Record Reviews

FIELD ~ HEAL THE RICH WHYPLAYJAZZ 026 (Barcode: 4250459990360) ~ GERMANY ~ Jazz Recorded: 2015 Released: 2016 This is the second album by the German FieldFind albums by this artist quartet, led by saxophonist / composer Uli KempendorffFind albums by this artist, which also includes guitarist Ronny GraupeFind albums by this artist, Danish bassist Jonas WestergaardFind albums by this artist and drummer Oliver SteidleFind albums by this artist. The album presents seven original compositions (one repeated twice), all by Kempendorff. The music is a vibrant and excellent example of contemporary European Jazz, which offers superb musicianship and intriguing contents bundled in an attractive albeit challenging exterior. Based on composed themes, the music tends to shift towards collective improvisation, which becomes very intensive at its apex, but retains an internal organization saving it from crossing over to chaos. The saxophone and the guitar exchange rapid licks between them on the up tempo swinging tunes, with the rhythm section supporting the soloist admirably. As usual the bass keeps the rhythm flow and the drums play around, often polyrhythmically. The more introvert pieces are also excellent, featuring much more expressive soloing by the leader and a laid back rhythm section, creating an atmosphere somewhat similar to the Scandinavian sound. Overall this is a very solid statement by excellent musicians, who know exactly how to express their ideas and how to play in ensemble setting, sharing responsibilities and inspiring each other. The atmosphere may sound cold and alienated at first, but in time the listener is drawn into the internal universe these musicians create. This album joins the rest of the catalogue offered by the excellent WhyPlayJazzFind albums on this label label, proudly representing new European Jazz created by young and upcoming musicians, which clearly points to the fact that this is where Jazz is at these days.

Updated: 13/06/2016Posted: 13/06/2016

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PHILIPP GROPPER / PHILM ~ LICHT WHYPLAYJAZZ 007 (Barcode: 4050486070048) ~ GERMANY ~ Jazz Recorded: 2011 Released: 2012 This is the debut album by the quartet called PhilmFind albums by this artist, led by German saxophonist / composer Philipp GropperFind albums by this artist and including Norwegian pianist Havard WilkFind albums by this artist, Danish bassist Andreas LangFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. Gropper is also known as the leader of the trio Hyperactive KidFind albums by this artist and the group TauFind albums by this artist, as well as a member of FUSKFind albums by this artist, SONNEFind albums by this artist and several other projects. With over thirty albums as a leader and sideman he is one of the most prolific German (Berlin based) Jazz musicians since the turn of the Millennium. The album presents six original compositions, all by Gropper. The music presents a set of passionate statements, beautifully crafted by their composer and wonderfully executed by the quartet, which combines four individual talents into a fresh amalgam, where the total is greater than the sum of its parts. Since I´m already familiar with Gropper, Lang and Steidle from other recordings, it is Wilk who is the nicest surprise of this album, playing some superbly imaginative lines and proving to be pianist definitely worth following in the future. Lang plays his usual wonderful bass staccatos and keeps the rhythm section as an integral part of the collective improvisation. Steidle, who is another veteran on the German scene and has a fine reputation as a highly imaginative and gifted drummer justifies his standing in full. Although most of the music is improvised, it has a strong melodic ingredient, sometimes clearly noticeable but most of the time only present subconsciously. This music has a clearly defined direction and a sense of purpose, which many Free Jazz / Improvised Music recordings simply lack completely. To be completely free and unrestrained within specified harmonic and melodic boundaries is a much more sophisticated form of expression than complete tonal anarchy, something free improvisers tend to forget. Overall this is an excellent debut group effort and I´m looking forward to hearing more from where this music came from, hopefully soon!

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PHILIPP GROPPER / PHILM ~ SUN SHIP WHYPLAYJAZZ 038 (Barcode: 4250459991381) ~ GERMANY ~ Avant-Garde Jazz Recorded: 2016 Released: 2017 This is the third album by German saxophonist / composer Philipp GropperFind albums by this artist and his quartet PhilmFind albums by this artist, which also includes Austrian keyboardists Elias StemesederFind albums by this artist, Danish bassist Andreas LangFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. The album presents three original compositions, the first comprising of two parts and the second and third comprising of three parts each. This time, in contrasts to the quartet´s previous album, the music, although obviously still very much Avant Garde and Free Jazz oriented, manages to present a coherent approach and less self-indulgence, which result in a more communicative whole. Of course this is still highly specialized music, which a priori is intended for a very narrow audience, but the correct balance of Freedom and Discipline makes it all happen this time. All four members of the quartet are obviously highly talented musicians, which is apparent outright. The individual statements as well as the collective interplays are all outstanding, with each musician being allowed enough space to show his chops. The synthesizer is a nice innovation to the quartet´s overall sound and expands the scope of possibilities and adds a fresh sound layer to the overall sound, all for the best. Personally I enjoy the ragged, odd and unexpected rhythmic aspect of the music on this album, which is truly fascinating and quite innovative. The ability of the musicians to keep the time together is obviously remarkable and the hats off goes to the superb rhythm section of Land and Steidle, which is simply brilliant. But of course Gropper and Stemeseder create many wonderful statements all along, which are true delight to an attentive listener. Overall this is a beautiful example of European Free Jazz at its best, with shows the renewed German Jazz scene, especially in Berlin but also in other parts of the country, revitalized by the tremendous young generation of players and open to international cooperation, like it once was in the golden 1960s and 1970s. What a joy!

Updated: 17/12/2018Posted: 08/07/2017

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PHILIPP GROPPER / PHILM ~ THE MADMAN OF NARANAM WHYPLAYJAZZ 018 (Barcode: 4050486927960) ~ GERMANY ~ Jazz Recorded: 2014 Released: 2015 This is the second album by German saxophonist / composer Philipp GropperFind albums by this artist and his quartet called PhilmFind albums by this artist, which also includes Austrian pianist Elias StemesederFind albums by this artist, Danish bassist Andreas LangFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. The album presents nine original compositions, all by Gropper. The music on this album is much more Avant-Garde oriented than on its predecessor, and is much more intense, primarily due to the presence of Stemeseder, who is a completely different player from Havard WilkFind albums by this artist, who played on that album. The melodic element is almost completely gone and most of the album sounds somewhat like Musique Concrete mixed with Free Jazz. It takes a while to get used to the harsh tone and aggressiveness of this music, but eventually its intricate nature becomes more penetrable. Although all four members of this quartet are obviously highly skilled musicians, the overall effect of this music is probably way beyond the pain threshold of an average Jazz listener, even those open-minded enough to listen to Free Jazz. This music seems to mock everything there is in music as conceived by most listeners: melody, chord structure, rhythm, even the very sense of music. This is the risk Avant-Garde takes when it questions the very fabric of music, and sometimes such experiments simply take it outside the human perception. There is no doubt this album has its moments, especially when it becomes quieter and almost minimalistic. Lang´s bass lines are always a delight and they are the candle in the dark as far as this music is concerned. Steidle also does a great job keeping time when there is no time, like only the best drummers can. Gropper plays relatively sparingly, especially in view of the fact this is his music and his band, and his dark tone suits the overall scenario perfectly. Stemeseder is definitely too busy, and has a problem letting go, amassing unnecessary intensity in places where it is not appropriate, but he is a very interesting player, which I haven´t yet properly digested. Overall this is a challenging and difficult album, which requires a lot of patience to get into, but eventually can be a stimulating and interesting experience. It is definitely suitable for hard core Free Jazz / Avant-Garde connoisseurs only.

Updated: 12/04/2019Posted:

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OFF THE RECORD ~ THE CALL OUT OF THE SHED ~ GERMANY ~ Jazz Recorded: 2021 Released: 2022 This is the debut album by the European Jazz quartet Off The RecordFind albums by this artist, led by German guitarist / composer Ronny GraupeFind albums by this artist, which also includes Polish vibraphonist Dominik BukowskiFind albums by this artist, British bassist Phil DonkinFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. The album presents fifteen original compositions, all by the leader, first five and last nine grouped into two “mini-suites” and one solitary tune separating them. Graupe first came to my attention as a member of the (then) new quartet led by Rolf KuhnFind albums by this artist, which included two young German Jazz musicians. I followed his career via his later recordings for the excellent WhyPlayJazzFind albums on this label label, which documents the burgeoning young German scene, of which Steidle is also an important member. Bukowski is of course an old acquaintance and surely one of the very best European vibraphone players since many years. I am less informed of the activities of Donkin, although he seems to be frantically busy as well, but somehow his albums never reached me so far. The music is an excellent example of contemporary European Jazz, which is highly imaginative, exploring and inventive, rhythmically liberated and free-spirited, and yet completely coherent, and to some degree melody based. Guitar and vibraphone playing together always take me back five decades back to the prophetic Gary BurtonFind albums by this artist / Larry CoryellFind albums by this artist quartet recordings, which were Fusion precursors but never actually played Fusion per se, exactly what happens here. There is perhaps just a tinge of Fusiony moments, but none of its drudgery. The individual and group performances are of course stellar, but nothing less should be expected from these highly experienced musicians. Graupe made an excellent choice by taking Bukowski aboard, creating a magical amalgam not only of sounds but more importantly of ideas. The polyrhythmic pulsations delivered by the rhythm section fit this music like a glove and are a true delight from start to finish. Overall, this is European Jazz at its best, sophisticated and emotional, organized and free all in the best measures. This is definitely a piece of music modern Jazz lovers should put their hands on, with no regrets or hesitation whatsoever. Years of hard work and persistence pay off in music, and when combined with great amounts of talent, they work wonders.

Updated: 09/07/2022Posted: 09/07/2022

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