Record Reviews

MACIEJ GRZYWACZ ~ MOVIN` ALONG BLACK WINE 2021/001 (Barcode: 5902020424048) ~ POLAND ~ Jazz Recorded: 2020 Released: 2021 This is a delightful album by Polish Jazz guitarist / composer / educator Maciej GrzywaczFind albums by this artist, recorded in a quintet setting with seasoned Polish Jazz musicians: saxophonist / flautist Tomasz GrzegorskiFind albums by this artist, pianist Kuba StankiewiczFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Kuba GrzywaczFind albums by this artist (Maciej’s son). The album presents ten compositions by the iconic American guitarist / composer Wes MontgomeryFind albums by this artist, one of the Godfathers of guitar Jazz, and is an obvious tribute to his music. The music offers audiophile sound quality, which delivers everything it promises to do. The album manages to avid the obvious trap of trying to mimic / sound like Wes Montgomery, which of course is absolutely unique and inimitable, and offers what it is set to do, creating a loving tribute to the great musician, with a fresh perspective, which preserves the tradition respectfully and knowledgably. Grzywacz, who is among the very few true Jazz guitar players in Poland / Europe, stays with the basics, playing notes and chords, but manages to stay himself, rather than a second rate imitator. The guitar sound is Montgomerian more in spirit than in “body”, which works very well altogether. The rest of the musicians play along wonderfully, with Stankiewicz adding some of his lovely lyricism while soloing, Grzegorski carries the tunes strictly to the note and the rhythm section keeps a tight ship, navigating the music with precision, while obviously having great fun at it. Overall this is an admirable effort of preserving some of the great Jazz tradition, bringing it up to date but respecting its sources, executed with vigor and precision on top of obvious talent. This album should sit well with every Jazz lover anywhere on this planet, and obviously especially so with Montgomery / Jazz guitar lovers the world over.

Updated: 07/12/2021Posted: 02/12/2021

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JASKULKE SEXTET ~ KOMEDA RECOMPOSED NOT ON LABEL (Barcode: 5900378715009) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is the debut album by a Polish Jazz sextet led by pianist / composer Slawomir JaskulkeFind albums by this artist, which also includes five excellent musicians of the young Polish Jazz generation: trumpeter Emil MiszkFind albums by this artist, saxophonists Piotr CheckiFind albums by this artist and Michal Jan CiesielskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Roman SlefarskiFind albums by this artist. The album presents eight original compositions by Jaskulke, which were, as the album´s title suggests, "inspired by the creations" of Krzysztof KomedaFind albums by this artist, the Godfather of modern Polish Jazz. The titles of the eight compositions clearly define (for the Komeda erudite) the specific Komeda´s compositions which were the source of the related inspirations. To be perfectly honest I´ve just about had it with the various Polish Jazz Komeda related projects. Komeda has been mercilessly re-composed, de-composed, un-composed and mercilessly mutilated each and every possible and impossible way for decades and he really deserves some piece and quiet to be appreciated exactly for what he had to say by himself. Of course this is just my personal opinion, but hey, enough is enough! Having said all that, this album is by all means a nice piece of Polish / European Jazz, mostly due to the exceptional performances by these young musicians, who sound as if they have been at it since decades. The album offers many superb solos and extraordinary ensemble playing. The music, however, is pretty predictable and the Komeda quotations are a bit corny. Nevertheless it is a very pleasant listening experience altogether, but the somewhat pretentious title is not reflected in these pretty standard mainstream offerings. Overall this is a very pretty, melodic, easy on the ear Jazz album, which has very little to do with Komeda´s urgency and restlessness, but is very listenable and with Komeda´s name in the title will be highly praised by Polish "critics" and fans alike.

Updated: 24/11/2019Posted: 01/08/2018

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LESZEK KULAKOWSKI ~ CANTABILE IN G-MINOR MULTIKULTI MPJ 004 (Barcode: 5907529223642) ~ POLAND ~ Jazz Recorded: 2006 Released: 2011 This is an album by Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist, recorded in a quartet setting with celebrated American trumpeter Eddie HendersonFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and veteran drummer Jacek PelcFind albums by this artist. The album comprises of ten original compositions, all by Kulakowski. The music was recorded in 2006 but released only in 2011. The music is set well within the mainstream Jazz boundaries, with clear melodic themes and pretty straightforward improvisations, all very well performed by the quartet members, but hardly innovative or challenging. Kulakowski is a very skilled weaver of melodies, and his slow melancholic themes are usually more moving than the mid to up-tempo numbers. All the players are of course very experienced performers and the overall level of personal output is excellent. Piotr Kulakowski plays some beautiful bass riffs and holds the quartet together and Pelc is always doing what is expected of him in every situation. Leszek Kulakowski is a charmer, as usual, and his delicate piano chords and solo parts are heartwarming. Henderson, after playing Funk and Jazz-Rock Fusion for many years, is back as a Post-bop player, doing a splendid job both on trumpet and Flugelhorn. However, in comparison to many Polish Jazz trumpeters, who appeared on the scene in recent years, his performances quite honestly a bit pale as to what one might expect. All in all this is a fine mainstream album, which many Jazz fans should be able to enjoy and one that is definitely worth discovering. Perhaps not the strongest statement by Kulakowski to date, but this is definitely a valuable component of his splendid legacy so far.

Updated: 15/11/2019Posted:

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LESZEK KULAKOWSKI ~ CHOPIN IMPRESSIONS SOLITON 768 (Barcode: 5901571097688) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017 This is an album by veteran Polish Jazz pianist / composer / bandleader / educator Leszek KulakowskiFind albums by this artist, recorded in a quintet setting with Polish rhythm section: bassist Piotr KulakowskiFind albums by this artist (Leszek´s son) and drummer Tomasz SowinskiFind albums by this artist and with Swedish saxophonist Mikael GodeeFind albums by this artist and percussionist Ebba WesterbergFind albums by this artist. Together they perform eight compositions by the Polish Classical composer Frederic ChopinFind albums by this artist, arranged for a Jazz quintet by Kulakowski and Godee, each contributing four arrangements. Over the years Chopin inspired Polish Jazz musicians very often and the number of Jazz albums based on Chopin´s music is truly abundant. Kulakowski visited Chopin´s music several times throughout his recording career, but obviously his fascination with the essence of Polish music, which Chopin represents more than any other Polish composer, refuses to let go. This album presents a more gentle and reflective approach to Chopin´s music than Kulakowski´s earlier recordings. The intrinsic melancholy dominates the proceedings and the minimalistic and delicate touches of the keyboard are the most essential and enjoyable moments this music offers. The saxophone parts are mostly straightforward leaving the centre stage as far as improvisation is concerned to the piano. The soprano saxophone sounds a bit like flute at times. The rhythm section does a beautiful job filling the blanks and keeping the pulse of the music clear and steady. The percussion parts are mostly decorative and are typically heard on the up-tempo pieces. Overall this is a fine album, which should make the many connoisseurs of Jazzed up version of Chopin´s music very happy, especially since it includes some of the most well known pieces composed by Chopin. It is made with obvious love of the subject matter and profound dedication and is a true joy to listen to.

Updated: 16/01/2018Posted: 16/01/2018

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LESZEK KULAKOWSKI ~ CODE NUMBERS MUSIC VOX ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is a wonderful piano trio album by Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist with bassist Piotr KulakowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist (of RGGFind albums by this artist fame). The album presents thirteen original compositions, all by Kulakowski, some quite short, like outlines if a musical idea which is repeated four times, others lengthy and expanded with elaborate improvisations. The album was recorded at the Studio Tokarnia and was engineered and mastered by Jan SmoczynskiFind albums by this artist, as usual with spectacular sonic results. Kulakowski is a musician of many diverse preferences, moving between the pure Jazz idiom and Jazz-Classical Fusion, feeling comfortably in both situations. Although this album presents him in seemingly "pure" Jazziness, both his playing and his compositions always incorporate a certain element of contemporary Classical music, even if not stated openly. He is a master of melody, but also of atmosphere and suspense, which keeps the listener in a state of anticipation. Personally I find this ability quite remarkable as it emerges in Kulakowski´s work with such intensity for the first time since the works of Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, were created in the late 1960s. The music also champions the typical Polish lyricism and intrinsic melancholy, which although omnipresent in Polish Jazz, are rarely revealed with such exquisiteness and compassion, as in the music presented here. The performances are all quite brilliant, with the piano often performing without accompaniment, and when the whole trio is present, the rhythm section often takes a deliberate step back, respectfully keeping the piano in the spotlight. Of course when the rhythm section does step in full swing, the musicians sound like one coherent unit. Gradziuk displays his usual virtuosic, yet reserved ability to keep time in a most inspired way and even is his solo tries not to outshine his colleagues. The bassist also performs wonderfully, providing those magnificent riffs that keep the anticipation in the air. The whole thing is simply brilliant. This music should be heard by every piano trio connoisseur on this planet, as it is definitely has to offer many novel ideas and deeply moving music, which deserves to be discovered and shared. Not to be missed!

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LESZEK KULAKOWSKI ~ COPY & INSERT SOLITON 733 (Barcode: 5901571097336) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is a live album by veteran Polish Jazz pianist / composer / bandleader / educator Leszek KulakowskiFind albums by this artist recorded in a classic quintet setting with American (resident in Vienna) saxophonist Andy MiddletonFind albums by this artist, trumpeter Jerzy MalekFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist (Leszek´s son) and drummer Tomasz SowinskiFind albums by this artist. Together they perform six original compositions, all by Leszek Kulakowski. The sound quality of the live recording is excellent. The music is all within the boundaries of contemporary modern mainstream Jazz, with melody based compositions which serve as basis for the quintet to carry the tunes in orderly manner and present individual solos. Kulakowski is a superb composer and his elegant tunes sound as if they originate from a collection of standards, but in fact are his originals. The performances are all spotless of course, as expected from these highly experienced and talented musicians. Middleton, who is also an educator, same as Kulakowski, has a wonderful tone and elegant flow, and his solos are a true delight. Malek is also a superb player and his phrasing is full of emotion and skill. Kulakowski is a very original pianist, who plays remarkably not only when soloing but also while accompanying his colleagues. Piotr Kulakowski is one of the best bassists on the crowded Polish Jazz scene and his pulsations are always right on the money. Sowinski is exactly the right drummer for this quintet, pushing the other players during the up-tempo numbers and gently paving the way during the ballads. In short a mainstream A-Team, which delivers nothing but the best. This album slaughters a few "holy cows", namely: "European musicians can´t swing", "Those who can´t play teach" and other popular misconceptions. Any true Jazz lover listening to this album should be completely satisfied in every respect. Side Note: Since a few years, every December, Leszek Kulakowski, Andy Middleton and me meet in Katowice to serve as jury members of the International Jazz Composition Competition, held at the local Jazz Academy (together with Jerzy JarosikFind albums by this artist, the head of the Jazz Department of the Academy and our host, and fantastic trumpeter / educator Piotr WojtasikFind albums by this artist). Over the years we not only forged a wonderful friendship between ourselves, discussed music and life for endless hours and of course managed to consume many a gallon of beer, vodka and eventually anything that is humanly drinkable. Who says Jazz is not a platform of friendship ;)

Updated: 12/01/2018Posted: 12/01/2018

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LESZEK KULAKOWSKI ~ LOOKING AHEAD FOR TUNE 0043 (Barcode: 5902768701524) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 In the last few years preceding the release of this album celebrated Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist concentrated on producing large orchestral works, which had either no direct connection to Jazz while pushing the boundaries of contemporary Classical idiom or floated somewhere within the Jazz-Classical Fusion, combining the two genres. Therefore this album comes as most welcome return to his Jazz roots. Recorded in a sextet setting with German trumpeter Christoph TitzFind albums by this artist, saxophonist Tomasz GrzegorskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist, the album presents nine original compositions, all by Leszek Kulakowski. Kulakowski was always first and foremost a superb song-weaver, which is very evident on this album from start to finish. The various melodies are the deepest root of this music, which then gets expanded into the modern mainstream language, floating gently and elegantly from one tune to another, caressed and pampered on its way by the musicians, who add their individual touches. There is plenty of freedom and breathing space within this music to inspire a relaxed, moderate approach by the players, which proves to be ideal in this context. Of course certain traces of Classical compositional tricks and arrangement devices can be picked up by the experienced listeners. The overall atmosphere of this recording is reminiscent of the Scandinavian sound, more so than to the usual Polish Jazz recordings. A certain ECM-ism can also be detected. The individual contributions by its participants are another forte of this album; everybody´s playing sounds truly inspired here. Titz is a wonderful trumpeter, who somehow never really gets the credit for his work that he usually deserves. His performances on this albums rank among his best work done on record, and although his phrasing derives from other great European trumpet Masters, his deep lyricism and feel are uniquely his own. The most surprising and at the same time impressive soloist on this album is the young cellist Krzysztof Lenczowski, whose name pops up on the local scene with a feverish frequency and in some most unexpected places, in addition to his regular work with the Atom String QuartetFind albums by this artist. Kulakowski relays on his solo parts in several of the compositions presented here, and his decision to engage Lenczowski in this project pays off splendidly. Grzegorski and Kulakowski also play some excellent solos in the various tunes, which perhaps are less spectacular but no less expressive and supportive in the common effort invested to create this music. The rhythm section is extremely supportive throughout and plays with precision and sensitivity, exactly when and as needed. In many respects this is probably the most "conventional" album released by the For TuneFind albums on this label label so far and it´s good to see that the people running the label have no preconceptions overshadowing their judgment and recognize great music even if it is decently (but not to conservatively) dressed. It´s good to see Kulakowski playing and composing Jazz again, especially when the music is as good as what we can hear on this album. Chapeau bas indeed!

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LESZEK KULAKOWSKI ~ LOVE SONGS NOT ON LABEL ~ POLAND ~ Jazz & Poetry Recorded: 2016 Released: 2017 This is a beautiful album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, who shows herein yet another facet of his multitalented persona, this time as a songwriter. The album presents ten songs composed and arranged by Kulakowski to the lyrics by Polish poet Zbigniew KsiazekFind albums by this artist, all of them being love songs in the good old meaning of the idiom. The songs are performed by vocalist Joanna KnitterFind albums by this artist, accompanied by a classic piano trio with Leszek Kulakowski at the piano, his son Piotr KulakowskiFind albums by this artist, who plays bass and drummer Tomasz SowinskiFind albums by this artist, and by the Progress Chamber OrchestraFind albums by this artist. Saxophonist Tomasz GrzegorskiFind albums by this artist and guitarist Maciej GrzywaczFind albums by this artist guest on a couple of tracks. The music is everything one might expect from nontrivial love songs: exquisite melodies, sophisticated harmonies, unforeseen twists and highly developed swing, which keeps the songs flowing one after another, arriving at the album´s last song way sooner that one might expect. Combined with the intelligent lyrics and vigorous execution, these songs are a true delight. Of course these songs have very little to do with contemporary popular music, which of course is meant as a compliment. They belong to the era when songs had a melody, a message and some aesthetic values, in short the era when all great Jazz standards were written. In many respects these songs belong to the same "standards" category, and the fact they are new and unknown only make things more interesting, as any new material of such quality is truly scarce these days. As far as Polish Jazz is concerned, these songs continue the tradition of Jazz & Poetry, which flourished in the 1960s, and are a warm reminder of those days as well as a most welcome continuation of that tradition. Kulakowski turns out to be a romantic at heart, which is perhaps one more good reason why I like him so much both as a musician and a human being and honored to be his friend. Overall this is an inspired collection of beautiful love songs, excellently executed by all participants, which creates moments of blessed tranquility and joy, which help the listener to survive the hellish barrage of noise which passes for music in the world we now live in.

Updated: 30/03/2017Posted: 30/03/2017

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LESZEK KULAKOWSKI ~ PIANO CONCERTO / SKETCHES FOR JAZZ TRIO & SYMPHONY ORCHESTRA DUX 0387 (Barcode: 5902547003870) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2012 Polish pianist / composer Leszek KulakowskiFind albums by this artist is undoubtedly one of his country´s most idiosyncratic musical personalities, spearheading and representing the continuous love affair between Jazz and Classical music in his country. Considering the fact that most Polish Jazz musicians are graduates of musical academic institutions, some of them with Classical as well as Jazz studies behind them, it is hardly surprising that the amalgamation of these two genres happens quite often on the Polish scene. Some Polish Jazz musicians play their interpretations of Classical compositions, most often those by the Polish pianist / composer Frederic ChopinFind albums by this artist; others utilize Classical music methods, devices and techniques in their Jazz compositions; and yet others compose large scale compositions, often involving entire symphonic orchestras, like the music by Kulakowski included herein. This album includes two separate works by Kulakowski, both involving piano and a symphony orchestra: his "Piano Concerto" and the "Sketches For Jazz Trio & Symphony Orchestra". The piano concerto is performed by his brother Bogdan KulakowskiFind albums by this artist as the soloist and the sketches are performed by a piano trio, this time with the composer in the piano chair, with bassist Piotr KulakowskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. Both works are performed with the Baltic Philharmonic Symphony OrchestraFind albums by this artist in Gdansk conducted by Szymon BywalecFind albums by this artist. The music was recorded live at the Baltic Philharmonic in Gdansk during the Komeda Jazz Festival. Although this is by far not the first attempt of its kind to merge Jazz and Classical music, the music on this album is quite surprising, principally as far as the attempt to create a bona fide Classical composition, especially in the case of the piano concerto, rather than a more "entertaining" mixture of the genres, which could be much more accessible to the average listener. There have been very few attempts to compose a piano concerto, soaked with Jazz undertones and yet so typically Classical in approach and structure. The obvious example of George GershwinFind albums by this artist´s "Piano Concerto in F" (and his other works) comes to mind immediately, not suggesting any direct links between these works, but as a point of reference. The composer seems certainly to be able to create a fully organic, although stylistically retrograde, piece of Classical music, which is moving and aesthetically fulfilling. The Jazz citations, chords and references will be of course more obvious to listeners with a Jazz background rather than to those with a strict Classical one, but both should be able to immensely enjoy the music. The sketches are definitely more "entertaining", with easily recognizable melody lines and fine lyrical atmosphere, lush string accompaniment and nice orchestral "outbursts" always in the right places. This is an elegant and intelligent piece of music, and although less original than the piano concerto, it has its own merits, especially the wonderful balance and integration between the trio and the orchestra, which is usually the weakest link of this type of musical encounters. The performances are quite excellent, both those by the soloists and by the orchestra. The live recording is somewhat mushy and lacking definition, but mostly well balanced, but that is a matter for fineschmeckers to deliberate upon; most listeners should be utterly satisfied with the sonic quality, on top of their admiration of the musical contents. This album is an excellent testimony as to the versatility, quality and artistic ability of the Polish Jazz scene, which has truly very little competition elsewhere. Of course it is another superb addition to the musical legacy of Leszek Kulakowski, who is surely about to take all his admirers by surprise again sometime in the near future. Kudos Maestro!

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LESZEK KULAKOWSKI ~ SLAP & CARESS MUSIC VOX 001 ~ POLAND ~ Jazz Recorded: 2005 Released: 2005 This is an excellent quartet recording by the Polish pianist / composer / educator Leszek KulakowskiFind albums by this artist with the superb veteran vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. The album includes nine original compositions, all by Leszek Kulakowski. Kulakowski is recognized as one of the most respected Polish Jazz musicians, with many achievements as a leader of his own ensembles, composer of Jazz and Jazz-Classical Fusion pieces and distinguished Jazz educator since many years. This album presents just one of his diverse activities in the field, i.e. small ensemble Jazz. The piano / vibraphone quartet, a sadly neglected lineup, opens up many possibilities of expression, which would be otherwise unattainable and Kulakowski makes the best out of this opportunity. The keyboards / vibraphone dialogue is the focal point of this music, which allows the melodic themes to be separately developed by both players simultaneously. The excellent rhythm section supports the soloists sympathetically and elegantly, maintaining the delicate balance between the foreground and the background. Overall the performances are first-rate and the level of professionalism is amazing, as expected. But of course the real forte of this album is the superb level of the compositions, which are all simply stunning. Kulakowski manages to construct his own language, which encompasses elements of Jazz and contemporary Classical idioms, even if those are somewhat hidden beneath the surface. These are hardly the average ditties, which often appear on Jazz albums only to disappear into obscurity soon after. They all have a character and maintain a level of intellectual curiosity, which deserves all praise. Kulakowski is often associated with the Polish Jazz legend Krzysztof KomedaFind albums by this artist in many contexts. Although his compositions are not directly derived from Komeda´s legacy, they show the same conciseness and ability to condense a deeply emotional musical message into a seemingly simply melodic theme. And of course Komeda also had a vibraphonist in his early groups – the legendary Jerzy MilianFind albums by this artist. Capish? So here we have a beautiful mainstream Jazz album, which is full of great music, excellent performances and sophisticated, delicate scents of European Jazz at its best. Who can ask for anything else in these circumstances? Oh well, a bottle of good wine would be nice…

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JANUSZ MUNIAK ~ REMEMBRANCES SOLITON 1219 (Barcode: 5903684232192) ~ POLAND ~ Jazz Recorded: 2002 Released: 2022 This is an archival live recording by iconic Polish Jazz saxophonist / composer / bandleader Janusz MuniakFind albums by this artist, recorded with his quartet, which includes pianist Wojciech PuszekFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Arek SkolikFind albums by this artist. The album presents five tracks, all of which are American Jazz standards. The music is a fragment of a longer concert and is all straightforward standard mainstream Jazz with the tracks lasting on average about ten minutes and offering the usual soloing and bar exchanges between the saxophonist / pianist and the rhythm section. The recording is obviously amateurish and the sound quality is unbalanced, with the piano and bass being somewhat lost in the mix and the saxophone and drums being way too much up front. It is quite questionable if this album does any good to the memory of Muniak, who was after all one of the leading figures on the Polish Jazz scene for many years. The performances captured here are uninspired and mundane, surely not portraying the musicians in their best form. Overall, this is a document of an important figure of the Polish Jazz, which sadly contributes very little to commemorate Muniak’s contribution to the genre. It has very little musical value as such and its value as a document is, to me, also questionable.

Updated: 15/06/2022Posted: 15/06/2022

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