Record Reviews

KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.02 – MUZYKA BALETOWA I FILMOWA – CZESC PIERWSZA POLSKIE RADIO 1862 (Barcode: 5907812248628) ~ POLAND ~ Jazz Recorded: 1959 - 1963 Released: 2014 This is the second installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. Recorded between 1959 and 1963 this volume collects only original music that Komeda composed for ballet and cinema and performed with his groups during the 1961 edition of the Jazz Jamboree festival in Warsaw (one track), the 1962 edition (four tracks) and 1963 edition (one track). The remaining two tracks are radio studio recordings. The music includes the following compositions: "Ballet Etudes", written by Komeda to be performed by a Jazz ensemble accompanying ballet dancers, which had its premiere during the 1962 Jazz Jamboree with dancers from the Warsaw Opera, theme from the film "Innocent Sorcerers" directed by Andrzej WajdaFind albums by this artist and the monumental music from the debut full length film "Knife In The Water" directed by Roman PolanskiFind albums by this artist. As any Polish Jazz enthusiast knows, this is the cradle of modern Polish Jazz and includes some of its most defining moments, as well as the essence of Komeda, the composer. The list of the musicians participating in these recordings reads like the who´s who of early modern Polish Jazz: vocalist Wanda WarskaFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassists Roman DylagFind albums by this artist, Adam SkorupkaFind albums by this artist, Jan ByrczekFind albums by this artist and Maciej SuzinFind albums by this artist, drummers Leszek DudziakFind albums by this artist, Czeslaw BartkowskiFind albums by this artist and Tadeusz FederowskiFind albums by this artist and percussionist Jozef GawrychFind albums by this artist. Three Swedish musicians also participate: saxophonist Bernt RosengrenFind albums by this artist, trombonist Eje ThelinFind albums by this artist and drummer Rune CarlssonFind albums by this artist. Overall this is a collection of brilliant music, superbly performed, which is an absolute revelation to anybody who loves Jazz. It is a fundamental piece of every decent Jazz record collection. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by young Polish Jazz critics are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

CD 1 Digipak Slipcase Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.05 – MUZYKA BALETOWA I FILMOWA - CZESC DRUGA POLSKIE RADIO 1865 (Barcode: 5907812248659) ~ POLAND ~ Jazz Recorded: 1961 - 1964 Released: 2015 This is the fifth installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. Eight of the ten tracks on this album were recorded between 1961 and 1964 during the forth to seventh edition of the seminal Jazz Jamboree Festival in Warsaw, this collection showcases legendary Komeda ensembles (quintet / trio), which in many respects were the quintessential vehicles, which presented Komeda´s music at its pinnacle. Two additional tracks were recorded in the Polish Radio Studio, both featuring vocals, the second of which is especially interesting as it presents an early recording by vocalist Urszula DudziakFind albums by this artist. The musicians, besides Komeda of course, include top Polish Jazz musicians at the time: trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, bassists Maciej SuzinFind albums by this artist and Roman DylagFind albums by this artist, drummer Czeslaw BartkowskiFind albums by this artist, vocalist Wanda WarskaFind albums by this artist and others, as well as Swedish musicians: saxophonist Bernt RosengrenFind albums by this artist and drummer Rune CarlssonFind albums by this artist. The music is of course selected to reflect Komeda´s involvement with composing music for cinema, theatre and ballet. A few bonus tracks are also added, which are not connected with the above, but present rarely heard Komeda´s recording. Overall this is a collection of excellent Jazz music, superbly performed, which is an absolute delight to anybody who loves Jazz. It is a fundamental piece of every decent Polish Jazz record collection, especially in the case of the younger generation of listeners, which is just getting acquainted with the enormous legacy of Polish Jazz. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by Polish Jazz critic Filip KosinskiFind albums by this artist are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

CD 1 Digipak Slipcase Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965 GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz Recorded: 1965 Released: 2023 The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels. The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965. The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time. For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years. The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”. Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe. Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 21/02/2024Posted: 21/02/2024

CD 1 Remastered Recommend To A Friend

ANDRZEJ KURYLEWICZ / WANDA WARSKA / NIEMEN ~ MUZYKA TEATRALNA I TELEWIZYJNA MUZA 842 (Barcode: 5907783498428) ~ POLAND ~ Jazz Recorded: 1971 Released: 2006 Since the day this album was released I´ve always cherished it as one of the greatest albums ever recorded. Undoubtedly my Polish background, my love of the Polish Culture and my ability to understand the lyrics / poetry has something to do with the fact that this album is so meaningful to me, but honestly I believe that any music connoisseur in the world should be moved by this extraordinary music and performances. The music, composed by pianist / composer Andrzej KurylewiczFind albums by this artist, one of Poland´s musical icons and a precursor of Polish Jazz, was originally written for theatre and television and is presented here in a special arrangement for a string orchestra and Jazz combo, featuring two of Poland´s most extraordinary vocal talents: Wanda WarskaFind albums by this artist and NiemenFind albums by this artist. The Jazz combo consists of the composer on piano, trumpeter Andrzej PrzybielskiFind albums by this artist, bassist Jacek BednarekFind albums by this artist and drummer Wladyslaw JagielloFind albums by this artist. The lyrics are all based on Polish poetry, mainly works of the great Polish poet Cyprian Kamil NorwidFind albums by this artist. Warska, the leading interpreter of Polish poetry and faithful performer of the music composed by Kurylewicz, is a superbly sensitive singer blessed by an angelic voice and extraordinary theatrical sensitivity. Niemen is of course Poland´s all time greatest musical genius known worldwide for his achievements, but his appearance on this album is one of the highlights of his career. Niemen´s "obsession" with Norwid´s poetry comes here to an ideal fruition and his vocal parts are simply breathtaking. Although not strictly a Jazz album, the album´s music has a distinct Jazzy character and falls easily into the extended definition of the genre. Overall this is a masterpiece of rare beauty, perfect in every sense, everlasting and always inspiring. An absolute must in every respect!

CD 1 Digipak Remastered Essential Recommend To A Friend

VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.06 POLSKIE RADIO 1625 (Barcode: 5907812246259) ~ POLAND ~ Jazz Recorded: 1962 Released: 2013 This is the sixth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents a second batch of recordings made during the 5th Jazz Jamboree Festival, which took place between October 27 and 29, 1962 in Warsaw. The artists include mostly Polish Jazz ensembles: Andrzej KurylewiczFind albums by this artist quintet (with Kurylewicz playing trumpet rather than piano), legendary singer Wanda WarskaFind albums by this artist with pianist Wojciech KarolakFind albums by this artist trio, Jan TomaszewskiFind albums by this artist Big Band, Jerzy MatuszkiewiczFind albums by this artist Swingtet and New Orleans StompersFind albums by this artist. In addition the album also includes two tracks by the Hungarian pianist Atilla GarayFind albums by this artist and his trio and one track by Soviet pianist Vadim SakunFind albums by this artist and his sextet, which includes legendary Soviet Jazz players like guitarist Nikolaj GrominFind albums by this artist and saxophonist Aleksiej KozlovFind albums by this artist. In many respects this is a review of Eastern European Jazz at the time. The music includes original compositions (Kurylewicz, Garay and Gromin) and Jazz standards, from Dixieland to Bebop, which were the model for most modern European Jazz musicians at the time, leading to the development of a new style, which would crystallize over the next few years. The performances are all excellent and their invaluable historical significance is beyond reproach. Beautifully restored sound quality and a warm ambience of the live analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its meaning to the development of Polish Jazz in particular and Polish Culture in general. Nevertheless this is an essential piece of history which every Polish / Eastern European Jazz fan will surely consider an absolute must.

CD 1 Digipak Remastered Recommend To A Friend

WANDA WARSKA ~ DOMOWE PIOSENKI POLSKIE RADIO 1984-1985 (Barcode: 5907812249847) ~ POLAND ~ Jazz & Poetry Recorded: 1964 - 2015 Released: 2016 This is a phenomenal collection of radio recordings by the iconic Polish Jazz vocalist Wanda WarskaFind albums by this artist, the wife of the Godfather of Polish Jazz, pianist / trumpeter / trombonist / composer / arranger / conductor / bandleader Andrzej KurylewiczFind albums by this artist. In retrospect, considering the criminally limited recorded legacy by Warska, in spite of her status and immense talent, she was perhaps overshadowed by the colossal figure of her husband and perhaps decided to support his career rather than develop her own. Whatever the reasons might have been, there is almost nothing available on the Polish music market that reflects her incredible artistry and this collection is a most welcome, albeit much belated, tribute to this Wonder Women! This 2CD album presents thirty seven stunning songs, all of which have two things in common: Warska sings them all and she wrote the lyrics to all of them, unveiling a part of her creative nature less know to the public. As if this wasn´t impressive enough, she also composed twenty four of these songs. Those she did not composed are mostly by Brazilian composers: Antonio Carlos JobimFind albums by this artist, Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist and Joao GilbertoFind albums by this artist, the Godfathers of Bossa Nova and modern Brazilian music (total nine songs). Warska started her career as a lyricist in 1964, when she translated into Polish the a/m Bossa Nova songs, which swept the Polish scene as they did all over the world at the time. The remaining four songs come from other sources and interestingly none of the songs on this album were composed by Kurylewicz. These songs were recorded during a number of recording sessions as follows: one song was recorded in 1963, five songs were recorded in 1964, seven songs were recorded in 1966, one song was recorded in 1971 and seven songs were recorded in 1972; on all of the above twenty one songs Warska is accompanied by various ensembles led by Kurylewicz, lineups of which are unknown. Thirteen songs were recorded in 2002 and one in 2004 with a quartet which included Kurylewicz on piano, guitarist Marek NapiorkowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. Two more songs were recorded in 2015 (after the passing of Kurylewicz in 2007) with a trio featuring pianist Andrzej JagodzinskiFind albums by this artist, Napiorkowski and Panta. The songs composed by Warska are all pearls of the Polish Jazz & Poetry idiom, full of that heartbreaking lyricism, Slavic melancholy and beautiful melodies, that only Poles are capable of weaving. Warska´s interpretations of these songs are absolutely divine, although she was always the absolute Queen of Cool, playing around with her beautiful voice and using cleverly the idiosyncrasies of the Polish language and diction, but eschewing theatrics and drama. This perfect minimalism is her trademark, and sets her apart from all other Polish Jazz vocalists, regardless of their age. In truth this album is a wonderful opportunity to compare Warska to her alter ego, the legendary Polish Jazz vocalist Ewa DemarczykFind albums by this artist, who also enjoys an iconic status based mostly on a very limited number of recordings done decades ago. Demarczyk and Warska are the two most important figures of the Polish Jazz vocal artistry, and they both remain unchallenged so far. Demarczyk, the absolute Drama Queen, is the devilish face of Polish Jazz vocals whereas Warska is the absolute angelic face of it. They compliment each other perfectly, like Yin & Yang and a prospect of seeing them both on one stage and / or the possibility of them making an album together gives me the Goosebumps. As usual in such cases, the lyrical content of this album is sadly limited to those listeners who understand the Polish language, however I´m pretty sure that the beauty and the power of these songs is much stronger than language barriers and all sensitive listeners anywhere on this planet should be able to enjoy this album immensely. As far as Polish Cultural Heritage is concerned, this is an absolute National Treasure, which deserves to be cherished and studied by young musicians in Poland, first and foremost by vocalists of course. For us, the humble admirers, this is an essential addition to our record collections, no questions asked. We thank you from the bottom of our hearts!

Updated: 05/05/2016Posted: 05/05/2016

CD 2 Digipak Remastered Essential Recommend To A Friend