Record Reviews
25 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | GORDON BECK ~ EXPERIMENTS WITH POPS
ART OF LIFE 1001 (Barcode: 804640100126) ~ UK ~ Jazz
Recorded: 1967 Released: 2001
Pianist / composer Gordon BeckFind albums by this artist is one of the true forefathers of modern British and European Jazz; a pioneer and revolutionary in every sense and a giant musician, who managed to free himself from the boundaries imposed by the American Jazz tradition and take the music a step further to a new sphere. What is even more remarkable and amazing is the fact that in contrast to most British and European musicians, who took their emancipation from the rigors of the past towards Free Jazz and Improvised Music, Beck remained firmly within the seemingly “mainstream” form, playing melodically and in strict time, and yet so much “out there” that for people who are able to hear the difference it’s truly staggering. Beck first came to prominence when he joined the group led by British Jazz legend Tubby HayesFind albums by this artist in 1962 and remained with him for several years as his regular pianist, performing and recording some of the most remarkable albums in the British Jazz history. Since 1967 Beck started to record as a leader and his trio became the “house band” of the famous Ronnie ScottFind albums by this artist’s London club. By the end of the 1960s he took part in the development of the British Jazz-Rock Fusion, playing with Phil WoodsFind albums by this artist in the European Rhythm MachineFind albums by this artist and later with NucleusFind albums by this artist. He became increasingly involved with other musicians from the European scene, especially with many French Jazz players (an association that thrives to these very days). His extensive discography accumulated over the years, both as leader and sideman, is a formidable body of work, which stands out as one of the most consistently excellent and creative. This album was Beck’s second (out of three) release on the tiny independent Major MinorFind albums on this label label, which in time became one of the most sought after British Jazz collector’s items. For the recording Beck expanded his trio (Jeff ClyneFind albums by this artist – bass and Tony OxleyFind albums by this artist – drums) to a quartet, with the addition of no other that guitarist John McLaughlinFind albums by this artist, known at the time as “Johnny”. Apart from the fact that this is one of the very few early McLaughlin recordings, and therefore of immense historical value, the entire quartet is probably one of the strongest and most extraordinary European ensembles, pioneering the European approach of collective playing. McLaughlin’s brilliant arpeggios, Oxley’s prophetic time keeping away from time, Clyne’s innovative bass explorations and Beck’s flights all over the keyboard collectively create an new amalgam of sounds, taking the music to a new dimension, previously unexplored. How ironic, considering that the material consists entirely from Pop songs popular at the time (hence the album’s title), but in the hands of these players the music becomes truly experimental, as promised by the album’s title. The album’s producer Ray HorricksFind albums by this artist writes in the original liner notes: “This could be the most creative Jazz quartet album ever recorded in Europe… previous quartet recordings in London, or on the Continent, and including the best, have consisted of a rhythm section accompanying a leading soloist; whereas this one features a genuine collective development along lines which no other group, except Gary BurtonFind albums by this artist’s in America, has yet proceeded”. How perceptive and prophetic… Kudos to Paul KohlerFind albums by this artist of Art Of LifeFind albums on this label Records for bringing this timeless masterpiece back to circulation. This music, 40 years after it was recorded, sounds better and more exciting than most of what one hears in contemporary Jazz. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984
TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz
Recorded: 1964 - 1984 Released: 2018
This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation.
On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck.
The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony.
The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD.
The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one).
The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs.
Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience.
The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product.
Absolutely essential to all British / European Jazz connoisseurs!
| | Updated: 16/02/2019Posted: 15/02/2019 | CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | FRANCY BOLAND ORCHESTRA ~ BLUE FAME / RED HOT / WHITE HEAT
MPS 602517643888 (Barcode: 602517643888) ~ BELGIUM ~ Big Band Jazz
Recorded: 1976 Released: 2008
This is a reissue of the three albums recorded by the Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist and his Orchestra, originally recorded in 1976 and released on the legendary MPSFind albums on this label label. The 2CD album presents eighteen tracks, which include original compositions by Boland and Jazz standards, all arranged by him. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Sal NisticoFind albums by this artist, trumpeter Benny BaileyFind albums by this artist, and many other excellent musicians.
American drummer Kenny ClarkeFind albums by this artist and Boland co-led The Kenny Clarke / Francy Boland Big BandFind albums by this artist between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Personally Mathewson’s bass playing on this album is an absolute wonder and alone worth the price of this album, but of course every note played here is simply exceptional.
For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 09/08/2021Posted: 08/08/2021 | CD 2 Oversampling Remastered Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ THREE LATIN ADVENTURES (LATIN KALEIDESCOPE / FELLINI 712)
MPS 731452909527 (Barcode: 731452909527) ~ BELGIUM ~ Big Band Jazz
Recorded: 1968 Released: 1995
This is a reissue / remaster of two albums: “Latin KaleidoscopeFind albums with this title” and “Fellini 712Find albums with this title” recorded by the Big Band co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist, originally recorded in 1968 and released on the legendary MPSFind albums on this label label. The album presents three multi-part Jazz suites: “Latin Kaleidoscope” co-composed by American composer Gary McFarlandFind albums by this artist and Boland, “Cuban Fever” and “Fellini 712” composed by Boland, all arranged by him, which span together the fourteen tracks of the album. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Jimmy DeucharFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.
Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. The Latin accents, which were very fashionable by the mid-1960s, get a wonderful treatment here, completely eschewing the schmaltzy accents. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.
For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Brilliant stuff!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 16/03/2025Posted: 10/08/2021 | CD 1 Remastered Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ TWO ORIGINALS (ALL BLUES / SAX NO END)
MPS 731452352521 (Barcode: 731452352521) ~ BELGIUM ~ Big Band Jazz
Recorded: 1967 - 1968 Released: 1994
This is a reissue / remaster of two albums: “All BluesFind albums with this title” and “Sax No EndFind albums with this title” recorded by the international / resident in Europe Big Band, co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist. “All Blues” was originally recorded in UK in 1968 and released on the legendary MPSFind albums on this label label in 1969. It was the 2nd album by the Big Band on MPS. “Sax No End” was originally recorded in Germany in 1967 and released on the legendary SABAFind albums on this label (later MPS) label in 1967. It was the 1st album by the Big Band on MPS. This reissue also adds as a bonus one tracks from the “Fellini 712Find albums with this title” album by the Big Band with a corrected mix. The album presents altogether fifteen tracks with both original albums and the bonus, which are mostly original compositions by Boland, including the three-part “All Jazz” suite, all also brilliantly arranged by Boland.
The Big Band includes some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeters Jimmy DeucharFind albums by this artist and Shake KeaneFind albums by this artist, drummer Kenny ClareFind albums by this artist and many American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.
Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.
Overall, for Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school book example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 16/03/2025Posted: 16/03/2025 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ ALL SMILES
MPS 4029759119562 (Barcode: 4029759119562) ~ BELGIUM ~ Jazz
Recorded: 1968 Released: 2017
This is a reissue of the second album for the MPSFind albums on this label label by international, resident in Europe, Kenny Clarke / Francy Boland Big BandFind albums by this artist. On this album the lineup consists of seventeen musicians, including: British trumpeter Jimmy DeucharFind albums by this artist, Swedish trombonist Ake PerssonFind albums by this artist, British saxophonists Derek HumbleFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, American saxophonist / flautist Sahib ShihabFind albums by this artist, American vibraphonist Dave PikeFind albums by this artist, Belgian pianist Francy BolandFind albums by this artist, American bassist Jimmy WoodeFind albums by this artist and drummer Kenny ClarkeFind albums by this artist and others. The album presents ten tracks, nine of which are standards and one is based on a John Philip SousaFind albums by this artist march, all of them arranged by Boland.
The music is absolutely breathtaking example of the sophistication of the Big Band idiom, achieved when American Big Band tradition meets European aesthetic values and the amalgam erupts with inventiveness, elegance and flair. The brilliant arrangements turn the Big Band into a musical hydra, which has one body but in this case seventeen heads, all working together towards a common goal. The music soars and flows gently, switching moods and emotions and the soloists have plenty of space to make their individual statements.
For over a decade the Big Band served as a home for many American Jazz musicians who lived in Europe, sometimes for extended periods of time. It also cemented the European Jazz community, which was developing rapidly during these formative years. It was a fruitful habitat for many ensembles that were established by the Big Band members in years to come.
For connoisseurs of Big Band music this is an absolute must have, especially in view of the exquisite recording quality this album offers, which enables each and every instruments to be heard perfectly clearly. They don´t make music like this any more…
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 24/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | TONY CROMBIE ~ SEVEN CLASSIC ALBUMS PLUS BONUS EP
REAL GONE JAZZ 430 (Barcode: 5036408156525) ~ UK ~ Jazz
Recorded: 1954 - 1961 Released: 2013
This is a reissue of early recordings by the legendary drummer / composer / bandleader Tony CrombieFind albums by this artist, undoubtedly one of the greatest British Jazz drummers of the first post-WWII generation. Crombie played with the best Swing and Bebop players, including Ronnie ScottFind albums by this artist and John DankworthFind albums by this artist, served as member of the resident house band at Ronnie Scott´s Jazz Club in London and moved on when the British Jazz changed its character, playing with such modernists as Stan TraceyFind albums by this artist. He also had ties with Rock And Roll and Pop, playing among others with the great vocalist Georgie FameFind albums by this artist. He accompanied many American Jazz vocalists upon their visits in the UK. Crombie´s compositions were very popular among Jazz musicians and even Miles DavisFind albums by this artist recorded one of his tunes on his "Seven Steps To HeavenFind albums with this title" album.
The seven albums included here are: "At The Royal Festival HallFind albums with this title" (with Ronnie Scott) from 1956, "Annie By The CandlelightFind albums with this title" (with vocalist Annie RossFind albums by this artist) from 1956, "Man From The InterpolFind albums with this title" (a TV Series Soundtrack) from 1959, "Sweet Wide And BlueFind albums by this artist" from 1960, "Drums! Drums! Drums!Find albums with this title" from 1960, "Whole Lotta TonyFind albums with this title" from 1961 and finally "Twelve Favorite Film ThemesFind albums with this title" from 1961. In addition an EP from 1954 featuring his orchestra is also included.
Overall this is a fascinating collection of great mainstream Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set!
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.
There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.
The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
| | Updated: 01/06/2018Posted: 01/06/2016 | CD 4 Remastered Recommend To A Friend |
  | JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY!
VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz
Recorded: 1963 - 1969 Released: 2012
This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent.
"What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing.
"Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar.
Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!
| | | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
| | | CD 2 Slipcase Remastered Recommend To A Friend |
  | JOE HARRIOTT ~ KILLER JOE!
GIANT STEPS 020 (Barcode: 5013929852020) ~ UK ~ Jazz
Recorded: 1954 - 1956 Released: 2006
Arriving in Britain in 1951 form Jamaica, where he was born, 22 years old saxophonist Joe HarriottFind albums by this artist would soon become one of the central figures of the British Jazz scene and a decade later he would emerge as a prophet of the new exploding British / European Jazz revolution. Harriott´s tragic death at a ridiculously young age robbed Jazz enthusiast of one of the genre´s greatest talents much too early, especially in view of the relatively limited recorded legacy left by him. Therefore any release with music recorded by Harriott is a most joyous occasion, especially when the material is not available elsewhere. This fantastic collection covers the years 1954-1956 and presents Harriott in a variety of settings from small ensembles, like the Tony KinseyFind albums by this artist group, of which he was a regular member, to large ensembles like the short-lived Ronnie ScottFind albums by this artist Orchestra. Listening to these tracks one can easily understand why Harriott stood apart from the rest of the British players. Not taking anything for granted, especially not the Bop tradition, he always sounded like nobody else. His Caribbean background probably sparked his exuberance and highly energetic attack, and these, combined with his natural genius made him a monster performer and brilliant improviser. This music is a holy grail of early British Jazz, and anybody interested in this field absolutely must listen to this album. But honestly, anybody who has a pair of decent ears must recognize the brilliance included herein. Absolutely essential!
| | | CD 2 Remastered Essential Recommend To A Friend |
  | TUBBY HAYES ~ FIVE CLASSIC ALBUMS PLUS BONUS EPS AND TRACKS (VOL.2)
REAL GONE JAZZ 448 (Barcode: 5036408159823) ~ UK ~ Jazz
Recorded: 1955 - 1959 Released: 2014
This is the second part of a reissue of early recordings by the legendary British Jazz saxophonist / vibraphonist / composer / bandleader Tubby HayesFind albums by this artist, undoubtedly the greatest herald of British Jazz in the early post WWII period. This set collects recordings made between 1955 and 1959, which present Hayes playing Swing and Bebop with many of the best British musicians at the time. His spectacular abilities and virtuosic performances earned him a worldwide acclaim. Hayes died in 1973 at the ridiculous young age of thirty eight and one can only speculate how his music might have sounded when British Jazz fully developed its own voice and identity later on.
The five albums included here are: "Modern Jazz Scene 1956Find albums with this title" from 1956, "After The Lights OutFind albums with this title" from 1956, "The Jazz CouriersFind albums with this title" (a combo co-led with Ronnie ScottFind albums by this artist) from 1957, "The Last WordFind albums with this title" (also with the Jazz CouriersFind albums by this artist) from 1959 and finally "London Jazz QuartetFind albums with this title" from 1959. In addition several EPs featuring various combos and orchestras led by Hayes are also included, all of which were recorded in 1955.
Overall this is a fascinating collection of great mainstream Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set!
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.
There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.
The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
| | Updated: 27/05/2018Posted: 31/05/2016 | CD 4 Remastered Recommend To A Friend |
  | TUBBY HAYES ~ FREE FLIGHT
JAZZ IN BRITAIN 05 (Barcode: 5060774190012) ~ UK ~ Jazz
Recorded: 1972 Released: 2020
This is an archive album by iconic British Jazz multi-instrumentalist / composer Tubby HayesFind albums by this artist recorded live with his quartet, which included pianist Mick PyneFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Subtitled “The Ron Mathewson Tapes Vol. 3”, it presents an informal cassette tape recording of a gig at the Ronnie ScottFind albums by this artist’s club made on 17th or 18th October 1972, just nine month prior to his Hayes’ death at the ridiculous young age of thirty-eight, kept by the bassist, who recently donated his archives to Jazz in Britain Ltd. incorporating the British Jazz Sound Archive, a new not-for-profit organization whose aim is to collect, curate, preserve, celebrate and promote the legacy of British Jazz musicians. The archive collects, curates and preserves off-air and other recordings of British Jazz performances. This CD is their fifth release.
The 2CD album presents eight tracks, five lengthy ones (about fifteen minutes in duration), one shorter (eight minutes) and two incomplete tracks, obviously a result of the cassette reaching its end before the set was over. Five of the tracks are standards and three are Hayes originals. The album also includes extensive liner notes by Simon SpilllettFind albums by this artist, a Hayes specialist and author of the definitive Hayes biography “The Long Shadow of The Little Giant: The Life, Work and Legacy of Tubby Hayes”.
Hayes was obviously a superb instrumentalist, recognized as a champion not only in UK, but also over the pond, where his virtuosity simply could not be ignored despite the usual condescending attitude towards European Jazz musicians by their American colleagues. Hayes was after all first and foremost deeply rooted in the American Jazz tradition and his more modernist approach, developed in the last period of his activity, was relatively limited in comparison to other British Jazz innovators, who were slaughtering Holly Cows by the herd.
The music is basically pretty placid, with excellent performances by all the musicians, but nothing really out of the ordinary. The chatter and background noise add to the authenticity of the live recording and the sound quality is listenable, so this is definitely a pleasurable listening experience and a valuable document of the British Jazz scene at the time, but it does not add anything that is not available on the plethora of posthumous releases by Hayes already available on the market.
| | Updated: 28/06/2021Posted: 31/03/2021 | CD 2 Digipak Remastered Recommend To A Friend |
  | TUBBY HAYES ~ LIVE AT THE FLAMINGO 1958
RHYTHM AND BLUES 092 (Barcode: 5060331753445) ~ UK ~ Jazz
Recorded: 1958 Released: 2023
This is an archival album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents a previously unreleased live recording at the legendary Flamingo club in London, captured during the early days of Hayes’ career, before he achieved the top rank on the British scene. The music is performed by a formidable octet, with trumpeters Les CondonFind albums by this artist and Stuart HamerFind albums by this artist, saxophonists Alan BranscombeFind albums by this artist, Ronnie ScottFind albums by this artist and Hayes, pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Bill EydenFind albums by this artist – a band that in fact existed only once for that particular concert. Three additional musicians guest on selected tracks. The album presents nine tracks, seven of which are standards and two are originals, one by Jimmy DeucharFind albums by this artist and another by Hayes.
The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading.
The music is of course still mostly in the American Bebop tradition, but clearly shows how the British musicians adopted that tradition and added a very specific “British touch” to it, already at that early stage. The individual performances are nothing short of brilliant and the octet arrangements are clever and sophisticated. The club atmosphere is a reminder why the Flamingo was a place to be in late 1950’s London, when one wanted to hear some great music (and for other less cultural reasons).
The recording is mono, but offers quite reasonable sound quality, which enables everything to be heard properly, even if the drums are sometimes a tad too high in the mix, a small price to pay for the splendid music, which lost nothing of its vitality in the sixty-five years since it was recorded.
Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all, especially since he left us tragically way to prematurely.
| | Updated: 24/10/2023Posted: 19/10/2023 | CD 1 Recommend To A Friend |
  | TUBBY HAYES ~ SEVEN CLASSIC ALBUMS
REAL GONE JAZZ 402 (Barcode: 5036408151322) ~ UK ~ Jazz
Recorded: 1958 - 1962 Released: 2013
This is the first part of a reissue of early recordings by the legendary British Jazz saxophonist / vibraphonist / composer / bandleader Tubby HayesFind albums by this artist, undoubtedly the greatest herald of British Jazz in the early post WWII period. This set collects recordings made between 1958 and 1962, which present Hayes playing Swing and Bebop with many of the best British musicians at the time. His spectacular abilities and virtuosic performances earned him a worldwide acclaim. Hayes died in 1973 at the ridiculous young age of thirty eight and one can only speculate how his music might have sounded when British Jazz fully developed its own voice and identity later on.
The seven albums included here are: "In ConcertFind albums with this title" by The Jazz CouriersFind albums by this artist, a combo co-led by Hayes and Ronnie ScottFind albums by this artist, from 1958, "The Couriers Of JazzFind albums with this title" also by The Jazz Couriers, from 1959, "Tubby`s GroveFind albums with this title" from 1959, "TubbsFind albums with this title" from 1961, "Tubbs In NYFind albums with this title" from 1961, "All Night LongFind albums with this title" from 1961 and "Return VisitFind albums with this title" from 1962. A couple of tracks from the 1962 album "Equation In RhythmFind albums with this title" recorded with the American drummer Jack CostanzoFind albums by this artist are included as bonus tracks.
Overall this is a fascinating collection of great mainstream Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set!
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.
There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.
The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
| | Updated: 27/05/2018Posted: 28/09/2016 | CD 4 Remastered Recommend To A Friend |
  | HAROLD MCNAIR ~ HAROLD MCNAIR / FLUTE & NUT
VOCALION 8494 (Barcode: 765387849429) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2012
This is a criminally overdue reissue of the two albums recorded by the British Jazz flautist / saxophonist / composer Harold McNairFind albums by this artist for the RCAFind albums by this artist label, which have been unavailable for over forty years now. McNair, born in Jamaica, was one of many brilliant West Indian musicians to arrive on the British scene in the 1950s and 1960, greatly contributing to the creation of the modern British Jazz, which was at its peak when these two albums were recorded. Although McNair played the saxophone superbly, his flute playing was absolutely amazing and extraordinary, making him probably the best ever British Jazz flautist. He died from cancer in 1971 at a ridiculous young age of thirty nine, a tremendous loss of an amazing talent, lamented to this very day by those who knew him and his work. His rather limited recorded legacy is now radically expanded with the reissue of these two albums.
The eponymous album was recorded by the Harold McNair quartet, with pianist Bill Le SageFind albums by this artist, bassist Spike HeatleyFind albums by this artist and drummer Tony CarrFind albums by this artist. They perform nine pieces, five of which are originals composed by McNair, three are standards and one is a song written by the Folk-Rock singer / songwriter DonovanFind albums by this artist. McNair was a regular member of Donovan´s band, where he played alongside the pianist / composer / arranger John CameronFind albums by this artist. McNair´s performances on this album are perfect from start to finish. He uses the flute on most of the tracks and his immediately recognizable style is simply overwhelming.
The "Flute & NutFind albums with this title" album features McNair accompanied by a Jazz Orchestra conducted by John Cameron, performing eight pieces orchestrated and arranged by Cameron, three of which are McNair originals, one a Cameron original and the remaining four are standards. In retrospect this is the best album McNair ever recorded, with his flute (and occasional saxophone) sounding absolutely marvelous and the beautiful arrangements adding a spectacular effect to the entire production.
McNair recorded only one more album as a leader after this, called "The FenceFind albums with this title", before he died, which was released on the B&CFind albums on this label label. Parts of the first album included here were released posthumously by the same label as another eponymous album, and included also live material recorded at the Ronnie ScottFind albums by this artist´s club.
Beautifully remastered by Michael J. DuttonFind albums by this artist, these two albums sound fresh and wonderful, as if recorded only a short while ago. Musically they are some of the best Jazz flute music even captured and are an essential piece of the modern British Jazz legacy. Absolutely brilliant stuff!
| | | CD 1 Remastered Recommend To A Friend |
  | WES MONTGOMERY ~ THE NDR HAMBURG STUDIO RECORDINGS
JAZZLINE 77078 (Barcode: 4049774770784) ~ USA ~ Jazz
Recorded: 1965 Released: 2021
This is an archival album by the seminal American guitarist / composer Wes MontgomeryFind albums by this artist, recorded live on April 30, 1965, during his European tour, which also included an appearance at the Ronnie ScottFind albums by this artist’s club in London just prior to this recording. Montgomery is supported by a dreamy octet, which includes British saxophonists Scott and Ronnie RossFind albums by this artist, and drummer Ronnie StephensonFind albums by this artist (the 3 Ronnies), Austrian saxophonist Hans KollerFind albums by this artist, American (resident in Europe from 1963) saxophonist Johnny GriffinFind albums by this artist, French pianist Martial SolalFind albums by this artist and bassist Michel GaudryFind albums by this artist. The album presents ten tracks, four of which are Montgomery’s originals, two are by Ross, one each by Solal and Griffin, one is by Thelonious MonkFind albums by this artist and one is a standard. The recording offers a brilliant sound quality. The bonus BD offers a half an hour glimpse at the octet’s rehearsal a couple of days before the concert.
Montgomery was at the top of his career at the time and his death, which came just three years after this recording was made, was a complete shock and a tragic premature end of his life and career.
The guitarist feels absolutely delighted supported by these European musicians, who offered already at that time a much more refined, delicate and ambitious approach to the Bebop atmosphere, and presented a highly sophisticated individual abilities as soloists.
The music is performed at a relaxed atmosphere, which emphasizes the obvious camaraderie between the musicians, and is in interesting document of the European scene at the time, as well as a tribute to Montgomery’s brilliant and innovative approach to the guitar.
Overall, for the many fans of Montgomery, this is an absolute must, not only as a document of his performances, but especially due to the unusual setting in which these recordings were made. One has to be grateful to those Germans, who keep all that historical material in perfect form, as usual.
| | Updated: 09/02/2024Posted: 09/02/2024 | CD+BD 2 Digipak Remastered Recommend To A Friend |
  | MARK MURPHY ~ MIDNIGHT MOOD
MPS 4029759124191 (Barcode: 4029759124191) ~ USA ~ Jazz
Recorded: 1967 Released: 2017
This is a reissue of the only album for the MPSFind albums on this label label by American Jazz vocalist Mark MurphyFind albums by this artist, recorded with a superb octet comprising of members of the fabulous international, resident in Europe, Kenny Clarke / Francy Boland Big BandFind albums by this artist: British trumpeter Jimmy DeucharFind albums by this artist, Swedish trombonist Ake PerssonFind albums by this artist, British saxophonists Derek HumbleFind albums by this artist and Ronnie ScottFind albums by this artist, American saxophonist / flautist Sahib ShihabFind albums by this artist, Belgian pianist Francy BolandFind albums by this artist, American bassist Jimmy WoodeFind albums by this artist and drummer Kenny ClarkeFind albums by this artist. The album presents ten tracks, five of which are originals by the octet members, two of which feature lyrics written by Murphy and the remaining five are standards. The album was recorded during the decade when Murphy lived in London.
The music is absolutely wonderful, as is Murphy´s extraordinary singing, which lost absolutely nothing of its power and delicate beauty over time, emphasizing the fact that Murphy remains as one of the most underrated Jazz vocalists of all times in spite of his numerous recordings over six decades.
The octet provides a comfortable and superbly intelligent accompaniment to Murphy´s vocals, which includes in addition to singing lyrics also excellent vocalese statements. Spiced with short but brilliant instrumental solos, the album is an absolute delight from start to finish, a classic example of male Jazz vocals, which sadly suffer a miserable setback these days.
For connoisseurs of classic Jazz vocals of the finest caliber, this album is an absolute must and considering the superb sound quality and "vintage" ambience, it is an exquisite gem!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 24/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | RONNIE SCOTT ~ BIRTH OF A LEGEND
GIANT STEPS 013 (Barcode: 5013929851320) ~ UK ~ Jazz
Recorded: 1946 - 1952 Released: 2006
This incredible collection traces the early steps of post-WWII British Jazz and its undeniable first King and Master of Ceremonies, saxophonist Ronnie ScottFind albums by this artist, one of the true legends of Jazz. Recorder between 1946 and 1953, these tracks present Scott as a member of ensembles led by Ted HeathFind albums by this artist and Jack ParnellFind albums by this artist and then as a leader of his own quartet, quintet and finally his Orchestra. Strongly influenced by Swing and then mainly Bebop, Scott was an extremely gifted and sensitive player, as well as leader and organizer. In years to come his world-famous Jazz Club would become a Mecca for local and international Jazz musicians, witnessing and staging some of the most memorable Jazz performances ever. The tracks included here, some of which are extremely rare, present not only Scott´s playing, but in fact an entire generation of British Jazz players, which based the genre in the scarred post-war Britain. Obviously British Jazz had first to master the skills and secrets of the American origins, before it would evolve into a new independent entity. The music herein shows just how quickly and skillfully they picked up the tricks of the trade. This is an essential listening to any fan of British Jazz and a vital step on the path towards understanding the revolution of Jazz that would occur in British Jazz just a decade later. Wonderful stuff!
| | | CD 2 Remastered Recommend To A Friend |
  | RONNIE SCOTT QUARTET ~ BBC JAZZ CLUB 1964-1966
RHYTHM AND BLUES 063 (Barcode: 5060331752219) ~ UK ~ Jazz
Recorded: 1964 - 1966 Released: 2020
This is an archival album by the British Jazz quartet led by legendary saxophonist Ronnie ScottFind albums by this artist, known worldwide as the co-owner / co-founder (with Pete KingFind albums by this artist) of London’s most iconic Jazz Club, established in 1959 and located first at 39 Gerrard Street and in 1965 moved to the nearby current location (yes the club is still functional today) at 47 Frith Street. In all those years the Ronnie Scott’s Jazz Club became the de facto European Mecca not only for British Jazz, but for top Jazz Artists from all over the world.
The album presents three sessions featuring the quartet: three tracks from 1964 (with an announcement by Scott) with pianist Stan TraceyFind albums by this artist, bassist Malcolm CecilFind albums by this artist and drummer Jackie DouganFind albums by this artist; three tracks from 1965 with Tracey, bassist Rick LairdFind albums by this artist and drummer Ronnie StephensonFind albums by this artist; and finally five tracks from 1966 (with announcements by Humphrey LittletonFind albums by this artist) with Tracey, bassist Freddy LoganFind albums by this artist and drummer Bill EydenFind albums by this artist with great American vocalist Mark MurphyFind albums by this artist (resident at that time in UK) on two tracks, accompanied only by the piano trio.
The music is all mainstream Jazz and all the tracks are standards, but it shows Scott as an excellent player with a personal delivery and a keen eye (well ear) for the musicians he selected for the quartet, which were definitely some of the finest players around at the time. Tracey of course was also a full-fledged composer and leader of his own, and was the house pianist at Ronnie’s Jazz Club for over seven years (1960-1967), definitely not by chance.
Although Scott himself was not swept by the charms of the British Jazz revolution, which created a new sound and approach to the music, and remained faithful to the American (mostly Bebop) tradition, he was very open-minded as a person and respected the young and experimenting generation. He offered the club at the old location for as long as the lease lasted, which was named the “Old Place”, to be used by young musicians to rehearse and perform and the “house musician” position was offered to such distinguished modernist as Tony OxleyFind albums by this artist.
Overall this album is a nice reminder of Scott – the saxophonist and is a valuable addition to his recorded legacy, especially since this material is available here for the first time and offers quite reasonable sound quality.
| | Updated: 10/07/2021Posted: 10/07/2021 | CD 1 Recommend To A Friend |
  | TERRY SMITH ~ FALL OUT
SUNBEAM 5008 (Barcode: 5051125500819) ~ UK ~ Jazz
Recorded: 1968 Released: 2006
Guitarist / composer Terry SmithFind albums by this artist was one of the busiest musicians on the British Jazz scene in the late 1960s. Voted the best Jazz guitarist in the 1968 polls, when this album was recorded, Smith was not only playing at the regular Jazz venues around London, but was also a member of the backup group of singer Scott WalkerFind albums by this artist, who was at the peak of his popularity at the time. Walker, although extremely successful as a Pop artists, had a keen musical ear and was trying to get away from the sugary Pop image by employing some of the best Jazz musicians at the time In his band, which was led by no other than the legendary Ronnie ScottFind albums by this artist. Walker used his influence with his label (PhilipsFind albums on this label) to offer a recording opportunity to some of the young and extremely talented musicians in the band, which led to the recording of this debut album by Terry Smith. As this album shows, Smith already had an extraordinary technique and feel for Jazz. Based on the tradition created by players like Kenny BurrellFind albums by this artist and Wes MontgomeryFind albums by this artist, Smith took his guitar work a few steps further adding his personal touch. Of course just a few months later Smith would become one of the founding members of the British Jazz-Rock ensemble IfFind albums by this artist, which successfully competed with their American counterparts like Blood, Sweat & TearsFind albums by this artist and ChicagoFind albums by this artist. On this album Smith is accompanied by some of the best British Jazz musicians at the time, including Kenny WheelerFind albums by this artist on trumpet, Ray WarleighFind albums by this artist on sax and flute, Gordon BeckFind albums by this artist on piano and Ron MathewsonFind albums by this artist on bass. Of the eight tracks on this album, three are his originals and the rest standards, beautifully arranged for a big Jazz ensemble. Two of the tracks are performed by Smith’s trio with Bob StuckleyFind albums by this artist on organ and Chris KarenFind albums by this artist on drums. This is an excellent album by all means and it’s great to have it back from oblivion after all these years. Recommended!
| | | CD 1 Remastered Recommend To A Friend |
  | RAY WARLEIGH ~ FIRST ALBUM
SUNBEAM 5020 (Barcode: 5051125502011) ~ UK ~ Jazz
Recorded: 1968 Released: 2006
Australian born saxophonist / flautist / composer Ray WarleighFind albums by this artist was one of the busiest musicians on the British Jazz scene in the late 1960s. He was not only playing at the regular Jazz venues around London, but was also a member of the backup group of singer Scott WalkerFind albums by this artist, who was at the peak of his popularity at the time. Walker, although extremely successful as a Pop artists, had a keen musical ear and was trying to get away from the sugary Pop image by employing some of the best Jazz musicians at the time In his band, which was led by no other than the legendary Ronnie ScottFind albums by this artist. Walker used his influence with his label (PhilipsFind albums on this label) to offer a recording opportunity to some of the young and extremely talented musicians in the band, which led to the recording of this debut album by Ray Warleigh. Warleigh would become famous later for playing on album by the top Rock stars like Nick DrakeFind albums by this artist, Elton JohnFind albums by this artist, U2Find albums by this artist, Paul McCartneyFind albums by this artist and many more. The format chosen for this album was “Jazz & strings”, which suited Warleigh’s superbly clear and lyrical style perfectly. The chosen material (all standards) was beautifully arranged for a large string orchestra and a Jazz rhythm section, which included some of the best British Jazz players at the time, like Gordon BackFind albums by this artist on piano, Kenny NapperFind albums by this artist on bass and Terry CoxFind albums by this artist on drums. The resulting album is a stunning debut, beautifully executed by all the musicians involved, and showing Warleigh to be a world class player, who can improvise freely and yet always stay within the melodic line. Jazz & strings albums have a tendency to fall into the “land of saccharine” very easily, but fortunately this is well avoided here, producing a most enjoyable Jazz album full of integrity and showmanship. It’s great to have this forgotten gem back in circulation.
| | | CD 1 Remastered Recommend To A Friend |
  | MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE
CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz
Recorded: 1968 Released: 2018
This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later.
This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears).
The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017.
The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity.
Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!
| | Updated: 02/02/2023Posted: 09/10/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
|
