Record Reviews

GRZEGORSKI / SLUSARCZYK ~ TO MUNIAK WITH LOVE BLUES&JAZZ 002 (Barcode: 5908254159879) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is an album by Polish Jazz quintet co-led by saxophonists Tomasz GrzegorskiFind albums by this artist and Marcin SlusarczykFind albums by this artist with a rhythm section comprising of pianist Tomasz BialowolskiFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Arek SkolikFind albums by this artist. The album presents ten Jazz standards and one original composition by Bialowolski, which is both the title track and a bonus track. The album is dedicated to the memory of the legendary Polish Jazz saxophonist / composer Janusz MuniakFind albums by this artist, who was a Father figure to many younger Polish Jazz musicians. The album was produced by Slawomir MajewskiFind albums by this artist, Polish Jazz activist and a great connoisseur of classic mainstream Jazz. The albums holds no surprises, exactly as intended, and is meant to be listened to by lovers of conventional, well known Jazz tunes, which are amicably played by professional musicians. This type of unpretentious, good time and somewhat nostalgic mainstream Jazz is relatively not so easy to come by in Poland, where the new generation of musicians and apparently also listeners tend to prefer much more complex and advanced Jazz explorations, which often distances older and more conventional Jazz connoisseurs from the contemporary scene. The music offers a nice blend of ballads and up tempo numbers, which should keep the listeners happy and the beautiful piano / saxophone duet closing the album is an appropriate gesture to commemorate one of the most beloved figures in Polish Jazz history.

Updated: 12/04/2024Posted: 23/12/2019

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MACIEJ GRZYWACZ ~ MOVIN` ALONG BLACK WINE 2021/001 (Barcode: 5902020424048) ~ POLAND ~ Jazz Recorded: 2020 Released: 2021 This is a delightful album by Polish Jazz guitarist / composer / educator Maciej GrzywaczFind albums by this artist, recorded in a quintet setting with seasoned Polish Jazz musicians: saxophonist / flautist Tomasz GrzegorskiFind albums by this artist, pianist Kuba StankiewiczFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Kuba GrzywaczFind albums by this artist (Maciej’s son). The album presents ten compositions by the iconic American guitarist / composer Wes MontgomeryFind albums by this artist, one of the Godfathers of guitar Jazz, and is an obvious tribute to his music. The music offers audiophile sound quality, which delivers everything it promises to do. The album manages to avid the obvious trap of trying to mimic / sound like Wes Montgomery, which of course is absolutely unique and inimitable, and offers what it is set to do, creating a loving tribute to the great musician, with a fresh perspective, which preserves the tradition respectfully and knowledgably. Grzywacz, who is among the very few true Jazz guitar players in Poland / Europe, stays with the basics, playing notes and chords, but manages to stay himself, rather than a second rate imitator. The guitar sound is Montgomerian more in spirit than in “body”, which works very well altogether. The rest of the musicians play along wonderfully, with Stankiewicz adding some of his lovely lyricism while soloing, Grzegorski carries the tunes strictly to the note and the rhythm section keeps a tight ship, navigating the music with precision, while obviously having great fun at it. Overall this is an admirable effort of preserving some of the great Jazz tradition, bringing it up to date but respecting its sources, executed with vigor and precision on top of obvious talent. This album should sit well with every Jazz lover anywhere on this planet, and obviously especially so with Montgomery / Jazz guitar lovers the world over.

Updated: 07/12/2021Posted: 02/12/2021

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DARIUSZ HERBASZ ~ JOY OF FRIENDSHIP MULTIKULTI 024 (Barcode: 5907529223246) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is the debut album as a leader by Polish Jazz saxophonist Dariusz HerbaszFind albums by this artist and his double tenor saxophone quintet, which also includes saxophonist Tomasz GrzegorskiFind albums by this artist, pianist Piotr ManiaFind albums by this artist, bassist Adam ZuchowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album comprises of six original compositions, all by Herbasz and was recorded at the superb Studio Tokarnia with engineer Jan SmoczynskiFind albums by this artist presiding. If I would have been subjected to listening to this album in a blindfold test situation, I would be sure this is an unknown recording of mid 1960s Blue NoteFind albums on this label period, as this music has the distinctive feel of modern mainstream, which flourished at the time and was captured for posterity by Rudy Van GelderFind albums by this artist. The warmth and presence of the overall sound and the crisp piano sound are quite remarkable. But of course there is also the music, which stylistically returns to that wonderful period that summarized the Jazz tradition bringing it to sheer perfection on one hand and opening doors for the free form just wide enough to make it interesting on the other hand. These wonderful compositions are truly grand on every level; there are some beautiful melancholic melodies, several great vamps, and a strange feeling of familiarity even upon the first hearing. I must admit that it´s been a while since I´ve heard a collection of such superbly crated tunes on one album. Herbasz takes a considerable risk with the double tenor saxophone frontline, since such setting is often prone to clashes and outright contest rather than cooperation, but also opens intriguing opportunities of harmonizing and completing each other. It´s a pleasure to hear how well this situation was handled here, enabling both players to solo as well as play together in a variety of quite distinct musical surroundings and atmospheres. Both saxophonists [lay remarkably well, both when simply stating the lyricism of a melody or venturing into almost free form excursions. The rhythm section is excellent as well, providing the ideal support for the soloists and framing the musical expressions with just the right amount of direction, allowing space for less constrained experimentation at times. The pianist is an ideal harmonizer and his vamping is a classic form obviously learned from the best. Bass is round, clear and worm and the drums play exactly the amount of time keeping to keep everything tick, with some great topping of inventive drumming. The overall dynamic sensitivity of the entire rhythm section is simply just what the doctor ordered to make the music perfect. This is a remarkable debut and a brilliant Jazz album, which comprises of everything that makes Jazz such a great music: it´s interesting, artistic, intelligent, well played and above all honest, simply stating the artist´s credo and not trying to be something it isn´t. Well done indeed!

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KAZIMIERZ JONKISZ ENERGY ~ 6 HOURS WITH RONNIE FOR TUNE 0070 (Barcode: 5902768701739) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This album documents the meeting between veteran Polish Jazz drummer Kazimierz JonkiszFind albums by this artist and his ensemble EnergyFind albums by this artist with legendary American baritone saxophonist Ronnie CuberFind albums by this artist. The following musicians also take part in the recording: saxophonists Borys JanczarskiFind albums by this artist and Tomasz GrzegorskiFind albums by this artist, trumpeter Robert MurakowskiFind albums by this artist, pianist Jan SmoczynskiFind albums by this artist and bassist Wojciech PulcynFind albums by this artist. The album was recorded at the fabulous Studio Tokarnia, owned by Smoczynski, who also engineered and mastered the album, with the usual spectacular sonic result. The music includes six compositions, two of which are originals by Pulcyn, one is by Cuber and the remaining three are standards. The music is, as expected, straightforward mainstream Jazz, with the two Pulcyn tunes being by far the most refreshing pieces on this album. It is executed without a flaw by all the participants, although the session seems to be lacking any high energy or particular joy of life, which is typically present on the best Jazz recordings. Overall this is a nice, well played and well recorded mainstream Jazz album, which is no different from thousands of similar albums recorded before. As such it contributes nothing to the Jazz milieu and with all due respect is simply banal. Smoczynski plays some great introvert piano parts and Pulcyn, as always, keeps time beautifully, but other than that it´s all déjà vu. Of course since baritone saxophone is not heard very often, this is a good opportunity to enjoy this beautiful instrument being played well.

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PAWEL KACZMARCZYK ~ AUDIOFEELING ARMS 03 (Barcode: 5900238791020) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 Brilliant debut album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 22 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. Three saxophonists: Radoslaw NowickiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist and Grzech PiotrowskiFind albums by this artist join the trio on several tracks, turning it into a quartet and on one track a sextet, when they all play together. Of the ten tracks present here, eight were composed by Kaczmarczyk and the other two co-composed by Kaczmarczyk and Piotrowski. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and the quartets / sextet introduce an ensemble approach. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!

Updated: 26/10/2016Posted:

CD 1 Digipak Gold Recommend To A Friend

LESZEK KULAKOWSKI ~ LOOKING AHEAD FOR TUNE 0043 (Barcode: 5902768701524) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 In the last few years preceding the release of this album celebrated Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist concentrated on producing large orchestral works, which had either no direct connection to Jazz while pushing the boundaries of contemporary Classical idiom or floated somewhere within the Jazz-Classical Fusion, combining the two genres. Therefore this album comes as most welcome return to his Jazz roots. Recorded in a sextet setting with German trumpeter Christoph TitzFind albums by this artist, saxophonist Tomasz GrzegorskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist, the album presents nine original compositions, all by Leszek Kulakowski. Kulakowski was always first and foremost a superb song-weaver, which is very evident on this album from start to finish. The various melodies are the deepest root of this music, which then gets expanded into the modern mainstream language, floating gently and elegantly from one tune to another, caressed and pampered on its way by the musicians, who add their individual touches. There is plenty of freedom and breathing space within this music to inspire a relaxed, moderate approach by the players, which proves to be ideal in this context. Of course certain traces of Classical compositional tricks and arrangement devices can be picked up by the experienced listeners. The overall atmosphere of this recording is reminiscent of the Scandinavian sound, more so than to the usual Polish Jazz recordings. A certain ECM-ism can also be detected. The individual contributions by its participants are another forte of this album; everybody´s playing sounds truly inspired here. Titz is a wonderful trumpeter, who somehow never really gets the credit for his work that he usually deserves. His performances on this albums rank among his best work done on record, and although his phrasing derives from other great European trumpet Masters, his deep lyricism and feel are uniquely his own. The most surprising and at the same time impressive soloist on this album is the young cellist Krzysztof Lenczowski, whose name pops up on the local scene with a feverish frequency and in some most unexpected places, in addition to his regular work with the Atom String QuartetFind albums by this artist. Kulakowski relays on his solo parts in several of the compositions presented here, and his decision to engage Lenczowski in this project pays off splendidly. Grzegorski and Kulakowski also play some excellent solos in the various tunes, which perhaps are less spectacular but no less expressive and supportive in the common effort invested to create this music. The rhythm section is extremely supportive throughout and plays with precision and sensitivity, exactly when and as needed. In many respects this is probably the most "conventional" album released by the For TuneFind albums on this label label so far and it´s good to see that the people running the label have no preconceptions overshadowing their judgment and recognize great music even if it is decently (but not to conservatively) dressed. It´s good to see Kulakowski playing and composing Jazz again, especially when the music is as good as what we can hear on this album. Chapeau bas indeed!

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LESZEK KULAKOWSKI ~ LOVE SONGS NOT ON LABEL ~ POLAND ~ Jazz & Poetry Recorded: 2016 Released: 2017 This is a beautiful album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, who shows herein yet another facet of his multitalented persona, this time as a songwriter. The album presents ten songs composed and arranged by Kulakowski to the lyrics by Polish poet Zbigniew KsiazekFind albums by this artist, all of them being love songs in the good old meaning of the idiom. The songs are performed by vocalist Joanna KnitterFind albums by this artist, accompanied by a classic piano trio with Leszek Kulakowski at the piano, his son Piotr KulakowskiFind albums by this artist, who plays bass and drummer Tomasz SowinskiFind albums by this artist, and by the Progress Chamber OrchestraFind albums by this artist. Saxophonist Tomasz GrzegorskiFind albums by this artist and guitarist Maciej GrzywaczFind albums by this artist guest on a couple of tracks. The music is everything one might expect from nontrivial love songs: exquisite melodies, sophisticated harmonies, unforeseen twists and highly developed swing, which keeps the songs flowing one after another, arriving at the album´s last song way sooner that one might expect. Combined with the intelligent lyrics and vigorous execution, these songs are a true delight. Of course these songs have very little to do with contemporary popular music, which of course is meant as a compliment. They belong to the era when songs had a melody, a message and some aesthetic values, in short the era when all great Jazz standards were written. In many respects these songs belong to the same "standards" category, and the fact they are new and unknown only make things more interesting, as any new material of such quality is truly scarce these days. As far as Polish Jazz is concerned, these songs continue the tradition of Jazz & Poetry, which flourished in the 1960s, and are a warm reminder of those days as well as a most welcome continuation of that tradition. Kulakowski turns out to be a romantic at heart, which is perhaps one more good reason why I like him so much both as a musician and a human being and honored to be his friend. Overall this is an inspired collection of beautiful love songs, excellently executed by all participants, which creates moments of blessed tranquility and joy, which help the listener to survive the hellish barrage of noise which passes for music in the world we now live in.

Updated: 30/03/2017Posted: 30/03/2017

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NEW BONE ~ DESTINED CM 1019 (Barcode: 5904259353564) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is the 3rd album by the Polish acoustic Jazz quintet New BoneFind albums by this artist, founded and let by trumpeter Tomasz KudykFind albums by this artist, who also composed all the music included herein, and including in its current lineup saxophonist Marcin SlusarczykFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Two guest musicians: saxophonist Tomasz GrzegorskiFind albums by this artist and percussionist Jan PilchFind albums by this artist participate on most of the tracks. All these young musicians are excellent players with a proven record and evident abilities, but the music they perform here presents them with no real challenges. It is mainstream Jazz with strong Afro-Cuban rhythmic tendencies, which sounds good at all times but disappears from one´s mind the minute the sound is over. It seems that New Bone tries very hard to sound exactly like an average American Jazz ensemble, which they definitely manage perfectly, rather than search for a unique identity, which is characteristic of most Polish Jazz. I´m sure many listeners, perhaps even the majority, will enjoy this music immensely, but honestly we should expect more from an ensemble of such high potential. Hopefully they´ll do better next time.

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VARIOUS ARTISTS ~ ILLINOIS JACQUET IN MEMORIAM NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2005 Released: 2017 As the title suggests, this is a tribute album to the great American saxophonist Illinois JacquetFind albums by this artist, recorded live by top Polish Jazz musicians. The album presents eight tunes recorded over a period of one year at the Gdynia Jazz club UCHO and two bonus tracks recorded earlier at the NOSPR concert hall in Katowice. The album features ten Polish tenor saxophone players, whose ages span four generations: Piotr CheckiFind albums by this artist, Michal Jan CiesielskiFind albums by this artist, Przemek DyakowskiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist, Dariusz HerbaszFind albums by this artist, Janusz MuniakFind albums by this artist, Maciej SikalaFind albums by this artist, Wojciech StaroniewiczFind albums by this artist, Irek WojtczakFind albums by this artist and Jan Ptaszyn WroblewskiFind albums by this artist. They are accompanied by various rhythm sections comprised of organist Wojciech KarolakFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, guitarists: Maciej GrzywaczFind albums by this artist, Marcin WadolowskiFind albums by this artist and Michal ZienkowskiFind albums by this artist, bassist Janusz MackiewiczFind albums by this artist and drummers: Eric AllenFind albums by this artist (an American in Gdynia who played with Jacquet´s quintet and Big Band) and Tomasz SowinskiFind albums by this artist. Two of the tracks are originals by Jacquet and the rest are standards. Although recorded live, the album offers excellent sound quality. The music is everything one might expect form a tribute album like this one: familiar tunes, superb playing and an obvious joy ride. This is Swing and Bebop at its best and the participants seem to have great fun but the performances are all professional and heartfelt. It is great to see four generation of Polish Jazz musicians cooperating on one stage and playing every inch as good as any American musician might do, again simply wiping out any inferiority complexes still present among Polish Jazz musicians and many Jazz fans in Poland. Mainstream classic Jazz fans all over the world should have a great fun with this music, as it is full of the Jazz spirit and offers a high standard of playing well beyond of what is present on similar album recorded over the pond. The entire project, including this superbly produced album with beautiful artwork and fabulous photography is an obvious labor of love and the people standing behind it deserve all the praise we can offer them, including buying the album. Great stuff!

Updated: 24/11/2019Posted: 31/07/2018

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