysFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Italian Master trumpeter Paolo FresuFind albums by this artist expands the quintet into a sextet. The album presents eleven tracks, ten of which are original compositions by Baldych and one is an arrangement of a song composed by the enigmatic BjorkFind albums by this artist. The music was recorded at the fabulous Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the usual exceptional sound quality. Following a dazzling career, which developed over the last decade, Baldych emerges as a pillar of the Polish Jazz violin tradition, joining the ranks of the Giants of the generations that preceded his era. This album sets also Baldych’s status as a composer, perhaps more clearly and distinctly than any of his earlier recordings. The collection of his compositions on this album presents a remarkable stylistic clarity and coherence, which, at least for me, sound completely his own, with specific characteristics, which are now clearly distinguishable. The music is beautifully melancholic, brilliantly melodic and superbly lyrical, following the Polish musical tradition on every level, from Polish Folklore, Classical Music and of course the Polish Jazz tradition. There is an elegant restrain and easy pace inherent in all the pieces, which perhaps is a result of the fact that Baldych does not need to prove anything anymore, as far as his violin virtuosity is concerned, and creating music is his only concern. Despite the fact that the music offers seemingly unrelated pieces, the album sounds remarkably as one aesthetically logical continuum. Although Baldych is surrounded here by first class instrumentalists, the album offers very limited soloing, except for the violin parts of course and occasionally subdued trumpet or saxophone soli. The fact that Fresu agreed to take part in this project, with his personal profile barely audible, speaks highly of his respect towards the essence of the music. Nevertheless, the contributions of all the participants are absolutely brilliant, as expected. Sonically the most surprising accent is a very unusual sound produced by the drums, which sound completely different to what one expects in the Jazz environment. Overall, as someone who had the honor to write the liner notes for Baldych’s debut album more than ten years ago, I feel a great satisfaction as a result of following his career closely and witnessing its splendid progress. The music offers a deeply spiritual sonic experience of rare quality and the album is wholeheartedly recommended as one of the most significant Polish Jazz outings of 2021.

Updated: 11/11/2021Posted: 11/11/2021

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ADAM BALDYCH ~ SACRUM PROFANUM ACT 9881 (Barcode: 614427988126) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2018 Released: 2019 This is an album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist, recorded in a quartet setting with Polish Jazz musicians: pianist Krzysztof DysFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist. It is the first album recorded by Baldych with Polish musicians released on the prestigious ACTFind albums on this label label, which released several earlier albums by Baldych, recorded with international partners. The album presents ten tracks, five of which are original compositions by Baldych, three are medieval / baroque sacred music pieces arranged by Baldych and Dys, one is an ancient Polish hymn and one is by contemporary, deeply spiritual Tatar-Russian avant-gardist Sofia GubaidulinaFind albums by this artist. The album´s title refers to the "concept" which Baldych wishes to present to the listener, based on the philosophical / religious conflict between the sacred and the profane worlds, in which we, human beings, exist simultaneously. The trivial interpretation of that concept would be of course to consider the five sacred pieces as the Sacrum facet of the music and the original pieces as the Profanum, but the truth is way more complicated than such simplistic approach. Baldych obviously treats Classical Music and Jazz with the same measure of spirituality and his life and musical path so far are a classical example of the rite of passage between the diverse musical idioms, which results in his own compositions being certainly no less spiritual / sacred than those a priori designated as such. The entire musical contents of this album can be therefore considered as an amalgamation of the lofty, spiritual ingredients of music and its earthly embodiment, which we are able to actually hear; the notes, harmonies, pulses and melodies. The overall atmosphere is deeply lyrical and spiritual of course and since Baldych personifies the Polish melancholy more profoundly than most, the resulting music is both deeply Polish as it is Universal. The inclusion of the Gubaidulina piece will hopefully awaken interest in the work of this exceptional composer among new listeners, as it is truly amazing. Although obviously deeply involved in Jazz improvisation, this music should be of interest to a wide audience of music connoisseurs, those from the Jazz side of the spectrum, Classical and Sacred Music enthusiasts and all true lovers of great music. It is, as already stated, completely universal and boundless, and as such able to touch the listeners both spiritually and intellectually. Following Baldych´s musical path over the last decade has been a true revelation. Being blessed by enormous talent and unprecedented skill is often not quite enough to ensure an Artistic triumph, but in his case he is also hard working, disciplined and open minded, which enables him to achieve the two fundamental goals leading to Artistic accomplishment: consistency and constantly coherent course of progression. As a result his international career keeps blossoming and his collective recording précis to date is unblemished. Overall this is an amazing piece of Artistry, splendidly conceived, put together and executed by the finest musicians on the Polish Jazz scene, which should be an essential part of any serious music collection. Absolutely not to be missed!

Updated: 01/03/2019Posted: 01/03/2019

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MICHAL BARANSKI ~ MASOVIAN MANTRA (POLISH JAZZ VOL. 88) WARNER MUSIC POLAND 5054197299612 (Barcode: 5054197299612) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the debut album as a leader by Polish Jazz bassist / composer Michal BaranskiFind albums by this artist, recorded in a trio / quartet setting with Polish pianist Michal TokajFind albums by this artist and drummer Lukasz ZytaFind albums by this artist and Israeli guitarist Shachar ElnatanFind albums by this artist. Seven additional Polish musicians guest on selected tracks. The album presents eight tracks, seven of which are original compositions by Baranski and one is his arrangement of a Polish Folk song. Baranski earned his reputation as one of Poland’s top bass players since the turn of the Millennium, appearing on dozens of albums by Polish and international musicians, always being in absolute top form. He was mentioned as a co-leader on three albums over the years, but it is truly amazing to see that his debut recording as a leader arrives only now. Perhaps this should be appreciated, since the decision to record this album is a result of many years of studying and developing his musical personality, and his natural modesty and patience prompted him to make this album when he really had something to say. The music is an elegant amalgam of modern Jazz and Folkloristic influences, both Polish Folklore and the Indian konnakol vocal percussion technique, which is one of Baranski’s passions since several years. Based on solid melodic themes, the music emphasizes the rhythmic facets, which often are very intricate and require some “elasticity” from the listener, who might find some of these rhythms very unusual and even hard to follow. The decision to involve Elnatan, who is one of numerous Israeli Jazz players active on the NY Jazz scene, with a rich Ethnic background of Yemenite and other Middle Eastern influences, resulted in providing the album with many exotic sonic colors and other vistas, way beyond what can be found on most Polish Jazz albums. But his old friends, Tokaj and Zyta, also contribute brilliantly for the entire duration. The guests decorate the album with their contributions on selected tracks, putting the proverbial cherries on top. The result is definitely one of the most refreshing and interesting Polish Jazz albums released in 2022, and the fact that just a few days ago it won the “best Polish Jazz album of the year” prize and Baranski won the “Jazz artist of the year” prize, is hardly surprising and well deserved in this case. Overall, this is both a very interesting and beautiful album, recorded by top Polish Jazz musicians, offering a deep exposure to diverse rhythmic patterns, which are not found usually on Jazz albums. The inquisitive and open-minded listeners should find every second of this music highly fascinating. Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 25/04/2023Posted: 25/04/2023

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PIOTR BARON ~ KADDISH NOT ON LABEL 5907809494038 (Barcode: 5907809494038) ~ POLAND ~ Jazz Recorded: 2009 Released: 2011 Kaddish, the ancient Jewish prayer usually associated with Jewish funeral and mourning services can be considered as a representation of the essence of the Jewish religion and is also often associated with the faith of the Jewish People. The fact that the great Polish saxophonist / composer Piotr BaronFind albums by this artist used this idiom as the title of his new album, as well as the title of the central composition, which opens the album, is by no means accidental. Baron, a devoted Christian, dedicated many of his previous releases to religious themes, expressing the idea that any Artist´s religious views are an integral part of his personality, which is also reflected in his Art, or in his case his music. In Poland, Jews and Christians lived together for centuries, sharing the same soil and culture. It was Poland´s bitter destiny to become the central setting of the Jewish Holocaust, which almost completely eliminated the Jewish presence in Poland, separating the two Nations by a chasm, which is still bleeding after seven decades. Baron, paying respect to Jewish faith and tradition, represents a present-day trend among the Poles to build a new bridge between Christians and Jews, re-establishing the severed relationships, a trend strongly present and growing. How much all this background information is related and relevant to the music itself is a decision every listener will have to make, while listening to it. The album consists of seven pieces, of which two are composed by Baron, three are improvised duets by him and his respective partners and the remaining two originate from other sources. Three of the pieces are dedicated to specific persons (one close friend – Polish journalist Jan Mazur, Baron´s friend, one religious personality – Pope John Paul II, and one musician – the great mulireedist Bennie MaupinFind albums by this artist). The personnel includes Baron´s son Adam Milwiw-BaronFind albums by this artist on trumpet and didgeridoo and three Polish Jazz veterans: pianist Michal TokajFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. The music is absolutely entrancing, deeply atmospheric and moving, constantly changing and elegantly amalgamating strong melodic content with advanced improvisational excursions. Baron´s playing is virtuosic at all times, often reminiscent of John ColtraneFind albums by this artist´s mid-period, which is about the highest compliment I can bestow upon any sax player. The other musicians are all masters of their trade, with Baron Jr. continuing the family name and trade with honors. It´s obvious that Baron is making a statement here: spiritual, artistic, musical and philosophical, all combined. This is a very personal album, which definitely stands its ground on purely musical merits, but proposes a lot of added values, when put in its proper background. An album one can surely return to many a time, re-discovering its beauty repeatedly. I raise my hat, Maestro!

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DAVID DORUZKA ~ SILENTLY DAWNING ANIMAL MUSIC 007 (Barcode: 8594155990078) ~ CZECH REPUBLIC ~ Jazz & Poetry Recorded: 2007 Released: 2008 This is the second album as a leader by Czech guitarist / composer David DoruzkaFind albums by this artist, recorded in a quartet setting with Swedish vocalist Josefine LindstrandFind albums by this artist and a Polish rhythm section: bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. The album presents twelve original compositions, all by Doruzka except for one piece which is a short percussion interlude by Zyta. Nine of the compositions feature lyrics based on poems by American poetess Emily DickinsonFind albums by this artist (four), Czech Jewish poet Jiri OrtenFind albums by this artist (two) and Lindstrand (three), one is an instrumental and another one is a vocalese / guitar duo. Lindstrand sings all the poems in their original language, i.e. English, Czech and Swedish, which of course is highly unusual and admirable. The album is elegantly packaged and all the poems are presented in appropriate translation in three languages – an obvious publishing labor of elegance and typical Czech care of details, designs and respect towards Culture. The entire album is of course a highly challenging Jazz & Poetry project, which as my readers know is one of my favorite idioms. The music is fitted to the lyrics in most of the pieces, being minimalist and beautifully delicate. The entire aura is deeply melancholic and introvert, even fragile, which is hardly surprising considering Dickinson´s moody, Orten´s mystical / philosophical and Lindstrand introvert poetry, all creating a rather intense atmosphere, which is even more emphasized by the character of the music. Doruzka, despite his age (he was only twenty-seven years old when this music was recorded) manages to compose the highly demanding musical framework for the poetic content, which is remarkably mature and respectful. Most of the vocals are accompanied only by guitar and the rhythm section is featured rather sparingly, wisely minimized to achieve the optimal effect. Baranski contributes several wonderful soli, which serve as interludes but are kept within the clear boundaries of the fragile architecture of this project. Doruzka plays both the acoustic and the electric guitar, always at low volume but certainly no less expressively. The principle of "less is more" is obviously a basic assumption, which proves to be highly effective here. Overall this is a beautiful, elegant and deeply aesthetic piece of music, utilizing the deeply European approach to interdisciplinary concept of Art and Culture, expressed here in the best possible way. It is a true joy to see David grow into a bona fide Jazz musician, especially in view of the fact that his Grandfather, the great Czech writer / music critic / Jazz activist Lubomir DoruzkaFind albums by this artist was a dear friend of mine for many years and whom I remember fondly to this very day. The apple did not, obviously, fell far from the tree ;) Godspeed!

Updated: 23/10/2020Posted: 23/10/2020

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ARTUR DUTKIEWICZ ~ PRANA PIANOART 5907760035042 (Barcode: 5907760035042) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the sixth album by Polish Jazz pianist / composer Artur DutkiewiczFind albums by this artist, who is back in a classic piano trio format with bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. The album presents eight compositions, seven of which are originals by Dutkiewicz and one is an adaptation of a folk tune. The album was recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, which of course guarantees excellent sound quality. Dutkiewicz has an impressive resume and his contribution to the Polish Jazz scene is of course invaluable. He played for many years with the late saxophonist Tomasz Szukalski, recording with him several albums. One of the tunes on this album is dedicated to the memory of Szukalski. The music Dutkiewicz presents on this album is very contemplative and more lyrical than usual in his case. There is also a great affinity with the Blues, a genre which is definitely one of his deepest musical sources of influence, which he openly refers to on this album, something that is rarely done by other contemporary pianists. A couple of tunes on this album re-visit the preceding album called "MazurkiFind albums with this title", presenting music inspired by Polish folklore. Overall this is a consistently interesting selection of beautifully melodic pieces, which are performed with great sensibility and finesse. As far as personal performances are concerned, there are no surprises herein. Dutkiewicz is an excellent pianist by any standard and his performances here are superb from start to finish. The rhythm section is also stellar, providing just the right support whenever needed and presenting both first class professionalism and mutual respect between the leader and themselves. In short this is an instant "classic" and piano trio connoisseurs should find it simply irresistible. Let´s hope that the same kind of prana (life force) that allowed Dutkiewicz to create this little gem will stay with him for many years to come. Well done indeed!

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ARTUR DUTKIEWICZ ~ TRAVELLER PIANOART 5907760035042 (Barcode: 5907760035042) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is seventh album by Polish Jazz pianist / composer Artur DutkiewiczFind albums by this artist, recorded in a trio setting with his usual team consisting of bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. The album presents eleven original compositions, all by Dutkiewicz. It was recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual spectacular sonic quality. Dutkiewicz is certainly one of the most melodic / lyrical Polish Jazz pianist and his output so far evidently reflected these qualities. The music on this album, although continuing the same path in many respects, adds more freedom and wandering (traveling?) then ever before, or at least that is my impression of it. The melodic themes are as beautiful as always, but the pianist often takes the liberty of distancing himself form the strict melodic expression and ventures into more abstract territory, with many pauses and obvious self- examination while performing. This attitude is rather novel in his stylistic palette and of course most welcome, as the music becomes multi-dimensional and more multifaceted then before. Baranski and Zyta are a dream come true rhythm section, being completely symbiotic with the pianist all the way through, even when he takes unexpected turns and twists in the heat of his improvisations. Their support and contributions, which are an integral part of the music, are simply telepathic and esthetically perfect. Such perfect harmony and mutual cooperation happens only between the best musicians out there and this album is a wonderful example of such an occurrence. In perspective to his entire recorded output, this album is definitely a giant step forward for Dutkiewicz both as a composer and a pianist. The music is more complex and more open than before, full of creative searching and exploring, and his playing is more dynamic and less controlled than on any of his earlier recordings. It is great to see an experienced and highly respected musician still searching and developing, to the delight of his followers. This album makes me crave for the next album already, for which we won´t hopefully need to wait for years again. Hats off!

Updated: 08/05/2017Posted: 08/05/2017

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ARTUR DUTKIEWICZ TRIO ~ COMETS SING PIANOART 5907760035066 (Barcode: 5907760035066) ~ POLAND ~ Jazz Recorded: 2021 Released: 2021 This is the eighth album by Polish Jazz pianist / composer Artur DutkiewiczFind albums by this artist, this time recorded in a classic piano trio format with bassist Michal BaranskiFind albums by this artist and drummer Adam ZagorskiFind albums by this artist. The album presents seven original compositions, all by the leader. The music was recorded at the fabulous Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, and offers a superb sound quality. Dutkiewicz is one of those great Artists, who make sure that their Art can’t be taken for granted and this album is an elegant example of his modus operandi. The music is way more open and edgy than on any of his previous albums, and his romanticism and lyricism are more of an undercurrent rather than what happens on the surface. The resulting music is modern Jazz at its best, melody based but wandering freely on the chord changes and switching tempi unexpectedly, with the magnum opus eleven-minutes long opening track setting the example of the new concept. The roles of the trio members went also through a transformation, no longer being just a straightforward piano trio, but a triangle of mutual inspiration. Baranski, who plays with Dutkiewicz since the 2013 album “PranaFind albums with this title”, gets more exposure here than ever before, not only when soloing, but more importantly while accompanying the piano with his fat pulsations, that dominantly reverberate in the soundscape. The young Zagorski, the new member of the trio, is certainly a pleasant surprise, as he receives the formidable task to supply the complex rhythmic skeleton to this music, and which he manages brilliantly like a veteran pro. Dutkiewicz plays way more assertively than ever before, almost aggressively, but never really crosses the line of restraint and elegance. His statements are more concentrated and dense and he readily shares the burden of creation with his peers. As a result, he exposes here another facet of his musical persona, which of course make things way more exciting than hearing just another album by an Artist we are already familiar with. “This is just a corner, not the end of the journey” indeed – with many more corners to follow. Overall this is a brilliant example of modern Jazz, a superb piano trio masterpiece and an important giant step in the career, which Dutkiewicz keeps nourishing with every new release. This music not only fills your heart with joy and your brain with reflection, but is also aesthetically rounded, promising that the music we love is not really dying, although it seems like that most of the time. Thank you, my Friend, for such moments of delight.

Updated: 12/07/2021Posted: 12/07/2021

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MARCELINA GAWRON ~ NOTES OF LIFE SJ 040 (Barcode: 5912596066733) ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is the debut album as a leader by Polish Jazz vocalist / songwriter Marcelina GawronFind albums by this artist, recorded with an excellent quartet comprising of trumpeter Robert MajewskiFind albums by this artist, pianist Adam JarzmikFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Piotr BudniakFind albums by this artist. The album presents nine original songs, all by Gawron, seven of which have lyrics in English and two in Polish. The music is all melodic mainstream Jazz, mostly melancholic and somewhat somber, mostly kept on the same emotional level, which makes the album a bit uniform. The English lyrics are not very helpful either. But all things considered, there is plenty of music herein that should keep vocal Jazz enthusiasts happy. The accompaniment is of course first class, with Majewski and Baranski representing the Polish Jazz veterans and Jarzmik (who was in charge of the arrangements) and Budniak proudly representing the new generation. Jarzmik´s wonderful flow and excellent soloing are the album´s highlight and Majewski´s solo parts add a nice topping. Gawron could hardly find a more able team to support her vocals than the one present here. The vocal parts, both lyrics and vocalese, are all well executed and combined with the quartet´s accompaniment, but they are a bit timid and lack strong emotional expression, which of course is a question of choice and a decision the vocalist obviously made. Overall this is a very accessible vocal Jazz album, which can be listened to by a wide and not necessarily strictly Jazz audience.

Updated: 22/05/2019Posted: 22/05/2019

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PAWEL KACZMARCZYK ~ AUDIOFEELING ARMS 03 (Barcode: 5900238791020) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 Brilliant debut album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 22 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. Three saxophonists: Radoslaw NowickiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist and Grzech PiotrowskiFind albums by this artist join the trio on several tracks, turning it into a quartet and on one track a sextet, when they all play together. Of the ten tracks present here, eight were composed by Kaczmarczyk and the other two co-composed by Kaczmarczyk and Piotrowski. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and the quartets / sextet introduce an ensemble approach. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

Updated: 26/10/2016Posted:

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PAWEL KACZMARCZYK ~ LIVE PRK 067 ~ POLAND ~ Jazz Recorded: 2005 Released: 2005 Brilliant live album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 21 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. This music was recorded one year prior to the recording of the trio´s sensational "formal" debut album called "AudiofeelingFind albums with this title" and was released by the Silesian branch of Polish Radio, and is now a collectors´ item. Of the four tracks present here, three were composed by Kaczmarczyk and the fourth co-composed by all the trio members. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and individual virtuosity. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

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JACEK KOCHAN ~ MAN OF NO WORDS GOWI 64 (Barcode: 786497357222) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008 Polish drummer / composer / arranger Jacek KochanFind albums by this artist is one of the country´s most active music leaders with an impressive and prolific career in both Jazz and contemporary experimental music. Kochan spent considerable periods of time living, studying and performing in the USA and Canada and upon his return to Poland in the mid 1990s he swiftly established his position as a central figure on the local scene. Since then he recorded a considerable number of albums as a leader, co-leader and sideman with many musicians from around Europe and the US as well as local musicians of course. This is a document of one of such projects, which features alongside the leader the US saxophonist Gary ThomasFind albums by this artist with excellent young Polish pianist Dominik WaniaFind albums by this artist and bassist Michal BaranskiFind albums by this artist. This quartet is expanded on several tracks by guest musicians playing various instruments or vocalizing. All the music on the album (ten listed and one unlisted "hidden" track) was composed and arranged by Kochan and presents his talents as a composer in their full glory. The music is a mixture of contemporary, melodic mainstream Jazz, with some almost contemporary Classical music arrangements on one hand and a lot of free space on the other, which allows for expanded improvisations by the soloists. Kochan´s brilliant and as usual completely unusual drumming and his electronic sound effects complete the overall sound and atmosphere, which is full of tension and sense of urgency, which keeps the listener on edge at all times. Thomas and Wania play breathtaking solos and the entire ensemble sounds completely focused around the convoluted melody lines and tricky rhythm patterns, which just keep coming at the listener mercilessly. Listening to this music attentively is so intense, that one feels actual physical exhaustion by the time the music is over, as a result of the effort to get it all in one take. This music exists beyond any reasonable categorization, being intrinsically completely cross-genre. Jazz buffs and contemporary Classical music connoisseurs might find this to be just the cup of tea they love. In any case this music is simply too good to be ignored and if it happens to be available, should be consumed at once. Brilliant stuff!

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KUBA WIECEK TRIO & PAULINA PRZYBYSZ ~ KWIATECZKI (POLISH JAZZ VOL. 87) WARNER MUSIC POLAND 190296481222 (Barcode: 190296481222) ~ POLAND ~ Pop & Rock Recorded: 2021 Released: 2021 This is an album by Polish Jazz saxophonist / composer Kuba WiecekFind albums by this artist and his trio, with bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist with vocalist Paulina PrzybyszFind albums by this artist. The album offers twelve songs, based on a twelve poems cycle by Polish 16th Century poet Jan KochanowskiFind albums by this artist. All the songs were co-composed by Wiecek and Przybysz. Although seemingly a Jazz & Poetry project, in reality this album has almost nothing to do with Jazz even in the most liberal definition of the term. It is a Pop album, and a bad one at that, with many elements that dominate contemporary Pop, such as simplistic melody themes, strong bass & drums sound, layers of ambient and electronics sounds that don’t add anything to the music, New Wave, Hip hop, Rap and many other elements, which results in a mishmash that is quite difficult to swallow, surely for a Jazz listener. There is a faint improvisational element hidden deeply in the background, which basically is completely out of context. The vocals are theatrical and full of mannerisms, which have no connection whatsoever to the original poetry. To put the record straight, I love Wiecek’s music within the Jazz idiom and of course I completely respect his Artistic freedom, which allows him to explore any avenue he chooses, but I don’t have to approve automatically of everything he does. Baranski and Zyta are brilliant musicians, which can be heard even here. Sadly, this album is beyond my tolerance and inserting it as part of the Polish Jazz series is nothing short of sacrilegious, even in my extra-liberal terms of reference. Overall, this is just a boring, badly conceived album, which often offends my basic aesthetic values. Of course this is only my highly personal view, but I am never keen to criticize work by Artists, that I respect and love. Well, shit happens… Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 23/04/2023Posted: 23/04/2023

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JERZY MALEK ~ STALGIA KAYAX 077 (Barcode: 5907678818348) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 This is the sixth album by Polish Jazz trumpeter Jerzy MalekFind albums by this artist, recorded in a quintet setting with American saxophonist Stephen RileyFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Michal BaranskiFind albums by this artist and American (resident in Poland) drummer Eric AllenFind albums by this artist. The album presents nine compositions, seven of which are original composition by Malek, one is by Allen and the remaining one is a standard. The music is typical American mainstream Jazz, which stays at all times within the clearly defined Jazz conventions and therefore fails to break any new ground or sound contemporary. It might have as well been recorded a few decades ago and no one would have noticed the difference. Having said that, the original music is very well crafted and definitely deserving being heard. Nice melodies, perfectly executed by highly professional musicians, in short a perfect mainstream Jazz production, which many Jazz connoisseurs will undoubtedly enjoy to the max. The most important massage that comes across is that Polish Jazz musicians can play as good if not better than their American counterparts. The sound quality of the recording is nothing short of sensational. Malek is a superb trumpeter with a beautiful tone. I wish he would make at least some effort to shake off the restrictions he is so deeply entrenched in, and show his listeners something else for once. Paraphrasing on the "Holier than the Pope", this is a better mainstream American Jazz album than most Americans can record these days, but "The Times They Are A-Changin´"…

Updated: 18/09/2017Posted: 18/09/2017

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OLA MONKO ~ WHEREVER YOU ARE SOLITON 846 (Barcode: 5901571098463) ~ POLAND ~ Jazz Recorded: 2017 Released: 2018 This is the debut album by Polish pianist / composer Ola MonkoFind albums by this artist, recorded in a quintet setting with trumpeter Jerzy MalekFind albums by this artist, saxophonist Maciej SikalaFind albums by this artist, bassist Michal BaranskiFind albums by this artist and American (resident in Poland and married to Monko) drummer Eric AllenFind albums by this artist. The album presents nine compositions, eight of which are originals composed by Monko and one is a standard, all of which were arranged by Monko. The album offers a warm clear sound, which fondly resembles the famous Blue NoteFind albums on this label Records sound created by the legendary Rudy Van GelderFind albums by this artist. The music sits comfortably within contemporary mainstream Jazz, which is not surprising considering that Monko spent thirteen years living and playing Jazz in the US, where she was exposed to what the best American Jazz has to offer. Her compositions are all well built and offer solid melodies and coherent harmonic structures, which results in them sounding as good as any Jazz standard played today. All the members of the quintet are veteran players with years of experience behind them and as the result the music flows smoothly and elegantly from one tune to another and the album seems to be over in a flash. All three soloists contribute inspired solo parts and the rhythm section keeps the music streaming in an amicable fashion. Overall although not innovative as far as the Jazz idiom is concerned, this album offers splendid mainstream Jazz experience and presents an excellent collection of original tunes, which prove that the Polish Jazz musicians can play American mainstream as well as their counterparts across the pond and compose wonderful heartfelt tunes. For mainstream Jazz lovers this album is a gem from start to finish and a most pleasant listening experience. Congratulations go to Monko for finally making her statement, hopefully only the first of many. Go Girl!

Updated: 27/10/2018Posted: 27/10/2018

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GRZEGORZ NAGORSKI ~ THE OPTIMIST SOLITON 738 (Barcode: 5901571097381) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2016 Released: 2017 This is the third album as a leader by Polish Jazz trombonist / composer Grzegorz NagorskiFind albums by this artist, this time recorded in a quartet setting which features keyboardist Pawel TomaszewskiFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. Nagorski plays this time on the euphonium, rather than on his customary trombone, which makes this album quite unique, as euphonium is rarely used as the leading instrument. The album presents six original compositions, all by Nagorski. The music is actually quite surprising, very melodic and mainstream oriented, but definitely not trivial. Most of the time it sounds very Funky and offers a lot of Grove and Soul hints and to me is reminiscent to the music composed by the great George DukeFind albums by this artist and Herbie HancockFind albums by this artist in their electric periods. Overall it could be described as Jazz-Funk, Jazz-Soul or Jazz Rock Fusion. Nagorski´s compositions are all first rate. The euphonium proves to be, as expected, a very difficult instrument as a leading voice of a quartet, and in spite of the fact that Nagorski handles it very skillfully, it is essentially up to the other musicians to provide most of the harmonic and rhythmic contents, which of course they do perfectly, as expected from the highly professional and talented musicians they are. Tomaszewski´s keyboards are an absolute delight and he is definitely as excellent in the electric department as he is in front of the acoustic piano and for some time one of my favorite Polish keyboard players. Overall this is a very pleasant and musically satisfying album, which at the same time offers an attempt to use an unusual instrument in a Jazz environment. The music should be acceptable to a wide circle of Jazz / Fusion listeners and guaranties a well spent time while listening to this music.

Updated: 09/06/2018Posted: 09/06/2018

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ZBIGNIEW NAMYSLOWSKI ~ ASSYMETRY NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2006 Released: 2006 This is a brilliant album by veteran Polish saxophonist / composer Zbigniew NamyslowskiFind albums by this artist, one of the Founding Fathers of modern Polish Jazz active on the scene since the late 1950s. First as a member of the legendary Krzysztof KomedaFind albums by this artist ensemble and later as a leader, Namyslowski was always a superb musician and an intriguing composer. His early work was often characterized by incorporating Polish folklore motifs into his compositions, which was highly unusual at the time in US or Western Europe, but relatively common behind the Iron Curtain. This amazing album, as the (slightly twisted) title suggests, is all about odd meters, you know all those 7/4, 5/4, 7/8 and other crazy rhythmic patterns that only highly skilled musicians are able to play correctly. As much as they are a nightmare to play, they are surely a wonder to listen to and enjoy and this albums offers nine lengthy tunes, one better that the other. Performed by a brilliant quintet: trombonist Jacek NamyslowskiFind albums by this artist (yes the next generation), pianist Slawomir JaskulkeFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummers Grzegorz GrzybFind albums by this artist and Pawel DobrowolskiFind albums by this artist (on two tracks only), the music is simply divine, clever and enjoyable, all at the same time, which of course id pretty rare. It certainly seems that Namyslowski is getting younger with age, a rare quality indeed. Brilliant!

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PIOTR SCHMIDT INTERNATIONAL SEXTET ~ HEARSAY SJ 074 (Barcode: 5905489720379) ~ POLAND ~ Jazz Recorded: 2022 Released: 2023 This is an album by Polish Jazz trumpeter / composer / bandleader Piotr SchmidtFind albums by this artist, who leads an international sextet, with Lithuanian saxophonist Kestutis VaiginisFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist, Polish pianist Pawel TomaszewskiFind albums by this artist and alternating American / Polish rhythm sections of Harish RaghavanFind albums by this artist and Jonathan BarberFind albums by this artist / Michal BaranskiFind albums by this artist and Sebastian KuchczynskiFind albums by this artist. The album presents six tracks, five of which are original compositions by Schmidt and one is a composition by Polish Jazz vibraphonist / composer Bartosz PieszkaFind albums by this artist. The music was recorded at the same sessions and with the same lineup, as the material for the previous album by Schmidt, called “Komeda Unknown 1967Find albums with this title”. To Hi-Fi enthusiasts, the CD is gold plated. The music is another great collection of highly melodic and lyrical tunes, characteristic of the Polish melancholy, excellently performed by the sextet, which includes superb instrumentalists of international fame. Schmidt offers some scorching trumpet soloing, Vaiginis and Doruzka add their harmonic support and solo occasionally, Tomaszewski anchors everything with his sublime piano work and the rhythm section adds the swinging element. Together they create truly classic Jazz sextet sound, which reminds the best such ensembles, active throughout the Bebop era and beyond. Overall, this is a beautiful example of modern mainstream Polish Jazz, full of the melancholy elements that characterize the local strain of the genre since the 1960, continuing the great tradition with honors. Schmidt, who firmly established his position as a musician / composer, bandleader and activist on the local scene, is a proud representative of the second-generation of Polish Jazz musicians, which continues to develop the scene and keep the flame burning.

Updated: 01/08/2023Posted: 01/08/2023

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PIOTR SCHMIDT INTERNATIONAL SEXTET ~ KOMEDA UNKNOWN 1967 SJ 062 (Barcode: 5902596066796) ~ POLAND ~ Jazz Recorded: 2022 Released: 2022 This is an album by Polish Jazz trumpeter / composer / bandleader / label owner Piotr SchmidtFind albums by this artist, recorded with an international sextet, which includes Lithuanian saxophonist Kestutis VaiginisFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist, Polish pianist Pawel TomaszewskiFind albums by this artist, bassists American Harish RaghavanFind albums by this artist or Polish Michal BaranskiFind albums by this artist and drummers American Jonathan BarberFind albums by this artist or Polish Sebastian KuchczynskiFind albums by this artist. The sextet performs seven compositions, all by the Godfather of modern Polish Jazz, pianist / composer Krzysztof KomedaFind albums by this artist. The music is quite sensational, as six of these compositions by Komeda are recorded here for the first time, fifty-five years after they were created. They were originally written as part of the project originated by my Friend and Mentor, German producer Joachim BerendtFind albums by this artist, which resulted in the Jazz & Poetry album “Meine Susse Europaische HeimatFind albums with this title”, that combined Komeda’s music with contemporary Polish poetry. Krzysztof BalkiewiczFind albums by this artist, Polish archivist in charge of Komeda’s heritage, found these additional compositions, which were not used in the process of creating the above album and passed them to Schmidt, who arranged them and recorded with his sextet. Obviously such discovery is a major event as far as the history and legacy of Polish Jazz is concerned. The music is everything that every Komeda fan (and therefore every Polish Jazz fan) might expect, full of brilliant melodic lines, lyricism and melancholy, which are the epitome of Polish Jazz, a big dash of tension and mystery, which characterize Komeda’s compositions and a series of brilliant performances by some of the best Polish, European and American musicians. The album has all the ingredients of an instant classic, which of course is hardly surprising. Although these compositions were not included on the original album, they are by no means less perfect. The playing time restrictions of the LP format dictated the cruel choices, and the budget restrictions dictated the fact that the planned double LP project was rejected. I often wandered over the years where did those additional compositions disappear, and in my talks with Balkiewicz over the years the subject also came up. It is absolutely delightful to see the music being alive again and the prospect that it might inspire future Jazz generations is truly uplifting. Overall, this is a monumental piece of Jazz history, a great discovery and a glorious occasion to discover another element of Komeda’s genius. Everybody involved in this project deserves my sincere thanks: the brilliant musicians, the archivist / detective, the people who brilliantly recorded the music, etc. Every true Jazz enthusiast on this planet should listen to this album, as not hearing it constitutes a big void in the ability to comprehend the European musical aesthetics.

Updated: 29/12/2023Posted: 10/07/2022

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ANNA SERAFINSKA ~ GROOVE MACHINE POLSKIE RADIO 1662 (Barcode: 5907812246624) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2013 Released: 2013 This is a live radio recording by veteran Polish Jazz vocalist / songwriter / educator Anna SerafinskaFind albums by this artist with her group called Groove MachineFind albums by this artist, which consists of mostly younger musicians: keyboardist Rafal StepienFind albums by this artist, guitarist Andrzej GondekFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Cezary KonradFind albums by this artist. The group also includes a couple of female backing vocalists. The album includes ten pieces, nine of which are originals on which Serafinska contributed the music or the lyrics or both and only one is a standard. The group´s name conveys exactly its musical direction, which is Funk, Soul-Jazz and Groove, without exception. Although marginally Jazzy, this music is quite excellent at what it stands for and does not fall behind similar efforts recorded anywhere else in the world, US included. The band plays with a superb feel and groove, as expected, driven by the excellent rhythm section of brilliant Baranski and veteran Konrad, who never fails regardless the musical environment. Keyboards and guitar, which provide the melodic content as well as atmospheric ornamentation, are also spotless and inspired. The tasty hints of ambient and electronic sounds by the keyboardists bring the overall sound up to date sounding completely contemporary. Serafinska, who sings in Polish and English, does a good job, obviously technically proficient and with a lot of feeling and understanding for this kind of music. However, her voice lacks any distinctive elements and is simply unremarkable. But the lack of luster is definitely a minor drawback and overall she really does an excellent job here both as a performer and composer / lyricist. This is what it is – good time music, which manages however to preserve musical quality, aesthetics and integrity. With excellent sound quality and truly entertaining contents this is definitely worth listening to, especially while driving a convertible on a see-side road. Groovy indeed!

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WOJCIECH STARONIEWICZ ~ ALTERNATIONS ALLEGRO 017 (Barcode: 5901157049179) ~ POLAND ~ Jazz Recorded: 2007 Released: 2008 This is an excellent album by Polish saxophonist / composer Wojciech StaroniewiczFind albums by this artist, recorded with his quartet, which includes pianist Slawomir JaskulkeFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Hubert ZemlerFind albums by this artist. Polish piano superstar Leszek MozdzerFind albums by this artist sits in on three tracks, replacing the regular pianist. Staroniewicz composed all the nine tracks present here, which again proves his abilities as a composer, as they versatile and vary in mood and melodic direction, including some subtle World Music influences. The music is performed perfectly with the leader soloing extensively, and his solos are always a pleasure to listen to. On the three tracks Mozdzer guests on, he also gets plenty of space to show his chops. The rhythm section gives the soloist excellent support and the overall sound of the quartet is very solid. Staroniewicz has a wonderful tone on tenor and soprano saxophone and an unusually melodic approach, which does not diminish his improvisational qualities, which are truly impressive. Overall this album is a lot of fun to listen to and a great proof that solid, melodic Jazz can be also of high quality and interest. This album is most warmly recommended to Jazz fans who love quality modern mainstream Jazz.

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MICHAL TOKAJ ~ THE SIGN HEVHETIA 0089 (Barcode: 8588005257312) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 This is the second album as a leader by Polish Jazz pianist / composer Michal TokajFind albums by this artist, one of the most well-regarded and respected musicians on the local scene, known primarily as accompanist, arranger and composer working with top Polish Jazz vocalists like Aga ZaryanFind albums by this artist, Szymon MakohinFind albums by this artist, Grzegorz KarnasFind albums by this artist and others, but also as member of distinguished instrumental ensembles led by Piotr BaronFind albums by this artist, Marek NapiorkowskiFind albums by this artist, Janusz MuniakFind albums by this artist, Czech bassist Jaromir HonzakFind albums by this artist and others. The album was recorded in the classic piano trio format, with bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, the same lineup that recorded Tokaj´s debut album "Bird AloneFind albums with this title" a decade earlier. The music comprises of ten original compositions, nine of which were composed by Tokaj and the album´s closing track, which was composed by the great Polish bassist / composer Darek OleszkiewiczFind albums by this artist. The music is brilliantly performed by the trio, which displays not only superb instrumental abilities but more importantly remarkable affinity and interplay, which is hardly surprising considering the fact that they have been playing together for so many years. Tokaj´s piano playing here is somewhat different, as might be naturally expected, from his delicate accompaniments when playing along vocalists or other leading instrumentalists. It is much more assertive and focused, definitely more complex and adventurous, and yet still incredibly melodic, even during the condensed and expressive improvisational passages. Of course both Baranski and Zyta deserve all the compliments for their intelligent and sympathetic, as well as technically exquisite support. The music is a true delight from start to finish, a wonderful mixture of melody, lyricism and even romanticism combined with quite complex ventures into intensive improvisation and above all a lot of freedom and breathing space, which make this music crystal clear even during its most demanding moments. It´s pretty obvious that Tokaj´s gift as a composer and his incredible versatility earn his a well deserved position close to the top of the list of Polish Jazz composers. For me this is easily the best "piano trio playing original music" album recorded in 2014, which is quite a distinction considering how much great music is produced on the Polish scene every year. As usual in such circumstances both a wholehearted recommendation to the fans to grab this gem ASAP and a humble expressions of gratitude towards the musicians are in order. Very well done indeed Gentlemen!

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KRZYSZTOF URBANSKI ~ URBANSKI NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is a brilliant debut album by the young Polish Saxophonist / composer Krzysztof UrbanskiFind albums by this artist and his quartet, with pianist Pawel TomaszewskiFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Tomasz TorresFind albums by this artist. The album presents seven compositions, five of which are his originals and two are standards. From the fist note it is quite apparent that Urbanski is not just one more upcoming saxophonist on a scene overflowing with young talent; he has star quality which is unmistakable. Although the music on this album fits well within the classical Jazz convention (and I´m purposely avoiding the term "mainstream", which unfortunately over the years becomes more often than not associated with mediocrity), Urbanski manages to find very early in his career a very individual tone and approach, which happens very rarely with young players. It is obvious he is capable of reaching beyond the obvious and daring without apprehension, as evident herein for example on his treatment of the two standards, especially the John ColtraneFind albums by this artist´s "Giant Steps", which he in a transfixing way manages to turn upside down rhythmically. Urbanski the saxophonist is truly something else; his beautiful tone, which in its gentle and sweet manifestation is somewhat similar to Stan GetzFind albums by this artist and on the more energetic side to the young Wayne ShorterFind albums by this artist. Anybody in doubt should simply listen to the solo saxophone track on this album to comprehend Urbanski´s qualities. The five original compositions also prove a maturity one hardly expects to find in young Jazz composers. His melodic, harmonic and rhythmic vocabulary spans the Jazz tradition and presents elegant, intelligent and highly aesthetic listening experience, which simply grows with each listening session. Very worm words of praise also go to the superb rhythm section, which enables his to spread his wings but also contributes some excellent moments on its own right, with interesting solos and fabulous team work throughout this album. Tomasz Torres, the son of the legendary Polish (of Cuban origin) percussionist Jose TorresFind albums by this artist, pushes the quartet with beautiful polyrhythmic and Afro-Cuban influenced drive. Michal Baranski is already a household name on the Polish scene, known as one of the best new generation bassist in the country and his beautiful work on this album reflects his amazing talent. Pawel Tomaszewski also managed to establish quite a reputation despite his young age, with numerous recordings behind him. His solos on this album are simply top class, and his support of the leader is simply perfect. This is definitely one of the strongest debut albums released on the Polish Jazz scene in recent years, deserving a much stronger applause then it received in actuality. Urbanski is definitely someone to keep an eye on. Wholeheartedly recommended! Visitors' Comments Krzysztof Urbanski I have never before read such a constructive review of my music. I´m happy and wish to thank you again, Adam!

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VARIOUS ARTISTS ~ WODECKI JAZZ `70 - DIALOGI NOT ON LABEL (Barcode: 5904204733700) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2020 Released: 2021 This is a tribute album dedicated to the music of Polish singer / songwriter / musician Zbigniew WodeckiFind albums by this artist. Initiated by his daughter Kasia Wodecka-StubbsFind albums by this artist, this highly unusual project consists of archival original recordings by Wodecki made in the 1970s, original recordings overdubbed by parts added especially for this project and finally contemporary arrangements of Wodecki’s compositions recorded for this project. Some top Polish Jazz musicians take part in this project: saxophonist Henryk MiskiewiczFind albums by this artist, pianists Leszek MozdzerFind albums by this artist and Michal TokajFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. Obviously the idea behind the project is to show the proximity and affinity Wodecki obviously held for Jazz music, proposing a “what if” alternative, which speculates how his music might have developed in a “parallel universe”, in which he would have chosen Jazz and not Popular Music as his main field of activity. The album shows Wodecki’s superb sense of melody, which of course is no surprise to any Polish music fun, and his wonderful compositional skills, which made his compositions timeless and borderless, paving the way for the arrangements present on this album to sound completely natural, as if the music was composed today. The arrangers and musicians performing on the album are all veterans and Masters of their trade, so it’s not a surprise that the music sounds wonderful and is overall a highly enjoyable listening experience. Of course it is important to keep the music in the correct context, which is all about Jazz arrangements of Popular music, resulting in music suitable for a wide audience and therefore obviously on the easier side of the Jazz spectrum. Nevertheless, the soloists and the wonderful rhythm section do exactly what is best for the music, except perhaps for Mozdzer, whose overdose of sugar-coating is, as usual, exaggerated. Overall this is a highly unusual, ambitious and emotional project, which sheds new light on Wodecki’s legacy and contribution to Polish Culture, which is accessible to a wide audience, not necessarily only to Jazz buffs, but all lovers of Wodecki’s wonderful music. Well done!

Updated: 28/07/2021Posted: 28/07/2021

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KUBA WIECEK ~ MULTITASKING (POLISH JAZZ VOL.82) WARNER MUSIC POLAND 190295475918 (Barcode: 190295475918) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the second album by the young Polish Jazz saxophonist Kuba WiecekFind albums by this artist recorded with the same trio like the debut released two years earlier, which includes bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. Keyboardist Marcin MaseckiFind albums by this artist guests on one track. The album presents ten original compositions, all by Wiecek. Wiecek "exploded" on the local Jazz scene with the release of his debut album, which was released as part of the legendary "Polish Jazz" series, same as this one (see below). Immediately hailed as a wunderkind, youngest ever Jazz prodigy and the "darling" of the local scene and hyped by the media to ridiculous proportions, Wiecek never had a true chance to be seriously analyzed and evaluated as a player and composer. The debut album had its moments, but was recorded way too early before the material had a chance to be polished and mature during live performances and in retrospect was no more than a promise of better things to come in the future. This album is undoubtedly a much more accurate document of Wiecek´s many talents with the emphasis on his compositions, which are obviously unique and innovative. This album is in fact a collection of short ditties, ingenious and full of humor, masterly conceived and consistently fascinating. But the short duration of these ten pieces, lasting together under forty minutes, allows only to present the melodic / rhythmic ideas, but there is not enough time left to allow for any extended improvisations, which after all is expected from a Jazz album. Strangely, although this album was recorded at the best Polish recording studio (Monochrom Studio, with Ignacy GruszeckiFind albums by this artist presiding) it offers a muddy and thin sound, which does not help at all. Happily I have had the opportunity to hear the trio live many times in the last two years and can gladly testify that this material and the trio sound infinitely better on stage than on this album. Wiecek and his cohorts are stage animals and they put up a superb live show, taking this material places hardly imaginable, when listening to the studio album. I have also heard Wiecek play many times in jam sessions, where his adaptability and diversity was tested to the max, and which he always survived like a true knight in shining armor, without any hype miles around. Wiecek is undoubtedly one of the most ingenious, talented and promising upcoming young Polish Jazz musicians in addition to his charming personality. He is definitely destined to go places and the world is at his feet. I am happy to see that the hype around him did not manage to spoil and hurt him as much as it could have done and it was just an episode better left behind. He is still to record his defining album though. Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 02/01/2020Posted: 02/01/2020

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PIOTR WOJTASIK ~ VOICES INDYGO 003 (Barcode: 5907222872024) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2020 Released: 2022 This is the third album by Polish Jazz trumpeter / composer / bandleader / educator Piotr WojtasikFind albums by this artist, released on his IndygoFind albums on this label Records label. The album was recorded with the Choir of the White Stork Synagogue in Wroclaw, conducted by Stanislaw RybarczykFind albums by this artist, vocalist Magdalena ZawartkoFind albums by this artist, harpist Julia ZiembinskaFind albums by this artist and the members of Wojtasik’s quintet: saxophonist Marcin KaletkaFind albums by this artist, pianist Michal TokajFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Kazimierz JonkiszFind albums by this artist. The album presents six original compositions by Wojtasik, one co-composed with Sylwester OstrowskiFind albums by this artist. The music was superbly recorded at the RecPublica Studios and offers a sublime quality, balance and clarity of sound. The music reflects the deep sorrow and personal anguish of Wojtasik, which resulted from the tragic circumstances surrounding his life at the time. As such it is quite different from the “usual” mainstream Jazz, spiced with Gospel, that dominated his earlier recordings, and this time is absolutely drenched in melancholy and painful lyricism, showing a new facet of his musical identity. The use of the Choir is absolutely perfect for the music and the amalgamation of its sound into the fabric of the compositions is nothing short of perfection. The Jazzy aspects, as reflected by the soloing of the quintet members follow suit smoothly, with sympathetic echoing of the somber atmosphere. Wojtasik, Kaletka and Tokaj are highly experienced players and perform as expected, as is the brilliant rhythm section, which keeps everything in a clear framework. The biggest surprise of the album are actually the vocal contributions, both those by the Choir but even more so by Zawartko, who is simply sensationally brilliant. Since her arrival on the scene a few years ago, she never stops to amaze and her other recordings are all worth checking out. Overall, this is a beautiful album, full of melancholy and glumness, but nevertheless offering a moving aesthetic experience, beautiful melodies and heartfelt performances by all the participants. Hopefully making this album was, at least partly, a process of healing and time will do the rest to make things better. Wojtasik has never made a bad album in his life and this is a proof that he does not mean to lower his standards, come what may. My heart is with you my Friend!

Updated: 04/06/2022Posted: 04/06/2022

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AGA ZARYAN ~ LOOKING WALKING BEING BLUE NOTE 5099963139020 (Barcode: 5099963139020) ~ POLAND ~ Jazz Recorded: 2008 - 2009 Released: 2010 This is the 5th album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and her first release on the legendary Blue NoteFind albums on this label label, a first ever by a Polish artist. This album marks a new stage in Zaryan´s career, characterized by performing original material especially composed for her by pianist / composer Michal TokajFind albums by this artist (six of the twelve songs on the album) and Czech guitarist / composer David DoruzkaFind albums by this artist (four songs), both actively playing on this album. One additional song was composed by guitarist / composer Larry KoonseFind albums by this artist, who accompanied Zaryan on her earlier recordings and another one is by the great and sadly recently departed Polish bassist / composer Zbigniew WegehauptFind albums by this artist. Apart from Tokaj and Doruzka the other accompanying musicians include bassist Michal BaranskiFind albums by this artist, drummer Lukasz ZytaFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist. Zaryan also takes charge of writing the lyrics for seven of the album´s songs with the remaining five being poems by the marvelous British-born American poetess Denise LevertovFind albums by this artist. The lyricism of Zaryan´s texts and the intricacy of Levertov´s modern and deeply moving poetry give the album a clear artistic direction, which draws from the beautiful tradition of combining music and poetry, especially the Jazz & Poetry movement, which flourished in the 1960s. The music is a perfect match to the complex lyrics, fluidly and gently carrying the singer´s words on the waves of sound. It is mostly lyrical as well, reflective and introvert, but energetic enough to prevent an overall morose atmosphere, which many "serious" musical projects suffer from. Obviously this kind of music requires serious and repetitive listening to uncover its complex content and allow intimate contact, but its obvious beauty is quite obvious from the very first exposure to it. This is both intellectual and emotional music, a rare quality indeed, especially these days. Zaryan´s performances as well as the accompaniment are both an absolute bliss. As usual she cooperates with her musicians on levels rarely achieved elsewhere, making the best of their respective talents and abilities. Doruzka, who is the main soloist, plays some of the finest guitar I´ve heard in a long time and Zaryan´s obvious love for the guitar is commendable, as most singers prefer to use the piano as the main supportive instrument. The album, which was recorded in Warsaw and Los Angeles over a period of several months, displays an overall level of musicianship and recording / production as well as sonic quality, which are simply extraordinary. There is no doubt that Zaryan and her cohorts deserve an honorable place on the Polish Jazz scene as much as being a part of world´s Jazz elite with the Blue Note as their home base. Buying this album is definitely a no brainer and I can´t imagine money better spent that this. A must!

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AGA ZARYAN ~ UMIERA PIEKNO EMI 5099909494428 (Barcode: 5099909494428) ~ POLAND ~ Jazz & Poetry Recorded: 2007 Released: 2010 This is the 3rd album by the wonderful Polish Jazz vocalist Aga ZaryanFind albums by this artist, which marks the beginning of the second phase of her career. It is dramatically different from her two preceding albums in almost every conceivable artistic aspect, retaining only her beautiful vocal expression and the profound connection to Jazz. It is the first album, which finds her singing in the Polish language, her first recording which features string ensemble arrangements, but most importantly it marks the beginning of her love affair with poetry, or more exactly the Jazz & Poetry movement, which has deep roots in the Polish Jazz legacy. All these elements were to become the characteristic features of her future recordings. The album was recorded in the intimate piano trio setting, with pianist Michal TokajFind albums by this artist, who also wrote the music for all the nine songs included on the album, bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. Some of the songs also feature subtle string arrangements, performed by an excellent large string ensemble expanded with harp and oboe. The album was recorded at the legendary Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, and not surprisingly is simply stunning sonically. But of course the main focus of this album is the concept behind it, which is to commemorate the tragic 1944 Warsaw Uprising during WW II, which to this day is remembered as one of Polish history´s most heartbreaking and frustrating events. The album´s title "Umiera Piekno" ("Beauty Is Dying" in Polish), which is also the title of one of the songs, expresses the subject matter most astutely. The lyrics to all the songs on this album are poems written by people who participated in the uprising (and in the case of poetess Krystyna KrahelskaFind albums by this artist, who wrote four of the poems featured here, died while fighting), or others who wrote about the event. The subject matter is deeply moving and intrinsically painful and poignant, especially in view of the fact that the memory of the uprising was neglected and even purposely concealed by the Socialist regime. Zaryan performed the music from this album live during a special concert at the Warsaw Uprising Museum, which was broadcasted live by Polish radio and TV and amassed an incredible crowd of Warsaw´s inhabitants and is viewed by many as one of the most significant artistic achievements in the country´s cultural life in the last decade. It also resulted in the relatively anonymous Zaryan reaching unprecedented heights of popularity following the event. In spite of the incredibly intense subject matter, the album turns out to be more melancholic than depressing, with the beautiful melodies and Zaryan´s delicate, almost whispered vocals simply enfolding and enchanting the listener and isolating him completely from his surroundings, building gradually an intimate exchange between the singer and her audience. Zaryan is obviously a sorceress putting her magic spells to work on every possible emotional level the listener is exposing, both consciously and subconsciously. As a result the music and the performances by the singer and her cohorts amount to an unprecedented work of Art. Listeners, who are not familiar with the polish language, need not to worry. The overall effect of this music transcends language barriers with ease and elegance and listening to this album will be a rewarding experience for any sensible human being on this planet. Side Note: This album was originally recorded in Poland in 2007 and released the same year on an independent label. This version of the album is released on EMIFind albums on this label in 2010, after the legendary Jazz label Blue NoteFind albums on this label (owned by EMI) signed Aga Zaryan as the first Polish Jazz artist in its roster.

Updated: 01/01/2016Posted:

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AGA ZARYAN ~ WHAT XMAS MEANS TO ME WARNER MUSIC POLAND 190295535001 (Barcode: 190295535001) ~ POLAND ~ Xmas Jazz Recorded: 2018 Released: 2018 This Xmas Jazz album by Polish Jazz vocalist Diva Aga ZaryanFind albums by this artist was released a year ago (2018), but my personal health havoc at that time prevented me from writing about it then. Luckily Xmas has the habit of revisiting us at regular intervals, so here we are again nearing the White Holidays and I can return to this music and share my reflections about it with my readers, better late than never. The album was recorded in Warsaw, Prague & New York and features a marvelous ensemble of Polish Jazz veterans, headed by pianist Michal TokajFind albums by this artist, who was also in charge of the fabulous arrangements and co-produced the album with Zaryan: saxophonist Marcin KaletkaFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist and a sublime rhythm section comprising of bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. American vocalist Freddy ColeFind albums by this artist shared the vocal duties with Zaryan on selected tracks and the Filharmonic Orchestra PragueFind albums by this artist supplied the orchestral accompaniments. The album presents ten Jazz Xmas standards and one Polish song by the eternal Czeslaw NiemenFind albums by this artist, which is the only track with lyrics in Polish language. The carefully selected songs present a mixture of classic Xmas evergreens and less obvious and often almost forgotten songs, which deserve to be revisited. As we all know, Xmas Jazz albums are often not more than a mixture of cynical opportunism and sappy sentimentalism, bordering on complete kitsch, if not worse. It makes me very happy to say that Zaryan and Tokaj managed to avoid all the commercial traps and temptations, creating first and foremost a bona fide Jazz album, which also focuses on the Xmas Spirit. The arrangements are sophisticated and unique to give all the songs a fresh perspective and Zaryan´s vocals are as sincere and heartfelt as always, treating each and every song with outmost care and personal interpretation. The instrumental parts are all, as expected, absolutely perfect. These musicians are all capable of playing anything, and they give their best every time, both on record and live. The ensemble is capable of producing an almost Big Band sound on one hand and delicate low key accompaniment on the other hand. There are of course plenty of superb soli spicing the proceedings. Tokaj´s piano playing is outstanding as always and he proves again to be a true Zaryan´s musical soul-brother all along, exemplified by their piano / vocals duo. Also Baranski performs a beautiful bass / vocals duo with Zaryan which brings on goose bumps. Zaryan´s vocal performances are brilliant of course, and she carefully avoids unnecessary theatrics and focuses on her expressions, which is a great Art in itself. Her voice is wonderfully steady and focused, and her emotions so genuine, that one can not resist to feel them entering straight into one´s heart. Although dedicated to her two young sons, the album is obviously intended to be shared with everybody who takes time to listen to this wonderful music. The inclusion of Niemen´s song (with lyrics by the poet Jaroslaw IwaszkiewiczFind albums by this artist) is the proverbial cherry on top (or perhaps the star on top of the Xmas tree); it is a tribute to Niemen´s genius as a songwriter but also a longing for the spring that follows after winter and the Xmas Holidays, with renewed life and hope, as the deeply lyrical text implies. It is also a relatively rare opportunity to hear Zaryan sing in Polish, something I personally always long for. Overall this is a delightful listening experience, which offers a coherent and wonderfully put together piece of music, which sounds as good in December, as it does in July and which is honestly Spiritual. A Merry Xmas to you all, even if you personally don´t celebrate it – the Xmas spirit is universal, as is great music!

Updated: 06/12/2019Posted: 06/12/2019

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