Record Reviews

TED NOVAK ~ MONUMENT VALLEY NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2016 Released: 2016 This is the second album by Polish guitarist / composer Ted NovakFind albums by this artist, recoded again in a trio setting, but this time with the excellent organist Jan SmoczynskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album was recorded at the legendary Studio Tokarnia, with Smoczynski also filling the sound engineer´s chair. The album presents eight original compositions, all by Novak. The presence of the organ introduced a very significant change in the trio´s sound and overall musical direction, taking it to a much higher and more sophisticated level. The sound of the trio resembles the wonderful vintage ambience of early Jazz-Rock ensembles, like for example the Graham BondFind albums by this artist band with John McLaughlinFind albums by this artist. This is Rock sound with Jazz feeling, one of the most attractive and satisfying of the kind. Novak has his own guitar sound and touch, which against all odds manages to create a unique voice. Based on the Blues chords and using just the correct amount of sound effects, the guitar becomes the ideal partner to the sublime Hammond sound, and together they are simply magical. Smoczynski is of course a virtuoso and his usage of the Hammond possibilities is marvelous and seems unlimited. In time his playing expands the palette of the sound colors and honestly there are very few, if any, Hammond players is his class today. Dobrowolski, already a veteran of the Polish Jazz scene, is also a master musicians and his wonderful dynamics and sensitivity, both in the Rock and Jazz areas, are ideal for this music in every respect. As if this wasn´t more then enough to make this album a perfect piece of music, the compositions are the cherry on top. Beautifully melodic, even melancholic at times, they are all perfect vehicles for the trio to tear the roof off, so to speak, and their stylistic, dynamic and rhythmic diversity is an ideal mix, which makes this album to be over in a jiffy. Well in such case it is advised simply to put it on "repeat" of course. Overall this is a superb, mature, elegant album, full of great music performed with flair and passion, which truly has few equals anywhere on this planet. Jazz-Rock Fusion is alive and kicking in Warsaw, even if it is dead almost everywhere else, with a few exceptions of course. An absolute must!

Updated: 25/03/2017Posted: 29/09/2016

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TED NOVAK ~ RUNIT NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2019 Released: 2019 This is the third album by Polish guitarist / composer Ted NovakFind albums by this artist, this time recorded in a quartet setting with organist Jan SmoczynskiFind albums by this artist, bassist Krzysztof PacanFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents eight original compositions, all by Novak. The music was recorded at the excellent Studio Tokarnia and engineered by Smoczynski, with the usual superb sound quality. The music is a mixture floating between Jazz, Jazz-Rock Fusion, Blues-Rock, and even Progressive Rock, featuring extensive improvisations by Novak and Smoczynski wonderfully supported by the rhythm section. The retro sound and overall sonic ambience of the recording create an impression that the music might have been recorded decades ago, when guitar / organ based ensembles ruled the world of Rock and Prog and even Jazz to some extent. Novak is able to weave superb tunes, which are unique both in their harmonic approach and rhythmic complexity and as such are ideal vehicle for improvisations without loosing their melodic contents. The stylistic diversity of the tunes on the album turns it into a fascinating listening experience which is over in a blink of an eye. All four musicians are veterans with attested achievements, which are fully illustrated by the performances on this album. Smoczynski´s organ playing is absolutely brilliant and one can only lament that he makes relatively few recordings featuring his organ "shenanigans". Novak is more reserved on this album in comparison to the predecessors, which enables the listener to be exposed to his more lyrical side. Pacan and Dobrowolski are a perfectly oiled swing machine, which keeps the music afloat and sparkling at all times. Overall this is a very unique, in today´s standards, album, which offers an adventurous cross-genre journey through guitar / organ dominated music, which is a most pleasing listening experience, especially for people with affiliation with Jazz / Fusion / Rock originating on the 1960s. Well done again!

Updated: 01/01/2020Posted: 01/01/2020

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TED NOVAK ~ RURAL CRISIS NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2014 Released: 2014 This is the debut album by Polish guitarist Ted NovakFind albums by this artist, recorded with a trio which also includes Polish Jazz veterans: bassist Krzysztof PacanFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents eight compositions, seven of which are Novak originals and the remaining one is a Miles DavisFind albums by this artist tune. The music was recorded at the excellent Studio Tokarnia with Jan SmoczynskiFind albums by this artist presiding, as usual, at the console. This is the first heavily electric production that comes to my attention recorded at Studio Tokarnia, which usually excels at acoustic music, and once again I must raise my hat to Mr. Smoczynski for his incredible skills as a sound magician. From the first note heard on this album the listener is exposed to an unfamiliar electric guitar sound, which is pretty original and surprising. After many decades, where the music scene was under complete guitar domination, one is sure that everything that is possible to do with a guitar was already done, but apparently the surprises never cease to pop up. However after a couple of tunes the guitar tone and sound effects get absorbed by our brain and we get back to a quite familiar world of heavy Fusion, which although has some improvisational elements, is much closer to Rock than to Jazz, especially rhythmically. Guitar pyrotechnics are unfortunately a very perilous and slippery ground; how much of it is sheer genius and how much is just a show off and boring repetitious doodling? It´s for the listener to decide in every specific case, and those opinions will probably vary quite a bit. Personally I must say that I have heard all of this before, after all I was lucky to hear Jimmy HendrixFind albums by this artist, Mahavishnu OrchestraFind albums by this artist and all other significant guitar players in person and at their prime. But does it mean that this album has no merit at all? Not at all, I´m quite sure that many guitar aficionados will absolutely love the distorted, echoing guitar screams to bits. Combined with the unusual sound, superb rhythm section and excellent sound quality, this album is actually a lot of fun. But the album has its drawbacks: with just slightly over half an hour of music it is hardly a full CD and should really be treated as an EP, especially if someone is going to buy it (if that happens at all any more). The Fusion listeners might find it too Rocky and the Rock listeners might find it too complicated. Life is a bitch…I´m already waiting for the next adventure!

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