Record Reviews
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  | NEIL ARDLEY ~ HARMONY OF THE SPHERES
ESOTERIC 2096 (Barcode: 5013929719620) ~ UK ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2008
Composer / arranger / bandleader Neil ArdleyFind albums by this artist was one of the brightest stars on the firmament of the magnificent British Jazz, which flourished in the 1960s and 1970s. His compositions were often performed by his peers and his magnificent recordings as a leader were musical milestones, cherished and admired to this very day. Sadly, his recorded legacy is rather limited and parts of it remain unreleased on CD, which is a true crime. Therefore any reissue of his music is a true feast and celebration.
This album represent´s Ardley´s late period as active musician, shortly before he left the music scene almost for good, dedicating the later part of his life to writing books. It is also a clear symbol of Ardley´s transition as a composer, moving gradually from traditional Jazz forms to quite revolutionary contemporary Classical / Electronic / Ambient music, which although still contained strong Jazz elements (mainly improvised sections), was nevertheless a completely new compositional entity. As most of his ambitious compositions, the music is presented in a form of an extended suite, which makes a coherent whole and being divided into separate sections to emphasize the internal flow of the music.
Ardley recruited a group of eleven musicians to record the album and as usual turned to his life-long friend and collaborator, trumpeter Ian CarrFind albums by this artist to become the main protagonist. The list of the participants reads like a dream come true of the British Jazz scene and includes reed players Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, drummer Trevor TomkinsFind albums by this artist, keyboardist Geoff CastleFind albums by this artist and vocalists Pepi LemerFind albums by this artist and Norma WinstoneFind albums by this artist. Lesser known but no less talented contributors include bassist Bill KristianFind albums by this artist and drummer Richard BurgessFind albums by this artist. Guitarist John MartynFind albums by this artist is the surprising guest, who closes the list of participating musicians, and although primarily associated with Folk, delivers some heartbreaking guitar solos on this album. People familiar with these names will of course recognize the fact that most of these musicians were associated at one time or another with Ian Carr as members of his NucleusFind albums by this artist ensemble.
In retrospect this album remains a major milestone of British music and a firm reminder of Ardley´s genius. Ardley, who died in 2004 (aged 66) will forever be a landmark figure and hopefully the younger generation will discover his magnificent music thank to reissues, like this one. An absolute must!
| | | CD 1 Remastered Recommend To A Friend |
  | NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS
DUSK FIRE 101 (Barcode: 5060051330889) ~ UK ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2005
Composer / arranger / bandleader Neil ArdleyFind albums by this artist left a remarkable mark on modern British Jazz in the 1960s and 1970s. As the musical director of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley was responsible for creation of the innovative Big Band / Orchestra sound, one of the great ingredients of modern British Jazz. Influenced by Gil EvansFind albums by this artist, another pioneering figure of Jazz orchestration, Ardley took the matters further, adopting rock elements into his scores and creating unique Jazz-Rock Orchestral music. His skills as a composer of large-scale suite-like scores were best documented by a series of recordings of his works.
This album was a third in a series of such works and a final part of an orchestral trilogy, which started with "The Greek VariationsFind albums with this title" and continued with "A Symphony Of AmaranthsFind albums with this title". As usual in his case, the music is a multi-part orchestral suite, performed by a Jazz ensemble with plenty of space for extended improvisations by soloist. Having at his disposal the burgeoning British Jazz community of musicians, Ardley selected the excellent Ian CarrFind albums by this artist’s NucleusFind albums by this artist as the core of this ensemble, expanding it with additional musicians he was used to work with. The list of players is most impressive and includes among others: Ian Carr on trumpet, Brian SmithFind albums by this artist, Barbara ThompsonFind albums by this artist and Stan SultzmannFind albums by this artist on saxophone, Tony CoeFind albums by this artist on clarinet, Dave MacRaeFind albums by this artist and Geoff CastleFind albums by this artist on piano, Roger SuttonFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums and vibraphone.
The music moves between atmospheric soundscapes and highly rhythmic Jazz-Rock pieces, with excellent solos in each of the suite’s seven parts. In retrospect the music lost none of its original charm and beauty, and sadly one must admit: “they don’t make music like that any more”. Ardley was to produce one more orchestral masterpiece, called "Harmony Of The SpheresFind albums with this title", by the end of the 1970s, before the changing musical and economic climate eradicated ambitious / artistic music almost completely. He became a very successful writer and best-selling author before he died in 2004.
I hope all of his splendid musical works will be properly reissued, including previously unreleased stuff left in his estate. As for this album, just grab a copy and take the A(rdley) train into musical lands of rare beauty – an experience you’ll never forget.
| | | CD 1 Remastered Recommend To A Friend |
  | NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75
JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion
Recorded: 1975 Released: 2021
This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here.
The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history.
“Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music.
The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version.
Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music.
As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.
| | Updated: 03/07/2021Posted: 03/07/2021 | CD 2 Digipak Recommend To A Friend |
  | NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER
VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz
This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius.
The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording.
Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!
| | | CD 2 Remastered Essential Recommend To A Friend |
  | FRANCY BOLAND ORCHESTRA ~ BLUE FAME / RED HOT / WHITE HEAT
MPS 602517643888 (Barcode: 602517643888) ~ BELGIUM ~ Big Band Jazz
Recorded: 1976 Released: 2008
This is a reissue of the three albums recorded by the Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist and his Orchestra, originally recorded in 1976 and released on the legendary MPSFind albums on this label label. The 2CD album presents eighteen tracks, which include original compositions by Boland and Jazz standards, all arranged by him. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Sal NisticoFind albums by this artist, trumpeter Benny BaileyFind albums by this artist, and many other excellent musicians.
American drummer Kenny ClarkeFind albums by this artist and Boland co-led The Kenny Clarke / Francy Boland Big BandFind albums by this artist between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Personally Mathewson’s bass playing on this album is an absolute wonder and alone worth the price of this album, but of course every note played here is simply exceptional.
For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 09/08/2021Posted: 08/08/2021 | CD 2 Oversampling Remastered Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ THREE LATIN ADVENTURES (LATIN KALEIDESCOPE / FELLINI 712)
MPS 731452909527 (Barcode: 731452909527) ~ BELGIUM ~ Big Band Jazz
Recorded: 1968 Released: 1995
This is a reissue / remaster of two albums: “Latin KaleidoscopeFind albums with this title” and “Fellini 712Find albums with this title” recorded by the Big Band co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist, originally recorded in 1968 and released on the legendary MPSFind albums on this label label. The album presents three multi-part Jazz suites: “Latin Kaleidoscope” co-composed by American composer Gary McFarlandFind albums by this artist and Boland, “Cuban Fever” and “Fellini 712” composed by Boland, all arranged by him, which span together the fourteen tracks of the album. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Jimmy DeucharFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.
Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. The Latin accents, which were very fashionable by the mid-1960s, get a wonderful treatment here, completely eschewing the schmaltzy accents. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.
For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Brilliant stuff!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 16/03/2025Posted: 10/08/2021 | CD 1 Remastered Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ TWO ORIGINALS (ALL BLUES / SAX NO END)
MPS 731452352521 (Barcode: 731452352521) ~ BELGIUM ~ Big Band Jazz
Recorded: 1967 - 1968 Released: 1994
This is a reissue / remaster of two albums: “All BluesFind albums with this title” and “Sax No EndFind albums with this title” recorded by the international / resident in Europe Big Band, co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist. “All Blues” was originally recorded in UK in 1968 and released on the legendary MPSFind albums on this label label in 1969. It was the 2nd album by the Big Band on MPS. “Sax No End” was originally recorded in Germany in 1967 and released on the legendary SABAFind albums on this label (later MPS) label in 1967. It was the 1st album by the Big Band on MPS. This reissue also adds as a bonus one tracks from the “Fellini 712Find albums with this title” album by the Big Band with a corrected mix. The album presents altogether fifteen tracks with both original albums and the bonus, which are mostly original compositions by Boland, including the three-part “All Jazz” suite, all also brilliantly arranged by Boland.
The Big Band includes some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeters Jimmy DeucharFind albums by this artist and Shake KeaneFind albums by this artist, drummer Kenny ClareFind albums by this artist and many American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.
Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.
The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.
Overall, for Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school book example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 16/03/2025Posted: 16/03/2025 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ ALL SMILES
MPS 4029759119562 (Barcode: 4029759119562) ~ BELGIUM ~ Jazz
Recorded: 1968 Released: 2017
This is a reissue of the second album for the MPSFind albums on this label label by international, resident in Europe, Kenny Clarke / Francy Boland Big BandFind albums by this artist. On this album the lineup consists of seventeen musicians, including: British trumpeter Jimmy DeucharFind albums by this artist, Swedish trombonist Ake PerssonFind albums by this artist, British saxophonists Derek HumbleFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, American saxophonist / flautist Sahib ShihabFind albums by this artist, American vibraphonist Dave PikeFind albums by this artist, Belgian pianist Francy BolandFind albums by this artist, American bassist Jimmy WoodeFind albums by this artist and drummer Kenny ClarkeFind albums by this artist and others. The album presents ten tracks, nine of which are standards and one is based on a John Philip SousaFind albums by this artist march, all of them arranged by Boland.
The music is absolutely breathtaking example of the sophistication of the Big Band idiom, achieved when American Big Band tradition meets European aesthetic values and the amalgam erupts with inventiveness, elegance and flair. The brilliant arrangements turn the Big Band into a musical hydra, which has one body but in this case seventeen heads, all working together towards a common goal. The music soars and flows gently, switching moods and emotions and the soloists have plenty of space to make their individual statements.
For over a decade the Big Band served as a home for many American Jazz musicians who lived in Europe, sometimes for extended periods of time. It also cemented the European Jazz community, which was developing rapidly during these formative years. It was a fruitful habitat for many ensembles that were established by the Big Band members in years to come.
For connoisseurs of Big Band music this is an absolute must have, especially in view of the exquisite recording quality this album offers, which enables each and every instruments to be heard perfectly clearly. They don´t make music like this any more…
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 24/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO.
BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion
Recorded: 1968 - 1972 Released: 2019
This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles.
The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks.
However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering.
Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss.
Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance.
Absolutely not to be missed!
| | Updated: 02/09/2020Posted: 01/09/2020 | CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | JOHN DANKWORTH ~ THE ZODIAC VARIATIONS / THE $1,000,000 COLLECTION
VOCALION 8480 (Barcode: 765387848026) ~ UK ~ Jazz
Recorded: 1964 - 1967 Released: 2011
Legendary British saxophonist / composer / arranger / bandleader John DankworthFind albums by this artist was one of the Godfathers of modern British Jazz. Although his career started in mid-1940s he was keen to pursue the sounds of Bee Bop, when those crossed the Atlantic and later pioneered the modern British Big Band sound. This album brings together two of thematic / "concept" Jazz suites written by Dankworth and performed by his Big Band / Orchestra, both being masterpieces of the genre. "The Zodiac VariationsFind albums with this title", recorded both in US and UK, feature some top American Jazz players as soloists: trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist and others. "The $1,000,000 CollectionFind albums with this title" (about famous paintings), recorded three years later, when the British Jazz scene was rapidly developing into a dew dimension, features many of the brilliant young players arriving on the scene, like trumpeters Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Tony RobertsFind albums by this artist and Tony CoeFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist and many others. Musically this is brilliant stuff, from start to finish of course. British Jazz fans will find this stuff delightful, and Big Band enthusiasts will have a field day with this. I don´t think there is anything else I need to add here, just grab it, if this is your cup of tea!
| | Updated: 31/05/2017Posted: | CD 2 Remastered Recommend To A Friend |
  | JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY!
VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz
Recorded: 1963 - 1969 Released: 2012
This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent.
"What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing.
"Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar.
Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!
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  | MICHAEL GARRICK ~ BLACK MARIGOLDS
VOCALION 8411 (Barcode: 765387841126) ~ UK ~ Jazz
Recorded: 1966 Released: 2005
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence.
This album presents Garrick in three different settings, emphasizing his immense versatility as a composer and player. As usual, he wrote all the music included here. The main body of the music is played by a magnificent septet, which comprised of the best Jazz players on the British scene at the time: Garrick – piano, Ian CarrFind albums by this artist – trumpet, Joe HarriottFind albums by this artist – sax, Don RendellFind albums by this artist – sax, Tony CoeFind albums by this artist – sax, Dave GreenFind albums by this artist – bass and Trevor TomkinsFind albums by this artist – drums. Garrick’s exquisite compositions and the exemplary performances by the players are just perfect.
Then come several pieces, which continue Garrick’s involvement with the Jazz & Poetry movement, which feature poet John SmithFind albums by this artist reciting his poetry accompanied by smaller ensembles (mainly trio, where Colin BarnesFind albums by this artist plays the drums). Smith wrote specific pieces of poetry to be performed with specific Jazz players, creating a unique experience in the process.
Last come a few pieces where Garrick turns to two atypical for Jazz instruments - harpsichord and celeste – using them in a trio format, emphasizing again his restless pioneering fever. Overall a beautiful album, full of surprises and wonderful moments and a superb document of the era and Garrick’s musical legacy.
| | Updated: 01/01/2016Posted: | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GARRICK ~ PROMISES
VOCALION 8440 (Barcode: 765387844028) ~ UK ~ Jazz
Recorded: 1965 Released: 2008
Following the release of “October WomanFind albums with this title”, British pianist / composer Michael GarrickFind albums by this artist and his quintet were asked to record a new album soon after. Unfortunately the original quintet member, trumpeter Shake KeaneFind albums by this artist, left UK to join the Kurt EdelhagenFind albums by this artist’s radio Big Band in Germany – one of the best Jazz Orchestras on the continent – where he was to stay for the next four years. Garrick swiftly recruited a replacement, turning to his “half boss” (in the Don RendellFind albums by this artist / Ian CarrFind albums by this artist quintet) trumpeter Ian Carr to step into Keane’s shoes with a few days notice just before the recording. Since his writing was becoming more complex and elaborate, Garrick also expanded his quintet into a sextet with the addition of saxophonist / clarinetist Tony CoeFind albums by this artist. Legendary saxophonist Joe HarriottFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Colin BarnesFind albums by this artist, the original quintet members, completed the lineup. The album includes all original music, composed by Garrick, with the exception of one arrangement of a George GershwinFind albums by this artist tune. Of the 10 tracks present, 7 are played by the sextet and 3 by a piano trio, where bassist Dave GreenFind albums by this artist replaces Goode. The music is absolutely marvelous, with Garrick’s writing reaching maturity and self-confidence. The performances are stellar, with Harriott playing perhaps more beautifully than on any other album. The entire album is complete uninterrupted musical bliss from start to finish and a remarkable example of early European Jazz of the highest quality. Even the most dedicated Garrick followers will have to admit that this is definitely one of his best achievements, a magic moment captured for posterity for us to enjoy and revere. Essential stuff!
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  | MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991
DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion
Recorded: 1991 Released: 2018
This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions.
Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts.
Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him.
This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish.
The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.
| | Updated: 29/05/2018Posted: 22/05/2018 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | FRANZ KOGLMANN ~ L`HEURE BLEUE
HATOLOGY 571 (Barcode: 752156057123) ~ AUSTRIA ~ Jazz
Recorded: 1991 Released: 2003
This is a long overdue reissue of the beautiful album by Austrian trumpeter / composer Franz KoglmannFind albums by this artist, one of the most important representatives of European Free Jazz scene. The album includes two separate sessions, one with a quartet, which includes the wonderful veteran British clarinetist Tony CoeFind albums by this artist (definitely one of top world clarinet players), guitarist Burkhard StanglFind albums by this artist and bassist Klaus KochFind albums by this artist, and the other a duet with pianist Misha MengelbergFind albums by this artist. Most of the music is composed by Koglmann with a few compositions by other arranged by him. The album presents a wonderful atmosphere of melodic approach to modern Jazz, mixed with improvised passages and highly individualistic soloing. All the musicians perform beautifully, especially Coe, who has been my favorite for decades. This album is accessible to most Jazz listeners, well beyond the Free Jazz genre, as its gentle approach and deep aesthetics transcendent musical borders. Superb stuff!
| | | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | JOHN MAYER ~ DHAMMAPADA
VOCALION 8414 (Barcode: 765387841423) ~ UK ~ Jazz-World Fusion
Recorded: 1976 Released: 2006
Violinist / bandleader / composer John MayerFind albums by this artist was born in India, where he started his musical studies. In the early 1950s he arrived in London to study at the Royal Academy of Music and later on was absorbed by the local scene, being one of the true pioneers in merging the Eastern and Western musical traditions, practically inventing the Jazz-World Fusion genre. In the late 1960s / early 1970s Mayer co-led an ensemble with saxophonist Joe HarriottFind albums by this artist, which recorded a series of revolutionary albums called Indo-Jazz FusionsFind albums with this title, which to this day are the absolutely best examples of the genre. Unfortunately with Harriott’s death in 1973 the ensemble disbanded. This album is an absolute sensation, as it presents a suite commissioned and recorded in 1976, but previously never released. A group of musicians, including some of the best Jazz players at the time (Henry LowtherFind albums by this artist – trumpet, Tony CoeFind albums by this artist – sax and clarinet and others) and players of Eastern instruments like tabla, sitar, koto, etc., directed by Mayer recorded this marvelous music, which goes beyond incorporating Jazz and Indian music, but also includes Korean and Japanese motifs. The music is absolutely breathtaking and the thought of it being hidden for almost 30 years is truly outrageous. Fortunately we can all enjoy it now, and as usual better late than never seems to be appropriate. I can’t recommend this album enough, as it is a true masterpiece and should touch the heart of every music lover on this planet. Essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | JOHN MAYER ~ ETUDES / RADHA KRISHNA
FIRST HAND 01 (Barcode: 5060051618222) ~ UK ~ Jazz-World Fusion
Recorded: 1969 - 1971 Released: 2008
This magnificent album finally brings back to life two great recordings by the legendary violinist / composer John MayerFind albums by this artist, a pioneer of Jazz-World Fusion. Mayer’s revolutionary ensemble, called Indo-Jazz FusionsFind albums by this artist, recorded four superb albums in the 1960s, which were first of a kind attempts to combine Jazz with Indian music. EtudesFind albums with this title, recorded in 1969, was the fourth and last album in this series, and although recorded without the participation of saxophonist Joe HarriottFind albums by this artist (another legendary British Jazz figure), who was a co-leader of the ensemble for several years, it is a direct continuation of the work done on the first three albums. The new ensemble includes some of Britain’s best Jazz musicians at the time: Mayer - violin, Chris TaylorFind albums by this artist – flute, Ian HammerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – saxophone & clarinet, Pat SmytheFind albums by this artist – piano, Coleridge GoodeFind albums by this artist – bass and John MarshallFind albums by this artist – drums with three musicians playing traditional Indian instruments – sitar, tanpura & tabla. The music offers a slightly different overall structure, as it resembles a classical suite in five movements (Rondo, Capriccio, Serenade, Toccata & Saraband), utilizing structures used often in Classical music. Mayer was of course classically trained and a master of cross-pollination between genres. The overall effect of the music is absolutely stunning, still fresh and moving as it was at the time of the recording. Radha KrishnaFind albums with this title, recorded a couple of years later with a similar lineup expanded by a string trio and singers, is a further step into showcasing Mayer’s work as a composer of contemporary Classical music, which he will develop in the years to come. Based on an ancient love story from the Hindu mythology, the two parts suite flows gently and beautifully presenting the characters and the events with musical themes. Although more classically oriented, it still uses the Jazz elements, especially in the solos performed by the players. This is a beautiful piece of music, which should be enjoyed by every true music lover. Having two such wonderful recordings together on one album is a true blessing for which we should be grateful to John’s son Jonathan MayerFind albums by this artist, who released this album on his new record label. I can not think of a better tribute he could have paid to his father’s memory. A double masterpiece!
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  | CLARK TERRY ~ CLARK AFTER DARK
MPS 4029759115700 (Barcode: 4029759115700) ~ USA ~ Jazz
Recorded: 1977 Released: 2016
This is a reissue of an album by American trumpeter / composer and flugelhorn pioneer Clark TerryFind albums by this artist, which was his second of two albums for MPSFind albums on this label and which was produced by the British music critic / producer Mike HennesseyFind albums by this artist. The album presents ten Jazz ballads, nine of which are standards and one, which was written especially for this album by the German trombonist / bandleader / arranger / composer Peter HerbolzheimerFind albums by this artist. The album was recorded in London and features a mind-blowing huge orchestra, which includes the absolute crème de la crème of the British Jazz musicians, which does not appear on any other recording, and as such is absolutely unique. Some of the names include trumpeters: Derek WatkinsFind albums by this artist, Tony FisherFind albums by this artist and Kenny WheelerFind albums by this artist, trombonists: Dave HorlerFind albums by this artist and Nat PeckFind albums by this artist, reed players: Stan SulzmannFind albums by this artist, Tony CoeFind albums by this artist and Ronnie RossFind albums by this artist, pianist Gordon BeckFind albums by this artist, guitarist Martin KershawFind albums by this artist, bassist Chris LaurenceFind albums by this artist and many others.
The music is definitely on the lighter side of Jazz, but Terry´s brilliant technique and enormous feel are definitely worth hearing. But the real hidden gem on this album is the brilliant performance by the orchestra and the superb arrangements. It is an exceptional example of the artistry of orchestration and of course the actual execution of the sophisticated arrangements by a group of immensely talented players. For British Jazz connoisseurs this is a rare gem, which is know by very few members of the proud community.
As usual with reissues, it is great to have this gem back in circulation, for new generation of fans to discover and for those who lost the copy of the original vinyl issue to re-discover past pleasures. May the Force be with you!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 23/12/2016 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY)
RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz
Recorded: 1967 - 1968 Released: 2021
This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label.
The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone.
The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course.
Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!
| | Updated: 18/08/2021Posted: 18/08/2021 | CD 2 Digipak Recommend To A Friend |
  | STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN)
RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz
Recorded: 1969 Released: 2020
This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label.
The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies.
The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance.
Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!
| | Updated: 18/08/2021Posted: 14/08/2021 | CD 2 Digipak Recommend To A Friend |
  | KENNY WHEELER ~ WINDMILL TILTER
BGO 0944 (Barcode: 5017261209443) ~ UK ~ Jazz
Recorded: 1968 Released: 2010
Canadian-born trumpeter / composer Kenny WheelerFind albums by this artist arrived in London in 1952 and soon found himself emerged in the lively local Jazz scene. Playing with many different ensembles active at the time, he slowly earned the position of the country´s most respected, reliable and talented Jazz player. By the end of the 1950s Wheeler started an association with saxophonist /composer / bandleader Johnny DankworthFind albums by this artist, playing in his various ensembles, which would last for the next decade. In 1968 Dankworth suggested to Wheeler that he´d used a three months period of recovery from a surgery to compose a suite for a Jazz group and orchestra, a suggestion Wheeler accepted with open hands. The result was the magnificent piece of music presented here, based on the tragic story of Don Quixote. Performed by a quintet, which comprised of Wheeler, saxophonist / clarinetist Tony CoeFind albums by this artist, guitarist John McLaughlinFind albums by this artist, bassist Dave HollandFind albums by this artist and drummer John SpoonerFind albums by this artist and the Johnny Dankworth Orchestra, this milestone of British Jazz remains every bit as much relevant today as it was at the time of its recording. Similar in spirit to the Miles DavisFind albums by this artist / Gil EvansFind albums by this artist classic "Sketches Of SpainFind albums with this title", the suite firmly establishes Wheeler´s position as a major player on the global Jazz scene, which of course was reaffirmed time and again in years to come. This reissue, long time overdue, brings back to life an incredible treasure and listening to it makes life worth living!
| | Updated: 28/02/2024Posted: | CD 1 Slipcase Remastered Recommend To A Friend |
  | NORMA WINSTONE ~ SOMEWHERE CALLED HOME
ECM 1337 (Barcode: 602517799301) ~ UK ~ Jazz
Recorded: 1986 Released: 2008
The British Jazz Diva, singer Norma WinstoneFind albums by this artist, with five decades of amazing career behind her, is still an unstoppable creator of heavenly music and every new release, which features her incredible voice, is a gift from musical heaven. On this exquisite album Norma is accompanied by just two musicians, her husband pianist John TaylorFind albums by this artist and clarinetist / saxophonist Tony CoeFind albums by this artist. This intimate setting is ideal for this delicate, fragile music, which floats like a butterfly from one song to another, showing the different shades and color of its wonderfully colorful wings. The music comes from different sources; there are some standards and others are lesser-known compositions. Norma wrote the lyrics to the pieces, which are originally instrumentals, another formidable showcase of her amazing talents. Overall this album is way beyond just music; it´s a complete aesthetic / intellectual love affair, which, when properly appreciated, is a source of bliss and delight. It seems futile to describe the music using words, just grab this album, pour a glass of wine and sit back and listen…and enjoy. Life it too short to miss this!
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