Record Reviews

AN.KARA ~ SELMAS HUS GLACIER 010 (Barcode: 739608137435) ~ NORWAY ~ Jazz-World Fusion Recorded: 2022 Released: 2022 This is the debut album by the Norwegian trio An.KaraFind albums by this artist, which comprises of Polish (resident in Norway) violinist Sebastian GruchotFind albums by this artist, bassist Audun RamoFind albums by this artist and percussionist Arild NyborgFind albums by this artist. The album presents ten tracks, nine of which are original compositions credited to the trio members and one is a Norwegian Folk tune. The music is dominated by diverse World-Music influences with a Jazzy undercurrent, offering a delightful carpet ride around the world, with Scandinavian, Balkan, Turkish, Polish and even Caribbean accents, all cleverly put together. All three members of the band are excellent instrumentalist with vast experience in many different Musical areas, spanning from Blues to Avant-Garde Jazz (Gruchot was a member of the brilliant Sing Sing PenelopeFind albums by this artist ensemble), and that experience is clearly evident in what they are able to put forward on this album. Despite the seemingly limited instrumental range, the trio manages to create a rich, colorful and sophisticated musical tapestry, which is a great fun to listen to and offers a highly aesthetic listening experience. Overall, this is a great album for Jazz-World Fusion enthusiasts, modest and minimalist, but full of great original melodies and breathtaking performances, which should keep the listeners delighted for the entire duration.

Updated: 06/03/2023Posted: 06/03/2023

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CYCLISTS ~ ETIUDY MIEJSKIE NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2013 Released: 2013 This is the second album by Polish experimental quartet CyclistsFind albums by this artist, formed by keyboardist Daniel MackiewiczFind albums by this artist (Sing Sing PenelopeFind albums by this artist) with other musicians from the Bydgoszcz scene: bassist Wojciech WozniakFind albums by this artist, drummer Jacek BuhlFind albums by this artist (GlabulatorFind albums by this artist) and DJ G.R.Z.A.N.A.Find albums by this artist Together they play thirteen relatively short pieces, eleven of which were composed / improvised by the entire quartet and two were composed by Krzysztof GruseFind albums by this artist, also a well known Bydgoszcz household name. The music is a mixture between Jazz-Rock Fusion ditties and the ambient ventures produced by the DJ, which together sounds like an updated version of early Soft MachineFind albums by this artist sans the vocals. The compositions, although pretty basic, are all nicely melodic and the Rhodes electric piano brings waves of nostalgia. There is essentially nothing very innovative here, or perhaps the entire proceedings are purposely retrograde; in any case this is a nice and very listenable piece of music, but overall quite déjà vu. Of course these are very talented musicians and they produced some excellent music in the past, so one should accept this project as an attempt to relax and have fun, which is exactly what it is all about.

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ECSTASY PROJECT ~ EUROPAE MONOTYPE 014 (Barcode: 5908310927022) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2007 Released: 2007 This is the 3rd album by the Polish ensemble Ecstasy ProjectFind albums by this artist, founded and led by drummer / percussionist / composer Rafal GorzyckiFind albums by this artist. Gorzycki, who is also active in other musical projects, like the excellent Sing Sing PenelopeFind albums by this artist ensemble, formed Ecstasy Project as a vehicle for his compositions, which lay in the fuzzy area between Jazz and contemporary Classical music. The ensemble includes also flautist Tomasz PawlickiFind albums by this artist, vibraphonist Pawel NowickiFind albums by this artist, violinist Lukasz GorewiczFind albums by this artist and bassist Pawel UrowskiFind albums by this artist, and is capable of performing the complex music and creating an atmosphere that bridges between chamber contemporary Classical music and modern Jazz, moving between the two smoothly and seamlessly. The music, almost entirely composed by Gorzycki, is quite intricate at times, but does not cross the point of total alienation to the less experienced listener, keeping enough melody and rhythm to hold on through the more difficult passages. Of course listeners with more experience in Classical music will find this music familiar and quite enchanting from the very first listen. As the title suggests, this is very European music, encapsulating the musical traditions the 19th and 20th Centuries, from neo-romanticism, via atonal experimentation and minimalism, right into the Avant-Garde. And yet the music is not over-intellectual and leaves a lot to feeling and atmosphere, keeping the overall emotional level alive and aesthetically satisfying. Definitely worth investigation for more adventurous listeners!

Updated: 12/04/2019Posted:

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ECSTASY PROJECT ~ THEY WERE P MW 003 (Barcode: 5903292101118) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2011 This is the 5th album by the Polish ensemble Ecstasy ProjectFind albums by this artist, founded and led by drummer / percussionist / composer Rafal GorzyckiFind albums by this artist. Gorzycki, who is also active in other musical projects, like the excellent Sing Sing PenelopeFind albums by this artist ensemble, formed Ecstasy Project as a vehicle for his compositions, which lay in the fuzzy area between Jazz and contemporary Classical music. The ensemble includes also flautist Tomasz PawlickiFind albums by this artist, vibraphonist Pawel NowickiFind albums by this artist, violinist Lukasz GorewiczFind albums by this artist and bassist Pawel UrowskiFind albums by this artist, and is capable of performing the complex music and creating an atmosphere that bridges between chamber contemporary Classical music and modern Jazz, moving between the two smoothly and seamlessly. The music, almost entirely composed by Gorzycki, is quite intricate at times, but does not cross the point of total alienation to the less experienced listener, keeping enough melody and rhythm to hold on through the more difficult passages. Of course listeners with more experience in Classical music will find this music familiar and quite enchanting from the very first listen. This is very European music, encapsulating the musical traditions the 19th and 20th Centuries, from neo-romanticism, via atonal experimentation and minimalism, right into the Avant-Garde. And yet the music is not over-intellectual and leaves a lot to feeling and atmosphere, keeping the overall emotional level alive and aesthetically satisfying. Definitely worth investigation for more adventurous listeners!

Updated: 12/04/2019Posted:

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ENSEMBLE TUNING XIII ~ MUZYKA NA TRZY INSTRUMENTY REQUIEM / OPUS 2021/55 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 - 2020 Released: 2021 This is the third album by Polish Jazz drummer / composer / bandleader Rafal GorzyckiFind albums by this artist, recorded under the Ensemble TuningFind albums by this artist moniker, now with a new variant of the moniker, i.e. Ensemble Tuning XIIIFind albums by this artist. The new lineup is extended into a quartet, which now includes alongside the leader clarinetists Piotr MelechFind albums by this artist and Michal GorczynskiFind albums by this artist and pianist Jakub KrolikowskiFind albums by this artist, which explains the album title, which in English means “Music For Three Instruments” (i.e. clarinet, piano and drums). Guitarist Jakub ZiolekFind albums by this artist guests on the final track. The album presents six original compositions / improvisations, credited to various combinations of the quartet members. The album is a continuation of the two previous recordings by Gorzycki: “PlayingFind albums with this title” (2016) and “Ensemble TuningFind albums with this title” (2018). I have been following Gorzycki and his work for the last two decades since he first arrived on the Polish Jazz scene as the leader of the Ecstasy ProjectFind albums by this artist (debuted in 2000) and Sing Sing PenelopeFind albums by this artist (debuted in 2004). He is certainly one of the constantly searching and horizon expanding Polish Jazz musicians / composers, with a strong tendency to amalgamate Jazz and contemporary Chamber music. This album is somewhat surprising as it presents almost entirely Improvised Music elements, which are not necessarily the usual modus operandi as far as Gorzycki is concerned. But the two clarinets, played by my favorite Polish Jazz clarinetists, add some thrilling moments and by the fifth and longest track the ensemble finally finds the nirvana spot and the music becomes magical. Personally the labeling of the music is somewhat misleading, as this certainly is not contemporary Chamber Classical music, so why try and use that particular label? But besides labeling, this music offers a lot of unexpected vistas, demanding dot-connecting and other cerebral exercises, which are always welcome. Overall, this is a very unique, unusual and highly demanding listening adventure, but at the same time a highly rewarding experience for open-minded music lovers, who are prepared to take risks in order to expand their horizons. Hats off to Gorzycki for his consistency and tireless searching!

Updated: 02/10/2021Posted: 27/09/2021

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GLABULATOR ~ A DAY WITHOUT HOURS NOT ON LABEL (Barcode: 5903111550004) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the debut album by the experimental Polish Jazz duo GlabulatorFind albums by this artist, founded in 2005 by saxophonist Tomasz GlazikFind albums by this artist (SyfonFind albums by this artist, Sing Sing PenelopeFind albums by this artist) and drummer Jacek BuhlFind albums by this artist (SyfonFind albums by this artist and many others), two of the most respected activists on the Avant-Garde scene in the town of Bydgoszcz and its legendary club "Mozg". Following a long period of inactivity since 2007 the duo combined forces again in 2012 and recorded this album in the studio located in the same club, which includes ten original compositions / improvisations credited to the duo. The music is quite diverse, ranging from completely improvised pieces to almost danceable melodic exercises, which are nostalgic reminiscences of the Yass period. Glazik plays tenor saxophone, bass clarinet and synthesizers and creates a wide range of sounds and effects, creating often the effect of a whole ensemble. Buhl, who is one of my favorite drummers on the Polish scene, presents again his incredible musicality and virtuosic control of his array of percussive instruments. Together they create an ambience of adventure, which keeps the listens in full suspense throughout the entire album. This music beautifully combines the concept of freedom with the elements of melody and rhythm, which are the basic building blocks of music, and therefore is able to be attractive to a relatively wide range of open-minded listeners, which is usually quite difficult to achieve in the Free / Improvised Music environment. This is yet another document of the incredible vitality and versatility of the Polish Jazz scene, which seemingly knows no borders and simply explodes with both established and new talent. Listeners who have been following the careers of the duo members will find this album as another interesting step in their development. For others this is a wonderful opportunity to discover the magical world of Glabulator and take an enchanted voyage with them.

Updated: 12/04/2019Posted:

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GORZYCKI & DOBIE ~ NOTHING REQUIEM 086 ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the third and last part in a triptych of duo recordings by Polish drummer / composer Rafal GorzyckiFind albums by this artist (see his duo albums with Sebastian GruchotFind albums by this artist and Kamil PaterFind albums by this artist), this time with British guitarist / composer Jonathan DobieFind albums by this artist. The album presents seven original pieces co-composed by Gorzycki and Dobie. In the last decade or so Gorzycki firmly established his position on the Polish scene as one of the most individual voices, amalgamating Jazz with contemporary Classical music, electronic and ambient influences and above all standing firmly as a symbol of uncompromising music creation. His work as a leader and member of such forward thinking ensembles as Sing Sing PenelopeFind albums by this artist or Ecstasy ProjectFind albums by this artist and his individual projects in duo, trio and quartet settings are all exceptional examples of individuality and excellence. In many respects this duo album is a culmination of Gorzycki´s modus operandi, which presents a minimalistic and fragmented approach to melody and harmony, which often hints at some musical statements rather then expressing them in full, leaving it to the listener to connect the dots. Dobie is obviously an ideal partner and cohort in such circumstances, playing short fragments of rapid guitar fire, which reminds early improvising electric guitarists such as John McLaughlinFind albums by this artist or Jimmy HendrixFind albums by this artist and utilizing ancient fuzz and other sound devices. This retro sound combined with the modern approach creates an absolute stunning effect. Of course, as in every other duo album, the interplay between the two partners is the essential ingredient of the entire project. Gorzycki´s seemingly endless palette of drums and percussion instruments and Dobie´s guitar pyrotechnics are perfectly suited for each other and their dialogs reach telepathic levels. I am very glad that Gorzycki manages finally to achieve at least some recognition by the Polish musical "establishment", after years of being ignored and neglected beyond the small circle of his musical partners. Hopefully this recognition will enable him to create even more of his groundbreaking projects, to the delight of old and new fans. Visiting his personal web site will allow a glimpse at his huge achievements so far. This album is a must have for the many fans of the alternative Polish Jazz / contemporary music scene and is of course is highly recommended.

Updated: 19/01/2018Posted:

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GORZYCKI & GRUCHOT ~ EXPERIMENTAL PSYCHOLOGY FOR TUNE 0021 (Barcode: 5902768701210) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the debut album by a new duo, in which two Polish musicians combine forces to create new, experimental, adventurous music: drummer / percussionist / composer Rafal GorzyckiFind albums by this artist and violinist / composer Sebastian GruchotFind albums by this artist (resident since many years in Norway). Gorzycki is one of Poland´s most prolific and fascinating activist known to listeners of contemporary Polish music from his activities as a member of such ensembles as Sing Sing PenelopeFind albums by this artist, Ecstasy ProjectFind albums by this artist and other collaborations. Gruchot also participated on several Sing Sing Penelope albums, but most of his work is in the sphere of contemporary Classical, Avant-Garde and electronic music. The album presents eight original pieces, seven of which were co-composed by the duo and the last one is by Gorzycki. The music is a wonderful glimpse into a new musical universe, which is intimate and often minimalistic, but extremely expressive and captivating. As difficult as it is to come up with something truly innovative these days, the duo manages to do it brilliantly. The seemingly endless array of percussive sounds, rhythms and patterns that Gorzycki manages to produce is simply awe-inspiring. He is one of the very few drummers, who actually play on their instrument, rather than beat the hell out of it. Gruchot is an ideal partner in this process, as his idiosyncratic contribution on strings or electronics are also very "percussive" and compliment the sounds produced by Gorzycki. There is very little melody here in the conventional sense, and it is up to the listener to discover and possibly to weave his own melodic content around the ambient vistas produced by the duo. Perhaps this is an opening of a new Art Form, where the listener actually participates with the musicians in the process of creation on an imaginary plane, or perhaps it´s just my feverish imagination. In any case this music is definitely something else in every sense. In his liner notes Gorzycki says that he wanted to move away from the familiar Jazz patterns he operated within for many years. He surely managed to do it here, but rather than abandoning them he transformed them into new tools of expression. True, this is not straightforward Jazz in any sense, but why should it be. The path of constant progress, discovery and exploration is the only true path of every Artist, and we, the audience in this case, should be grateful for the gift bestowed upon us as a result. This is definitely one of the best experimental albums recorded in Poland in 2013 and hopefully will be discovered by open-minded listeners. I ca only salute Gorzycki & Gruchot for being honest to themselves and doing their own thing. Chapeau!

Updated: 12/04/2019Posted:

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INNERCITY ENSEMBLE ~ KATAHDIN WET MUSIC 04 (Barcode: 5904259353915) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2012 The Polish Innercity EnsembleFind albums by this artist is one of many experimental music groups, which pop up on the local scene like mushrooms after rain. The incredible beehive of frenzy activity, which encompasses the Polish improvisational music scene is a phenomenon of truly gigantic proportions, and most surprisingly unparalleled by any other country in the world. As usual in such a case, the quality of the music varies significantly, but the exploration and sense of urgency prevail universally. The group is a septet and the musicians come from several different Jazz, Rock and Ambient groups. The most dominant musician is trumpeter Wojciech JachnaFind albums by this artist, who is a member of the excellent Sing Sing PenelopeFind albums by this artist. Not surprisingly, for those familiar with the Polish Avant-Garde scene, the album was recorded at the Mozg Club in Bydgoszcz, one of the epicenters of the improvisational activity. In addition to Jachna, whose trumpet is the leading voice of the album, the ensemble includes also two guitar players, three percussionists and one person using electronic devices. This unusual lineup dictates the overall musical direction of the proceedings, which basically features ambient and percussive background, with trumpet solos on top. There is limited melodic content and the music develops slowly, if at all, like in a meditative trance. The trumpet solos are, in contrast, quite spectacular. Although potentially interesting the album somehow leaves me cold, except for the trumpet solos. Lovers of Ambient and perhaps World Music originating in Far East will probably enjoy this music, others might enter the meditative mood and float with it, but for me this music simply does not go anywhere. Nevertheless I appreciate the energy and effort that went into making this album.

Updated: 12/04/2019Posted:

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JACHNA / TARWID / KARCH ~ SUNDIAL FOR TUNE 0039 (Barcode: 5902768701418) ~ POLAND ~ Jazz Recorded: 2013 - 2014 Released: 2014 This is the debut album by Polish Jazz trio fronted by trumpeter / composer Wojciech JachnaFind albums by this artist with two very young newcomers to the scene, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents seven original compositions, one of which is repeated twice and another three times, producing ten tracks all together. The music includes individually composed pieces, others which are co-composed by Jachna and Tarwid and still others co-composed by all three members of the trio. In the last decade Jachna has been slowly, but firmly establishing his position as one of the top Polish Jazz trumpet players. His work with the Sing Sing PenelopeFind albums by this artist ensemble and his duets with drummer Jacek BuhlFind albums by this artist belong to some of the most impressive achievements of Polish Jazz during the last decade, which after all is densely populated in the trumpet department. In time he developed a unique voicing on both trumpet and flugelhorn, which for old people like me constantly bring fond reminiscences of the early days of Tomasz StankoFind albums by this artist. Jachna is not imitating Stanko nor is he trying consciously to sound like him, but his way of phrasing and the "dirty", coarse tone are simply so characteristic, that the immediate resemblance is unavoidable. The two youngsters share common music studies in Denmark, where hordes of young and talented Polish Jazz players go to polish their knowledge and chops, but most importantly they evidently share their talents and passion for music. Tarwid, who has been called a musical prodigy after winning several piano competitions at a ridiculous young age, proves that he is no gimmick and his piano work certainly fills the heart with hope for days to come. Karch, who studied with Polish Jazz drumming icon Czeslaw BartkowskiFind albums by this artist, is also quite a hot potato, as the music herein firmly confirms. Together the trio is definitely one of the freshest and most impressive new ensembles on the Polish Jazz scene and this debut emerges as one of the most striking recordings released in Poland this year. Everything that makes Polish Jazz so unique and outstanding is reflected on this album: a search for new ways to express emotions, a complete freedom from conventions, a disregard towards obvious and boring musical methodology and at the same time a deep respect towards the music´s profound tradition and aesthetics. As always, the fact that music of such magnitude can be produced by musicians of such remarkably young age is nothing short of astounding. The true depth of this music can be fully appreciated only if one takes a much broader view of it, beyond the Jazz conventions. It is no less relevant as a component of improvised chamber music, an imaginary ambient soundtrack or any other open minded musical exploration, which is genre free and at the same time cross-genre. Over the last decade I have invested a lot of emotions and hopes into Jachna´s music and it makes me extremely happy that he was able to come up with this culminating work, which was unquestionably worth waiting for. His choice of partners and his persistency finally came into fruition, which should make him and his companions tremendously proud. Chapeau to all the Young Lions!

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WOJCIECH JACHNA / JACEK BUHL ~ PANJABU MONOTYPE ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 This is the debut album by Polish Jazz duo consisting of trumpeter Wojciech JachnaFind albums by this artist (Contemporary Noise SextetFind albums by this artist, Sing Sing PenelopeFind albums by this artist) and drummer Jacek BuhlFind albums by this artist (SyfonFind albums by this artist, GlabulatorFind albums by this artist). It presents eleven original compositions, all co-composed by the duo members. The music is beautifully innovative and embodies a new sub-genre of the thriving Polish Jazz scene, which combines the tradition of trumpet / drums duos combined and expanded here with electronic and ambient sound vistas. A somewhat similar approach to music was also adopted a few years later by the An On BastFind albums by this artist / Maciej FortunaFind albums by this artist duo, which shares many sonic similarities with this duo. This music consists of expanded melodic themes developed by the trumpet and accompanied harmonically and rhythmically by the ambient electronic background and the drum parts. This approach seems to offer a wide plane of new possibilities, with are just being discovered lately. Such recordings like this one emphasize the vitality and the constant drive of the young Polish Jazz musicians to innovate and discover new possibilities, rather than stay on the beaten track of mainstream Jazz, which is probably the most important characteristic of the entire scene. Of course Jachna and Buhl already demonstrated their creativity and pioneering spirit as members of other ensembles they played with, but their work in this duo is the most impressive in that respect. Their next album as a duo ("Niedokonczone KsiazkiFind albums with this title"), recoded a year later, brought this wonderful concept to perfection. Sadly this album is relatively quite anonymous and known mostly to a small number of Polish Jazz Avant Garde fans, which is a pity. It is definitely worth searching for and deserves an honorable place in any serious Polish Jazz collection, especially for people following new trends and bold pioneering progress.

Updated: 17/12/2018Posted:

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WOJCIECH JACHNA SQUAD ~ AD ASTRA AUDIO CAVE 2025/004 (Barcode: 5908298549926) ~ POLAND ~ Jazz Recorded: 2024 Released: 2025 This is the 3rd album by Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also keyboardist Jacek CichockiFind albums by this artist, guitarist Marek MalinowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist. The album presents six tracks, three original compositions by Jachna two by Gorzycki and one is an adaptation of a composition by Polish Classical composer Karol SzymanowskiFind albums by this artist. This new version of the ensemble was reduced to a quartet, leaving out a bass player, and the “new” drummer is an old collaborator of Jachna, since the days of the fabulous Sing Sing PenelopeFind albums by this artist ensemble days, and his presence has a major influence on the sound and ambience of the music. The music is almost entirely acoustic, with the exception of the electric guitar and synthesizers, which come up front momentarily, and strongly influenced by modern Classical music elements and Free Improvisation, which results in a much more demanding outcome than the two previous albums. As mentioned before, Gorzycki’s compositions and his dominant drumming give the music a somber, dense effect. Jachna’s trumpet parts are as fabulous as always, and he never fails to grab the attention of the listener, but his role is someway less central and leading on this album, with much more space given to the other three members of the ensemble. The balance between the instruments is also somewhat shifted towards the heavy drumming, which might sound a bit “unearthly” at first. This album definitely needs several listening sessions in order to embrace its unique qualities. It is very interesting to see the ensemble developing and changing the direction, especially when this leads towards a more ambitious and demanding results, but might also present a challenge to listeners, who are expecting something else, based on earlier exposure. For me personally this new direction is all for the good of course. Overall, this is a very interesting, captivating effort by Jachna and his colleagues, going back to his more Avant-Garde days of the mid-2000s, updated of course by the experiences gained since. It might surprise some of the listeners, but please give it some tome and open-mindedness and everything will work splendidly. Well done!

Updated: 11/03/2025Posted: 10/03/2025

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JAZABU ~ LODZ KOSMICZNA AUDIO CAVE 2017/009 (Barcode: 5905669566414) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2017 This is the debut album by Polish Avant-Garde Jazz quartet JazabuFind albums by this artist, which consists of trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, guitarist Marek KadzielaFind albums by this artist and drummer Jacek BuhlFind albums by this artist. The album presents ten original compositions / improvisations, which are not credited on the album´s artwork and therefore assumed to be all co-composed by the four quartet members. The music is quite typical Free Jazz / Improvised music offering, with short melodic lines stated at the beginning of the tracks, which are then developed into group improvisations and feature solos by the individual quartet members. Some of the tracks lack even the basic melodic theme and are completely improvised. The music appears to be working best when it is more contemplative and introvert, and as such delivers a deeply atmospheric musical aura. The more energetic pieces sometimes move into chaotic intensity. The lack of bass, which is only partly compensated by the guitar, creates a fluid, less rigorous rhythmic setting, which suits this music well. Jachna and Glazik were members of the legendary Sing Sing PenelopeFind albums by this artist ensemble, which was active since the turn of the Millennium, and their musical attitude was largely influenced by their formative years. Jachna and Buhl recorded several albums together in duo and trio formats and all three of them come from similar background. Kadziela is a bit of an outsider here, having been mostly associated with young Polish Jazz musicians active on the Danish scene, but since his return to Poland he is certainly more active on the local scene in several quite diverse environments. Together they represent an interesting amalgam of talent and musical experience, which definitely has a lot to offer. Although I was not overwhelmed by the music on this album, probably mostly due to the fact that although beautifully performed it offers little innovation, I believe that their future offers might be much more exciting, considering their potential. Of course the album offers some great moments and impressive soloing and the connoisseurs of the Polish Avant-Garde scene should be quite happy with this music, which more than anything proves that Polish musician are still searching and making an effort to cover uncharted territory, rather than succumb to lethargy.

Updated: 12/04/2019Posted: 29/12/2017

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PATER / WOJTCZAK / UROWSKI / GORZYCKI ~ A-KINETON OWOC 001 (Barcode: 5903292101378) ~ POLAND ~ Jazz Recorded: 2011 Released: 2012 This wonderful album, recorded by the Polish quartet comprising of guitarist Kamil PaterFind albums by this artist, saxophonist Irek WojtczakFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist, with guest trumpeter Maurycy WojcinskiFind albums by this artist, is an excellent example of contemporary Jazz, played by young musicians who slowly establish a new school of Polish Jazz, continuing the splendid tradition of the country´s achievements in that area. For people following the scene these names won´t be completely new, as they have been active in many different ensembles during the last decade, like Sing Sing PenelopeFind albums by this artist, Ecstasy ProjectFind albums by this artist, Contemporary Noise SextetFind albums by this artist and others. Pater, Urowski and Gorzycki, with saxophonist Aleksander KaminskiFind albums by this artist, recorded the splendid "Dziki JazzFind albums with this title" (Wild Jazz) album earlier on. Pater wrote five of the eight compositions on this album, with Urowski and Gorzycki contributing one composition each and one being a group composition. The music is excellent modern Jazz, with some basic melodic content, but mostly improvised with a lot of both individual and collective freedom extended towards the participants. The performances are all inspired and highly professional, and overall the album is a great piece of music, which flows elegantly from one composition to another, constantly keeping the listener on the edge. By and large the atmosphere is somewhat similar to the music played by the groundbreaking Polish ensemble Sing Sing Penelope, which of course is not entirely surprising and should be seen as a compliment. Hopefully this quartet has a lot more to offer in the future, and I´m looking forward to hear their next album. Wholeheartedly recommended!

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RAATZ / BIELAK / MACKIEWICZ ~ MUTUAL INFLUENCES RG 108 ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2020 Released: 2021 This is the debut album by Polish Jazz trio comprising of guitarist Boguslaw RaatzFind albums by this artist, violinist Robert BielakFind albums by this artist and percussionist Daniel MackiewiczFind albums by this artist. The album was recorded live in the studio and presents three original compositions uncredited on the album’s artwork and assumably co-composed by the three participants. Raatz and Bielak cooperated earlier as members of the group Question MarkFind albums by this artist, Bielak appeared on the first three albums by Light CoorporationFind albums by this artist and Mackiewicz played for many years in Sing Sing PenelopeFind albums by this artist and with Raatz in Ritual Art OrchestraFind albums by this artist. In short these are highly experienced and talented musicians. The music is mostly improvised, based on sketchy melodic framework, which serves as the basis for extended improvisations by the trio, which float between World Music and Fusion climates. The lengthy tracks, especially the opening one, which last for over twenty-two minutes, is an epic journey moving between relaxed quiet stretches and peeks of intense soloing by the guitar or violin, accompanied by percussive Eastern rhythmic pulsations. The jam session atmosphere that prevails throughout the album offers a trans-like sonic adventure that is fascinating to follow, completely engulfing the listener in the process, inviting to sink deeply into the flow. But of course one can also follow the intricate details of the improvisations, if so inclined. Overall, this is a highly emotional musical experience for the open-minded listener, involving superb instrumental performances and strong group improvisations, which are much more inviting than most such excursions. Both World Music and Fusion fans should find this music very agreeable. Highly recommended!

Updated: 31/07/2022Posted: 31/07/2022

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SING SING PENELOPE ~ MUSIC FOR UMBRELLAS MONOTYPE 008 ~ POLAND ~ Jazz Recorded: 2006 Released: 2006 This is the 2nd album by the incredible Polish Jazz ensemble Sing Sing PenelopeFind albums by this artist, led by drummer Rafal GorzyckiFind albums by this artist and also including trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. Violinist Sebastian GruchotFind albums by this artist guests on one track. They play all original music, composed mostly by Gorzycki and Jachna or credited to the ensemble. Stylistically this is an incredible mixture of many elements from Jazz, Rock, Ambient, RIO and other areas, completely eluding any attempt of pinpointing or categorization. They are definitely one of the most interesting and most consistently excellent ensembles currently active on the Polish scene, which of course is a major compliment. All these players are excellent instrumentalist, the music is fresh, unusual and truly intelligent, but in spite its complex nature manages to embrace the element of melody, which is often mostly lost in adventurous attempts tried by others. I suppose that if Frank ZappaFind albums by this artist was alive today, he´d have loved to play with these young musicians behind him, but so would a lot of other great musicians. In any case this, and the other recordings by this group, is a beacon of hope that not all is lost in music in the 21st Century. Absolutely not to be missed!

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SING SING PENELOPE ~ SING SING PENELOPE TONE INDUSTRIA 009 (Barcode: 5905912550863) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2004 Released: 2005 This is the debut album by the sensational Polish ensemble Sing Sing PenelopeFind albums by this artist, founded in Bydgoszcz in 2001 by four musicians: keyboardist Daniel MackiewiczFind albums by this artist, bassist Patryk WeclawekFind albums by this artist, drummer / percussionist Rafal GorzyckiFind albums by this artist and saxophonist Tomasz GlazikFind albums by this artist. They were joined in 2003 by trumpeter Wojciech JachnaFind albums by this artist and the quintet lineup, which recorded this album, was born. Obviously based on the Jazz-Rock and modern Jazz roots, this ensemble acts as a creative unit and treats their original music (credited to all the five members) as an experimental canvas, expanding it into new and uncharted territory. Rather that use well established patterns and musical structures they try to innovate constantly, which puts them apart from most of their contemporaries. Combining melodic themes, pulsating rhythms and a lot of freedom in the improvisations they mange to create something fresh, challenging and often unexpected, which will be their trademark in all their future recordings. In fact this little known (at the time of its release) album marks the birth of was to become the most interesting ensemble active on the Polish scene in the first decade of the 21st Century. By now this is already a classic recording, which sadly is very difficult to find today. A must!

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SING SING PENELOPE ~ THIS IS THE MUSIC / VOLUME 1 MW 004 (Barcode: 5903292102245) ~ POLAND ~ Jazz Recorded: 2011 - 2012 Released: 2012 This is the 6th album by the brilliant Polish ensemble Sing Sing PenelopeFind albums by this artist, formed and led by drummer Rafal GorzyckiFind albums by this artist, which includes also trumpeter Wojciech JachnaFind albums by this artist, saxophonists Aleksander KaminskiFind albums by this artist (new member) and Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. Two guest artists, who played on the ensemble´s previous recordings, are also present here: violinist Sebastian GruchotFind albums by this artist and DJ StrangefruitFind albums by this artist from Norway on live electronics. It seems that SSP (as they are known in this age of shortcuts) can do no wrong and this album is every bit as grand as everything else they attempted previously, which after six albums and ten years amounts both to a substantial body of music as much as their impeccable reputation. The music, contributed collectively or individually by all participants, is as usual a completely original mix of styles and sub-genres, disregarding boundaries and freely moving from one territory to another. Atmospheric / ambient electronic sounds over strong, pulsating rhythmic patterns and Jazz solos on top seems to be shortest way to describe this music, although it manages to escape any simple depiction, which of course means there is interesting stuff happening here. In many respects this album sums up the decade of the ensemble´s existence, covering everything from their Jazz-Rock efforts, through the Free Jazz improvisations and recent ambient vistas. In retrospect SSP emerge as perhaps the most interesting phenomenon of the first decade of the 21st Century on the Polish scene, being the most consistent, searching and completely disregarding fads group of young musicians around. An absolute must to any serious Jazz listener, wishing to reach beyond the obvious!

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SING SING PENELOPE ~ WE REMEMBER KRZESELKO ELECTRIC EYE 003 (Barcode: 5905912552874) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2006 - 2007 Released: 2008 This is the 3rd album by excellent Polish ensemble Sing Sing PenelopeFind albums by this artist, led by drummer / composer Rafal GorzyckiFind albums by this artist, one of the most versatile and diligent Polish musicians, who also created and leads other ensembles, like Ecstasy ProjectFind albums by this artist. Gorzycki incorporates Jazz tradition with contemporary Classical music, Avant-Garde, Rock, Punk and a myriad of other genres and sub-genres, completely ignoring conventions, like many of his Polish contemporaries on the off-centre music scene. His recording legacy in the last decade is quite prolific, presenting many quite contrasting, but always intriguing musical vistas. This album is definitely one of the most interesting of his recordings, and one of the best albums coming out of Poland in the first decade of the 21st Century. On this album the ensemble includes trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. Violinist Sebastian GruchotFind albums by this artist guests on four tracks. The music, all original of course, is a stunning amalgam of Modern Jazz, Avant-Rock, RIO, contemporary Classical; in short completely beyond classification. Somehow all this makes perfect sense musically and leaves the innocent listener completely stunned. The strange thing is that this music might appeal to Jazz and Rock (especially Progressive Rock) audiences with equal might, but certainly it´s extremely unlikely someone might stay indifferent to it. In short this is a blast of an album, which took me by complete surprise and made me return to it several time already. As to the album´s title, I have no idea what the ensemble really meant, even after watching the short video included on the album, but my guess would be that it´s a pun on the many Polish Jazz albums dedicated to the memory of Krzysztof KomedaFind albums by this artist, including the famous "We`ll Remember KomedaFind albums with this title" album? In any case this album is an absolute must!

Updated: 12/04/2019Posted:

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SING SING PENELOPE / DJ STRANGEFRUIT ~ ELECTROGRIDE MOZG 001 ~ POLAND ~ Jazz Recorded: 2010 Released: 2010 This is the 5th album by the sensational Polish ensemble Sing Sing PenelopeFind albums by this artist, recorded in cooperation with Norwegian DJ StrangefruitFind albums by this artist (real name Pal NyhusFind albums by this artist) and Polish (resident in Norway) violinist Sebastian GruchotFind albums by this artist. The regular SSP lineup (trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist, bassist Patryk WeclawekFind albums by this artist and drummer / percussionist Rafal GorzyckiFind albums by this artist) is slightly changed with saxophonist Aleksander KaminskiFind albums by this artist fulfilling the position of the absent Glazik. The circumstances surrounding the recording of this album are connected to the Smolensk catastrophe, in which a plane carrying Polish Government officials crushed killing everybody on board. The musicians who recorded this album were suppose to tour Polish clubs, but as a result of the mourning the concerts were cancelled and instead they recorded the album, which was distributed free of charge in the clubs, where the concerts were supposed to be played. Of course today this album is a rare collector´s item. Musically this album marks another expansion of SSP already adventurous music into new territory, with the inclusion of electronics and ambient elements. The music becomes more contemplative and spacey, in comparison to their earlier efforts, but the Jazz solos and overall atmosphere is unmistakably SSP. Another innovation is the use of World Music percussive elements by Gorzycki, which adds another dimension to the music. The album´s ac hoc nature and the short (EP size) repertoire are all results of the on the spot decision to make the album at the time and the fruition of the ideas contained herein was fully realized in their next album. In retrospect this little gem appends a valuable add-on to the splendid recorded legacy of the ensemble so far and as usual is a splendid piece of contemporary music of rare quality.

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SING SING PENELOPE / ANDRZEJ PRZYBIELSKI ~ STIRLI PEOPLE – IN JAZZGA MONOTYPE 022 (Barcode: 5908310927084) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2008 Released: 2009 This phenomenal recording presents a somewhat unlikely cooperation between young Polish ensemble Sing Sing PenelopeFind albums by this artist and the dark prince of Polish Jazz Avant-Garde, genius trumpeter / composer Andrzej PrzybielskiFind albums by this artist (now sadly departed). Sing Sing Penelope, formed by Polish drummer / composer Rafal GorzyckiFind albums by this artist also includes brilliant trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. They recorded three albums since the mid-2000s, all of which are excellent, and this is their fourth release. Przybielski was a key figure on the Polish Avant-Garde scene since the 1960s, and his scarce, but mostly brilliant recorded legacy is a prime example of the Eastern-European Jazz at its most creative best. The music created by the young members of the ensemble and the veteran trumpeter is a wonderful surprise, completely unexpected not only due to the age and musical background differences but mainly because of the vibrancy and vitality of the result, which resembles the power and verve of the early electric Miles DavisFind albums by this artist ensembles. The sound is very modern and up to date, mostly up tempo and sometimes quite Rock oriented, but always within the Jazz aesthetic and always simply radiant. Of the seven composition presented on the album Przybielski is credited with three, another three are co-credited to him and the group and the last one is by the group. The most striking feature of the album is of course the double trumpet front line, which is simply phenomenal. Jachna already proved his ability as a player on several albums featuring his unique talents and playing alongside a genius such as Przybielski must have proven a unique inspiration, which is evident from the result. Przybielski himself simply plays beautifully all the way and this recording is definitely one of his best moments. As much as two saxophones lineups are very popular in Jazz, a two trumpets ones are almost inexistent, which is a great pity, as this recording proves beyond any doubt. But of course all the participants of this recording deserve to be praised, as everybody contributes towards the unprecedented success. Overall this is one of the strongest Polish Jazz albums recorded recently and a grand memorial to the talents of Andrzej Przybielski, who received almost no recognition before his untimely and tragic death. Definitely a must to every connoisseur of Polish and Eastern-European Jazz!

Updated: 12/04/2019Posted:

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