Record Reviews

CEZARY KONRAD ~ ONE MIRROR… MANY REFLECTIONS SELLES 0182 (Barcode: 5908260401825) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1999 Released: 2000 This is the debut album by Polish Jazz drummer / composer Cezary KonradFind albums by this artist, one of Poland´s top drummers since many years, recorded with a core trio consisting of himself, bassist Piotr ZaczekFind albums by this artist and guitarist Darek KrupaFind albums by this artist, which is extended by additional players up to a quintet on some tracks with the addition of saxophonist Marek PodkowaFind albums by this artist and two keyboardists: Zbigniew JakubekFind albums by this artist and Leszek MozdzerFind albums by this artist. The album includes nine original compositions, all by Konrad. Most of the music on this album is closely associated with Jazz-Rock Fusion, obviously influenced by the work of Allan HoldsworthFind albums by this artist and his groups. The electric fretless bass and synthesizers and of course the sound of the guitar imitate almost exactly the sound of European Fusion popular during the 1990s. The compositions are all quite interesting, with nice melodic themes and interesting harmonic approach, but overall the music is not remarkable enough to leave a deep impression, certainly not leaving a lasting impression. The personal contributions are all quite excellent, with all the participants obviously being highly skilled musicians. There are some impressive solos and the overall level of playing is certainly satisfactory. Surprisingly the highlight of the album is the acoustic piano performance by Mozdzer on the only track, which is actually not a Fusion piece. In retrospect, the album definitely sounded better at the time of its recording than now and does not withstand the tides of time well. This is unfortunately the fate of most Fusion albums, which proved to be mostly repetitive and derivative, with a very few exceptions.

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KASIA LISOWSKA ~ AURA REQUIEM / LYDIAN 2023/36 ~ POLAND ~ Jazz-Pop Fusion Recorded: 2023 Released: 2023 This is the second album by Polish vocalist / pianist / songwriter Kasia LisowskaFind albums by this artist. The album was recorded with several accompanying musicians, playing on selected tracks, like bass guitarists Piotr ZaczekFind albums by this artist and Wojciech StaniszFind albums by this artist, drummer Przemyslaw KuczynskiFind albums by this artist, guitarist Jakub ChmielarskiFind albums by this artist and trumpeter Piotr KrzeminskiFind albums by this artist. The music was arranged and produced by pianist / sound engineer Lukasz KowalskiFind albums by this artist. The album presents eight songs, all by Lisowska (music & lyrics), and lasts slightly above half an hour, being rather an EP than a full album. The music is pretty straightforward, very melodic and somewhat repetitious, in contemporary Pop stylistics but with minimal background accompaniment, only at times somewhat Jazzy, which makes it more listenable. Lisowska has a nice and well trained voice, and she is certainly capable of singing a much more ambitious material, than what is present on this album. But to be fair, the album is well produced and all of the songs offer meaningful lyrics and nice melodies, which could be potential radio favorites, if there was still a radio to listen to. It is a typical singer / songwriter offer, which is easy to like, sounds slick and polished, but is certainly too good for contemporary Pop listener, who expects Hip Hop / Rap vulgarity, and these sentimental lyrical songs are boring to him. Overall, this is a nice collection of melodic / sentimental songs, well performed and produced, somewhat out of sync with current Pop sensitivities, but certainly a pleasant listening experience. Nor exactly my cup of tea but I appreciate the honest effort and of course talent by everybody involved.

Updated: 01/04/2024Posted: 31/03/2024

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KRYSTYNA STANKO ~ USLYSZ MNIE POLSKIE RADIO 1125 (Barcode: 5907812241254) ~ POLAND ~ Pop & Rock Recorded: 2005 - 2007 Released: 2008 This is the fourth album by Polish singer / songwriter Krystyna StankoFind albums by this artist, which marks an end of the initial phase of her career during which she tried to establish a unique identity, both as a songwriter and a singer. All through that phase she moved between Pop, Alternative Rock and even Jazz-Rock Fusion and recorded three albums with two different groups she was part of at the time and finally recorded this, her "real" debut solo album. The album presents twelve songs, eleven of which are original creations by Stanko (lyrics and music) and the last one is a tribute to the great Polish Jazz pianist / composer / arranger Andrzej KurylewiczFind albums by this artist, who wrote this beautiful lullaby to the words of Polish National Poet Adam MickiewiczFind albums by this artist, which was previously magnificently performed by the great NiemenFind albums by this artist. The album was recorded during two separate recording sessions, almost a couple of years apart. Stanko is basically accompanied by a trio: guitarist Jacek KrolikFind albums by this artist, bassists Piotr ZaczekFind albums by this artist (electric) or Piotr LemanczykFind albums by this artist (acoustic) and drummer Piotr KrolikFind albums by this artist with five additional musicians contributing occasionally on several tracks. In spite of this rather limited instrumental accompaniment, the overall result is beautifully coherent and sounds complete as it is. Her vocals are the focus of this album, and rightly so, as her vocal abilities, her intelligent treatment of the lyrics and her emotional range are all of star quality, in evidence of her coming of age as an artist and a vocalist. But the most amazing thing about this album is of course the quality of the original songs, all of which are excellently crafted musically and adorned by meaningful, sometimes witty and always sincere lyrics, which are extremely rare these days. Stanko doesn´t hold back and dares to touch on painful subjects and deeply personal feelings about human relationships and even political / social issues, reminiscent of the protest songs of the 1960s. In complete contrast to the brainless lyrics the showbiz and media use to brainwash the human race, these songs really have something to say. In retrospect one might lament the fact that Stanko did not (yet) repeat this format, i.e. writing lyrics and music herself, in her next albums, hoping that this will be remedied soon. Her decision to move into the Jazz & Poetry realm is now completely understandable of course. This album lost nothing of its charm and freshness over time. It´s probably less perfect than her later recordings, but who cares; this is a beautiful collection of superb songs, which should make any listener happy. Grab it before it disappears forever!

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PIOTR ZACZEK ~ MUTRU ARMS 02 (Barcode: 5900238791013) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2006 Released: 2006 This is the debut solo album by Polish Jazz bassist / composer Piotr ZaczekFind albums by this artist, recorded with several fellow musicians, such as saxophonist Maciej KocinskiFind albums by this artist, trumpeter Jerzy MalekFind albums by this artist, violinist Adam BaldychFind albums by this artist, keyboardists Marcin GornyFind albums by this artist and Grzegorz JablonskiFind albums by this artist, and drummer Robert LutyFind albums by this artist. Two vocalists: Ania SzarmachFind albums by this artist and Kuba BadachFind albums by this artist take care of the vocal parts. The album includes fifteen compositions, thirteen of which are by Zaczek, one by Szarmach and the remaining one is a Pop song. The music is heavily oriented towards Fusion, Funk and Ambient, featuring the bass as a leading instrument. The musicians provide some exciting solos and vocals, but overall this is electric bass haven, and people who love the sound of fretless bass will definitely enjoy this album to the max. Zaczek is obviously a virtuoso and some of his licks are quite phenomenal. No wonder he is one of the most sought after session musicians in Poland. As much as I enjoy my Fusion and Funk, the Ambient soundscapes are less exciting, especially electronic programmed drums. Of course I realize they are an integral part of what Zaczek wanted to present here, and they are very well done, just that particular sound somehow doesn´t sit well with me. Several of the album tracks are plays solo by Zaczek, who plays basses, keyboards and programmed the drums, others are performed by a duet, trio etc. There is enough diversity and certainly a lot of excellent performances to make this a nice album to listen to. Of course this is on the lighter side of Jazz and geared mostly towards Fusion fans, which are the natural habitat for this music. Of course bass players should be fairly warned that hearing this album might be very frustrating for some of them ;)

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