Record Reviews

OREN NEIMAN ~ FROLIC AND DETOUR NOT ON LABEL (Barcode: 884501114257) ~ ISRAEL ~ Jazz Recorded: 2008 Released: 2009 2nd album by Israeli (resident in US) guitarist / composer Oren NeimanFind albums by this artist, a quartet recording with Neiman on guitar, Kenny WarrenFind albums by this artist on trumpet, Doug DrewesFind albums by this artist on bass and Kenny ShawFind albums by this artist on drums, featuring his original compositions. Neiman moved to NY in 2001, where he studied with some of the best Jazz players on the scene, including guitarist John AbercrombieFind albums by this artist, and soon becoming his protégé. Following the studies he formed his own quartet, recording a debut album in 2006. This new recording, with a new quartet, is quite a unique statement. Neiman concentrates here more on producing a musical statement rather than showing off his guitar playing. In fact it is the trumpeter, who plays most of the leads on the album, with Neiman more in the shadows playing only occasional solo parts, but sometimes they play amazing unisono passages, which remind me of the Larry CoryellFind albums by this artist / Randy BreckerFind albums by this artist excursions in Eleventh HouseFind albums by this artist, but which are stylistically remote from the Fusion played by Eleventh House. Neiman´s music is very difficult to characterize (which is a good thing), obviously influenced by many diverse sources. It is predominantly Jazzy, but it also touches upon ethnic themes and rhythmic patterns, often using odd meters and unusual harmony. Also the unusual sound blend of the guitar / trumpet combination gives the listener the impression of hearing something innovative and rarely attempted before. Warren is an impressive player, with great sensitivity, warm tone and good range, who is able to make his instrument aggressive and lyrical, whichever suits the music at the time. The rhythm section gives a perfect support to the soloists, handling the difficult tempi with ease and elegance. Neiman´s praise goes mainly to his composing abilities, as his instrumental duties here are not the main concern (as far as I perceive it), although his playing is obviously top notch. Overall this is an interesting and challenging album, absolutely worth investigating.

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