Adam Baruch - The Soundtrack Of My Life

VARIOUS ARTISTS ~ TRIBUTE TO ZBIGNIEW JAKUBEK
AFRO VIBE 006 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2013 - 2023 Released: 2023

This is a 2CD album paying tribute to Polish Jazz keyboardist / composer / arranger Zbigniew JakubekFind albums by this artist, a prominent figure on the Polish Jazz scene for many decades and member of such ensembles like Walk AwayFind albums by this artist, Young PowerFind albums by this artist and others. Jakubek recorded many albums with the groups he was a member of, as well as a sideman in numerous projects with other top Polish Jazz musicians, but sadly never managed to record a solo album as a leader. Following his death in May 2023, guitarist / composer Marek RaduliFind albums by this artist, who was a close friend of Jakubek, undertook this splendid project to record an album with original music by Jakubek, with the help of many of the musicians Jakubek played with, such as bassists Michal GrottFind albums by this artist, Tomasz GrabowyFind albums by this artist, Robert KubiszynFind albums by this artist and Krzysztof ScieranskiFind albums by this artist, drummers Michal DabrowkaFind albums by this artist, Wojciech FedkowiczFind albums by this artist and Cezary KonradFind albums by this artist, vibraphonist Bernard MaseliFind albums by this artist, saxophonist Adam WendtFind albums by this artist, guitarist Damian KuraszFind albums by this artist and others.

The album presents ten tracks (five on each CD), nine of which are original compositions of Jakubek and one is composed by Raduli, with lyrics by Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist). Seven of the tracks are based on tracks left by Jakubek, recorded as sketches / preparations for his solo album and other sources, two are taken from Walk Away albums and the last one, was written (see above) especially for this album.

The music is all brilliantly melodic, with typical Polish melancholy and lyricism, excellently performed by all the participants and offers an excellent sound quality. Raduli’s guitar playing is absolutely sensational and his emotional involvement with this project is evident and his dedication to carry it out is exceptional.

Overall, this is a brilliant tribute album to a great musician / composer, warmly remembered by his peers and friends, and the music offers some of the finest guitar oriented Jazz / Fusion music recorded in Poland. For the lovers of the genre, this album is an absolute must, but all Jazz lovers around the world should be able to appreciate the superb compositions by Jakubek and enjoy the music wholeheartedly. Hats off to those who contributed to make this project a reality!

Updated: 09/04/2024Posted: 09/04/2024

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KUBA BANASZEK ~ 2020
AFRO VIBE 007 ~ POLAND ~ Jazz
Recorded: 2021 - 2022 Released: 2024

This is the 2nd album by Polish Jazz pianist / composer Kuba BanaszekFind albums by this artist, this time recorded with bassist Alan WykpiszFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. The album presents thirteen tracks, eleven of which are a classic Jazz piano trio pieces and two are solo piano pieces, one of which features vocalist Zuza BaumFind albums by this artist.

The music is a superb example of modern Jazz, mostly delicate and introvert, elegantly played by Banaszek both on acoustic piano and the electric Fender Rhodes, which adds another layer of sound. The excellent rhythm section supports the leader amicably and unobtrusively, which is always a great strength in a piano trio. A pleasure to hear Wykpisz and his sophisticated bass lines, as he somewhat “went underground” lately and I missed his round bass notes, which appeared on many albums s few years ago.

The album is very much a trio effort, despite the fact that the leader wrote all the music, as he solos sparingly, shifting the responsibility from his shoulders to the ensemble effort, which I appreciate very much. Especially when the music becomes very melancholic and almost lethargic, and the rhythm section is what keeps it afloat. The beautifully minimalist melodic themes weaved by Banaszek are truly magical.

Although composed and recorded quite soon following the debut, this album proposes a huge step forward in the leader’s approach, showing a process of reflection and maturity. As such, the music becomes more difficult and less immediately likeable than the debut album, but offers a way more power of expression and determination, observing the “less is more” principle.

Overall, this is a beautiful and highly rewarding piece of music, albeit definitely non-trivial and demanding, certainly at the initial contact. In retrospect, it definitely deserves to be counted as one of the best Polish Jazz efforts released in 2024.

Updated: 14/01/2025Posted: 14/01/2025

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ROCKFOUR ~ MEMORIES OF THE NEVER HAPPENED
ANOVA 002 (Barcode: 7290011799021) ~ ISRAEL ~ Progressive Rock
Recorded: 2005 - 2006 Released: 2007

Israeli group RockfourFind albums by this artist has been the dominating force on the local scene since the early-1990s. Although basically an Alternative Rock outfit, they have changed styles and genres with every one of their albums released over the years, moving between Psychedelica, Prog, Classic Rock, Retro and even Avant-Garde. The sound of the group is completely unique and all their albums sound as if a British band recorded them in the late 1960s (nobody hearing their stuff would ever guess these are Israeli musicians recording in the 1990s or 2000s). Although the band performs and records predominantly their own music, they have often included in their shows (and sometimes recorded) their interpretations of classic 1960s material by their favorite groups like LoveFind albums by this artist, ZombiesFind albums by this artist and especially Pink FloydFind albums by this artist (see Side Note). This album presents the three core members of the band: Baruch Ben IzhakFind albums by this artist (lead vocals and guitars), Marc LazareFind albums by this artist (bass) and Issar TennenbaumFind albums by this artist (drums) with Yaki GaniFind albums by this artist (keyboards) and some guest musicians performing a set of new songs sung in English (they have been using English lyrics for several years now), recorded partly in the US and partly in Tel Aviv. The result is an outstanding album sounding like a lost treasure from the 1970s, full of beautiful songs and excellent instrumental work. It is quite certain that this album will achieve the same international acclaim as the last few Rockfour albums, which have been praised by top music critics like Ritchie Utenberger and others. Absolutely deserving wider recognition, I hope this album will open new gates all over the world for this great group.
Side Note: Rockfour have always had a soft spot for early Pink Floyd and they recently won the Arnold Lane Contest organized by David GilmoreFind albums by this artist, in which bands from all over the world submitted their versions of the Syd BarrettFind albums by this artist’s song (see Gilmore’s web site for details).

Updated: 12/04/2019Posted:

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NOA BABAYOF ~ FROM A WINDOW TO A WALL
ANOVA 004 (Barcode: 7290011799045) ~ ISRAEL ~ Folk-Rock
Recorded: 2007 Released: 2007

1st album by Israeli singer / songwriter Noa BabayofFind albums by this artist and a striking debut. Noa wrote all the music and the lyrics (in English) and performs them utilizing her exceptional voice accompanied by some of the most interesting and intricate string arrangements one can imagine. The entire album is completely acoustic, with guitar, violin, cello, flute, recorder, harp, etc. used to create the highly atmospheric and often mystical ambience. Noa’s voice is clear and precise even in the most difficult passages and her expressionism remarkable. The album was produced by US producer Greg WeeksFind albums by this artist (who also wrote all the string arrangements) and recorded in Philadelphia, and the sonic quality is superb. The overall effect is a timeless beauty somewhere between Sandy DennyFind albums by this artist and Joni MitchellFind albums by this artist, which should appeal to all music lovers who are ready to make an effort when listening to their music. The album is exquisitely packaged and beautifully designed, which complements the music content perfectly. This release is another proof that the local Israeli music scene is capable of producing works of high quality, which easily match anything coming from abroad. Highly recommended!

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YAIR YONA ~ REMEMBER
ANOVA 014 (Barcode: 7290011799144) ~ ISRAEL ~ World Music & Folklore
Recorded: 2008 Released: 2009

This instrumental album by Israeli guitarist / composer Yair YonaFind albums by this artist is extremely difficult to categorize, as it is truly cross-genre. Yair´s composition move freely between Folk, Country and contemporary Classical music, but they are all beautifully melancholic and full of interesting melody lines. A host of guest musicians help along, mostly playing string instruments, which are used both in the background and as in full-fledged string arrangements. Yair plays a plethora of acoustic guitars; 6 and 12 strings, slide, bass and others. The overall effect is quite effective and certainly worth listening to. Recommended to connoisseurs of more eclectic and demanding music, which requites attentive listening.

ALBERT BEGER ~ PEACEMAKER
ANOVA 028 (Barcode: 7290011799281) ~ ISRAEL ~ Jazz
Recorded: 2010 Released: 2010

Although Israeli Jazz produced a vast amount of great musicians in its short life-span, many of which are now world-famous and enjoy success, especially on the NY scene, the two brightest and most visionary Israeli Jazz figures remain relatively anonymous outside of their homeland: clarinetist Harold RubinFind albums by this artist and saxophonist Albert BegerFind albums by this artist. Although separated by a generation gap, both Rubin and Beger made the decision of take the less-treaded path of Free Jazz and Improvised Music, shunning any commercial or non-artistic influences and remaining always true to their inner call. This is the 9th album by Albert Beger in 15 years of his recording legacy, adding another invaluable layer to his artistic heritage. Always re-inventing himself and arising life a phoenix from the ashes of whatever occupied his musical mindset previously, Beger presents here a new approach, using a new ensemble, which includes guitarist Ido BukelmanFind albums by this artist, bassist Assaf HakimiFind albums by this artist, drummer Dan BenediktFind albums by this artist and Avi ElbazFind albums by this artist on electronics. This rejuvenated ensemble creates a completely new sound and enables Beger to explore new vistas, previously uncharted, like Rock rhythms and electronic ambience. As usual, he composed and arranged all the music, which is remarkably fresh and uplifting and also surprisingly melodic at times, which results in the music being probably more accessible to a larger audience than previously. But of course this new direction does not, by any means, signify any artistic compromises or "selling out". This is still absolutely brilliant music, intelligent and complex as always, and full of inner beauty and depth. It´s definitely time for Beger to be "discovered", as whatever he has to offer musically is no less valuable that anything else being created anywhere, and probably more so. This is essential stuff for mind and body – just let it in!

ADELA KONOP / GRZEGORZ PLESZYNSKI ~ FINLANDIA
ANTIDEPRESSIVE ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 - 2020 Released: 2021

This is the debut album by the Polish Avant-Garde Jazz duo comprising of vocalist Adela KonopFind albums by this artist and multi-instrumentalist / composer / lyricist Grzegorz PleszynskiFind albums by this artist, a representative of the Bydgoszcz scene, which has been the most creative Avant-Garde environment on the Polish scene. Saxophonist Tomasz LicakFind albums by this artist and drummer Maciej WrobelFind albums by this artist guest on the final track. The album presents eight original compositions / improvisations, not credited on the album’s artwork and assumed to be co-created.

The music is a completely unique amalgam of human voice and layers of electronic sound vistas with some additional sounds like plastic trumpet and keyboards. Shocking with its forwardness at first, the music soon becomes flowing and penetrating the listener’s consciousness, trans-like and overwhelming, but constantly changing and offering an intrinsic tension, which keeps the listener mesmerized. Pleszynski proves again to be a class by himself as far as crossing musical borders and completely shunning stereotypes.

The focus of the music is obviously concentrating on the vocal parts, and Konop stands up bravely to the challenge, as nothing could have prepared for what she is required to do here. She wonderfully utilizes the entire known and expands into the unknown scope of vocal vocabulary, which includes everything from straightforward melody to completely wild vocalese, multi-tracking vocal effects, and other wonders that don’t have a name for it yet. She is absolutely sensational from the first note she utters to the last second while the music is playing.

Pleszynski wisely steps back supporting the vocals with his instrumental work reduced mostly to creative background, showing a beautifully minimalist approach. His sensitivity and imagination are also brilliant and complete the vocal parts most amicably. The music created by the duo is a perfect example of the result being way more than just the sum of the ingredients.

I don’t precisely know why, but the music sounds deeply sacral to me, without any specific religious references. The sound resonance and echo used during the recording create an atmosphere of a great cave / huge cathedral space, and the trumpet often sounds like church organs. This is completely subjective of course, but it made a powerful impact on me while listening to the music.

Overall this is a phenomenal album, surely one of the most innovative and impressive vocal recording I happened to come across in many years. An absolute must hear to all followers of Jazz / Avant-Garde vocals and all lovers of beautiful weird music the world over. An eye (well, ear) opener like few others.

Updated: 02/05/2021Posted: 02/05/2021

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PIOTR WYLEZOL / SZYMON MIKA ~ LOUD SILENCE
ART EVOLUTION (Barcode: 5903819630039) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022

This is an album by a duo of two prominent Polish Jazz musicians, pianist / composer Piotr WylezolFind albums by this artist and guitarist / composer Szymon MikaFind albums by this artist, which the two worked on during the depressing time of the Covid pandemic. The album presents seven tracks, two original compositions by Wylezol, three original compositions by Mika and two standards. The album offers excellent sound quality, which is essential in order to enjoy this delicate music.

The album is a wonderful example of the “Art of the Duo” idiom, full of beautiful original music, sensitive arrangements of the standards and truly great performances. The minimalist setting allows for every little nuance of the music to audible and emphasizes the excellent balance achieved here, with each and every note exactly in the right place.

Both Wylezol and Mika are among the finest Polish Jazz musicians today, which is immediately apparent, from the first note to the very last. This album is all about mutual understanding, respect and cooperation. The constant exchanges between a soloist and an accompanist flow naturally one after another. The incredible feel of melody and harmony displayed here is so uplifting, that when the music is over, one longs for more – “loud silence” indeed!

Overall, this is a superb display of both individual talents and teamwork by two first class Jazz musicians, which is a pleasure to listen to from start to finish. With egos aside and mutual attention at the helm, these guys just play their hearts out, and who could ask for anything more (except perhaps for more duo albums in the future). Completely unpretentious, heartfelt music at its best, like balm to our wounded souls – thank you my friends for this gift of music!

Updated: 19/01/2023Posted: 19/01/2023

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RAFAL SARNECKI ~ A VIEW FROM THE TREETOP
ART EVOLUTION 01/2022 (Barcode: 5903819630022) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022

This is the fifth album by Polish Jazz guitarist / composer Rafal SarneckiFind albums by this artist, recorded in a quintet setting with saxophonist Lukasz PoprawskiFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents nine original compositions, all by the leader. The music was recorded at Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual excellent sonic quality.

I have been following Sarnecki’s musical path since his debut album from 2008, and he emerges as one of the most surprising and constantly developing artists on the Polish Jaz scene. His long stay in US obviously influenced his creative process, but luckily did not manage to destroy his European ancestry, and this album, his first since his return to Poland, is the best evidence of that.

The music is extremely eclectic, with each of the compositions on the album being completely different, which potentially might have been enormously hazardous and chaotic, but surprisingly Sarnecki managed to develop a sonic coherence, which makes listening to this music not only an intellectual challenge but also a highly rewarding experience. This collection of highly unique and even weird tunes, is in my opinion absolutely delightful and stunning.

Part of the success is undoubtedly due to the superb team of Polish Jazz musicians selected for this project, who are able to overcome the devilishly complex chord and rhythm changes without a hitch. Poprawski, who is relatively less recognized on the local scene, does a sublime job taking care of most of the soloing. Wylezol, one of my favorite Polish Jazz pianists, who also gets way less respect and recognition that he deserves, is also perfect for the job, as is the fabulous rhythm section. Most importantly, the leader plays rather sparingly, mostly participating in the ensemble sound rather than feature his guitar parts, which is way more typical of European Jazz that the American approach, which puts the soloing in the center of attention.

Overall, this is a brilliant, highly unique album, which offers some of the most fascinating music I happened to listen to lately, and is probably the most interesting Polish Jazz album of 2022, so far. It leaves the listener with a longing to hear more, which happens so rarely these days. Congratulations, my Friend, this is definitely your best work so far and I wish you to uphold this path in the future!

Updated: 26/10/2022Posted: 26/10/2022

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WEATHER REPORT ~ LIVE IN BERLIN 1975
ART OF GROOVE 80020 (Barcode: 885513800206) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1975 Released: 2010

This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured during the Berliner Jazztage Festival, at the transition period between their original incarnation and their entry into the more Funk and Groove oriented period, but just before bassist Jaco PastoriusFind albums by this artist joined the band, which would lock their classic mid-period which lasted between 1976 and 1982. The lineup captured here consists of keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Alphonso JohnsonFind albums by this artist, drummer Chester ThompsonFind albums by this artist and percussionist Alex AcunaFind albums by this artist. That particular lineup in fact never appeared on any album recorded by the band. Therefore this show captured by the German ZDF, presented here on CD and DVD, is of particular interest to Weather Report fans.

The music is right in between the two periods of the band: it features the groovy bass lines that characterize the second period but it also ventures into extensive and pretty Free improvised passages, which are less structured than the music of Weather Report that was about to follow and characterize the first period. As a result this live show is pretty unique and adventurous, as opposed to later live recordings by the band. Both Zawinul and Shorter play some pretty wild solo parts, including Zawinul´s acoustic piano solo, which is almost never present on other live recordings.

In short this is not to be missed by the Weather Report fans, since in addition to the very interesting content the music is relatively well recorded and the balance between the instruments, which most live Weather Report recordings suffer from, if well captured this time. The only disadvantage is the fact that the music last only for just over forty minutes. Definitely some of the best live Weather Report moments are waiting herein to be heard.

Updated: 17/06/2016Posted: 17/06/2016

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WEATHER REPORT ~ LIVE IN COLOGNE 1983
ART OF GROOVE 80052 (Barcode: 885513800527) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1983 Released: 2011

This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured by the German WDR at the beginning of final period of their activity and presents the last steady lineup of the group: keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Victor BaileyFind albums by this artist, drummer Omar HakimFind albums by this artist and percussionist Jose RossyFind albums by this artist. The music is spread across two CDs and is excellently recorded, being probably one of the best live Weather Report recordings as far sound quality is concerned.

This revitalized lineup, formed following the departure of Jaco PastoriusFind albums by this artist, created an influx of new creative energies into the group that was slowly going out of steam. This music was recorded before the album "ProcessionFind albums with this title" was recorded in the studio by this lineup, and includes several early version of the album´s tunes, but also rearranged versions of Weather Report favorites. The band is in excellent shape and seems to be very excited and relaxed, which if felt in the music. In addition the album also features a wonderful Zawinul / Shorter duet as well as a short Rossy / Hakim duet, which of course can only be heard on live recordings such as this one.

There is very little live Weather Report material available from this period and therefore this album is a true gem for the many fans of the group, filling many gaps. It is worth to remember that Weather Report never played bad music, contrary to what some people would like you to believe, which this album proves splendidly. Personally I remember hearing them at that time and those memories, compared to memories from gig in earlier periods always stood up to the challenge.

Overall this is a great tribute to the memory of one of the most important Fusion bands of all times, which deserves an honorable place in any decent record collection, especially of course in collections owned by the band´s numerous fans. In short this is a must have if you love or ever loved this band!

Updated: 18/06/2016Posted: 18/06/2016

CD 2 Digipak Recommend To A Friend

WEATHER REPORT ~ LIVE IN OFFENBACH 1978
ART OF GROOVE 80090 (Barcode: 885513800909) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1978 Released: 2011

This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured when it enjoyed the peak of its popularity. The band in its kernel lineup with keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Jaco PastoriusFind albums by this artist and drummer Peter ErskineFind albums by this artist performs over two hours of their classic material. The show, captured by the German WDR, is presented here on two CDs and a DVD, which includes the same material as the CDs.

As I have already written extensively in my review of the Weather Report´s album "The Legendary Tapes: 1978-1981Find albums with this title", additional releases of the band´s live material are often quite problematic for a variety of reasons: the sound quality, performance quality and other considerations. The numerous fans of the band are therefore faced with the dilemma of craving for more previously unreleased material on one hand and getting recordings which are of problematic quality and basically offer nothing new beyond what was already revealed many times in the past on the other hand.

To put things in perspective, this is still Weather Report – one of the greatest Fusion bands ever, so the music is splendid all the way through, as expected. The only shortcoming of this release is the comparison with very similar live recordings, which present almost identical musical content in somewhat better quality, both sonically and artistically.

For die-hard Weather Report fans this is of course an absolute must have, but others who already own many live albums by the band, might think twice about it. Personally I enjoyed both the audio and the video presentations, but I am definitely far from being objective about something, that dominated the soundtrack of my life for many years.

Updated: 17/06/2016Posted: 17/06/2016

2CD+DVD 3 Digipak Recommend To A Friend

VOLKER KRIEGEL ~ JAZZFEST BERLIN `81
ART OF GROOVE 80187 (Barcode: 885513801876) ~ GERMANY ~ Jazz-Funk Fusion
Recorded: 1981 Released: 2012

This is a wonderful album by the German guitarist / composer / bandleader Volker KriegelFind albums by this artist, recorded live at the annual Jazzfest Berlin festival (active continuously since 1964 and still doing very well today) with a dreamy quintet, which also included vibraphonist Wolfgang SchluterFind albums by this artist, keyboardist Thomas BettermannFind albums by this artist, bassist Eberhard WeberFind albums by this artist and drummer Ralf HubnerFind albums by this artist. The album consists of seven tracks, five of which are original compositions by Kriegel, one is an original composition by Bettermann and one is en extensive solo by Weber, credited to him of course. Four of the Kriegel´s compositions originate from his album "JournalFind albums with this title", released just prior to this concert appearance and one originates from his "House BoatFind albums with this title" album from 1978. Sadly this is one of the last albums recorded by Kriegel, who died in 2003 (it was released posthumously in 2012). This album also includes a DVD filmed at the concert, which does not include any additional audio material not included on the CD.

The quintet displays a very "typical" Kriegel attitude towards Jazz-Rock Fusion, personalizing the European approach, which is based on sophisticated compositions, delicate phrasing, space and freedom which allows for extensive improvisations and multi-layered interplay between the musicians involved. As a result these live versions of the tunes, which originate in studio recordings, are considerably more expressive and are by far longer in duration.

There is no doubt that Kriegel was one of the "coolest" guitar players ever; his highly personal style sets him apart from most other guitarists, not only in Europe but worldwide. He played long, relaxed notes, letting them float on the air and settle down delicately straight onto the listener´s soul. There is none of the typical Jazz-Rock Fusion neck-breaking guitar playing a hundred notes per minute; Kriegel was a complete antidote of that approach.

This album beautifully portrays the very special relationship Kriegel had with his musical partners. His duets with Schluter are absolutely stunning in their fragility and tenderness, but in fact all the contributions by the quintet members are nothing short of stellar. Weber´s bass is, as always, amazing with its melodious approach and harmonic choices and his solo piece captured here should be taught in music schools as an example of bass playing ingenuity. Bettermann plays a few incredible keyboard solos and Hubner switches skillfully between Free Form ornamentation and precision swing, both performed with equal virtuosity.

This is a wonderful document of the European Jazz-Rock Fusion at its best and a superb tribute to Kriegel´s talents and his contribution to music. It is an absolute must for guitar lovers, but all Fusion and Jazz connoisseurs should have a field day with this extraordinary piece of musical history.

Updated: 04/04/2016Posted: 04/04/2016

CD+DVD 2 Digipak Remastered Recommend To A Friend

VOLKER KRIEGEL ~ WITH A LITTLE HELP FROM MY FRIENDS
ART OF GROOVE 80192 (Barcode: 885513801920) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1968 Released: 2013

This is a reissue of the debut album by the German Jazz / Fusion guitar virtuoso / composer Volker KriegelFind albums by this artist. The original album featured Kriegel in a trio setting with bassist Peter TrunkFind albums by this artist and Dutch drummer Cees SeeFind albums by this artist on side A of the LP, and in a quartet setting with Brazilian born resident in Germany vibraphonist Claudio SzenkarFind albums by this artist, bassist Gunter LenzFind albums by this artist and drummer Peter BaumeisterFind albums by this artist on side B of the LP. The original album was expanded for this reissue with the addition of seven live tracks recorded at the same period as the studio recording, featuring additional musicians active on the German scene at the time, like American (living in Europe) clarinetist Tony ScottFind albums by this artist, saxophonist Gustl MayerFind albums by this artist, drummer Ralf HubnerFind albums by this artist and a few others. The original album includes four original compositions by Kriegel, a couple of Beatles songs arrangements and one traditional piece.

Kriegel emerges as an extraordinary guitar player, who despite his young age presents a refined stylistic approach well beyond the ordinary. Although still very much rooted in the Jazz tradition, Kriegel moves away from the mainstream rigidity and pushes into a new territory, pioneering the emerging Jazz-Rock Fusion idiom, which for him is not yet completely crystallized at the time, but already shows highly advanced forward thinking about harmony and rhythmic patterns. As future was about to reveal, these early ideas were about to develop rapidly and Kriegel was about to create some of the most noteworthy European Jazz / Fusion moments in the years to follow.

Already at this early stage Kriegel shows his affinity towards the vibraphone, which would become a faithful partner to his guitar throughout his career. The clearly defined sound of the vibraphone is undoubtedly a perfect partner to the precise sounds Kriegel produces on his guitar, using no sound effects or vibrato, with every note being absolutely crystal clear and perfectly articulated. The guitar / vibraphone collaborations Kriegel recorded later on were an integral part of his unique sound, which still remains unmatched decades later.

The original compositions show Kriegel´s talent as a composer, which was no less spectacular than his performing abilities. Incorporating ethnic scales, odd meters and unusual melody twists, his music remained distinctive and idiosyncratic till his tragically premature death. He was an intellectual and was nor ashamed to admit it, and a multi-talented artist, which his later life was about to expose, and his music was always both highly emotional and deeply intellectual, with an advanced aesthetic sense of beauty.

This is a most welcome reissue initiative, bringing back to life a little know gem of early European Fusion, which surely deserves to be heard by the new generation of music lovers. Although not specified on the albums packaging, the original master tapes were probably remastered, as the sound quality is nothing short of spectacular. Obviously this album is a highly recommended piece of music history, which still bites stronger than most other music made today. Not to be missed!

Updated: 22/04/2016Posted: 22/04/2016

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JOACHIM KUHN ~ I`M NOT DREAMING / DYNAMICS
ART OF GROOVE 80232 (Barcode: 885513802323) ~ GERMANY ~ Jazz
Recorded: 1983 - 1990 Released: 2014

This is a reissue of two albums by German pianist / composer Joachim KuhnFind albums by this artist, which were originally released on the German CMPFind albums on this label label, owned and operated by recording legend / producer Walter QuintusFind albums by this artist. After a spell of activity in the Jazz-Rock Fusion idiom in the 1970s, Kuhn returned to experimentation in the Avant-Garde Jazz and contemporary Classical music in the 1980s, and these two albums reflect his work in that decade.

"I`m Not DreamingFind albums with this title", recorded in 1983, marks the beginning of the association between Kuhn and Quintus and his CMP label. It was recorded by a quintet, which features two Germans: cellist Ottomar BorwitzkyFind albums by this artist (a Classical musician) and multi-instrumentalist Herbert ForschFind albums by this artist, and two Americans: the legendary trombonist George LewisFind albums by this artist and percussionist Mark NauseefFind albums by this artist (resident in Germany). Together they form a formidable ensemble, which performs seven original compositions by Kuhn.

The music is floating somewhere between Free Jazz and contemporary Chamber Classical music, which is based on composed themes but is then expanded by extensive improvised passages. Over thirty years later this music is still as challenging and fresh as it was at the time of the recording, and remains a significant piece of the modern European Jazz history.

"DynamicsFind albums with this title", recorded in 1990, is a solo piano album, which presents seven pieces, five of which were composed by Kuhn and two are interpretations of music composed by Eric DolphyFind albums by this artist and Dave LiebmanFind albums by this artist.

Again, rather than playing completely improvised music, Kuhn prefers to have a compositional framework to guide him, as he creates his improvisations. Kuhn is of course one of the most important European Jazz pianist and his solo piano albums are always examples of sublime musicality, impeccable aesthetics and of course brilliant technique. This is demanding, serious music, which demands concentration and dedication in order to be fully appreciated and understood, but eventually it is as much rewarding.

This reissue brings back to life some of the great European Jazz, that sank into the background in time, but which certainly deserves to be cherished and remembered. Therefore the Art Of GrooveFind albums on this label label deserves to be shown gratitude for their work in this area.

Updated: 12/04/2019Posted: 02/05/2016

CD 2 Digipak Remastered Recommend To A Friend

JEREMY STEIG & EDDIE GOMEZ ~ MUSIC FOR FLUTE & DOUBLE BASS / RAIN FOREST
ART OF GROOVE 80242 (Barcode: 885513802422) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1978 - 1980 Released: 2015

This is a reissue of two excellent albums recorded by the two American Jazz Masters, flautist / composer Jeremy SteigFind albums by this artist and bassist / composer Eddie GomezFind albums by this artist. "Music For Flute & Double BassFind albums with this title", recorded in 1978, is a duo album which finds Steig and Gomez exchanging licks in an intimate setting, while "Rain ForestFind albums with this title", recorded in 1980, finds them in the company of several musicians: Austrian guitarist Karl RatzerFind albums by this artist, keyboardist Mike NockFind albums by this artist, drummers Steve GaddFind albums by this artist and Jack DeJohnetteFind albums by this artist and percussionists Nana VasconcelosFind albums by this artist and Ray BarrettoFind albums by this artist. Both albums are remastered and each features one bonus track recorded by the duo live during the 1978 Berlin Jazz Days. Both albums were originally released on the German CMPFind albums on this label label and present all original material composed by Steig and Gomez.

Steig and Gomez go together way back to the 1960s, when they were members of the proto Fusion band Jeremy & The SatyrsFind albums by this artist, and their paths crossed regularly over the years. They have developed over time a rare affinity and understanding between themselves, which comes into beautiful fruition on these albums.

The duo album is a superb opportunity to witness the incredible virtuosity these two players are capable of delivering, as well as enjoy their telepathic dialogues. The studio environment enables them to multi track and overlay several instruments in parallel, producing a richer and more impressive sonic result, without disturbing the intimacy and delicacy of that session.

The group album presents several different lineups from the list of participants above, and is an orgy of brilliant performances, polyrhythmic complexity and joy of life. Many excellent solos chase one another and everybody gets an opportunity to show their chops, as appropriate for the occasion. It is much more Fusion oriented than the intimate duo album.

Musically these albums amalgamate many different influences, obviously based on the Jazz tradition but incorporating many World Music characteristics, some Fusion tendencies and even contemporary Classical music vistas. Sadly these two albums never enjoyed the popularity they truly deserved and therefore this is a great opportunity to get hold of them again for a very fair price. After all this music should definitely be part of every serious music collection.

Updated: 28/06/2016Posted: 28/06/2016

CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

HEINZ SAUER / JASPER VAN`T HOF ~ HAMBURG EPISODE
ART OF GROOVE 80332 (Barcode: 885513803320) ~ GERMANY ~ Jazz
Recorded: 1983 Released: 2015

This is a fabulous archival live recording of a duo concert by two of the most prominent European Jazz musicians: German saxophonist Heinz SauerFind albums by this artist and Dutch keyboardist Jasper van`t HofFind albums by this artist. Together they perform six original compositions, each of them contributing three of his works. The entire concert was beautifully recorded by the NDR, with the legendary Michael NauraFind albums by this artist at the helm. In spite of the fact that the music was recorded thirty two years before it was released, it lost absolutely nothing if its vitality and relevance over time and is an extraordinary example of the "Art of the Duo".

Among the countless number of saxophone players around the world, Sauer has surely one of the most distinctive voices on his tenor saxophone, immediately recognizable and using a completely unique playing technique, which allows his to play the melody line and the complex improvisations around it, sounding like one inseparable sound. Often describes as Free without being totally Free, his playing has always been one of the most advanced Avant-Garde and yet completely romantic and likeable. This fantastic dichotomy marks Sauer as one of the European Jazz everlasting icons.

Of course van`t Hof is also a great Master, playing every possible keyboard instrument from a grand acoustic piano to the most advanced electronic instruments, always doing so with the utmost sensibility, inventiveness and elegance. His numerous recordings over the years are a brilliant record of great musicianship and immense contribution to European Jazz. His performances on this album are of course as perfect as can be imagined, balancing Sauer´s sonic vistas with his own inventions, as if all this music was written down in great detail, where in fact it was completely improvised.

This album is not only a document of great individual performances, but more importantly is shoes a level of interplay and communication achieved by the great Masters of the Jazz idiom. These veterans speak one language at all times, regardless of what instruments they play. Such telepathic coordination and artistic symbiosis happens only now and then, and this encounter was simply one of those magic moments.

Kudos to the Art Of GrooveFind albums on this label Label for releasing this wonderful music, as it certainly deserves to be heard. This album should be a pride possession of every serious European Jazz collector, so please try to get it ASAP and you won´t regret it.

Updated: 12/04/2019Posted: 29/04/2016

CD 1 Digipak Remastered Recommend To A Friend

TATVAMASI ~ DYLIZANS SIEDMIU
AUDIO CAVE ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2014 Released: 2016

This is the third album by Polish ensemble TatvamasiFind albums by this artist, led by guitarist / composer Grzegorz LesiakFind albums by this artist. On this album the quintet lineup, which also included trumpeter Jan MichalecFind albums by this artist, saxophonist Tomasz PiatekFind albums by this artist, bassist Lukasz DownarFind albums by this artist and drummer Krzysztof RedasFind albums by this artist, was expended to a septet with the addition of Brazilian saxophonist Yedo GibsonFind albums by this artist and Spanish percussionist Vasco TrillaFind albums by this artist. The album presents just three expanded original compositions (two lasting over twelve minutes and one over sixteen minutes), all composed by Lesiak. The album was recorded shortly after the recording of their previous album a couple of years back and released only now.

The music is as unexpected as one might expect from Tatvamasi, presenting a wonderful amalgam of Rock, Funk, Free Jazz, Psychedelia, World, Electronic and Ambient influences. The three tracks are extended jams, which basically provide a platform for all the participants to play extended solos over a steady beat. Most of the solos by brass instruments are pretty Free Jazz oriented, while the guitar playing is more Rocky and Ambient. Several musicians solo simultaneously, conversing between themselves and getting involved into group improvisation. The guitar solos take the music back on track and serve as a buffer between the multilayered Jazzy parts. As usual this music simply shuns classification. To listeners familiar with the work of Miles DavisFind albums by this artist, this music is conceptually similar to the Miles "electric period", which featured electric guitar as a centerpiece of his ensembles.

It seems that this album is more of an experimental recording of a pre-planned jam session rather than a full-fledged new studio album by the ensemble, which is hopefully following soon. Nevertheless it is a superb piece of music, which has very few equals in its category in Poland or anywhere else for that matter.

The music, being pretty esoteric, might not be easily accessible to a wide audience and is definitely way to open and Jazzy for the average Fusion fans, but on the other hand it offers so much more intellectual stimuli that an effort to listen to it open-headedly is definitely worthwhile. Wholeheartedly recommended!

Updated: 31/10/2016Posted: 31/10/2016

CD 1 Mini-Sleeve Recommend To A Friend

WOJCIECH FEDKOWICZ NOISE TRIO ~ POST-DIGITAL DREAMERS
AUDIO CAVE 2013/002 (Barcode: 5902596954376) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2012 Released: 2013

This is the debut album by Polish Jazz drummer / composer Wojciech FedkowiczFind albums by this artist and his Noise TrioFind albums by this artist, which includes keyboardist Dominik WaniaFind albums by this artist and bassist Jacek FedkowiczFind albums by this artist. All three players use electronic effects on their respective instruments. Three guest musicians play / sing on selected tracks. The album presents seven original compositions, five by Wojciech Fedkowicz, one by Jacek Fedkowicz and one co-credited to all members of the trio.

I was not aware of the existence of this album and only after recently reviewing the trio’s second album “Distant HeroesFind albums with this title”, Wojciech Fedkowicz sent me this one, which goes almost a decade back in time. It is also one of the earliest albums released by the Audio CaveFind albums on this label label, which in the meantime earned a respectable position on the local music market.

The music is in fact quite similar to the second album, with just a bit less electronics involved in the process, again based on highly melodic themes, which are given a distinct rhythmic roll-over, taking the music away from the Jazz idiom, and more into Ambient / Drum & Bass direction, but all done very gracefully and with a dash of irony.

Not surprisingly, Wania plays marvelously, although being very out of his element here most of the time, which emphasizes his phenomenal diversity and open-mindedness. For Wania’s followers it is worth to mention that this album is one of his earliest recordings, which already at this point of time sets his aside from most of the competition.

But the rhythm section plays also beautifully, juggling around polyrhythmic tempi and atmospheric deep bass sounds, which create a highly unusual ambience.

Overall it is great to discover this early gem, as it offers some truly unusual music, surely as far as “around Jazz” is concerned, and for an attentive listener is full of surprising moments, all of which are completely time-resistant. Probably not that easy to find today, but highly recommended, surely for Wania completists, but seriously definitely worth being discovered, better late than never.

Updated: 17/06/2021Posted: 17/06/2021

JACEK KOCHAN ~ THIRD OF THREE
AUDIO CAVE 2014/001 (Barcode: 5902596954734) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014

This is an album by Polish Jazz drummer / composer Jacek KochanFind albums by this artist, one of the most prolific and internationally involved Polish musicians. On the album he presents a trio led by him and also including two pianists: the Italian Mauro SchiavoneFind albums by this artist, who plays acoustic piano and the Polish Dominik WaniaFind albums by this artist, who plays the electric piano, both playing side by side with the leader. The trio presents eight original compositions, all by Kochan.

All three instrumentalist need little introduction and anybody familiar with the Polish Jazz scene should be aware of Kochan´s achievements since the 1980s. He released close to twenty albums as a leader, many of which feature top Jazz players from around the world. Schiavone has already a proven record as an excellent player and Wania, who is the youngest trio member, is one of the "hottest" Jazz musicians on the Polish scene in the last decade.

A trio consisting of a drummer and two pianists is highly atypical and I can´t recall any other example of such musical configuration prior to this one. Consequently the music sounds quite strange and unusual, and takes a while to get used to. The compositions are also eerie, somewhere between industrial and ambient, with twisted melodic contents and jumpy rhythmical patterns, in short definitely not your average easy listening Jazz experience. After a while this strange brew starts to make sense and exposes an exciting listening adventure, which is definitely different from most other stuff one comes across, all for the best of course.

Overall this is quite an ambitious piece of music, requiring attentive and repeated listening in order to be truly appreciated. Kochan is to be congratulated for exploring new areas and not standing still, like many other players of his generation. Definitely worth exploring!

Updated: 17/06/2021Posted:

PAYOFF ~ GORZKIE ZALE
AUDIO CAVE 2016/002 (Barcode: 5905669566087) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2016 Released: 2016

This is the second album by the Polish Improvised Music trio PayoffFind albums by this artist, which consists of saxophonist Bartlomiej WielgoszFind albums by this artist, guitarist Dawid K. WieczorekFind albums by this artist and drummer Michal DziobonFind albums by this artist. The album presents nine pieces, which are not credited on the album´s cover and therefore are assumed as being co-composed by the trio members. The music is spiritually related to the Polish Catholic Church devotion called Lenten Lamentations, comprising of many hymns, which was developed in the 18th Century and is not celebrated outside of Poland.

The music, although improvised, contains strong melodic elements, which make it accessible to a much wider circle of listeners than the strictly Improvised Music albums. Additionally the usage of electric guitar and sound effects places the music somewhere in between Improvised Jazz and Improvised Rock, again expanding the potential audience.

The recording uses a lot of echo and delay, creating an effect simulating a live recording made in a wide space, possibly a church, which adds to the spirituality of this music. The overall effect moves between deep contemplation during the quiet passages and eruptions of despair during the more intense moments. The album manages to create a lasting tension and expectation from start to finish, which is one of its best qualities. The level of performance by all three members of the trio is impressive and includes elements of originality and an obvious sense of aesthetic beauty.

The level of interplay is also quite remarkable and the trio sounds like an organic amalgam of its members, achieving together a much stronger effect than the individual contributions, all this being another reason to give the album your ears.

Although this kind of music is often too complex for the average listener, this album has plenty of merits which make it worth listening to. The music is absorbing, constantly developing and often fascinating, which overall promises a very interesting sonic experience. Definitely worth investigating!

Updated: 17/06/2021Posted: 14/05/2016

GAWEDA / MIELCAREK / STWORZEWICZ ~ SILBERMAN AND THREE OF A PERFECT PAIR
AUDIO CAVE 2016/006 (Barcode: 5905669566131) ~ POLAND ~ Jazz & Poetry
Recorded: 2015 Released: 2016

This is the third album recorded under the "Silberman" moniker recorded by a Polish trio comprising of keyboardist Mateusz GawedaFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Lukasz StworzewiczFind albums by this artist (a.k.a. SilbermanFind albums by this artist), which presents six pieces, five of which are originals: one by Gaweda, two by Stworzewicz and two co-composed by all three members of the trio. The remaining tune was composed by the Italian operatic composer Umberto GiordanoFind albums by this artist. The music incorporates poetry by Polish poetess Krystyna MilobedzkaFind albums by this artist and text by British philosopher Alan Wilson WattsFind albums by this artist, narrated by Jan PeszekFind albums by this artist.

The music is a mixture of many different elements, from Classical to Avant Garde, performed by a piano trio, but having very little to do with a classic Jazz piano trio per se. There is a certain Punkish (see post-Yass) attitude, especially in the role of the drums, which obviously is more Rock than Jazz oriented. The three instruments seem to have divided the genre-related responsibilities, with piano playing the Classical parts, the bass the Avant Garde parts and the drums the Rock parts. Overall this music sounds often like Emerson, Lake & PalmerFind albums by this artist on acid. Add the narrated poems and you get a Psychedelic party like we used to have in the good old sixties.

But seriously this is brilliant stuff from stat to finish, perhaps somewhat hesitant and searching, but certainly defining new rules as far as cross-genre excursions are concerned. The musicianship is, as expected, simply stunning with the still very young Gaweda does things with the piano that might not be allowed in some parts of the world. Mielcarek swings his bow like the legendary Helmut NadolskiFind albums by this artist, but also keeps a steady pulse when needed. Stworzewicz beats the hell out of the drums like Animal of the Muppets, but always within the proper boundaries, and always swinging.

We need more albums like this one, which throw out everything we know about music into the garbage basket and take it from there, doing exactly what the people behind the music are after: fun, adventure, exploration, innovation and above all artistry. This is what being an artist is after all…

This is definitely one of the most unique and curious Polish albums I heard in the last few years, and I have heard many of them, as my readers know. I can only recommend it wholeheartedly, hoping that it will find its way to as many open minded listeners as possible. Well done!

Updated: 17/06/2021Posted: 14/06/2016

CD 1 Digipak Recommend To A Friend

MATEUSZ GAWEDA ~ OVERNIGHT TALES
AUDIO CAVE 2016/009 (Barcode: 5905669566193) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is the debut album as a leader by young Polish Jazz pianist / composer Mateusz GawedaFind albums by this artist, recorded in a classic piano trio format with bassist Alan WykpiszFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist. The album presents six original compositions, all by Gaweda.

Gaweda´s arrival on the Polish Jazz scene created a lot of buzz and genuine interest, not only due to his flamboyant expressionism, but primarily as a result of his obvious talent and fresh, innovative input to the Jazz idiom, easily noticeable even on the dense and competitive local scene, which is bursting with talent. I had several opportunities to watch him performing in the last couple of years and my immediate reaction was always full of genuine appreciation. 2016 proved to be a breakthrough year for Gaweda, with several excellent albums with his participation being released, including this debut wrapping up the proceedings of an extremely busy year.

As all great Jazz musicians, Gaweda is first and foremost unique in his approach to composition and the instrument. Surprisingly the music on this album is the most "conventional" performance by Gaweda that I have heard so far, which is a great revelation. There is very little of the Avant-Garde experimentation, which his live performances usually emphasize. That does not mean of course that the music is "conventional" in any sense. In fact it is anything but conventional.

Based on beautiful melodic themes, the extended pieces allow the pianist to venture far away from the basic melody and explore uncharted territory. Not Free Jazz per se, the music incorporates a large degree of space and freedom, which allows for tempo changes and intense climaxes within the duration of each of the tunes. There is a wonderful natural flow, which keeps the music moving forward, seemingly effortlessly in spite of its complexity and dramatic mood swings.

The rhythm section is perfectly cooperative with the leader, staying respectfully in the background in order not to collide with the delicate piano sound, but filling the spaces, both harmonically and rhythmically, just in the right spots. Wykpisz is steadily earning a position of a leading bass player on the Polish scene in the last few years and the young Palka is still earning his dues. Both of them do a great job here and Gaweda made the right choice to have them on the album.

It will take several listening sessions, even for the more experienced listeners, to fully appreciate this album. This music, like good wine, takes time to mature and settle in, best explored at ease and in perfect concentration. Since Gaweda is surely going to emerge as one of the major players on the Polish Jazz scene in the years to come, fans and lovers of Polish Jazz should give this album the time and the respect it truly deserves.

This is definitely a very impressive debut, which hints as to the gift Gaweda is blessed with. Perhaps decades from now people will remember it as a classic, which introduced Gaweda to the world? Definitely one of the most important Polish Jazz releases in 2016. Respect!

Updated: 17/06/2021Posted: 20/12/2016

CD 1 Digipak Recommend To A Friend

TADEUSZ SUDNIK ~ TADEUSZ SUDNIK & HIS FRIENDS IN ART
AUDIO CAVE 2017/001 (Barcode: 5905669566223) ~ POLAND ~ Avant-Garde Jazz
Recorded: 1986 - 2005 Released: 2017

This is an archival release by Polish keyboardist / composer / electronic music pioneer Tadeusz SudnikFind albums by this artist, which presents nine tracks recorded between 1986 and 2005 with the participation of some of top Polish Jazz musicians, like trumpeter Tomasz StankoFind albums by this artist, saxophonist Adam PieronczykFind albums by this artist and Aleksander KoreckiFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and others, including the Polish Avant-Garde legend Andrzej MitanFind albums by this artist. Sudnik is listed as co-composer of all the tracks, except the piece with Stanko.

The music presents a wide scope of stylistic influences, but clearly points out the tremendous input Sudnik contributed to the development of electronic music as well as Polish Jazz and other genres. His membership in Stanko´s group FreelectronicFind albums by this artist in the 1980 and his work on such albums as "Peyotl - WitkacyFind albums with this title" or "Live At The Montreux Jazz Festival 1987Find albums with this title" are major contributions to the genre.

On the album Sudnik utilizes live computer generated sounds, producing amazing and always perfectly suited music to accompany the friends he plays with. The album is full of great melodies, mystical sound vistas, exciting dialogues and a plethora of highly unusual, but highly aesthetic musical statements.

Overall this is a superb career spanning overview, which presents Sudnik as a major electronic pioneer, full of ideas and stylistic diversity, which is rarely present in electronic music, which tends to be more concerned with electronics than with music.

For Polish Jazz followers, this is a must have item, which enables a glance at a much lesser known areas of the genre´s activities. Electronic music connoisseurs should also find this fascinating, and much different from the usual output found within the genre. Wholeheartedly recommended!

Updated: 12/04/2019Posted: 05/07/2018

CD 1 Digipak Recommend To A Friend

D.R.A.G. ~ OBEREK
AUDIO CAVE 2017/003 (Barcode: 5905669566230) ~ POLAND ~ Jazz-World Fusion
Recorded: 2016 Released: 2017

This is the debut album by Polish Jazz quartet D.R.A.G.Find albums by this artist led by violinist Dominika RusinowskaFind albums by this artist, which also includes pianist Mateusz GawedaFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Jozef RusinowskiFind albums by this artist. As the title suggests, the album presents six Polish Folklore melodies, arranged for the Jazz quartet by Rusinowska, Gaweda and the entire quartet (two pieces each). Although not stated on the album´s liner notes, the music was recorded live (at least partly).

The renaissance of the Polish Jazz Violin School in the last decade is a true joy and seeing finally a female violinist joining the pack is encouraging. Especially so in view of this ambitious and interesting effort which crosses genres between Improvised Music and Jazz-World Fusion, which is extremely demanding.

The arrangements take the folkloristic themes only as basic musical ideas, which are then expanded by the lengthy improvisations, featuring the violin and piano. The rhythm section supports the soloists by creating a steady pulse, which drives the music forward and allows the soloists to move pretty far away, both harmonically and rhythmically. Most of the solo parts are quite Free oriented, at times even extremely Free, which sometimes slightly exceeds the abilities of the soloists, especially in the case of the leader. Nevertheless the music flows energetically and presents many superb moments of highly interesting intensity. By the nature of things Gaweda steals a lot of the attention with his stellar piano parts, but this of course should have been expected.

Overall the album tries to say a bit too much that is really necessary in this case. A more modest and calculated approach might have produced a more refined result, but considering the age and experience of these talented musician, a youthful enthusiasm is understandable. Definitely an impressive debut for the leader, who emerges as one more Polish Jazz musician worth following!

Updated: 24/02/2017Posted: 24/02/2017

CD 1 Digipak Recommend To A Friend

ADAM JARZMIK ~ EUPHORIA
AUDIO CAVE 2017/004 (Barcode: 5905669566254) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017

This is the debut album by Polish Jazz pianist / composer Adam JarzmikFind albums by this artist, recorded in a classic quintet setting with trumpeter Pawel PalcowskiFind albums by this artist, saxophonist Jakub LepaFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Piotr BudniakFind albums by this artist. The album presents seven original compositions by Jarzmik and one arrangement of a standard.

The music is all within the mainstream Jazz idiom, with solid compositions and sleek execution, not very innovative but definitely worth hearing, especially in view of the age of the musicians involved. It is amazing how young Polish Jazz musicians are able to achieve a level of professionalism at an amazingly young age, which often takes musicians elsewhere twice the time.

Jarzmik´s compositions are his true forte and their quality and imaginative themes are the focus of this album. Although they are mostly rather atypical as far as the Polish Jazz scene is concerned, being more inclined towards the American Jazz tradition with the post Bebop dominance, they are still interesting enough to save the day. The lyrical ballads, like the title track, are more characteristic of Polish Jazz, and are the best pieces on the album by far.

Overall this is a very presentable debut album, which shows a lot of potential both as far as the leader / composer is concerned and as far as the musicians in the quintet, some of which already have a recording history, especially the drummer, are concerned. For many musicians some decades ago, albums like this one were the pinnacle of their career, and since this is after all a debut, it definitely shows the level of extraordinary musicianship these young people already posses at their early age. These musicians are definitely worth listening to and watching for their future achievements, which are sure to be even more accomplished.

Updated: 25/05/2017Posted: 25/05/2017

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NSI QUARTET ~ THE LOOK OF COBRA
AUDIO CAVE 2017/005 (Barcode: 5905669566308) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2017

This is the second album by Polish Jazz ensemble NSI QuartetFind albums by this artist, which comprises of trumpeter Cyprian BaszynskiFind albums by this artist, saxophonist Bartlomiej PrucnalFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. The quartet is joined by the excellent pianist Dominik WaniaFind albums by this artist on several tracks. The album presents seven original compositions, four by Prucnal, two by Baszynski and one co-composed by them both.

The music tries to get away form the stylistic direction initiated on their debut, which used to concentrate on up-tempo post Bebop mainstream Jazz, based on simple melodic themes. This time the music is more open structurally and offers moments of almost Free improvisation and extensive exchanges between the musicians. The unusual sound of the quartet, which lacks a harmonic instrument, is not easy to get used to and therefore the tracks featuring Wania are much more balanced, with his input dramatically influencing the overall result.

However, the fact that the ensemble expanded its basic conceptions proved to be problematic, causing the music to lose some of its coherence and sense of direction. The music is more interesting intellectually, but almost completely loses its sense of melody and harmony, creating an emotional void. The best example of this can be found the long trumpet / saxophone duet track, which simply goes nowhere.

This album is a classic example of music played by excellent musicians, who are obvious professionals and talented individuals, which somehow fails to make an impact it could potentially reach. It is hard to pinpoint what exactly does not work here, and of curse this is just my very personal opinion. Perhaps the attempt to play less restricted music simply is beyond these particular musicians (excluding Wania of course) and sticking to the well paved roads is less problematic, as evident on the debut album.

In short this album left me cold, without being able to make spiritual or emotional contact with the music it offers. Obviously well played, it sort of passed me by without leaving any impact, which is a great pity.

Updated: 26/05/2017Posted: 26/05/2017

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SILBERMAN NEW QUINTET ~ PIESN GESI KANADYJSKICH
AUDIO CAVE 2017/006 (Barcode: 5905669566278) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017

This is the fourth album recorded under the "Silberman" moniker, following the third album recorded by a trio, which comprised of pianist Mateusz GawedaFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Lukasz StworzewiczFind albums by this artist (a.k.a. SilbermanFind albums by this artist). On this album the lineup is expanded to a quintet with the addition of saxophonist Maciej ObaraFind albums by this artist and bass guitarist Artur KudlacikFind albums by this artist. Together they perform five original compositions, two by Gaweda, two by Stworzewicz and one co-credited to the quintet, and their interpretation of a Nino RotaFind albums by this artist piece.

The music on this album is much more Jazz oriented, mostly pretty standard modern Jazz, with some Free Jazz elements and unusual rhythmic parts performed by the electric bass and the drums. It is less unique and surprising than the debut album, but probably more acceptable to the Jazz connoisseurs, who found the debut album to be somewhat bizarre. Personally I think that the debut was much more interesting and forward-thinking.

The album is also very strangely recorded, with a muddy sound, which creates some serious aural problems which make hearing properly everything that is played by the musicians very difficult. I have no idea if this was done on purpose as part of the album´s overall concept, but it was definitely a mistake. Although Obara and Gaweda play some very impressive solo parts on this album, those are somehow less impressive than their usual output.

Overall this album manages to achieve much less than the impressive lineup would promise and especially in view of the superb debut recording by the core trio of this quintet. It is of course still partly very good music, but the album lacks focus and coherence, and sadly does not excite at all. Of course this is just my personal opinion.

Updated: 10/04/2019Posted: 27/05/2017

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OLES BROTHERS ~ SPIRIT OF NADIR
AUDIO CAVE 2017/008 (Barcode: 5905669566353) ~ POLAND ~ Jazz-World Fusion
Recorded: 2013 Released: 2017

This is an album by the Polish Jazz duo consisting of twin brothers: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, collectively known as Oles BrothersFind albums by this artist. It presents an eleven part suite co-composed by both brothers, recorded in 2013, which waited to be released for four years. Since the turn of the Millennium Oles Brothers earned the status of an iconic phenomenon on the Polish Jazz scene, releasing over 25 albums in various configurations, mostly in small formats like solo, duo and trio settings, with music encompassing a wide cross-genre amalgam of Jazz, Improvised Music, Jazz-Classical and Jazz-World Music Fusions. Their consistent excellence and purely artistic conviction puts them at the very top of world level musicians active today.

"Spirit Of Nadir" is a journey into the cultures of Near and Far East, with strong Middle Eastern influences of Jewish and Arabic roots, but also reaching as far as India and Indonesia, weaving an exquisite tapestry of sounds and rhythms which emphasizes the universality of music as part of the human nature. Seemingly restricted instrumentally and harmonically by the use of just bass and drums, the duo manages to create a universe of music, which sounds complete and coherent, ignoring completely the inherent limitations and presenting music which lacks nothing and is able to deeply move the listener and deliver an aesthetic experience; a wonderful example of quality being clearly more important than quantity.

Undoubtedly this is highly spiritual music, which requires from the listener not only his undivided attention, but also openness towards unusual (to most) harmonic and rhythmic structures. Although World Music has penetrated the rather limited and condescending Western aesthetics, it is still very much a niche scene, and therefore every effort, especially such wonderfully executed as this one, which brings music from diverse spheres together is worthy of praise and admiration.

It is very satisfactory to hear this wonderful music, which I have been familiar with almost since its conception and had the pleasure to hear it performed live, finally found its way to be released on CD by the upcoming Polish label Audio CaveFind albums on this label, which makes its presence known with increasing strength. Well done as usual and of course warmly recommended to all connoisseurs of great music everywhere on this planet!

Updated: 26/12/2017Posted: 26/12/2017

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JAZABU ~ LODZ KOSMICZNA
AUDIO CAVE 2017/009 (Barcode: 5905669566414) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2017 Released: 2017

This is the debut album by Polish Avant-Garde Jazz quartet JazabuFind albums by this artist, which consists of trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, guitarist Marek KadzielaFind albums by this artist and drummer Jacek BuhlFind albums by this artist. The album presents ten original compositions / improvisations, which are not credited on the album´s artwork and therefore assumed to be all co-composed by the four quartet members.

The music is quite typical Free Jazz / Improvised music offering, with short melodic lines stated at the beginning of the tracks, which are then developed into group improvisations and feature solos by the individual quartet members. Some of the tracks lack even the basic melodic theme and are completely improvised. The music appears to be working best when it is more contemplative and introvert, and as such delivers a deeply atmospheric musical aura. The more energetic pieces sometimes move into chaotic intensity. The lack of bass, which is only partly compensated by the guitar, creates a fluid, less rigorous rhythmic setting, which suits this music well.

Jachna and Glazik were members of the legendary Sing Sing PenelopeFind albums by this artist ensemble, which was active since the turn of the Millennium, and their musical attitude was largely influenced by their formative years. Jachna and Buhl recorded several albums together in duo and trio formats and all three of them come from similar background. Kadziela is a bit of an outsider here, having been mostly associated with young Polish Jazz musicians active on the Danish scene, but since his return to Poland he is certainly more active on the local scene in several quite diverse environments. Together they represent an interesting amalgam of talent and musical experience, which definitely has a lot to offer.

Although I was not overwhelmed by the music on this album, probably mostly due to the fact that although beautifully performed it offers little innovation, I believe that their future offers might be much more exciting, considering their potential. Of course the album offers some great moments and impressive soloing and the connoisseurs of the Polish Avant-Garde scene should be quite happy with this music, which more than anything proves that Polish musician are still searching and making an effort to cover uncharted territory, rather than succumb to lethargy.

Updated: 12/04/2019Posted: 29/12/2017

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ANTONI GRALAK ~ GANGA
AUDIO CAVE 2017/011 (Barcode: 5905669566377) ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2017 Released: 2017

This is an album by renowned Polish trumpeter / composer / bandleader Antoni GralakFind albums by this artist, one of the most colorful and fascinating figures on the independent / Avant Garde / anti establishment Polish music scene, who participated in many musical projects like Tie BreakFind albums by this artist, Free CooperationFind albums by this artist, Young PowerFind albums by this artist, GraalFind albums by this artist, YesheFind albums by this artist and others. Completely unpredictably, as always, this album finds Gralak, who plays trumpet, bass guitar and keyboards, in the company of three Indian musicians who play tabla, sitar and shehnai (Indian reed instrument) respectively and Polish percussionist Zbigniew BrysiakFind albums by this artist. The album presents eight original compositions, all by Gralak.

The music is heavily influenced by ethnic Indian musical motifs, incorporating Jazz improvisations, Drum & Bass, electronics and other elements, creating a fascinating amalgam of melodies and rhythms, which sounds exotic, vibrant and exciting. The folkloristic, innate to Indian music, improvisations intertwine with Gralak´s Jazzy playing quite naturally and create a cross-cultural dialogue. Parts of this music bring forward a reminiscence of the Miles DavisFind albums by this artist sessions featuring Badal RoyFind albums by this artist, which also showed some Indian influence, albeit much more subtle than here.

Of course Indian music is never simplistic and its meditative nature requires attentive listening and submission, which is not easy to a Western ear, even when slightly dressed up in Western ornament. Some listeners might find this music somewhat monotonic in the long range, but hopefully the majority will be able to embrace it and enjoy it in full, as it surely deserves to reach as many listeners as possible.

Overall the album shows another facet of the multitude of Gralak´s talents and musical worlds, which always was his personal signature. The restless search for new discoveries and diverse environments is the trademark of progress in Art in general and in music in particular, and Gralak deserves the title of the Great Wanderer probably more than most of his Polish contemporaries.

If anybody can sit still while listening to this album, he is either in coma or dead already ;)

Updated: 17/12/2018Posted: 21/03/2018

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LIZARD ~ W GALERII CZASU (21ST ANNIVERSARY EDITION)
AUDIO CAVE 2018/003 (Barcode: 5905669566469) ~ POLAND ~ Progressive Rock
Recorded: 1996 Released: 2018

This is a reissue of the debut album by the Polish Progressive Rock group LizardFind albums by this artist, newly remastered for this edition. At the time of the recording the lineup of the group included vocalist Damian BydlinskiFind albums by this artist, guitarist Miroslaw WorekFind albums by this artist, keyboardist Andrzej JanczaFind albums by this artist, bassist Janusz TanistraFind albums by this artist and drummer Mariusz SzulakowskiFind albums by this artist. The album presents six original compositions, three of which are multi-part mini suites. The music is composed by Bydlinski or co-composed / composed by him and / or other band members and all lyrics (in Polish) are by Bydlinski. This album was already reissued before with added bonus tracks.

Since Prog by definition includes a layer of improvisation it is therefore closely related musically to the Jazz / Fusion idioms. However, in contrast to Polish Jazz, which is a flourishing genre and often considered as perhaps the most creative on the international scale in the last two decades, Polish Prog never achieved the same success. The "original" wave of Prog (1960 / 1970s) almost completely missed Poland except for the Fusion oriented SBBFind albums by this artist and Pop / Rock oriented SkaldowieFind albums by this artist making fairly significant statements. The Neo-Prog (starting in 1990s) didn´t do much better overall, and with the exception of QuidamFind albums by this artist (debut album released in 1996), Lizard (debut album released in 1997) and RiversideFind albums by this artist (debut album released in 2004), not much else happened. All the above mentioned bands produced a series of albums, which over time showed a deterioration in their quality, and in time either disbanded or left the Prog idiom completely. Over time there were quite a few other bands out there, none of which made a truly significant statement, on the world scale.

To be perfectly honest, the Neo-Prog genre was a bad idea to start with anyway. It was a priori derivative, almost completely unoriginal and often criminally boring. The idea of bringing back to life a musical genre that burnt itself out during its original period of activity is by definition absurd. Having said all that, the early albums by the three abovementioned groups (Quidam, Lizard, Riverside), including this one, have their merits.

Musically "W Galerii Czasu" is an archetypal Neo-Prog album, with lengthy multi-part tracks, which offer several melody lines within one track and theatrical vocals. In this case the melodies are solid and interesting enough to make the album quite listenable. The instrumental work is fine, but not exceptional, well balanced and overall coherent. The vocals are somewhat monotonous and the vocal range is limited, but at least the vocalist sticks to singing in Polish, so the listener is not subjected to the bad English accent torture.

The album aged well and lost nothing of its initial fine form, but again Neo-Prog did not move an inch since its conception, so this is not surprising. Overall it is still a very good listening experience, especially for the Prog Heads that are still around. For the sake of nostalgia and the great remastered sound, I can wholeheartedly recommend it!

Updated: 21/09/2021Posted: 04/07/2018

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MATEUSZ GAWEDA ~ FALSTART
AUDIO CAVE 2018/004 (Barcode: 5905669566537) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2018

This is the second album by young and upcoming Polish Jazz pianist / composer Mateusz GawedaFind albums by this artist, recorded with the same trio that was featured on his debut album with bassist Alan WykpiszFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist. The album presents seven original compositions, all by the leader.

Gaweda managed in a relatively short span of time to establish a respectful position on the local Jazz scene, both as a musician / composer and a colorful personality, which is a magnet of attention. His unique music and performances as well as his flamboyant dress code and glitzy / ritzy looks create a figure, which might have just stepped out form a black & white Hollywood gangster movie, in the best meaning of the idiom of course: elegant, stylish, charismatic and unmistakably himself.

Almost the same metaphor applies to his music, which slowly but consistently keeps metamorphosing into a unique personal style and musical approach, unlike anything else currently present on the Polish Jazz scene, which of course is quite phenomenal, considering how vital, diverse and full of talent that scene is in the last couple of decades. Gaweda´s music is further and further moving away of the conventional Jazz idiom, creating a contemporary fusion of Jazz tradition with modern classicism, electronics and ambient music. Although recorded in a classic piano trio format, the powerful and imaginative music manage to overcome the limitation of the trio and with a slight help from electronic devices simply breaks away into new territory.

Of course the music is still full of the typical Polish melancholy and lyricism, not only within the melodic themes, but in the entire sonic expression the trio creates. Introvert, reflective and mercilessly serious, the music is completely overwhelming and stunning, but as usual in such cases requires truly attentive listening and repeated listening to get to the true essence of it.

The individual performances by the trio members are perfectly suited to the music of course. It is virtually impossible for Gaweda to play any "better" that already demonstrated on his earlier recordings, and therefore the focus on his role here should be on the compositions, rather than on his playing, which is simply stupendous, as always. It is really heartwarming to see the progress of Wykpisz, who is another example of a young lion charging the Polish Jazz scene with amazing consistency and talent, able to play anything between Swing and Avant-Garde with the same strike of brilliance. Palka, of the same generation, plays no less spectacularly, showing what it means to play the drums rather than just keep time.

Overall this is a brilliant and highly rewarding piece of complex, but elegant and awe-inspiring music, which truly expands the Jazz idiom and which deserves both praise and attention. It is also another milestone album on the Polish Audio CaveFind albums on this label label, which in the last four years managed to release some of the best Polish Jazz albums, consistently maintaining the highest possible level of artistic achievement. Well done and hats off!

Updated: 12/04/2019Posted: 27/04/2018

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OLES BROTHERS / CHRISTOPHER DELL ~ GORECKI AHEAD
AUDIO CAVE 2018/005 (Barcode: 5905669566544) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2017 Released: 2018

This is an album by twin brothers: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, collectively known as Oles BrothersFind albums by this artist, who are synonymous with the Polish Jazz since the break of the 21st Century, recorded with German vibraphone virtuoso Christopher DellFind albums by this artist, with whom they cooperate since many years. As the title suggests, this album is dedicated to the trio´s interpretations of music by the great Polish contemporary Classical Music composer Henryk GoreckiFind albums by this artist. The album presents eleven of Gorecki´s pieces, performed by the trio, and is appropriately entitled "Gorecki AheadFind albums with this title", following the trio´s previous album "Komeda AheadFind albums with this title" dedicated to the music of Krzysztof KomedaFind albums by this artist.

The first public performance of some of the pieces present on this album happened just a day before this music was recorded, during the trio´s concert in the Nozyk Synagogue in Warsaw, which was the opening concert of the 4th Singer Jazz Festival, of which I am the Artistic Director. Towards the end of that concert, which presented the material recorded on "Komeda Ahead", I was suddenly notified that I need to go and open another concert in another venue, which would make it impossible for me to properly close the trio´s concert. In an instantaneous decision I asked the trio to just go on and play until my return, which they graciously, albeit with some surprise, agreed to, and of course since the Gorecki project was to be recorded the next day, they indeed continued the concert playing the music one can now hear on this album. I was then taken by the Chief of Security of the Festival rushing across Warsaw ignoring red lights and travelling against the traffic direction, opened the other concert and safely returned to hear some closing moments of a Gorecki piece and then had the pleasure to formally close the concert with the entire audience participating in a standing ovation, which lasted for many minutes.

Of course this album is anything but another typical Jazz-Classical Fusion project. Oles Brothers and Dell are way beyond the usual triviality and shallowness that often characterizes such projects and their attitude towards the music of other composers, both in the case of Komeda and now Gorecki, is to completely absorb and naturally transform their music into a new dimension, which becomes as much theirs as it originally was the composer´s. Even in a case when the listener is familiar with the original music, the trio´s interpretations take him into a completely new universe, where the original music is completely altered harmonically and rhythmically.

This album is another masterpiece, which expands the Oles Brothers´ and Christopher Dell´s long list of achievements, which covers the entire rich tapestry of contemporary Jazz, completely ignoring genre borders. The music is demanding and requires attentive listening, but at the same time it is immensely rewarding and aesthetically fulfilling, something that Culture should always strive to do. I feel happy to be able to call these musicians my friends and following their careers has been always an absolutely delightful and educational experience.

This album is an absolute must to every sophisticated Jazz, but not only, connoisseur, who looks for deeply emotional and intellectual experience every time music is in the air! Superb stuff!

Updated: 24/04/2018Posted: 24/04/2018

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JACHNA / MAZURKIEWICZ / BUHL ~ GOD`S BODY
AUDIO CAVE 2018/006 (Barcode: 5905669566551) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2017 Released: 2018

This is the second album by the Polish Improvising Music trio comprising of trumpeter Wojciech JachnaFind albums by this artist, bassist Jacek MazurkiewiczFind albums by this artist and drummer Jacek BuhlFind albums by this artist. Jachna and Mazurkiewicz employ also various electronic devices to produce sound. The album presents seven original compositions, co-credited to all members of the trio.

The music is an organic development of the music on the trio´s debut album, spontaneous yet well organized, undoubtedly influenced by the fact that it was recorded in the studio rather than live, where Improvising Music is usually recorded. This time the music is certainly more relaxed and often even lyrical, and the use of electronics is subtle and more sophisticated.

Jachna, with over two dozen albums under his belt as a leader, co-leader and band member, is certainly emerging as one of the leading personalities on the Polish Improvising Music scene, not only as a superb performer but also as a "mover" who constantly seeks for new opportunities to develop and create new musical environments. Jachna´s steady progress over time, which I have been lucky to follow at first hand since several years, is a wonderful chronology of his personal development, as well as a superb illustration of the renaissance of the Polish Jazz scene, which he exemplifies perhaps better than most.

The cooperation between Jachna and Buhl also goes back several years, and their phenomenal telepathic bond is clearly present on this album. Buhl takes the notion of "drumming" way beyond the conventional concept, with puts the traditional role of time keeping completely out of the picture. His contributions on this album are as much revolutionary and innovative as the work of Tony OxleyFind albums by this artist in the late 1960s. Mazurkiewicz completes the molecular bond of the trio with his beautifully harmonic work and rhythmic pulsations, which are crucial in absence of traditional drum parts.

Overall this is a beautiful and highly rewarding musical experience, which in spite of its Improvised Music labeling, is quite accessible to a large Jazz loving audience. For the many fans these musicians already have, this is a must of course, but at the same time this is a great opportunity to get exposed to some superb music, regardless of stylistic connotations. Wholeheartedly recommended!

Updated: 24/07/2018Posted: 24/07/2018

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JACEK KOCHAN ~ AJEE
AUDIO CAVE 2018/007 (Barcode: 5905669566599) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2018 Released: 2018

This is an album by veteran and prolific Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist, recorded in a core trio format with the incredible keyboardist Dominik WaniaFind albums by this artist, who plays synthesizers exclusively on this album, and saxophonist Bartlomiej PrucnalFind albums by this artist. Several guest artists appear, mostly on vocal parts. The album presents thirteen original compositions, nine by Kochan and four by Wania.

The music, as usual with Kochan´s albums, is completely original and unexpected. Characterized by odd meters, which are the drummer´s trademark, it is a form of Fusion, but completely different from the typical Fusion approach. There are elements of Groove, Hip-Hop, Rap and Funk, and the sound of the analog synthesizes (which produce also the bass parts) brings back fond retro memories of early Funk albums and the playing of the iconic George DukeFind albums by this artist.

The individual performances by the participating musicians are all first rate, as expected. Wania dominates the album with his synthesizer parts, which expose a new facet of his immense talent. He manages to create a dark, a tad reserved atmosphere, but his virtuosic playing and incredible sense of time are simply astounding. Prucnal adds a more melodic, soulful layer, which at times is very intensive and superbly crafted. Kochan manages to steer the music smoothly through the crazy rhythmic patters, with flair and elegance, which only Master drummers are capable of.

This album is quite removed from the Jazz mainstream and as such it will be probably sniffed at by the Jazz "critics", but Kochan is way beyond such trivialities and his constant search after new forms of expression is a virtue he does not have to apologize for. This album is full of wonderful music, lyricism and sophistication, which one rarely expects to pop up in the Fusion idiom.

Overall this is a superb piece of music, which takes time to get into and get used to, but offers layer over layer of excellent music and fantastic instrumental work by the participants. Hopefully Kochan will continue to explore and expand the horizons of music and I am already anxious to hear his next album, which hopefully will be here soon. Hats off Gentlemen!

Updated: 20/11/2018Posted: 30/07/2018

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TUBIS TRIO ~ FLASHBACK
AUDIO CAVE 2018/010 (Barcode: 5905669566612) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2018 Released: 2018

This is the third album by Polish Jazz piano trio called Tubis TrioFind albums by this artist led by pianist / composer Maciej TubisFind albums by this artist with bassist Pawel PuszczaloFind albums by this artist and drummer Przemyslaw PacanFind albums by this artist. The album presents eight original compositions, all by the leader.

The music is deeply melodic and often melancholic, strongly related to the typical Polish harmonics, soaked in Polish musical heritage, but also touching upon serial music and minimalism. It floats somewhere between popular instrumental music, contemporary Classical Music and Jazz, but escapes clear stylistic or genre classification. However the music does have a coherent compositional language and approach, definitely more precisely defined than on the earlier albums by Tubis, which means that he reached herein his maturity as a composer.

This album also marks the position of the trio as a close musical unit, way more prominently than on the earlier recordings, which were dominated by the piano parts. On this album the music features the piano and the rhythm section side by side as equal partners. Although the melodic content is obviously stated by the piano, the bass and the drums are clearly present all along the way, recorded on the same level and being inseparable from the piano parts.

Although the music is only somewhat related to Jazz, being intrinsically quite distant from the mainstream Jazz idiom, the Jazz listeners are probably the most immediate audience, to which this music should speak straightforwardly. But of course any open-minded and sensitive music lover should be able to enjoy it to the max. In spite of its seemingly easy nature, this music requires serious and attentive listening and a lot of patience, as it utilizes nontrivial harmonic structures and odd meters, quirky tempo alterations and other compositional tricks of the trade.

Overall this is by far the most interesting offering by Tubis to date, a mature, coherent piece of music, which clearly presents him and his cohorts as a slick musical unit and offers his compositional vision in full bloom. Warmly recommended!

Updated: 20/10/2018Posted: 16/10/2018

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GORZYCKI / PAWLICKI / ZIOLEK ~ ENSEMBLE TUNING
AUDIO CAVE 2018/011 (Barcode: 5905669566643) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion
Recorded: 2017 Released: 2018

This is an album by a Polish Jazz trio led by drummer / composer Rafal GorzyckiFind albums by this artist, who also plays piano, with flautist Tomasz PawlickiFind albums by this artist and guitarist Jakub ZiolekFind albums by this artist, both of which employ also electronics. The album presents ten original compositions, eight of which are credited to all the trio members and two are by Gorzycki. This album is a second part of a triptych of trio recordings by Gorzycki, continuing the "PlayingFind albums with this title" album released a couple of years earlier. The music was excellently recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist.

The music is an esoteric mixture of various elements, acoustic and electronic, combining modern Classical Music vistas with improvisation and Ambient music and creating a magical impressionist aura of anticipation and mysticism. There are also elements of Serialism and Minimalism, all wonderfully weaved into a coherent but hard to pinpoint continuity, which tends to flow as if propelled by its own will. This music is more about form and sound than about melody or harmony, very abstract and almost involuntarily creating images of impressionist paintings before the listener´s eyes.

Pawlicki stands in the very epicenter of this music, since his magic flute produces most of the directly audible sound, creating short melodic threads and swirls, all of which are simply irresistibly beautiful. In complete contrast the guitar played by Ziolek sounds nothing like a guitar, producing a plethora of sound layers and ambient noises in the background, which is the foundation upon which the flute parts float, similar to a wind which carries the golden autumn leaves. Gorzycki also hardly ever plays any straightforward rhythms and his pulses are more pointers than actual rhythmic patterns. His piano parts are also quite atypical and serve as accents rather than harmonies.

There is no doubt that this album constitutes a new stage in the long and prolific career of Gorzycki, taking him into a new realm unlike anything else he attempted earlier, although definitely being a logical extension of his earlier works. This music is more complex and more abstract than his earlier efforts but also much more concentrated and expressive. It is definitely much closer to cotemporary Classical Chamber Music than to Jazz, and will probably be received as such by the listeners. Absurdly perhaps, it is also more accessible and universal than many of his earlier efforts.

Overall this is a stunning piece of music, which offers novel approach to music making, unusual usage of the instruments and explores unchartered territory as far as improvisation and composition are intertwined and is additionally spiced with the sensational flute playing, altogether offering a sensational musical experience. Wholeheartedly recommended!

Updated: 20/11/2018Posted: 20/11/2018

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LIZARD ~ HALF-LIFE
AUDIO CAVE 2018/012 (Barcode: 5905669566650) ~ POLAND ~ Progressive Rock
Recorded: 2018 Released: 2018

This is the seventh studio album by Polish Progressive Rock group LizardFind albums by this artist, which consists of vocalist / guitarist / composer / lyricist Damian BydlinskiFind albums by this artist, bassist Janusz TanistraFind albums by this artist, guitarist Daniel KurtykaFind albums by this artist, keyboardist Pawel FabrowiczFind albums by this artist and drummer Mariusz SzulakowskiFind albums by this artist. Violinist Dominika RusinowskaFind albums by this artist appears as guest artist. The album presents just one, forty four minutes long track, composed and written (in Polish language) by Bydlinski.

The music takes off with a lengthy instrumental intro which makes an attempt to leave the classic symphonic Neo-Prog format behind and partly cross over towards Jazz-Rock / Fusion, but once the vocals enter the stage, the Prog sound and feel are back at the helm. The concept album framework and slowly developing and repeating themes are deeply rooted in Prog and as a result the album offers a slick, melodic continuity, full of typical riffs and hooks, with some Fusion oriented instrumental passages. Overall the album is a pleasant, unchallenging musical journey into nostalgia, which is in complete contrast to the morose apocalyptic lyrics. The performances are all very professional and the production is exactly right for this kind of music and the album emerges as a typical Neo-Prog work, no different than hundreds of similar offerings recorded all over the world since the 1990s.

Of course Prog Heads will find this album as good as Prog albums go, and people from outside of Poland might find it interesting to hear what is happing in Prog in Poland and surely won´t be disappointed, as this is after all a solid, well put together piece of music, which delivers exactly what is expected. This is definitely nothing to be ashamed of, but sadly neither something to be really proud of?

Sadly Polish Prog is unable to shake off its past and develop a new direction, after spending the last few decades in a zombie vegetative state musically, supported by a shrinking, but fanatic fan base, in complete contrast to Polish Jazz, which is exploding with talent and creativity and serving as a beacon for the rest of the world. I´m just too old for this by now… been there… heard it all…

Updated: 21/09/2021Posted: 16/12/2018

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DOORS NOT SHUT ~ LUTY
AUDIO CAVE 2018/013 (Barcode: 5905669566674) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2016 Released: 2018

This is the debut album by the sextet Doors Not ShutFind albums by this artist, which comprises of five veteran Polish Jazz musicians: clarinetist Waclaw ZimpelFind albums by this artist, pianist Krzysztof DysFind albums by this artist, bassists Andrzej SwiesFind albums by this artist and Ksawery WojcinskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. They are joined by Australian percussionist Philip SouthFind albums by this artist. The album presents ten original compositions by the sextet members, mostly co-composed by several of the musicians.

The concept of the sextet is pretty loosely conceived, since only Szmanda and South play on all the ten tracks, Swies plays on nine tracks, Dys plays on just three tracks and finally Zimpel and Wojcinski play on five tracks. As a result the entire sextet does not play together on any of the tracks.

The music is an interesting amalgam of Ambient Music and Free Jazz, with strong World Music influences, especially on the rhythmic plane. The overall sound and approach are quite minimalist and the music mostly flows slowly, rarely displaying any strictly melodic contents. The bass pulsations (either electric or acoustic) and the ethnic / polyrhythmic drumming are the constant elements of the music, with the piano and clarinet being the only melodic anchors.

The entire concept definitely works well, displaying a lot of originality and fascination with rhythm, being quite unique in that area. The drummers get most of the exposure, followed by the bassists, with Dys and Zimpel adding spice and color to the proceedings, but not dominating the concept. The three quartet tracks with Dys are closest to Jazz, while the five tracks with Zimpel are Ambient Improvised Music which listeners familiar with other recordings by Zimpel should find quite recognizable. The remaining two tracks featuring only drums and percussion (with some vocal and spoken word ornamentation) are perhaps the roots of the music.

Overall this is a bold and highly innovative concept album, which offers originality and excellent musicianship, as well as intellectual challenge, which is often missing from less ambitious Jazz oriented recordings. This album is recommended for the more adventurous and open-minded listeners, who are ready to embrace new concepts. Although Zimpel plays only on half of the tracks, this album presents some of this most moving work, which is an absolute must to his followers. Highly recommended!

Updated: 29/12/2018Posted: 29/12/2018

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SZYMON KLEKOWICKI ~ A DAY IN THE BUS
AUDIO CAVE 2019/001 (Barcode: 5905669566698) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019

This is the debut album by young Polish Jazz trombonist / flugelhornist Szymon KlekowickiFind albums by this artist, recorded in a sextet setting with saxophonist Jakub LepaFind albums by this artist and Marcin DabrowskiFind albums by this artist, pianist Adam JarzmikFind albums by this artist, bassist Tymon TrabczynskiFind albums by this artist and drummer Michal DziewinskiFind albums by this artist. The album presents seven original compositions, five by Klekowicki and two by Jarzmik.

The music is conventional melody based contemporary European Jazz, with solid compositions and arrangements, which create ideal opportunities for the members of the sextet to show their chops. The two compositions by Jarzmik are more rounded and mature, similarly to his excellent work presented on his two earlier album releases. Klekowicki´s music is somewhat Bebop oriented, but by no means outdated and full of great ideas. All the compositions are coherent and interesting, creating a wonderful musical flow that seems to be over way too soon, leaving the listener wishing for more.

The level of execution is of course nothing short of excellent all the way through and these "youngsters" sound like Jazz veterans, which never ceases to amaze. The saxophone unisono parts are a neat and effective arrangement trick, which produces a "big" sound of the entire sextet and wonderful harmonic "colorization". Klekowicki seems to be proficient both on trombone and flugelhorn, thus adding sonoric diversity to the entire album. Jarzmik is of course also a terrific piano player and his superb melodic phrases ale balsam on the ears. The rhythm section plays exactly what is expected of them, keeping strict time and not being obtrusive, which is what this music needs the most, being already dense enough, but they get an opportunity to shine as well.

Overall this is a first class debut effort, which gives Klekowicki a solid head start of his career. He joins the ranks of the young generation of European Jazz musicians, who proudly keep the idiom alive and kicking, making us, the elders, smile with hope that not all is lost. Albums like that one are heartwarming and obviously highly recommended. Already waiting for the next one!

Updated: 21/02/2019Posted: 21/02/2019

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WOJCIECH LICHTANSKI ~ IGA
AUDIO CAVE 2019/002 (Barcode: 5905669566681) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019

This is the second album by the young and upcoming Polish Jazz saxophonist / composer Wojciech LichtanskiFind albums by this artist, recorded in a classic quartet setting with players of his generation: pianist Mateusz PalkaFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Patryk DoboszFind albums by this artist, collectively called the QuestionsFind albums by this artist quartet. The album presents nine compositions, eight of which are originals by Lichtanski and one is a standard. The music was recorded at the excellent Monochrom Studio and offers a remarkable sound quality, as expected.

During the five years that separate this album from the debut Lichtanski recorded rather sparingly and as a result this album was highly anticipated. Happily he is able to fulfill the expectations, coming up a long way both as a saxophonist and more importantly as a composer. The music on this album offers a solid and coherent selection of excellent compositions, which are all within the modern mainstream idiom, but offer diversity and sophistication, and most importantly wonderful melodic themes. The treatment of the standard, which usually is a kind of filler on most albums, is absolutely sublime and constitutes one of the strongest statements on the album.

From the early days of his career it was obvious that Lichtanski is an exceptional instrumentalist. Having matured and polished his chops, his saxophone playing a true delight, both technically and emotionally. But his most important forte is the wonderful tone he manages to produce both on the alto and soprano saxophones. It is sweat and mellow, but steady and firm at all times and makes him one of the most distinct voices on the young Polish Jazz saxophone scene, amazingly effective both as a romantic "crooner" and a scorching improviser.

All three players accompanying Lichtanski are already established talents with respected recording legacy, so their superb performances are hardly surprising. Palka is a great pianist and his unexpected accordion contributions on this album are a nice touch. Dworak is a very supportive and creative bassist and does a superb job here. Dobosz, who also has an impressive record behind him, is a tad too busy on this album (my very personal feeling) and too high in the mix, but obviously a first class player.

Overall this is a beautiful album, in many respects the true debut as far as Lichtanski´s career is concerned, which offers excellent modern Jazz of the highest standard, which should satisfy any true Jazz connoisseur on this planet. Wholeheartedly recommended!

Updated: 13/04/2019Posted: 13/04/2019

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SILBERMAN QUARTET ~ ASANISIMASA
AUDIO CAVE 2019/003 (Barcode: 5905669566728) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019

This is the fifth album released under the "Silberman" moniker, this time recorded by a quartet of Polish Jazz musicians: keyboardists Dorota ZaziabloFind albums by this artist (who played on the debut album) and Mateusz GawedaFind albums by this artist (who played on the third and fourth albums), bassist Jakub MielcarekFind albums by this artist (who also played on the previous two albums) and drummer Lukasz StworzewiczFind albums by this artist (a.k.a. SilbermanFind albums by this artist). Together they perform seven compositions, four by Stworzewicz, one credited to all four members of the quartet, one of unknown origin and finally one based on a Classical piece by the Tatar-Russian composer Sofia GubaidulinaFind albums by this artist, which makes me happy that she is finally being discovered by young musicians.

The music is a wild amalgam of stylistic influences, constantly moving between Avant-Garde Jazz, Improvised Music and mainstream Jazz. The double-keyboards lineup opens wide possibilities between the acoustic piano and the synthesizer sounds, which are fascinating and constantly changing. There are some very nice melodic themes scattered between the more open / improvised pieces, which helps to maintain a nice balance and coherent diversity.

Both keyboards players manage to produce a kaleidoscope of sound vistas, which is quite innovative and more importantly they support and complement each other successfully. Mielcarek does a splendid job, both as a rhythmic, Jazz oriented player and as an improviser, including some surprising bow work. Stworzewicz is of course one of the most original drummers on the Polish scene and his work on this album emphasizes his maturity and stylistic freshness.

The album not only offers some superb music and excellent execution, but also a musical and sound concept as a whole. The dark, often minimalist atmosphere and the atypical lineup, combined with the weird / atypical sound of the drums, offer to the listener a whole new experience, which happens relatively rarely. Although not specifically stated as such (except perhaps by the album´s artwork), this music definitely offers a musical parallel to the film noir, or perhaps an imaginary soundtrack to an imaginary movie created in that genre. The ambience of uncertainty, apprehension and ambivalence is certainly present within the music, although obviously echoes differently with each listener.

In retrospect this is certainly the most coherent and mature album recorded under the "Silberman" moniker so far, and a truly unique piece of music, which stands out even on the extremely competitive Polish Jazz scene. It should be listened to not only by Jazz listeners, but by all open-minded music connoisseurs, who are always searching for new thrills. Hats off to the Silberman phenomenon ;)

Updated: 12/04/2019Posted: 12/04/2019

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NON VIOLENT COMMUNICATION ~ OBSERWACJE
AUDIO CAVE 2019/004 (Barcode: 5905669566704) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2018 Released: 2019

This is the debut album by the Polish Quasi-Jazz quartet Non Violent CommunicationFind albums by this artist, which consists of saxophonist Rafal WawszkiewiczFind albums by this artist, electronics manipulator Michal GlowackiFind albums by this artist, bassist Lukasz LembasFind albums by this artist and drummer Arek LerchFind albums by this artist. The album offers four lengthy sound vistas, not credited on the album´s artwork and assumed to be co-composed by all four quartet members.

The music hits the listener right in the stomach from the first moment and keeps pushing relentlessly till the very last notes with an avalanche of sound in the true "wall of sound" tradition, which is extremely potent and effective. There is little melody as such, rather sound riffs that the saxophone develops into continuous improvisation, backed up by a solid bass groove and busy, but coherent drumming, all of which happens over sheets of electronic ambient noise. As strange as all this might sound, all this mayhem makes perfect sense and the music is overwhelmingly successful. Any attempt to categorize this weird but beautiful experiment is futile as it defines a completely, although not entirely innovative, new idiom.

Wawszkiewicz is a monster saxophonist, perhaps not by Jazz standards, but he is able to keep the music rolling and not repeat himself for the entire duration. He plays like a Rock star on speed, but never loses control or focus. The rhythm section is there behind the saxophone at all times, with the bass steady like a rock, pulsating like a swinging heartbeat and the drums all over the place but always exactly on time. But it is the electronics that make all the difference here, since the saxophone / rhythm section would have probably run out of steam and sound hollow without the background effects.

Without analyzing the music much further, this album is a sound bomb that resonates with such power that it simply can´t be ignored. I can already see the faces of the Jazz "critics" trying to swallow this music, sweating profusely.

This is definitely an event, that happens only every now and than and one can only hope that some people will really get it. Personally I love it to bits and hope it gets the attention it deserves, which is not always the case with truly innovative and daring music. Congratulations are in order!

Updated: 13/04/2019Posted: 13/04/2019

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ADAM JARZMIK ~ ON THE WAY HOME
AUDIO CAVE 2019/005 (Barcode: 5905669566742) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019

This is the third album by young Polish Jazz pianist / composer Adam JarzmikFind albums by this artist recorded with the same quintet that accompanied him on the two previous albums: saxophonist Jakub LepaFind albums by this artist, trumpeter Pawel PalcowskiFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Piotr BudniakFind albums by this artist, but expanded to a sextet by the presence of the American guitarist Mike MorenoFind albums by this artist. The album presents six original compositions, all by Jarzmik. The music was recorded at the Monochrome Studio by Ignacy GruszeckiFind albums by this artist, and offers the expected excellent sound quality.

The music is again kept strictly within the mainstream Jazz idiom and although the compositions are solid and well developed, they seem to be stuck in the same mold that created the two earlier recordings. Usually by the third album young Polish Jazz composers come up with a more open formula, which allows them to spread their wings and move into new territory, but this does not happen on this album. This does not mean that the music is not valuable, but it does not fulfill the high hopes that were expected.

Of course the musicians involved are all highly professional players, with slick licks and polished technique, and the music is definitely very well performed, but remains somewhat mechanical and lackluster. Moreno, albeit his experience and reputation adds very little, if anything at all to the album´s contents, and the music would have sounded about the same without him.

Overall this is a relatively less successful effort by Jarzmik and his excellent team, definitely not up to par with his earlier work, but still offering highly professional original mainstream Jazz. Better luck next time I hope ;)

Updated: 14/04/2019Posted: 14/04/2019

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MARK LOTZ TRIO ~ THE WROCLAW SESSIONS
AUDIO CAVE 2019/006 (Barcode: 5905669566759) ~ GERMANY ~ Jazz
Recorded: 2018 Released: 2019

This is the debut album by a trio led by veteran German (resident in Netherlands) flautist / composer Mark Alban LotzFind albums by this artist with Polish bassist Grzegorz PiaseckiFind albums by this artist and drummer Wojciech BulinskiFind albums by this artist. The music was recorded during an impromptu recording session, organized while Lotz gave master classes in Wroclaw. The album presents nine tracks, six of which were recorded by the trio and three by a duo of Lotz and Piasecki due to Bulinski´s illness. Two of the tracks are composed / co-composed by Lotz, two others are co-composed by Lotz and Piasecki and five are Jazz / Pop standards.

Although by and large based on composed themes, the music is mostly improvised and offers an informal, free spirited atmosphere, which is quite enjoyable in view of the tendency to take Jazz way too seriously and in a cerebral fashion, forgetting about the intrinsic spontaneity it is supposed to be based on. Despite the obvious age and experience differences between Lotz and the two Polish Jazz youngsters, the trio manages to achieve a coherent and quite inventive cooperation and the result is surprisingly pleasing.

The flute is a sadly neglected instrument in Jazz and therefore hearing great flute performances is always a joyful experience for yours truly, especially since it happens to be one of my favorite instruments. The album´s liner notes mention the legendary Dutch flautist Chris HinzeFind albums by this artist, one of the great European Jazz pioneers since the late 1960s and a superb player / composer, which of course bring on fond memories. Lotz has an impressive recorded legacy, which sadly I am not all too well familiar with, but his biography and interest in World Music is certainly reflected in the music present on this album.

Overall this is a document of a moment captured in the studio, which is definitely worth investigating, even if it does not offer any grandiose revelations. It is honest, well played and interesting Jazz music, spirited and enjoyable, which obviously deserves to be captured for posterity. An absolute must for Jazz flute connoisseurs, obviously!

Updated: 27/04/2019Posted: 27/04/2019

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MODULAR STRING TRIO ~ CHLOROFIL
AUDIO CAVE 2019/007 (Barcode: 5905669566780) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2017 Released: 2019

This is the third album by the Polish / Ukrainian Avant-Garde / Improvised Music quartet called Modular String TrioFind albums by this artist, which combines a string trio: violinist Sergiy OkhrimchukFind albums by this artist, cellist Robert JedrzejewskiFind albums by this artist and bassist Jacek MazurkiewiczFind albums by this artist and the modular synthesizer player Lukasz KacperczykFind albums by this artist. As appropriate for the genre, the album was recorded live and presents five spontaneous pieces, attributed to all four members of the quartet.

The music of the quartet tries to balance the trialogue within the string trio with a dialogue between the trio and the synthesizer, which often requires quite an effort from the listener, following the twists and turns of the plethora of sounds being created in tandem. The beauty of it is that the acoustic sounds of the string instruments and the electronic sounds of the synthesizer amalgamate together almost effortlessly and even "harmoniously", even when conventional harmony is not part of the happening.

It is difficult to talk about beauty in the conventional sense as far as this music is concerned, but personally I found most if it aesthetically pleasing. The individual contributions of all four participants are electrifying and highly dexterous, as is the level of the "telepathic" interplay between them. Personally I appreciate the role of Mazurkiewicz as the anchor of the entire live event and both his arco and plucking technique are what keeps the music together.

Before listening to the music I read my review of their previous album, and to my surprise it seems that the quartet found in this music some of the elements that I pointed out as missing then; this music is definitely more structured and intrinsically more coherent, which immediately results in it being more accessible that the two earlier albums. Of course this is by all means still a hard-core Avant-Garde, which eschews almost all conventional musical means of expression, but on the other hand a much wider circle of open-minded listeners should be able to "get into" this music without much ado and perhaps even truly enjoy it.

While exploring this album I soberly reflected on the contrast between the emotional and intellectual effort involved in listening to this music and the nihilistic effortlessness involved in listening to thousands of almost identical conventional mainstream Jazz albums out there… thank God for the ability to think outside of the box…

Updated: 31/10/2019Posted: 31/10/2019

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SO SLOW ~ W OTWARTE DLONIE POWIETRZE SYPIE GRUZ PRZEDSWITU
AUDIO CAVE 2019/008 (Barcode: 5905669566797) ~ POLAND ~ Electronic & Ambient
Recorded: 2018 Released: 2019

This is the fourth album by Polish Alternative Rock group So SlowFind albums by this artist, which includes vocalist Michal GlowackiFind albums by this artist, who is also in charge of electronics, guitarist Daniel KryjFind albums by this artist, bassist Adam StepienFind albums by this artist and drummer Arek LerchFind albums by this artist. The former bassist of the group, Lukasz LembasFind albums by this artist, played on three of the tracks, before he was replaced by Stepien. Jazz trumpeter Wojciech JachnaFind albums by this artist played a solo on one of the tracks. The album presents five tracks, all collectively credited to the group´s members, with lyrics by Glowacki. The opening track is a short introduction and the remaining four tracks are extended pieces lasting on average about ten minutes each.

Glowacki, Lembas and Lerch are also members of the Non Violent CommunicationFind albums by this artist quartet, which released its stunning debut album "ObserwacjeFind albums with this title" earlier this year (2019), and not surprisingly there are some musical parallels between these albums, although So Slow are definitely more Ambient / Electronic oriented and their music is dramatically less contents oriented, intended rather to serve as an imaginary soundtrack to whatever goes through the head of the listener at the time the music is playing.

The electronics provide a steady "wall of sound" effect; the rhythm section supplies a steady pulsation, although attentive listening will allow the listener to hear many subtle variations. The guitar is the only source of melodic riffs, usually repeated continuously with subtle variations as well. The "vocals" are heard only well back in the background and serve more as a hint than real source of acoustic information. In total an atmosphere of mystery and tension prevails.

One can only wonder how the album would have sounded if Jachna was a permanent member of the group and played for the entire duration of the music, but for the few minutes he does play here the music crosses into an entirely new dimension and becomes absolutely magical.

The minimalist / monotonous background that this music is based on offers a possibility to the listener to enter a hypnotic state of total submission, which creates a unifying experience between the musicians and their audience. Personally I found it to be fascinating, but other listeners unable to "follow" might find this music eccentric and uninviting.

Overall this is definitely a piece of music worth exploring and offers highly emotional, although seemingly minimalist scenery. Sadly I am not familiar with the group´s earlier recordings, which would have enabled me to offer some comments on the group´s musical path over time, but based just on just this limited glimpse, they are searching and exploring, which is already highly unusual and certainly commendable. Hoping to hear more soon!

Updated: 09/11/2019Posted: 09/11/2019

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TOMASZ DABROWSKI / FREE4ARTS ~ WHEN I COME ACROSS
AUDIO CAVE 2019/009 (Barcode: 5905669566810) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2017 Released: 2019

This is the second album by Polish Jazz trumpeter / composer Tomasz DabrowskiFind albums by this artist and his Danish quartet Free4ArtsFind albums by this artist, which also includes baritone saxophonist Sven Dam MeinildFind albums by this artist, drummer Kasper Tom ChristiansenFind albums by this artist and this time guitarist Simon KrebsFind albums by this artist, who replaced pianist Jacob AnderskovFind albums by this artist that played on the debut album. The album presents seven original compositions, all by Dabrowski.

In many respects this album continues the direction set by the debut, which moves completely into Avant-Garde Jazz, far away from traditional, melody based Jazz, flirting also with contemporary Chamber Music explorations. The music offers some melodic motifs but those often get hidden to a less experienced listener by the group improvisations. Without the presence of bass and now also the piano, there is almost no conventional harmony and rhythmic continuity, which leaves it to the listener to connect the dots. The sharp sound of the guitar is initially somewhat weird and takes time to get used to within the otherwise acoustic environment.

The music is mostly very subdued and delicate, low profile and quietly streaming, with long passages that involve solos, duets and trios and rarely the entire quartet. It seems Dabrowski is trying to re-define the known parameters of Jazz and Improvised Music, stretching the existing limits of these idioms. He uses the trumpet to produce a plethora of unusual sound effects that often do not resemble the conventional sound of the instrument. The same can be said about Christiansen, who again proves to be one of the most creative European Jazz drummers, moving on a completely unique acoustic parallax, again re-defining the role of drums in contemporary music. Unexpectedly, it is the guitar which turns out to be the most conventional factor of this music, playing at times long melodic strings of notes.

In many respects this is the boldest and most adventurous project Dabrowski headed in the decade-long period of his artistic development. It is completely uncompromising and boldly unconventional, against all odds. Hopefully the music, despite its estranged exterior, will find sympathetic, open-minded audience in time. Avant-Garde was never a rewarding and smooth career choice and Dabrowski and his cohorts deserve our respect for pushing the boundaries time and again.

Updated: 04/10/2019Posted: 04/10/2019

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TATVAMASI ~ HALDUR BILDUR
AUDIO CAVE 2019/010 (Barcode: 5905669566827) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2019 Released: 2019

This is the fifth album by Polish quartet TatvamasiFind albums by this artist, led by guitarist / composer Grzegorz LesiakFind albums by this artist, which also includes saxophonist Tomasz PiatekFind albums by this artist, bassist Lukasz DownarFind albums by this artist and drummer Krzysztof RedasFind albums by this artist. On this album the quartet is expanded to a septet with the addition of violinist Anna WitkowskaFind albums by this artist-Piatek, cellist Malgorzata PietronFind albums by this artist and trumpeter Jan MichalecFind albums by this artist (all three participated on earlier albums of the quartet). The album presents just four extended tracks, all composed by Lesiak.

As usual with Tatvamasi´s music, it manages to stay beyond conventional categorization, which is obviously its strength and magic. These long expanded sonic vistas are explorations of melodic themes, riffs, groove, beat and World Music influences, completely intertwined within each other. The best strategy is simply to let go of any attempt of analyzing this music intellectually and let it take you wherever it goes by itself, trusting the musicians submissively. The music is considerably less Avant-Garde oriented this time (except for the last piece), with way more melodic contents, which obviously serves the group´s ability to communicate with the listener.

Whereas the previous album by Tatvamasi ("Amor FatiFind albums with this title") left me somewhat cold / confused, they returned with vengeance this time producing a condensed, fully focused and better recorded piece of superb music, which takes no prisoners. The strings are this time completely integrated within the fabric of the group´s sound and add another important dimension. Michalec, who already appeared on two earlier albums by the group, seems to be an integral part of the improvising tour de force.

Overall this is an excellent album, probably the group´s best offering to date, which finds the group in top form and takes the listener on a hypnotic and unstoppable ride through a kaleidoscope of sounds, rhythms and melodies, which are continuously changing and chasing one development after another and yet manage to stay focused and coherent for the entire duration. Regardless if you are into Rock, Prog, Jazz or Fusion, this album offers plenty of all of those and more. Hats off!

Updated: 26/10/2019Posted: 26/10/2019

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WIECEK & GAWEDA QUINTET ~ BERRY
AUDIO CAVE 2019/011 (Barcode: 5905669566841) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2019

This is the debut album by a quintet co-led by two of the most noticeable upcoming Polish Jazz musicians in the last decade: saxophonist / composer Kuba WiecekFind albums by this artist and pianist / composer Mateusz GawedaFind albums by this artist. The quintet also includes veteran American trumpeter Ralph AlessiFind albums by this artist, Polish bassist Max MuchaFind albums by this artist and German drummer Moritz BaumgartnerFind albums by this artist. The album presents nine original compositions, all co-credited to Wiecek & Gaweda.

The music is typical American Post-bop based on sketchy melodic themes and open to extensive improvisations by the quintet members. The outcome of such approach is totally dependent on the musical chemistry that develops between the musicians and their ability to offer group improvisation, which is more important than the individual improvisations each of the participants is capable of.

This quintet is a collection of very strong musical personalities, each and every one of which is an accomplished performer, leader and composer on his own right. The question arises of course if this specific grouping of musicians works well in total, which as far as I am concerned remains undetermined. There is certainly a lack of balance as far as soloing is concerned, with Alessi, who in my opinion is definitely not the most interesting soloist herein, playing most of the soli whereas Wiecek is almost completely silent except for the unisono intros, outros and a few brief solos. Gaweda and the rhythm section manage to hold their ground all in all and the piano trio parts are the highlight of this album.

There is also the basic stylistic dissonance that hinders the quintet´s unity, with Alessi pushing the music into the Bebop schematics whereas the four young Europeans are trying to break away into the freedom zone, time after time.

Having said all that, this is still a very interesting album, which offers some great playing and joyful, spirited music, which is very enjoyable to listen to. The four young Europeans have the whole life ahead of them and this album proves their incredible talents, which surely will bring us all a lot of superb music in the future.

Updated: 15/11/2019Posted: 09/11/2019

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SOUNDCHECK ~ MARTIN LUTHER: SUITE FOR JAZZ QUARTET
AUDIO CAVE 2019/012 (Barcode: 5905669566865) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2019

This is the fifth (although by my count the sixth) album by the excellent Polish Jazz quartet SoundcheckFind albums by this artist led by saxophonist / composer Maciej KocinskiFind albums by this artist with pianist Krzysztof DysFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. It presents a six-part suite dedicated to the great reformist Martin LutherFind albums by this artist and one additional bonus tracks, all composed by the leader.

The album marks the return to "active duty" by the quartet, which was almost completely absent from the scene in the last seven years of so, with their last recordings dated 2012 (including also Kocinski´s debut solo album recorded and released that same year). Since their formation in 2002 and the release of their debut album on 2005, Soundcheck experienced a meteoric rise to stardom, reaching the status of one of the very best young Polish / European Jazz ensembles, and therefore their disappearance from the scene was as mysterious as it was heartrending. I was glad to see Kocinski´s name popping up on two Polish Jazz albums recorded in 2018, and this album under the quartet´s moniker is a happy occasion, although the music was recorded back in 2015 and was a part of Kocinski´s Ph.D. thesis rather than a planned full fledged release. In the liner notes Kocinski talks about his emotional and intellectual involvement with Luther´s ideas and teachings, both those about the religious and the social ideology behind the reformation.

Musically the album is noticeably more reflective and reserved that the quartet´s earlier work, full of lyrical melodic themes, which are slowly developed by the quartet. It is also more constrained and allows less free improvisation, mostly staying on a firm melodic ground. The individual performances by the quartet members, although as brilliant as always, are less extrovert and flashy, displaying mostly concentration and elegance. Make no mistake, these are some of Polish Jazz best players today, but this recording in definitely not intended to show off and speaks strongly to true connoisseurs rather than Jazz adventurers.

Personally I love this music, but considering the rapid progress and the incredible level of contemporary Polish Jazz scene, its density, competitiveness and incredible overflow of superb recordings, this album could be endangered by the tendency to be overlooked. Seven years in such circumstances could be significant and Jazz "critics" / listeners unfamiliar with the quartet´s legacy and Artistic scope could probably miss the point, as it happens way too often. Hopefully that will not happen in this case.

Glad to see you back, hoping for a real new album to be recorded and released ASAP and wishing you all the best, as always. What a great soundcheck this is ;)

Updated: 07/11/2019Posted: 07/11/2019

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OLES BROTHERS ~ ALONE TOGETHER
AUDIO CAVE 2019/013 ~ POLAND ~ Jazz
Recorded: 2019 Released: 2019

I can hardly think of a more appropriate way to wrap up (well almost) the Polish Jazz releases for the year 2019 than by writing about this album by two of the most prominent Polish Jazz musicians: bassist / composer Marcin OlesFind albums by this artist and his twin brother, drummer / composer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist), who also happen to be my friends. The album consists in fact of two separate mini-albums (on two separate CDs), each presenting a solo album: "Lapidaria" by Marcin with six original solo bass compositions and "The Drum Tower" by Bartlomiej with a five-parts suite for solo drums composed by him. The album celebrates the twentieth anniversary of their activity on the European Jazz scene and was recorded at the MaQ Records Studio and engineered by Michal RosickiFind albums by this artist with spectacular sonic quality.

In the early days of their musical journey Marcin and Bartlomiej already released solo albums ("Ornette On BassFind albums with this title" and "FreeDrum SuiteFind albums with this title" respectively), which makes this album into a symbolic closing of a creative circle. In spite of the extremely difficult naked environment, their solo music is full of intrinsic melody even if not explicitly articulated. They are always able to tell a "story" with their music, which keeps the listener mesmerized for the duration.

Anybody listening attentively to these two mini-albums should be easily convinced that the Oles Brothers turned their skills and experience in time into an Art Form. Their essence outgrew the basic rhythm section role they so splendidly demonstrated on the many records they took part in during the last two decades, and eventually produced a couple of visionary musicians, who, whether separately or together, are always able to achieve the highest levels of spiritual and emotional expressionism.

The intimate music that this album offers is obviously less spectacular than most other albums released this year, but its depth easily defends its importance and significance. Minimalism is so much more difficult to be understood and appreciated, and yet alone or together Oles Brothers are iconic musicians and their statements, individually and collectively, remain the core of European Jazz aesthetics.

It makes me happy to hear a new album by the Oles Brothers after a period of relative inactivity, as it is able to fill my heart with joy and my mind with gratitude for their music and the inspiration it generates. Thank you, as always!

Updated: 28/02/2022Posted: 26/12/2019

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LIZARD ~ MASTER & M (REMASTERED)
AUDIO CAVE 2019/014 (Barcode: 5905669566896) ~ POLAND ~ Progressive Rock
Recorded: 2012 - 2013 Released: 2019

This is a reissue of the fifth studio album by the Polish Prog group LizardFind albums by this artist, released originally in 2013. The band is led by the charismatic vocalist / guitarist / songwriter Damian BydlinskiFind albums by this artist, who composed all the music and wrote all the lyrics (in Polish), and includes also bassist Janusz TanistraFind albums by this artist, guitarist Daniel KurtykaFind albums by this artist, keyboardist Pawel FabrowiczFind albums by this artist and drummer Aleksander SzalajkoFind albums by this artist. The album presents just one concept suite, divided into five "chapters" loosely based on the influential Mikhail BulgakovFind albums by this artist´s novel "The Master and Margarita". This edition was newly remastered and adds one bonus track recorded live in 2015 during the bands 25th Anniversary celebration concert, which features drummer Mariusz SzulakowskiFind albums by this artist, who replaced Szalajko.

The music is everything a Neo-Prog enthusiast dares to expect, including lush melodic themes, strong heavy riffs, lengthy instrumental improvisations and theatrical vocals – in short heaven on Prog earth. Everything works perfectly with no margin for error, with the instrumental parts perfectly stitched together and the vocals leading the proceedings being expressive enough to easily cross any language barriers, meaning that Prog lovers not speaking Polish can still fully enjoy the music as well.

Like all Neo-Prog albums the music gets a bit repetitious in time, which is great if one enters the trans like state of mind that many Prog albums require in order to fully enjoy the music, but is luckily dynamic enough to keep the listener awake, in spite of the fact that rhythmically the music is completely uniform. But the instrumental performances and the vocal parts are all as good as one might expect within the genre´s limitations and overall the album is really great fun to listen to. With the vastly improved sound quality and clarity of the remaster, this is definitely worth investigating, especially in view of the fact that Prog sadly is a dying species these days.

Updated: 21/09/2021Posted: 17/01/2020

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TUBIS TRIO ~ SO US
AUDIO CAVE 2019/015 (Barcode: 5905669566872) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2019 Released: 2019

This is the fifth album by Polish piano trio called Tubis TrioFind albums by this artist, led by pianist / composer Maciej TubisFind albums by this artist and including bassist Pawel PuszczaloFind albums by this artist and drummer Przemyslaw PacanFind albums by this artist. The album presents eight original compositions, all by the leader.

The music is melody based, with emphasis on long cyclic repetitions of the themes with little variance and subtle dynamic changes. The powerful piano parts are dominating the proceedings almost completely, which leaves very little space for the rhythm section to add anything except rhythmic assistance. As a result the trio functions as a very tight musical unit, producing an intense, almost wall of sound effect.

It is difficult to classify this music as strict Jazz, in spite of the fact that it does include improvisations, since its ambience is closer to Classical Music in many respects and its rhythmic elements do not swing in a classic Jazzy way. But regardless of what on tries to classify it as, it can be very appealing to Jazz lovers as well. Tubis piano playing is certainly impressive enough to keep piano lovers happy.

The only problem with this album, as far as I am concerned, is the fact that all the albums by the trio (except for the album that precedes this one, which was a special project) are very similar in sound and structure, and do not show a clear path towards new ventures, which naturally slips dangerously into the déjà vu area, so much so that the album´s title is almost ominous. Hopefully this will change with the trio´s next album.

Updated: 13/01/2020Posted: 13/01/2020

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JAZZPOSPOLITA ~ PRZYPLYW
AUDIO CAVE 2020/001 (Barcode: 5905669566988) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020

This is the seventh album by Polish ensemble JazzpospolitaFind albums by this artist, led by bassist Stefan NowakowskiFind albums by this artist, which also includes keyboardist Michal ZaleskiFind albums by this artist, guitarist Lukasz BorowickiFind albums by this artist and drummer Karol DomanskiFind albums by this artist. The album, recorded following a period of hiatus, personnel changes and inactivity, seems to find the ensemble back in full form. It presents eight original compositions, four composed by Nowakowski, three by Borowicki and one by Zaleski, which is a change as on the earlier albums the music was always co-credited to the entire lineup.

The album is dominated by the beautiful sound of Borowicki´s guitar, who recorded four splendid albums as a leader before joining Jazzpospolita. Stylistically the music is somewhat more Jazz oriented than the earlier albums by the ensemble, but preserves both the Rock and Ambient subtext, which dominated the early releases and which brought them the popularity they enjoyed for an entire decade. Zaleski provides a rich harmonic background for the guitar front lines and the rhythm section keeps the music flowing steadily.

The music is difficult to classify, as it easily belongs to a wide range of sub-styles of Fusion and even Progressive Rock on one hand and at the same time is pretty unique. Beautiful melodic riffs repeated over energetic rhythmic patterns are hypnotic enough to engulf the listener and keep him enchanted as long as the music is playing and leaves him wishing for more.

It is great to see Jazzpospolita back on the scene and I hope to catch them live again soon, as their live shows are always a remarkable experience. For their many fans this album is a solid continuation of their earlier efforts, but it is also a great opportunity for new listeners to get exposed to their music, which never fails to satisfy.

Updated: 20/03/2020Posted: 20/03/2020

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DANIEL TOLEDO ~ FLETCH
AUDIO CAVE 2020/002 (Barcode: 5908298549018) ~ ECUADOR ~ Avant-Garde Jazz
Recorded: 2018 Released: 2020

This is the third album by Ecuadorian bassist / composer Daniel ToledoFind albums by this artist, recorded in a classic quartet setting with all Polish team consisting of saxophonist Kuba WiecekFind albums by this artist, pianist Piotr OrzechowskiFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. The album presents seven original compositions, all composed by Toledo. The music was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist.

Toledo´s steady output of albums, starting in 2014 and offering a new recording every couple of years (I had the pleasure of writing the liner notes for his second album "AtriumFind albums with this title"), as well as his cooperation with Orzechowski, follow a steady course of development as a composer and player. The music on this album significantly departs from the earlier melody based conventional modern Jazz into a way more spacey, free spirited ventures and complex odd meters based rhythmic background. The metamorphosis is quite dramatic and presents Toledo in a completely new perception.

Orzechowski, who plays both acoustic and electric piano, and who is the focal soloist, takes upon himself a major role in voicing this new approach, playing of course as brilliantly as always, but again quite differently from his usual environment, and listeners familiar with his impressive output as instrumentalist will have an opportunity to hear him from a different point of view. Wiecek steps in boldly and this music seems to suit his stylistic preferences ideally. Although his statements are relatively limited they are all right on the money. Miskiewicz, one of Poland´s most versatile and experienced drummers, handles the difficult rhythmic challenges without a hitch, as expected. Toledo´s solid bass parts are of course the spinal chord which connects all the ingredients together.

Overall this is a difficult, serious piece of music, which although demanding, can be a source of great musical enjoyment, as long as the listener allows it the required attention and time needed to penetrate the external crust. Full of great ideas and superb performances, this is definitely something worthy of serious investigation.

Updated: 19/03/2020Posted: 19/03/2020

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LUKASZ OJDANA ~ KURPIAN SONGS & MEDITATIONS
AUDIO CAVE 2020/003 (Barcode: 5905669566971) ~ POLAND ~ Jazz-World Fusion
Recorded: 2019 Released: 2020

This is the debut album as a leader by Polish Jazz pianist / composer Lukasz OjdanaFind albums by this artist, recorded in a piano solo setting. The album presents twenty-one short tracks, eleven of which are traditional Kurpian (Kurpie is an ethnic region in Poland) melodies and ten are original compositions by Ojdana, inspired by Kurpian motives. Mariia OjdanaFind albums by this artist adds vocals on one track. The album was beautifully recorded at the Studio Tokarnia, engineered by Jan SmoczynskiFind albums by this artist, offering a spectacular piano ambience worth the attention of sound quality connoisseurs.

Ojdana, best known as a member of the prominent RGGFind albums by this artist piano trio, decided to draw his inspiration for this album form the rich Polish Folklore musical heritage. The idiosyncratic Kurpian music fascinated him not only because of its beauty, but also due to the challenge of performing the music on the piano, which is not designed to articulate the quarter tones this traditional music requires. The challenge of the harmonic adaptation the pianist must perform here is truly fascinating and the final result is deeply moving.

Polish Jazz embraces the Fusion of Jazz and traditional Polish Folklore since its early days and some of such projects are true beacons of ingenuity and talent. This album successfully continues this tradition, creating music that naturally amalgamates the seemingly completely different idioms into a new formation, which works out both culturally and aesthetically. The sublime lyricism, melancholy and poetic beauty this music offers is a wonderful example of East European approach to Jazz, which manages to connect with the Cultural roots of the People of the region, transforming the Jazz tradition into an extension of the local Culture, rather than copying its foreign origins.

In spite of its complexity this music is wonderfully, almost heartbreakingly melodic, which creates a deception of "easiness", opening this music to a wide range of listeners. Like all great works of Art, this music can be absorbed on many different levels, between the simplistic, melody based attitude and the highly sophisticated harmonic / structural analysis of the entire concept, leaving the entire range of listeners equally satisfied.

This album offers a great opportunity to get a new perspective on Ojdana´s musical personality. His work with RGG portrays him in many other areas of Jazz, from elegant and ambitious modern Jazz to Avant-Garde explorations, but this album shows him as contemplative, romantic virtuoso, with a cryptic smile and a charmingly bashful manner.

Piano lovers, Polish Jazz followers and all true music enthusiasts should find this alum irresistible; a true gem!

Updated: 16/03/2020Posted: 16/03/2020

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HUNGER PANGS ~ II
AUDIO CAVE 2020/004 (Barcode: 5905669566940) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2016 Released: 2020

This is the second album by the Hunger PangsFind albums by this artist trio, which comprises of Polish guitarist Marek KadzielaFind albums by this artist, Polish (resident in Denmark) trumpeter Tomasz DabrowskiFind albums by this artist and Danish drummer Kasper Tom ChristiansenFind albums by this artist. The album presents six original compositions, three by Kadziela, two by Christiansen and one by Dabrowski. For reasons unknown to me, the album recorded four years earlier, is being released only now.

The music continues the direction set by the trio´s debut, which mixes composed themes with free (collective) improvisation on one hand and Rock versus Free Jazz interactions on the other. The music is often rather minimalist, with three distinct instrumental voices merged together into one fabric. The individual parts are perfectly audible at all times and the amalgam happens more in the listener´s brain than actually within the music.

All three musicians are strong individual voices, each of them with impressive recorded legacy under the belt in spite of their relative young age. Their work together is a typical example of being more than just a sum of their individual contributions, and certainly manages to be a fascinating listening experience throughout.

As a big fan Dabrowski, his contributions usually draw my attention immediately and as usual he does not disappoint here. His virtuosic trumpet parts are simply outstanding; both technically and emotionally, and firmly assert his position as one of the leading European Jazz trumpeters of the last decade.

It took me a while to appreciate the talents of Kadziela, but hearing him perform live several times in the last years broke the ice and convinced me as to his great talent as well. He is a very unique and forward thinking player and composer, firmly stuck in the proud legacy of the Rock idiom, but always taking his music beyond the ordinary. He is certainly one of the most interesting guitar players in the Polish scene at the moment.

Christiansen has also an impressive recorded legacy, which proves his outstanding position as a drummer, bandleader and for me especially as a composer. All his albums are superb examples of contemporary European Jazz and his contributions here are all in par with his usual excellence.

Overall this album is every bit as good as the debut and connoisseurs of contemporary Improvised Music / Avant-Garde Jazz should be perfectly happy with every note this album has to offer.

Updated: 22/05/2020Posted: 22/05/2020

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WOJCIECH JACHNA SQUAD ~ ELEMENTS
AUDIO CAVE 2020/005 (Barcode: 5908298549025) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the debut album by the Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also guitarist Marek MalinowskiFind albums by this artist, keyboardist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. Four of these musicians (except for Malinowski) recorded already an album together five years earlier, called "The Right MomentFind albums with this title". The album presents seven original compositions, three composed by Jachna, two co-composed by all five members of the ensemble and one each by Cichocki and Malinowski.

During the last decade (2010s) Jachna emerged as one of the leading representatives of the young (but rapidly maturing) Polish Jazz musicians, leading and taking part in many projects, which cover a diverse stylistic range between modern mainstream to advantageous avant-garde, managing to sound equally convincing regardless of the circumstances. The fact that his name appears on about thirty albums released during that period is no less than astonishing.

This album seems to fall somewhere in the middle of the range, based on strictly composed and melodic themes on one hand, but being widely open to momentary free improvisation excursions. The addition of the guitar added new colors and influences like Blues and even Fusion, albeit subtle enough to be distinguishable primarily by a trained ear. The overall sound of the ensemble is brighter and spacier than on the a.m. album and noticeably more electric, with the addition of synthesizer and electric guitar sounds.

Jachna´s trumpet parts, superb as always, seem to gradually gong more and more mellow and lyrical, loosing the rough edge that characterized his early days, which for me works all for the best. He is an absolute Master of minimalist expression and manages to create a remarkable amount of tension within relative brief solo parts.

But the rest of the ensemble players all perform beautifully as well, emerging as ideal partners to the leader and contributing impressive soloing and collective performances and excellent rhythm section backbone support, which is inventive and contributes essentially to the entire musical fabric. It is truly satisfying to see Jachna and his partners evolving and exploring, continuously producing wonderful albums on the way.

Overall this is a most impressive and deeply moving album, another great achievement for Jachna and his colleagues and a superb addition to his extensive recorded legacy. For all lovers of Polish / European Jazz this is an absolute must!

Updated: 28/05/2020Posted: 28/05/2020

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ORTALION ~ TRI-TONES
AUDIO CAVE 2020/006 (Barcode: 5908298549032) ~ POLAND ~ Avant-Garde Rock
Recorded: 2019 Released: 2020

This is the third album by Polish ensemble OrtalionFind albums by this artist, which comprises of keyboardist Cezary MorawskiFind albums by this artist, drummer Piotr MajkaFind albums by this artist, bassist Jacek BrzeziewiczFind albums by this artist, percussionist Jacek StromskiFind albums by this artist (in charge of samplers), saxophonist Marcin OtlowskiFind albums by this artist and trumpeter Robert JakubiecFind albums by this artist. Graphics / visuals artist Rafal ChomikFind albums by this artist is also listed as an ensemble member. Vocalist Mamadou Goo BaFind albums by this artist guests occasionally. The album presents seven original compositions (one in three parts), six of which are by Morawski and one by Brzeziewicz.

The music is an original amalgam of many contemporary Rock / Electronic / Ambient music trends, creating highly atmospheric vistas. In most cases the music is based on heavy hypnotic, repetitive riffs, with electronic keyboards spreading a cascade of eerie sounds on top. The brass instruments are sadly rarely audible, which is a pity since they could have added much more diversity and variety within the music. The few improvised solos by Otlowski and Jakubiec are definitely the highlights of the entire album.

The last track on the album offers an interpretation of a piece by the French modern composer Francis PoulencFind albums by this artist, which is completely different from the rest of the material, and which offers a glimpse of creative approach, being highly effective and perhaps most successful herein.

Overall this is a very enjoyable Alternative Rock album, which shows a lot of potential but lacks the spark to make it truly outstanding. I enjoyed the music while it lasted, but it left hardly any long lasting impression. But of course this is just my feeling and many listeners surely can find this much more exciting. People interested in Polish Alternative Rock should definitely check this out!

Updated: 24/05/2020Posted: 24/05/2020

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O.N.E. ~ ONE
AUDIO CAVE 2020/007 (Barcode: 5908298549063) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the debut album by Polish Jazz ensemble O.N.E.Find albums by this artist comprising of five female representatives of the young generation of the local scene: saxophonist Monika MucFind albums by this artist, violinist Dominika RusinowskaFind albums by this artist, pianist Paulina AtmanskaFind albums by this artist, bassist Kamila DrabekFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. The album presents seven pieces, three composed by Muc, two by Atamanska, one traditional tune and one composition by Krzysztof KomedaFind albums by this artist.

The music is quite characteristic of the young Polish Jazz scene; full of melancholy and folkloristic influences, strictly melody based but with open space for improvisation and soloing. The rather unusual instrumental lineup (see violin) creates a particular sound, which takes time to get used to. These Ladies have of course perfect schooling and a lot of playing experience behind them, which results in spotless execution, both by the front line and the rhythm section.

The original compositions are well structured, albeit a bit hesitant in their nature, which results in a certain lack of focus, as far as the album as a whole is concerned. But considering the fact that this is a debut offering, this is a minor point and can be easily forgiven.

This album offers a perfect opportunity to exam the timeless issue of "Women´s Jazz", which always annoys me. I´d rather leave gender out of music the same way we should avoid dealing with race or religion. We should concentrate on giving woman equal opportunity instead. As this album proves, women can be certainly as creative, adventurous and clever as men in every aspect of life.

Overall this is an important debut, which hopefully will open a recording continuance for this gathering of Jazz Amazons (daughters of Harmonia), for the years to come. Definitely worth investigating!

Updated: 31/03/2022Posted: 18/05/2020

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DIOMEDE ~ PRZYSPIEWKI
AUDIO CAVE 2020/008 (Barcode: 5908298549056) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2019 Released: 2020

This is the second album by Polish Jazz outfit DiomedeFind albums by this artist, which started as a duo of keyboardist Grzegorz TarwidFind albums by this artist and saxophonist Tomasz MarkaniczFind albums by this artist and on this album was expanded to a trio with the addition of drummer Hubert ZemlerFind albums by this artist. The album presents ten original compositions, which are not credited on the alum´s artwork and assumed to be co-composed by all three musicians.

The music seems to stick to the modus operandi of the debut album, presenting melodic pieces, which are only partly related to the Jazz idiom, but involve the element of improvisation and the adventurous spirit, and which could be easily perceived as Art Rock, cinematic music, World-Jazz Fusion and many other sun-genres. This chameleonic character of the music is truly charming and fascinating, and keeps the listener on his toes for the entire duration.

Tarwid emerges as one of the most interesting representatives of the young Polish Jazz scene, and his recorded legacy so far offers an astonishing stylistic diversity and unusual level of excellence, which are certainly worth watching closely. His contributions on this album are a clear indication of his multi-talented musical personality.

Markanicz evidently matured since the recording of the debut and his improvising skill and power of expression are certainly more impressive, placing him shoulder to shoulder with the two more experienced colleagues.

Joining forces with Zemler, who is another example of the strength and diversity of the Polish scene and a remarkable performer, certainly added a lot of new creativity into the outfit´s presence and strengthened the overall sound significantly, now able to present a full palette of an bona fide ensemble.

Overall this is a very impressive album, wonderfully unusual, rich in musical contents and surprising variety, excellently performed and obviously standing out as far as creativity and exploration are concerned. Absolutely well done, Gentlemen, and congratulations are in order for passing the critical sophomore album test.

Updated: 22/06/2020Posted: 22/06/2020

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KASIA OSTERCZY ~ TRAVEL ELEGY
AUDIO CAVE 2020/009 (Barcode: 5908298549070) ~ POLAND ~ Jazz & Poetry
Recorded: 2020 Released: 2020

This is the debut album by Polish Jazz vocalist / composer Kasia OsterczyFind albums by this artist recorded in a trio setting with saxophonist / clarinetist Kuba MarciniakFind albums by this artist and guitarist Piotr ScholzFind albums by this artist. It is a Jazz & Poetry project, which presents eight original compositions, all by Osterczy, two instrumentals and six songs with lyrics by Polish poetess Wislawa SzymborskaFind albums by this artist translated into English by Stanislaw BaranczakFind albums by this artist and Clare CavanaghFind albums by this artist. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist.

Form the first moment I took the album in my hands I was taken aback by the concept; why would a Polish singer perform Polish poetry in the English language? Tragically my worst fears turned out to be justified. For the entire duration of the album I was not able to understand a single word pronounced by the singer, that for several reasons:

Firstly the usual problem of pronunciation, accent and delivery that all Polish singers have while singing in English, which is a true plague of the Polish vocal Jazz scene in particular and music scene in general. This madness has been going on for decades and sadly is only spreading.

Secondly the arrangements, which call for the vocals to be accompanied unisono by the guitar or clarinet, hide the vocal parts making them in many instances hardly even audible. The shrill guitar sound and the high pitch of the vocals have a devastating result when heard together.

Thirdly the very idea of singing Polish poetry in English, other than possibly popularizing Polish Culture for non-Polish speaking audiences, is truly absurd. At least a text with the translated poems should have been included in the packaging? It is, after all, not a case where this album will be heard by millions of listeners outside Poland, is it?

There are of course some positive aspects to this album: the music is ambitious and interesting, the musicians are certainly able, and even the vocals are fine as long as they are vocalese only.

It makes me truly sad to think that this project might have achieved a completely different result if Osterczy had stuck to the beautiful original texts in Polish and the balance / separation between her voice and the accompanying instruments was different… oh well, a great pity.

Updated: 04/09/2020Posted: 04/09/2020

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OLES BROTHERS & PIOTR ORZECHOWSKI ~ WATERFALL
AUDIO CAVE 2020/011 (Barcode: 5908298549094) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the debut album by a "dream come true" Polish Jazz piano trio, which combines the forces of the brilliant rhythm section comprising of twin brothers Marcin OlesFind albums by this artist on bass and Bartlomiej OlesFind albums by this artist on drums (collectively known as Oles BrothersFind albums by this artist) with one of Poland´s most idiosyncratic, expressive and open-minded pianists Piotr OrzechowskiFind albums by this artist. It is therefore not surprising that the expectations from the music produced by this trio reach the zenith as far as Polish Jazz scene is concerned.

As the subtitle of this album ("Music Of Joe Zawinul") discloses, the subject of the album is the music composed by Austrian composer / keyboardist Josef Joe ZawinulFind albums by this artist, who left Austria in 1959 and moved to where Jazz "was happening", soon to become one of the most prominent musicians on the American scene, playing with Cannonball AdderleyFind albums by this artist and then Miles DavisFind albums by this artist, before forming the revolutionary ensemble Weather ReportFind albums by this artist and later Zawinul SyndicateFind albums by this artist.

Despite his success in America, Zawinul was in many respects a tragic figure as his European background and musical tradition never truly allowed him to integrate within American Jazz. Over the years he composed a superb body of music that attested to his European foundations, which was never fully understood by his fellow musicians at the time. Therefore the recognition of the European spirit in the music of Zawinul, which is fully recognized and openly stated by the creators of this album, offers an important historical and intellectual testimonial beyond the musical layer. This approach leads of course to a completely novel and unprecedented interpretation of Zawinul´s music, dominant to such extent that most music listeners familiar with these compositions in their original recorded form will probably not recognize these compositions easily (if at all) on this album.

As a result, the listeners are exposed to a completely new depth and beauty of Zawinul´s compositions, a presentation which deserves a highest respect for its ingenuity and boldness, qualities that are not surprising in case of Oles Brothers and Orzechowski.

The performances are of course absolutely stellar, with every single note and sound perfectly placed within the musical kaleidoscope. The clarity of the sound and the total involvement of these three musicians is absolutely phenomenal, standing apart from almost everything else one can find on record elsewhere. It seems that the magic touch of Oles Brothers and Orzechowski combined becomes not only a sum of their sublime qualities but rather their product

A word of warning for listener´s expecting anything like what Zawinul´s music sounded originally – this album demands a completely different level of involvement, concentration and open-mindedness.

Of course this is an immediate favorite as far as I am concerned, and as the year (dreadful 2020) nears its most welcome ending, this album jumps straight into the small heap of top albums of the year. It is a true revelation and I feel proud to be able to call the makers of this magnificent music my Friends. Thank you, as always!

Updated: 19/12/2020Posted: 19/12/2020

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KRZYSZTOF PACAN ~ STORY OF 82
AUDIO CAVE 2020/012 (Barcode: 5908298549124) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the second album as a leader by Polish Jazz bassist / composer Krzysztof PacanFind albums by this artist recorded in a quartet setting with saxophonist Radek NowickiFind albums by this artist, pianist Piotr WylezolFind albums by this artist and drummer Krzysztof DziedzicFind albums by this artist. Violist Marta ZalewskaFind albums by this artist guests on one track. The album presents seven original compositions, all by Pacan, who plays bass guitar exclusively on this album. The album, recorded at the Studio Tokarnia, offers an excellent sound quality, as expected.

The music is all melody based mainstream modern Jazz, often typically melancholic and lyrical in accordance with the Polish Jazz characteristics, but offering diverse stylistic variations. Personally the ballads seem to work best for me, but the level of the compositions is excellent throughout.

The level of performances is also excellent from start to finish, which is hardly surprising with these highly experienced professionals. Again, personally, Wylezol is the most creative contributor on this album, but Nowicki carries the tunes and solos without a hitch and Dziedzic offers a solid rhythmic support by the book. The leader stays somewhat behind, soloing sparingly and supplying steady bass pulsations that carry the music.

Overall this is a pleasant and excellently performed Jazz music, which should keep most Polish Jazz enthusiasts happy, emphasizing the incredibly high level of the local Jazz scene.

Updated: 28/02/2023Posted: 20/12/2020

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TATVAMASI ~ THE THIRD EAR MUSIC
AUDIO CAVE 2020/013 (Barcode: 5908298549186) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2018 - 2019 Released: 2020

This is the sixth album by Polish quartet TatvamasiFind albums by this artist, which documents a series of music meetings held under the slogan of the album´s title, recorded over a period of couple of years by the four members of the ensemble: guitarist Grzegorz LesiakFind albums by this artist, saxophonist Tomasz PiatekFind albums by this artist, bassist Lukasz DownarFind albums by this artist and drummer Krzysztof RedasFind albums by this artist and a plethora of guests from Poland and abroad, including Avant-Garde drummers Vasco TrillaFind albums by this artist from Spain and Peter OrinsFind albums by this artist from France. The album presents seven compositions, all uncredited and assumed to be a result of improvisations by the participating musicians.

The music, as expected from the underlying concept, is a series of extended improvisations, based on sketchy melodic fragments and rhythm patterns, which characterizes Improvised Music. It preserves to some extent the usual Jazz-Rock Fusion modus operandi of Tatvamasi that was dominating their earlier recordings, but expands the horizons and embraces Free Improvisation, basically letting things happen on the fly as they develop. The three pieces recorded by a quartet, with vocalist Marta GrzywaczFind albums by this artist (and without Piatek) are definitely the high point of the entire album pointing to a direction worth pursuing.

To be perfectly honest, as much as I like Tatvamasi, this stuff just doesn´t work for me as well as I expected it would. I admit to being somewhat fed up with the Improvised Music recordings that the Polish scene produces en mass and often without any selective process on one hand, and the fact that throwing a group of unrelated musicians in one room and let them play whatever comes to mind very rarely guarantees a spectacular result on the other hand. I appreciate the will to explore and search, and the courage to try something new, but hope this is a one time extravaganza, and the music will return to more productive exploration in the future.

Overall this is an interesting experiment, and as such worthy of appreciation, but the resulting music, stripped of the circumstantial excitement, is rather pale summa summarum, with just occasional interesting moments. Sorry guys, it´s just me.

Updated: 12/01/2021Posted: 12/01/2021

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ANDRZEJ PRZYBIELSKI & OLES BROTHERS ~ SHORT FAREWELL
AUDIO CAVE 2021/001 (Barcode: 5908298549209) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2003 Released: 2021

This is an archival album presenting recordings made by the legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, with the superb rhythm section consisting of bassist Marcin OlesFind albums by this artist and his twin brother Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist). These recordings were considered lost for all these years until now, and after being miraculously recovered and restored, are presented here for the first time. The album presents eleven original compositions, one twelve minutes long and the others running from just under half a minute and up to about four minutes. Three of the compositions are credited to Przybielski, six to Oles Brothers, one to the trio and finally one to Bartlomiej Oles.

Przybielski and Oles Brothers recorded together several times, going back to the turn of the Millennium. First they recorded two albums with the Custom TrioFind albums by this artist, which featured the Oles Brothers: “Free BopFind albums with this title” and “Andrzej Przybielski & Custom TrioFind albums with this title”. At the time the music included here was recorded (2003), they recorded the album “AbstractFind albums with this title” and some years later (2010) they recorded the album “De ProfundisFind albums with this title”. This album is of course a precious addition to their common recorded legacy and a historic document of the outmost importance.

Przybielski, who died in 2011, was one of Polish Jazz most idiosyncratic figures, a fearless Avant-Gardist and a loner, who was rejected by the local Jazz mainstream and its establishment and as a result was offered relatively few opportunities to record and perform, always acting on the artistic fringe. His sublime technique allowed him to play with heartbreaking lyricism and uncompromising honesty, which sadly was recognized by but a few. I was extremely lucky and fortunate to meet and work with Przybielski during the recording of “The Book Of JobFind albums with this title” album, which left an immense impression on me at the time.

It is great to see that Przybielski and his music are not forgotten and are preserved by those who knew and worked with him, carrying the legacy to the next generations. Projects, like this one, are beautiful examples of preservation of High Culture, especially in days when the world is being drowned is mindless excrements.

For true fans of Polish Jazz and European Avant-Garde, this album, despite its short playing time, is an absolute must, of course, literally worth its weight in gold. It would be sacrilegious to treat this music as accidental “leftovers” and it deserves to be treated with love and respect. A great memorial gesture celebrating the tenth anniversary of Przybielski’s premature departure.

Updated: 11/03/2021Posted: 11/03/2021

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KUBA PLUZEK ~ BOOK OF RESONANCE
AUDIO CAVE 2021/002 (Barcode: 5908298549223) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2018 Released: 2021

This is the fifth album as a leader and the second solo piano album by Polish Jazz pianist / composer Kuba PluzekFind albums by this artist. On this album Pluzek uses in addition to the acoustic piano also an electronic device called magnetic resonator piano, developed by Canadian musician / scientist Andrew McPhersonFind albums by this artist. The album presents nine pieces, six of which are original compositions by Pluzek, two are by Polish Classical composer Karol SzymanowskiFind albums by this artist and one is an arrangement of a traditional folk song.

Pluzek’s extensive recorded legacy in the last decade presents him as a truly chameleonic figure, changing his style and musical approach with every new album and taking part on diverse projects by others. Of course this could be considered as a lack of focus, but in his case it is simply a reflection of his great talent, which is able to encompass many different facets of music.

This album seems to be closer to contemporary Classical Music than all of his earlier work, closely resembling some mannerisms of early 20th Century solo piano works, including those by Szymanowski, which Pluzek included here. It is a mixture of Modernism and post-Romanticism, with a dash of contemporary Ambient influences, altogether very effective in creating cinematic vistas and atmospheric aura, all tastefully and intelligently put together.

As much as I love innovation and search of new sounds, most electronic devices with mess with the acoustic piano rarely work for me, often creating a distinct nausea associated with music played out of tune. However, the magnetic resonator piano used here, manages to add some new dimensions to the piano sound without creating any associated “damage”. Pluzek uses the device sparingly and delicately, which is why the overall effect works well, in contrast to some musicians so overwhelmed with electronics that they lose the touch with reality.

But his best virtues can be heard on the closing track of the album, with his treatment of the beautiful folk song, maintaining its wonderful simplicity and adding his superb ornamentations.

Overall this is another splendid addition to Pluzek’s already well attested recorded legacy, definitely deserving an honorable position on the Polish Jazz piano scene. It might take a while to get into this music, but eventually it is a wonderfully rewarding listening experience, offering new horizons. Congratulations!

Updated: 15/03/2021Posted: 15/03/2021

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NOWICKI / SWIES / FRANKIEWICZ ~ OVERTONES
AUDIO CAVE 2021/003 (Barcode: 5908298549230) ~ POLAND ~ Jazz
Recorded: 2020 Released: 2021

This is the second album by the Polish Jazz trio comprising of saxophonist Radek NowickiFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album presents nine original compositions, five by Nowicki, three by Swies and one by Frankiewicz.

Following the debut recorded and released almost a decade ago, this release offers a much more coherent and mature piece of music, based on excellent compositions and outstanding performances by the trio members. The music is mostly contemplative and develops slowly, but is wonderfully expressive and offers a most satisfying listening experience, which is a vast improvement in comparison to the earlier effort.

Although the saxophone trio is an extremely difficult vehicle to steer, this trio works just perfectly, offering a perfect balance between the three musicians. It is nothing like a lead instrument supported by a rhythm section, but from the very onset it becomes completely clear that they work in unison and shoulder to shoulder. As a result, the saxophone, bass and drums are fully present for the entire duration, recorded on the same level and offer an organic trio sound, which is very rarely achieved by other similar outfits.

It is usually expected from the saxophone to set the tone, but it is impossible to decide who is leading the trio at any given moment, while the music lasts. Swies paves the path with his deep and rounded pulsations and his performances here are absolutely stunning. Frankiewicz does not stay behind, driving the music lice a hurricane during the crescendo moments and pushing it gently during the delicate passages. Nowicki states the melodies gently and improvises with conviction and obvious Masterly touch.

Overall this is a great album from start to finish, with no dull moments in between, superbly played by three Masters of the trade, who push their abilities to the max. The music manages to create a unique sonic climate, and the no bullshit playing is convincing and strikes right where it is most effective. This is Polish / European Jazz at its best - Kudos my friends! Wholeheartedly recommended!

Updated: 09/04/2021Posted: 09/04/2021

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MAREK KADZIELA ~ JAZZ ENSEMBLE
AUDIO CAVE 2021/004 (Barcode: 5908298549254) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2021

As hard as it is to believe, this is only the second album as a leader by Polish Jazz guitarist / composer Marek KadzielaFind albums by this artist, this time recorded in a quintet setting with his brother saxophonist Maciej KadzielaFind albums by this artist, trombonist Jacek NamyslowskiFind albums by this artist, bassist Pawel PuszczaloFind albums by this artist and drummer Radoslaw BolewskiFind albums by this artist. The album presents eight original compositions, all by Marek Kadziela.

During the second decade of the 2000s Kadziela participated in numerous recordings and co-led several Polish and international ensembles, as diverse as Hunger PangsFind albums by this artist, JazabuFind albums by this artist, K.R.A.N.Find albums by this artist and KaMaSzFind albums by this artist as well as his own ADHDFind albums by this artist. These recordings present a restless, searching spirit, who is constantly trying to re-invent himself and drive towards uncharted territory, crossing genres with ease and competence. Over the years I have had the pleasure to listen to him live as well, which often exposed other aspects of his wide-ranging musical personality. There is no doubt that during that time he established himself not only as one of the leading Polish guitarists, but also as an important leader and trendsetter.

In many respects this album (as Kadziela himself states on the album’s liner notes) is an amalgamation of his experiences up to now, with an emphasis on composition, as much as on his guitar playing skills. The rather unusual sounding ensemble highlights his originality as a sound creator, which enhances the acoustic quintet with skillful use of electronics, creating a modern, somewhat rough and toothed exterior, which hides the melodic contents, without damaging it.

The individual performances are all absolutely stunning, with the leader moving between Wes MontgomeryFind albums by this artist and Jimi HendrixFind albums by this artist and back in an instant, always being himself. Namyslowski is a surprise as his playing is more open and daring than usual and the rhythm section does a wonderful job driving the music forward and filling the blanks.

Overall this is a wonderful modern Jazz album, full of great music and intricate individual performances, not easy on the ear and demanding attentive listening, but highly rewarding. Although Kadziela made a giant step forward in his career, deep down he is still a Blues / Rock kid who loves to show his guitar licks, which I personally love as much as all the serious stuff he is playing. Having said that, this album is almost completely free of any Fusion accents, announcing the leader’s full commitment to the Jazz idiom. Hats off!

Updated: 10/04/2021Posted: 10/04/2021

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DOMINIK STRYCHARSKI CORE / ORKIESTRA DETA URSUS ~ SYMFONIA FABRYKI URSUS (SOUNDTRACK)
AUDIO CAVE 2021/005 (Barcode: 5908298549247) ~ POLAND ~ Soundtracks
Recorded: 2017 - 2021 Released: 2021

This is an album by Polish Jazz flautist / composer Dominik StrycharskiFind albums by this artist and his ensemble CoreFind albums by this artist, which includes pianist Barbara DrazkowskaFind albums by this artist, trumpeter Wojciech JachnaFind albums by this artist, bassist Zbigniew KozeraFind albums by this artist and drummer Pawel SzpuraFind albums by this artist. The Ursus Brass OrchestraFind albums by this artist also takes part in this recording. The album presents five original compositions, all by Strycharski. The music was used as a soundtrack to the award winning documentary film about the Ursus factory, which ceased to exists in 2011, and which was famous for producing Polish tractors for more than 100 years.

The music, although performed by a Jazz quintet and a Brass Orchestra, includes hardly any Jazz elements per se and offers a dark, ambient, Cinematic Music, which is slow moving and minimal in its scope. It might be very appropriate as a soundtrack (I have not seen the documentary), but as a stand-alone piece of music it is much more difficult to swallow.

The industrial character of the music, as well as its lack of development, may emphasize / illustrate the labor done by the ex-workers of Ursus, who are the focus of this documentary, but out of that context it is rather daunting.

One of the tracks, which is performed just by the quintet, is the closest that this music gets to Jazz / Improvised Music, and features some great playing by Jachna, but again the twelve minutes long piece is completely static and monotonic, and even Jachna’s trumpet parts are unable to redeem it.

Overall, this album proves that Cinematic Music is not always able to stand by itself, unrelated to the visual layer. Despite the fact that it is performed by highly esteemed Polish Jazz musicians, it simply does not work for me. My fault of course.

Updated: 01/07/2021Posted: 01/07/2021

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BASTARDA & JOAO DE SOUSA ~ FADO
AUDIO CAVE 2021/006 (Barcode: 5908298549292) ~ POLAND ~ Jazz-World Fusion
Recorded: 2021 Released: 2021

This is the 4th album by the Polish trio BastardaFind albums by this artist, founded by clarinetist / composer Pawel SzamburskiFind albums by this artist with cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist. The trio is joined on this album by Portuguese (living in Poland) vocalist / guitarist Joao de SousaFind albums by this artist. Together they perform eight classic Fado songs arranged in a most unusual setting.

Fado, often jokingly called “Portuguese Blues”, is undoubtedly one of the most beautiful distinctive European urban subcultural music genres, like the Greek Rebetiko, which combine deeply melancholic, often heartbreakingly so, themes with lyrics describing harsh personal or social realities. These genres developed in parallel to the massive urbanization of Europe, starting in the 19th Century, and were revived, gradually crossing from urban Folklore to an Art Form, with highly poetic lyrics and more complex musical themes, from the mid-20th Century.

At first I was a bit hesitant about this album, since Fado is so deeply “Portuguese”, that it usually stays within the sphere of Portuguese performers, with rather few exceptions. However, I am happy to say that after listening to the album all my fears were proven wrong. The combination of de Sousa’s vocals (in Portuguese language of course) and the surprising and highly unusual instrumental accompaniment by the members of Bastarda works like a charm.

The vocals are highly restrained and deeply melancholic, as expected in a Fado idiom, and with the originality of the language preserved (I’d really have a hard time to listen to Fado in Polish!) the proximity of the vocal layer was faithfully preserved. The instrumental arrangements are absolutely charming and stunning, completely abandoning the traditional Fado tradition as far as the instruments are concerned by paying tribute to the role of the usual guitar accompaniment, splendidly using the entire scope of tonal possibilities from the deep lows of the contrabass clarinet to the highs of the clarinet. Bastarda are true magicians as far as creating a kaleidoscope of sound layers, which harmonize perfectly. As such they are definitely one of the most unique musical outfits of the Polish scene in the last few years.

Of course the most surprising element is the amalgamation of instrumental improvisation into the Fado idiom, which although subtle and cleverly concealed, adds superbly to the overall effect, taking the album under the wings of Jazz-World Fusion, albeit just marginally.

Overall this is a magnificent album, full of wonderful musical melancholy and superb instrumental performances, which should fill the heart of all true music lovers with pure joy. Brilliant stuff!

Updated: 15/05/2024Posted: 31/07/2021

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LIZARD ~ TALES OF THE ARTICHOKE WOOD
AUDIO CAVE 2021/007 (Barcode: 5908298549261) ~ POLAND ~ Progressive Rock
Recorded: 2004 - 2005 Released: 2021

This is a reissue of the third album by Polish Prog group LizardFind albums by this artist, originally released in 2005. The group comprised at the time of vocalist / guitarist / leader and principal author of music and lyrics Damian BydlinskiFind albums by this artist, violinist / keyboardist Krzysztof MaciejowskiFind albums by this artist, bassist Janusz TanistraFind albums by this artist and drummer Mariusz SzulakowskiFind albums by this artist. The album offers ten tracks, which constitute an intro, two three-part suites, one two-part suite and finally an outro, obviously a concept album, this time presenting the idea of “painting by sounds”, with the three suites dedicated to three pivotal painters: Vincent van GoghFind albums by this artist, Salvador DaliFind albums by this artist and Pablo PicassoFind albums by this artist. The album was subtly remastered / remixed and the new edition offers (hidden) bonus tracks that originate from the group’s second album “PsychopulsFind albums with this title”, recorded live during the band’s 25th Anniversary concert, with a different lineup, as well as a new graphic design.

As I have already stated several times, Lizard are one of the few Neo-Prog bands that are able to create consistently coherent and meaningful Progressive Rock, which combines great melodies, intelligent lyrics, great riffs and above all manages not to be repetitive and boring ten minutes into the music. Their success is largely due to the strong and very creative personality of the group’s leader; apparently in some situations strong leadership is probably the most effective way to achieve success.

Lizard offer lyrics in Polish, but to be honest most Prog lovers should be perfectly able to enjoy their music without the verbal layer, same as they can enjoy Italian Prog or South American Prog. Of course for those listeners who are native Polish language speakers, the lyrics contain messages, which encourage thought and reflection, sadly a non-existent characteristic in other genres of today’s popular music.

Overall, this is a classic Neo-Prog album, which is great fun to listen to and which stands well the test of time. For Prog lovers the world over, this is a great opportunity to grab a copy of this, long time out of print album, with some bonus material and excellent sound quality. If you have to listen to Neo-Prog, at least try to listen to some of the best out there!

Updated: 21/09/2021Posted: 21/09/2021

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NVC ~ EMOCJE
AUDIO CAVE 2021/008 (Barcode: 5908298549377) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2021 Released: 2021

This is the second album by the Polish Jazz-Ambient Fusion quartet NVCFind albums by this artist (a.k.a. Non Violent CommunicationFind albums by this artist), which comprises of saxophonist Rafal WawszkiewiczFind albums by this artist, electronic sounds and computers operator Michal GlowackiFind albums by this artist, (new) bassist Grzegorz ChudzikFind albums by this artist and drummer Arek LerchFind albums by this artist. The album presents five original compositions, two of which last well over ten minutes in duration. The composers are not specifically credited and therefore the music is assumed to be collectively composed.

Stylistically the music continues faithfully the formula presented on the excellent debut album, which consists of the saxophone performing all the melodic contents on top of a wall of sound electronically created ambient layers and driven by the highly energetic rhythm section. It is as overwhelming and hypnotic as the debut, but naturally less surprising this time.

Wawszkiewicz, who is a most unusual and unique saxophonist, obviously draws most of the attention of the listener, and his lyrical expressionism offers a wonderful contrast to the almost alienated and rugged background, creating a delightfully effective aura, as hypnotic as a fakir charming a snake. The steady beat and almost Funky bass add to the feeling of floating in space and NVC excel in their ability to entice the listener into their magical sound, taking no prisoners.

The combined talents of the quartet are certainly a phenomenon worthy of attention, especially now, when they passed successfully the “second album test”. However, considering how akin this music is in comparison to the debut, they certainly need to expand their future concept to some extent, in order not to lose the momentum.

Overall this is another superb album by NVC, absolutely mesmerizing from start to finish, with the quartet offering a unique approach and sound on the Polish Jazz scene, which considering how competitive that scene is, is almost miraculous. Well done indeed!

Updated: 04/07/2021Posted: 04/07/2021

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MAZZ BOXX ~ MAZZ BOXX
AUDIO CAVE 2021/009 (Barcode: 5908298549322) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2008 - 2011 Released: 2021

This is an archival album recorded live in 2008 by various ensembles led by Polish Avant-Garde clarinetist / composer Jerzy MazzollFind albums by this artist and including contributions by pianist Joanna DudaFind albums by this artist and Piotr RachonFind albums by this artist, bassist Ju GhanFind albums by this artist, drummers Piotr PodgorskiFind albums by this artist and Filip DanielakFind albums by this artist, percussionist Tomasz AntonowiczFind albums by this artist and others. In 2010 Mazzoll gave the recorded materials to producer Igor BoxxFind albums by this artist (a.k.a. Igor PudloFind albums by this artist) to select an album’s worth of material, but Boxx took the job much further and deconstructed / manipulated the material in 2011 into a new shape and form, which resulted in ten tracks based on the original compositions by Mazzoll and which are presented herein. The material waited for ten years to be finally released by the excellent Audio CaveFind albums on this label label.

Personally I’d love this album to be a double, with one album including the original recorded material, before it was electronically manipulated, and then the material presented here appearing on the second album, but alas this did not happen. Therefore, I can only imagine how the original material sounded.

Mazzoll is a Free Jazz / Improvised Music icon on the Polish scene, and as a result the ambient music present on this album is a bit difficult to be directly associated with his image. Especially since it is much beautified / simplified in its current shape, sounding almost like New Age music at times. Mazzoll’s virtuosic clarinet performances are almost completely hidden and the looping effects and distorted sounds fit electronic Pop and Ambient music much more effectively than doing a service to Mazzoll’s music.

Overall, this album is of interest to Ambient / Electronic music fans rather than Jazz / Improvised Music / Avant-Garde listeners, which of course does not mean the music has no merit, it is simply oriented for different audiences than Mazzoll’s output so far.

Updated: 15/09/2021Posted: 15/09/2021

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INTUITION ORCHESTRA ~ SUMMA INTUITIVA
AUDIO CAVE 2021/010 (Barcode: 5908298549438) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2021

This is the fifth album by Polish Improvised Music ensemble called Intuition OrchestraFind albums by this artist, which comprises of a core trio: saxophonist Ryszard WojciulFind albums by this artist, keyboardist / cellist Boleslaw BlaszczykFind albums by this artist and drummer Jacek AlkaFind albums by this artist. They are joined by no less than seven distinguished guest musicians from different musical idioms, including legendary bassist Krzysztof MajchrzakFind albums by this artist, World Music tsarina Maria PomianowskaFind albums by this artist, guitarist Wojciech BlazejczykFind albums by this artist, electronics wizard Krzysztof KnittelFind albums by this artist, drummer Krzysztof SzmandaFind albums by this artist and others. The album presents nine tracks, which as usual in such circumstances, are rather arbitrary parts of the continuum, all being collective improvisations.

The music offers a distinctly “younger” (unrelated to the musicians’ age) feel and groove, with Fusiony touches created by Majchrzak and Blazejczyk and contemporary electronics, in addition to the traditional acoustic instruments. As a result, the music is also a touch more approachable to wider audiences this time, perhaps not intentionally, but definitely de facto. All the instrumental and vocal performances, especially those by Wojciul, are exceptional.

As I have already stated previously, Intuition Orchestra is able to create genuinely Improvised Music, without sounding completely senseless, self-indulgent and artistically empty. This music has a wonderful natural flow, a feel of continuity and coherent direction, which makes listening to it an uplifting experience.

Overall, it is great to witness a continuous growth and development of this ensemble, which is able to rejuvenate its sound and retain its creative powers for many years, without giving up an iota of their conceptual freedom of expression. As far as Improvised Music is concerned, this is one of the relatively few examples where it is able to create a lasting aesthetic experience, which continues to satisfy beyond the moment of its creation. Hats off my friends!

Updated: 17/12/2021Posted: 17/12/2021

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BASTARDA & CHOR UNIWERSYTETU SWPS ~ KOLOWROT
AUDIO CAVE 2021/011 (Barcode: 5908298549421) ~ POLAND ~ Jazz-World Fusion
Recorded: 2021 Released: 2021

This is the 5th (second this year) album by the Polish trio BastardaFind albums by this artist comprising of clarinetist Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist. This time they cooperate with the SWPS University ChoirFind albums by this artist, conducted by Ewa MackiewiczFind albums by this artist. The album presents just four lengthy compositions, named after the four seasons, composed by the members of the trio and based on Polish Folk songs related to the seasons as well as some medieval musical sources.

The music is deeply spiritual, embossed with Folkloristic sources and East European mysticism, Jewish, Christian and Pagan, with only slight touches of Jazzy improvisations. Bastarda managed to develop over time its own musical language, which despite the minimalism dictated by just three instruments, seems to be completely unlimited in its power of expression. This album is more focused and therefore also more striking than their earlier recordings, and with the presence of the choir enables to create much greater dynamics and diversity than ever before.

The resulting music offers an explosive emotional statement, which easily competes with symphonic pieces, both in richness and expressionism, which is truly astounding in view of the fact that is created by three acoustic instruments and human voices. The superb recording quality of this album is also an important factor in the entire equation.

Bastarda seems to be unstoppable in their path to create one of the most unique musical landscapes in Europe, with constantly changing subject matter on one hand and new ways of squeezing the minimalist instrumental lemon to the max. It often seems that they already reached to peak of their creativity, but every new album proves the audiences wrong.

The cooperation with the choir is a wonderful example of putting human resources together in a way where the instruments and the human voices coexist as one, without dominating or disturbing each other, in perfect harmony, both tonally and spiritually.

Overall this is an absolutely brilliant album, definitely one of the best Polish albums released in 2021, completely unique and fulfilling. It stays beyond any stylistic classification or genre association and excels in its simplicity, directness and power of expressions like only very few other albums can. Perfect music to be listened to with the snow falling outside and the fireplace ablaze. Marvelous, simply marvelous!

Updated: 15/05/2024Posted: 19/12/2021

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PIOTR SCHOLZ ~ BIRDS FROM ANOTHER PLANET
AUDIO CAVE 2021/012 (Barcode: 5908298549315) ~ POLAND ~ Big Band Jazz
Recorded: 2020 Released: 2021

This is the second album as a leader by Polish Jazz guitarist / composer Piotr ScholzFind albums by this artist, which returns to the Big Band / Orchestral Jazz format, same as the debut. This time the album presents a seven-part suite (on seven tracks) composed by Scholz and performed by a seventeen musicians strong Big Band, conducted by Scholz, who resigns the guitar post this time to Dawid KostkaFind albums by this artist.

The music again attempts to combine the Classical and Jazz idioms, with the compositions based, as Scholz explains in the album’s artwork, on seven symmetrical scales (of limited transposition, also called modes) as defined by the 20th Century French composer Oliven MessiaenFind albums by this artist. One might speculate as to the fact of how many listeners are familiar with these highly technical musicological terms, so the true test of the music must be left to laics, who listen to music emotionally / aesthetically rather than intellectually / academically. The album’s title hints as to Messiaen’s passion for ornithology.

There is no doubt that this highly ambitious piece required a lot of work and dedication from the composer, as well as effort from the performing musicians, which are all greatly commendable. The resulting music becomes highly dependent on the listener’s openness to unusual scales and harmonies, patience and perhaps musical experience, but it does present an unusual challenge, especially to Jazz listeners, who might find this music beyond their comprehension / likability.

This attempt to combine Jazz with modern Classical music is typically European in nature, taking the rusted Jazz tradition to new vistas, which of course is a positive trend, although sometimes with varying success. Scholz is certainly to be congratulated for his attempt to discover new ground and invest so much work and energy in this project.

Overall, this is a very ambitious and interesting cross-genre project, which might require an effort in order to digest it, at least at first, but offers an intellectual depth worth pursuing.

Updated: 19/12/2021Posted: 19/12/2021

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OLES BROTHERS & DOMINIK STRYCHARSKI ~ KOPTYCUS
AUDIO CAVE 2022/001 (Barcode: 5908298549384) ~ POLAND ~ Avant-Garde Jazz-World Fusion
Recorded: 2019 Released: 2022

This is the debut album by the Polish Jazz trio comprising of twin brothers: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist) and recorder player Dominik StrycharskiFind albums by this artist, who also uses electronics. The album presents seven original compositions inspired by Coptic music.

As usual with the projects by Oles Brothers, the music goes way beyond what is considered as Jazz mainstream, and always combines elements of improvised music with a thematic inspiration, which in this case is the music of the early Coptic Christian tradition. Originating in Alexandria, Egypt, the Coptic Christianity spread into the entire North Africa and later also to the Holly Land, with beautiful Coptic churches built in Jerusalem and Nazareth, which of course I know very well. It is only natural that Coptic music is based mostly on early Middle Eastern musical tradition and is very different from the European Christian musical tradition.

The recorder is obviously an ideal instrument to be used to re-visit the two millennia old musical tradition, for many reasons. First it is one of the oldest instruments known to man, second it is closely associated with the Middle Eastern musical tradition, thirdly it is one of the most spiritual instruments out there and lastly it is naturally and historically way more suitable for improvisation than for playing a precisely defined melody. The music on this album exemplifies the above points all too well. Strycharski sounds like a time-traveler sitting on the banks of ancient Alexandria port, sending his lament over the waters and desert sands. The Oles Brothers support him with a mixture of Middle Eastern rhythmic patterns and free time improvisation, together creating a magic chant, which is simply fascinating.

It is truly astounding to see / hear the Oles Brothers reinventing themselves time after time with each new project. As someone who had the opportunity to hear them perform live many times, they still manage to take me by surprise every time, this being no different. Originally this project was commissioned by the Music Of Faith – Music Of Peace Festival and its artistic director Miron ZajfertFind albums by this artist, and thankfully it was now released on record, to be enjoyed for posterity.

Overall, this is a highly unusual and deeply spiritual piece of human ingenuity, which offers a superb listening experience, unlike most other things one can hear on record. Far beyond classification, this is simply Music in the most universal meaning of that Artform, which deserves to be heard, and which perhaps can heal some of the misery we are all exposed to lately. Respect, my Friends, as always!

Updated: 28/02/2022Posted: 28/02/2022

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WOJCIECH JACHNA SQUAD ~ EARTH
AUDIO CAVE 2022/002 (Barcode: 5908298549407) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022

This is the second album by the Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also guitarist Marek MalinowskiFind albums by this artist, keyboardist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. The album presents seven original compositions, two composed by Urowski, two co-composed by all five members of the ensemble and one each by Jachna, Cichocki and Malinowski.

The music seems to follow a somewhat different path than the debut album, being distinctly tamer and well-behaved than the debut. Lyrical melodic themes, gentle melancholic trumpet parts, synthesizer / moog ambient harmonic background layers, Fusiony guitar and steady rhythmic pulse are definitely not what one expects to hear on a Jachna album, but everybody has the freedom to change and evolve, and Jachna definitely does not need to prove anything to anybody anymore, being a master of his own music destiny.

Of course here and there the music features some less polite moments and even almost free improvisations, which are a link to the familiar past, especially so on the group co-composed improvisation pieces but also partly in the other pieces. Personally I find this to be the most ambitious aspect of this album, but of course Jachna has already proved himself well beyond any doubt in that specific direction.

Overall, this is, as always, an excellent album, probably the most accessible Jachna recording ever, but without any compromises aesthetically, artistically or creatively. The Squad manages to establish a distinctive sound and ambience as an ensemble, which of course is no less important. Despite the fact that this music more caresses than bites, it is still amongst the finest on the Polish Jazz scene. Well done!

Updated: 24/02/2022Posted: 24/02/2022

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O.N.E. ~ ENTOLOMA
AUDIO CAVE 2022/003 (Barcode: 5908298549445) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022

This is the second album by the Polish all female Jazz ensemble O.N.E.Find albums by this artist reduced to a quartet with pianist Paulina AtmanskaFind albums by this artist, saxophonist Monika MucFind albums by this artist, bassist Kamila DrabekFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. The album presents nine original compositions, three by Atmanska and two each by the other members of the ensemble.

The music this time moves away from mainstream oriented solid melodic themes and comprises of more open and challenging compositions, which is a huge step forward in comparison to the debut. These young female improvisers definitely don’t intend to play it safe and take their music seriously, with the risks involved.

As a result, the album is quite a challenging listening experience, which at times creates a longing for a piece of solid melody here and there, but alas that aspect of the ensemble’s character is gone once the opening track is over. A little more balanced approach might have worked somewhat more effectively, but that of course was obviously a conscious decision by the ensemble members. Perhaps a little less vamping and a bit more solid harmony might have turned this album into an extraordinary achievement, but it definitely is a move in the right direction.

Overall, this is an interesting, at times challenging piece of modern European Jazz, which perhaps is a tad too undisciplined, but definitely very well played and showing a development path for this intriguing ensemble. Definitely worth investigating!

Updated: 31/03/2022Posted: 31/03/2022

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NIECHEC ~ UNSUBSCRIBE
AUDIO CAVE 2022/004 (Barcode: 5908298549476) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2020 Released: 2022

This is the third album by the Polish ensemble NiechecFind albums by this artist, which comprises of saxophonist Maciej ZwierzchowskiFind albums by this artist, guitarist Rafal BlaszczakFind albums by this artist, keyboardist Michal ZaleskiFind albums by this artist (who replaced Tomasz WielechowskiFind albums by this artist, who played on the first two albums), bassist Maciej SzczepanskiFind albums by this artist and drummer Michal KaczorekFind albums by this artist. The album presents eight original compositions, four by Zwierzchowski and two each by Zaleski and Szczepanski / Zaleski. The music was recorded at the excellent Monochrom Studio and sounds great.

It took Niechec again about five years to come up with a new album, which seems like a pattern. However, the music remains pretty much the same as on its predecessors, which lost much of its impact over time. The formula of busy ambient keyboards and electronics repetitive background layers, steady rhythm section support and saxophone solos on top sound like a déjà vu and as much as I love their debut album and somewhat less the sophomore effort, this album sadly offers little excitement.

Yes, the melodies are fine and so is the playing, but the music mostly sounds like Neo-Prog, which develops slowly, seemingly leading to a climax, which eventually never arrives? It’s time to “change the diskette” as they used to say when people where still using diskettes.

But of course this album has its moments and I suppose many listeners will find it a great listening experience, especially if one wants to lay back and relax, and there is one track that saves the day (“Chmury”), so not all is lost.

Overall, this is a well-played instrumental music, mostly ambient, which is a nice listening, but fails to excite, and surely lacks the shocking elements of the debut. I still hope for something better next time!

Updated: 07/04/2022Posted: 07/04/2022

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JACEK KOCHAN / NAKAJEE ~ LIFE, STRESS AND OTHER PLEASURES
AUDIO CAVE 2022/005 (Barcode: 5908298549353) ~ POLAND ~ Jazz
Recorded: 2020 Released: 2022

This is an album by Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist recorded with the NakajeeFind albums by this artist ensemble, which includes Canadian guitarist Jerry De Villiers Jr.Find albums by this artist and Polish keyboardist Dominik WaniaFind albums by this artist, saxophonist Bartlomiej PrucnalFind albums by this artist, bassist Michal KapczukFind albums by this artist and a mysterious bass guitarist Mo BooFind albums by this artist. The album presents nine original compositions, all by the leader.

The music is completely beyond any genre classification, characterized by strong Groove, but entirely uneven rhythm patters, which create a completely unique aural experience. Kochan takes his music “further out” in comparison to his previous album, which also featured Wania and Prucnal, and although it contains clear melody patterns, the rhythm is the leading inspiration at all times, and the melodies remain secondary.

As a result of this innovative approach the music is certainly quite difficult for listeners accustomed with “straightforward” rhythmic patterns and takes a while to get accustomed to even by experienced listeners. Kochan confirms his role as drummer / leader / composer, which characterizes his music since the early days, and for me reaches an apogee with this album, with all the elements falling right into place, creating a perfectly coherent sonic landscape.

Of course this perfection is largely achieved thanks to the incredible contributions by the ensemble members, with Wania at the helm, who is in charge of the tricky melodic layers. Wania plays both acoustic piano and synthesizers, always with elegance and technical perfection, but more importantly with sublime taste and flexibility. Prucnal and De Villiers add solid improvisations and impressive soloing, and the basses keep the complex net in check, providing depth and anchor. Kochan is fully in charge of the rhythmic / polyrhythmic engine, which drives the ensemble forward.

Overall, this is a very impressive, mature, complex and delightful piece of music, which firmly establishes Kochan as one of Polish Jazz great talents, who certainly creates his very own musical universe, quite apart from the mainstream of the local scene. Kochan certainly deserves a much wider recognition, but fame and glory where never his goals – the music and his inner truth are what matters, and this is why I love him and his music. An absolute must to listeners, who think they have already heard everything!

Updated: 10/06/2022Posted: 10/06/2022

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BROAD PEAK ~ DYWIZJE WILKOW
AUDIO CAVE 2022/006 (Barcode: 5908298549452) ~ POLAND ~ Avant-Garde Rock
Recorded: 2022 Released: 2022

This is the second album by Polish Avant-Garde Rock duo Broad PeakFind albums by this artist, which comprises of vocalist Patrycja HefczynskaFind albums by this artist and multi-instrumentalist Michal ZygmuntFind albums by this artist. The album presents ten original songs, all co-composed by the duo members, with lyrics (except for one case) by Hefczynska.

The music is minimalist to the extreme, with simple melodic themes, mostly acoustic instrumentation and environmental sound-effects emphasizing the concept of the album, which is all about the contact with Nature, and which of course is also expressed in the lyrics.

Despite the limited means, the music is able to generate a very powerful and penetrating message, both on the aural and conceptual plane. Attentive listener needs to get involved in the creative process, not only by absorbing the music but also by supplementing the skeletal structures by his own impressions and reactions, which of course if the highest form of coexistence between what the Artists created and their audience. Although the album is only slightly over thirty minutes in duration, i.e. an EP rather than a full album, the contents delivers a satisfactory amount of experiences, like a condensed dosage of intellectual stimulation.

Overall, this is a highly unusual, interesting and engrossing piece of music, which is bold and expressive, despite its seemingly modest means of expression. Highly recommended to listeners, who are looking for adventures rather than taking the well-trodden path.

Updated: 03/11/2022Posted: 03/11/2022

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SUDNIK / MAJCHRZAK / CZAJKOWSKA ~ TRIANGLE
AUDIO CAVE 2022/007 (Barcode: 5908298549513) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2021 - 2022 Released: 2022

This is the debut album by Polish Avant-Garde trio, which comprises of electronics performer / composer Tadeusz SudnikFind albums by this artist, bass guitarist Krzysztof MajchrzakFind albums by this artist and vocalist / pianist / flautist India CzajkowskaFind albums by this artist. The album presents eleven original compositions / performances co-credited to all three members of the trio.

The music, or rather improvised soundscapes, were created live during several recording sessions and finally edited into this album. It combines several quite distinct idioms, such as Electronic / Ambient Music, improvised vocalese, almost Funky bass pulsations, and others, which somehow work together splendidly, creating a magical journey in space / time continuum, which inspires the listener to connect the dots rather than suggests specific directions.

All three participants, each in his / her specific field, are consistent innovators and pioneers, with impressive achievements under their respective belts. Sudnik (born 1955) created a plethora of brilliant electronic works in his “Studio of Impossible Sounds” and is well remembered for his work with Tomasz StankoFind albums by this artist, during Stanko’s most experimental period. Majchrzak (born 1954), who lives in Paris, is one of the Godfathers of Polish / European Jazz-Rock Fusion and one of the best electric bassist on the Polish scene. Czajkowska (we don’t disclose Ladies’ age) has been a pioneer of the Polish Avant-Garde Music scene since the break of the new Millennium (and even slightly earlier), with some truly impressive works to her credit. In short this trio is an immense conglomerate of creative powers.

Together, they manage to create a tapestry of sounds, which has a coherent flow and effect, even if it eschews conventional perceptions of melody, harmony and rhythm. Although innovative and pioneering, the sound weaving delivers a clear message, which is not abrasive, cacophonic or alienating, which happens with Avant-Garde music way too often. It is a sort of sonic Zen meditation, atmospheric vibration and intellectual love-making, all in one.

Overall, this is obviously not for everybody, or even only for very selected audiences, who will find the patience and openness to submit to this music, but at the same time it certainly is one of the most daring, unique and challenging pieces of music the Polish scene produced this year (2022). Kudo to Audio CaveFind albums on this label Records for releasing this obviously non-commercial piece of musical Art, which is highly appreciated. The brave-hearted listeners are in for a real rewarding treat. Thank you for the music, my Friends!

Updated: 05/11/2022Posted: 05/11/2022

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BASTARDA & SUTARI ~ TAMOJ
AUDIO CAVE 2022/008 (Barcode: 5908298549537) ~ POLAND ~ Jazz-World Fusion
Recorded: 2022 Released: 2022

A short while ago I had the immense pleasure to guest the BastardaFind albums by this artist trio – clarinetist Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist – as part of my Singer Jazz Festival in Warsaw. Their phenomenal performance at the Norzyk Synagogue was, as expected, immensely successful, followed by a standing ovation, which reflects the incredible talent of these musicians and their unusual ability to reach audiences, despite their music being highly sophisticated and often quite complex.

This is already the 7th album by Bastarda, and their sixth release in a rapid succession of just six years. It is also their third subsequent collaboration project, which emphasizes their willingness to constantly expand their horizons into different musical territories. Following an adventure with Fado and Medieval Music, this time they cooperate with the female SutariFind albums by this artist duo – Basia SonginFind albums by this artist and Kasia KapelaFind albums by this artist – both vocalists and instrumentalist, and together explore the traditional music from the eastern Polish regions bordering with Belarus and Lithuania.

The resulting music is, as usual, astounding in every respect. It reaches far beyond the folkloristic themes, on which it is based, and the sublime arrangements expand the overall sound into incredible vistas, completely unexpected and as expected (pun intended) breathtakingly penetrating. It seems that the instrumental contributions by Bastarda are somewhat in a background of the vocal parts, but in fact it is the collective effect of the vocals and instrumental improvisations, which create the powerful and effective totality, which benefits from both and is way beyond just the sum of its ingredients.

Overall, this is another masterpiece in Bastarda’s recorded output, which puts them in a class of their own, not only on the Polish scene, but far beyond. The incredibly lucky combination of talent and the openness to music, in complete disregard of fads and fashions, marks them as an act worth following closely. God only knows what these guys are capable of on their next projects, and honestly I really don’t care, as it is a sure bet the result will be outstanding. Thank you, my Friends, for the music!

Updated: 15/05/2024Posted: 17/09/2022

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MACIEJ TUBIS ~ KOMEDA: REFLECTIONS
AUDIO CAVE 2022/009 (Barcode: 5908298549544) ~ POLAND ~ Jazz
Recorded: 2022 Released: 2022

Here we go again… another Polish Jazz album dedicated to / based on the music by the Godfather of modern Polish Jazz, pianist / composer Krzysztof KomedaFind albums by this artist. It is truly mindboggling why so many Polish Jazz musicians fall time and again into the same trap, especially in view of some catastrophic fiascos, blunders and bloody murders committed already in that area. I even promised myself that the next time I get another album like that I will simply throw it away immediately, but you know me… I just can’t throw away music…

Maciej TubisFind albums by this artist has a solid recording legacy behind him, with five albums by his trio, two in a duet and some other projects under his belt, most of which have been warmly received. This album, although designated as a solo piano effort, finds Tubis adding synthesizer support on three of the seven tracks, all of which are of course interpretations of music composed by Komeda, both his cinematic compositions and his Jazz repertoire. The arrangements vary from relatively close to the original versions to widely distant interpretations.

What can I honestly say about the music? Well, Tubis is a highly skilled piano player and knows all the tricks in the book to make everything sound pretty – which is probably the biggest problem of this music. People, who understand Komeda’s music know that his music is anything, but pretty. It is deeply emotional, full of pain and despair, tragically melancholic, but never pretty, even if it sounds like it. But hay, this is just me, and what do I know…

To be fair, this is not a bad album at all, Tubis plays fluently and there is enough diversity to keep the listener interested in the music from start to finish. Personally I think he just made a wrong decision this time and surely he will create a lot of great music in the future, which of course I wish him wholeheartedly.

Overall, some people will probably love this album, as it is mostly easy on the ear and a very pleasing listening experience. A pity Komeda’s memory was involved, but that’s the price we pay for the freedom of expression. Stick to your own music, my Friend!

Updated: 30/09/2022Posted: 30/09/2022

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ODPOCZNO ~ DRYF
AUDIO CAVE 2022/010 (Barcode: 5908298549551) ~ POLAND ~ Avant-Garde Jazz-World Fusion
Recorded: 2022 Released: 2022

This is the second album by Polish ensemble OdpocznoFind albums by this artist, which comprises of vocalist / bassist Joanna SzczesnowiczFind albums by this artist, violinist Marcin LorencFind albums by this artist, guitarist Marek KadzielaFind albums by this artist and drummer Piotr GwaderaFind albums by this artist. Synthesizer player / electronics performer Pawel CieslakFind albums by this artist appears as guest on all tracks and vocalist Joanna GancarczykFind albums by this artist, who was a former member of the ensemble, before she was replaced by Szczesnowicz, appears on one track. The album presents eight tracks and lasts only slightly over half an hour, making it rather an EP than a full album.

The music is mostly based on Folkloristic Polish melodies, except for two original motifs by Szczesnowicz, adapted and transformed into a unique new environment, which combines electronic drone music, Jazzy improvisations and ambient vistas. The lyrics are mostly by Szczesnowicz, with some original Folk lyrics and in one case a poem by Japanese poet Basho MatsuoFind albums by this artist.

The resulting effect is quite innovative and original, but it requires some time to get used to, and might prove too weird to many listeners, who suffer from the “instant gratification” syndrome. The sound is often intentionally muddy and the music is highly repetitive, all which does not make it easy to swallow the idiosyncratic amalgam. Probably several listening sessions might prove helpful.

Overall, this is a fascinating experiment of cross-genre exploration, with strong ties to Polish Folklore and contemporary popular music. The production is excellent and the ideas spark with originality, but the album is way too short and somewhat hesitant, which might prove to be an obstacle. Highly recommended to listeners, who have already heard everything and are looking for something unexpected.

Updated: 07/11/2022Posted: 07/11/2022

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MYSLOWSKA / PEPOL / ZAKROCKI ~ LEGGEREZZA
AUDIO CAVE 2023/001 (Barcode: 5908298549520) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion
Recorded: 2020 - 2022 Released: 2023

This is an album by a trio of Polish Avant Garde musicians, vocalist Olga MyslowskaFind albums by this artist, cellist Michal PepolFind albums by this artist and (usually) violinist, but here guitarist and electronics manipulator Patryk ZakrockiFind albums by this artist, who is feverishly prolific on the local scene. The album presents ten tracks, based on excerpts from a series of lectures by Italian writer / journalist / philosopher Italo CalvinoFind albums by this artist called “Six Memos for the Next Millennium” (Lezioni americane in Italian), the first of which is dedicated to the virtue of lightness (or Leggerezza in Italian). These lectured were in fact never delivered, due to Calvino’s death, but were posthumously published as his last work. This album is a result of a project, which was one commissioned by my lamented friend Miron ZajfertFind albums by this artist, who sadly died a few weeks ago. Although the texts are not poetry per se, the project can be marginally considered as part of the Jazz & Poetry idiom.

The music is certainly unusual, solemn and on the border or despair, but captivates the listener with its magical mixture of semi-melodic themes, improvised instrumental background and the dominating, almost operatic vocal parts. It is somewhat similar to contemporary chamber Classical music and certainly requires the same level of attention and patience in order to be absorbed.

This is certainly music for connoisseurs of Avant-Garde explorations, and as such it is highly ambitious and in many aspects also beautiful and touching. Sadly, the size of the audience for such challenging escapade will be probably quite limited. My deepest respect goes both to the musicians, who created this music and the Audio CaveFind albums on this label label for releasing it, against all odds.

Overall, this is a challenging Avant-Garde musical and literary project, which is highly stimulating and artistically sound, which requires open-mindedness and patience in order to be enjoyed. Hopefully it will also turn the attention to the wonderful writing by Calvino, which is a treasure chest of contemporary literary work. Highly recommended to ye brave hearted!

Updated: 03/05/2023Posted: 03/05/2023

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ORANZADA ~ KARMA TANGO
AUDIO CAVE 2023/002 (Barcode: 5908298549599) ~ POLAND ~ Progressive Rock
Recorded: 2021 - 2022 Released: 2023

This is the fifth studio album by Polish Prog / Rock group OranzadaFind albums by this artist, which comprises of vocalist / guitarist Michal KrzysztofiakFind albums by this artist, keyboardist Maciej LabudzkiFind albums by this artist, bassist Robert DerlatkaFind albums by this artist and drummer Artur RzempoluchFind albums by this artist. A couple of additional musicians appear on selected tracks. The album presents ten songs, all co-credited collectively to the group members.

The group has a twenty years’ history behind them and this album follows a ten years gap in their recording output. The sound and general attitude is a mixture of Neo Prog and Psychedelic Rock, nor really innovative but definitely solid as far these genres are concerned.

The compositions are all quite nice, with the lyrical ballads being stronger than the Rockier songs. Some World music influences, Psychedelic vistas and nice flute parts give the album a strong retro feel going back as far as the late 1960s at times, which is fine of course. However, the album lacks any impressive instrumental soloing and the vocal parts (in English and Polish) are the weakest part of the entire affair, so much so, that the album would probably sound better entirely without the vocal parts. A strong lead vocalist (preferably female) would fit the bill perfectly.

Overall, this is a nice, sort of Prog album, with good melodic songs and pleasant retro atmosphere, but definitely not something which would knock any Prog fan off their feet. On the other hand, considering how weak contemporary Prog is these days, this album is definitely worth a spin.

Updated: 08/05/2023Posted: 08/05/2023

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BASTARDA ~ NIZOZOT
AUDIO CAVE 2023/003 (Barcode: 5908298549612) ~ POLAND ~ Jazz-World Fusion
Recorded: 2023 Released: 2023

This is the 8th album by Polish Jazz-World Fusion trio BastardaFind albums by this artist, which comprises of clarinetist Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist. In this album Bastarda returns to the Jewish / Hassidic music, which was always one of the central motifs of the ensemble’s source of inspiration. The 3CD album explores the traditional Nigunim (wordless melodic themes), with each CD presenting the specific tunes associated with one of the many Polish Hassidic houses / clans, in this case Modrzyc, Szapiro and Koznic. The CDs present nine, seven and six tracks respectively.

It is quite obvious by now, that Bastarda is the most original interpreter of the Hassidic music tradition in Poland, not only because of its ingenuity and highly aesthetic approach, but first and foremost due to the heartfelt interest in that music, the deep level of understanding of its spiritual and emotional sense and the respectful treatment of that tradition. It is often not enough to be a highly skillful and talented musician in order to interpret musical sources on the proper level of emotional involvement and intellectual depth, as is evident in the music present herein.

Despite the fact that Bastarda play just three instruments, their music manages to sound way beyond the capabilities of just those instruments, laden with unconventional usage of their sonic characteristics, harmonies and resonance. Aided by the superb sound recording quality, depth and resolution, the music becomes much more voluminous and resounding, which results in a highly unusual and overwhelming sonic experience.

It is truly uplifting to hear that Bastarda not only keeps the Hasidic music tradition alive, but in fact manages to insert a completely new life into it, taking it intro contemporary music environment and expanding it into new spiritual spheres, which is especially felt on the third CD.

Overall, this is a magical, thrilling musical experience, which is way beyond any attempt to be described verbally and must be experienced sonically, and then spiritually, in order to be fully appreciated. Bastarda manage again to create a treasure trove of musical beauty, that is unconventional and exquisite, standing highly above most other attempts to interpret Hassidic music, and in fact most other music making as well. Chapeau bas!

Updated: 15/05/2024Posted: 28/04/2023

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SAME SUKI ~ DZIADOSKIE PIOSENKI O MILOSCI
AUDIO CAVE 2023/004 (Barcode: 5908298549636) ~ POLAND ~ World Music & Folklore
Recorded: 2022 Released: 2023

This is an album by Polish trio Same SukiFind albums by this artist, which comprises of vocalist Magdalena WieczorekFind albums by this artist, vocalist / multi-instrumentalist Helena MatuszewskaFind albums by this artist and vocalist / bassist Karol GodzaloFind albums by this artist. The album presents twelve original songs, all co-credited to the trio members.

The concept of the album is to create a series of original songs, which sound, feel and resemble Polish Folklore songs, which might have been written centuries ago. The individual vocals and vocal harmonies are the epicenter of the music, which is supported by some instrumental accompaniment, using folklore instruments, and based on strong, hypnotic bass pulsations, which lead the music steadily and with confidence.

Although the vocal performances mimic Folkloristic singing and to some degree old Polish language, the subject matter (love songs of course) is absolutely contemporary, including a serious dash of humor and irony. Of course that part of the album’s message is language dependent, and gets lost to listeners, who are nor native Polish speakers. But even without the text layer, the music is highly original and aesthetically appealing.

Overall, this is a very unusual, somewhat challenging Folklore album, which offers some beautifully lyrical songs and deep reflections about contemporary personal relationships, all wrapped in a mysterious “old music” packaging. I had a real blast listening to this little gem and I most warmly recommend it to all heartfelt unusual music lovers, who will be ready to plunge into this micro-universe, which is enchanting and magical.

Updated: 10/05/2023Posted: 10/05/2023

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DARIUSZ PETERA ~ WLADZA ALGORYTMOW
AUDIO CAVE 2023/005 (Barcode: 5908298549582) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2022 Released: 2023

This is the second album by Polish Jazz pianist / composer Dariusz PeteraFind albums by this artist, recorded with the same sextet lineup that appears on the debut album “FlashoverFind albums with this title”, with trumpeter Emil MiszkFind albums by this artist, saxophonist Maciej KocinskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. Brothers Mateusz SmoczynskiFind albums by this artist on violin and Jan SmoczynskiFind albums by this artist on synthesizer appear as guests. The album presents seven tracks, which are said to be mostly improvised during the recording sessions, with three tracks partly based on pre-composed themes by Petera. The album was recorded at the excellent Studio Tokarnia and engineered by Jan Smoczynski, with the usual splendid sonic result.

The music is a powerful display of group improvisation, brilliantly executed by these highly talented musicians. The sound of the sextet (and at times octet) is dense and complex, and despite the fact that the music is improvised, offers a wonderful continuity and coherence. Although large group improvisation is not new in Jazz (what is?), it is relatively quite rare in contemporary Polish Jazz, making this album especially interesting and refreshing. In comparison to Petera’s debut album, recorded four years earlier, this album climbs to a whole different level and is a Milestone in his musical development.

The concept of group improvisation is a double-edged sword, in a sense that in some cases the music offers a collection of individual improvised statement by the musicians in a group, not necessarily corresponding to each other, whereas in this case the individual improvisations serve a purpose of creating an ensemble statement, not ignoring individual contributions of course, but rather combining them into a whole new collective amalgam, which this album manages to do remarkably well.

Overall, this is an outstanding achievement by Petera and his cohorts, a powerful, beautifully played musical statement, offering unconventional approach and preferring the common musical good over individual statements, not by ignoring them, but by unifying them into a greater whole. This album is quite a surprise, and I love surprises, as we all should. Well done my Friends – respect is due!

Updated: 30/04/2023Posted: 30/04/2023

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SUTARI ~ WIANO
AUDIO CAVE 2023/006 (Barcode: 5908298549629) ~ POLAND ~ World Music & Folklore
Recorded: 2013 - 2014 Released: 2023

This is a reissue / remaster of the debut album form 2014 by Polish female trio SutariFind albums by this artist, which comprises of vocalists / instrumentalists Basia SonginFind albums by this artist, Kasia KapelaFind albums by this artist and Zosia ZambrzuskaFind albums by this artist. The album presents twelve tracks, all based on traditional Polish Folklore, with some original adaptations / additions by the trio members.

Although Sutari was founded in 2012, I admit of being completely unaware of their existence until their appearance on the “TamojFind albums with this title” album by the BastardaFind albums by this artist trio. Their striking originality and unconventional approach to music in general and Polish Folklore in particular is truly astounding.

Polish Folklore offers an endless wealth of multi-cultural sources, which developed over the Centuries, bringing many different Cultures together. It seems that many contemporary Polish musicians are discovering the treasures of the diverse Folklore traditions, like the recently reviewed Same SukiFind albums by this artist trio and quite a few others. Although obviously less popular than the dreadful contemporary Polish Pop, it is great to see that this music still finds a place in the heart of Poles, who respect their Cultural traditions.

The music, although seemingly simplistic and lacking complex musical challenges, is in fact fascinating, especially when treated with a slight degree of humor and an attempt to show, that human life on the basic level, especially emotionally, did not change radically over time, still sharing the pains of love and other personal relationships, which are the subject of the Folkloristic material adopted by Sutari. The vocal harmonies of the trio members are the focus of this music and the instrumental accompaniment is rather secondary, but definitely unconventional, but that does not diminish the excellent end result.

Overall, this is an exceptional example of a contemporary interpretation of Polish Folklore, which is vibrant and fascinating, and having this album back in circulation is definitely a field day. Kudos to Audio CaveFind albums on this label for bringing this music back to circulation, in style, as usual.

Updated: 12/05/2023Posted: 12/05/2023

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JACHNA / MAZURKIEWICZ / BUHL ~ […]
AUDIO CAVE 2023/007 (Barcode: 5908298549643) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2022 Released: 2023

This is the third album by Polish Free Jazz / Improvised Music trio comprising of trumpeter Wojciech JachnaFind albums by this artist, bassist Jacek MazurkiewiczFind albums by this artist and drummer Jacek BuhlFind albums by this artist. The album presents seven tracks, all co-credited to the trio members.

These three musicians are part of the hardcore of the Polish Avant-Garde Jazz since years, with dozens of albums to their collective credit, including four albums by Jachna and Buhl as a duo. As such, they are already established Artists, for good and for bad, since it certainly becomes more difficult in time to produce music, which will surprise the listeners and perhaps show some new direction, if such a development is at all possible in Avant-Garde Jazz music?

But of course they are Masters of their trade and the music they produce is always fascinating and exciting, despite the minimalist setting and conceptual restrictions. The music leaves more to the listener´s imagination than it actually states, which is always inspiring and stimulating. But less open-minded or less cooperative listeners might be perhaps left behind this time…

Jachna’s tone is, as always, irresistible to the trumpet lovers, who always long for more, but his statements are even more concise and shorter than usual (or perhaps it’s only my personal impression). But when he does play, he captivates as always, no question asked. The rhythm section, if they can be called that at all, is brilliant, and with the delicate usage of electronics and extended percussion, manages to create sound vistas, which flow on their own behalf.

Overall, this is a complex piece of music, which requires total involvement from the listener, but offers, as usual in the case of these three magicians (sorry, musicians) unusual stimulation and unexpected experiences. Sublime instrumental performances are obviously there, but this music is more an out of the body experience than something one gets during the usual listener / performer relationship. It certainly takes more than one encounter with this music in order to establish a spiritual contact, but patience is always a virtue.

Updated: 14/05/2023Posted: 14/05/2023

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ASCETIC ~ ASCETIC
AUDIO CAVE 2023/008 (Barcode: 5908298549667) ~ POLAND ~ Jazz
Recorded: 2022 Released: 2023

This is the debut album by young Polish Jazz quartet AsceticFind albums by this artist, led by clarinetist / saxophonist Mateusz RybickiFind albums by this artist, and also including pianist Tomasz KaczmarekFind albums by this artist, bassist Ju GhanFind albums by this artist and drummer Jan SlowinskiFind albums by this artist. The album presents ten tracks, which although based on ideas suggested by the leader, are all co-credited to the four members of the quartet. One of the tracks is based on a 15th Century traditional song. The music was excellently recorded at the Monochrom Studio.

The music is an absolutely classic Jazz quartet recording, which offers an atmosphere and tonality of the Polish Jazz sometime in the late 1960s, when modern Polish Jazz was born. The delicate, almost hypnotic melodies, the relaxed, as if intentionally slowed down tempi, the wonderful clarinet / saxophone soli, which avoid unnecessary complexity and showing off, but push the melody to the very edge, the excellent harmonic support by the piano, the solid, stable bass pulsations and supportive but not overbearing drumming – it is all there to make the music just perfect from start to finish.

I often complain that the young Polish Jazz musicians are not taking enough risks lately and seem somewhat out of steam, but perhaps reexamining the classics can be every bit as inventive, as breaking new ground, which is exactly what is happening here. The clarinet, which sadly has been pushed aside so often, proves that in the right hands it can be as innovative and daring as all the saxophone family, and with its specific tonality it is surely more heartwrenching.

It would be trivial to compare this music to the music of John ColtraneFind albums by this artist or Krzysztof KomedaFind albums by this artist (which I have already noticed in the scribblings by my colleagues), since naturally every Polish Jazz musician is inadvertently influenced by these Giants; it is important to see what these young musicians have to say beyond the tradition, even when they pay “in the tradition”. And they certainly have a very individual and personal statements to offer, all of which are present herein, for those willing to listen.

Overall, this is a brilliant debut recording, by any standard, and a surprising attempt to re-construct / de-construct the classic Jazz quartet statement, on an unprecedented scale, even if the musicians are not aware consciously of what emerged as a result of their creative effort. When the dust settles, this album is certainly here to stay as one of the most significant statements on the Polish Jazz scene this year, if not beyond. Time will tell, but in the meantime my warmest thanks to you Gentlemen, for your talents and determination. Hats off!

Updated: 29/07/2023Posted: 28/07/2023

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PATRYK ZAKROCKI ~ TALES FOR SOLO GUITAR
AUDIO CAVE 2023/009 (Barcode: 5908298549728) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2022 Released: 2023

This is an album by Polish Jazz violinist / guitarist Patryk ZakrockiFind albums by this artist, which is his first attempt at recording completely solo, for which he chose to use the guitar. The album presents thirteen tracks, three of which were partly pre-composed, and the rest are spontaneous improvisations.

Zakrocki has been very prolific during the last decade, recording many albums with the key players on the Polish Improvised Music scene, playing mostly the violin and occasionally also the guitar, all of which were excellent examples of the diversity and depth of the genre.

Although mostly improvised, the music on this album offers a melodic continuity, even if that is achieved subconsciously by the Artist. Subdued and delicate, the music is caressing and meditative, completely devoid of the cacophony and confusion often associated with Freely Improvised Music. The fact that the tracks are short in duration manages to keep the listener focused and follow the development, before he gets disenchanted or bored. Despite the fact that the music is kept at the same volume level for the entire duration, which might have been a perilous decision, works all for the best here, creating a continuous aural experience, all set in a similar mood.

Zakrocki does not try to impress the listener with his virtuosity as a performer, as the music is all about the atmosphere and a certain groove, which is based on the Blues soaked riffs used repeatedly. But his guitar skills are ideal for whatever he wants to communicate to his listeners here.

Overall, this is very engaging, aesthetic piece of music, which should impress many music connoisseurs beyond the Improvised Music genre. In fact, the “improvised music” label on this album should be treated very liberally, not that it is not essentially true, but because it is very different from what most people associate with that genre. It is first and foremost simply a very personal statement by a highly talented Artist, which should be able to help many people relax and unwind, especially in these trying times.

Updated: 19/10/2023Posted: 19/10/2023

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JAZZPOSPOLITA ~ OBIEKT
AUDIO CAVE 2023/010 (Barcode: 5908298549704) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2022 Released: 2023

This is the 8th album by the Polish ensemble JazzpospolitaFind albums by this artist, led by bassist Stefan NowakowskiFind albums by this artist, with a new lineup including guitarist Michal MilczarekFind albums by this artist, keyboardist Milosz OlenieckiFind albums by this artist and drummer Wojciech SoburaFind albums by this artist. The album presents eight tracks, all original compositions co-credited to the members of the ensemble.

The music is an interesting cross-genre amalgam of Jazz, Ambient and other influences, which continues the convoluted path of Jazzpospolita over the last decade and a half, with their chameleonic ability to constantly transform their musical direction. Nowakowski is the only remaining founding member, but the ensemble, despite the constant personnel changes, always managed to offer some exciting and innovative music over time. I followed them since their early days and they never disappointed, despite some turbulent times they went through.

This album is quite different, even radically different from the earlier albums, with a much stronger Ambient, meditative and melancholic presence, with a dash of Avant-Garde, obviously influenced by the presence of Milczarek, who showed similar tendencies on his earlier recordings with his trio. Oleniecki confirms his talent as keyboard player, as evident from his previous recordings. I am sadly not privy to any recordings by Sobura.

Overall, it is great to see Jazzpospolita rise as a phoenix from the ashes again, offering some new music and searching for new directions. This lineup probably needs to refine their stylistic approach some more, which I am sure they will do before their next recording.

Updated: 21/10/2023Posted: 21/10/2023

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KRZESIMIR DEBSKI / TADEUSZ SUDNIK ~ BORELLO
AUDIO CAVE 2023/011 ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2021 Released: 2023

This is an album by the duo of legendary Polish Jazz musicians: violinist / composer Krzesimir DebskiFind albums by this artist and keyboardist / electronic music pioneer / wizard Tadeusz SudnikFind albums by this artist. The album presents four lengthy tracks, all co-composed by the participants. The first track includes a few phrases by another Polish Jazz legend, trumpeter Tomasz StankoFind albums by this artist, recorded during a telephone conversation between him and Sudnik, shortly before his death, and the track is dedicated to his memory.

The music floats somewhere between Improvised Music, Ambient, Classical Music and Jazz, and eschews any attempt of categorization. Debski offers his expressive violin virtuosity, while Sudnik frames the atmospheric background, harmonies and rhythms, using a wide array of electronic devices and synthesizers. The outcome is quite beyond verbal description and requires to be listened to attentively and patiently, probably more than once, before the music really sinks in.

Although Debski is mostly associated since many years with Classical Music, his improvising abilities prove to be still potent and challenging, fondly reminding the heydays of the legendary String ConnectionFind albums by this artist. Sudnik, although mostly in the shadows, following his appearances in ensembles led by Stanko, remains an innovator and dreamer, always busy with crossing borders. My visit last year in his flat in Warsaw was truly an eye opener and he has a huge collection of unreleased music, which hopefully will be revealed in time. Together, they are able to create music, which transcends genres and is wholly mesmerizing.

Overall, this is a demanding, but highly rewarding piece of cross-genre music, by two Masters of their trade, which deserves to be discovered by all true music lovers, who are constantly searching to expand their horizons. Of course it can be easily embraced as a highly original example of the “Art of the Duo”. Wholeheartedly recommended!

Updated: 23/10/2023Posted: 23/10/2023

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NINJA EPISKOPAT ~ ALL THOUGHTS ARE BAD THOUGHTS
AUDIO CAVE 2023/012 (Barcode: 5908298549742) ~ POLAND ~ Electronic & Ambient
Recorded: 2023 Released: 2023

This is the debut (physical) album by Polish trio Ninja EpiskopatFind albums by this artist, which comprises of saxophonist Alex ClovFind albums by this artist (a.k.a. Alex Clov BaczkowskiFind albums by this artist), guitarist Mojzesz TworzydloFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. A couple of guest musicians appear on selected tracks. The album presents seven tracks, which are uncredited (assumed to be co-created by the trio members) and the total playing time is about thirty-five minutes, which makes it an EP rather than a full album, which is often considered a “standard” these sad days, and which often makes me think of selling wine in bottles half empty…

The music is a mixture of many influences, soaked in electronics, but including Rock, Trance, Rap and even Jazz improvisation, which creates atmospheric vistas somewhat of cinematic associations. It is ambitious and quite interesting, but somewhat uneven and lacking a clear statement, possibly intentionally. I enjoyed the music, but by the time it was over I had more questions than answers. The drumming parts are certainly the most impressive instrumental contributions herein.

Overall, this is an interesting, but probably prematurely released piece of music, which is intended for a much younger generation of listeners that your truly, but certainly offers enough excitement to watch out for their next outing. Kudos to Audio CaveFind albums on this label for giving it a chance to reach a wider audience and thinking out of the box.

Updated: 16/03/2025Posted: 03/03/2024

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ZIEBICKA ORKIESTRA MANDOLINISTOW ~ FRANKENSTEIN
AUDIO CAVE 2023/013 (Barcode: 5908298549735) ~ POLAND ~ Soundtracks
Recorded: 2022 Released: 2023

This is an album by a Mandolinists Orchestra from the small Lower Silesian town of Ziebice, which includes eighteen mandolin players, vibraphonist, pianist, trumpeter, clarinetist, drummer and bassists Dariusz DzuganFind albums by this artist, who also composed and arranged all the music. The album presents thirteen tracks, which are intended to serve as a soundtrack to the 1910 silent movie “Frankenstein”.

To explain the background, Ziebice is very close to the town Zabkowice Slaskie, which was earlier called no other than Frankenstein and gave the name to the sordid legend as a result of the events that happened in that town in the year 1606. Look up the rest ;)

Although initially I considered this album as a curiosity stunt, especially due to the unusual 3D packaging, the music turned out to be quite interesting and perfectly suitable as a movie soundtrack. The compositions are all coherent, with melodic themes and a strong feel of suspense and tension perfectly created by orchestra. The mandolins create an effect, which would have been usually achieved by a string orchestra, but sounds much more interesting and rich.

I have not matched the music with the actual movie, to see if there is a possible synchronization. The original movie is only 16 minutes long, but the running time of the album is thirty-one minutes and a half, so no match here, but of course music can be faded out. Since the film is now in public domain, it would be nice to see it with this music in the background on DVD perhaps – just a suggestion for a Deluxe Edition? Actually there was an associated cue sheet of fourteen musical background pieces, which came out with the original movie, so there is almost a perfect match here.

Overall, this is a very nice piece of cinematic movie, which sounds perfectly on its own. The atmosphere and tension are perfectly achieved and the entire project makes perfect sense. Kudos again to Audio CaveFind albums on this label for releasing such a curious and unusual album regardless of the cost involved with the elaborate 3D packaging, which is one of the most original of its kind. Definitely worth checking out!

Updated: 05/03/2024Posted: 05/03/2024

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BASTARDA / ALEKSIC / PODRUMAC ~ LILITH ABI
AUDIO CAVE 2023/014 (Barcode: 5908298549759) ~ POLAND ~ Jazz-World Fusion
Recorded: 2023 Released: 2023

This is the 9th album by Polish trio BastardaFind albums by this artist, which comprises of clarinetists Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist, this time recorded with two female Serbian musicians: violinist Katarina AleksicFind albums by this artist and vocalist Branislava PodrumacFind albums by this artist. The album presents nine tracks, all of which are arrangements of traditional lullabies, each originating from a different global location.

As usual with Bastarda projects, the music is exquisitely put together, with great care and aesthetic values at the epicenter, and brilliantly performed by the trio members and their guests. The theme of the mythological female figure of Lilith, a night she-demon, marks the common denominator of the lullabies, which originally were intended to protect the children from evil during their sleep. The serenity and tranquility of lullabies are of course their common characteristic, regardless of geographical location, as is plainly evident herein.

Bastarda, yet again, prove their extraordinary chameleonic ability to find an ideal application of their instrumental approach to the central theme of the project, and although they are not the composers, the music becomes entirely theirs, ideally suiting their idiosyncratic approach, the individual instrumental contributions and above all the resulting outcome, which is entirely fascinating.

The two guests are seamlessly integrated with the trio and add even more depth and beauty to the project as a whole. The violin parts and above all the vocals spice the atmosphere with worldly scents and Folkloristic nuances, all with balance and good taste not to disturb the delicate atmosphere of the entire project.

The music is of course complex, multilayered and sophisticated, blending influences form many Cultures, creating an incredible musical / ethnic tapestry of great beauty and depth. It might require several listening sessions to appreciate and comprehend all the elements, but ultimately offers a deeply rewarding listening experience.

Overall, this is another Masterpiece by Bastarda and their guests, which is an absolute must for connoisseurs of profound music, which combines a multitude of elements and demands an ability to amalgamate many threads in parallel, in order to create a magnificent fabric of sounds and emotions. It seems that Bastarda are simply unstoppable in their commendable task to keep their listeners astounded time and time again. Thank you my Friends!

Updated: 15/05/2024Posted: 29/02/2024

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JACEK MIELCAREK KWARTET BASMYT ~ CORAZ
AUDIO CAVE 2023/015 (Barcode: 5908298549766) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2023 Released: 2023

This is an album by Polish Jazz saxophonist / clarinetists / composer Jacek MielcarekFind albums by this artist, recorded in a quartet setting with guitarist Marek KadzielaFind albums by this artist, bassist Jakub MielcarekFind albums by this artist (Jacek’s son) and drummer Lukasz StworzewiczFind albums by this artist. Vocalist Emilia HamerlikFind albums by this artist guests on one track. The album presents eight tracks, two composed by Jacek Mielcarek, one each by Jakub Mielcarek, Marzena MielcarekFind albums by this artist (Jacek’s wife) and Kadziela, two co-composed by the quartet and one is a standard.

The music floats between Freely Improvised and more conventional Jazz vistas, beautifully played by Jacek Mielcarek and his cohorts, displaying strong spiritual trends, mysticism and contemplative moods, similar to his earlier recordings. Despite the high degree of freedom, the music remains completely cohesive and coherent, which of course is remarkable in itself.

The fact that the compositions are contributed by several musicians adds to the diversity and scope of the music. Kadziela’s dense guitar passages and his utilization of electronically generated sounds also expand the range of the sonority and the rhythm section is hardly keeping time in the traditional sense, adding active tempo / rhythmic improvisation on top or perhaps just under everything else.

The arrangement of the classic standard is one of the highlights of the album, demonstrating a perfect merger of tradition and innovation, all with sympathy and respect to the past put looking forward for new forms of expression.

Overall, this is a wonderful example of Improvised Music, which makes sense, is reasonably easy to listen to, offers a balanced portion of high energy and tranquility, in short being a highly absorbing and fascinating listening experience, which continues previous achievements by Jacek Mielcarek and his favorite team of musical Argonauts. As usual I had a wonderful time listening to this music as should all open-minded listeners the world over.

Updated: 07/03/2024Posted: 07/03/2024

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BARTLOMIEJ OLES ~ CAT`S SONGS - 17 HAIKU FOR PIANO
AUDIO CAVE 2023/016 (Barcode: 5908298549780) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2023 Released: 2023

This is a rather surprising album by Polish Jazz drummer / composer Bartlomiej OlesFind albums by this artist, which presents seventeen short pieces for solo piano, composed by Oles and performed by pianist Mira OpalinskaFind albums by this artist, appropriately called Haiku, referring to the Japanese poetry tradition of short poems containing seventeen phonetic units (5-7-5 syllables). The album is the first recording of music composed by Oles, on which he does not take part as a performer.

The minimalist music is very melodic and despite its format limitations it is also very expressive. As Oles mentions in the album’s liner notes, there is a certain delicate wink in the direction of Eric SatieFind albums by this artist’s solo piano pieces, although he also mentions Chick CoreaFind albums by this artist’s “Children`s SongsFind albums with this title” album as a source of inspiration.

This music is very distant to what Oles and his twin brother, bassist Marcin OlesFind albums by this artist are usually associated with, which of course is Jazz and Improvised Music. The decision to record this album marks a new path in the personal development of his career and is also quite a bold step, which might raise some eyebrows among his usual listeners. Courage and artistic integrity are characteristics I always support wholeheartedly, which of course I do also now.

Overall, this is an excellent collection of solo piano pieces, beautifully played and splendidly recorded, which should satisfy every music lover, regardless of stylistic preferences. This music is naked and completely lacking pretentiousness or pose, it simply is…

Updated: 23/02/2024Posted: 23/02/2024

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SUTARI ~ KOLYSANKI SWIATA (LULLABIES FOR THE WORLD)
AUDIO CAVE 2024/001 (Barcode: 5908298549841) ~ POLAND ~ World Music & Folklore
Recorded: 2022 - 2023 Released: 2024

This is the 4th album by the Polish female trio SutariFind albums by this artist, comprising of vocalists / instrumentalists Kasia KapelaFind albums by this artist, Basia SonginFind albums by this artist and Dobromila ZyczynskaFind albums by this artist. The album presents nine tracks, all of which are, as the titles suggests, original songs based on folklore lullabies from different parts of the world. On one of the tracks the trio invited four female singers from Iran, on another they invited the previous member of the trio Joanna KurzynskaFind albums by this artist and finally on one song they invited a Ukrainian vocal duo to participate on the recording.

Sutari are wonderfully unique as far as the Polish modern folklore scene is concerned, offering a non-conformist, approach to music in every aspect. The vocal harmonies and the instrumental accompaniment create a complete aural experience, unlike any other, and although their folkloristic influences and sources are strongly audible, the music breaches the usual stylistic approaches, often sounding almost “Avant-Garde” in some respects.

The resulting music is totally captivating and fascinating, creating a new amalgam of familiar elements, which are put together in a completely unprecedented way. It is difficult to analyze if all this is done subconsciously / naturally, or carefully pre-conceived by the trio, but in fact it does not matter as long as the result is as thrilling as what can be heard on this album.

Anybody expecting to hear a collection of what is usually considered as lullabies, is in for a huge surprise. Although these pieces might have a soothing, relaxed intention, the result is anything but something that might put the listener into a lethargic state of sleepiness. Au contraire, the intellectual and aesthetic depth of this music and its complexities / intricacies are surely highly stimulating.

Overall, this is a beautiful and fascinating piece of music of the highest caliber, which every true music lover the world over should be able to enjoy and savor. It might take a while to be able to penetrate the depth of the music, but once the external “eccentricity” is penetrated, it is but a total bliss…

Updated: 20/09/2024Posted: 20/09/2024

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ZIEMIA / IREK WOJTCZAK ~ WARMING / MELTING
AUDIO CAVE 2024/002 (Barcode: 5908298549773) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2023 Released: 2024

This is the 2nd album by the Polish Jazz quartet ZiemiaFind albums by this artist, comprising of guitarist Oskar TomalaFind albums by this artist, trumpeter Mateusz ZydekFind albums by this artist, bassist Jakub WosikFind albums by this artist and drummer Alan KapolkaFind albums by this artist. The quartet is expanded into a quintet with the addition of saxophonist / bass clarinetist Irek WojtczakFind albums by this artist. The album was recorded live and presents eight tracks, all original, but uncredited composition, assumed to be co-created by all the participants.

The music is significantly different from that presented on the quartet’s debut album, recorded just one year earlier, and tends to step boldly into the “well behaved” Improvised Music / Free Jazz idiom, rather than stick to established mainstream Jazz formulas. The musicians offer a series of intimate conversations, which move between solo, duo and trio exchanges, which then are joined by the rhythm session to explore the group improvisation modus operandi.

Of course there are also pre-composed pieces, but those also morph into Free Form territory, soon after the introduction of the theme, but keep a more “traditional” structure with consecutive soli, rather than group improvisation.

The sound and the mood of the music are quite unconventional for the entire duration, but the music stays within coherent boundaries and should be accessible to a relatively wide range of Jazz listeners, which for such complex music is quite a miracle.

The level of the individual performances is stunningly excellent, and despite the generation / experience gap between Wojtczak and the four youngsters, musically they seem to have no inferiority complex playing side by side. Personally I seem to develop a high interest in the work of Zydek, whose trumpet parts are nothing short of sensational and I have high hopes for his future explorations on the local scene.

Overall, this is a great album, diverse and surprising from start to finish with no dull moments in between. These your musicians are certainly going places and their cooperation with Wojtczak is unblemished by the generation gap, which knowing Irek and his open-mindedness, is not surprising. Although non-trivial in every sense, this music is absolutely worth being investigated by open-minded listeners the world over. Well done indeed!

Updated: 09/05/2024Posted: 09/05/2024

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TERCET KAMILI DRABEK ~ TAK BYM CHCIALA KOCHAC JUZ
AUDIO CAVE 2024/003 (Barcode: 5908298549834) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2024

This is the 2nd album by the Polish Jazz bassist / composer Kamila DrabekFind albums by this artist, recorded in a trio format with saxophonist Marcin KonieczkowiczFind albums by this artist and drummer Kacper KazmierskiFind albums by this artist, same lineup that recorded the debut album “Muzyka NaiwnaFind albums with this title”, released almost five years earlier. The album presents nine tracks, six composed by Drabek, two by Polish Jazz saxophonist / composer Jerzy MatuszkiewiczFind albums by this artist and one is a standard by Sonny RollinsFind albums by this artist.

The music, except for the two Matuszkiewicz pieces, which are kept close to their origin, i.e. mainstream Jazz, and which are a loving tribute to his music, is wonderful modern Jazz, elegantly minimalist, often romantic and lyrical, and at all times fascinating. The entire album is a great example of the “less is more” idiom, where every note counts and every little nuance is meaningful. The arrangement of the Rollins’ tune is delightful, and I am tempted to send it over to him, to hear what he thinks of it.

Although the alto saxophone is naturally at the helm, playing fluently and affluently, this is very much a trio effort, with Drabek vividly present at all times and Kazmierski at her side, with a confident and intelligent rhythmic support. The entire ambience of the trio is very unique and the excellent sound quality of the album adds significantly to its imminent success.

The album is a very delicate statement, completely non-aggressive and subdued, and yet striking by its obviously carefully preconceived modesty and aesthetic determination. Everything heard here makes perfect sense musically, and at the same time keeps surprising the listener time after time.

Overall, this is an excellent sophomore effort, which was definitely worth the long wait, and establishes Drabek as a musician and composer worth pursuing in the future and a proud representative of the female Polish Jazz scene, which is constantly gaining its repute in the last decade. It is certainly an album many Jazz listeners the world over should enjoy immensely!

Updated: 13/05/2024Posted: 13/05/2024

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HUBERT ZEMLER & AUKSO CHAMBER ORCHESTRA ~ TOXIC POEM
AUDIO CAVE 2024/004 (Barcode: 5908298549803) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion
Recorded: 2022 Released: 2024

This is an album by Polish percussionist / composer Hubert ZemlerFind albums by this artist, recorded with the AUKSO Chamber OrchestraFind albums by this artist, conducted by Marek MosFind albums by this artist. The album presents five tracks, which are parts of the suite, which gives the album its title. The music lasts for just slightly over thirty minutes.

The suite is basically an Avant-Garde piece, which floats between contemporary Classical Music and Improvised Music, although most of the music is strictly composed and features only limited improvised elements. The music is minimalist, fragmented and offers a difficult to follow continuity, which appeals probably a limited audience, even among the most adventurous listeners.

Zemler plays a wide range of percussion instruments, with the orchestra creating a background layer of Ambient, repetitive themes, stylistically resembling the minimal music by composers like Steve ReichFind albums by this artist, Terry RileyFind albums by this artist and others, highly popular in the 1960s, but almost completely abandoned since.

Overall, as much as I admire Zemler’s originality and non-conformism over the years, I find this album somewhat less interesting or innovative than his usual work. Of course, Polish music needs adventurers and pioneers like Zemler, so I thank him for this piece of his creativity.

Updated: 12/07/2024Posted: 09/07/2024

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STRYCHARSKI / TARWID ~ APOGEUM
AUDIO CAVE 2024/005 (Barcode: 5908298549858) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2022 Released: 2024

This is the debut album by the Polish Jazz / Improvising Music duo comprising of flautist / electronics manipulator / composer Dominik StrycharskiFind albums by this artist and keyboardist / composer Grzegorz TarwidFind albums by this artist. The album presents seven tracks, all (assumably) co-credited to both musicians.

The music is completely improvised, almost entirely devoid of any melodic continuity, which to an inexperienced listener might sound as a collection of randomly produced sounds. Even listeners from the inside circles of the Polish Improvised Music might find this music trying. Although both of the duo members tackled improvising music earlier on, on this album they both take things to the extreme scale of the Avant-Garde mayhem, which of course is perfectly fine with me, albeit I much prefer their more conventional outings.

Although I have been listening to Improvised Music for more than six decades, I always face the same dilemma: even if the music manages to create some interest at the first time I listen to it, I find myself never ever returning to listen to it again. As a result, I prefer to listen to IM live than on record, knowing that this is an unrepeatable experience.

Of course I respect musicians, who do what they do with conviction and dedication, and both these Artists are extremely talented individuals, with an impressive recorded legacy already, despite their relative young age. I simply favor their past recordings, some of which are truly exceptional, to this particular cooperation.

Overall, this is a highly demanding, Avant-Garde Improvised Music experiment, which probably will find some enthusiastic followers, but which I found somewhat estranged to on one hand, and experiencing the famous déjà vu feeling on the other hand. In my experience being innovative in Avant-Garde is way more difficult than on conventional ground, as absurd as this may sound. Kudos for trying and not looking back!

Updated: 12/07/2024Posted: 12/07/2024

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RHYTHMSECT ~ THIS IS DARK FUNK
AUDIO CAVE 2024/006 (Barcode: 5908298549865) ~ POLAND ~ Avant-Garde Rock
Recorded: 2022 Released: 2024

This is the debut album by the Polish duo RhythmsectFind albums by this artist, comprising of drummer Grzegorz PlutaFind albums by this artist and bassist PatyrFind albums by this artist, who are joined by saxophonist Piotr LyszkiewiczFind albums by this artist. The album presents seven tracks, uncredited on the album’s artwork and assumed to be co-composed by the three participants. The album lasts for just over half an hour and is more an EP than a full album.

The music is an attempt to define / create a new sub-genre, which the musicians define as “Dark Funk”, which is pretty descriptive of the contents. The notion offers a dense bass-drums rhythmic background, which is quite Funky, with Free-Jazz oriented saxophone improvisations and electronic on top, with strong relations to dub and drum and bass, which have been with us for decades.

The cumulative effect of the music is pretty Funky and Groovy, no doubt, and a bit “dark” as well, but it certainly does not offer any substantial innovation, groundbreaking new musical path, yet alone defines a new sub-genre or offers anything not previously heard. In addition, it is not really that interesting and after a few tracks the music becomes repetitive and honestly quite boring, with the eternal “Quo Vadis” hanging overhead?

Overall, as much as I am totally in favor of experimentation and exploration of new musical avenues, both in Jazz and other genres, sadly this album represents rather a step backwards into already widely explored territory, than a step forward into uncharted territory, which is conflicting with the Avant-Garde’s ideological propensity.

Updated: 20/07/2024Posted: 20/07/2024

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KOSMOS ~ KOSMOS
AUDIO CAVE 2024/007 (Barcode: 5908298549872) ~ POLAND ~ Jazz
Recorded: 2024 Released: 2024

This is the debut album by the Polish Jazz quintet KosmosFind albums by this artist, comprising of trumpeter / keyboardist Jan OstalskiFind albums by this artist, saxophonist Iwo TylmanFind albums by this artist, pianist Stanislaw SzmigierFind albums by this artist, bassist Kamil GuzniczakFind albums by this artist and drummer Kacper KutaFind albums by this artist. The album presents eleven tracks, which are uncredited on the album’s artwork and therefore assumed to be co-composed by the quintet members. The music was recorded at the splendid Tokarnia 2.0 studio and engineered by Jan SmoczynskiFind albums by this artist, and offers nothing less than the expected superb sound quality.

The album’s liner notes suggest a linkage with space Jazz (see Sun RaFind albums by this artist), referring to the quintet’s moniker (Kosmos in Polish = universe / outer space), but to be honest this is hugely farfetched, as the music is pretty earthly modern Jazz, which other than a bit of electronic effects stays well within the mainstream “universe”.

Having said that, the music is quite original and clever, with a perfect balance between composed themes and improvised parts, excellently performed by these young players, who obviously lack the perfection, which comes with years of experience, but are talented enough to compensate with open-mindedness and thinking out of the box. The resulting music keeps the listener right on the edge, unable to anticipate what comes next, which of course is much appreciated.

The music is surprisingly diverse and keeps moving into many different avenues, but does not lose coherency and continuity, which makes listening to the entire album quite a journey. More importantly the album offers a substantial amount of music (over fifty minutes), which shows that these people have a lot to say, which they wish to share with their listeners. Many contemporary Jazz releases offer barely about half an hour of music, which often leaves me with a half-baked reaction, and here we get a potent piece of music, which can to be savored and tasted, and later properly digested, as appropriate the occasion.

I do have an issue with the sound, not the quality of it of course, only the intentional muddiness of it, which seems to be the latest fashion with young Jazz ensembles. This is Jazz people, not drum and bass! Let us hear the music as it really sounds!

Overall, this is a very surprising and promising debut album, which puts a smile on a face of people who can enjoy something new and fresh at last, which does not happen very often these days. The music is a bit rough and lacks the spark of perfection, buy all things considered, it sounds great and more importantly offers so much fresh air. Well done, Gentlemen!

Updated: 23/07/2024Posted: 23/07/2024

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AQUAVOICE ~ FLOW
AUDIO CAVE 2024/008 (Barcode: 5908298549889) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2023 Released: 2024

This is an album by Polish Ambient composer / arranger Tadeusz LuczejkoFind albums by this artist, who uses the AquavoiceFind albums by this artist moniker. He invited several prominent Polish Jazz / Avant-Garde musicians to participate in this project: vocalist / keyboardist / flautist India CzajkowskaFind albums by this artist, electronics wizard Tadeusz SudnikFind albums by this artist, trumpeter Wojciech JachnaFind albums by this artist, bass clarinetist Mikolaj TrzaskaFind albums by this artist and author Andrzej StasiukFind albums by this artist, who recites some of his texts. The album presents sixteen short tracks, all composed by the leader. This album is a second part of the album “WavesFind albums with this title”, recorded by the same participants and sessions and released a year earlier on the Requiem label.

The album is a typical Ambient outing, spiced by some Jazz / Avant-Garde improvised soloing, almost completely lacking any distinct melodic continuity, which of course makes it rather specifically oriented to hard-core Ambient listeners. The invited guests are all excellent musicians of course, but their role here is quite limited, so Jazz listeners looking to hear their favorite artists will be disappointed.

Although I usually don’t have enough patience for Ambient music, unless it is used as background for film or theatre, I found this album quite interesting, not only thanks to the improvised parts, which are more or less decorative, rather than substantially integrated, but because it makes sense as an aural experience, engaging the listener to fill in the blanks. Perhaps it is a form of escapism in these trying times, but I listened to the album a couple of times in a row and enjoyed it without reservations.

Overall, this is an interesting Ambient album, which should make enthusiasts of the genre quite happy. The Jazzy elements are marginal and limited, buy offer some spicing to the proceedings. Definitely worth investigating!

Updated: 25/09/2024Posted: 25/09/2024

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DOMINIK STRYCHARSKI CORE ~ ALERT
AUDIO CAVE 2025/002 (Barcode: 5908298549940) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2022 Released: 2025

This is an album by Polish Jazz flautist / composer / bandleader Dominik StrycharskiFind albums by this artist and his CoreFind albums by this artist quintet, which also includes pianist Barbara DrazkovFind albums by this artist (a.k.a. Barbara DrazkowskaFind albums by this artist), trumpeter Wojciech JachnaFind albums by this artist, bassist Zbigniew KozeraFind albums by this artist and drummer Pawel SzpuraFind albums by this artist. Strycharski and Jachna employ electronics and Drazkowska plays a prepared piano. The album presents five tracks, all original compositions by the leader.

The music is a brilliant amalgam of composed, but highly unusual, modernist music and controlled Improvised interludes, which combine acoustic and electronic sounds, odd pulsations, Avant-Garde contemporary approach and a plethora of other wonderful weirdness, which immediately bring fond memories of Zappaesque complete disregard of conventions, in short everything one might desire in order to hear some exciting, unusual, challenging music, brilliantly performed by these highly talented musicians.

As expected, Jachna is the direct link to Jazz within this marvelous madness, and his trumpet soli are like bright stars on a night sky, showing the way to lost mariners. The rhythm section plays some inhumanly difficult rhythmic patterns, the piano is in charge of the almost melodic layers and Strycharski uses his flute / recorder skills sparingly, concentrating on electronic effects, but the little bits here and there are like cherries on top of the cake.

The music as a whole completely eschews categorization, and as a result a proper description, so it should be of course heard and not read about, so my humble efforts are a mere attempt to encourage as many people as possible not to miss this album. Mind you, it might take some patience, open-mindedness and a true love of unconventional music to enjoy it in full, but I have faith in my readers to possess these qualities, ergo fully equipped for the voyage.

I admit of being sometimes quite critical about Strycharski’s recordings, which simply means I don’t judge the books by their covers but listen carefully. This time I can’t utter anything but deep appreciation and admiration for his efforts as composer and leader, which are amicably and splendidly supported by his cohorts, producing a true work of musical Art.

Overall, this is a brilliant piece of modern music, completely cross-genre in nature and masterly designed and executed by the entire quintet. This is Avant-Garde, which breaks barriers and rules, without being rude and careless, which is demanding, but pleasing, and which expands our musical horizons! My deepest thanks to all of you!

Updated: 14/03/2025Posted: 11/03/2025

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NIECHEC ~ RECKLESS THINGS
AUDIO CAVE 2025/003 (Barcode: 5908298549971) ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2023 Released: 2025

This is the 4th album by Polish ensemble NiechecFind albums by this artist, a quintet comprising of saxophonist Alex ClovFind albums by this artist (a.k.a. Alex Clov BaczkowskiFind albums by this artist, who replaced the founding member Maciej ZwierzchowskiFind albums by this artist), keyboardist Michal ZaleskiFind albums by this artist, guitarist Rafal BlaszczakFind albums by this artist, bass guitarist Maciej SzczepanskiFind albums by this artist and drummer Dominik MokrzewskiFind albums by this artist (who replaced the founding member Michal KaczorekFind albums by this artist), which means than 4/5 of the founding members are no longer members of the ensemble. The album presents nine original compositions, six composed by Clov, two by Zaleski and one by Mokrzewski. The music was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, offering the usual superb sound quality.

Despite the dramatic lineup shifts, Niechec manages to continue its stylistic direction pretty consistently, walking on the tightrope between Jazz improvisations and Ambient / electronic instrumental music with a dark / dense sound. It is a very specific musical direction with a pretty much “take it or leave it” attitude, which has it faithful followers, but is definitely not for everyone. After all it has been fourteen years now (and four albums) since they appeared on the scene, and the “statute of limitations” expires eventually. That said, the music is still quite pleasant, inviting and I had again a good time listening to it, despite the omnipresent déjà vu feeling.

Overall, it is a pleasant album for the Jazz-Ambient Fusion lovers, which offers basically no innovation or previously uncharted vistas, but is entertaining and even danceable to some extent. As mentioned above, I had a good time and this music is obviously appealing to wide younger audiences.

Updated: 16/03/2025Posted: 16/03/2025

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WOJCIECH JACHNA SQUAD ~ AD ASTRA
AUDIO CAVE 2025/004 (Barcode: 5908298549926) ~ POLAND ~ Jazz
Recorded: 2024 Released: 2025

This is the 3rd album by Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also keyboardist Jacek CichockiFind albums by this artist, guitarist Marek MalinowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist. The album presents six tracks, three original compositions by Jachna two by Gorzycki and one is an adaptation of a composition by Polish Classical composer Karol SzymanowskiFind albums by this artist.

This new version of the ensemble was reduced to a quartet, leaving out a bass player, and the “new” drummer is an old collaborator of Jachna, since the days of the fabulous Sing Sing PenelopeFind albums by this artist ensemble days, and his presence has a major influence on the sound and ambience of the music.

The music is almost entirely acoustic, with the exception of the electric guitar and synthesizers, which come up front momentarily, and strongly influenced by modern Classical music elements and Free Improvisation, which results in a much more demanding outcome than the two previous albums. As mentioned before, Gorzycki’s compositions and his dominant drumming give the music a somber, dense effect.

Jachna’s trumpet parts are as fabulous as always, and he never fails to grab the attention of the listener, but his role is someway less central and leading on this album, with much more space given to the other three members of the ensemble. The balance between the instruments is also somewhat shifted towards the heavy drumming, which might sound a bit “unearthly” at first. This album definitely needs several listening sessions in order to embrace its unique qualities.

It is very interesting to see the ensemble developing and changing the direction, especially when this leads towards a more ambitious and demanding results, but might also present a challenge to listeners, who are expecting something else, based on earlier exposure. For me personally this new direction is all for the good of course.

Overall, this is a very interesting, captivating effort by Jachna and his colleagues, going back to his more Avant-Garde days of the mid-2000s, updated of course by the experiences gained since. It might surprise some of the listeners, but please give it some tome and open-mindedness and everything will work splendidly. Well done!

Updated: 11/03/2025Posted: 10/03/2025

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STAN TRACEY ~ THREE CLASSIC ALBUMS PLUS
AVID 1044 (Barcode: 5022810304425) ~ UK ~ Jazz
Recorded: 1955 - 2003 Released: 2011

This is a marvelous collection of early recordings by the Godfather of modern British Jazz, pianist / vibraphonist / composer / bandleader Stan TraceyFind albums by this artist. It includes the first two albums Tracey recorded as a leader: "ShowcaseFind albums with this title" (from 1958) and "Little KlunkFind albums with this title" (from 1959) and the only album by the short-lived octet Jazz Inc.Find albums by this artist led by drummer / composer / bandleader Tony CrombieFind albums by this artist, which features Tracey on piano. The "Plus" comprises of four tracks by the Stan Tracey quartet featuring Tubby HayesFind albums by this artist (from 1959), a couple of tracks by the Harry KleinFind albums by this artist Quintet featuring Stan Tracey on piano (from 1955) and a trio recording by guitarist Jon WheatleyFind albums by this artist, bassist Andy CleyndertFind albums by this artist and Tracey from 2003 (not really belonging to this set but what the heck).

This collection is not only highly entertaining, but also very educational, as it traces the development of Modern British Jazz, which started as a formidable adaptation of the American Jazz tradition and gradually developed into a completely new and even separate Jazz idiom.

The comparison between "Showcase" and "Little Klunk" is particularly fascinating, as these two albums are light years apart from each other, although in fact they were recorded only one year between each other. The former, recorded in a trio / quartet setting features Tracey on piano and vibraphone, with guitarists Ike IsaacsFind albums by this artist or Ray DempseyFind albums by this artist, bassists Kenny NapperFind albums by this artist or Johnny HawksworthFind albums by this artist and drummers Phil SeamenFind albums by this artist or Ronnie VerrellFind albums by this artist (the piano pieces are trios and the vibraphone pieces are quartets). All the music on this album consists of standards and stylistically the music moves between Swing and Bebop, with Tracey obviously already listening closely to the American pioneers stepping beyond, especially Thelonious MonkFind albums by this artist. The latter album, however, recorded in a trio format with Napper and Seamen features all original compositions by Tracey and clearly defines his original voice, which moves away quite radically from both Swing and Bebop, but not yet as advanced as it will become in not too distant future. The work of the magnificent Phil Seamen heard here is of course priceless, considering his tragically short life.

The Jazz Inc. live recording is also a typical example of the British scene at the time, with the octet playing mostly original material by its members, with just a couple of standards thrown in for good measure. Excellent soloing by all the musicians and the accomplished Big Band sound are a superb nostalgic memento. The Tracey / Hayes tracks recorded by the BBC World Service for "export to former colonies", is a rare opportunity to hear these two Giants together, which happened only very rarely. The guitar trio tracks added here seemingly simply to "fill the time" prove to be the least interesting per se, although of course perfectly well played.

Overall this collection, digitally remastered and very reasonably priced, is a true gem and an essential part of every modern British Jazz record collection. A must!

Updated: 26/01/2016Posted: 26/01/2016

CD 2 Remastered Recommend To A Friend

JON LORD ~ DURHAM CONCERTO
AVIE 2145 (Barcode: 822252214529) ~ UK ~ Classical
Recorded: 2007 Released: 2007

Known to the world as the founder of the seminal Rock / Prog group Deep PurpleFind albums by this artist, organist / composer / bandleader Jon LordFind albums by this artist is less known for his great love of Classical Music, although much of his late period activity was almost completely dedicated to that genre. As early as 1969 Lord astonished the Rock world as a pioneer of Rock-Classical Fusion with his “Concerto For Group And OrchestraFind albums with this title”, which was one of the first recordings of Rock incorporating a Philharmonic Orchestra. He flirted with the Rock-Classical Fusion idiom on several of the early Deep Purple albums, in a less obvious form, as well as on his early solo albums and recordings with other musicians (“Gemini SuiteFind albums with this title”, “WindowsFind albums with this title”, “SarabandeFind albums with this title” and others) and his love for Classical Music was always present in his life.

By the turn of the Millennium Lord started to record a series of Classical music albums, starting with “Pictured WithinFind albums with this title” and followed by “Beyond The NotesFind albums with this title”, “Durham ConcertoFind albums with this title”, “Boom Of The Tingling StringsFind albums with this title” and finally “To Notice Such ThingsFind albums with this title”. He also participated in recording of a new version of the “Concerto For Group And Orchestra”, sadly unable to see it completed and released before his parting.

“Durham Concerto” is a three-part concerto for four soloist and orchestra. Each of the three parts is subdivided into two chapters. The soloists are: Mathew BarleyFind albums by this artist on cello, Jon Lord on Hammond organ, Ruth PalmerFind albums by this artist on violin and Kathryn TickellFind albums by this artist on Northumbrian pipes and the orchestral parts are performed by the Royal Liverpool Philharmonic OrchestraFind albums by this artist conducted by Mischa DamevFind albums by this artist.

The music is absolutely stunning, and although strictly within the Classical norms, it has a “subversive” Rocky feel at times and the usage of the Hammond organ and Northumbrian pipes offer a wonderful variety and aural diversity. The music is very “English”, which is hardly surprising, divinely melodic and deeply moving. Lord certainly had a lot to offer as a Classical composer, far reaching with his ideas, same as he did in Rock music, and deserves to be remembered as such.

This album is a great addition to every serious record collection and offers a most rewarding listening experience, which is wholeheartedly recommended!

Updated: 26/02/2021Posted: 26/02/2021

JON LORD ~ TO NOTICE SUCH THINGS
AVIE 2190 (Barcode: 822252219029) ~ UK ~ Classical
Recorded: 2010 Released: 2010

Known to the world as the founder of the seminal Rock / Prog group Deep PurpleFind albums by this artist, organist / composer / bandleader Jon LordFind albums by this artist is less known for his great love of Classical Music, although much of his late period activity was almost completely dedicated to that genre. As early as 1969 Lord astonished the Rock world as a pioneer of Rock-Classical Fusion with his “Concerto For Group And OrchestraFind albums with this title”, which was one of the first recordings of Rock incorporating a Philharmonic Orchestra. He flirted with the Rock-Classical Fusion idiom on several of the early Deep Purple albums, in a less obvious form, as well as on his early solo albums and recordings with other musicians (“Gemini SuiteFind albums with this title”, “WindowsFind albums with this title”, “SarabandeFind albums with this title” and others) and his love for Classical Music was always present in his life.

By the turn of the Millennium Lord started to record a series of Classical music albums, starting with “Pictured WithinFind albums with this title” and followed by “Beyond The NotesFind albums with this title”, “Durham ConcertoFind albums with this title”, “Boom Of The Tingling StringsFind albums with this title” and finally “To Notice Such ThingsFind albums with this title”. He also participated in recording of a new version of the “Concerto For Group And Orchestra”, sadly unable to see it completed and released before his parting.

“To Notice Such Things” is a six-part suite for flute, piano and orchestra. The soloists are: Cormac HentyFind albums by this artist on flute and Jon Lord on piano and the orchestral parts are performed by the Royal Liverpool Philharmonic OrchestraFind albums by this artist conducted by Clark RundellFind albums by this artist. The album also includes three additional short pieces, composed earlier and appearing here in new instrumentation, as well as a recitation of a poem by Thomas HardyFind albums by this artist (read by Jeremy IronsFind albums by this artist).

The music is absolutely beautiful and very “English” in nature, which is hardly surprising, divinely melodic and deeply moving. Lord certainly had a lot to offer as a Classical composer, far reaching with his ideas, same as he did in Rock music, and deserves to be remembered as such.

This album is a great addition to every serious record collection and offers a most rewarding listening experience, which is wholeheartedly recommended!

Updated: 01/03/2021Posted: 01/03/2021

POINT OF FEW ~ OPEN TO CLOSENESS
BIVAK 003 ~ CZECH REPUBLIC ~ Jazz
Recorded: 2022 Released: 2022

This is an album by Czech Jazz quartet Point Of FewFind albums by this artist, comprising of saxophonist Petr SmekalFind albums by this artist, guitarist Radim PridalFind albums by this artist, bassist Vlastimil SkodaFind albums by this artist and drummer Marek AntonuFind albums by this artist. American keyboardist Jason LindnerFind albums by this artist guests on three tracks. The album presents nine tracks, all original compositions, four by Pridal and the rest co-composed by the quartet members.

The music is wonderful modern Jazz, strongly influenced by Ambient synthesizer / electronics sounds on the first three tracks, where Lindner adds his parts, and much more relaxed and open-spaced on the rest of the album. There is also some Nordic Jazz inspiration, with a slow development and silence incorporated within the fabric of the compositions, mixed with the Slavic romanticism and lyricism, which often characterizes Czech Jazz.

The two leading instruments (sax and guitar) play unisono parts, which creates a very unusual sound, and the interplay between the two soloist is quite remarkable. The rhythm section is also quite unusual, often playing complex rhythm patterns, which somehow miraculously fit together with the melodic flow. In short, this is definitely a highly absorbing piece of music, which requires open-minded approach and patience in order to be fully enjoyed.

Personally, I think that the group made a tactical mistake in placing the three tracks with Lindner at the start of the album, rather than leaving them at the end as a closing, sort of separate chapter, but that is of course an artistic decision not for me to take.

Overall, this is an excellent album, full of beautiful music and very unusual approach to Jazz composition, superbly executed by the musicians involved and offering an unusual sound, which is even further expanded into the Jazz-Ambient Fusion idiom by the participation of their guest. Highly recommended and definitely worth adding to one’s record collection!

Updated: 18/05/2024Posted: 18/05/2024

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DORUZKA / WYLEZOL / BALLARD ~ ANDROMEDA`S MYSTERY
BIVAK 004 (Barcode: 8594211850018) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2021 Released: 2022

This is the debut album by an international Jazz trio comprising of Czech guitarist / composer David DoruzkaFind albums by this artist, Polish keyboardist / composer Piotr WylezolFind albums by this artist and American drummer / composer Jeff BallardFind albums by this artist. The album presents eight original compositions, four by Doruzka, three by Wylezol and one by Ballard.

Doruzka emerged in the last decade as one of the most active and highly appreciated musicians on the European scene, appearing on many albums in his home country and in Poland. Wylezol is a well-established musician on Polish scene and personally one of my favorite Polish Jazz pianists, shining among a fierce competition, and Ballard is well known for playing with top Jazz musicians in the US and leading his own bands – which means this album is exploding with talent and creativity from start to finish.

The music is all surprisingly well-behaved, modern and probing but based on solid melodic themes, with both Doruzka and Wylezol always weave like magic. Quite naturally Doruzka takes upon himself most of the soloing, always brilliantly supported by the two partners, but Wylezol also contributes some impressive solo parts, which are every time incredibly creative, in addition to being in charge of the bottom bass pulsations created on synths. Ballard stays somewhat in the background and deliveries a dense, polyrhythmic pulsation behind the melodic contents, ornamenting and leading the music simultaneously.

The atmosphere created by the trio is somewhat dark and gloomy, despite the beautiful melodies, soaked in lyricism and profundity, which is at times overbearing, which means that this music requires serious listening attitude and focus, like all serious music should do. But the aesthetic values invoked by the music are certainly worth the effort and concentration invested.

Overall, this is an elegant, highly unusual album, which offers the listener a multi-layered Artistic experience, deeply rewarding and fulfilling. Not an easy encounter, but deep stuff rarely is easy, as we all know. I was truly enchanted by this music and a heartfelt thank you is offered to you, my Friends, for taking your Art seriously and sharing it with us. Godspeed!

Updated: 13/01/2023Posted: 13/01/2023

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HANDY, JOHN ~ MUSICAL DREAMLAND
BOULEVARD 515 ~ USA ~ Jazz-World Fusion

US saxophonist John Handy is a legendary figure on the jazz scene. He was part of the exploding be-bop scene in the late 1940`s and then played for a long time with Charles Mingus. Handy was one of the first jazz musicians to get interested in other musical cultures, especially Indian music, and he incorporated Indian folklore and jazz many times. This wonderful album from 1991 is one of the last things he recorded and it includes Western and Indian musicians playing together. Apart from Handy the participation of the great bass player David Friesen is a wonderful addition.

WINTER, KITTY ~ THE GIPSY ALBUM
BOULEVARD 539 ~ GERMANY ~ Jazz-Rock Fusion

Kitty Winer (vocals) and her husband Koono (keyboards) are both gipsies, as are most of the players on this album, including such famous musicians as Bireli Lagrene, Tony Lakatos and Decibal Badila (best fusion bass player today). Also on board is the superstar Joe Zawinul with additional keyboards. The result - one of the best fusion jazz albums of all times - Weather Report with vocals!

	PILOT ~ FROM THE ALBUM OF THE SAME NAME C-FIVE 567 ~ UK ~ Classic Rock 1st album from 1974 by the British Rock band Pilot, which although quite excellent never enjoyed much commercial siccess beyond their first single `Magic`, which is included here. Pilot were veru good players and wrote nice songs, so if you are into early 1970s stuff this is well worth discovering.
	CD 1 Recommend To A Friend

	PILOT ~ MORIN HEIGHTS C-FIVE 569 ~ UK ~ Classic Rock 3rd and last album from 1976 by this UK group, which although quite little known was one of the more ambitious outfits on the UK Rock scene. The group members were very talented musicians and coposers and in retrospect this music sound more then decent even today.
	CD 1 Recommend To A Friend

JOHNNY WINTER ~ AND LIVE AT THE FILLMORE EAST 10/3/70
COLLECTORS` CHOICE LIVE 6000 (Barcode: 617742600025) ~ USA ~ Blues-Rock
Recorded: 1970 Released: 2010

This album presents a previously unreleased live material by the legendary Blues-Rock genius guitarist Johnny WinterFind albums by this artist with his group, which featured Rick DerringerFind albums by this artist. Recorded shortly after the release of Winter´s third ColumbiaFind albums on this label album "AndFind albums with this title", this live concert includes a couple of numbers from the new album with the rest being drown from his two previous albums for the label. Although there is little new to be discovered here, the sheer virtuosity and raw energy displayed by Winter´s guitar playing and vocal delivery make it a good enough reason to listen to this music time after time and I´m sure that if anything else from that period will be discovered in the future, it will be sensational as well. Winter´s fans need no encouragement to grab this beauty instantly and those heretics still unfamiliar with his gospel should definitely jump on the wagon this time. They surely don´t make that kind of music these days, so get going! Brilliant stuff!

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JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/15/66 LATE SHOW – SIGNE`S FAREWELL
COLLECTORS` CHOICE LIVE 6004 (Barcode: 617742600421) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2010

This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the first lineup of the group, which included female vocalist Signe AndersonFind albums by this artist, before she was replaced by Grace SlickFind albums by this artist. In fact this is the very last show Signe played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!

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JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/16/66 EARLY & LATE SHOWS – GRACE`S DEBUT
COLLECTORS` CHOICE LIVE 6005 (Barcode: 617742600520) ~ USA ~ Progressive Rock
Recorded: 1966 Released: 2010

This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, after she replaced Signe AndersonFind albums by this artist. In fact this is the very first show Grace played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!

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JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 11/25/66 & 11/27/66 – WE HAVE IGNITION
COLLECTORS` CHOICE LIVE 6006 (Barcode: 617742600629) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2010

This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, right after she replaced Signe AndersonFind albums by this artist, now fully integrated into the band. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!

CD 2 Digipak Recommend To A Friend

JEFFERSON AIRPLANE ~ RETURN TO THE MATRIX 02/01/68
COLLECTORS` CHOICE LIVE 6008 (Barcode: 617742600827) ~ USA ~ Classic Rock
Recorded: 1968 Released: 2010

This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Matrix Club in SF, originally owned by Marty BalinFind albums by this artist, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, at their absolute creative peak. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!

CD 2 Digipak Recommend To A Friend

ZOMBIES ~ DIFFERENT GAME
COOKING VINYL 889 (Barcode: 711297538922) ~ UK ~ Classic Rock
Recorded: 2022 Released: 2023

Yes, The ZombiesFind albums by this artist are back! The British Rock group, founded in 1961 (that is 62 years ago!) is still led by the two founding members: vocalist Colin BlunstoneFind albums by this artist and vocalist / keyboardist Rod ArgentFind albums by this artist, and now includes also guitarist Tom ToomeyFind albums by this artist, bassist Soren KochFind albums by this artist and drummer Steve RodfordFind albums by this artist. A string quartet plays some delicate arrangements on several tracks. The album presents ten original songs, nine of which were written by Argent and one by Blunstone. This is the seventh studio album by the group and it follows the 2015 album “Still Got That HungerFind albums with this title”.

The unmistakable sound of the electric piano and the vocal harmonies, which characterized the group’s sound since their debut single “She’s Not There” from 1964, are all here, and why not, since they still sound absolutely gorgeous. All the ten songs are if fact simply perfect, beautifully melodic and touching, as if the time of the Golden Decade was still here, standing in shrieking contrast to the cacophony that surrounds us dauntingly today.

Argent proves that his songwriting ability is completely intact and each and every one of his songs is a true gem. No pretentiousness, no BS, just great melodies, which grab the heart instantly. That is a great songwriting gift and we are lucky to be able and enjoy it once again, especially since almost nobody writes songs like these today. Blunstone’s vocals are as touching / heartbreaking, as they were decades ago.

Overall, this is a stunning piece of music, which took me completely by surprise. I admit that I was expecting to hear once again a geriatric effort by musicians trying to revive their glory days, but this album is nothing like that. It is an instant Rock classic, with great songs, wonderful vocals and elegant, heartfelt performances, which kicks the butt mercilessly, emphasizing how ridiculous contemporary Rock sounds most of the time. Welcome back, o ye heroes of grand times!

Updated: 08/05/2023Posted: 08/05/2023

CD 1 Mini-Sleeve Recommend To A Friend

ALON NECHUSHTAN ~ DARK FORCES
CREATIVE SOURCES 195 (Barcode: 5609063401950) ~ ISRAEL ~ Jazz
Recorded: 2003 - 2010 Released: 2011

Israeli (resident in NY) keyboardist / composer Alon NechushtanFind albums by this artist emerges as one of the most remarkable musicians of the new generation. His exceptional work with his TalatFind albums by this artist quintet in the field of radical Jewish music and his piano trio recording released recently were both refreshing and of exceptional quality, but nothing could prepare his audiences for this momentous work, which reveals him as a major Avant-Garde composer / performer. Recorded over a period of seven years, this album presents a series of compositions for electronic keyboards and a Jazz ensemble, merging ambient, electronic, Free Jazz and Improvised Music. The list of players reads like the who´s who of contemporary US Free Jazz / experimental scene and includes bassist Mark DresserFind albums by this artist, bass clarinetist Ned RothenbergFind albums by this artist, guitarists Henry KaiserFind albums by this artist and Elliott SharpFind albums by this artist and many other outstanding musicians. The music consists of electronic ambient layers, which serve as basis for the Jazz players to paint their improvisations on top. It is heavily atmospheric, magical and enthralling, pulling the listener deeper and deeper into the strangely beautiful world of sound created by the composer and the performers. Of course such music requires attentive listening, but as Avant-Garde as it is, it remains highly communicative, even to the lesser trained ears. This album proves that Nechushtan is a surprisingly versatile musician, with lots to offer, which means he should be closely followed as he keeps surprising us again and again. Great stuff!

Updated: 12/04/2019Posted:

GLUE ~ CHATS WITH THE REAL MCCOY
CREATIVE SOURCES 257 (Barcode: 5609063402575) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2012 Released: 2013

This is the second album by the Improvised Music trio GlueFind albums by this artist, consisting of three Berlin based musicians: British trumpeter Tom ArthursFind albums by this artist, Canadian bassist Miles PerkinFind albums by this artist and Greek drummer Yorgos DimitriadisFind albums by this artist. Together they perform eight original pieces all attributed collectively to the trio members and of course all improvised.

The music is an intimate conversation between three musicians, who give each other a lot of space and respect, creating an on the fly trialogue of rare beauty. Listening to this music is like eavesdropping on a tête-à-tête by three friends, who are freely exchanging ideas and supporting each other to express them. In complete contrast to most Improvised Music recordings, this music is so minimalistic and non aggressive, that listening to it requires nothing more than an open mind and pushing conventional approach to music aside.

The trumpet work by Arthurs is obviously the most impressive piece of the puzzle, with futuristic sound vistas, virtuosic triads and single notes thrown in the air like fireworks and innovative approach to the trumpet, changing its role within the Free Jazz / Improvised Music idioms, like Don CherryFind albums by this artist did five decades earlier.

But of course Glue is all about communal experience and the work of Perkin and Dimitriadis is an integral part of the end result. Both play little of what might be considered as traditional role of the rhythm section, exploring their degrees of freedom to the max. The bass, used very percussively, in addition to the usual plucking, adds an entire layer which gives this music its bodily essence, whereas the percussion plays constantly, but never any steady rhythmic patters, simply ornamenting the overall result with a myriad of one note accents and pulsations.

The resulting music becomes a one of its kind experience, which miraculously holds water after it was recorded. Most of Improvised Music may be communicative or fascinating enough to be heard live but fails to retain the magic on record. This album proves that creating a lasting Improvised Music piece is possible.

Although Improvised Music connoisseurs are a tiny minority even among the Jazz lovers, they tend to be extremely faithful as fans, and therefore I hardly recommend to all of them to listen to this album as this music is truly worth being discovered and followed in the future.

Updated: 18/09/2016Posted: 18/09/2016

SONIA SCHIAVONE ~ WAYNE SHORTER`S LEGACY
DA VINCI JAZZ 00573 (Barcode: 746160914077) ~ ITALY ~ Jazz & Poetry
Recorded: 2021 Released: 2022

This is an album by Italian vocalist / composer / lyricist Sonia SchiavoneFind albums by this artist, which as the title suggests is dedicated to the music by the iconic American saxophonist / composer Wayne ShorterFind albums by this artist. The album presents eight compositions by Shorter, to which Schiavone added her lyrics (in English) or adopted lyrics by others, like the American poetess Emily DickinsonFind albums by this artist or English poetess Elizabeth Barrett BrowningFind albums by this artist. In two cases she uses lyric already written to Shorter`s compositions and in two others alters previously written lyrics. And additionally the album includes also two original songs, composed by Schiavone, which fit well the intended atmosphere of the entire album. There is no doubt that the album can be considered as part of the “Jazz & Poetry” idiom.

On the album Schiavone is accompanied by excellent Italian musicians; a piano trio with pianist Fabio GorlierFind albums by this artist, bassist Stefano ProfetaFind albums by this artist and drummer Donato StolfiFind albums by this artist, and three guest brass players on selected tracks. She also arranged all the music, which was excellently recorded and offers a beautiful sound quality.

The music, which of course is pretty familiar to most Jazz listeners, gets a very European twist on this album, transformed into poetic, sometimes romantic, sometimes dramatic aura, with Schiavone’s obvious love of poetry, which resulted in an entire album dedicated to the poetry of Dickinson called “Come – Eden!Find albums with this title”, released in 2020. With somewhat changed instrumentation, this album is certainly closely linked to its predecessor.

The vocal performances are all delicate and restrained, as appropriate for the atmosphere this album is conveying, with relatively little use of vocalese and open space for instrumental soli, all well balanced and presenting a coherent continuity, which has a relaxing, contemplative aesthetics. Schiavone’s feel and emotional involvement are undeniably fascinating.

Overall, this is a beautiful album in every respect, from the concept and collection of material, arrangements and finally spotless execution, all of which should make perfectly happy every Jazz, and especially Jazz & Poetry aficionado the world over. Thank you for the music, Milady!

Updated: 07/10/2022Posted: 07/10/2022

JETHRO TULL ~ LIVING WITH THE PAST (COLLECTORS` EDITION)
EAGLE VISION 003 (Barcode: 5034504900394) ~ UK ~ Progressive Rock
Recorded: 2001

The legendary Jethro TullFind albums by this artist and their leader Ian AndersonFind albums by this artist seem to be unstoppable - over 30 years after their inception they are still one of the strongest Rock acts on the scene and capable of pleasing crowds of listeners, old and young alike. This stunning DVD filmed mostly during JT’s 2001 European & American tours, presents the band in top form, playing like there is no tomorrow. The material spans their 30+ years on record and every JT fan will find his favorite tune here, but considering the sublime level of their material everything sounds just perfect. In addition to the tour material there is plenty of other delightful surprises (filmed between 1989 and 2002), including the reunion “party” which brings together all the JT members who played in the band over the years. Extra bonus features are also present, which make watching this DVD a real treat. The Collectors’ Edition includes additional audio material not available on the original DVD. Dolby Digital Stereo Surround Sound, 100 minutes.

DVD+CD 2 Recommend To A Friend

JOHN MAYALL ~ 70TH BIRTHDAY CONCERT (COLLECTORS` EDITION)
EAGLE VISION 022 (Barcode: 5034504902299) ~ UK ~ Blues
Recorded: 2003 Released: 2003

This superb DVD documents the special 70th Birthday concert organized as a tribute to one of UK greatest and most important musicians - bandleader and champion of the Blues – John MayallFind albums by this artist. Mayall was a pivotal figure, which shaped the British musical scene since the mid-1960s and was crucial as a precursor of Blues, Blues-Rock, Rock and even Jazz-Rock. Over the years Mayall’s band included the creme de la creme of British players, who later became the heroes and spawned countless famous bands. The list is just too long to be included here, but every music lover surely knows them all. The most sensational event of the concert was the one-time reunion of the BluesbreakersFind albums by this artist lineup, which included Eric ClaptonFind albums by this artist and recorded one of the most influential Blues albums of all times. Another guitar hero – Mick TaylorFind albums by this artist – also joins Mayall on the stage, and the list of legends goes on and on. These are well over two hours of some of the best Blues music one can imagine and I can’t even think of a Blues fan anywhere in the world not having this in their collection. Dolby Digital 5.1 Surround Sound and DTS, 137 minutes.

CD+DVD 2 Recommend To A Friend

PROCOL HARUM ~ LIVE AT THE UNION CHAPEL (COLLECTORS` EDITION)
EAGLE VISION 030 (Barcode: 5034504903098) ~ UK ~ Progressive Rock
Recorded: 2003 Released: 2004

If everything Procol HarumFind albums by this artist ever did was to record their 1967 single “A Whiter Shade Of Pale”, they would have already ensured their position in the Rock’s Hall Of Fame as authors of the definitive, hypnotic and most brilliant Rock song of all times. Of course (and luckily for all Procol Harum’s many admirers, myself included) they managed quite a bit more with a long chain of brilliant albums recorded in the 1960s and 1970s and two reunions: the first one in 1991 and the second in 2003. The 2003 reunion resulted in the recording of a new album called The Well`s On FireFind albums with this title, and a world tour to promote the album. This DVD documents the final concert of the tour upon the band’s return to UK. The unusual setting for the concert – a church – adds a dramatic background to this spectacular event and makes this DVD even more spectacular and theatrical than expected. The band includes two of the band’s founding members Gary BrookerFind albums by this artist on piano & vocals and Matthew FisherFind albums by this artist on organ, accompanied by Matt PeggFind albums by this artist on bass, Geoff WhitehornFind albums by this artist on guitar and Mark BrzezickiFind albums by this artist on drums. With several months of touring behind them the band plays spotlessly and the strength of the material reaches its full glory. The material form the new album is included and of course many of the band’s greatest past achievements, including the full version of “A Whiter Shade Of Pale”, which is quite a rarity. Additional material includes interviews and other bonus stuff. The CD included in this set contains the highlights of the concert. This is a must for all Procol Harum fans and basically for anybody who loves great Rock. Dolby Digital 5.1 Surround Sound and DTS, 139 minutes.

DVD+CD 2 Recommend To A Friend

JETHRO TULL ~ NOTHING IS EASY: LIVE AT THE ISLE OF WIGHT 1970 (COLLECTORS` EDITION)
EAGLE VISION 033 (Barcode: 5034504903395) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2005

Superb document of Jethro TullFind albums by this artist’s 1970 appearance at the Isle Of Wight festival intertwined with Ian AndersonFind albums by this artist’s commentary and recollections of the events filmed in 2004, which gives many wonderful and often humorous insights to the band’s history. This is not only a great piece of history but also probably the best live performance by JT captured on film ever. The early JT sound and repertoire is magical enough to leave anybody breathless – seeing it in action is truly amazing. Absolutely essential to all JT fans .The Collectors’ Edition includes additional audio material not available on the original DVD. DTS and Dolby Digital 5.1 Surround Sound, 80 minutes.

DVD+CD 2 Recommend To A Friend

FRANK ZAPPA ~ ROXY: THE MOVIE / ROXY: THE SOUNDTRACK
EAGLE VISION 307279 (Barcode: 801213072798) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1973 Released: 2015

This is the 102nd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2015. It includes the DVD with the movie called “Roxy: The Movie” and the CD with the music from that movie, called “Roxy: The Soundtrack”, which was not sold separately. The movie and the music were captured live in concert at the Roxy Theatre, Hollywood, on 9 & 10 December 1973 by Zappa and the Mothers Of InventionFind albums by this artist. It is a companion release to the albums “Roxy & ElsewhereFind albums with this title”, “Roxy By ProxyFind albums with this title” and finally “The Roxy PerformancesFind albums with this title”. The DVD presents seventeen tracks (and three “hidden” bonus tracks), and the CD twelve tracks (due to time limitation), all composed by Zappa.

The lineup of the Mothers includes, in addition to Zappa on guitar and vocals, saxophonists Napoleon Murphy BrockFind albums by this artist, trombonist Bruce FowlerFind albums by this artist, keyboardist George DukeFind albums by this artist, percussionist Ruth UnderwoodFind albums by this artist, bassist Tom FowlerFind albums by this artist and drummers Ralph HumphreyFind albums by this artist and Chester ThompsonFind albums by this artist.

Despite the fact that the music recorded at the Roxy appears on several albums, each and every track on these albums is completely unique, either being a different version or different mix or overdub. Considering that this lineup of the Mothers was one of the greatest, as was the material, every last note of these recordings is worth its weight in gold.

The music is one of the most Jazz oriented Zappa projects, which this team manages to perform brilliantly. As usual with Jazz oriented music, the instrumental improvisations are very diverse on each version of the same tune played during the different shows, and they are always delightfully brilliant.

Although most of this music is instrumental, Zappa’s introductions / commentary between the tracks is as zany as always and bitterly sarcastic, and includes one of my favorites: “Perverts help to make normal people look good”.

Overall, although this music is now almost fifty years old, it sounds as fresh as it did when first heard and lost absolutely nothing of its power and everlasting beauty. This album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since.

Updated: 21/10/2022Posted: 21/10/2022

DVD+CD 2 Digipak Recommend To A Friend

JOHN MAYALL ~ THE GODFATHER OF BRITISH BLUES / THE TURNING POINT
EAGLE VISION 404 (Barcode: 5034504940475) ~ UK ~ Blues
Recorded: 1969 - 2003 Released: 2003

This wonderful DVD includes two documentaries of the legendary UK musician, bandleader and champion of the Blues – John MayallFind albums by this artist. The first is a BBC production, which spans the 40 years of Mayall’s career, examining his role as the pivotal figure, which shaped the British musical scene since the mid-1960s and was crucial as a precursor of Blues, Blues-Rock, Rock and even Jazz-Rock. Over the years Mayall’s band included the creme de la creme of British players, who later became the heroes and spawned countless famous bands. The list is just too long to be included here, but every music lover surely knows them all. The documentary includes tons of rare historic footage and interviews with ex-BluesbreakersFind albums by this artist, including Eric ClaptonFind albums by this artist and many others, and was filmed to celebrate Mayall’s 70th Birthday concert. This is an illuminating experience and a must for all serious music fans, which are interested in the history of the UK scene and the roots of the music we all listen to now. The second documentary is a black & white film shot in 1969 around the time Mayall recorded his revolutionary The Turning PointFind albums with this title album. This rare and authentic document sheds light on the new drum-less Jazz oriented quartet Mayall formed to record that album, which was diametrically different from his previous, electric guitar oriented bands. It is a fascinating piece of musical history and a must for Mayall’s fans. 84 minutes.

FRANK ZAPPA ~ BABY SNAKES
EAGLE VISION 5034504937178 (Barcode: 5034504937178) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1977 Released: 2003

This is a film produced by Frank ZappaFind albums by this artist and originally premiered in NY in 1979. It presents footage filmed during the Halloween 77 shows at the NY Palladium in October 1977. It also includes some clay animation, interviews, rehearsals and other footage. The film was released on video in 1987 and reissued on DVD in 2003 with a 5.1 Dolby Surround sound in addition to the stereo sound. The running time is 164 minutes.

The music was recorded by the following lineup: Zappa on guitar and vocals, Roy EstradaFind albums by this artist on vocals, Adrian BelewFind albums by this artist on guitar and vocals, Tommy MarsFind albums by this artist and Peter WolfFind albums by this artist on keyboards, Ed MannFind albums by this artist on percussion, Patrick O`HearnFind albums by this artist on bass and Terry BozzioFind albums by this artist on drums and vocals.

The music is, as always, absolutely stunning, almost entirely dedicated to Zappa’s special brand of Jazz-Rock Fusion, with brilliant instrumental performances. As usual, the music also includes Zappa’s zany humor and bitter criticism of human stupidity. The band was a perfectly oiled music machine by the time these tracks were recorded, the result is absolutely astounding in its complexity. Zappa delivers some superb guitar parts herein, which are a signature of his unique style.

Overall, although over forty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 04/12/2022Posted: 04/12/2022

WEATHER REPORT ~ LIVE AT MONTREUX 1976
EAGLE VISION 629 (Barcode: 5034504962972) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2007

Every piece of music by the legendary Fusion pioneers Weather ReportFind albums by this artist is worth it’s weight in gold, and considering this one is a well filmed and well recorded brilliant performance at the Swiss Montreux Jazz Festival, this is truly a priceless addition to the band’s legacy. WR appeared twice at Montreux, this being the first of the two. The lineup is probably the strongest one of the band’s mid-life period, and includes Joe ZawinulFind albums by this artist, Wayne ShorterFind albums by this artist, Jaco PastoriusFind albums by this artist, Alex AcunaFind albums by this artist and Manolo BadrenaFind albums by this artist – the same band that was to record Heavy WeatherFind albums with this title a few months later. Everything that made WR great is evident here – the individual soloing, the incredible interplay and telepathic connection between the players, the great tunes and the total devotion to their music. It must have been pretty hot on the July night, as everybody sweats intensely, and the music is nothing but brilliant. I was lucky to see WR quite a few times, and this DVD is a great evidence of how incredible this band was live, even at times when their studio efforts suffered. This is an absolute must to all WR fans and all Fusion-heads out there. Dolby Digital 5.1 Surround Sound and DTS, 84 minutes.

Updated: 17/06/2016Posted:

JETHRO TULL ~ LIVE AT MONTREUX 2003
EAGLE VISION 648 (Barcode: 5034504964877) ~ UK ~ Progressive Rock
Recorded: 2003 Released: 2007

Well into their 4th decade of music making, Ian AndersonFind albums by this artist and his Jethro TullFind albums by this artist keep the flame of great music alive. Dinosaurs, or not, Anderson & Co. are still infinitely better musicians than most of the younger folk and despite the obvious age limitations (tell me about it) they can still outplay anybody. The opportunity to perform at the prestigious Montreux Festival was in many respects a tribute to the band´s lifetime achievements and is a very emotional affair. The band plays two sets; the first is a semi-acoustic and the second a full electric, playing a historic review of their best material over the years. The band includes Martin BarreFind albums by this artist (guitar), Andrew GiddingsFind albums by this artist (keyboards), Jonathan NoyceFind albums by this artist (bass) and Doane PerryFind albums by this artist (drums). There is hardly any need to say much more here just relax and enjoy – satisfaction guaranteed! Dolby Digital 5.1 Surround Sound and DTS, 117 minutes.

FRANK ZAPPA ~ THE DUB ROOM SPECIAL!
EAGLE VISION 801213013890 (Barcode: 801213013890) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1974 - 1981 Released: 2005

This is a film produced by Frank ZappaFind albums by this artist and originally released on video in 1982. It combines footage from a performance at the KCET studios in LA filmed on August 27, 1974 and additional footage from the Halloween 81 show at the NY Palladium on October 31, 1981. The film also includes some clay animation and several interviews. The film was reissued on DVD in 2005, with some of the interviews removed. The running time is 90 minutes.

The 1974 tracks were recorded by the following lineup: Zappa on guitar, vocals and percussion, Napoleon Murphy BrockFind albums by this artist on flute, saxophone and vocals, George DukeFind albums by this artist on keyboards and vocals, Ruth UnderwoodFind albums by this artist on percussion, Tom FowlerFind albums by this artist on bass and Chester ThompsonFind albums by this artist on drums.

The 1981 tracks were recorded by the following lineup: Zappa and vocals, Ray WhiteFind albums by this artist on guitar and vocals, Steve VaiFind albums by this artist on guitar and vocals, Tommy MarsFind albums by this artist on keyboards and vocals, Bobby MartinFind albums by this artist on keyboards, saxophone and vocals, Ed MannFind albums by this artist on percussion and vocals, Scott ThunesFind albums by this artist on bass and vocals and Chad WackermanFind albums by this artist on drums.

The music is, as always, absolutely stunning, almost entirely dedicated to Zappa’s special brand of Jazz-Rock Fusion, with brilliant instrumental performances by both lineups. As usual, the music also includes Zappa’s zany humor and bitter criticism of human stupidity. Since most of the tracks are by the 1974 band, which was a perfectly oiled music machine by the time these tracks were recorded, the result is absolutely astounding in its complexity. Zappa delivers some superb guitar parts herein, which are a signature of his unique style.

Overall, although fifty / forty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 04/12/2022Posted: 04/12/2022

JACK BRUCE / ROBIN TROWER ~ SEVEN MOONS
EVANGELINE 4116 (Barcode: 805772411623) ~ UK ~ Blues-Rock
Recorded: 2008 Released: 2008

2nd cooperation project (or 3rd if one counts the BLTFind albums by this artist one) between two Giants of British Rock, bassist / vocalist / composer Jack BruceFind albums by this artist and guitarist / composer Robin TrowerFind albums by this artist, with British drummer Gary HusbandFind albums by this artist, who completes this wonderful trio lineup. A great set of new songs and incredible delivery, which proves that these veterans still have got everything it takes to make great music. In many respects the musicians revisit their Blues-Rock roots, but the music is definitely up to date and sounds as fascinating, as ever. Not to be missed!

SPENCER DAVIS ~ SO FAR
EVANGELINE 4123 (Barcode: 805772412323) ~ UK ~ Classic Rock
Recorded: 2006 Released: 2008

This is a solo album by the Welsh vocalist / multi-instrumentalist / bandleader Spencer DavisFind albums by this artist, famous for founding and leading one of the greatest British Pop / Rock groups during the Golden Decade, The Spencer Davis GroupFind albums by this artist, which also included in its original lineup the young (15 years old) Steve WinwoodFind albums by this artist, who later left the group to form the celebrated group TrafficFind albums by this artist. Davis led many incarnations of the Spencer Davis Group over the years, but this is (so far) his last recording.

The album features thirteen original songs, most of which were co-written by Davis and the band members. All the songs are excellent and have a strong nostalgic tinge which makes them sound as if they were recorded way back in the good old 1960s / 1970s. Stylistically the music moves between British Folk, Blues, Rhythm And Blues and Rock and there is not a dull moment on this album from start to finish. The accompanying band consists of seasoned instrumentalists and they do a great job playing these songs as if there´s no tomorrow.

It is hard to guess if this is indeed the very last album by Davis, but if so it certainly is a great way to say goodbye to the numerous fans after over five decades of playing music. People who like the British Classic Rock sound will find here an album they can easily identify with. They don´t make music like that today anymore, or they do it very rarely, like in this case. Strongly recommended!

Updated: 08/05/2023Posted: 03/04/2016

YARDBIRDS ~ BIRDLAND
FAVORED NATIONS 2280 (Barcode: 690897228023) ~ UK ~ Classic Rock
Recorded: 2003 Released: 2003

Forty years after The YardbirdsFind albums by this artist ruled the British Rhythm And Blues scene for a while and than splintered into several seminal Rock and Prog bands like Led ZeppelinFind albums by this artist, Jeff Beck GroupFind albums by this artist and RenaissanceFind albums by this artist, to mention just a few, here they are again alive and kicking. The original founding members Jim McCartyFind albums by this artist and Chris DrejaFind albums by this artist drafted three younger musicians: guitarist Gypie MayoFind albums by this artist, vocalist and bassist John IdanFind albums by this artist and harmonica player Alan GlenFind albums by this artist and reunited the Yardbirds to record this album, which includes several re-makes of classic Yardbirds material and a nice batch of new songs written by the band members. I´m usually skeptical about reunions, being right most of the time, this album however works amazingly well, as if time stood still (which is a good thing) for all these years and The Yardbirds never disbanded at all. Mayo plays some amazing guitar licks and easily joins the Yardbirds lead guitarists list (Eric ClaptonFind albums by this artist, Jeff BeckFind albums by this artist & Jimmy PageFind albums by this artist), the songs smoke from start to finish and the entire album simply kicks ass. Some spectacular guest guitar players add solos as well: Jeff Beck, Steve VaiFind albums by this artist, Joe SatrianiFind albums by this artist, Brian MayFind albums by this artist and others. Definitely no regrets here – a must!

Updated: 08/05/2023Posted:

CD 1 Digipak Recommend To A Friend

AL KOOPER ~ BLACK COFFEE
FAVORED NATIONS 2520 (Barcode: 690897252028) ~ USA ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2005

US singer / keyboardist / composer / producer Al KooperFind albums by this artist has been one of my favorite musicians for nearly fifty years and everything he ever touched turned instantly into musical gold as far as I´m concerned. Kooper´s rare gift for composing non-trivial and yet highly melodic music, his incredible versatility and amazing feel for Rock, Blues and Jazz make him a Renaissance Musician. This, his latest (so far) release is his 7th solo album and an absolute gem in every respect. Including mostly his original songs it also presents a few beautiful arrangements of other people´s music. Kooper is supported by a superb team of players, which is able to back him up in any style, genre or mood, always with elegance and a great sense of humor. His vocal ability remains at top form, as does his keyboards technique, and the resulting album is simply top notch. I must admit that I´ve had a super-great time listening to this and enjoying every note and every second, and I hope you will find it equally gratifying. Pure gold!

CD 1 Mini-Sleeve Recommend To A Friend

NICOLAS MEIER ~ INFINITY
FAVORED NATIONS 2870 (Barcode: 6908972870161) ~ SWITZERLAND ~ Jazz-World Fusion
Recorded: 2015 Released: 2016

This is a brilliant album by Swiss (resident in UK) guitarist / composer Nicolas MeierFind albums by this artist, one of the fastest rising stars of the guitar world in the last few years. The album was recorded with a superstar American rhythm section comprising of bassist Jimmy HaslipFind albums by this artist and drummer Vinnie ColaiutaFind albums by this artist. In addition three guest violin players (Richard JonesFind albums by this artist, Sally JoFind albums by this artist and Lizzie BallFind albums by this artist) play on eight tracks of the album and guest guitarist Gregor CarleFind albums by this artist plays on one track. The album presents eleven original compositions, all by Meier.

Contrary to the expectations one might have from examining the lineup, the music has very little to do with classic Jazz-Rock Fusion and is in fact mostly World Music oriented, exposing both Meier´s ethnic (Turkish and Romanian) roots and his deep interest in Middle Eastern, Gypsy and other musical folklores. The beautifully melodic compositions, deeply rooted in the eastern mysticism and heavily spiced with Oriental tonality, are all delightful from start to finish. The addition of the violin on most of the tunes also adds another ethnic layer to the music.

Meier plays mostly acoustic guitars (and guitar-like glissentar and baglama), which dominates the sound of the album, which is soft, elegant, precise and gentle. Haslip and Colaiuta do a remarkable job on this album, limiting their usual powerful Fusion sound to suit this delicate music, driving it powerfully but staying in the background in order not to overshadow it. These veteran Masters fully justify here their reputation as some of the best players on earth. Haslip plays several wonderfully structured and brilliantly executed bass solos, which fit the overall atmosphere of this album perfectly.

Meier proves again not only his abilities as an instrumentalist and composer, but most importantly his open-minded approach to music and the effort to explore and discover new areas and create new cross-genre and cross-culture amalgams. The resulting work is moving and exciting and should be able to delight all true music connoisseurs, especially those who love the combination of Jazz improvisations and exotic World Music themes. Absolutely brilliant stuff!

Updated: 15/11/2016Posted: 15/11/2016

CD 1 Digipak Recommend To A Friend

DEWA BUDJANA ~ ZENTUARY
FAVORED NATIONS 2880 (Barcode: 6908972880160) ~ INDONESIA ~ Jazz-Rock-World Fusion
Recorded: 2015 Released: 2016

This is the tenth album by Indonesian guitarist / composer Dewa BudjanaFind albums by this artist, this time a double CD effort, recorded with a stellar cast consisting of bassist / Chapman Stick player Tony LevinFind albums by this artist, drummer / keyboardist Gary HusbandFind albums by this artist and drummer / pianist Jack DeJohnetteFind albums by this artist. Several guest artists and the Czech Symphony OrchestraFind albums by this artist appear on selected tracks. Each of the two CDs presents six original compositions, all but one composed by Budjana.

The music is a diverse collection of musical influences, which amalgamates Jazz, Fusion and World Music. Melody based, the individual compositions serve basically as vehicles for the lengthy improvisations and solo parts, which are the focus of this album. The melodic substance is somewhat limited emotionally throughout the album´s duration, quite melancholic and gloomy, with hints of Balinese music, which creates an atmosphere of slow movement and even heaviness, which is overall strengthened by the intensive instrumental multilayered presence; definitely not an easy listening experience.

The individual contributions are of course stellar, as expected. Budjana plays some tasty guitar licks and his cohorts support him amicably, all they way through. Both Husband and DeJohnette contribute forceful rhythmic pulsations, Levin takes case of the bottom sounds and Husband as usual creates layers of wonderful keyboard sounds, which keep this complex music wonderfully together. The sax and vocal contributions by the guest are nice ornamentations.

Overall this is a very good Jazz-Rock-World Fusion effort, which is definitely worth investigation. For Fusion and Guitar fans this is heaven on earth of course. Personally I´d prefer a concise one CD version of this music, as the length does not contribute favorably in this case as far as I am concerned. But of course this is not up to me and Budjana surely knows what he is doing.

Updated: 03/03/2017Posted: 02/03/2017

CD 2 Mini-Sleeve Recommend To A Friend

GARY MCFARLAND / ORCHESTRA ~ SPECIAL GUEST SOLOIST: BILL EVANS
FIVEFOUR 3 (Barcode: 5013929310322) ~ USA ~ Jazz
Recorded: 1962 - 1963 Released: 2005

This wonderful and sadly little known album combines the talents of two great American Jazz Masters: composer / arranger / vibraphonist Gary McFarlandFind albums by this artist and virtuoso pianist Bill EvansFind albums by this artist. McFarland composed and arranged this music for his Orchestra with Bill Evans in mind as the featured soloist and fortunately the project was eventually realized. His beautifully lyrical and contemplative music is an ideal vehicle for Evans´ exquisite piano playing, which always shared the same musical qualities as McFarland´s compositions. The music is seemingly quite melodic, but the undercurrents of contemporary Classical counterpoint and sophisticated multi-layered arrangements turn the music into an enchanted listening experience. Apart from McFarland and Evans, other musicians participating in the recording are all stars by themselves: guitarist Jim HallFind albums by this artist, reedman Phil WoodsFind albums by this artist, bassist Richard DavisFind albums by this artist and drummer Ed ShaughnessyFind albums by this artist. In retrospect this music is still completely valid and intellectually challenging some 40 years after it was recorded. It´s great to have this gem back in circulation and hopefully younger listeners will discover its beauty.

ARNE DOMNERUS ~ THE SHEIK / BROST-TONER
FOUR LEAF CLOVER 2005/6 (Barcode: 7319200042837) ~ SWEDEN ~ Jazz
Recorded: 1974 - 1979 Released: 2002

This is a reissue of two albums, both recorded in 1979, by Swedish saxophonist / composer / bandleader Arne DomnerusFind albums by this artist, one of the Godfathers of the Swedish Jazz scene, active for over five decades with an extensive recording legacy of over a hundred albums as a leader and sideman.

CD1 is the album “The SheikFind albums with this title”, recorded in a quintet setting with American pianist / vocalist Jimmy RowlesFind albums by this artist, trumpeter Jan AllanFind albums by this artist, bassist Georg RiedelFind albums by this artist and drummer Rune CarlssonFind albums by this artist (the last two were one of the best European rhythm sections at the time). Of the nine tracks on this album seven are standards and two are original compositions by Riedel. This reissue adds a bonus track recorded by a Big Band, which features Domnerus, recorded in 1975. Considering the presence of Rowles, this album is all in traditional mainstream Jazz setting.

CD2 is the album “Brost-TonerFind albums with this title”, recorded in a nonet and quartet settings, which include top Swedish Jazz players at the time, including pianists Bengt HallbergFind albums by this artist or Gunnar SvenssonFind albums by this artist, guitarist Rune GustafssonFind albums by this artist, Riedel and drummer Egil JohansenFind albums by this artist. Of the ten tracks on this album, eight are original compositions by the performing musicians and two are standards. This reissue adds a bonus track recorded by a Big Band, which features Domnerus, recorded in 1974. The music here is completely different from that on the companion album, full of vibrant modern European Jazz, with frequent tempo changes, complex harmonies and sophisticated compositions, which are ideal vehicles for the superb improvisations.

Overall, this is a wonderful visit to the Swedish Jazz scene in the mid-1970s, which I had plenty of opportunity to experience first-hand during my visits there and meeting many of the musicians, who perform on these albums. Sweden had one of the strongest local Jazz scenes in Europe at the time and every visiting American Jazz musician used to include Sweden in their concert roster.

Updated: 29/01/2025Posted: 29/01/2025

CD 2 Bonus Tracks Recommend To A Friend

ALLISON MILLER / BOOM TIC BOOM ~ NO MORPHINE NO LILIES
FOXHAVEN (Barcode: 020286213314) ~ USA ~ Jazz
Recorded: 2013 Released: 2013

This is the third album by American drummer Allison MillerFind albums by this artist and her Boom Tic BoomFind albums by this artist quartet, which also includes pianist Myra MelfordFind albums by this artist, violinist Jenny ScheinmanFind albums by this artist and bassist Todd SickafooseFind albums by this artist. Three guest instrumentalist and a vocalist appear on selected tracks. The album presents eleven compositions, eight of which are originals by Miller, one is an original by Melford and additional two come from outside of the quartet.

The music on this album is quite different from what was present on the band´s debut album. It is obviously much more carefully composed and arranged, with the shorter pieces leaving less space for improvisation and requiring tightness and careful preparation. Nevertheless the music still breathes freely, allowing for silences to be no less significant than notes. Miller shows her chops as a composer with a much wider scope and ambition, and excelling at it. There is so much music here that it takes several listening sessions to embrace it all and probably many more to appreciate it in full. The lyrical ballads seem to be Miller´s forte and they are often simply heartbreaking.

The basic piano trio is also much tighter then earlier, reaching incredible levels of almost telepathic togetherness and brilliant interplay. Once again Sickafoose stuns with his incredible bass lines, which bond the entire ensemble. Melford also sticks to her part, being the quartet´s most adventurous and far-reaching instrumentalist, venturing into unexpected tonal and harmonic adventures. Miller keeps the quartet cooking, with her incredible sense of rhythm, regardless of what a particular rhythmic pattern might be required. She is always accurate, in time and amazingly precise, as only the best drummers can be. Scheinman is heard sparingly, but when she does play, she falls immediately in sync with the rest of the band, expanding the tonal layers with another voicing, which is perfectly suited to the context.

Boom Tic Boom obviously moved forward on their development path, which is perfectly natural. Although they lost some of their "virginity", which was so magical on their debut album, they compensated for it with more complex and developed compositions and elaborate arrangements, eventually producing another gem. I can´t make up my mind which is the better of the two and I won´t even try, as they both deserve to be heard and admired. Therefore the only thing left to do is to grab a copy ASAP, and throw oneself upon the mercy of one´s ears. Satisfaction guaranteed!

CD 1 Mini-Sleeve Recommend To A Friend

ALLISON MILLER / BOOM TIC BOOM ~ BOOM TIC BOOM
FOXHAVEN 70026 (Barcode: 600627002625) ~ USA ~ Jazz
Recorded: 2010 Released: 2010

This is the debut album by American drummer Allison MillerFind albums by this artist and her Boom Tic BoomFind albums by this artist quartet, which also includes pianist Myra MelfordFind albums by this artist, violinist Jenny ScheinmanFind albums by this artist and bassist Todd SickafooseFind albums by this artist. The album presents eight compositions, four of which are originals by Miller, two are originals by Melford and two are (sort of) standards. In fact most of the tracks on this album are recorded in a classic piano trio format and Scheinman, who plays just on one track, is credited as a special guest, only to become a full member of the quartet on subsequent albums.

Three women and a guy sound more like a recipe for a romantic comedy than a Jazz ensemble, but in this case the recipe works wonders. Boom Tic Boom really booms, or ticks, or whatever, from the very beginning of this exceptional album and all the way through. The music is modern Jazz, with a lot of Free passages and breathing space, which has everything a great Jazz album should: good melodies, great improvisations, group interplay, fiery solos, a sense of vitality and desire to play together. Combined with virtuosic performances by the musicians, this is definitely a superb example of contemporary music, which is intelligent and emotional, elegant, uncompromising, artistic and above all honest.

Miller is an exceptional drummer; that is plainly obvious. She plays more naturally and intuitively then most other Jazz drummers I know, and believe you me, I do know a lot of them. Switching effortlessly between swing, free form, country and rock she is always right where she needs to be in a way she needs to be. Sickafoose is a monster bassist, which is immediately evident from the first bass thud one hears on this album. Down to earth, steady as a rock and completely in charge of his faculties his bass lines are the glue that keeps the music together. His solos here are paradigms of bass perfection. Melford Is the "bad girl" of this crew, making sure the music does not get too pretty and immediately taking it into uncharted territory. They are perfect for each other and their music shows it. This is definitely an album, which I will return to repeatedly, which happens very rarely considering the mountains of albums I´m buried under.

Side Note: I was fortunate to meet Allison a few weeks ago in Poland and even had a dinner with her and the other members of the trio she played with, flautist Hadar NoibergFind albums by this artist and bassist Or BareketFind albums by this artist. She gave me two of her albums (this one being one of them), which she signed for me with dedications that read: "Bad Boy" and "Bad Influence", which of course I consider as compliments of the highest degree. She made me fall head over heels in love with her beautiful personality, and I´m grateful for the opportunity to make her acquaintance. Keep up whatever you are doing, because you are doing it right, Girl!

CD 1 Mini-Sleeve Recommend To A Friend

	MANFRED MANN`S EARTH BAND ~ SOFT VENGEANCE GRAPEVINE 213 ~ UK ~ Classic Rock 15th album from 1996. Manfred is back in his formidable form with a selection of great tunes and a powerful band. A concept album of sorts, includes a lengthy suite in the best Prog tradition.
Updated: 12/07/2019Posted:	CD 1 Recommend To A Friend

SWEET SMOKE ~ JUST A POKE / DARKNESS TO LIGHT
HARVEST 522641 (Barcode: 724352264124) ~ USA ~ Progressive Rock
Recorded: 1970 - 1973 Released: 2000

1st & 2nd albums (recorded 1970 & 1973) on 1 CD by the excellent US Prog band Sweet SmokeFind albums by this artist, which lived and performed in Europe (mostly Germany) during the early 1970s and recorded there. They are a great example of early Jazz-Rock with many Psychedelic elements and long (15+ minutes) tracks, mostly instrumetal. They enjoyed a loyal following by many of their fans and the albums acheived in time a legendary status, which makes this reissue a most welcome addition as a document of the era.

CD 1 Remastered Recommend To A Friend

SWEET SMOKE ~ LIVE
HARVEST 522683 (Barcode: 724352268320) ~ USA ~ Progressive Rock
Recorded: 1974 Released: 2001

3rd album by Sweet SmokeFind albums by this artist and their last recorded output. It showcases how great this band was live as well as their excellent material and playing abilities. Long instrumental passages with plenty of space for improvisation and a distinctive jazzy feel make this a most pleasurable album to listen to. The material is all new and does not include songs from the studio albums. Excellent stuff!

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ MEDITERRANEAN TALES (ACCROSS THE WATERS) (EXPANDED EDITION)
HARVEST 535161 (Barcode: 724353516123) ~ GERMANY ~ Progressive Rock
Recorded: 1972 Released: 2002

1st album by the excellent German (from Cologne) Prog band TriumviratFind albums by this artist led by the classically trained pianist Jurgen FritzFind albums by this artist. They did not follow the Kraut Rock path, as most of the German bands did at that period, and were closer to the UK keyboards led groups like NiceFind albums by this artist and later Emerson, Lake & PalmerFind albums by this artist. One of the best examples of instrumental keyboard Prog ever recorded.

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ ILLUSIONS ON A DOUBLE DIMPLE (EXPANDED EDITION)
HARVEST 535162 (Barcode: 724353516222) ~ GERMANY ~ Progressive Rock
Recorded: 1973 - 1974 Released: 2002

2nd album by the German band TriumviratFind albums by this artist, considered by many as one of the best instrumental Prog albums ever. With rich orchestral arrangements the music gets a greater scope and reminds similar Prog efforts in that vein. The musicians perform brilliantly and the entire album sound fresh and interesting all way through. A true classic!

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ SPARTACUS (EXPANDED EDITION)
HARVEST 535163 (Barcode: 724353516321) ~ GERMANY ~ Progressive Rock
Recorded: 1975 Released: 2002

3rd album by TriumviratFind albums by this artist. A concept album about the Roman gladiator who dared to stand up to his masters, this beautiful piece of music firmly established the group as one of the leaders of instrumental keyboard fronted Prog and brought them first span of attention in the US. They were received less enthusiastically at home, which led to a few years of permanent residency in the US.

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ OLD LOVES DIE HARD (EXPANDED EDITION)
HARVEST 535164 (Barcode: 724353516420) ~ GERMANY ~ Progressive Rock
Recorded: 1976 Released: 2002

4th album. By the time this album was released, TriumviratFind albums by this artist acheived almost superstar status in the US and their highly prised earlier albums were big sellers. For this new work they included for the first time a vocalist from UK - Barry PalmerFind albums by this artist. The album is another example of excellent symphonic Prog and Jurgen FritzFind albums by this artist`s playing often compared to that of Keith EmersonFind albums by this artist and Rick WakemanFind albums by this artist.

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ POMPEII (EXPANDED EDITION)
HARVEST 535165 (Barcode: 724353516529) ~ GERMANY ~ Progressive Rock
Recorded: 1977 Released: 2002

5th album by TriumviratFind albums by this artist. Another concept work recorded with orchestral backup. The group went through some personell changes and now included two ex-PassportFind albums by this artist musicians (another great German Jazz-Rock outfit) with Barry PalmerFind albums by this artist still as lead vocalist. In retrospect this is a very strong album, although it was severely criticized at the time of its original release.

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ RUSSIAN ROULETTE (EXPANDED EDITION)
HARVEST 535166 ~ GERMANY ~ Progressive Rock

7th and last album from 1980. Engaging several rock musicians (from the US band Toto) Fritz produced another rock oriented album, but with more instrumental passages recalling the Prog direction the band followed at their early days. Again criticized by Prog fans, but in retrospect a solid piece of music shinig with talent and professionalism.

CD 1 Remastered Bonus Tracks Recommend To A Friend

TRIUMVIRAT ~ A LA CARTE (EXPANDED EDITION)
HARVEST 535171 (Barcode: 724353517120) ~ GERMANY ~ Progressive Rock
Recorded: 1978 Released: 2002

6th album by TriumviratFind albums by this artist. There was only one member of the original band left by the time this album was recorded - the leader Jurgen FritzFind albums by this artist, and he decided to change the direction and produce a rock (even pop) album, with lavish orchestral arrangements and more accessable tunes. Although harshly criticised by the Prog fans, in retrospect this is still an interesting piece of musical history.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BARCLAY JAMES HARVEST ~ BARCLAY JAMES HARVEST
HARVEST 538405 (Barcode: 724353840525) ~ UK ~ Progressive Rock
Released: 2002

1st album from 1970 by this great UK Prog group, which was one of the first to combine rock with rich orchestral textures, similar to early Moody Blues albums. Sadly the group never reached the popularity level of its conteporaries, but in retrospect this is damn good music, with wonderful melodies and great instrumental passages full of mellotron and subtle guitar solos.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BARCLAY JAMES HARVEST ~ ONCE AGAIN
HARVEST 538406 (Barcode: 724353840624) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2002

2nd album by this group. The involvement with orchestral arrangements is developed even further on this album, with the group keeping a permanent chamber orchestra for touring and recording. Another collection of well crafted songs, brilliant playing and masterful arrangements.

CD 1 Remastered Bonus Tracks Recommend To A Friend

	BARCLAY JAMES HARVEST ~ AND OTHER SHORT STORIES HARVEST 538407 ~ UK ~ Progressive Rock 3rd album from 1971 by this excellent UK Prog band, which sadly never acheived the `cult` status other outfits managed to secure. Solid song-writing, great playing and superb vocals were the group`s forte througout their long and fruitful career and they surely deserve to be re-discovered.
	CD 1 Remastered Bonus Tracks Recommend To A Friend

BARCLAY JAMES HARVEST ~ BABY JAMES HARVEST (EXPANDED EDITION)
HARVEST 538408 (Barcode: 724353840822) ~ UK ~ Progressive Rock
Recorded: 1972 - 1973 Released: 2002

4th album by Barcley James HarvestFind albums by this artist. This one marks probably the peak of their early period, with excellent compositions and rich (almost Baroque) orchestrations. It`s really amazing that this superb group never received the attention and recognition they deserved at the time those first 4 albums were released and only now Prog fans are re-discovering their splendid heritage.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BARRETT, SYD ~ THE MADCAP LAUGHS / BARRETT
HARVEST 582346 ~ UK ~ Progressive Rock

1st and 2nd albums from 1969 & 1970 by one of the greatest enigmas of the Prog world. Pink Floyd `leader` and inventor, visionary and genoius are only a few of the endless qualities associated with Barrett. The debut album is a solid work with great tunes and interesting mixture of Psychedelia and Avant-Garde, the second album is slightly weaker, but the genious still eveident. Barrett`s deteriorating mental health obviously clashed with the creative process.

Updated: 12/04/2019Posted:

CD 2 Remastered Bonus Tracks Recommend To A Friend

KEVIN AYERS ~ BANANAMOUR (EXPANDED EDITION)
HARVEST 582780 ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 2003

4th album by Kevin AyersFind albums by this artist, who becomes more interested in "concept" works and this album is an example of such approach. The lyrics being even more important then before and the compositions more complex, but the result is an excellent piece of music and a great document of the era.

CD 1 Remastered Bonus Tracks Recommend To A Friend

KEVIN AYERS ~ JOY OF A TOY (EXPANDED EDITION)
HARVEST 584352 ~ UK ~ Canterbury Scene
Recorded: 1969

1st album by one of UK`s most enigmatic and talented artists. Co-founder of Wilde FlowersFind albums by this artist and later Soft MachineFind albums by this artist, Kevin AyersFind albums by this artist was both a superb composer and lyricist. His solo albums are much different from the work he did with his Canterbury cohorts, being very bemused, lyrical and relaxed musically, but rich in content. On this album all famous Canterbury musicians play alongside with Ayers.

CD 1 Remastered Bonus Tracks Recommend To A Friend

KEVIN AYERS ~ SHOOTING AT THE MOON (EXPANDED EDITION)
HARVEST 584353 ~ UK ~ Canterbury Scene
Recorded: 1970

2nd album by Kevin AyersFind albums by this artist. This album was recorded with a group of musicians, who were to be a more or less `regular` band Ayers used on his few next albums, including Mike OldfieldFind albums by this artist on guitar and the incredible Lol CoxhillFind albums by this artist on saxes. The material is in the same style as the debut album, with some great songs and slightly folky / cabaret feel.

CD 1 Remastered Bonus Tracks Recommend To A Friend

KEVIN AYERS ~ WHATEVERSHEBRINGSWESING (EXPANDED EDITION)
HARVEST 584354 (Barcode: 724358435429) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2003

3rd album by Kevin AyersFind albums by this artist. Similar to the previous album, with Didier MalherbeFind albums by this artist (GongFind albums by this artist) replacing Lol CoxhillFind albums by this artist and some background vocals by ex-Soft MachineFind albums by this artist co-founder Robert WyattFind albums by this artist. Another bunch of excellent songs in a unique atmosphere only Ayers is capable of creating. What a joy!

CD 1 Remastered Bonus Tracks Recommend To A Friend

DEEP PURPLE ~ CONCERTO FOR GROUP AND ORCHESTRA
HARVEST 92941 (Barcode: 724349294196) ~ UK ~ Classic Rock

This 1969 live recording of Deep PurpleFind albums by this artist with the Royal Phiharmonic Orchestra marks one of the first serious attempts to combine rock and classical music. Although received badly at the time, the ambitious attempt by Jon LordFind albums by this artist (who wrote the score) in a landmark to be later immitated and tried again by many other groups with various degrees of success. In retrospect this is still quite moving and a great piece of rock history. Dolby Digital 5.1 Surround Sound, 53 minutes.

AMC TRIO & ULF WAKENIUS ~ WAITING FOR A WOLF
HEVHETIA 0048 (Barcode: 8588002496738) ~ SLOVAKIA ~ Jazz-Rock Fusion
Recorded: 2011 Released: 2011

This is the second album recorded by the Slovak AMC TrioFind albums by this artist – pianist Peter AdamkovicFind albums by this artist, bassist Martin MarincakFind albums by this artist and drummer Stanislav CvancigerFind albums by this artist – with Swedish guitarist Ulf WakeniusFind albums by this artist, released again on the Slovak HevhetiaFind albums on this label label. It presents eight original compositions, all credited to the trio members. The album was fabulously recorded at the legendary Viennese Jazz club Porgy & Bess (although not live).

The music is a collection of highly melodic, relatively simple themes, performed skillfully by the trio and beautifully complimented by the presence of the guitar, which adds a new dimension to the proceedings. Wakenius´ guitar sonically resembles the ambiance of Pat MethenyFind albums by this artist early recordings, but is much more focused and inspired, saving the album from the dangers of elevator muzak. Personally this kind of music usually bores me after a couple of tracks, but this album maintains a magical thread of interest, which kept me alert for the entire duration.

The trio is obviously a smooth and highly polished musical unit and their music sounds simply perfect (perhaps too perfect) from start to finish. The dynamics of the tunes, the solos, the arrangements are likeable, full of lyricism, romanticism and obvious intrinsic elegance, but the music lacks drama and development in my opinion. If not for the guitar parts, this album would have been too sweet to swallow. The trio members are skilled instrumentalists; Adamkovic plays several inspired solos and Marincak pushes the trio forward with his pulsating rhythms. Sadly the drums are recorded / mixed so much in the background that they are hardly audible.

Wakenius is of course a brilliant player, with rare sensitivity, superb technical mastery of his instrument and a great deal of imagination, which are all clearly apparent when he plays his solo parts. When his solos are over one is always left with a lingering for more. I have been following his career for many years and he is consistently excellent in all the settings his path led him through, both as a leader and as a sideman.

Overall this is an enjoyable album for fans of melodic, slightly Fusion oriented music with some scorching guitar parts, which sounds great while driving a cabriolet by the sea. Enjoy!

CD 1 Digipak Recommend To A Friend

GRZEGORZ KARNAS ~ KARNAS
HEVHETIA 0050 (Barcode: 8588002496776) ~ POLAND ~ Jazz
Recorded: 2010 Released: 2011

This is the fourth album by Polish Jazz vocalist / composer / arranger Grzegorz KarnasFind albums by this artist, one of the most unique and talented representatives of the young generation of the local Jazz scene. Separated by five years from its predecessor "Ballady Na Koniec SwiataFind albums with this title", this album is significantly different from his earlier work and presents several novelties as far as his recording career is concerned, for example the inclusion of songs not composed by him, usage of lyrics in several different languages, a new instrumental concept, etc. The singer is accompanied by a splendid quartet, which features pianist Michal TokajFind albums by this artist, cellist Adam OlesFind albums by this artist, bassist Michal JarosFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. Except for the bassist the other three musicians are long time collaborators on his earlier recordings. The presence of a bassist allows Oles to play his cello more in the way it was originally intended, as opposed to the earlier recordings, where it was mostly playing the bass parts.

The album comprises of no less than nineteen tracks, some quite short (under a minute) and other fully developed and lasting around seven minutes. One song (Laurie AndersonFind albums by this artist´s "Langue D´Amour") appears four times in different incarnations and two other songs are reprised. Karnas composed or co-composed six of the pieces, four other pieces are credited to the band accompanying him, one is an instrumental composed by Tokaj and three are songs from the canonic Rock repertoire like StingFind albums by this artist´s "Roxanne", Joni MitchellFind albums by this artist´s "Black Crow" and the a.m. song by Laurie Anderson.

It is immediately obvious that this is Karnas´ most ambitious album to date. The complexity and versatility of the material is overwhelming and music moving from one theme to another creates a charming flow, which makes the listener whish for it never to stop. Instrumentally this album, with Tokaj taking over the role of the main soloist, is finally perfect and Tokaj´s beautiful tango is the best original piece of music on the album. Oles finally shows what he´s made of and plays some amazing sounds. The vocal performances are also excellent, obviously more mature and relaxed than ever before. This time Karnas is pretty minimalistic, not trying to overemphasize his part and treating the entire project as a whole rather than another solo album. The group effort is definitely what makes this album tick so wonderfully and takes it a few notches up the scale.

Overall this is a truly amazing vocal Jazz album, which plainly stands out as an artistic achievement, leaving most other albums of its kind way behind. Suffice to listen to the vocalist´s interpretations of the three well known songs, in order to appreciate his originality. Add to this the strength of his original material and Karnas emerges as an artist worth following and already leaving his mark on the contemporary scene, with very few contenders. An absolute must!

CD 1 Digipak Recommend To A Friend

OTTO HEJNIC ~ ONE
HEVHETIA 0060 (Barcode: 8588002496899) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2011 Released: 2012

This is the debut album by Czech Jazz drummer / pianist / composer Otto HejnicFind albums by this artist, recorded in a classic trio format with pianist Ondrej KrajnakFind albums by this artist and bassist Josef FecoFind albums by this artist. The album presents nine original compositions, all by Hejnic. Eight of the compositions are performed by the trio and one is a solo piano piece performed by Hejnic.

Hejnic continues the fabulous Czech Jazz piano composition tradition, developed by such giants like Emil ViklickyFind albums by this artist, Karel RuzickaFind albums by this artist and others, which continues to be developed by the younger generation of Czech musicians. The compositions presented here are all mature, beautifully melodic and sophisticated. Both the lyrical ballads and the up tempo pieces show first class compositional skills, characterized by highly aesthetic approach and obvious passion.

Hejnic wisely passed the task of playing the piano onto Krajnak, who emerges as one of the most skilled East European pianists, as documented by his other recordings. Feco, who plays with Krajnak on other recordings, is an absolute virtuoso bass player, and his extraordinary skills are plainly evident on this album from start to finish. Hejnic plays the drums set dynamically and always shoulder to shoulder with his cohorts, which being also a pianist probably helps considerably. The trio performance is simply fabulous. The sound quality and the recording are also excellent, which turns this album into a true piano trio gem.

Overall this is a most impressive debut album by Hejnic, who emerges primarily as a remarkable composer but also as a first rate performer. The trio performance is simply exemplary. Very highly recommended to all piano trio aficionados and Jazz connoisseurs the world over!

CD 1 Digipak Recommend To A Friend

ONDREJ KRAJNAK ~ FOREVERNEST
HEVHETIA 0067 (Barcode: 8588005257046) ~ SLOVAKIA ~ Jazz
Recorded: 2013 Released: 2013

This is a wonderful solo piano album by Slovak Jazz pianist / composer / arranger Ondrej KrajnakFind albums by this artist. It is a loving and beautiful tribute to the music of Slovak pianist / composer Ernest OlahFind albums by this artist, an outstanding figure of the first post WWII generation, who never truly achieved the recognition and fame he deserved, and who died prematurely in 2002 at the age of sixty, never releasing even a singular album as a leader during his lifetime. This album presents six original compositions by Olah and one original composition by Krajnak, dedicated to him. The album was produced by Ernest Olah´s son Roman OlahFind albums by this artist.

Olah was not only a great pianist but also a wonderful composer of Jazz and contemporary Classical music and it is sad that his work is almost unknown. This album remedies the situation slightly, but hopefully more of Olah´s music will be rediscovered in the future. Olah admired Oscar PetersonFind albums by this artist and was able to imitate his playing very reliably, but of course his most important contributions were his original works.

Krajnak emerges as an ideal choice of a pianist, who was trusted with the responsibility to present Olah´s music as perhaps he would have done himself. A pianist of virtuosic ability but more importantly exceptional feeling Krajnak is able to expose all the wonderful Eastern European lyricism of Olah´s compositions. Delicate, sophisticated and aesthetically challenging, every touch of the keyboard is simply right there exactly where is fits the music in the best way possible.

This album is like a string of pearls with the individual notes sitting next to each other, gleaming in the light of a flickering candlelight, building the overwhelming effect of the whole string, which is after all much more than a collection of the individual pearls. A true gem in every respect, it is timeless, beyond classification and comparison; it simply is…

CD 1 Digipak Recommend To A Friend

ADAM KOWALEWSKI ~ FOR YOU
HEVHETIA 0068 (Barcode: 8588005257053) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2013

This is the debut album as a leader by Polish Jazz bassist / composer Adam KowalewskiFind albums by this artist, recorded in a duo setting with pianist Piotr WylezolFind albums by this artist. It presents eight compositions, five of which are originals by Kowalewski, one is an original by Wylezol and the remaining two are standards. The album was released on the Slovak HevhetiaFind albums on this label label and was one of the first Polish Jazz albums released by that label, to be later followed up by numerous others.

Kowalewski recorded a plethora of albums as a sideman before he recorded this album, which means that he was already an established name on the local scene and the purpose of this album was obviously to present Kowalewski also as a composer apart from his abilities as a bass player. He cooperated with Wylezol earlier on playing bass on Wylezol´s debut piano trio album and therefore the choice of partners is hardly accidental.

The music presents a series of melodic tunes, well within the Jazz mainstream, which are played by the duo with a lot of space and mutual respect, allowing both musicians plenty of breathing space. As expected in such circumstances, the volume of the bass is higher up in the mix than normal, which allows the listener to hear exactly every note played by the instrument.

The problem with bass / piano albums is of course that the piano, which plays all the melody lines, "steals" the listener´s attention and only the most experienced listeners are able to split their attention between the two instruments on an equal basis. However, those able to listen to both instruments in parallel will discover a beautiful dialogue and a supportive collaboration, which is elegant and graceful.

Acoustic bass buffs will of course have a field day with this album, and considering the good sound quality of this recording, it is quite suitable to test top range Hi-Fi equipment for balanced bass / midrange response. Personally I´m looking forward for the next album by Kowalewski, to discover more of his melodic gems!

CD 1 Digipak Recommend To A Friend

DAVID KOLLAR ~ THE SON
HEVHETIA 0072 (Barcode: 8588005257091) ~ SLOVAKIA ~ Electronic & Ambient
Recorded: 2013 Released: 2013

This is an intriguing and highly emotional solo album by Slovak guitarist / composer David KollarFind albums by this artist, on which he plays electric guitar, adding also other instruments and voices, creating improvised collages of sound. The album presents twelve (or thirteen) selections, cut out from three hours of material that Kollar recorded while working on this project.

Based on his personal emotions in a difficult period in his life surrounding his son´s illness (hence the album´s title), Kollar transformed these emotions into sounds. The resulting music is completely beyond categorization or classification, as it includes a multitude of widely different references, like electronic, ambient, contemporary Classical, improvised music, spiritual music and others. In spite of the fact that this music is so immensely diverse, it makes perfect sense emotionally and enables total involvement form the listener´s side.

Subtly hidden below the surface of this music one can find melody and harmony, which are rich in textures and full of intrinsic beauty. The serenity of the melodic element balances the anguished, tortured elements appearing on the surface, creating a complex entity which has a life of its own. The music has a strong element of tension and conflict, like a human soul torn between hope and desolation, good and evil or right and wrong. In many respects this music has a deep religious background, even if it exists only subconsciously.

Of course this music is only as good as the listener´s involvement. In sharp contrast to trivial music, which is accessible to most people without asking for an iota of intellectual and emotional involvement, this music demands complete concentration and attention, being recreated anew in every listener´s mind. Such total approach to making music is of course rarely truly appreciated, but surely deserves admiration.

Overall this is an astonishing piece of music of rare beauty and extraordinary power of expression. Kollar definitely deserves to appear on the "to be watched" list of ambitious music makers and one can only hope his music will reach as many music lovers around the world as possible. Wholeheartedly recommended!

CD 1 Digipak Recommend To A Friend

OFIR SHWARTZ ~ SHADES OF FISH
HEVHETIA 0075 (Barcode: 8588005257138) ~ ISRAEL ~ Jazz
Recorded: 2013 Released: 2013

This is the second album by Israeli Jazz pianist / composer Ofir ShwartzFind albums by this artist, recorded in a piano trio format with bassist Gal ShayaFind albums by this artist and Slovenian (resident in Israel) drummer Gasper BertonceljFind albums by this artist. It presents nine (one repeated twice) original compositions, all by Shwartz (and a short solo piano piece as a hidden bonus track).

The music consists mostly of melodic, lyrical ballads, which are Shwartz´s preferred modus operandi, but this album also introduces w few new elements in his music, like Rocky rhythms and "harder" approach in some of the tunes and certain moments of free improvised passages. Fortunately he is able to handle the different musical environments with ease and elegance. As a result most of the album is similar to the debut album, well within mainstream Jazz and melodic material and only parts venture into more ambitious territory.

The trio performance is excellent from start to finish and presents a very high level of interplay between the three individual musicians, who obviously treat each other with respect and sympathy. Shaya is a wonderful bass player, very expressive and melodic, able to carry a tune and cooperating fabulously with the piano. His tone and technique are both outstanding. Bertoncelj keeps a relatively low profile, as appropriate for a piano trio, but his presence is definitely felt at all times as part of the trialogue.

Overall this is a very impressive sophomore release, clearly pointing out the way towards establishing a career for Shwartz, which he builds up consistently and scrupulously. This album is a treat for piano trio lovers, with a few surprises therein, and deserves to be heard far and wide. It is also the first Israeli Jazz album released on the excellent Slovak HevhetiaFind albums on this label label, hopefully by far not the last. Warmly recommended!

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HANKA GREGUSOVA ~ ESSENCE
HEVHETIA 0082 (Barcode: 8588005257237) ~ SLOVAKIA ~ Jazz-World Fusion
Recorded: 2014 Released: 2014

This is the second album by the Slovak vocalist Hanka GregusovaFind albums by this artist, which presents a beautiful tribute to Slovak Folklore. It features eleven folk songs, sung in Slovak and wonderfully arranged by pianist Ondrej KrajnakFind albums by this artist, who leads a Jazz quartet with bassist Josef FecoFind albums by this artist, drummer Marian SevcikFind albums by this artist and percussionist Stefan BugalaFind albums by this artist, which accompanies Gregusova on several tracks. On other tracks she is accompanied by a Folklore quartet, led by violinist Ivan HerakFind albums by this artist and featuring Josef Feco on cymbalon (also spelled cimbalom), Robert BoldiFind albums by this artist on viola and Marek BoldiFind albums by this artist on bass. One track features the combined forces of the Jazz and Folklore ensembles and the remaining tracks are more intimate trio, duet and solo vocal pieces. Several guest musicians also participate in the recording.

This album is a classic example of what Jazz-World Fusion is all about and how it can be achieved successfully. Both the World music and Jazz idioms are given a respectful and graceful treatment, and are mixed with elegance and charm. The Jazz arrangements are of course further distanced from the original folk songs than the Folklore treatment, but the overall atmosphere and continuity of the album achieve a wonderful journey based on the Slovak Folklore transposed into contemporary musical language.

Gregusova has a warm, well rounded voice which works both in the Jazz and the Folklore environment. Her phrasing on the Jazzy interpretations is simply superb and the solo vocal piece is deeply moving. Krajnak is a superb pianist and a most skillful arranger, which is obvious from what he achieved on this album, but all the musicians involved are also top notch. The recording quality and the sound of the album are also excellent.

Overall this is an aesthetically pleasing and musically successful cross genre project, which manages to be original, while respectfully presenting traditional folkloristic heritage. Definitely a model to be followed and enjoyed!

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PIOTR WYLEZOL ~ IMPROLUDES
HEVHETIA 0083 (Barcode: 8588005257244) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2013 - 2014 Released: 2014

This is the first piano solo album by Polish Jazz pianist / composer Piotr WylezolFind albums by this artist and his sixth release as a leader / co-leader. It comes after a relatively prolonged period of silence (about five years) since his last recording. The album presents eight original compositions by Wylezol partly inspired by the work of the great Hungarian composer Franz LisztFind albums by this artist, especially Liszt´s etudes, hence the tongue in cheek album´s title. The album was released by the Slovak HevhetiaFind albums on this label label, which seems to be lately one of the favorite labels of the Polish Jazz artists, which is hardly surprising considering the great job the label is doing so far.

The association with Liszt´s romanticism is hardly accidental, as Wylezol´s music displays clear Classical Music influences. Combined with the Polish lyricism and a wonderful sense of melody, these pieces are a delightful set of melodic gems, which are easy on the ear but at the same time invoke deep emotions and a charming aptitude. Solo piano lovers will find here everything one might expect from a solo piano album – excellent music, beautiful and sensitive execution and a superb recording quality, which is always an essential ingredient of such projects.

Overall this music is not very innovative or groundbreaking, but its merits are clearly on quite a different musical layer, aesthetically close to the European Classical Music tradition, updated and transposed to contemporary language. Therefore this album should not be judged nor should it be approach from a strict Jazz point of reference, but should be allowed the leeway of a more open minded attitude towards its true artistic significance and impact.

One might speculate if this album marks a turning point in Wylezol´s career, especially as a composer, leading to a whole new path combining his classical training and Jazz improvisation, or is this just a one time journey of discovery? Regardless of the answer, let´s hope we won´t have to wait for another five years to hear the answer to this question. Welcome back!

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SPHERE ~ SYNESTHESIA
HEVHETIA 0085 (Barcode: 8588005257268) ~ POLAND ~ Jazz
Recorded: 2013 Released: 2014

This is the debut album by Polish trio SphereFind albums by this artist, which comprises of vocalist / composer Ania RybackaFind albums by this artist, guitarist / composer Marek KadzielaFind albums by this artist and clarinetist / composer Jakub DybzynskiFind albums by this artist. The album presents eleven relatively short original compositions, seven of which were composed by Rybacka, one by Kadziela and three by Dybzynski.

Stylistically Sphere crosses genres and styles freely from one composition to another and often even within one composition, moving from clear melodic statements to Jazzy improvisations and even a serene form of Improvised Music bordering on Avant-Garde. The unusual lineup produces a unique and quite unusual sound environment, in which the human voice is treated as an instrument, playing along with the two instruments. The trio often uses a technique where two of the three members play / sing more or less unisono and the third instrument / voice plays "against" the duo, as if on a separate plane. This allows for a multitude of different combinations, which save the album from being repetitive or monotonous.

Rybacka sings wordless vocalese on all the tunes, except for the last piece on the album, which uses a poem by Polish poetesses Wislawa SzymborskaFind albums by this artist (translated into English) as spoken lyrics. She also multi-tracks her voice to create a chorus effect and uses electronics to synthesize many different vocal effects. The guitar, although electrically amplified and the clarinet stick to natural acoustic sound. The resulting harmony and sound of the trio is quite eerie at times, but does not cross the border into cacophony.

The most important factor of this album is the endeavor to search for new forms of expression, in an intimate environment and without stylistic limitations. These three young musicians are all well established Artists by now and Sphere is just one of several different projects they are all involved with. They obviously share the vision of creating new musical vistas and expanding the horizons, which by itself is commendable.

This is not easy music by any means, even if it is mostly intimate and low-key. It requires from the listener a certain level of attention and dedication, as well as open-mindedness, involved with both intellectual and emotional process of absorption. But since ambitious music is never easy, the effort required to listen to this music is refunded in full eventually. Definitely a worthy effort which should make the band members proud and a high quality debut album by all means!

Updated: 12/04/2019Posted:

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NOCZ & IVA BITTOVA ~ NOCZ & IVA BITTOVA
HEVHETIA 0086 (Barcode: 8588005257275) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2014 Released: 2014

This is the second album by the NoczFind albums by this artist quartet, which comprises of Norwegian trumpeter Didrik IngvaldsenFind albums by this artist and Czech musicians: saxophonist Radim HanousekFind albums by this artist, bassist Marian FriedlFind albums by this artist and drummer Vaclav PalkaFind albums by this artist. On this album they are joined by Czech violinist / vocalist Iva BittovaFind albums by this artist, who participates on nine of the fourteen tracks present herein. All the music is original; Ingvaldsen composed eleven compositions, Hanousek two and one is a collective composition by the ensemble.

The music is a fiery version of modern Jazz mixed with free improvised passages and World Music influences. Some of the pieces are distinctly more melodic than others, but overall the music stays pretty well organized and structured while at the same time it is freely spirited and very imaginative. The level of the individual performances is superb from start to finish and the album truly presents unconventional contemporary Jazz at its best. The trumpet / saxophone front end of the quartet brings on fond memories of the early days of Avant-Garde Jazz, especially Don CherryFind albums by this artist´s contributions, but the ambiance is undoubtedly updated to some extent. The rhythm section is also absolutely first class, keeping the pulse of the music flowing and at the same time contribution also some incredible solo parts.

The presence of Bittova adds a wonderful new dimension to the quartet´s sound and her vocalese passages are among the album´s highlights, although the entire proceedings deserve only the highest praise. This album is a great example of the maturity of European Jazz, which keeps evolving more dramatically than ever thanks to the removal of national borders, enabling the emergence of international ensembles, such as this one.

Overall this is an excellent modern Jazz album in every respect, surprising, moving and engaging, which will make every fan of nontrivial, advanced, open-minded Jazz extremely happy. Listening to this music is a true delight from start to finish!

Updated: 12/04/2019Posted:

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OTTO HEJNIC ~ STANDARDS ONE
HEVHETIA 0087 (Barcode: 8588005257282) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2014 Released: 2014

This is the second album by Czech Jazz drummer / pianist / composer Otto HejnicFind albums by this artist, recorded in a classic Jazz piano trio format with pianist Ondrej KrajnakFind albums by this artist and bassist Josef FecoFind albums by this artist. In contrast to the debut, which presented solely original compositions by Hejnic, this album features the trio´s interpretations of six classic standards, and in addition three short interludes, credited to the trio, are also included.

Playing standards becomes increasingly more and more challenging with the passing of time, as these melodies have been performed already immeasurable number of times by countless musicians the world over. Therefore albums presenting standards must be judged more rigorously than albums with original music and using different criteria.

There is no doubt that this album is beautifully played by very talented musicians, and can be counted as a first rate effort. Krajnak has a unique touch and his sense of melody and timing are impeccable. Feco is a superb, virtuoso bassist, who always demonstrates elegance and sensitivity. Hejnic provides a steady and reliable rhythmic support. Together the trio presents a graceful, intelligent and classy act, which makes this album a pleasant listening experience and for classic Jazz piano trio fans is a must have.

However the interpretations of these standards remain within the mainstream tradition, with no attempt to introduce any novelty or adventure. Obviously this is the way the trio wanted this music to sound, which I respect of course, but personally I´m always in a lookout for unexpected twists and turns, which are simply not present here.

Summa summarum this is a classic Jazz piano trio album, which should make the lovers of the genre ecstatically happy, full of grace and intrinsic joy of music, even if it breaks no new ground. Definitely worth checking out!

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MICHAL TOKAJ ~ THE SIGN
HEVHETIA 0089 (Barcode: 8588005257312) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014

This is the second album as a leader by Polish Jazz pianist / composer Michal TokajFind albums by this artist, one of the most well-regarded and respected musicians on the local scene, known primarily as accompanist, arranger and composer working with top Polish Jazz vocalists like Aga ZaryanFind albums by this artist, Szymon MakohinFind albums by this artist, Grzegorz KarnasFind albums by this artist and others, but also as member of distinguished instrumental ensembles led by Piotr BaronFind albums by this artist, Marek NapiorkowskiFind albums by this artist, Janusz MuniakFind albums by this artist, Czech bassist Jaromir HonzakFind albums by this artist and others. The album was recorded in the classic piano trio format, with bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, the same lineup that recorded Tokaj´s debut album "Bird AloneFind albums with this title" a decade earlier. The music comprises of ten original compositions, nine of which were composed by Tokaj and the album´s closing track, which was composed by the great Polish bassist / composer Darek OleszkiewiczFind albums by this artist.

The music is brilliantly performed by the trio, which displays not only superb instrumental abilities but more importantly remarkable affinity and interplay, which is hardly surprising considering the fact that they have been playing together for so many years. Tokaj´s piano playing here is somewhat different, as might be naturally expected, from his delicate accompaniments when playing along vocalists or other leading instrumentalists. It is much more assertive and focused, definitely more complex and adventurous, and yet still incredibly melodic, even during the condensed and expressive improvisational passages. Of course both Baranski and Zyta deserve all the compliments for their intelligent and sympathetic, as well as technically exquisite support.

The music is a true delight from start to finish, a wonderful mixture of melody, lyricism and even romanticism combined with quite complex ventures into intensive improvisation and above all a lot of freedom and breathing space, which make this music crystal clear even during its most demanding moments. It´s pretty obvious that Tokaj´s gift as a composer and his incredible versatility earn his a well deserved position close to the top of the list of Polish Jazz composers.

For me this is easily the best "piano trio playing original music" album recorded in 2014, which is quite a distinction considering how much great music is produced on the Polish scene every year. As usual in such circumstances both a wholehearted recommendation to the fans to grab this gem ASAP and a humble expressions of gratitude towards the musicians are in order. Very well done indeed Gentlemen!

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AGA DERLAK ~ FIRST THOUGHT
HEVHETIA 0090 (Barcode: 8588005257329) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014

This is the debut album by a young Polish Jazz trio led by pianist / composer Aga DerlakFind albums by this artist with bassist Tymon TrabczynskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. The album presents five lengthy original compositions, all by Derlak.

It takes a lot of courage to take the bold step of recording a debut album in the classic piano trio format and play one´s original compositions, like Derlak and her cohorts do on this album. Piano trio is a "naked" environment, where every note, every nuance, even every touch of the keyboard is perfectly audible with absolutely nothing to hide behind. Such endeavors are often quite risky and perilous and therefore I´m happy to say that in this particular case the courage pays off big time.

The music is mostly very lyrical and melancholic, almost meditative, even on the mid / up tempo compositions. The melodic statements played as the usual at the entry point of each track develop into lengthy improvised passages, which feature extensive dialogues between the piano and the rhythm section, which gets much more exposure on this album that usually accepted on piano trio albums. Trabczynski and Szablowski both perform wonderfully throughout, using the almost universal approach in today´s young piano trios, where the bass is actually playing the rhythm and the drums are allowed to play "around", often polyrhythmically. There is an obvious empathy and comradeship between the trio members, which is always the best glue which turns musicians into one harmonious entity.

Of course not everything is perfect, which is quite understandable considering the age of these young Lions and a Lioness. The extensive improvisations, which last on three of the tracks well over ten minutes, are honestly a bit over the top. It takes a lifetime of playing Jazz to be able to keep an audience on the edge for ten continuous minutes… Perhaps inclusion of at least a couple of additional tunes and shortening the timings considerably would have produced an even more impressive album? But of course these are just my personal musings.

Overall this is a most impressive debut, which hopefully will be followed by many more mature albums in the future. I intend to follow the careers of these youngsters, as they are surely a promising bunch. Well done Lady and Gentlemen!

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BARTOSZ DWORAK ~ POLISHED
HEVHETIA 0091 (Barcode: 8588005257336) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015

This is the second album by Polish Jazz violinist / composer Bartosz DworakFind albums by this artist and his quartet, which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. The quartet performs nine original compositions, four by Bartosz Dworak and five by Matusik. Several of these compositions already appeared on the quartet´s debut album, which was a live recording, and get here a more polished (tongue-on-cheek) version.

Dworak proudly joins a long list of Polish Jazz violinists, which keeps growing as the years go by, and includes such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew SeifertFind albums by this artist, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and young lions like Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist. This wonderful legacy can be of course quite overwhelming and daunting, but Dworak seems to have no inferiority complexes whatsoever and gallantly steps into their shoes, doing his own thing.

Although Dworak is the leader of this quartet, the compositional and soloing duties are split quite equally between him and Matusik, who wrote about half of the music and plays superb piano parts, both supporting the violin parts and soloing himself. The rhythm section plays along with the two soloists supporting them amicably but staying mostly in the background, which in this specific music is probably all for the best.

The music is all pretty straightforward melodic mainstream, although at some moments the quartet ventures, albeit only partly, into a less clearly defined set of parameters. Of course, as usual with Polish Jazz violinists, the music is soaked in melancholy and lyrical folkloristic undertones, which brings fond memories of the material recorded by those musicians listed in the second paragraph. All nine tunes are beautifully melodic, which surely opens this album to a very widespread range of audiences, even those beyond the Jazz idiom.

In many respects this album could be considered as a debut, since the semi-formal live recording released earlier was really just a teaser of things to come. And as a debut it certainly is a very impressive effort, in every respect, which keeps the hopes for a new generation of Polish Jazz musicians in general and violinists in particular at their highest. Personally I simply can´t wait for the next album, which will be the decisive proof of maturity. In the meantime we can all enjoy this gem!

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JELLE VAN GIEL GROUP ~ SONGS FOR EVERYONE
HEVHETIA 0098 (Barcode: 8588005257404) ~ BELGIUM ~ Jazz
Recorded: 2014 Released: 2015

This is the debut album by Belgian drummer / composer Jelle Van GielFind albums by this artist and his group, which is a septet also including trumpeter Carlo NardozzaFind albums by this artist, saxophonists Steven DelannoyeFind albums by this artist and Erik BogaertsFind albums by this artist, pianist Bram WeijtersFind albums by this artist, guitarist Tim FinoulstFind albums by this artist and bassist Janos BruneelFind albums by this artist. The album presents eight original compositions, all by Van Giel, who is also in charge of the arrangements.

The music is a collection of melodic pieces, all well within the mainstream Jazz formula, nicely arranged for the group, skillfully utilizing the brass section and full of exciting solos by all participants. Although definitely on the easy side of the Jazz spectrum, this is a very well played collection of beautiful tunes, which is a great fun to listen to. The brass arrangements could have been much more adventurous of course as they mostly follow the American school dating from the Swing Days of the 1940s, but on the other hand they have a nice nostalgic tang to it

The individual contributions by all the participants are professional and skilful, with well crafted soloing and sympathetic delivery. However the overall atmosphere is a bit too relaxed, and lacks passion and excitement, as if everybody was afraid to take any risks. Such calculated approach always bears the risk of losing the attention of the listener after a few tunes. The album´s title might have been a bit more meaningful than Van Giel initially intended.

Overall this is a nice debut effort, which portrays Van Giel as a skillful composer and arranger, but offers little intellectual challenge to more advanced listeners. Fans of melodic, rounded and pleasurable Jazz will have a great deal of fun with this album. The second album "test" should be quite interesting in this case.

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PAWEL KACZMARCZYK / AUDIOFEELING TRIO ~ SOMETHING PERSONAL
HEVHETIA 0100 (Barcode: 8588005257411) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015

This is the fourth album by Polish Jazz pianist / composer Pawel KaczmarczykFind albums by this artist, recorded in a classic piano trio format with bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. This rhythm section is also known as the rhythm section of the New BoneFind albums by this artist ensemble. The album presents seven tracks, all of which are original compositions by Kaczmarczyk. It was mixed and mastered by the great Jan SmoczynskiFind albums by this artist and released on the Slovak HevhetiaFind albums on this label label, which releases lately a significant amount of Polish Jazz albums, opening new opportunities for Polish Jazz musicians, who face a very tough and crowded local recording market.

Kaczmarczyk stormed the Polish Jazz scene over a decade earlier as a young prodigy, winning awards from every possible competition and later recording and releasing three excellent albums as a leader. But the initial impact somewhat subsided over time and although he was visible on the scene quite recurrently, almost six years passed between the release of his last album and this one. No doubt these were years of reflection and reassessment of his musical attitude, as this album clearly proves. The return to the piano trio format and the much less complex arrangements of his compositions signal a kind of return to the roots.

Kaczmarczyk was always a great songweaver, and the collection of his new compositions confirms that status again. Wonderfully melodic, deeply lyrical and always full of grace, his music, presented here in a very basic down to earth form, is most effective exactly as it appears here. Gone are the elaborate and intricate rhythmic complexities, instrumental shenanigans and other tricks of the trade; instead we get Kaczmarczyk almost naked musically, but finally mature and truthful to himself.

Of course Kaczmarczyk is also a brilliant pianist and on this album, which is modest and very personal, there are limited possibilities to shine as a virtuosic performer; and yet Kaczmarczyk manages to pull this off, playing some amazingly sweet and inspired piano performances. The experienced rhythm section plays along tightly and supportively, being always there when needed. Adamczak plays several nice solos and stands by the leader both harmonically and rhythmically. Fortuna is a very busy drummer, but at all times stays in the background not disturbing the delicate trio balance.

In many respects this album could be seen as Kaczmarczyk´s "return", an older, and more mature and focused version of the young star from a decade earlier. The lost charm of excitement and surprise was replaced by musical depth and developed compositional as well as performing skills. It was definitely worth the time we had to wait for this album and hopefully another long lingering will be spared. Welcome back!

Side Note: The promo version of this album includes also seven tracks, but two of them are different than those included on the formal album, which of course makes the demo a most desirable collector´s item!

Updated: 27/09/2016Posted:

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JORGOS SKOLIAS / ANTONIS SKOLIAS ~ KOLOS
HEVHETIA 0101 (Barcode: 8588005257428) ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2015 Released: 2016

This is a wonderful duo album by Polish vocalist / composer Jorgos SkoliasFind albums by this artist and his son Antonis SkoliasFind albums by this artist, who sings and plays drums and percussions. Together they perform nine original songs, all co-composed by the father / son team, which feature lyrics in the Greek language. Three of the songs have lyrics by the Greek poet Konstantinos Petrou KavafisFind albums by this artist, who lived in Alexandria, Egypt, and who is now recognized as one of the finest Modern Greek poets. Another four songs originate in songs Jorgos remembers from his childhood.

Jorgos Skolias is one of several musicians active on the Polish scene, who belong to the Polish Greek community, members of which arrived in Poland as political refugees escaping the persecutions following the end of the civil unrest in Greece after WWII and the defeat of the communists in 1949. Poland, a "young" socialist country at the time, opened its doors to the Greek exiles and they became integrated within the Polish society, producing such great musicians as Apostolis AnthimosFind albums by this artist, Milo KurtisFind albums by this artist, Konstanty JoriadisFind albums by this artist and others.

The album is a bold statement of originality; featuring just vocals and percussion where the limitations seem insurmountable, and yet the duo manages to create a fully fledged bona fide magical musical environment, which seems completely natural and misses nothing. Of course Jorgos Skolias is a phenomenal vocalist, a fact known to all his followers since many years, who is able to use his vocal chords in ways nobody else tried before. His ability to create wordless vocalese is a class in itself and he is able to carry a melody like an entire set of instrumentalists. In some ways this album is another facet of his work with the Oles Brothers and their trio called Sefardix, which features vocals supported solely by a rhythm section, which also works out fabulously.

It is quite impossible to label this music stylistically, and perhaps this quality is one of its strengths. There are Folkloristic elements here, but also improvisation, Rocky rhythms, Jazz & Poetry manifestations and a whole bunch of other elements, all beautifully amalgamated into a musical experience, which is fascinating from start to finish. Skolias manages to create aesthetic tension and his deep throaty voice has simply no parallels.

Kudos to Jan SudzinaFind albums by this artist and his fabulous HevhetiaFind albums on this label label for releasing this music, which has no chance in a commercial environment in spite of its intrinsic values; this tribute to the Greek and in fact the entire Mediterranean group of cultures shows the diversity of the European Culture and the magnificent ingenuity of musicians, who are able to completely ignore imaginary boundaries. This is definitely a unique gem, which will award its listeners a stunning experience, full of surprises and delightful thrills.

Updated: 12/04/2016Posted: 12/04/2016

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KOMARA ~ KOMARA
HEVHETIA 0104 (Barcode: 8588005257466) ~ SLOVAKIA ~ Progressive Rock
Recorded: 2014 Released: 2015

This is the debut album by the international "supergroup" trio KoMaRaFind albums by this artist comprising of Slovak guitarist / bassist David KollarFind albums by this artist, American drummer Pat MastelottoFind albums by this artist (King CrimsonFind albums by this artist) and Italian trumpeter Paolo RaineriFind albums by this artist. It presents ten original compositions, which are not specifically credited on the album´s artwork and therefore in all probability are group compositions by the trio members.

There is no doubt that KoMaRa attempts to build a new aesthetic in contemporary music. The striking cover art (by ToolFind albums by this artist´s Adam JonesFind albums by this artist) brings almost immediate association with no less striking "Alien" surrealistic cinematic art by Swiss H. R. GigerFind albums by this artist and in all honesty this album could easily serve as the soundtrack of the "Alien" movies. The music is completely beyond classification, which by itself is already a huge compliment. Cross-genre, cross-style, cross-culture it simply goes all over the place, from Heavy Metal to contemporary Classical, with a serious dose of Jazzy improvisation, Electronic and Ambient, in short a wonderful mayhem, which against all odds makes perfect sense artistically.

Although there is no point in analyzing individual contributions by the trio members, as this music is an indissoluble whole, it must be stated that the final result works so well because the personas behind it are so different from each other. Kollar is the avant-gardist relentlessly searching for new sounds and effects, Mastelotto is the rock of Gibraltar, keeping everything in check and Raineri is the romantic sound poet pouring his lyricism on top to calm the stormy, erupting lava bubbling below.

KoMaRa is not revolutionary; countless groups attempted similar musical synergy projects since many years, and yet it is undoubtedly one of the most successful of such projects. Therefore, rather then revolution, KoMaRa´s music presents another evolutionary step in music, which amalgamates all our musical traditions and manages to come forth with something previously unachieved, which happens, sadly, extremely rarely as of late.

In spite of this music´s "strangeness", it is remarkably accessible, at least to an experienced listener. Repeated listening reveals additional layers, as usual in projects of such complexity, which means that this album can be discovered and re-discovered over a period of time. This is definitely an album that deserves to be wholeheartedly recommended and open-minded / open-hearted listeners are in for a treat!

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KAMIL PIOTROWICZ ~ BIRTH
HEVHETIA 0105 (Barcode: 8588005257572) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015

This is the debut album by Polish Jazz pianist / composer Kamil PiotrowiczFind albums by this artist recorded in a quintet setting with trumpeter Emil MiszkFind albums by this artist, saxophonist Piotr CheckiFind albums by this artist, bassist Michal BakFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist. It presents nine original compositions (one appearing twice and another based on a Folk tune) by Piotrowicz and one standard.

The music is mostly quite conventional, well within the mainstream Jazz format, with occasional less constrained and more open moments. The compositions are however quite sophisticated and often feature several subsections with different rhythmic patterns and melodic themes, turning them into mini-suites. The overall level of these compositions is certainly well advanced, especially in view of the young age of the composer.

The arrangements feature the entire ensemble extensively, with the brass section up front, in charge of most of the solos, and the leader staying relatively in the background. It is pretty obvious that the emphasis of this album is in the following order of importance: compositions, arrangements, ensemble performance and only then individual solos. All the young members of the quintet have already some experience and appear on earlier recordings and they are the new generation that will dominate the Polish Jazz scene in the years to come. Judging by what they are able to do herein, things look pretty promising.

This is definitely a most impressive debut effort, which although does not break any new ground, certainly proves that there are still infinite opportunities within the established borders of Jazz. Congratulations are in order and of course I´m already waiting for the next endeavor.

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THE BLESSED BEAT ~ MIV
HEVHETIA 0108 (Barcode: 8588005257404) ~ SLOVAKIA ~ Jazz-Rock-World Fusion
Recorded: 2015 Released: 2015

This is the debut album by the international trio The Blessed BeatFind albums by this artist comprising of Slovak guitarist David KollarFind albums by this artist, Italian drummer Simone CavinaFind albums by this artist and Italian trumpeter Paolo RaineriFind albums by this artist. It presents eight pieces, which are all improvised group compositions by the trio members. The album was composed and recorded in "real time", i.e. using the "what was played is what you hear" approach.

The concept behind the music was to create an imaginary soundtrack to an imaginary movie (well, not completely imaginary as at least two different film adaptations were made), based on the Charles BukowskiFind albums by this artist´s shocking story "The Copulating Mermaid Of Venice, CA". The MIV title stands for "Mermaid In Venice" and the titles of the eight pieces are quotations from the story´s actual text.

Imaginary soundtracks are of course not a new idea and contemporary musicians are quite fond of this specific sub-genre, which if being used in Progressive Rock, Alternative Rock and Electronic / Ambient music. This album however completely disregards genre boundaries and being completely improvised based on a very loose pre-defined ideas, it is quite different from most other projects of this kind.

In view of the fact that this music is performed by just three musicians, it is pretty amazing that they are able to produce effectively such tremendous "wall of sound" sonority. The music flows on several parallel layers of sound, produced by the distorted guitar, the powerful drums, the electronic textures and finally by the trumpet, which floats on top of everything. Since there is very limited melodic continuity, the music transmits an eerie sense of timelessness and floating dimensionless space, which pulls the listener deeper and deeper into the imaginary story evolving underneath.

The music displays an amazing, almost telepathic level of communication between the three musicians, each working on his musical plane and all together creating a common virtual sonic reality. Of course Improvised Music, like this one, has a great advantage by constantly changing depending on the listener´s emotional and intellectual input at a specific moment. Therefore albums like this propose theoretically an infinite number of experiences over time.

Overall this is a very powerful and ambitious debut effort, which is worth investigating by all adventurous and open-minded music lovers anywhere on this planet. Well done, Gentlemen!

CD 1 Digipak Recommend To A Friend

ELMA ~ AD REM
HEVHETIA 0113 (Barcode: 8588005257657) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2016

This is the second album by Polish Jazz vocalist ElmaFind albums by this artist, but in fact it could be viewed as the second part of Elma´s debut album, as it presents material recorded at the same recording session as the material released on the debut. A conscious decision was made at the time to collect the "song oriented" material on the debut and the improvised material on this second album

The album was recorded by a quartet, which features Elma with Finnish trumpeter Verneri PohjolaFind albums by this artist and Polish pianist Dominik WaniaFind albums by this artist and bassist Maciej GarbowskiFind albums by this artist and was recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist. The music on this album comprises of twelve improvised pieces; a prologue and then an eleven-part suite. Except for the first part of the suite which is credited to Elma and Pohjola, the rest of the music is credited to all four participants.

Although the Improvised Music is enjoying a spectacular Renaissance in the last few years, it is almost always completely instrumental and does not involve the human voice. The glorious days of the vocal Improvised Music are sadly completely gone and pioneering vocalists like Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist, Urszula DudziakFind albums by this artist, Jay ClaytonFind albums by this artist, Bobby McFerrinFind albums by this artist and others are either forgotten or changed their field of interest. Therefore Elma can be considered as the torch bearer of this fantastic tradition into the 21st Century.

Elma treats her voice as an instrument, which has always been the basic rule of great vocalists. Since the human voice is limited only by the vocalist´s imagination, it is the most versatile and virtually unlimited instrument, a fact which becomes plainly evident to anybody listening to this music. With the incredibly compassionate accompaniment Elma receives from her three partners, the resulting music is one of the most unique musical creations recorded in the last few years.

The importance of this music is twofold; firstly it is breathtakingly beautiful, emotionally intense and aesthetically stunning and secondly it is intellectually courageous and fascinating. Elma is not regressing to the 1970s to create more of the same vocal Improvised Music created then, but takes the tradition right up to date, moving forward and updating the concept, adapting it to contemporary Jazz language, sound and vision. Her vocalese and other tricks of the trade, most of which she invented herself or expanded from earlier examples, is a completely new language in itself, which enables her to go where nobody went before; an extremely rare quality these days.

The contributions of the three instrumentalists present here is simply outstanding. They all manage to contribute to the music without overshadowing the focus of the vocals and their empathy and ability to communicate with Elma almost telepathically is simply phenomenal.

This is indisputably one of the most important albums released on the Polish Jazz scene in the last decade and as far as vocal Jazz is concerned, also on a world scale. There is no other vocal Improvised Music of this intensity and innovative authority anywhere else at the moment, which makes this album simply a one of its kind. To say the truth, this album should be studied by every vocalist in the world, Jazz and otherwise, just to make them aware of what the human voice (and mind) is capable of. This might of course make some of them stop singing, which would be of great benefit of course.

Absolutely essential item in every serious record collection!

Updated: 29/02/2016Posted: 29/02/2016

CD 1 Digipak Essential Recommend To A Friend

KLIMA / WYLEZOL / KOWALEWSKI ~ LUTOSLAWSKI RETUNED
HEVHETIA 0114 (Barcode: 8588005257664) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2014 Released: 2015

This is the debut album by a Polish Jazz trio comprising of clarinetist Szymon KlimaFind albums by this artist, pianist Piotr WylezolFind albums by this artist and bassist Adam KowalewskiFind albums by this artist. Veteran Polish Jazz musician Piotr Baron guests on one track playing bass clarinet. The album´s music was all composed by the contemporary Classical Polish composer Witold LutoslawskiFind albums by this artist, and includes his five dance preludes (composed in 1954 as a five-parts suite) and a sixth unrelated composition, which was initially published under a pseudonym.

What prompted to rearrange (or retune) these composition for a Jazz environment was probably the Lutoslawski Year celebrations in 2013 (his 100 Birthday), which were a big cultural event in Poland and brought the composer to the attention of a much wider audience, including many young Jazz musicians. As a result a long list of Polish Jazz albums, like this one, paid tribute to the great composer; for example "Inspired By LutoslawskiFind albums with this title" by Grazyna AuguscikFind albums by this artist, "BukolikiFind albums with this title" by High Definition QuartetFind albums by this artist, "AtomsphereFind albums with this title" by Atom String QuartetFind albums by this artist and many others.

The dance preludes suite, which was originally composed for clarinet and piano, was later twice (1955 and 1959) re-orchestrated for larger ensembles, but Klima based his Jazzy approach on the original intimate version, which remains intimate under the new arrangement. As almost always with Lutoslawski, his music is deeply rooted in the Polish Folklore, and these "dances" all bear resemblance of the characteristic folklore melodies and harmonies, at least to people who are acquainted with that music.

Klima, both as arranger and player, oscillates between the Classical and the Jazz idioms, as his clarinet tone and phrasing are almost completely Classical whereas his improvised parts are of course Jazz related. Of course Wylezol and Kowalewski are bona fide Jazz musicians, and their contributions have a decisive weight to turn this music into a wonderful Jazz-Classical Fusion.

The intimacy of this music, the virtuosi performances, the elegant and respectful treatment of the original inspirations all add up to a superbly balanced and delightful musical adventure, which should prove pleasing and satisfying to all connoisseurs of good music. Hopefully some of the listeners will try to find out how the music sounds in its original Classical incarnations, and perhaps venture into more fabulous music created by Lutoslawski, other might wish to explore other recordings by Wylezol and Kowalewski, also released by the excellent HevhetiaFind albums on this label label. If so everybody wins, both of the Classical and the Jazz enthusiasts.

This album is a great example of a cross-genre exploration, which treats the origins with respect and love, creating a new, perfectly valid amalgamation, which manages to preserve the aesthetics of its origins. Wholeheartedly recommended!

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MICHEL SAJRAWY ~ FLOATING CITY
HEVHETIA 0117 (Barcode: 8588005257718) ~ ISRAEL ~ Jazz-Rock-World Fusion
Recorded: 2016 Released: 2016

Although in the public eye the Holy City of Jerusalem symbolizes the Middle East as a cradle of the three religions, for me it is the Galilean City of Nazareth, which is the epitome of the Middle Eastern existence. Christians, Muslims and Jews live, work and study side by side in a fragile embrace of coexistence, day by day. Jerusalem has been and still is, tragically, a symbol of feud and conflict for way too long, while Nazareth serves as an example of what the Middle East could look like, God willing.

Michel SajrawyFind albums by this artist and I share the aura of Nazareth since many years. He was born and raised there and lives in the City, whereas I have been teaching there generation after generation of students in classes, where celebrating Easter, Ramadan and Passover is as natural as breathing air. We both love the hills on which the City is built, the beautiful churches and the sound of the church bells, the colorful markets and busy streets, the minarets and the modern buildings of the ever growing new neighborhoods.

Therefore it is completely natural that Michel, as an Artist, would incorporate the multicultural background of his home City and create a unique amalgam of Middle Eastern influences, which he can now proudly call his very own. This is the fourth album Michel recorded, which features his music, and in retrospect it follows a clearly defined artistic path, which climaxes here. The Jazz-Rock-World Music blend presented herein is a true masterpiece in every respect.

This album is definitely Michel´s most mature statement, but also reveals the search of his musical roots. The relation to the ancient tradition of Arabic maqam, combined with the modern electric guitar sound is absolutely stunning. This emphasized by Michel´s incredible talent to compose beautiful heart capturing melodies, seemingly simple but in fact quite complex and sophisticated, turns him into an icon of the collaboration between East and West musical ethnicities.

Michel´s return to his roots is also symbolized by the use of Middle Eastern instruments: oud, qanun, and darbuka, which were significantly less prominent on his early albums. Also Michel plays the bass parts on this album by himself, rather that using a Jazz / Fusion bass player, like he did on previous albums. The combined effect of these changes results in a more than ever substantial presence of World Music elements, which reveals the true Michel Sajrawy.

This is a document of a journey there and back; an authentic re-discovery of Fusion between seemingly distant traditions, which proves that an Artist has only to return to his roots, to become whole again.

Side Note

The above are my liner notes included on this album's artwork.

I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.

The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 19/09/2018Posted: 30/12/2016

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IDA ZALEWSKA ~ STORYTELLING
HEVHETIA 0118 (Barcode: 8588005257725) ~ POLAND ~ Blues
Recorded: 2015 Released: 2016

This is the third album by Polish vocalist / songwriter Ida ZalewskaFind albums by this artist, recorded with a quartet comprising of pianist Kuba PluzekFind albums by this artist, who also arranged all the songs, guitarist Szymon MikaFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Damian NiewinskiFind albums by this artist, all of them representatives of the young generation of the Polish Jazz scene. The album presents ten original songs, six of which were co-composed by Pluzek and Zalewska, three are by trumpeter Jerzy MalekFind albums by this artist and one is by pianist Bogdan HolowniaFind albums by this artist. Zalewska wrote the lyrics to seven of the songs and Joanna MajorkiewiczFind albums by this artist to the remaining three; five of songs have Polish lyrics and the other five have English lyrics.

Although the album is somewhat jazzed up, mostly by the presence of the Jazz musicians, Zalewska is body and soul oozing the Blues, with her deep, sensual voice and vocal mannerisms all originating in the Blues idiom. There is none of the typical Polish lyrical melancholy and Slavic mysticism here (well almost); it is all one or another form of the Blues. Pluzek, as the composer, arranger and main accompanist took the bull by its horns and produced a diverse but consisted body of music, which is built around Zalewska´s capabilities.

The instrumental work on this album is relatively modest, and except for Pluzek, who carries most of the weight on his shoulders, the rest of the quartet is rather subdued. Mika plays a few very nice solos, but on a Blues album one would expect a much more dominant guitar presence. The rhythm section has little more to do than to keep time, which they do pretty straightforwardly. Pluzek contributes some nice solo parts and serves the role of the accompanist amicably.

Overall, although not really my cup of gumbo, this album is definitely something fans of Soul drenched American Blues will enjoy a lot. The biggest problem this album presents to me is with the lyrics: the English lyrics are fine but Zalewska´s pronunciation is a bit off, the Polish lyrics sound really unnatural in this environment and don´t fit the music very well. I guess Blues was not meant to be sung in Polish. Anyway these are minor points and I guess this music can do very well live, much better than in a sterile studio environment.

Updated: 28/02/2016Posted: 28/02/2016

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SZYMON MIKA ~ UNSEEN
HEVHETIA 0122 (Barcode: 8588005257770) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016

This is the debut album as a leader by Polish Jazz guitarist / composer Szymon MikaFind albums by this artist, one of the prominent representatives of the young generation of the Polish Jazz scene. It was recorded in an intimate trio setting with bassist Max MuchaFind albums by this artist and Israeli drummer Ziv RavitzFind albums by this artist. The album presents nine tracks with five original compositions by Mika (the opening and closing track are versions of the title track) and three standards.

The fact that Mika is an exceptionally gifted guitarist becomes immediately apparent and the excellent level of musicianship continues until the very last notes. The music is kept well within the Modern mainstream, with no attempts to venture into the Free territory. The themes are clearly melodic and Mika plays brilliantly and although he improvises extensively he makes an effort to stay within the boundaries. This might be limiting in a long range, but luckily his partners contribute some amazingly supportive and elaborate musical structures, which carry the music forward at all times and sound truly refreshing.

Mucha is also a superb player and his solid bass lines provide a safe foundation for the trio to stretch out. Ravitz is by now one of the top young World drummers and his prolific recording career proves that he is very much in demand, which is fully justified. His contributions on this album are an example of what inventive contemporary Jazz drumming is all about.

Overall this is a beautiful piece of Jazz music, which all connoisseurs of the genre should enjoy immensely, "guitar heaven" for those listeners who love the sound of guitar and a strong example of how mainstream Jazz can be intelligent and aesthetically perfect. Wholeheartedly recommended!

For Hi-Fi enthusiasts, this album has superb sound quality and one of the nicest, roundest guitar sounds I have heard in a long time – a true feast for the ears!

Updated: 22/04/2016Posted: 22/04/2016

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PAWEL KACZMARCZYK / AUDIOFEELING TRIO ~ VARS & KAPER DECONSTRUCTION
HEVHETIA 0126 (Barcode: 8588005257817) ~ POLAND ~ Jazz
Recorded: 2014 - 2015 Released: 2016

Three years ago I initiated a series of concerts / recordings as part of the Singer Jazz Festival, of which I am the artistic director, of music by the great "American" composers: Victor YoungFind albums by this artist, Bronislaw KaperFind albums by this artist and Henryk WarsFind albums by this artist, all three of which are in fact Polish Jews, who immigrated to the US at some stage of their life. The fact that they had Polish / Jewish roots is almost completely unknown not only to the American public (which is not surprising), but sadly also to Polish public. The main purpose, therefore, of these concerts / recordings was to bring their Jewish / Polish roots to the attention of music lovers. The music was performed and recorded by my friend, the excellent Polish Jazz pianist Kuba StankiewiczFind albums by this artist and his trio, and the entire series was hugely successful. Neither Kuba nor I anticipated the fact that our project would also influence the entire Polish Jazz scene and produce a huge renewed interest in these three composers, which also produced a string of recordings, of which this album is an example.

Pawel KaczmarczykFind albums by this artist is of course one of the most brilliant Polish Jazz pianist, who took the local scene by a storm and during the last decade established himself as a one of its central figures. This is the second album with his trio which includes bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Together they perform nine songs composed by Henryk Wars (four songs) and Bronislaw Kaper (five songs, two split into two parts). In addition to the trio the DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) adds turntablism and electronics.

The trio performs beautifully, as expected, playing the classic compositions with the usual flair and technical brilliance. The turntablism, electronics and other sound effects like vintage voice recordings, suit the music well and are non intrusive, but don’t really add anything substantial to the subject matter, beyond being a novelty of sorts.

The usage of the term "deconstruction" in the album´s title is however quite problematic. Personally I can´t hear anything being deconstructed in the music played on this album? These are just pretty standard interpretations of the classic songs, but deconstructions? The philosophical / aesthetic meaning of deconstruction is certainly absent here and in general this term is being used (or misused) way to often these days.

Overall this is an excellent piano trio recording, with brilliant Jazz performances, as expected. Just forget the somewhat pretentious title and enjoy the music!

Updated: 27/09/2016Posted: 27/09/2016

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ILONA DAMIECKA / FRANCESCA BERTAZZO HART ~ MONK`S MIDNIGHT
HEVHETIA 0128 (Barcode: 8588005257831) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016

This is the third album by Polish pianist / vocalist Ilona DamieckaFind albums by this artist and her second recording with the Italian guitarist / vocalist Francesca Bertazzo HartFind albums by this artist. The international quartet is completed by Polish bassist Pawel UrowskiFind albums by this artist and American drummer Eric AllenFind albums by this artist. The album, as the title suggests, presents ten Thelonious MonkFind albums by this artist compositions, nine of which feature lyrics mostly written by Jon HendricksFind albums by this artist.

Monk´s music is for me a temple of Jazz spirituality and incredible intellectual depth and albums like this one, which turn his music into "entertainment for the masses" really make me very angry. They might popularize the great composer´s music, but they also trivialize it, by leaving the thin melodic layer on the surface, rather than trying to explore it in depth. After all there are already so many albums similar to this one, why would anyone attempt to make another one.

As if the ad meritum problems of this album were not enough, it also suffers from the usual predicaments involving nonnative English speaking vocalist singing in English, which here are painfully obvious, although not equally shared by the two vocalist Ladies.

The instrumental parts are fine, nothing spectacular of course just straightforward Bebop played by European (well almost) musicians, which sounds exactly as expected. There is no iota of innovation, ambition or effort to create something meaningful here. The vocalese parts sadly are a pale shadow of what Jazz vocalist have been doing for many decades already.

Oh yes! The CD is gold plated!

Updated: 12/09/2016Posted: 12/09/2016

CD 1 Digipak Gold Recommend To A Friend

JACHNA / TARWID / KARCH ~ SUNDIAL II
HEVHETIA 0130 (Barcode: 8588005257879) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is the second album by the excellent Polish Jazz trio consisting of trumpeter Wojciech JachnaFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. It presents nine original compositions, four of which were composed by Tarwid, two were composed by Karch, one was composed by Jachna, one was co-composed by Jachna and Tarwid and the final one was co-composed by all three members of the trio.

The trio´s previous album, which created quite a stir on the Polish scene when it was released two years earlier, has set an incredibly high hurdle before the musicians to follow up and even more so to further develop their music, with the usual "second album dread" hovering above. I am delighted to say that they did not disappoint and managed very successfully to surmount all the perils.

The main element of this album is the decisive role of the composition, which takes over the role of improvised music, which was the primary modus operandi on the debut album. It becomes very apparent after just a few moments of listening, that this music is carefully composed and structured, which takes it even closer to the contemporary Classical idiom and further away from Jazz, than previously. The music is mostly very serene, relaxed and minimalistic, with prolonged pauses and a vast amount of space between the notes, except for a few highly intensive passages. Tarwid, who is the primary composer this time, plays long solo piano passages, which resemble the characteristic atmosphere of the music by the great French composer Erik SatieFind albums by this artist. Jachna almost completely avoids his blistering staccatos and mostly just plays the melody lines and variations. Karch also does not play traditional rhythms, just adds percussive layer to the music, mostly using mallets and playing very modestly. As a trio they are extremely effective, balanced and expressive, using the silence and space as their most efficient tool.

Together the trio creates an amazing amalgam of contemporary music, which simply eschews any simplistic classification. For a lack of a better definition it could be described as belonging to the very liberal and broad definition of the Jazz idiom, but in truth it could be also perceived as a next step in the development of contemporary music. Free yet organized, unconventional yet coherent, composed yet unexpected, this is definitely some of the best music that is being played in Europe these days.

One can only speculate what these young musicians will come up with in the future, but it is pretty sure it will be fresh and intellectually challenging. This level of composition and performance happens only very rarely, even on the European Jazz scene, which is blessed with remarkable quantity of extremely talented young musicians. In the meantime we can enjoy every second if this superb album, filling our hearts with the joy of creation these musicians share with us. Absolutely brilliant!

Updated: 27/10/2016Posted: 27/10/2016

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KAMIL PIOTROWICZ ~ POPULAR MUSIC
HEVHETIA 0134 (Barcode: 8588005257916) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is the second album by young Polish Jazz pianist / composer Kamil PiotrowiczFind albums by this artist, this time recorded in a sextet setting with trumpeter Emil MiszkFind albums by this artist, saxophonists Kuba WiecekFind albums by this artist and Piotr CheckiFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. The album presents nine original compositions, all by Piotrowicz.

The music is a superb collection of modern Jazz compositions, brilliantly arranged for the sextet, using all the power and interplay possibilities of the relatively large ensemble. The compositions are diverse and quite complex, changing styles and tempi rapidly and displaying an incredible maturity relative to the age of the composer. In spite of the complexity and multilayered structure the compositions are completely coherent and deeply moving emotionally. Stylistically the music moves between contemporary Classical oriented pieces and large ensemble compositions, firmly based on the tradition developed in the late 1950s and 1960s by such Jazz mavericks like George RussellFind albums by this artist and Charles MingusFind albums by this artist. Adorned with typical European harmonies this music reaches peaks rarely heard before.

The level of execution of this difficult music is also exceptional. All the participants play amazing solo parts and cooperate brilliantly in the ensemble parts, with the rhythm section firmly holding the intricate musical construction in place. Nothing is taken for granted here and these wonderful musicians keep surprising the listener again and again, with a bag of virtuosic tricks that never ceases to amaze. Most of the individual statements are concise and perfectly suited to the musical setting at the moment of their execution,

This album is a giant step forward for Piotrowicz and although his debut album, released a year earlier, showed a lot of potential, nothing prepared the listeners for this masterpiece following up so soon. This is definitely one of the best Polish Jazz albums released in 2016 and a very strong contender for the top of the heap. If Piotrowicz is able to create music of such profound impact today, what will happen next?

This is an absolute must for all Polish Jazz connoisseurs around the world and an exquisite example of the fact that Jazz is alive and kicking and progressing and exciting and intensely beautiful! Hats off!

Updated: 28/10/2016Posted: 28/10/2016

CD 1 Digipak Recommend To A Friend

JAKUB DYBZYNSKI EQUILATERAL TRIO ~ INTUITIVE INVERSIONS
HEVHETIA 0135 (Barcode: 8588005257923) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016

This is the debut album by Polish Jazz clarinetist / composer Jakub DybzynskiFind albums by this artist recorded with his trio called Equilateral TrioFind albums by this artist, which also includes bassist Mariusz PrasniewskiFind albums by this artist and drummer Karol DomanskiFind albums by this artist. All trio members are graduates of Music Academies in Denmark, where many young Polish Jazz musicians study and often also stay in the last decade, and where this album was recorded. Together they perform eight original compositions, all by Dybzynski.

The music is quite diverse and moves between melodic modern Jazz and open compositions which are closer to Free Jazz. Some compositions have a steady swinging rhythmic drive others are much less restrained rhythmically, in short an interesting mixture of melodies, rhythms and musical freedom, which works out very well.

Dybzynski is a skilled player, but for the moment lacks the finesse displayed by the veteran Polish Jazz clarinetists. He is however certainly on the right track and will surely gain the necessary experience in the years to come. His compositional skills are already quite mature, and the material on this album is definitely very promising.

The rhythm section is really excellent and handles the complex rhythmic patterns with ease and elegance, carrying the music steadily even during the free form passages. They are perfect accompanists to the delicate clarinet sound, delivering an overall powerful message to the listener.

The open, free form compositions are the most impressive parts on this album, and hopefully will be more prominent in the future recordings by the trio. But even on the steady swinging tunes the trio plays interestingly enough to keep the listener fully engrossed in the music.

The clarinet is sadly not as popular in Jazz as it deserves to be, and hearing young musicians pursuing the great clarinet Jazz tradition is very encouraging. This is definitely an impressive debut and hopefully will be followed up by no less impressive recordings in the feature. Well done!

Updated: 18/11/2016Posted: 18/11/2016

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SZYMON LUKOWSKI ~ HOURGLASS
HEVHETIA 0136 (Barcode: 8588005257930) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2017

This is the second album by Polish Jazz saxophonist / clarinetist / composer Szymon LukowskiFind albums by this artist, recorded in a quintet setting with Austrian (resident in London) guitarist Hannes RieplerFind albums by this artist, and Polish vibraphonist Dominik BukowskiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist. The album presents nine original compositions, six by Lukowski and one each by Bukowski, Riepler and Urowski.

From the first notes of this album it is obvious that the young musician made a giant step forward both as a player and a composer in comparison to his earlier recordings. Supported by a formidable team of highly talented musicians, Lukowski delivers a wonderful collection of excellent tunes, all beautifully played by him and his cohorts. The elegant arrangements, which feature the superb talents of Bukowski on vibes and marimba and great guitar playing by Riepler, all contribute to the elegant flow of melody lines, amicably supported by the rhythm section.

Although the music is still very "conventional" and well within the Jazz mainstream idiom, it is able to shed off the trivial references to years of Jazz tradition, which have been abused and misused for decades. This music flows smoothly and elegantly, keeping the listener attentive. Lukowski uses several types of saxophones and the bass clarinet to produce diverse and interesting tonal ornamentations which serve the music to the max.

The music was wonderfully recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual spectacular sonic result. The clarity of the sound and the superb separation of the instruments make listening to this album an audiophiles´ orgy.

Overall this is a great mainstream Jazz album, which offers excellent music and first class performances, which should satisfy all connoisseurs and still deliver something previously unheard. Wholeheartedly recommended!

Updated: 27/05/2017Posted: 27/05/2017

CD 1 Digipak Recommend To A Friend

FRANCESCA PALAMIDESSI ~ AMBER HAZE
HEVHETIA 0137 (Barcode: 8588005257954) ~ ITALY ~ Avant-Garde Jazz
Recorded: 2017 Released: 2017

This is the second album by Italian (resident in Belgium) vocalist Francesca PalamidessiFind albums by this artist, recorded with Belgian keyboardist Hendrik LasureFind albums by this artist and drummer Casper Van De VeldeFind albums by this artist. The album presents thirteen original compositions, all except one composed by Palamidessi, some of which feature lyrics (in English) also all except one written by her as well. Six of the tracks are described as being freely improvised.

The music floats somewhere between Avant-Garde Pop and Improvised Music, creating some of the most unique and bizarre soundscapes, which even the most experienced music listeners come across pretty rarely. Very minimalistic on one hand but deeply expressive on the other, this is a formidable example of uncompromised artistic chase for individualism and originality.

Although the vocalist uses texts, she treats her voice just like an instrument, singing also improvised melodic bits and vocalese. The accompaniment becomes merged with the vocal parts, creating a fluid tapestry which changes in intensity from whisper to shout. Although there is almost no melody in the conventional sense, the music has an intrinsic continuity and fluidness that lets the listener follow the sonic developments on a lucid path.

Overall this is a very unique piece of music, which requires open mindedness and several listening sessions to get into, but which exemplifies the everlasting urge of Artists to pursue their own visions, even when this results in staying well outside the mainstream. A wonderful, challenging experience, which I wholeheartedly recommend!

Updated: 12/04/2019Posted: 04/04/2018

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STANISLAW SLOWINSKI ~ LANDSCAPES TOO EASY TO EXPLAIN
HEVHETIA 0139 (Barcode: 8588005257978) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is the debut album by a quintet led by Polish Jazz violinist / composer Stanislaw SlowinskiFind albums by this artist, which also includes trumpeter Zbigniew SzwajdychFind albums by this artist, pianist Katarzyna PietrzkoFind albums by this artist, bassist Justyn MalodobryFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. Together they perform seven original compositions, all by the leader.

The music is an excellent example of modern Polish Jazz, which although melody based and well within the mainstream convention, manages to maintain a very high level of compositions and performances. It is soaked with typical Polish melancholy and Slavic melodic motifs, and of course focuses on the violin as the leading instrument, and as a result one can hardly find a more spiritually "Polish Jazz" album than this one. The pairing of the violin and the trumpet as the two lead instruments proves to be extremely effective and harmonically attuned, in spite of its rarity.

As usual with the new generation of the Polish Jazz musicians, Slowinski, despite his young age, has already an impressive list of accomplishments to his credit, which includes leading / membership in several projects, including as diverse directions as Improvised Music on one hand and Classical Music on the other. This album, which sits, as already mentioned, comfortably within the mainstream Jazz idiom, presents yet another facet of Slowinski´s versatility and is primarily dedicated to presenting his compositions. But of course his performances on the violin are full of beautiful sensitivity and technical excellence.

It is worth mentioning that Slowinski is yet another representative of the Polish Jazz Violin School, which enjoys an incredible renaissance in the last decade, and places Poland in the leading position as far as violin artistry is concerned in the Jazz field. He joins the ranks of many of his colleagues, who proudly continue the traditional role of the violin as one of the most expressive instruments available to mankind.

The rest of the quintet members are all of course excellent performers as well. Szwajdych delivers melodic accompaniment and excellent solo parts, Pietrzko lays out the harmonic layer upon which the tunes progress and fills the gaps with her delicate but solid statements, and hopefully will play more solo parts on future recordings. The rhythm sections provides admirable and flawless support to the soloists, and plays always at the right levels to make the music a whole bigger that the sum of its parts.

This is definitely a very impressive debut, which comes with a firm recommendation to follow these wonderful young people in their future endeavors. Well done indeed!

Updated: 30/12/2016Posted: 30/12/2016

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ANNA GADT ~ RENAISSANCE
HEVHETIA 0143 (Barcode: 8588005258005) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2016 Released: 2017

This is the fourth album by Polish Jazz vocalist Anna GadtFind albums by this artist, which presents her interpretations of Polish Renaissance music by such composers as Waclaw z SzamotulFind albums by this artist, Mikolaj GomolkaFind albums by this artist, Jan z LublinaFind albums by this artist and Mikolaj z KrakowaFind albums by this artist, who all lived and composed music in the 16th Century. The fourteen pieces presented on this album include also three short improvisations and three original compositions by Gadt. On the album Gadt is accompanied by only two musicians: accordionist Zbigniew ChojnackiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist (of RGGFind albums by this artist fame). The music was recorded at the fabulous Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usually spectacular sonic quality.

The music features mostly vocalese, with just a few fragments of lyrics, which of course means that Gadt´s voice is the centerpiece of this project. Her control of the vocal range and her improvisational abilities are astounding. The overall musical effect is not easy to be absorbed by the average listener, as it requires patience and understanding of both ancient music and Jazz, which is definitely far from being trivial. Those who can truly appreciate this highly unique undertaking will be rewarded by immense emotional and aesthetic gratifications.

The conscious decision to appear with minimal instrumental support is also an extremely courageous one, but luckily Gadt found two most sympathetic cohorts. Chojnacki is a Master accordionist and his instrument is able to create sonic vistas which move between the mighty church pipe organ to a wooden flute. His virtuosity is simply completely exceptional. Gradziuk, who is one of the most versatile and sensitive drummers on the Polish Scene, also contributes formidable support to the vocal parts. Together the three musicians are able to create a much bigger effect than just the sum of their contributions.

Overall this is a most ambitious and praiseworthy effort, which combines paying tribute to the Polish Culture from the past and its development in recent times. The obscure Renaissance Music, known only by a few selected scholars, gets an exposure, which hopefully will result in more people discovering it. Gadt´s contribution to the Polish Vocal Jazz School is fully noted and sealed by this release, being fully deserved. Well done Anna!

Kudos to Jan SudzinaFind albums by this artist and his HevhetiaFind albums on this label label for supporting Polish Jazz so enthusiastically, which is of course very neighborly of him. Keep it up!

Updated: 23/02/2017Posted: 23/02/2017

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FLASH! ~ SILA
HEVHETIA 0144 (Barcode: 8588005258012) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2015 Released: 2016

This is the debut album by Polish trio The Flash!Find albums by this artist, which consists of saxophonist Slawomir PezdaFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. The album presents eleven original compositions, all by Pezda.

The music is a very surprising twist of Punk / Rock / Jazz power trio approach, very similar to the stuff done by Scandinavian trio The Thing. Pezda´s solid tunes are structured and melodic enough to be easily followed and serve as a basis for his lengthy improvisations. The bass uses electronic fuzz and distortion to produce a very thick and loud sound and the drums are primarily used to supply a straightforward steady beat. The overall idea is to sound as loud and uncomplicated as possible, providing a hypnotic and easy to follow grove, although the saxophone improvisations are far from simplistic.

It is difficult to guess if the band recorded this album as a cynical exercise to ridicule some of the contemporary directions in Jazz, which tend to castrate the music from its artistic values and its power, or perhaps this is a serious protest against the musical establishment, hypocrisy of the Art world and other social dilemmas. Whatever the motivation might be, this is a very strong statement, which is difficult to be ignored. Some of the Polish musicians who established the Yass movement in the 1990s might smile and say to themselves "we have already tried this ages ago", but in all fairness this music has perhaps some of the Yass attitude, but musically it is quite different and often much more ambitious. Pezda´s performances on this album are a unique example of treating the saxophone as a Rock instrument, similar to what was quite natural in the early 1960s as part of the Rhythm And Blues and Big Beat music, and than completely disappeared.

This album is definitely worth hearing and experiencing (watch the volume!) and it is difficult to predict how it will be accepted by the Jazz audiences, but it´s pretty easy to guess that the young generation should love it, as it usually loves everything that is loud and projects anti-establishment (in music this time). Congrats to the band for being unconventional! I had a great fun listening to this stuff!

Updated: 08/05/2023Posted: 13/01/2017

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PAST PRESENT & ANDREW D`ANGELO ~ SHORT PIECES
HEVHETIA 0148 (Barcode: 8588005258098) ~ NORWAY ~ Free Jazz / Improvised Music
Recorded: 2018 Released: 2018

This is the debut album by a collaboration between the Norwegian duo Past PresentFind albums by this artist, comprising of trumpeter Simen Kiil HalvorsenFind albums by this artist and bassist Alexander HoholmFind albums by this artist, and American saxophonist Andrew D`AngeloFind albums by this artist. Three guest musicians: pianists Pete RendeFind albums by this artist and Elias StemesederFind albums by this artist and drummer Jim BlackFind albums by this artist appear on selected tracks. The album presents ten original improvised pieces, all unusually short (under four minutes in duration) credited to the participating musicians.

The music is surprisingly very melodic, especially in view of its improvisational nature, with the Nordic melancholy omnipresent. The melody lines are often stated and soon after left to reverberate before the improvisation takes over. The concept of creating only short pieces of music proves to be successful in this case, as Improvised Music more than often suffers from overstated and in the long run repetitive exploration leading nowhere, which is completely avoided in this case.

Perhaps the idea is based in the minimalist approach, which simply puts forward a musical idea and than lets the listener to fill the blanks. One way or another these short pieces stimulate curiosity and interest, but often leave the listener surprised, when the music is unexpectedly over.

Overall this is a very interesting Improvised Music / Free Jazz statement, which manages to stick to the European aesthetics of non aggressive coexistence, which helps the music to be acceptable to listeners from outside of the relatively closed sphere of Avant Garde aficionados. Definitely worth exploring!

Updated: 17/12/2018Posted: 17/08/2018

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AGA DERLAK ~ HEALING
HEVHETIA 0149 (Barcode: 8588005258104) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2017

This is the second album by Polish Jazz pianist / composer Aga DerlakFind albums by this artist, recorded again in a classic piano trio format, this time with bassist Tymon TrabczynskiFind albums by this artist, who also played on the debut, and drummer Szymon MadejFind albums by this artist. The album presents nine original compositions, all by Derlak.

Musically the album continues exactly from where the debut left off. The long, contemplative themes, introvert and full of silent breaths are still here, but they are much more condensed and compressed, which works all for the best. This music is very minimalistic, hinting more that it is actually saying, hiding more than it is actually disclosing. This clever game of hide and seek keeps the attentive listener on the edge at all times, trying to guess the next move. Derlak manages to define her very personal style on this album much more fluently and precisely that on her debut, which is quite understandable.

The performances are extremely hard to judge, as they are fragmented into short passages, which limit the possibility of displaying technical fluency. But perhaps the ability to play a myriad of fragments rather than a steady flow of notes is the true challenge here. If I might use a metaphor from another field of Art, Derlak´s music is like impressionist pointillist painting, which in music is called divisionism. I have no idea if Derlak is at all aware of these terms, but that what her music is really all about. Of course in painting, as in music, the individual dots of paint / sound dots create a complete picture of uniquely structured beauty.

The rhythm section faces the same difficulties as the leader, with the music being introvert and constantly intervallic, which of course makes the traditional role of keeping time and pulse devilishly difficult. These young players stand up to the challenge bravely, supporting the pianist amicably, elegantly and with superb cohesiveness and harmony, which is nothing short of being brilliant.

Derlak and her fellow musicians mange to overcome the proverbial second album jinx with flying colors, producing a brilliant piano trio album, which is not only elegant and intelligent, but also completely innovative and unique. Even on the incredibly busy and productive Polish Jazz scene albums like this one are an exception. As a result Derlak becomes a talent worth watching, and considering her achievements in such early stages of her career, God only knows where she intends to take us in the future.

Mon plus profond respect Milady!

Updated: 08/05/2017Posted: 08/05/2017

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GRZEGORZ KARNAS ~ POWER KISS
HEVHETIA 0150/0151 (Barcode: 8588005258111) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017

This is the seventh album by Polish Jazz vocalist Grzegorz KarnasFind albums by this artist, this time recorded live during his 2016 concerts in China. The enclosed CD presents ten tracks, five of which are original compositions / improvisations by Karnas, one song (repeated twice) is by Joni MitchellFind albums by this artist, another song (also repeated twice) is by Laurie AndersonFind albums by this artist and one is a Michal TokajFind albums by this artist composition. Karnas is accompanied by a piano trio, which consists of Azerbaijani pianist Elchin ShirinovFind albums by this artist and Polish bassist Alan WykpiszFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The enclosed DVD presents mostly the same material included on the CD with a couple of alternate takes.

Karnas is of course the most unique Polish Jazz vocalist and his music presents a completely individual approach, which is basically incomparable with anything else in the vocal department, not only in Poland but in the whole world for that matter. He hardly ever uses words (lyrics) and most of what he utters is virtuosic vocalese unrelated to any "real" language (although here he seems to make an effort to communicate with his audiences in Chinese). His inventive use of his vocal cords and his unearthly timbre, combined with superb instrumental work by his band members always create epic results, which are beyond what one might expect within the vocal Jazz idiom.

It is absolutely amazing what these four musicians are able to achieve on stage, live and "naked". Karnas chose some of the absolutely best young musicians on the European scene, with the brilliant Shirinov creating all the melodic / harmonic background (and soloing spectacularly) and the rhythm section simply carrying the music all along on a rock-steady foundation and with exquisite inventiveness.

Overall this is a stunning piece of music, which deserves to be taught in music schools not only for its musical qualities, but primarily for the freedom of creation it symbolizes like only very few other recordings do. Every true music connoisseur should find this album enchanting, even if not immediately likeable. Music of such quality requires total involvement, nothing less.

It is great to see Karnas still able to move mountains, especially in view of his relatively sparse release schedule lately. All his albums deserve an honorable place in any serious Polish / European Jazz collection, and they are all a chronicle of an Artist, who does not rest for one moment, constantly searching for new territory and new forms of expression; a rare and precious quality for which he deserves all praise.

Thank you for the gift of music!

Updated: 12/09/2017Posted: 12/09/2017

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KARI SAL ~ BETESDA
HEVHETIA 0153 (Barcode: 8588005258135) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2015 - 2016 Released: 2017

This is the debut album by Polish singer / songwriter Kari SalFind albums by this artist, recorded with a dream-team backup group consisting of top Polish Jazz musicians: violinist Adam BaldychFind albums by this artist (Sal´s husband), violist Michal ZaborskiFind albums by this artist, saxophonist Piotr CheckiFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. Finnish trumpeter Verneri PohjolaFind albums by this artist also guests on several tracks. The album presents seven original songs, five of which were composed by Sal, one was co-composed by Sal and Baldych and one was co-composed by Sal, Baldych and Kaczmarczyk. Sal wrote the lyrics to five of the songs and two songs have lyrics based on Biblical texts. There is also one track featuring wordless vocalese with music by Baldych.

The music is a mixture of many diverse influences, which include Polish Folklore roots, Scandinavian Alternative Pop and others; altogether close in spirit to the Polish sung poetry idiom. The arrangements add a distinct Jazzy flavor, but the music is not rooted in Jazz per se. Sal´s songwriting is full of typical Polish lyricism and melancholy, both on the musical and textual planes. Influenced by her visit to Island, the music also encompasses the Nordic characteristics, which are not that far away from the Slavic sources, which perhaps explains why Polish and Scandinavian musicians feel so much affinity towards each other. The biblical sources and Sal´s own lyrics reflect deeply religious / spiritual involvement, which is rarely present in contemporary Art. Sal´s compositions are all remarkably mature, harmonically coherent, stylistically consistent and aesthetically rounded, which of course deserves praise and admiration.

As expected, the performances by all the instrumentalist present on this album are nothing short of stellar. There are numerous exquisite solos and the accompaniment by the basic violin / piano / rhythm section quartet is superbly and consistently executed. But of course the vocal parts by Sal are the focus of this album. She has a wonderfully clear, steady and colorful voice, which she uses wisely and cleverly. Both her lyrics and vocalese parts are moving and fascinating, and although she demonstrates self-confidence and clear musical vision, she is not over-confident and respectfully cooperates with the band members. The decision to sing in Polish is also extremely important and it´s encouraging to see that some Polish vocalists are free of the "singing in English" complex, which is a plague and keeps Polish vocalists in many cases back from achieving its full potential.

Overall this is a beautiful and most impressive debut album, which proves that determination and talent conquer all. Obviously Sal received a lot of support and help from the musicians playing on this album, but it is first and foremost her own achievement, both as a songwriter and performer and she deserves every bit of our gratitude for creating this sensitive, intelligent music. I already can´t wait for the next album… Thank you, Milady!

Updated: 04/11/2017Posted: 04/11/2017

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RYBACKA / PASBORG ~ VOICE`N`DRUMS
HEVHETIA 0157 (Barcode: 8588005258203) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion
Recorded: 2016 Released: 2017

This is the debut album by a duo comprising of Polish (resident in Denmark) vocalist Ania RybackaFind albums by this artist and Danish drummer Stefan PasborgFind albums by this artist. It presents eight improvised pieces co-credited to Rybacka and Pasborg.

The music is a courageous attempt to create meaningful aural experiences within the minimalistic setting of voice and drums only, which surprisingly works out very successfully. Obviously cross-genre and unconventional, the music encompasses many different ingredients, both melodically and rhythmically and is very difficult to pinpoint, which of course is its virtue. There are clearly elements of Jazz and Improvised music, but also World Music, Ambient, Meditative Music and others are involved.

Rybacka uses a plethora of wordless vocal techniques like looping, multiplexing, repetition and minimalistic Classical Music approach, creating a musical tapestry full of mysticism, anticipation and spirituality. Her level of inventiveness and exploration is awe inspiring and the album has no dull moments throughout its entire duration.

Pasborg is not only equally inventive and diverse in his contributions, but most importantly an equal partner in the process of creating this music. The interplay and telepathic dialogue that develops between the two Artists is nothing short of phenomenal.

Overall this Avant-Garde effort is a fascinating and intelligent exercise in expanding the boundaries of music, which in spite of its innovation and daring approach is also very listenable and even enjoyable. Of course, as usual in such cases, an open-minded attitude is required from the listener to be able first to accept and then to enjoy this music.

This is an important and highly recommended album, which proves that imagination has no limits and life does not have to be mundane and enslaved in the chains of archaic perceptions.

Updated: 12/04/2019Posted: 23/02/2018

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JACEK KOCHAN / MUSICONSPIRACY ~ PARENTES
HEVHETIA 0158 (Barcode: 8588005258210) ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2017 Released: 2017

This is an album by veteran Polish Jazz drummer / composer Jacek KochanFind albums by this artist, recorded in a quartet setting with young virtuoso accordionist Zbigniew ChojnackiFind albums by this artist, Italian guitarist Fabrizio BruscaFind albums by this artist and bassist Michal KapczukFind albums by this artist. Ten additional musicians (brass and string sections) play on some tracks. The album presents nine original compositions, all by Kochan.

The music is dominated by odd meters and irregular rhythmic patterns as well as World Music motifs and Rock / Fusion excursions, with strong Jazz affiliations but not really Jazz per se; altogether pretty weird and intriguing mixture of styles and influences. The melodic content is ragged and difficult to follow for an average listener. The overall result is quite a challenge to the listeners, but also offers plenty of opportunities to find a connection with fairly uncommon music.

The individual performances are all excellent with Chojnacki stealing the show with his incredible sensitivity and layers of melodic revelations. Brusca is more proficient in the Rock / Fusion environment than within the Jazz idiom. Kapczuk plays well and provides a solid bottom that holds the music together. The leader´s assertive drumming dominates the proceedings taking no prisoners. The occasional orchestral arrangements do not change the character and outcome of the music significantly.

Overall this is an interesting and challenging album, which may require several listening sessions to win the listener over. Kochan does not stay still and constantly tries out new ways to express his musical ideas and doing his own thing, for which he deserves to be praised. This is not easy stuff, but definitely worth investigating.

Updated: 03/11/2017Posted: 03/11/2017

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IMPROVISION QUARTET ~ FREE-FOLK-JAZZ
HEVHETIA 0159 (Barcode: 8588005258227) ~ POLAND ~ Jazz-World Fusion
Recorded: 2017 Released: 2017

This is the debut album by Polish ensemble called Improvision QuartetFind albums by this artist, which comprises of clarinetist Szymon KlimaFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. The album presents six improvisations based on Polish musical Folklore, arranged by the quartet. The album offers an unprecedented high quality recording sound, definitely one of the best I came across this year (2017).

The music, as already mentioned above, consists of Free Form improvisations based on Polish Folklore songs, some of those being well known and others completely obscure. The quartet offers a remarkable ensemble work, which presents a coherent and clear artistic vision, consistently developed throughout the album, deeply rooted in Free Jazz / Improvised Music tradition, but also astonishingly minimalistic, focused and full of breathing space. There is a beautiful atmosphere of relaxation and complete lack of pressure to state anything beyond the necessary. In some respects this album is the continuation of the "Lutoslawski RetunedFind albums with this title" album recorded three years earlier, but the statements are much bolder and refined this time.

The individual contributions by these virtuosi musicians are all absolutely brilliant from start to finish. The minimalistic approach allows for many solo / duo / trio and eventually also quartet statements, which expose each of the participants in complete "nakedness". Not surprisingly they all manage to come victorious from the challenging circumstances, which present to the listener some of the best moments these musicians ever put on record. Wania´s contributions are definitely stellar and for me personally probably they are his best playing ever so far. His wondrous ability to say so much with just a few touches of the keyboard is simply miraculous. But Klima, Kowalewski and especially Jarosz also contribute amazing moments, with the latter producing some of the most amazing percussive effects I had the pleasure to hear.

This is definitely one of the finest hours of Polish Jazz in 2017, although it will probably not achieve the praise it deserves, as usual on the Polish scene, where often some pretty dismal albums get all the distinctions, prizes and attention. Well, life is not fair and people are stupid and deaf.

This is an amazing album from start to finish, which redefines the contemporary Free Jazz idiom, again emphasizing the fact that sublime things in Jazz happen only in Europe. One needs to be born in Poland and suck the Polish Culture from one´s mother´s breast, to be able to play like that and create music like this one. Luckily the Art aesthetic is universal and anybody on this Earth of ours, with some soul and musical ears should be able to enjoy this music on the deepest level. Absolutely brilliant!

Updated: 03/11/2017Posted: 03/11/2017

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PRZEMEK KLECZKOWSKI ~ TIME
HEVHETIA 0161 (Barcode: 8588005258241) ~ POLAND ~ Pop & Rock
Recorded: 2017 Released: 2017

This is the debut album by Polish singer / songwriter Przemek KleczkowskiFind albums by this artist, recorded with excellent young Polish Jazz instrumentalists: guitarist Szymon MikaFind albums by this artist, pianist Franciszek RaczkowskiFind albums by this artist, organist Grzegorz DowgialloFind albums by this artist, flautist Kasia Gacek-DudaFind albums by this artist, bassist Wojciech SzwugierFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents nine songs, seven of which are originals (assumably as this is not stated on the album´s artwork) by Kleczkowski (with lyrics in Polish and English), one is a Polish song by veteran saxophonist / composer Jerzy MatuskiewiczFind albums by this artist and another is a Classic Rock standard by the DoorsFind albums by this artist.

The songs have very little to do with Jazz per se, being mostly Pop, Rock and Folk oriented, but the instrumental arrangements have a distinct Jazz touch to them. The melodies are very melancholic and low key, which after a while gets to be a bit monotonic. Several excellent instrumental solos save the day, but without them the album would be quite difficult to listen to all the way through. Using lyrics in English is, as always, a bad mistake and the songs featuring them suffer from pretty problematic delivery.

Kleczkowski offers a very limited vocal palette and workshop, simply delivering the lyrics and not using any other vocal tools. As a result his singing belongs more to the Alternative Pop idiom than to Jazz and is definitely an acquired taste. The album is full of good intentions, which sadly do not come to fruition.

Overall this is a nice Pop album, with Jazzy arrangements and melancholic songs that are easily forgettable.

Updated: 11/08/2018Posted: 11/08/2018

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JANA GAVACOVA ~ BIELE NOCI
HEVHETIA 0162 (Barcode: 8588005258258) ~ SLOVAKIA ~ Jazz-World Fusion
Recorded: 2016 - 2017 Released: 2018

This is the debut album by Slovak vocalist Jana GavacovaFind albums by this artist, recorded with an impressive group of Jazz players. The core rhythm section includes bassist Martin KapusnikFind albums by this artist and drummer Marian SevcikFind albums by this artist. Two excellent Slovak pianists / arrangers: Ondrej KrajnakFind albums by this artist and Lubos SramekFind albums by this artist, Hungarian pianist / arranger Kalman OlahFind albums by this artist and Polish pianist / arranger Nikola KolodziejczykFind albums by this artist take part, as well as guitarist Lubos BrtanFind albums by this artist, trumpeter Miroslav HloucalFind albums by this artist and others, including the Mucha String QuartetFind albums by this artist. Gavacova contributed to six of the songs on the album (music and / or lyrics) and the other songs are mostly Jazz arrangements of folklore material. Although most of the lyrics are sung in Slovak, Gavacova also sings in Polish, French, English, Roma and Hungarian, which is pretty impressive. The recording quality of the album is absolutely wonderful!

The music, including the original compositions, is strongly influenced by East European folklore, even if the rhythmic background dictates Bossa Nova. The album is definitely a showcase of Jazz arrangements, which are as important as all the wonderful performances the album offers. The album, although recorded by several different lineups, offers a refined and coherent musical continuity, in spite of the linguistic, ethnic and rhythmic diversity, thanks to the excellent rhythm section and the general concept Gavacova intelligently formulated.

Overall this is a very impressive debut, which shows plenty of ambition and chutzpah, fully justified by the result. Gavacova demonstrates a lot of experience and self confidence, as well as obvious talent and sensitivity. Her vocals range from expressive and highly dynamic delivery to delicate, soft and almost timid balladry, always perfectly carried out.

The entire album is a showcase of superb vocal delivery, excellent musicianship, masterful arrangements and a wise selection of material, which all come together to create an excellent piece of music, from start to finish. Well done Milady and Friends; hats off!

Updated: 16/08/2018Posted: 16/08/2018

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STANISLAW SLOWINSKI ~ VISIONS (BETWEEN LOVE AND DEATH)
HEVHETIA 0163 (Barcode: 8588005258265) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2017

This is the second album by Polish Jazz violinist / composer Stanislaw SlowinskiFind albums by this artist, recorded in a sextet setting with two of the musicians who played on his debut: trumpeter Zbigniew SzwajdychFind albums by this artist and bassist Justyn MalodobryFind albums by this artist and three new players: guitarist Szymon MikaFind albums by this artist, pianist Kuba PluzekFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Vocalist Joanna SlowinskaFind albums by this artist guests on one track. The album presents seven original compositions, six of which were composed by Slowinski and one is a collective improvisation.

The music is a continuation of the approach initiated by the debut, with major emphasis on the compositions, which have a suite-like structure, such that the entire album could be considered as one continuous piece of music. Although clearly melody based, the music allows individual freedom of expression and personal interpretation by the sextet members. The melodic themes are again mostly very lyrical and somewhat melancholic, but at the same time dynamic and multi-layered enough to keep the listener at his toes.

As expected form the sextet´s lineup, which consists of some of the most prominent representatives of the young Polish Jazz scene, the individual contributions are all fabulous. Szwajdych is the romantic element, Mika the Fusion oriented vigorous voice and the leader takes the role of a charmer, with his violin seductively swirling around the basic melody lines. With these three front-line players sadly there is very little solo space left for Pluzek, who is an excellent player but is limited here mostly (except for one track) to the role of an accompanist, which of course he fulfills perfectly. The dynamic rhythm section is an integral part of the sextet and steers the soloists safely across the sometimes troubled waters of the tricky compositions.

Overall this is an excellent sophomore album, which definitely stands up to the expectations aroused by the debut. The Polish Jazz violin school is proudly developing before our very eyes, which is a source of joy, and albums like this one confirm that Polish / European Jazz is doing well and manages to avoid stagnation. Well done indeed!

Updated: 01/02/2018Posted: 01/02/2018

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ROMANOVSKA / TICHY / HRUBY ~ ROMANOVSKA / TICHY / HRUBY
HEVHETIA 0165 (Barcode: 8588005258289) ~ CZECH REPUBLIC ~ Free Jazz / Improvised Music
Recorded: 2017 Released: 2018

This is the debut album by the Czech Jazz trio comprising of violinist Anna RomanovskaFind albums by this artist (who also plays the koto), bassist Petr TichyFind albums by this artist and clarinetist / saxophonist Michal HrubyFind albums by this artist. The album presents six original compositions, four of which were composed by all three members of the trio and two were composed by Hruby.

The music floats between composed and improvised settings completely naturally and indistinguishably within the same piece, and is mostly very minimalist and open with a lot of breathing space between the notes, which makes the music easily accessible despite its complexity.

Romanovska, perhaps due to her interest in the koto and Japanese music, which followed suit, uses often Far Eastern motifs in her playing, which amalgamate very well with the European sound of the clarinet and the rhythmic patterns of the base. Therefore the overall mood of the music has a distinct World Music influence, which is relatively rare in European Improvised Music.

The individual performance by the trio members are all excellent, as expected form musicians of such class. Hruby is of course in charge of the Free Jazz elements, whereas Romanovska brings in the Folkloristic feel as much as contemporary Classical Music influence. Tichy serves as a bridge between the two soloists and his imaginative bass playing is what keeps the music under control and guidance.

Overall this is a very interesting Improvised Music album, which discloses the existence of the idiom in the Czech Republic, which is not known to most fans of the genre outside of the country. It is also a great example of European aesthetics, which prefers minimalism and minute detail over the wall of sound effect often dominating the Free Jazz / Improvised Music scene across the pond.

Definitely worth investigating!

Updated: 18/08/2018Posted: 18/08/2018

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SZYMON KLIMA ~ FOLWARK
HEVHETIA 0166 (Barcode: 8588005258395) ~ POLAND ~ Jazz-World Fusion
Recorded: 2018 Released: 2018

This is the debut album by a Polish Jazz quintet led by clarinetist / composer Szymon KlimaFind albums by this artist, which also includes saxophonist Dariusz RubinowskiFind albums by this artist, guitarist Jakub MizerackiFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Jakub MiarczynskiFind albums by this artist. The album presents six pieces, which are all interpretations of Polish Folklore in the widest meaning of the idiom, including even Polish Hassidic music, and also include some improvised and inspired motifs created by the quintet members.

In 2017 Klima, as a member of the Improvision QuartetFind albums by this artist, released one of the best Polish Jazz albums of that year, the fantastic "Free-Folk-JazzFind albums with this title", and this album is in many respects a continuation of the same approach, although the sound is somewhat different. Instead of the wonderful piano parts, which placed the music closer to the Free Jazz milieu, on this album the guitar takes the music more into Free Rock direction. But the basic characteristics of the previous album, which are above all about the intimate conversations between the musicians and the mutual development of ideas, are still here.

The individual contributions by all the quintet members are all superb, and the virtuosic statements chase each other as the music moves forward. Solos, duos, trios and full quintet parts move in and out in a magical flow, which is unstoppable. There is accord and contrast, harmony and discord, all making perfect sense. The "sweet" mellow clarinet sound and the harsh distorted guitar din are able to coexist in perfect coherence and musical logic. The rhythm section is brought up to the level of the other instruments and becomes an integral part of the music, especially in the heat of the group improvisation parts.

It seems that Polish Jazz manages time after time to create innovative and challenging statements when re-examining and re-approaching the Polish Folklore musical tradition, which is broad and rich, probably more successfully that similar attempts on other Jazz scenes around the world. This album is another example of the inspiration that Polish Folklore is able to arouse, stimulate and inspire, taking the amalgamated result into unpredicted and previously uncharted territory.

Overall this is yet another highly successful and rewarding musical experiment by Klima and his cohorts, which delivers excellent music and challenging, but highly rewarding listening experience. For Polish / European Jazz connoisseurs this is a golden nugget and a must have in every serious / advanced Jazz-World Fusion collection. Hats off!

Updated: 30/04/2018Posted: 30/04/2018

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MOW ~ HISTORIE ZEBRANE
HEVHETIA 0169 (Barcode: 8588005258319) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2017 Released: 2018

This is the debut album by Polish ensemble MOWFind albums by this artist, which comprises of vocalist / songwriter Ania BratekFind albums by this artist, pianist Aga DerlakFind albums by this artist, bassist Mateusz SzewczykFind albums by this artist and drummer Patryk ZakrzewskiFind albums by this artist. Guitarist Jakub MizerackiFind albums by this artist guests on three tracks. The album presents eleven original songs, all featuring lyrics (in Polish language) written by Bratek and all but one were composed by Bratek and one co-composed by her. All songs were arranged by the ensemble members. The album was recorded at the Monochrom Studio and was engineered by Ignacy GruszeckiFind albums by this artist, with the expected excellent sonic result.

The music is a Jazzed-up Alternative Pop, but basically eschews clear genre classification. The focus is naturally on the lead vocals, accompanied by a piano trio, which collectively offers a constant stylistic duality between the vocal parts, which are more Soul / Pop oriented and the instrumental piano trio parts, which are clearly Jazz related. The mixture does work together well and the album is an interesting listening experience. For the Polish speaking audiences, the well crafted and intelligent lyrics offer an additional benefit.

Bartek´s vocal delivery is somewhat theatrical, which emphasizes the messages delivered by the lyrics. She is able to express the emotions as well as the melodic / harmonic contents with ease and sincere involvement, and her compositions are exciting and diverse enough to make the music flow swiftly and keep the listener interested all the way through.

The instrumental work is also excellent, which is hardly surprising as Derlak´s piano playing already earned her a lot of attention in spite of her young age and short mileage. The rhythm section sticks to the Jazzy formula with great bass lines and inventive drumming moving the music forward. Mizeracki´s guitar parts are also admirable and it´s a pity he wasn’t featured as a regular member of the band.

Overall this is an excellent debut offering, which will hopefully be followed by new music soon. The two female Artists on this album are a sign of the growing role of the Women Power in Polish Jazz, which is wonderful of course. Kudos to the Slovak HevhetiaFind albums on this label label for supporting the Polish music scene since several years, and for offering new opportunities and exposure to creative Artists, which the local Polish record industry is unable to contain. Well done Milady and all the best in the years to come!

Updated: 22/12/2018Posted: 22/12/2018

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ANNA GADT ~ MYSTERIUM LUNAE
HEVHETIA 0170 (Barcode: 8588005258326) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2017 - 2018 Released: 2018

This is the fifth album by Polish vocalist / composer Anna GadtFind albums by this artist and her second cooperation with the fabulous Polish piano trio RGGFind albums by this artist, which comprises of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. Cellist Annemie OsborneFind albums by this artist from Luxembourg is the guest artist. The album presents seventeen pieces some of which incorporate four poems written by the Polish / Jewish poet Boleslaw LesmianFind albums by this artist, but most feature only wordless vocalese. Nine of the pieces were composed by Gadt, one each by Ojdana and Garbowski and the remaining six are improvisations. The album was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual superb sound quality.

From the very onset of the album it is obvious that this is her most ambitious effort so far, mostly improvised and full of complex melodic themes, which last sometimes only for a brief moment before being transformed into another improvised passage. With wordless vocalese dominating the proceedings, this is perhaps the boldest step in Polish vocal Jazz since decades, bridging the void stretching over forty years into the past, when Urszula DudziakFind albums by this artist created her revolutionary vocal experiments in the early 1970s.

Gadt is exceedingly fortunate to develop the collaboration with RGG, who are one of the most open minded and technically proficient Polish ensembles able to match her vision, which as a result goes way beyond accompaniment and becomes a fully integrated musical creation. The piano trio also moves consistently over time towards more open formats and Improvised Music, and proves to be a most amicable companion to Gadt, which is fully demonstrated herein.

It is also very satisfying to see Gadt embarking upon the ambitious and highly aesthetic Jazz & Poetry idiom, especially in view of the fact that a century old poems are able to become a part of today´s Avant Garde, alive and kicking, timeless and penetrating. Words and sounds combined are able to build highly complex and intricate intellectual structures, which can be, when properly executed like in this case, more potent than simply the sum of their ingredients.

Overall this is a brilliant piece of contemporary music, fascinating, exciting and challenging, which is a sublime proof of the fact that music knows no limits and there is always a way to step beyond the horizon. My sincere thanks to the musicians involved, not only for the intellectual pleasure their music bestows upon the listener, but primarily for keeping the ray of hope alight in a word full of mediocre darkness.

Hats off Milady and Gents!

Updated: 17/12/2018Posted: 20/03/2018

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BARTOSZ DWORAK ~ REFLECTION
HEVHETIA 0171 (Barcode: 8588005258401) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018

This is the third album by young and upcoming Polish Jazz violinist / composer Bartosz DworakFind albums by this artist, recorded with the same quartet that was featured on the two earlier recordings with pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents seven original compositions, four by the leader, two by Matusik and one co-composed by Dworak and Matusik.

The music continues the path set by Bartosz Dworak´s earlier recordings, presenting highly melodic and very lyrical compositions, kept well within the mainstream Jazz convention, with strong Polish Folkloristic influences. The music is slightly more open this time, with a lot of breathing air, which allows the rhythm section to become fully involved in the improvisational process, and as a result enables the listener to appreciate the splendid bass parts played by Jakub Dworak and tasteful drumming by Madej. But the soloing and front position is of course reserved for Bartosz Dworak and Matusik, who take care of the melodic contents. Dworak uses the synthesized violin on a couple of tracks, which adds another variation to his sound.

The compositions by Dworak are more up tempo and have a distinct Rocky character, whereas those by Matusik are more romantically inclined which balances the overall content of the album and keeps the listener interested. All these four young musicians perform splendidly throughout, which of course is quite usual for young Polish Jazz musicians, who are well schooled and experienced, today better that ever before.

Overall the album is a very solid and well balanced effort, which offers beautiful music and superb execution from start to finish and should satisfy most Jazz enthusiasts, especially Jazz violin connoisseurs. It does not break any new ground as far as Jazz or Jazz violin is concerned, but offers a splendid listening experience, which is definitely worth investigating.

Updated: 27/04/2018Posted: 27/04/2018

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SZYMON MIKA ~ TOGETHERNESS
HEVHETIA 0175 (Barcode: 8588005258425) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2018

This is the second album by the Polish Jazz guitarist / composer Szymon MikaFind albums by this artist, recorded, same as the debut album, in an intimate trio format with bassist Max MuchaFind albums by this artist and Israeli drummer Ziv RavitzFind albums by this artist. Three guest musicians appear on selected tracks: vocalist Basia DerlakFind albums by this artist, who also contributed the lyrics to the four songs she appears on, Joachim MencelFind albums by this artist who plays the hurdy-gurdy on three tracks and pianist Mateusz PalkaFind albums by this artist, who plays on five tracks. The album presents eleven original compositions, all by Mika. It album was beautifully recorded at the Monochrom Studio and engineered by Maciej StachFind albums by this artist.

The music on this album is decidedly more diverse and shows a more searching attitude than the excellent debut album, which is very encouraging and promising development. There are obvious World Music influences present in this music, but also openness and noticeable reach beyond mainstream Jazz, which was still the core of the debut album.

Mucha and Ravitz are ideal partners in this quest for new identity, both of them being unconventional in their approach to music and exceptionally gifted, providing exquisite support to Mika´s lead parts and building a solid, but adventurous, rhythmic layer behind him.

The four vocal tracks are also quite surprising and show another facet of Mika´s talent. Derlak sings in Polish, which is already a good starting point, and handles the relatively complex music with ease and obvious flair. Her Folksy mannerisms are a nice addition to the Jazz setting and I´d love to hear more of her in such setting.

The tracks with Mencel and Palka, when the ensemble becomes a quintet (or even sextet with the addition of vocals) are somewhat different form the trio tracks, offering more conventional melody lines and ambience and adding to the overall diversity and fluency of the album as a whole.

Overall the album is a clear and elegant step forward for Mika in many respects: as a composer, a bandleader and a guitarist. He joins the ranks of the new generation of Polish Jazz musicians, who are gradually taking over the center of the stage both in Poland and in Europe.

Kudos are also due to the Slovak HevhetiaFind albums on this label label, which is rapidly becoming one of the most important, open minded and active record labels in Europe and manages to expand its roster of artist to include many of the young generation´s top artists, including neighbors from across the Tatra Mountains, and support them loyally.

Wholeheartedly recommended!

Updated: 11/08/2018Posted: 11/08/2018

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BIG BAND MALOPOLSKI ~ LIVE AT MLYN JAZZ FESTIVAL II
HEVHETIA 0176 (Barcode: 8588005258210) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2018

During the recent HevhetiaFind albums on this label Showcase in Kosice I had the opportunity to talk at length to Ryszard KrawczukFind albums by this artist, the leader / conductor of the Big Band MalopolskiFind albums by this artist, one of the very few active Polish Jazz Big Bands. As usual the conversation revolved around the logistic / financial aspects of keeping a Big Band together these days – a complicated and frustrating task by any standard, and more often than not completely underappreciated. But with all hardships set aside, the Big Band Malopolski is a smooth and mean, well oiled music machine, which can easily look straight in the eye of any other European Jazz Big Band.

The lineup of the Big Band, based partly on the students of the Academy of Music in Krakow, includes some of the best young and upcoming Polish Jazz players, like saxophonists Wojciech LichtanskiFind albums by this artist and Slawomir PezdaFind albums by this artist, trombonist Bartosz PernalFind albums by this artist and many others, who play along older and seasoned musicians. Guest artists are often invited to play and record with the Big Band. The current lineup includes also the vocalist / rapper / beat box performer Andy NinvalleFind albums by this artist, who spices up the Big Band´s performances with incredibly energetic and up to date glimmer.

This, the Band´s second album, presents the current repertoire, which is a mixture of compositions by Polish Jazz veterans, like Michal UrbaniakFind albums by this artist, Jan Ptaszyn WroblewskiFind albums by this artist and Marek BalataFind albums by this artist, American Jazz standard and a composition by the Italian saxophonist / composer Rosario GuilianiFind albums by this artist, all together six wonderful pieces of mainstream Jazz, superbly arranged and ideally suited to the Big Band environment. Polish Jazz vocalist Lora SzafranFind albums by this artist guests on one of the tracks. The performances are perfectly executed, with plenty of space for some excellent soloing and the above mentioned tasty beat box ornamentations, which were enthusiastically received by the audience during the concert I was happy to attend.

Overall this is an excellent Jazz Big Band album, which should satisfy connoisseurs all over the world, especially in view of the fact that Big Band albums are a rarity these days, especially those that are able to keep this Art Form up to date. Warmly recommended!

Updated: 14/09/2019Posted: 14/09/2019

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DAVID KOLLAR / ARVE HENRIKSEN ~ ILLUSION OF A SEPARATE WORLD
HEVHETIA 0178 (Barcode: 8588005258456) ~ SLOVAKIA ~ Electronic & Ambient
Recorded: 2018 Released: 2018

This is the debut album by a duo comprising of Slovak guitarist / composer David KollarFind albums by this artist and Norwegian trumpeter / composer Arve HenriksenFind albums by this artist. It was recorded "virtually" over the Net, by exchanging files between the two musicians, and presents twelve original pieces co-composed by them.

The music is quite difficult to categorize, as it flows freely between styles and genres. Since it also lacks a clear melodic content, it is ambient in nature and presents more moods and emotions rather than what most listeners consider as music in the straightforward sense of the idiom.

Henriksen´s trumpet playing is the epitome of Nordic music, with lyrical and melancholic themes, while Kollar´s guitar, with extensive usage of electronics, is mostly incidental, ambient and cinematic in nature. However, when combined together, these two directions amalgamate splendidly, creating surprisingly evocative statements. Although music of such nature can be quite tedious and lethargic, this album manages to avoid that trap with elegance and a continuous listening, although requiring some effort, is eventually rewarding and even inviting. It is a good example of ambient music, which one can listen to more than once, revealing new layers of musical depth with each listening session.

Kollar and Henriksen are both established musical phenomena and this album confirms their individual talents and cooperative skills, but does not offer any surprising new vistas, being more or less something the followers of these two musicians would expect to hear on the album. Nevertheless it is an elegant, highly aesthetic piece of sound-weaving, which has its faithful followers.

Updated: 17/08/2018Posted: 17/08/2018

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JACHNA / TARWID / KARCH ~ SUNDIAL III
HEVHETIA 0186 (Barcode: 8588005258593) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019

This is the third album by the excellent Polish Jazz trio consisting of trumpeter Wojciech JachnaFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. This time the trio is expanded into a quartet with the inclusion of the veteran saxophonist Irek WojtczakFind albums by this artist. The album, recorded live, presents nine original compositions, all composed or co-composed by the trio members.

It is quite a challenge to follow the two superb albums which the trio recorded earlier with another extraordinary piece of music, which will continue the same level of emotional depth and sophistication. This is perhaps the reason why the trio members decided to reinforce their ranks with the addition of Wojtczak, who has achieved a remarkable level of respect and appreciation on the Polish scene, being one of the most creative and open-minded musicians on the scene. In retrospect this decision proved to be most fruitful and successful musically.

The music on this album is even more open and adventurous than on the two earlier albums, still offering a pre-composed skeleton but relaying more on spontaneous improvisation than ever before. It is therefore further removed from the Contemporary Classical tendencies followed earlier on and moves toward Avant-Garde contemporary music, with an emphasis on both group and individual improvisation. The melodic themes become more minimalist and nebulous, strongly related to the Krzysztof KomedaFind albums by this artist legacy he defined in the mid-1960s. I am pretty sure this music would put a smile on his face.

As usual, the individual contributions by the trio members are highly inspired and perfectly executed. Wojtczak integrates with the trio completely and unconditionally, becoming entirely naturally an integral part of the music making unit. Obviously his presence enhances and deepens the overall sound and adds new possibilities, which are immediately sized upon by the trio members. One could hardly hope for a more innate combination of improvising powers than this. The future will tell weather Wojtczak joins the trio on a permanent basis, turning it into a quartet or this was just a one time only collaboration, but the potency of this ensemble is fully exposed on this album.

It is only natural that musicians of this caliber refuse to stand still and keep searching constantly, and therefore it is completely normal to see the music evolving and developing from one album to the next. As long as they manage to keep it interesting, inspiring and deeply satisfying, like in this case, we should be grateful and feel blessed that such music is being made.

Overall this is a remarkable album, certainly marking a noteworthy event in the 2019 list of Polish Jazz releases and deserving the admiration and respect reserved only for the very best of its kind. Thank you for the music, as always!

Updated: 24/05/2019Posted: 24/05/2019

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BACKSPACE ~ AD_DA
HEVHETIA 0188 (Barcode: 8588005258616) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2019 Released: 2019

This is the debut album by Polish experimental / Avant-Garde duo BackspaceFind albums by this artist, which comprises of violinist Lukasz CzekalaFind albums by this artist and accordionist Zbigniew ChojnackiFind albums by this artist, who both also employ extensively live electronics in their music. On this album the duo was expanded (or "augmented") to a trio with the addition of cornetist Marcin Albert SteczkowskiFind albums by this artist. The album, recorded live (and unedited), presents four extensive pieces, which are not specifically credited and are assumably spontaneously co-created by the participants.

Chojnacki appeared like a comet on the Polish Jazz / Avant-Garde firmament just a few years ago, but his extraordinary talent and virtuosic performances on the accordion, a sadly much neglected instrument in Jazz and experimental music, earned him an almost instant stardom, despite his youthfulness. I have followed closely his development both as a recording artist and live performer from the onset of his career and invited him to perform a solo concert during the Singer Jazz Festival in 2017. In the process I witnessed his rapid metamorphosis from a timid wunderkind to a full blown and mature sound magician. Another aspect of his development over time was the growing involvement with electronic sound devices, which gradually overshadowed the acoustic sound of the accordion and become almost completely a wall of synthesized sound effects, often completely detached from any straightforward melodic substance. And yet this accordion / electronics fusion, which might have caused some of his early admirers to stay behind, developed into a new phantasmagoric instrument that places Chojnacki right along the leaders of the pack.

However, in the company of Czekala and Steczkowski, who create a plethora of exquisite melodic passages, both brief and prolonged, his role as integrator and supplier of the sound layers behind the violin and cornet "soloing" is absolutely stunning. Listeners expecting to hear any unambiguous accordion on this album will be obviously disappointed, but there are plenty of brilliant passages created by Chojnacki. The performance of the trio is absolutely mesmerizing and offers a perfect model of what one might expect from contemporary electro-acoustic music. For the entire duration of the album there is an intimate closeness between the performers and the listener and a calm, wonderful warmness of co-existence. The interplay and coordination between the trio members is nothing short of being telepathic. I hope my attention to the role of Chojnacki in this recording does not overshadow the contributions of Czekala and Steczkowski, which are of course equally important.

Overall this is an absolute brilliant piece of contemporary music, cross-genre and beyond classification, which shows the way and explores uncharted territory, offering a non-aggressive, cohesive and aesthetically pleasing piece of modern sound Art (since calling it just music might not do it justice). There is almost nothing else I could recommend as warmly as this gem!

Updated: 28/10/2019Posted: 28/10/2019

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MICHAL ZABORSKI ~ FEELING EARTH
HEVHETIA 0189 (Barcode: 8588005258623) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2017 Released: 2019

This is the debut album as a leader by the Polish violist Michal ZaborskiFind albums by this artist, mostly recognized as a member of the Atom String QuartetFind albums by this artist, recorded with a quartet, which also includes pianist Nikola KolodziejczykFind albums by this artist, bassist Maciej SzczycinskiFind albums by this artist and drummer Michal BryndalFind albums by this artist. The album presents seven original compositions, all by Zaborski and the music was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist.

With the viola in the lead, the quartet produces a noticeably "different" sound than one expects from a Jazz recording, and indeed this music, although Jazz oriented, includes also strongly noticeable additional influences, such as Classical and Folklore music, which are immediately apparent from the onset. The compositions are all deeply melancholic and mostly low key, emphasizing a strong melodic presence, with the themes stated by the viola at the beginning of each piece and than gently carried on by the fragile piano and viola improvised parts. The piano is a tad too busy at times, but not extravagantly so. The rhythm section keeps things to bare minimum, with the bass pulsating in the background and playing a few beautifully melodic soli and the drums steady and barely audible at times.

And yet the music has an irresistible charm to it, a magical flow that keeps the listener mesmerized for the duration of the album, taking him from one piece to the next as if hypnotized. In spite of the minimalist outcome produced by the musicians, the music does not seem to be missing anything and is perfectly rounded and whole. The music is kept mostly on a relaxed level with little dynamics displayed along the way, which could be considered a bit indistinguishable, but easily forgiven.

Personally I really enjoyed the music, although I suspect some listeners will find it a bit "too pretty" and altogether lacking the "kick" Jazz enthusiasts expect to hear in the music. There is no doubt Zaborski is a virtuoso and his performances here as every bit as strong as on his numerous earlier recording. His compositions are heavily influenced by Polish Folklore music and his Classical Music background, which he openly admits in his music, not trying to make it sound more Jazzy than it rally is.

Overall this is a very unique album, different from most of the output arriving on the Polish Jazz scene, and also different from the material Zaborski records with the Atoms, showing another facet of his musical personality. A Gentle Giant by all means, who can weave beautiful melodies and share them with his listeners with obvious love and modesty.

Updated: 07/10/2019Posted: 07/10/2019

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FRANCESCO BRUNO ~ BLUE SKY ABOVE THE DREAMERS
HEVHETIA 0193 (Barcode: 8588005258692) ~ ITALY ~ Jazz
Recorded: 2018 Released: 2019

My relatively short acquaintance with Francesco BrunoFind albums by this artist is a wonderful example of personal chemistry; we immediately found out that the number of things that connects us goes way beyond our obvious love of music. We also share the Mediterranean love of life, beauty, food and above all friendship – the kinship with other people.

As a result of our friendship I discovered that Francesco is also a wonderful musician, an excellent guitar player and a superb composer, who consistently develops his Art over the years. He is gifted with a delicate lyricism, which results in his melodies being simply heart melting, like much Italian music naturally does. But he is also humble, hard working, loyal, highly professional, uncompromising and honest, a collection of qualities that are rare to come by these days.

In spite of its immense popularity in many musical arenas, Jazz was never an easy field for the guitar. In retrospect the number of great Jazz guitar players is not overwhelming, surely not those who contributed considerably to the development of the idiom. Guitar is perhaps a less "natural" Jazz instrument and requires from its master a kind of dedication that only very few musicians are able to sacrifice.

When you listen to the music on this album, hopefully with a glass of good wine in you hand, you are about to take a wonderful journey into Francesco´s world. Full of beautiful melodies and brilliant, gentle performances, like fingers touching the surface of water, this music simply flows smoothly from one tune to the next and before you even get a proper taste of it all, it is over – time to push the play button again of course.

The quartet setting suits the music ideally and considering the fact that Francesco plays with these excellent musicians since years, the ensemble vibe and the mutual respect between Pierpaolo PrincipatoFind albums by this artist, Luca BulgarelliFind albums by this artist, Marco RovinelliFind albums by this artist and Francesco are well reflected within the music.

The Jazz cognoscenti will of course be able to hear the finesse of the guitar phrasing, the fabulous harmonizing of the piano and the subtle chronometry of the rhythm section, but honestly this is just splendid music best enjoyed without much cerebral analyzing – just let your heart do the work!

Love you my friend, as always!

Side Note

Updated: 07/09/2019Posted: 07/09/2019

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NATALIA KORDIAK ~ BAJKA
HEVHETIA 0194 (Barcode: 8588005258708) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2019 Released: 2019

This is the debut album by Polish Jazz vocalist Natalia KordiakFind albums by this artist recorded in a quintet setting with saxophonist Przemyslaw ChmielFind albums by this artist, pianist Mateusz KolakowskiFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist. The album presents seven original compositions, all by Kordiak, two of which feature lyrics (one by Polish poetess / playwright Maria Pawlikowska-JasnorzewskaFind albums by this artist and the other by Kordiak) and the rest feature wordless vocalese. The album was recorded at the RecPublica Studios and engineered by Michal WasylFind albums by this artist, and offers a superb sound quality.

A couple of weeks ago I had the opportunity to hear Kordiak sing live in Katowice as a member of the First Was The VoiceFind albums by this artist vocal ensemble conducted and directed by my friend the fabulous Anna GadtFind albums by this artist, which should have prepared me for what I was about to hear on this album, but now I have to admit that probably nothing could have really prepared anybody for what this album offers. This is simply the Polish Jazz vocal album I have been dreaming about for the last half a Century, since Urszula DudziakFind albums by this artist appeared on the Polish Jazz scene and revolutionized the approach to vocal Jazz not only in Poland but worldwide.

Kordiak treats her voice as an instrument and her vocalese explorations are simply unbounded by any previously set limitations, conventions or boundaries. Her singing is completely intuitive and her sense of melody is so open and free that the music becomes completely boundless and unconventional. Each of the tunes offers a melodic theme, but the vocal and instrumental improvisations move freely beyond the sketched horizons into the unknown and unexpected, which happens extremely rarely and immediately pushes this music into the "high sphere" of Jazz aesthetics.

The instrumentalists do a magnificent job on this album, with the most important task always before their eyes: do not disturb the vocals. Each of these players is able to play exquisitely as a soloist but this album sets a textbook example of respect and supportive role by the instrumentalists, who are clearly heard within the delicate fabric of the music, but never overshadow the vocal parts even for one moment. The rhythm section of Wykpisz and Palka, which is certainly phenomenal on its own, offers here a magnificent assistance to the vocals, often just in a trio settings. Kolakowski, who deserves a much wider recognition that he enjoys in Poland at the moment, is a key element which makes this music what it is, playing absolutely stunningly and beautifully free, which is amazing considering his Classical Music upbringing and education. Chmiel, also relatively anonymous, offers some stunning saxophone parts, which immediately put him alongside the most respected names on the Polish scene. In short this is a true dream team and Kordiak was extremely fortunate to record this album with these magnificent musicians at her side.

Polish vocal Jazz has been struggling in the last decades to produce anything as artistically and aesthetically valuable as the output it managed to offer time after time in modern instrumental European Jazz, which won it an international acclaim. Sadly Polish vocal Jazz got stuck mostly in imitating rather that inventing, with the ever present obsession of singing English lyrics, more often than not with appalling results. Therefore, although obviously hardly politically correct, the most accurate compliment I can think of under these circumstances is to say that Kordiak emerged here as someone with truly "big-balls", setting everything aside and doing her own thing. I am not surprised that Kordiak comes from under the wings of the above mentioned Anna Gadt, who is a true revolutionary Artist and obviously also and Educator.

Considering the fact that Kordiak is still a student, God only knows what she is capable of in the future and I can’t wait to find out. And yes, now I know what my best Polish Jazz album for 2019 will be on my list ;)

Thank you for a true fairytale my Dear!

Updated: 13/12/2019Posted: 13/12/2019

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ANNA GADT / MARCIN OLAK ~ GOMBROWICZ
HEVHETIA 0196 (Barcode: 8588005258746) ~ POLAND ~ Jazz & Poetry
Recorded: 2019 Released: 2020

This is a wonderful debut album by the Polish Avant-Garde Jazz duo comprising of vocalist Anna GadtFind albums by this artist and guitarist Marcin OlakFind albums by this artist, which offers their interpretations of the writings by Polish author Witold GombrowiczFind albums by this artist, one of the most idiosyncratic and controversial literary figures in Polish Cultural heritage. Although based on prose fragments, this album firmly belongs to the Jazz & Poetry idiom, both conceptually and aesthetically. The album presents twelve tracks of improvised voice / guitar pieces, which include recitation, singing and vocalese, each of them based on a different fragment taken from texts by Gombrowicz

Listeners familiar with the Polish Avant-Garde / Improvised Music scene are probably familiar with Marcin Olak´s recordings on the FSRFind albums on this label label, which are all worth checking out. Gadt is of course one of the brightest stars on the Polish Jazz vocal scene, with a substantial recording legacy, but most importantly characterized by her chameleonic quality of constant transformation of her vocal style, which over the years developed from mainstream to highly personal Improvising Music environment, which is still evolving. She is also a respected and devoted teacher of the vocal Art and her students are beginning to shape the next generation of the Polish Jazz vocal scene.

During my recent visit in Warsaw I had the opportunity to attend the debut performance of this music in a small club, which offered an intimate opportunity to celebrate the release of this album. I watched the audience to see how effectively this highly demanding music will be able to penetrate the walls of indifference and cerebral demand this music requires, but to my surprise the audience was absolutely mesmerized by what was happening on the small stage. Obviously this music is stronger and more communicative than what one might expect, in spite of its farfetched aim towards intellectual brain functionality, acting on the purely emotional, raw instinct level as well, in retrospect somewhat similar to Gombrowicz´s writing.

Connoisseur of the human voice Art will be of course delighted by Gadt´s performances on this album, which include probably many of the things "you always wanted to do with your voice but were afraid to try" list. She is simply fearless and completely uninhibited in the way she uses her voice, which often expands the known boundaries of vocal expression. Although using texts in Polish language, this kind of vocal expression transcends any language barriers completely, making them meaningless. In some cases Gadt´s vocal construction are so distinctive, that she seems to construct a completely new vocal "language" of her own design.

It is pretty rare when an album labeled as Avant-Garde is truly Avant-Gardist in its nature, since the label is used way too lightly these days. Anything that is unusual / unconventional often gets labeled as Avant-Garde, whereas in fact despite being different, it does not offer anything that is done for the first time and is a pillar of fire showing the way to whoever is following. This album, however, is genuinely Avant-Gardist in every bit of its existence and its ingredients as much as a whole – a rare and beautiful thing indeed – and an absolute treasure! Thank you Anna and Marcin!

Updated: 22/02/2020Posted: 22/02/2020

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SZYMON LUKOWSKI ~ SHORT SKETCHES
HEVHETIA 0197 (Barcode: 8588005258753) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the third album by young Polish Jazz saxophonist / composer Szymon LukowskiFind albums by this artist, recorded in a quartet setting with keyboardist Adam LemanczykFind albums by this artist and superb veteran rhythm section comprising of bassist Wojciech PulcynFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album presents seven original compositions, four by Lukowski and one each by Lemanczyk, Pulcyn and Stankiewicz. The music was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual first class sonic quality.

The music is all within the modern mainstream Jazz convention, but Lukowski´s progress as a composer and instrumentalist is again clearly apparent in comparison to his earlier work. His bass clarinet parts expand the sonic palette considerably and his compositions are more complex and excellently arranged for the quartet, which results in these performances being highly absorbing from start to finish.

The strength of the quartet as a tight musical unit also adds to the success of this material. Lemanczyk is equally effective on acoustic piano and electric keyboards, playing some truly mesmerizing parts. Pulcyn, as always, keeps everything in check and his highly melodic bass lines offer a steady ground for the music to lean on. Frankiewicz adds a highly percussive and dynamic drum parts on the up-tempo numbers and delicate ornamentation on the ballads, like a professional he truly is.

Overall this is a truly fine piece of Jazz music, diverse, interesting and aesthetically satisfying, which all Jazz lovers should find worth listening to. As usual it perfectly reflects the high level of original music being created in Poland these days, which is as good, if not better, as Jazz created all over Europe these days, without any inferiority complex. Well done indeed!

Updated: 21/02/2020Posted: 21/02/2020

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KRZYSZTOF KOBYLINSKI ~ SPERO
HEVHETIA 0205 (Barcode: 8588005258845) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2020 Released: 2020

This is an album by Polish Jazz pianist / composer / activist Krzysztof KobylinskiFind albums by this artist recorded with the Slovak Gregorian choir Voces Gregorianae CassoviensesFind albums by this artist directed by Jan VelbackyFind albums by this artist. The album presents a ten-part suite composed by Kobylinski.

Kobylinski, who is a very versatile and prolific composer and recording Artist, likes to tackle unusual and innovative musical undertakings, such as this one. The music, which combines several solo piano and melodica parts, short opening and closing parts sung by the choir and one middle piece featuring the choir and the piano together, paints a minimalist moody picture, which develops slowly and offers relatively little dynamics. The music has very little to do with Jazz per se, except for the fact that the piano pieces are partly improvised. Since Kobylinski already recorded several solo piano albums, I was personally expecting a much more intensive involvement of the choir. However Kobylinski obviously sees his solo piano work as a centerpiece of his Artistic endeavors, and acts accordingly.

Overall the music is very atmospheric and contemplative, moving between Classical influences and Cinematic sound vistas, which requires patience and attentive listening in order to be absorbed. Classical music listeners, especially those who like Romantic piano pieces, should especially enjoy this album.

Updated: 03/01/2021Posted: 03/01/2021

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SZYMON KLIMA / DOMINIK WANIA ~ FANTASTICO
HEVHETIA 0209 (Barcode: 8588005258920) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2020

As outlandish as it might sound, there is only one musical instrument – the human brain!

It is the musician´s brain that commands his body parts to touch keys, pluck strings, beat on stuff, blow into tubes or simply exhale to vibrate his vocal chords, all those in order to produce sound. It is the same brain that invents virtual notes, harmonies, melodies, layers of sound and time measures and sets them all into a particular sequence, which becomes a composition, before it was even played in reality.

In case of Improvised Music, as the one presented on this album, these two separate brain functions, i.e. composing and playing, become intertwined and amalgamated, happening simultaneously within the same human brain. In case the music is spontaneously created by two musicians, again as in this case, two human brains are not only simultaneously composing and playing as individuals, but they are also communicating and complementing each other in real time. This is truly mindboggling = Fantastico…

But this is only one side of the story, of course. There is another human brain, which receives electrical impulses via its owner´s ears and using its psychoacoustic mechanism translates these pulses into what it perceives as music, creating another version of the original produced by the players, with its own interpretation of harmony, melody and rhythm. Now let´s multiply that brain´s activities by the number of listeners and we have a myriad of parallel musical "universes", all initiated by what happened during the recording session that gave "life" to this music. Incredible, isn´t it = Fantastico…

And now let´s assume that the music is able to generate a cascade of both intellectual and emotional reactions within the listener´s brain, such as pleasure, aesthetic satisfaction, appreciation of the sophistication, Artistry and ingenuity and above all gratitude for all the above. Music that is able to produce such a flood of brain enzymes, as is the case here, must be truly unique, or rather Fantastico…

Side Note

Updated: 17/10/2020Posted: 17/10/2020

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FLASH! ~ BUJAKA W GUMIAKACH
HEVHETIA 0211 (Barcode: 8588005258944) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020

This is the second album by Polish trio The Flash!Find albums by this artist, founded by saxophonist / composer Slawomir PezdaFind albums by this artist with bassist Jakub DworakFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. On this album they are joined by Boston based guitarist Dustin CarlsonFind albums by this artist. The album presents seven pieces, six of which were composed by Pezda and one is by the American duo Lightning BoltFind albums by this artist.

The music is a further exploration of the concepts described in my review of the debut album "SilaFind albums with this title" and manages to produce a completely original "wall of sound" Punk Jazz, which is as much controversial as it is fascinating. It is difficult to decide if the musicians are mocking contemporary Pop, Rock, and even Jazz in its ridiculous crudeness and oversimplification, or they are just pissed off and want to relieve some bad vibes, but the overwhelming effect is certainly achieved. Of course it is plainly obvious that these guys are brilliant musicians, no kidding there.

To make things clear everything here is perfectly planned and executed with the attention to the minute details, so obviously nothing was left to chance. The sheer audacity and the amount of ideas are simply staggering. In any case any attempt do describe this music in words is simply futile and nothing will replace the exposure to the actual aural content.

The attitude brings fond memories of the early experiments of Polish Yass movement, when quite a few of such original creations were produced, but on today´s Polish music scene The Flash! are sadly almost completely lonesome.

It is remarkable to see (or rather hear) how well Carlson fits within this madness; he is truly a spiritual kin to the members of the trio and manages to complete and expand the diversity of the sound without changing the basic attitude and direction, which is truly amazing.

Obviously not for everyone, but personally I love this music to bits, every second of it. The Rock genes in my musical personality are vibrating happily and my Zappaesque aesthetics of "don´t care what you think" are fully satisfied! This is brilliant stuff!

Updated: 07/11/2020Posted: 07/11/2020

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YUMI ITO / SZYMON MIKA ~ EKUAL
HEVHETIA 0217 (Barcode: 8588005258982) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2021

This is the debut album by the duo comprising of Polish - Japanese (resident in Switzerland) vocalist / songwriter Yumi ItoFind albums by this artist and Polish Jazz guitarist / composer Szymon MikaFind albums by this artist. The album presents seven original songs (with lyrics in English) written or co-written by the duo members.

Both Ito and Mika have already several earlier recordings to their credit and their work together goes back a while, but this is the first opportunity to get exposed to their intimate work as a duo, which is highly unique and stunningly beautiful. The vocal parts and the guitar work are completely idiosyncratic, and combined together manage to create an aura of mysticism and tranquility combined, which is nothing less than mesmerizing.

Ito uses the entire range of the vocal Jazz spectrum, moving between lyrics and wordless vocalese with ease and elegance. Mika is an absolute wizard when touching his guitar strings, creating a semi-acoustic / semi-electric tonality, which is unconventional and highly effective.

Despite the relative “nakedness” of this music, the result sparks with sounds and ideas, which leaves the listener dazed by the combined effect of just two “instruments”. It is the intimacy of their work as a duo that reflects the individual strengths of the two young musicians, proving that they indeed are two of a perfect pair.

Overall, this is a superb album, perhaps not really surprising to those, who had the opportunity to listen to the duo live, like yours truly, but the “sterility” of the studio environment proves to work in favor of this particular effort. It is obvious that this pair has a lot more to offer in the future, so I am already impatiently waiting for their post-Covid-19 work, as this album definitely leaves everybody with a desire to hear more. Thanks for the beautiful music!

Updated: 02/11/2021Posted: 02/11/2021

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IGNACY JAN WISNIEWSKI ~ DUOS
HEVHETIA 0221 (Barcode: 8588005259026) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2021

This is an album by Polish Jazz pianist / composer Ignacy Jan WisniewskiFind albums by this artist, which presents a series of duos recorded with other Polish Jazz musicians: bassist Olo WalickiFind albums by this artist (a.k.a. Olgierd WalickiFind albums by this artist), saxophonist Mikolaj TrzaskaFind albums by this artist, drummer Michal BryndalFind albums by this artist and vocalist Marcin JanuszkiewiczFind albums by this artist. The album presents ten original pieces, all of which are freely improvised.

For “freely improvised music”, the music on this album is at times remarkably melodic and returns to the formats used by Wisniewski in his earlier recordings, which amalgamate elements of Jazz and Classical music with Avant-Garde vistas, being this time perhaps somewhat more radical, since the earlier music was definitely largely pre-composed.

In any case, if all Improvised Music was as coherent, sensible and aesthetically pleasing as what can be heard here, my general cautiousness about the genre would have been way less intensive. This music is simply beautifully expressive and inviting, in complete contrast to most contemporary Improvised Music, with constant challenges, strange twists and turns and quite unexpected performances by the participants, like almost romantic saxophone parts by Trzaska and Cecil TaylorFind albums by this artist staccatos by the leader.

The biggest surprise for me are the vocal performances by Januszkiewicz, whose earlier work I admit to not being familiar with. Due to his contacts with the theatre circles, as composer of music for spectacles, Wisniewski uses actors rather that Jazz vocalist in his projects (see / hear Kamil DominiakFind albums by this artist in “Kantata JazzowaFind albums with this title”), proving his perfect instinct as far as making such decisions. Januszkiewicz is absolutely stunning in his unconventional vocal approach and his parts are, for me, absolutely climatic. But to be fair all the participants contribute heartfelt roles in the entire project.

Overall, this is one of the absolutely most wonderful Polish Free Jazz / Improvised Music recordings lately, which is rather unusual in its tameness, which perhaps is the source of its success. Presenting great musicianship, firmly managed by the leader, it proves that Improvised Music can be lasting and still innovate, which is happening very rarely lately. An absolute must to listeners, who are ready to be challenged. Hats off to all participants!

Updated: 01/10/2021Posted: 01/10/2021

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LNSD QUARTET ~ UNASKED, UNANSWERED
HEVHETIA 0223 (Barcode: 8588005259040) ~ POLAND ~ Jazz
Recorded: 2020 Released: 2021

This is the debut album by the Polish Jazz ensemble LNSD QuartetFind albums by this artist, which comprises of saxophonist Szymon LukowskiFind albums by this artist, guitarist Gabriel NiedzielaFind albums by this artist, keyboardist Jan SmoczynskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents seven original compositions, five by Lukowski and one each by Smoczynski and Niedziela. The album was recorded at the Studio Tokarnia and engineered by Smoczynski.

The music is quite different from the three albums recorded earlier by Lukowski as a leader, which were all pretty mainstream Jazz oriented, whereas this album offers a different approach, still melody based and musically straightforward, but with a highly unique sound created by the synthesized keyboards, at times almost industrial, Funky / Fusiony guitar sound and busy drumming, which together create a heavy, somewhat muddy / murky / distorted sound, and which takes a while to get adopted to and prompts the listener to check his ears / sound system to make sure that what he hears is what was intended to be heard.

I admit that it took some effort to accept the music for what it is and by the second listening it started to make perfect sense. There is plenty if great music under the murky exterior and the darkish atmosphere of the album has its fortes. Lukowski and Niedziela play some excellent soli here, and Smoczynski is busy enough with creating the ambient background, while Dobrowolski sets the paste with his usual precision and artistry.

Overall, this is a very unusual sounding album, which offers some excellent compositions and great performances, but requires open-mindedness as far as the sound and ambience are concerned. Patience is, as usual, well rewarded! Jazz lovers, who are into novel sound experiments, should have a field day with this album.

Updated: 02/04/2022Posted: 02/04/2022

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ELMA ~ LICENTIA POETICA
HEVHETIA 0232 (Barcode: 8588005259286) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2022

This is the long awaited third album by Polish Jazz vocalist ElmaFind albums by this artist (a.k.a. Elma KaisFind albums by this artist) recorded live with American guitarist Knox ChandlerFind albums by this artist, Australian (resident in Berlin) bassist Daigo NakaiFind albums by this artist and German drummer Klaus KugelFind albums by this artist. The album presents thirteen original pieces, all co-composed by the four musicians.

The music is spontaneously improvised, although obviously somewhat pre-conceived, and as such could be classified as Improvised Music or Free Jazz, but honestly it makes no sense to apply any definitions to it, as it is as free-spirited as humanly possible. Although Elma’s vocal parts are obviously in the center of the listener’s attention, the music is collaborative and involves all four musicians at the same level of creativity.

Elma continues her wordless vocalese / “voice as instrument” approach, which she demonstrated on her two earlier albums, but takes it further out into the truly virtuosic sphere, which sets her in a separate universe from almost all Jazz vocalists active today, continuing the vocal Jazz revolution started in the 1970s by European vocal pioneering female vocalists like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist, Jeanne LeeFind albums by this artist, Mirka KrivankovaFind albums by this artist and several others. On contemporary Polish Jazz scene, she seems to be almost completely solitary, except for the work of Anna GadtFind albums by this artist.

There is no doubt that this album is completely unique, as far as vocal Jazz is concerned, and Elma’s talent shines ever so brightly, fulfilling gracefully all the great hopes she stirred with her earlier albums. The music she creates with her colleagues hits the listener straight between his eyes, shocks and uplifts on a truly spiritual level, which happens only very rarely with new music that arrives on my desk. Considering the fact that Elma practically reinvents the approach to vocal improvisation, throwing away all pre-conceptions and limitations, she is able to cross into uncharted territory. We often tend to think that “everything was already done” in music (or otherwise), but that is a defeatist approach and life proves that there a possibility for progress.

Overall, this is a shockingly beautiful, uplifting musical experience, which happens extremely rarely. As pompous as this might sound, this is probably the most perfect Polish Jazz vocal album of all times, a creation of unprecedented courage, inventiveness and free-spirited exploration. Yes, yes I see all the sceptics shrugging…

Updated: 21/05/2022Posted: 21/05/2022

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OTTO HEJNIC ORGANISM ~ BERINGIA
HEVHETIA 0250 (Barcode: 8588005259477) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2022 Released: 2022

This is an album by Czech drummer / composer Otto HejnicFind albums by this artist, recorded with his trio, called OrganismFind albums by this artist, which includes American organist Brian CharetteFind albums by this artist and British (resident in Czech Republic) saxophonist Osian RobertsFind albums by this artist. The album presents seven original compositions, all by the leader.

The music is all within straightforward mainstream Jazz idiom, but the unusual sound created by the uncommon lineup of Hammond organ / saxophone / drums is what separates this music from most other mainstream albums, in addition of course to the melody lines, which are full of European lyricism.

I am always impartial when a recording involves the Hammond, as it is my favorite instrument, but in this case the organ parts seem to be the most mundane element of the music. Somehow Charette fails to create the excitement and zets this miraculous instrument is able to produce, perhaps intentionally on this album, but I can imagine this music sounding way more stimulating with a kick-ass organ player. Roberts also sticks mainly to state the melody themes, but his solo work is limited. Hejnic keeps the music flowing with his strong and energetic drumming, doing a great work as always, but sadly that is not enough to make this album extraordinary in any way.

Overall, this is a nice mainstream album, with unusual sound and some excellent compositions, but somehow lacks the excitement I was hoping for. Hammond organ enthusiasts might find this interesting, but don’t expect any miracles.

Updated: 24/10/2022Posted: 24/10/2022

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FRANTISEK BALES ~ BASNE MUZICKE
HEVHETIA 0253 (Barcode: 8588005259491) ~ SLOVAKIA ~ Jazz & Poetry
Recorded: 2022 Released: 2022

This is an album by Slovak keyboardist / composer Frantisek BalesFind albums by this artist and his ensemble, which also includes vocalist Matus UhliarikFind albums by this artist, bassist Vladimir MacajFind albums by this artist and drummer Juraj SusanikFind albums by this artist. Numerous guest musicians participate on selected tracks. The album presents ten tracks, nine of which are based on poems by six celebrated Slovak poets set to music by Bales, which of course make this a Jazz & Poetry project. The opening track is a poem by Bales dedicated to the poet Pavol Orshagh HviezdoslavFind albums by this artist, with three of his poems included on this album. Two of the poems are translated into English and the others are performed in Slovak language.

The music is perfectly suited to the literary context, with basic classic Jazz piano trio environment, richly decorated by the more elaborated instrumental pats provided by the guests. The atmosphere is typical of Eastern European lyricism, based on wonderful melodic themes, which are mostly melancholic and lyrical. The entire production and the arrangements create a solid, coherent Jazz & Poetry experience, which although losing some of its charm due to the language barriers, still manages to achieve its basic goal of combining music and texts into a result, which is stronger than just the sum of its ingredients.

There is plenty of genuine modern Jazz spirit and excellent soloing here to satisfy every Jazz lover on the planet, with the bonus of some splendid poetic presence for those, who can understand the language. But the vocals are very enjoyable just on the musical level, so the language barrier can be ignored with some flexibility.

Overall, this is a beautiful Jazz & Poetry album, an idiom which is not only more popular in Eastern Europe than anywhere else, but also usually more Artistically accepted as an integral part of the Jazz scene. For the idiom lovers, this album works regardless of the language barriers, and is therefore highly recommended. Since some of the poetry included herein was excellently translated into English, poetry lover might want to explore that avenue as well. Definitely worth being discovered and thanks to my Friend Jan SudzinaFind albums by this artist, owner of the HevhetiaFind albums on this label label, for producing this little gem.

Updated: 05/05/2023Posted: 05/05/2023

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MINJIN SEO ~ FILLED WITH SONG
HEVHETIA 0266 (Barcode: 8588005259217) ~ SOUTH KOREA ~ Jazz
Recorded: 2016 Released: 2022

This is an album by South Korean Jazz vocalist MinJin SeoFind albums by this artist, recorded in the US with several American musicians, excellent South Korean pianist Jeongwon LimFind albums by this artist and her Polish husband, drummer Piotr PawlakFind albums by this artist. The album presents eight songs, one of which is an original by Seo and seven are Jazz standards, and a short prologue and epilogue.

The music is all standard American mainstream, with no surprises or innovations, but very well played by the musicians involved. The vocals are also pretty standard, but Seo offers a decent American accent and pronunciation and handles the tunes with obvious dedication and passion. She has an impressive range and her heartfelt delivery is completely acceptable. The album waited for six years, before it was finally released now, better late than never.

Overall, this is a nice vocal Jazz album, which is fun to listen to and which will make fans of the genre perfectly happy. It is definitely worth to be checked out!

Updated: 28/10/2022Posted: 28/10/2022

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OTTO HEJNIC ~ THIS IS HOW IT IS
HEVHETIA 233 (Barcode: 8588005259293) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2022 Released: 2022

This is the fifth album by Czech drummer / composer Otto HejnicFind albums by this artist, recorded with his trio which includes pianist Ondrej KrajnakFind albums by this artist and bassist Josef FecoFind albums by this artist. The album presents seven original compositions, all by the leader.

With Krajnak switching to the Fender Rhodes electric piano, the sound of the trio is metamorphosed away from the classic Jazz piano trio I was accustomed to and offers a refreshing experience, although of course takes the listener some five decades back, to the time the electric piano reached the peak of its popularity in the early 1970s. Whichever way one wats to look at this, the change definitely is most welcome.

The music is still very melodic, as usual with Hejnic’s compositions, somewhat melancholic but always perfectly rounded. The trio members have obvious fan with this music, performing splendidly, as expected, with an excellent interplay between them and the resulting music flows smoothly from one tune to another, taking the listener on a most pleasant ride along.

Hejnic is a living proof to the fact, that some of the best Jazz composers are drummers, which for some reason is not usually expected, but in his case, and numerous others, is definitely true. So beware of the stereotype of the drummer being just the guy with the sticks :)

Overall, this is another excellent offering by this excellent trio, fresh and unexpected but definitely up to par with their previous recordings. The electric piano sound, one of my favorite instruments, is magic and personally I loved every moment of this music, which most probably many other Jazz listeners will also experience. Warmly recommended and thank you my Friends for the music!

Updated: 18/10/2022Posted: 18/10/2022

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ONENESS ~ MAN CAN CHANGE
IMMERSIVE SOUND 03/2022 (Barcode: 5904224479336) ~ POLAND ~ Jazz-World Fusion
Recorded: 2022 Released: 2022

This is the debut album by Polish quartet OnenessFind albums by this artist, comprising of accordionist Oleg DyyakFind albums by this artist, violinist Jaroslaw TyralaFind albums by this artist, bassist Wojciech FrontFind albums by this artist and cellist Maciej LacnyFind albums by this artist. The first three were members of the early lineups of Cracow Klezmer BandFind albums by this artist, later Bester QuartetFind albums by this artist. The album presents eight tracks, six of which are original compositions (two each by Front, Dyyak and Tyrala), one is by Austrian accordionist / composer Klaus PaierFind albums by this artist and another one by Martin SchwarzFind albums by this artist, a renown Klezmer music researcher.

The music is as cross-genre as one might imagine, but has a specific sound and characteristic stylistic approach, which offers Jazzy improvisations, folkloristic / World Music affinity, classical music fluency, etc. in short a mishmash of many elements, which work together splendidly and enable a wide range of listeners to find familiar elements.

The performances are all absolutely professional and heartwarming and the entire project makes perfect sense musically. There is a lot of references to Klezmer music, similarly to the repertoire of the a.m. Cracow Klezmer Band, but also many new elements, taken from other cultural spheres. The original compositions are all coherent, beautifully melodic and serve perfectly as vehicles for the improvised soloing by all the quartet members.

Overall, this is a wonderful album, full of great music and superb performances, which should make every true music lover perfectly satisfied. Although the music defies a precise definition, it might be considered as Jazz-World Fusion, for a lack of a better “label”, but honestly it is way beyond labeling and should be embraced for its beauty and aesthetic value. Well done, Gentlemen!

Updated: 25/04/2024Posted: 15/04/2024

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MARIMBAZZI DUO ~ UNUSUAL MUSIC BOX
IMMERSIVE SOUND 05/2023 (Barcode: 5904224479350) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2023

This is the debut album by Polish Jazz Marimbazzi DuoFind albums by this artist, which comprises of Jakub KolodziejczykFind albums by this artist, who plays vibraphone and marimba, and Pawel DyyakFind albums by this artist, who plays marimba and percussion. The album presents eight tracks, all original compositions by the duo members, some individual and other co-composed. The music is splendidly recorded and the album offers a wonderful sound quality.

The duo members perform in various configurations, like two marimbas, vibraphone and marimba or vibraphone and percussion, playing melody based pieces with extended improvised parts. The stylistic range is pretty diverse, but the music offers a distinctive Jazzy flavor at all times.

The unusual sound of the duo is a striking novelty and for vibraphone / marimba lovers, like myself, this is an absolute marvel from start to finish. All the compositions are coherent and clever, and the performances are nothing short of stellar, which results in a highly unique listening experience. The duo definitely qualifies as a proud representative of the “Art of the Duo” Jazz category.

Overall, this is a beautiful, very delicate and highly unusual album, which offers a rare opportunity to hear less common instruments in action, superb duo performances and excellent, uncommon music. Hats off to these young musician, who are willing to choose the less travelled path in music.

Updated: 07/07/2024Posted: 07/07/2024

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KAJETAN BOROWSKI ~ TOTEM
INETIVE 001 (Barcode: 190394260682) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016

This is the debut album by Polish pianist / composer Kajetan BorowskiFind albums by this artist, recorded in a classic piano trio setting with bassist Jakub DworakFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist; all three are representatives of the upcoming new generation of Polish Jazz musicians. The album presents eleven original compositions, all by Borowski, and one standard.

The music is firmly positioned within modern melodic mainstream, with elegantly weaved tunes and spirited execution. Borowski displays the typical Polish sensitivities in his ballads, with tendency towards melancholy and lyricism, but on the up tempo numbers, he uses a much more energetic approach, with polyrhythmic Latin predisposition, somewhat similar to Chick CoreaFind albums by this artist´s Latin / Spanish period. Sometimes I wonder if the only music young Polish pianists listen to is Frederic ChopinFind albums by this artist and Chick Corea.

Technically all three players are beyond reproach; Borowski uses powerful chords and delicate glissandos with the same skill and sensitivity, Dworak plays clear and supportive bass lines, including occasional beautiful solo parts and Maslowski drives the music steadily forward, without being overly intrusive, with just occasional overzealousness on the cymbals. Their performance as a trio is very good, with obvious affinity and respect towards each other.

This is a kind of album, which does not attempt to step beyond presenting a solid piece of mainstream Jazz of the best caliber and as such does not include any surprises or explorations beyond the obvious. But within the entire scope of the Jazz idiom such albums are also needed and appreciated, and when they offer music of such quality, as this one, all is well.

Overall this is an excellent debut effort, definitely worthy of praise and encouragement, and obviously promising great things in the future. Therefore it is highly recommended to all Polish Jazz followers and particularly to piano trio lovers. The album was recorded at the RecPublica Studios and offers a superb sound quality.

Updated: 18/06/2016Posted: 18/06/2016

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BRIAN MILLER ~ WHATEVER NEXT?
INVERSION 001 (Barcode: 5070000076706) ~ UK ~ Jazz
Recorded: 2013 Released: 2014

This is the debut album by British Jazz keyboardist / composer Brian MillerFind albums by this artist, recorded with top British instrumentalists: saxophonist Phil ToddFind albums by this artist, vibraphonist / percussionist Frank RicottiFind albums by this artist, guitarist John ParricelliFind albums by this artist, bassists Chris LaurenceFind albums by this artist / Trevor BarryFind albums by this artist and drummers Paul RobinsonFind albums by this artist / Les CirkelFind albums by this artist. The album presents nine tracks, all of which are original compositions by Miller.

It took Miller over fifty years to recorded this debut album, although he is a true veteran of the British Jazz scene, having been a member of such ensembles as IsotopeFind albums by this artist, Turning PointFind albums by this artist and Morrissey-Mullen BandFind albums by this artist, as well as accompanying top Pop artists. Well, better late than never is definitely appropriate in this case, as the album is a lovely example of British Jazz at its best, based on absolutely marvelous tunes and executed perfectly by this superb team.

Miller plays some lively organ and piano parts, Parricelli adds tasty guitar licks, Ricotti adds vibes and percussion seasoning, Todd solos passionately and both bass / drums pair support the music admirably – in short joy from start to finish, on the lighter side of the Jazz spectrum, but full of good taste and musicality.

Overall, although completely obscure among the British Jazz fans, this is a lovely album, which deserves to be heard and taken out of its anonymity. I am sure Brian has some copies left so please contact him and get one as long as they last. And please, Brian, make another one ASAP!

Updated: 16/02/2024Posted: 16/02/2024

STAN SULZMANN / JOHN TAYLOR ~ DOUBLE EXPOSURE
INVERSION 002 (Barcode: 5070000076713) ~ UK ~ Jazz
Recorded: 1990 Released: 2016

This is an archival album by the fabulous British Jazz duo of saxophonist / flautist / composer Stan SulzmannFind albums by this artist and keyboardist / composer John TaylorFind albums by this artist, recorded in 1990 and released 26 years later on a small British label InversionFind albums on this label Records, owned by Brian MillerFind albums by this artist, another British Jazz legend. The album presents thirteen tracks, all composed or co-composed by Sultzmann and Taylor.

The music is absolutely delightful, serene and lyrical, with strong influences by European Classical music, but also full of Jazz hints and the respective musical preferences by both participants. Much of the music was spontaneously improvised “on the spot”, but for an outsider the result sounds completely coherent and beautifully developed, as if devised and planned long ahead.

The fact that this completely forgotten session finally sees the light of day is a revelation, since it shows many less familiar facets of both these marvelous musicians and the superb fellowship they were able to enjoy, producing some of the most touching British Jazz, as if by accident.

Overall, this is a major discovery for the dedicated British Jazz fans, and a joy to see this little gem available, since hiding it from the public would have been a sad and regrettable event. It goes without saying that this album deserves an honorable spot in every serious British Jazz collection!

Updated: 21/12/2023Posted: 21/12/2023

TOMAS LISKA / INVISIBLE WORLD ~ SYNERGY
INVISIBLE 002 (Barcode: 745604682862) ~ CZECH REPUBLIC ~ Jazz-World Fusion
Recorded: 2022 Released: 2023

This is the second album by Czech bassist / composer Tomas LiskaFind albums by this artist and his Invisible WorldFind albums by this artist quartet, which also includes Serbian accordionist Nikola ZaricFind albums by this artist, Turkish (resident in Vienna) violinist Efe TurumtayFind albums by this artist and Czech drummer / percussionist Kamil SlezakFind albums by this artist. The quartet is accompanied by the Prague Radio Symphony OrchestraFind albums by this artist, conducted by Bastien StilFind albums by this artist. The album, which was recorded live, presents four tracks, all original compositions by Liska.

The music is a wonderful amalgam of Jazz and diverse World Music elements, which include Balkan, Gypsy, Mediterranean and East European influences. Combined with the Orchestral arrangements present herein, the music offers an incredibly rich range of melodies, soundscapes and emotions, which takes the listeners on a musical carpet ride all over the European continent.

The members of the quartet are skillful instrumentalists, displaying their individual talents while soloing, but also offer a tight musical unit together, which elegantly moves from one theme to another and has no difficulty with the often tricky rhythmic patterns. The orchestral arrangements fit the music perfectly and add another dimension, but do not undermine the main course of the music.

Overall, this is a highly entertaining and elegant display of the composing abilities of the leader and the performing skills of the musicians, which should delight all Jazz-World Fusion connoisseurs, anywhere on this planet. Wholeheartedly recommended!

Updated: 31/10/2023Posted: 31/10/2023

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KOBYLINSKI / TRUFAZ ~ GIVE ME NOVEMBER
JAZOVIA ~ POLAND ~ Jazz
Recorded: 2017 Released: 2018

This is the debut album by a duo comprising of veteran Polish Jazz pianist / composer / bandleader / entrepreneur Krzysztof KobylinskiFind albums by this artist and French trumpeter Erik TruffazFind albums by this artist. The album presents nine original compositions, all by Kobylinski.

The music is all based on the strongly melodic themes, which are Kobylinski´s trademark, full of typical Polish melancholy and lyricism and often reflecting references to Polish Folklore. Some of these compositions appeared on earlier recordings by Kobylinski, but this intimate duo setting puts them in a different light and mood, and makes them worth revisiting.

Most of the improvisational artistry on this album is naturally performed by Truffaz, who is a proven Master of his instrument. On this album Truffaz demonstrates a mellow, melodic mood, as appropriate for the circumstances, but his playing is full of artistry and sensitivity. Kobylinski stays mostly in the background, accompanying the trumpet lead amicably, taking occasional solos as well. The duo works together well and manages to create a full musical experience, proving that the unusual piano / trumpet instrumentation is completely viable and artistically convincing.

Overall this is a enjoyable album, which emphasizes the gentle side of the Jazz idiom, well within the mainstream tradition, but offers an unusual instrumental setting and deeply melodic contents, which is accessible to a wide range of Jazz and Jazz related listeners.

Updated: 25/11/2018Posted: 25/11/2018

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LOPEZ & KADZIELA ~ AUGMENTATION
JAZZ ACTIVIST 05 (Barcode: 8428353600524) ~ SPAIN ~ Jazz
Recorded: 2016 Released: 2017

This is the debut album by the young European quartet co-led by Spanish (Galician) drummer Carlos LopezFind albums by this artist and Polish saxophonist Maciej KadzielaFind albums by this artist, with Spanish (well, Galician again) pianist Xan CamposFind albums by this artist and Swedish bassist Johannes VahtFind albums by this artist. The album presents eight original compositions, four composed by Lopez, three by Kadziela and one by Vaht.

The music is a wonderful example of young contemporary European Jazz, full of vigor and flare, based on melodic compositions but including an extensive degree of freedom, which enables novel improvisation and unexpected time signatures. The melodies are well structures and coherent harmonically, diverse stylistically and often include World Music influences, with some Iberian motifs clearly distinguishable.

The individual performances are all excellent, as expected form these well schooled and already quite experienced musicians. Fiery and inspired soloing and superb team work contribute to the overall result, which is a genuine pleasure to listen to.

Although most of these ensembles are created ad hoc in the burgeoning environment created at the Copenhagen´s Rhythmic Music Conservatory, where many excellent European musicians study, hopefully this quartet will come together to record and tour, as it is unquestionably too good to be a one time affair.

Definitely worth investigation and highly recommended for modern European Jazz connoisseurs!

Updated: 30/03/2018Posted: 30/03/2018

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JAN KOPINSKI / REFLEKTOR ~ MIRRORS
JAZZ SEVICES 005 (Barcode: 5020883990057) ~ UK ~ Jazz-World Fusion
Recorded: 2009 Released: 2011

This is a wonderful album by British (of Polish origin) saxophonist / composer Jan KopinskiFind albums by this artist, primarily know as a leader of the legendary Pinski ZooFind albums by this artist ensemble. The music on this album was commissioned by the Opera North in Leeds and serves as a basis of a multi-media show, which combines music and videos taken during Kopinski´s many travels in Poland. It also serves as his reexamination and mostly rediscovery of his Polish cultural ancestry. The ReflektorFind albums by this artist ensemble, which was assembled to bring this project into fruition, consists of pianist Steve IliffeFind albums by this artist, drummer Patrick IllingworthFind albums by this artist, his son Stefan KopinskiFind albums by this artist on bass, his daughter Janina KopinskiFind albums by this artist on viola and finally the opera singer Melanie PappenheimFind albums by this artist. The album presents ten pieces, nine of which are originals composed by Kopinski and one is a traditional song arranged by his daughter and performed as a solo viola epilogue.

The resulting music is a fascinating amalgam of Jazz, contemporary Classical music, folklore influences and Funky rhythms, which when combined achieve a stunning strength of expression. Jan´s free Jazz improvisations are beautifully balanced by the operatic vocals and serene viola passages. The piano and rhythm section change their allegiances in a chameleonic way, supporting the saxophone improvisation and the melodic themes interchangeably.

The Polish folklore sources are clearly present throughout the entire musical journey, obviously well absorbed during Kopinski´s travels in Poland with his Polish friend and musical collaborator pianist / composer Wojciech KonikiewiczFind albums by this artist. Although many Polish Jazz musicians often use Polish folklore as a source of their influence, Kopinski´s approach to this subject is amongst the most interesting and eventually successful of these efforts.

This is definitely one of the most successful, both aesthetically and intellectually, multicultural musical projects that I happened to come across in the last few years. It combines the best of many worlds, in a balanced, cultural, respectful way, which is a very rare phenomenon. I therefore recommend this album to all open-minded listeners, who are interested to cross over into the terra incognita only to surface enriched and fulfilled spiritually.

AHMAD JAMAL ~ BLUE MOON
JAZZ VILLAGE 57001 (Barcode: 3149027000123) ~ USA ~ Jazz
Recorded: 2011 Released: 2012

American pianist / composer Ahmad JamalFind albums by this artist seems to be completely immune to passing time and his career continues to flourish at the age of 82, a remarkable achievement by any standard. Of course one would never in their lives guess this album was recorded by a man of such advanced age, as his technique, flair and above all percussive approach to the instrument (which has always been his trademark) seem to be better than ever. He also contributes three new compositions with the rest being standards, but his innovative and imaginative interpretations change them almost beyond recognition. He is accompanied here by brilliant musicians: bassist Reginald VealFind albums by this artist, drummer Herlin RileyFind albums by this artist and percussionist Manolo BadrenaFind albums by this artist, all much younger than the Master, which of course does not interfere with the perfect interplay between them. Listening to this music has a strangely uplifting effect, especially to someone like myself, for whom Jamal´s music was always there as part of the soundtrack of his life. Perhaps this music is the elixir of life that keeps us going? Not to be missed, so forget the lame excuses and grab this!

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JEAN CLAUDE JONES ~ WITH FRIENDS
KADIMA COLLECTIVE 01 ~ ISRAEL ~ Jazz
Recorded: 2002 - 2003 Released: 2003

Jean Claude Jones (bass) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde / free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Harold Rubin (clarinet), Yuval Mesner (cello) and many others. This is a showcase of his skills as a player and improviser and an important document of the local scene.

JEAN CLAUDE JONES ~ WITH FRIENDS-DUOS II
KADIMA COLLECTIVE 02 ~ ISRAEL ~ Jazz
Recorded: 2004 Released: 2004

2nd volume of improvisational duos recorded by Jean Claude JonesFind albums by this artist with his friends in 2004 (with a few earlier pieces). As usual this music is highly intellectual, with very personal approach to inprovised free jazz. Friends include other Israeli improvisers (and members of the Kadima collective) like Harold RubinFind albums by this artist (clarinet), Gan LevFind albums by this artist (reeds), Daniel HoffmanFind albums by this artist (violin), a.m.o. A few guests from abroad are also present, like Ned RottenbergFind albums by this artist. Not easy music, but highly rewarding.

HAROLD RUBIN / JEAN CLAUDE JONES ~ MUSE & MUSIC
KADIMA COLLECTIVE 03 ~ ISRAEL ~ Jazz
Recorded: 2004 Released: 2005

This album documents the musical / spiritual meeting between the two leaders of the Israeli improvised music scene. Harold RubinFind albums by this artist started the movement on the late 1980’s, after his legendary group ZaviotFind albums by this artist disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude JonesFind albums by this artist (or J.C. to his friends) arrived on the scene at about the same time, playing with another legendary group KedmaFind albums by this artist (both Zaviot and Kedma released their albums on JazzisFind albums on this label Records). Later on Jones played with many different ensembles in the Jerusalem area, where he lives, and founded the Kadima CollectiveFind albums on this label – an association of improvising artists (cross-genre), which now independently releases various projects on record. Their path crossed many times over the years but they somehow failed to record together and this much overdue album puts things right at last. The intimate duo of clarinet and electro acoustic bass is the foundation of the music, with Harold reciting / voicing his poetry on top and Jones adding live electronics occasionally, all of those based on musical telepathy and interplay between the creators. This is intense stuff, requiring total attentiveness and open-mindedness, but for people who are willing to stretch out their intellectual muscles the rewards are infinite. Sadly, there is very little music of such quality being made anywhere in the wold these days.

JOSEF SPRINZAK / JEAN CLAUDE JONES ~ THE WORLD IS ROUND
KADIMA COLLECTIVE 04 ~ ISRAEL ~ Jazz

Both Sprinzak & Jones are members of the Kadima Collective - an umbrella organization of Israeli musicians formed to promote Free Improvised Music in Israel. Members originate from variety of music genres, i.e. classical , jazz & rock. Their work includes collaborations with poets and vocal artists. This album is an excellent example of such collaboration. Jones plays bass and electronics and Sprinzak delivers some amazing vocals, based on a story by Gertrude Stein. His artistic language is based on breaking words into syllables, using breathing techniques and extreme vocal production. The result is a kind of music played by the instrument of language. This is something for the more advaturous music lovers, avant-heads and people who enjoy a musical challenge.

GAN LEV ~ LANGUAGES
KADIMA COLLECTIVE 05 ~ ISRAEL ~ Jazz
Recorded: 2005 Released: 2005

Gan Lev is a renowned Israeli saxophonist. He is a graduate of the Manness College of Music in NY and studied in various European music Academies. An accomplished classical player he is a member of the Israeli Philharmonic, but his real love is jazz and improvised music. On this album he cooperates with bassist Jean Claude Jones, founder of the Kadima Collective. Playing a wide rage of saxophones (soprano, alto & baritone) Lev displays his exceptional technique and deep feel for the music. The duo performs 17 (mostly short) pieces, varying from clearly composed to totally improvised music. For the fans of the genre this is something to savor. It is heartwarming to see such unconventional and challenging music being released on record, thanks to the Kadima Collective initiative, well done!

TEMPERAMENTAL TRIO ~ RAW AND THE COOKED
KADIMA COLLECTIVE 06 ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2006

The Jerusalem based “Kadima Collective”, under the leadership of Jean Claude JonesFind albums by this artist, has been over the last few years a major source of new Israeli releases, all of which present the local improvised music scene, or what is often referred to as “weird jazz”. Jones and his cohorts create music which is totally free from any commercial / business aspects, which enables them total artistic freedom of expression. Temperamental TrioFind albums by this artist is Stephen HorensteinFind albums by this artist – baritone saxophone, Loic KessousFind albums by this artist – electronics and Jean Claude Jones – bass. They perform a series of collaborative compositions freely floating between free jazz, contemporary chamber music and electronic music. Highly emotional and absorbing, these sound collages are a demanding listening experience for open-minded and experienced listeners.

ARIEL LANYI ~ 31 BARS
KADIMA COLLECTIVE 07 ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2006

1st album by Israeli Jazz prodigy Ariel LanyiFind albums by this artist. It is extremely difficult to write anything about this album due to the fact that it probably is the most sensational jazz recording ever, considering the fact that Ariel was only 8 years old (YES EIGHT) when this music was recorded. Of course there are a few well-known piano prodigies in music’s history, but surely none of these played improvised music and free jazz. Ariel plays classical piano since the age of 4 and discovered jazz accidentally (at the tender age of 7) by pressing an Earl Hines link on the Net. He started to take lessons with Jean Claude JonesFind albums by this artist, leader of the Kadima Collective (a group of Israeli musicians dedicated to improvised music) and soon was discovered to possess exceptional gift for improvisation and a musical attitude of a matured musician. The music included here was recorded on several occasions live and in the studio during the months proceeding his 9th Birthday, when this album was released. The album contains mostly Ariel’s original compositions and improvisations, primarily because composition, free improvisation and Avant-Garde are the main attraction of jazz for him. The few standards that appear here are substantially altered, as appropriate for his genre. Some of the pieces are solo piano performances, others are duos with Israel’s most important improvisers (all of which could easily be Ariel’s grandfathers), like Harold RubinFind albums by this artist (clarinet), Jess KorenFind albums by this artist (sax), Jerry GarvalFind albums by this artist (drums) and Jean Claude Jones (bass). Whatever the starting point of each piece, they all show Ariel’s enthusiasm for free improvisation and his unique mixing of styles, ideas and influences. One thing is sure; nobody in this world would guess, by listening to this music without the knowledge of the facts, that this is a kid. The music is completely mature and exceptionally developed. It’s almost scary to imagine what this kid will be up to in a few years? Check it out for yourself!

Updated: 12/04/2019Posted:

JEAN CLAUDE JONES ~ HOSTING MYSELF
KADIMA COLLECTIVE 08 ~ ISRAEL ~ Jazz
Recorded: 2005 - 2006 Released: 2006

Jean Claude Jones is the leader and the driving force of the Kadima Collective, a group of Israeli musicians who practice free improvisations as their primary musical habitat. The Kadima Collective record label releases albums, which would have never seen the light of day in any commercial environment. This album is a perfect example of such a release. Jones recorded this album all by himself using only his bass and some electronic devices to create all the sounds. The music is all freely improvised of course and therefore completely adventitious, yet it makes perfect sense to a listener, who is ready to engage in the creative process with the Artist. The album includes only 3 tracks: The first and third tracks are excerpts of a live recording Jones made while the dancer Julyen Hamilton performed an improvised dance to his music. The second track (over 32 minutes long) is composed of 18 shorter episodes recorded in the studio over a period of several months. This is a bold and well-articulated statement by a seasoned and determined Artist, who remains restless and adventurous at all times. For listeners with positively opened ears only.

ARIEL SHIBOLET ~ UNTITLED (1959)
KADIMA COLLECTIVE 09 ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2006

This album brings together the Jerusalem based Kadima Collective member saxophonist Ariel Shibolet with four Bay Area Californians (Aurora Josephson – vocals, Jen Baker – trombone, Scott R. Looney – piano and Damon Smith – bass). The players got together one afternoon and performed the music captured here without any preparations in advance. “Natural, home-brewed, organic music” is what Shibolet calls it, and so it is. Of course the five players, being all free improvisers and familiar with the concept of spontaneity had no problem finding a common language creating music together. The result is quite surprising, presenting a wide range of musical concepts and interplay, all within the free jazz / contemporary improvised music vein. All track titles were given names of paintings by the great American artist Mark Rothko and the portraits of the players were drawn by Aurora – a nice touch pointing out the close relationship of different aspects of Art and Culture. Adventurous music for adventurous listeners.

HAROLD RUBIN ~ ONE VOICE
KADIMA COLLECTIVE 10 (Barcode: 634479548291) ~ ISRAEL ~ Jazz
Recorded: 2002 Released: 2007

If it wasn’t for the fact that Harold RubinFind albums by this artist (musician, painter and poet) lives and creates music in Israel, I’m pretty sure that he would have become one of the best-known icons of Avant-Garde jazz worldwide. Since I “discovered” Harold 20 years ago, he never ceased to amaze me every time I hear him play live or hear any of his recorded music. His absolutely unique approach to his instrument – the clarinet – and to music in general is phenomenal and in spite of his advanced age he is (to me) one of the most vigorous, adventurous and daring musicians on this planet. Although usually described as a free jazz player, his music can be movingly lyrical at times. He is able to express the entire range of human emotions, from peace and bliss to frenzy and rage. I really hope more people will discover his wonderful music in time. This recording captures Harold completely on his own for the first time (He usually plays in a trio / quartet setting and sometimes in duos). There is nothing else here but the man and his clarinet – the ultimate intimacy. Harold composed all the music included here, including the five part suite “A Quiet Place for Mr. K. K.” dedicated to King Kong, which he describes as follows: “It relates to a psychotic King Kong living in our now world, where brutality has become a way of life and fragile fragments of joy alleviate a terrifying sense of sadness”. I hope Harold’s music will become your “fragments of joy” forever.
Side Note: This is a reissue of this album on the Kadima CollectiveFind albums on this label label, replacing the original release done privately by Harold, which BTW is a rare collectors´ item by now.

Updated: 12/04/2019Posted:

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VARIOUS ARTISTS ~ WHITE NIGHT FESTIVAL 2006
KADIMA COLLECTIVE 11 (Barcode: 634479549090) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2007

The Annual “White Night” Festival in Tel Aviv is Israel’s only cultural event dedicated to Improvised Music and Free Jazz. It is a twelve-hour musical marathon promoting creative, improvised music and facilitating collaborations between Israeli Artists and artists from abroad. It also fosters the development of young musicians, exposing their work to the world.

The 2006 event was the second year this beautiful event took place and hopefully the tradition will continue in the years to come. This album presents a selection of magic moments captured live during the festival’s performances, all quite different from each other but all fascinating and worthy of preserving for posterity. The participants include all the important Israeli improvisers active on the local scene: Harold RubinFind albums by this artist, Jean-Claude JonesFind albums by this artist, Steve HorensteinFind albums by this artist, Ariel ShiboletFind albums by this artist, Vyacheslav GanelinFind albums by this artist, Albert BegerFind albums by this artist and the Spheres DuoFind albums by this artist. Visiting musicians from Europe and US include John TchicaiFind albums by this artist, Kinetic TrioFind albums by this artist (Poland) and others. This is an extremely important document of the Israeli Improvised Music scene and anybody open-minded enough to expose himself to some challenging musical experiences should enjoy this music immensely.

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ARIEL LANYI ~ ORIGAMI: PIANO SOLO
KADIMA COLLECTIVE 12 (Barcode: 634479580017) ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2007

2nd album by Israeli Jazz prodigy Ariel LanyiFind albums by this artist, 9 years old at the time this music was recorded. This time completely alone at the piano, without any guidance from his older peers, Ariel displays his exceptional talent even more forcefully then on his debut album. Out of the 10 tracks on this album, 7 are his own compositions / improvisations and just 3 are standards (by Duke EllingtonFind albums by this artist, John ColtraneFind albums by this artist and John LennonFind albums by this artist / Paul McCartneyFind albums by this artist). I really don’t know what to say here, except that this is scary stuff, when a 9 years old person displays the maturity and skills worthy of a fully grown up and accomplished musician. There are no gimmicks here, none whatsoever. Just the kid, his piano and the unbelievable music he makes. There is no way on earth (or above) that anybody listening to this music blindfolded could have guessed the age of the performer. I’m not a sappy sentimentalist, who looks for divine sources for inspiration, but there must be some kind of divine intervention here at work. The stuff Ariel can do at his current age are often never achieved by people ten times older then him who played piano their entire life. I know you don’t believe me – no problem – just listen.

ARIEL SHIBOLET / BETWEEN THE STRINGS TRIO ~ LIVE AT THE TEL AVIV MUSEUM
KADIMA COLLECTIVE 13 (Barcode: 634479391576) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2007

2nd album by Israeli saxophonist Ariel ShiboletFind albums by this artist, this time in cooperation with the Between The Strings TrioFind albums by this artist (Jean Claude JonesFind albums by this artist – bass, Daniel HoffmanFind albums by this artist – violin and Nori JacobyFind albums by this artist – viola), recorded live at the Tel Aviv Museum. The concert includes three parts, starting with a solo soprano saxophone performance by Ariel, continued by a piece by the string trio and concluded by a quartet performance by Ariel with the trio. Over 61 minutes of purely improvised music, challenging and difficult as always, but deeply rewarding to the disciples of the genre. Ariel’s playing is deeply rooted in the tradition of the late period John ColtraneFind albums by this artist, Steve LacyFind albums by this artist and Eric DolphyFind albums by this artist, based on complete control of the instrument, virtuosity and of course relentless passion. The balance between Ariel and the string trio, as well as their cooperative group improvisation is truly inspiring. Contrary to popular opinion improvised music is definitely still alive and kicking, and the fact that it still thrives here in Israel (although abandoned in other places) makes me especially proud, proving the multi-cultural openness of our society.

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JEAN CLAUDE JONES ~ RECOMP
KADIMA COLLECTIVE 14 (Barcode: 634479745652) ~ ISRAEL ~ Jazz
Recorded: 1997 - 2007 Released: 2008

Israeli bassist and Improvised Music pioneer Jean Claude JonesFind albums by this artist revisits eleven musical pieces recorded live and in studio over a period of ten years, performing, what he calls recomposition of the pieces. In his own words: “As opposed to mere editing, recomp involves the deconstruction, subtraction, rearrangement, and reconstruction of the material. It not only changes the sequencing, but it radically affects the feeling and the flow of the music. It also changes the texture of the weave, the voice of the team, and the original intention, revealing new connections, transitions, and possibilities”. The pieces are duos and trios played with other Israeli Improvised Music musicians like Harold RubinFind albums by this artist (clarinet), Steve HorensteinFind albums by this artist (flute, bass clarinet & saxophone), Daniel HoffmanFind albums by this artist (violin) and others. One duet with world-famous Israeli bass player Avishai CohenFind albums by this artist is also included. As usual, this is very difficult music, suitable for enthusiasts of the genre, but also an extremely rewarding intellectual experience. It’s good to see some people still treating music as Art and not a commercial commodity.

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TANAKA ~ LITHP
KADIMA COLLECTIVE 15 ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2008

2nd album by Israeli Improvised Music quartet TanakaFind albums by this artist, which consists of Adi SnirFind albums by this artist (soprano & tenor saxophone, clarinet), Roni BrennerFind albums by this artist (guitar), Michel MayerFind albums by this artist (guitar) and Ofer BymelFind albums by this artist (drums). These four young musicians play some of the most extreme Improvised Music I ever came across, which is pretty unique and astounding, but extremely difficult and uncommunicative. The music bears some resemblance to musique concrete, incidental music and industrial. The album consists of a series of 13 relatively short pieces and one extended performance, with the musicians using their instruments in completely unconventional manner and the overall result is very difficult to describe, especially to people who have no experience with hard-core Avant-Garde music. Nevertheless adventurous listeners might find this stuff fascinating and it does expand the borders of “music making”, which is always commendable. This stuff is for people, who are extremely open-minded and ready to test their intellectual capacity, regardless of the effort this requites.

Updated: 12/04/2019Posted:

JOËLLE LÉANDRE / BARRE PHILLIPS ~ A L`IMPROVISTE
KADIMA COLLECTIVE 16 (Barcode: 634479752964) ~ FRANCE ~ Jazz
Recorded: 2007 Released: 2008

French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. Her partner for this recording is no other than another bass virtuoso – American born (but living in France since the early 1970s) Barre PhillipsFind albums by this artist, one of the most esteemed Free Jazz and Improvised Music players, with a career stretching back to the 1960s and cooperation with such great musicians like John SurmanFind albums by this artist, Derek BaileyFind albums by this artist, Paul BleyFind albums by this artist and many others. His ECM album with Dave HollandFind albums by this artist “Music From Two BassesFind albums with this title” was the first bass duo recording (1971), which brings us to this superb duet. Excellently recorded by the French Radio, the music is a completely improvised set, full of beautiful conversations and exchanges between the players, who display almost telepathic contact. Full of deep feeling and lyricism, but always inspired by the fire and passion for the music, the duo performs some incredible music, which although demanding, is most enjoyable. It is a great example of how Improvised Music can stay being Avant-Garde in nature, but become mature and technically flawless. Highly recommended to lovers of acoustic bass and challenging musical experiences.

Updated: 12/04/2019Posted:

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JOËLLE LÉANDRE ~ LIVE IN ISRAEL
KADIMA COLLECTIVE 17 (Barcode: 634479851179) ~ FRANCE ~ Jazz
Recorded: 2007 Released: 2008

French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. In 2007 Joëlle visited Israel and her live performances there have been recorded and are now issued on this double CD. The first CD includes 7 solo bass (and voice) performances and the second CD offers her playing in duo, trio and sextet settings with the top Israeli Improvised Music artists: Jean Claude JonesFind albums by this artist – bass, Steve HorensteinFind albums by this artist – baritone and soprano sax, flute, Sameer MakhoulFind albums by this artist – oud and voice, Assif TsaharFind albums by this artist – bass clarinet, Daniel SaridFind albums by this artist – piano, Hagai FershtmanFind albums by this artist – drums, Albert BegerFind albums by this artist – tenor sax and Ariel ShiboletFind albums by this artist – soprano sax. These wonderful musical moments are some of the highlights of the Improvised Music created in Israel, a small but quite lively scene led by Jones and consistently documented on his Kadima CollectiveFind albums on this label label. Connoisseurs of the genre will be quite delighted to hear this stuff.

IDO BUKELMAN ~ THE DOOR
KADIMA COLLECTIVE 33 (Barcode: 7290011216009) ~ ISRAEL ~ Jazz
Recorded: 2011 Released: 2011

This is the second solo recording by Israeli guitarist / composer Ido BukelmanFind albums by this artist, one of the most prolific musicians on the local Free Jazz / Improvised Music scene. In contrast to his ensemble recordings or those with the EFTFind albums by this artist trio, where he mostly plays electric guitar, on his solo albums Bukelman opts for the acoustic guitar, adding also banjo and some percussion on this one. Of the eleven tracks on this album, all composed by him, the last six are connected into a suite, which gives the album its title. In comparison to his previous solo album ("SoloFind albums with this title"), recorded just a few months earlier, this album is much more relaxed and "well behaved", with clear melodic content popping out between and behind the freely improvised passages. Of course this is still very much Improvised Music, very personal and complex, which presents quite a challenge to the listener, but the overall effect of this album is definitely less stressful and estranging. With four albums recorded and released in less than a year Bukelman emerges as a major talent of the local scene, one that deserves to be followed carefully, open-mindedly and openheartedly as a source of some serious musical experiences. Hopefully there will be an audience open-minded enough to enjoy and appreciate this music.

CD 1 Mini-Sleeve Recommend To A Friend

	WIGWAM ~ FAIRYPORT LOVE 44/ 45 ~ FINLAND ~ Progressive Rock 3rd album from 1971 (originally a double LP now on 1 CD) by this band, which hits it right where it should - your heart. Absolutely brilliant material with help from Jukka Tolonen, Finland`s greatests guitar player. After the initial phase of searching on this album the bands reaches full maturity and creates a true Prog gem.
	CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

TASAVALLAN PRESIDENTTI ~ TASAVALLAN PRESIDENTTI
LOVE 007 (Barcode: 6417732010070) ~ FINLAND ~ Progressive Rock
Recorded: 1969 Released: 2003

1st album by the great Finnish Prog group Tasavallan PresidenttiFind albums by this artist. It included some of the most talented young Finnish musicians, including Jukka TolonenFind albums by this artist on guitar, Juhani AaltonenFind albums by this artist on sax & flute (who was to become on the the leaders of the Finnish jazz scene) and his brother Vesa on drums. They play a beautiful mixture of Prog, jazz and folk, which at that time was truly innovative and unigue. A historical landmark!

CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

	WIGWAM ~ HARD N` HORNY LOVE 009 ~ FINLAND ~ Progressive Rock 1st album from 1969 by this seminal Finnish Prog band, which is considered by many as one of the finest of all. Wigwam was a breeding ground for the greatest Finnish musicians to come, like Pekka Pohjola who plays bass on the second album. Heavy organ sound resembles Procol Harum.
	CD 1 Oversampling Remastered Recommend To A Friend

OTTO DONNER TREATMENT ~ EN SOISI SEN PÄÄTTYVÄN
LOVE 014 ~ FINLAND ~ Jazz & Poetry

Finns have not only great respect for their musicians, but also for their poets and therefore they produced a large body of work where music and poetry are combined. This is one of such projects for which the composer / arranger Otto DonnerFind albums by this artist created music to poems by Pentti SaarikoskiFind albums by this artist to be performed by a vocal group and jazz ensemble. Recorded in 1970, this excellent example of Finnish jazz includes some of the best players on the local scene at the time (Juhani AaltonenFind albums by this artist - tenor sax & flute, Esko RosnellFind albums by this artist - drums, a.m.o.). Donner plays trumpet & vibes and directs the whole project.

The music is typical European jazz of the period, melodic but complex and constantly surprising. The composer also cleverly includes shades of Finnish folk music in the background of the compositions. The album includes 18 short pieces, all quite different, but flowing naturally into one coherent suite. The group vocals resemble the European vocal jazz tradition as demonstrated by the French group Les Double SixFind albums by this artist or NOVIFind albums by this artist from Poland. Sublime music for people with highly developed and sensitive taste glands.

Updated: 08/06/2020Posted:

CD 1 Remastered Recommend To A Friend

WIGWAM ~ TOMBSTONE VALENTINE
LOVE 019 (Barcode: 6417732010193) ~ FINLAND ~ Progressive Rock
Recorded: 1970 Released: 2003

2nd album by the seminal Finnish Prog band WigwamFind albums by this artist, which is considered by many as one of the finest of all. Wigwam was a breeding ground for the greatest Finnish musicians to come, like Pekka PohjolaFind albums by this artist who plays bass on this lbum. Heavy organ sound resembles Procol HarumFind albums by this artist.

CD 1 Oversampling Remastered Recommend To A Friend

JUKKA TOLONEN ~ TOLONEN!
LOVE 047 ~ FINLAND ~ Progressive Rock

1st album from 1971. Finnish guitar hero shines on the guitar, playing his own compositions with a host of friendly guest musicians, including the brilliant Pekka Pohjola on bass. His solo albums were recorded while he was a member of the group Tasavallan Presidentti, and they are the proof of his status as one of the greatest masters of the guitar.

CD 1 Oversampling Remastered Recommend To A Friend

	TASAVALLAN PRESIDENTTI ~ LAMBERTLAND LOVE 060 ~ FINLAND ~ Progressive Rock 2nd album from 1972. Alongside Wigwam, Tasavallan Presidentti were the other great Prog group from Finland and the home of one of the best Scandinavian guitarists - Jukka Tolonen. Great melodies and a gentle jazzy touch make this one a true classic.
	CD 1 Oversampling Recommend To A Friend

PEKKA POHJOLA ~ PIHKASILMA KAARNAKORVA (RESINEYE BARKEAR)
LOVE 071 (Barcode: 6417732010711) ~ FINLAND ~ Progressive Rock
Recorded: 1972 Released: 2002

1st solo album by the brilliant Finnish Prog musician / composer Pekka PohjolaFind albums by this artist, presenting the first of his extended suites, to be followed by many more. Brilliant compositions and superb playing all over by the band, which includes the best Finnish Prog musicians. Pohjola`s extraordinary talent as player and composer were soon to be recognized outside of his home country, when he joined the Mike OldfieldFind albums by this artist´s group.

CD 1 Oversampling Remastered Recommend To A Friend

JUKKA TOLONEN ~ SUMMER GAMES
LOVE 091 ~ FINLAND ~ Progressive Rock
Recorded: 1973

2nd album by great Finnish guitarist Jukka TolonenFind albums by this artist. Tolonen plays some incredible guitar licks here, accompanied by the top Finnish jazz musicians, which gives the album a much jazzier feel then his debut effort. Great compositions (all by Tolonen himself) and impressive soloing all way through make this a gem that gets better with time.

CD 1 Oversampling Remastered Recommend To A Friend

	TASAVALLAN PRESIDENTTI ~ MILKY WAY MOSES LOVE 102 ~ FINLAND ~ Progressive Rock 3rd album from 1974. Slightly more jazzy then the first two, with great opportunities for Tolonen to display his mastery on the guitar. Another classic example of the wonders of Scandinavian Prog.
	CD 1 Recommend To A Friend

	JUKKA TOLONEN ~ THE HOOK / HYSTERICA LOVE 113/149 ~ FINLAND ~ Progressive Rock 3rd & 4th albums from 1974 & 1975 on 1 CD. More guitar virtuosity from this great Finnish player with a host of guests from the Finnish Prog and Jazz elite. Wonderful compositions and some of the best guitar sounds ever recorded.
	CD 1 Recommend To A Friend

PEKKA POHJOLA ~ HARAKKA BIALOIPOKKU (B THE MAGPIE)
LOVE 118 ~ FINLAND ~ Progressive Rock

2nd solo album from 1974 by this brilliant Finnish musician, known as the bass player of the legendary group Wigwam. Fantastic music in the Jazz-Rock vein performed by the cream of Finnish musicians of that period. Extended compositions and improvisations. This was the first Finnish album to be also released in UK (on the Virgin label) due to the fact that Pekka was a member of Mike Oldfield`s band.

CD 1 Oversampling Remastered Recommend To A Friend

JUHANI AALTONEN ~ ETIQUETTE
LOVE 119 ~ FINLAND ~ Jazz
Recorded: 1974

Debut album by one of the greatest European jazz players - Finnish virtuoso Juhani AaltonenFind albums by this artist. The album presents Aaltonen`s incredible range of instruments: tenor and alto saxophones and a wide selection of flutes, all of which he handles with exquisite elegance and total control. The settings vary from solo to quintet and the music is European free jazz - intelligent, sophisticated, provocative and beautifully structured. Other superb Finnish musicians, including the legendary Edward VesalaFind albums by this artist on drums and the divine Pekka SarmantoFind albums by this artist, who is (for me) one of the best bass players on this planet, accompany the leader. This music is typical of European free jazz in the early 1970`s, when cross-country cooperation flourished. Aaltonen and Vesala were used to play with German, Polish and other European musicians, swapping influences, ideas and cultural backgrounds and creating a new amalgam of the jazz Art Form, which was aeons ahead of its time and remains the most advanced achievement of the genre to this day. This album is an absolute must for people with two ears and any substance between them.

CD 1 Oversampling Remastered Recommend To A Friend

OLLI AHVENLAHTI ~ BANDSTAND
LOVE 126 ~ FINLAND ~ Jazz

Debut album by the brilliant Finnish keyboards player, recorded in 1975. Ahvenlahti studied music at the Helsinki Sibelius Academy and later at the Berklee College of Music in Boston. Upon his return to Finland, he formed a superb quintet with Swedish trumpeter Bertil Löfgren and Finnish jazz masters - Pekka Pöyry (sax), Pekka Sarmanto (bass) and Esko Rosnell (drums) – and recorded this debut album, for which he wrote all the music. Strongly influenced by the jazz / rock and jazz / funk movements, he masterly incorporated those influences with European melody lines, creating a set of wonderfully melodic and yet beautifully swinging tunes, performed with taste and gusto by the quintet. The album flows easily, although the music is anything but trivial. For people who love melodic jazz, masterly executed, this album will prove a continuous source of pleasure for years.

CD 1 Oversampling Remastered Recommend To A Friend

	WIGWAM ~ NUCLEAR NIGHTCLUB LOVE 129 ~ FINLAND ~ Progressive Rock 6th album from 1975. This one was made without Pohjola, who left the band to pursue a brilliant solo career. Slightly `lighter` then the earlier albums, but still excellent. Remastered.
	CD 1 Recommend To A Friend

FINNFOREST ~ FINNFOREST / LAHTO MATKALLE
LOVE 136/193 (Barcode: 6417732011367) ~ FINLAND ~ Progressive Rock
Recorded: 1975 - 1976 Released: 1998

1st & 2nd albums on 1 CD by the great Finnish Jazz-Rock band FinnforestFind albums by this artist. First version of Finnforest was a trio and the second a quartet, with Jukka LinkolaFind albums by this artist, one of the most important Finnish jazz musicians. Both albums are brilliant and sound today as fresh as at the time they were recorded.

MIKE KOSKINEN ~ SUNWEBS
LOVE 157 ~ FINLAND ~ Jazz

Like most of his countrymen jazz masters Mike KoskinenFind albums by this artist started his jazz apprenticeship by playing free jazz on the burgeoning Finnish scene with musicians like Edward VesalaFind albums by this artist, Paroni PaakkunainenFind albums by this artist, Eero KoivistoinenFind albums by this artist and Heikki SarmantoFind albums by this artist. His excellent trumpet technique and tone (obviously influenced by Miles DavisFind albums by this artist) made him a welcome guest at the many jam sessions in Helsinki jazz clubs and recording sessions.

In the early 1970’s Koskinen went to the US to study jazz at the Berklee College of Music (inspired by Heikki Sarmanto, who also attended that school). Upon his return to Finland in 1975, he gathered some of the best local musicians to form a Quintet and record his debut album as a leader. The players include the excellent sax player Pekka PöyryFind albums by this artist, drummer Reino LaineFind albums by this artist and pianist Vladimir ShafranovFind albums by this artist (one of several Eastern European jazz refugees living in Finland). Old buddy Juhani AaltonenFind albums by this artist (and other musicians) guests on two tunes.

All the music was written by Koskinen and can be best described as post-Coltrane hard-bop with distinct Art BlakeyFind albums by this artist / Miles Davis / Wayne ShorterFind albums by this artist influences, but as always with European jazz it is more intricate and incorporates slight folk motifs into the jazz tapestry. The melodies are memorable and the musicians change tempo and mood to fit the atmosphere of the tune at hand with masterly sensitivity. A great jazz album for all seasons!

Updated: 08/06/2020Posted:

CD 1 Oversampling Remastered Recommend To A Friend

JUHANI AALTONEN / OTTO DONNER ~ STRINGS
LOVE 160 ~ FINLAND ~ Jazz

Don`t let the album`s title fool you – this is by no means one of those sugary “jazz & strings” albums – no way. This is a masterpiece created by Finland`s greatest jazz player – Aaltonen - and greatest jazz composer / arranger – Donner, designed as an exercise in “easy listening”. Of course the “easy listening” those two gentlemen create is anything but easy! Donner composed a series of compositions, which serve as a basis for Aaltonen`s beautiful improvisations. The “background” music is performed by some of the best Finnish jazzmen at the time, including Esko Linnavalli on electric piano and Esko Rosnell on drums, with intricate string arrangements. Aaltonen plays “on top” of these compositions, sometimes very melodically, sometimes quite freely, with a wonderful passion and superb zest. This is heavenly music, which remains with you for lifetime and unveils new layers of pleasure every time.

CD 1 Oversampling Remastered Recommend To A Friend

	WIGWAM ~ THE LUCKY GOLDEN STRIPES AND STARPOSE LOVE 166 ~ FINLAND ~ Progressive Rock 7th album from 1976. Although more rock oriented, still very good album with excellent melodies and great musicianship.
	CD 1 Recommend To A Friend

OLLI AHVENLAHTI ~ THE POET
LOVE 168 ~ FINLAND ~ Jazz

Recorded just a year later (1976) after his debut album, this album continues where the previous one left off. Ahvenlahti wrote all the music and the beautiful arrangements. The trumpet player is now the Finn Markku JohanssonFind albums by this artist and the line up was extended to a nonet, including the master sax player Eero KoivistoinenFind albums by this artist, Bertil StrandbergFind albums by this artist on trombone and a couple of percussion players. This expanded line-up allows for more advanced brass arrangements and more soloing by the players. The mood is still very “cool”, with gorgeous melodies and pulsating rhythms. In years the album has become a classic and young Finnish jazz musicians studied it as a model for their own jazz development. Thirty years after it was recorded, this sound today every bit as fresh and inspiring as it was at the time of its release. A must!

CD 1 Oversampling Remastered Recommend To A Friend

EERO KOIVISTOINEN ~ THE FRONT IS BREAKING
LOVE 188 ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1976

Apart from Edward VesalaFind albums by this artist, Eero KoivistoinenFind albums by this artist is probably the most well known Finnish jazz musician outside of his native country, due to his US residency and numerous recordings around the world. Deeply influenced by John ColtraneFind albums by this artist, he started his jazz adventure playing free jazz in cahoots with Edward Vesala and Pekka SarmantoFind albums by this artist as early as 1964 (which was about the time European free jazz was developing fiercely). Later on he moved away from free jazz and concentrated more on structured and carefully composed music. By the time this album was recorded, the jazz world was deeply involved in the Jazz-Rock Fusion explosion, following Miles DavisFind albums by this artist’ pioneering work in the field and later on groups like John McLaughlinFind albums by this artist’s Mahavishnu OrchestraFind albums by this artist. Inspired by these developments, Koivistoinen decided to record a fusion album, for which he composed the music. The carefully assembled a dreamy combo to record the music, in which he gathered the best Scandinavian musicians from both the jazz and Progressive Rock genres, including Esko RosnellFind albums by this artist (drums) and Olli AhvenlahtiFind albums by this artist (piano) – Finland / jazz, Jukka TolonenFind albums by this artist (guitar – Tasavallan PresidenttiFind albums by this artist) and Pekka PohjolaFind albums by this artist (bass – WigwamFind albums by this artist) – Finland / Prog and Wlodek GulkowskiFind albums by this artist (keyboards) and Georg WadeniusFind albums by this artist (guitar – Blood, Sweat & TearsFind albums by this artist) - Sweden (well Gulkowski was a Polish refugee) / Fusion. The result is surely one of the best, most sophisticated and musically uplifting fusion albums ever recorded and an absolute must for any fan of the genre. This was to be the only fusion album Koivistoinen would record, as he returned to “pure” jazz soon after.

CD 1 Oversampling Remastered Essential Recommend To A Friend

EDWARD VESALA ~ RODINA
LOVE 189 ~ FINLAND ~ Jazz
Recorded: 1976

For almost four decades, until his untimely death in 1999, Edward VesalaFind albums by this artist was one the leaders of the European jazz scene with dozens of recordings to his credit (as leader and sideman). His phenomenal talent as a drummer, composer, bandleader and trendsetter made him a pivotal figure and his status was truly legendary. This recording is one of the highlights of his illustrious career. It is a suite for a large jazz ensemble, which incorporates modern jazz idioms with Eastern European folk motifs. Vesala collected for this project the creme de la creme of the Finnish jazz scene, with such illustrious names as Juhani AaltonenFind albums by this artist (sax & flute), Esa HelasvuoFind albums by this artist (piano), Pekka SarmantoFind albums by this artist (bass) and two phenomenal Polish jazz musicians: Tomasz StankoFind albums by this artist (trumpet) and Tomasz SzukalskiFind albums by this artist (sax), with whom he played many times before in the Polish / Finnish quartet. The vocal talents of Irina MilanFind albums by this artist are also featured on some tracks. The music is truly majestic, floating constantly between melodic themes, solos by the individual instrumentalists and group improvisations. It leaves the listener awestruck and humble, following a larger then life soundtrack of wonders. A modern jazz icon and an absolute must in any decent jazz collection.

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

	PEKKA POHJOLA ~ KEESOJEN LEHTO (THE MATHEMATICIAN`S AIR DISPLAY) LOVE 219 ~ FINLAND ~ Progressive Rock 3rd solo album from 1976 by this brilliant Finnish Prog musician, recorded while Pekka was playing with Mike Oldfield, who also co-produced this album. Wonderful music and a stellar cast of players (including Pierre Moerlen from Gong) make this one an absolute classic.
	CD 1 Remastered Recommend To A Friend

	WIGWAM ~ DARK ALBUM LOVE 227 (Barcode: 6417732012272) ~ FINLAND ~ Progressive Rock Recorded: 1977 Released: 1991 8th and last album by the brilliant Finnish Prog group WigwamFind albums by this artist. Very good and more Prog again, although the least known of all their releases.
	CD 1 Bonus Tracks Recommend To A Friend

	JUKKA TOLONEN ~ A PASSENGER TO PARAMARIBO LOVE 231 ~ FINLAND ~ Progressive Rock 5th album from 1977 by this great Finnish guitarist. This one is a Jazz-Rock-Fusion effort, with many fabulous Finnish musicians. Great guitar solos and improvisations by all the group`s members.
	CD 1 Recommend To A Friend

MAKE LIEVONEN ~ MAKE LIEVONEN
LOVE 237 ~ FINLAND ~ Jazz-Rock Fusion

Debut album by Finnish bass player and composer Make Lievonen recorded in 1977. Heavily influenced by Weather Report, Lievonen wrote the music for this album to reflect the jazz / rock fusion experience to the extreme. Based on the sax / keyboards interplay (as in WR), but less funky, the emphasis here is strongly on the wonderful atmospheric compositions, which are truly awe-inspiring. The best Finnish jazz players take part on this project, with Pekka Pöyry handling the sax parts, Olli Ahvenlahti the keyboard parts and Esko Rosnell in charge of the drums. In addition guitarist Juha Björninen adds some nifty solos, being in charge of the rocky part of the music. Sax / flute player Pentii Lahti, moog player Esa Kotilainen and several other superb musician participate on same tracks. Imagine the energy and virtuosity of US fusion bands combined with the European genius to compose uplifting and intricate melody lines and you can imagine how this album sounds. An absolute must to any fusion fan around the globe!

CD 1 Oversampling Remastered Recommend To A Friend

	WIGWAM ~ LIVE MUSIC FROM THE TWILIGHT ZONE LOVE 517 ~ FINLAND ~ Progressive Rock 5th album from 1974, originally a 2LP set, captures the group live during a tour in Finnish clubs. This album marks the end of the first incarnation of the group.
	CD 1 Recommend To A Friend

	WIGWAM ~ FRESH GARBAGE-RARITIES 1969-1977 LOVE 626 ~ FINLAND ~ Progressive Rock A great 2CD collection of previously unreleased material documenting the band`s entire history and output. Brilliant live tracks and rare studio tracks. A real treat.
	CD 2 Recommend To A Friend

	WIGWAM ~ BEING LOVE 92 ~ FINLAND ~ Progressive Rock 4th album from 1973, with many guests musicians and jazzy feel. Excellent, as all the earlier ones, and considered to be their greatest ever. On this album Wigwam reached the peak of their creative power and created one of the classic Prog albums of all times.
	CD 1 Oversampling Remastered Recommend To A Friend

LOVE AND BEAUTY SEEKERS ~ ZAR
LOVE & BEAUTY 01 (Barcode: 5707471048733) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2015 Released: 2016

This is the debut album by young Polish trio Love And Beauty SeekersFind albums by this artist, which consists of saxophonist Jedrzej LagodzinskiFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist and drummer Szymon GasiorekFind albums by this artist. The album presents eleven original compositions, five of which were composed by Lagodzinski, four by Pospieszalski and two by Gasiorek.

I had the pleasure to hear the trio live a couple of times in 2015, first in a small club in Krakow and than as guests of my Singer Jazz Festival in Warsaw, and was very impressed by the music they create. This album captures this music very authentically and presents one of the most interesting new ensembles on the Polish scene, even though as of now they reside in Copenhagen, where they still attend the local Music Conservatory.

The music of the trio is a unique amalgam of Free Jazz, Improvised Music, Punk and Romanticism, which results in an incredibly fascinating, vibrant and fresh sound and attitude. Although the music includes a lot of freedom and space, it also features beautiful melodic themes and coherent development of the compositions, in complete contrast to the chaos and mayhem that usually characterizes Avant-Garde music. The trio uses a plethora of effects, toys and other paraphernalia to create sounds that ornament their basic trio sound, which also broadens the overall result.

The individual contributions by all the trio members are absolutely perfect within the framework of their music. They are all equal partners and the trio is not a saxophone player accompanied by a rhythm section, but three musicians who play different instruments and create music together. Lagodzinski elegantly moves between playing gentle melodic themes and blowing his horn wildly, Pospieszalski switches between clear bass lines to freely improvised multi-tempo passages and Gasiorek, as appropriate for a gifted drummer, plays anything but basic rhythmic patterns, simply moving all over the place and creating layers of percussive embellishments.

Polish Jazz is a very fertile soil for Free Jazz / Improvised Music and the number of individual musicians and ensembles working within the framework of the Avant-Garde scene is stupefying. And yet this ensemble definitely stands out as a surprising contestant to the veterans of the genre with this mind blowing debut. I am already highly curious as to their next release, hoping it will be a worthy follow up to this debut effort, which won´t be easy to beat or even match easily. Respect!

Updated: 12/04/2019Posted: 04/01/2017

CD 1 Digipak Recommend To A Friend

PIMPONO ENSEMBLE ~ HOPE LOVE PEACE FAITH
LOVE & BEAUTY 02 ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is a brilliant debut album by an international Jazz ensemble from Copenhagen, called Pimpono EnsembleFind albums by this artist, led by young Polish drummer / composer Szymon GasiorekFind albums by this artist (a.k.a. Pimpon), who is also a member of the excellent Polish trio Love And Beauty SeekersFind albums by this artist. The other members of the ensemble, which is a nonet, includes also the two remaining members of Love And Beauty Seekers, saxophonist Jedrzej LagodzinskiFind albums by this artist and bassist Franciszek PospieszalskiFind albums by this artist, as well as another Polish bassist Tomo JacobsonFind albums by this artist and Scandinavian musicians: trumpeter Gustav BjerreFind albums by this artist, saxophonist Tobias PfeilFind albums by this artist, tuba player Rasmus Kjaergard LundFind albums by this artist, guitarist Emil PalmeFind albums by this artist, and a third bassist Lui Severin FalkentorpFind albums by this artist. Three guest musicians appear on selected tracks. The ensemble performs eight original compositions, all by Gasiorek.

The music is a fascinating amalgam of modern influences, wildly diverse and ranging from Minimal Music to Free Jazz / Improvised Music, combined coherently and skillfully by the composer, who also makes a brilliant use of the large ensemble, which is sadly very rarely done these days. It is truly amazing to find such a mature piece of music conceived and executed by such young musicians. The music changes moods and atmospheres from one piece to another and also within each piece and the listener is unable to predict what might happen next, which of course turns this into a fascinating listening experience.

This album demonstrates the power of expression and the sophistication of music written and executed by large ensembles, which enables a wide sonic spectrum, a stylistic diversity and of course the inclusion of many soloists playing often in parallel, improvising concurrently. There is of course place for beautiful melodic themes and harmonic arrangements, but these are not the core of the music, only a part of the palette the composer uses to build up his sonic world.

Although this might sound a bit of an overstatement, this album could serve as a text book example of what modern Jazz composition for large ensembles is all about. Therefore my wholehearted recommendation for musicians involved in this area is to get a copy of the album ASAP. Connoisseurs of modern Jazz, who are open-minded and love adventurous music, should find this album a stunning listening experience. Kudos!

Updated: 13/01/2017Posted: 13/01/2017

CD 1 Digipak Recommend To A Friend

LOVE ~ E BIK DANGAM LAN
LOVE & BEAUTY 03 (Barcode: 5707471051313) ~ POLAND ~ Avant-Garge Pop
Recorded: 2016 - 2017 Released: 2017

This is the debut album by the ensemble LOVEFind albums by this artist, led by Polish (resident in Denmark) saxophonist / composer Jedrzej LagodzinskiFind albums by this artist, who is also a member of the Love And Beauty SeekersFind albums by this artist trio. The ensemble includes two additional Polish musicians: bassist Tomo JacobsonFind albums by this artist and drummer Szymon GasiorekFind albums by this artist and three Scandinavian musicians: vocalist Lo ErsareFind albums by this artist, tuba player Rasmus Kjaergard LundFind albums by this artist and pianist Petter RylenFind albums by this artist. The album presents eight original compositions, all by the leader.

The music is an amalgam of contemplative chants / songs and passages of Jazz improvisations based on the basic melodies. The unusual instrumentation and overall stylistic aesthetic creates a dreamlike continuity, which moves from one track to another, with long quiet passages which build up to a crescendo eruptions and then return again to more melodic and quiet moments. The music has some characteristic of a religious / spiritual ceremony and the poems used as part of the lyrics emphasize that atmosphere.

The problem with albums like this one is that it might appeal to a very limited audience, as it falls between categories: it is not a Jazz album per se and it is not a meditation / relaxation album as well. In short, only open-minded listeners, who like surprises and adventure in the music they listen to, might love listening to it. Personally I´ve had a great fun listening to this album and recommend it to my fellow unconventional music lovers.

Based on his recording activity Lagodzinski clearly emerges as a versatile composer / instrumentalist and is certainly worth being closely watched in the future, as his output so far is definitely very promising.

Updated: 26/05/2017Posted: 26/05/2017

CD 1 Digipak Recommend To A Friend

ALFONS SLIK ~ NIE PRZEJMUJ SIE
LOVE & BEAUTY 06 ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019

This is the debut album by Avant-Garde Polish Jazz duo Alfons SlikFind albums by this artist, consisting of pianist / composer Grzegorz TarwidFind albums by this artist and drummer / composer Szymon GasiorekFind albums by this artist. The album presents nine original compositions, three composed by Tarwid, two by Gasiorek and four co-composed by them both. In addition to the obvious piano and drums the duo utilizes some spoken word parts on three of the tracks, which are on the borderline of Jazz & Poetry / Rap.

The music is everything the listeners familiar with the work of these two brilliant young musicians (separately and collectively) might expect, and beyond. Although definitely unconventional and innovative, and therefore Avant-Garde, the music is not missing some melodic touches and coherent continuity. The total playing time of just under half an hour is a wise decision in this case as the intensity and diversity of the musical content is mercilessly multifarious and complex.

Piano and drums duet is surely not a typical musical setting, especially when both instruments receive a completely equally important role within the music. The dialogue the two partners are able to develop herein is truly spectacular and rarely present elsewhere.

Overall this is a fascinating musical adventure, which stands apart from most Avant-Garde projects in Polish / European Jazz. Paraphrasing on an old slogan, this is Avant-Garde with a human face, which rather than alienating the listener tries to bring him into the music and embrace it. This little gem is absolutely wholeheartedly recommended!

Updated: 27/03/2020Posted: 27/03/2020

CD 1 Digipak Recommend To A Friend

PIMPONO ENSEMBLE ~ SURVIVAL KIT
LOVE & BEAUTY 07 ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020

This is the second album by the Pimpono EnsembleFind albums by this artist, a Copenhagen based group of Polish, Danish and Norwegian musicians, led by Polish drummer / composer Szymon GasiorekFind albums by this artist (a.k.a. Pimpon), which also includes trumpeter Jonas DueFind albums by this artist, saxophonists Jedrzej LagodzinskiFind albums by this artist and Michal BielFind albums by this artist, tuba player Rasmus SvaleFind albums by this artist, and bassists Jonatan UranesFind albums by this artist and Rafal RozalskiFind albums by this artist. A couple of guests take part in the proceedings. The album presents ten original compositions, all by the leader.

The music follows some of the ideas put forward on the brilliant debut album, presenting highly original music, which mixes Jazz sophistication with Rock energy and Avant-Garde improvisations, creating a big, impressive sound and a continuous surge of creativity.

Although this lineup of the ensemble (a septet) is smaller than the one performing on the debut (a nonet) there seems to be no less power of expression and utilizing of the available instruments to create a kaleidoscope of sounds, and a rich tapestry of soundscapes, which is extremely effective

As I have already stated in my review of the debut album, this music is first and foremost a reflection of the unique compositional skills of Gasiorek, which is often as bold and forward thinking as what Frank ZappaFind albums by this artist was doing with his ensembles decades ago. Luckily the composer is able to find musicians, who are able to follow his ideas and put them into reality, which considering the complexity and diversity of this music is nothing short of miraculous.

I must admit that in retrospect this album impresses me even more than the shocking debut released four years earlier. The music is more concise, coherent and mature, and honestly has almost no parallels among what is currently being created within the Jazz idiom worldwide, pointing towards what Jazz is able to accomplish based on its tradition but firmly and boldly pushing the boundaries.

Overall this is one of those albums that immediately deliver a merciless punch in your solar plexus and you remain stunned for quite a while. Sadly it will most probably not be properly appreciated by the audiences, as happens with the best music time after time, but who gives a damn? This is unequivocally a masterpiece and anybody missing listening to this music is a fool!

Updated: 25/07/2020Posted: 25/07/2020

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CECILE MCLORIN SALVANT ~ FOR ONE TO LOVE
MACK AVENUE 1095 (Barcode: 673203109520) ~ USA ~ Jazz
Recorded: 2015 Released: 2015

This is the third album by American Jazz vocalist / songwriter Cecile McLorin SalvantFind albums by this artist, on which she is accompanied by an excellent classic Jazz piano trio comprising of pianist Aaron DiehlFind albums by this artist, bassist Paul SikivieFind albums by this artist and drummer Lawrence LeathersFind albums by this artist. On the album she sings twelve songs, five of which are her original creations and seven are standards or songs written by others.

Considering the fact that American Jazz made no real contribution in the vocal department in the last fifty years or so, McLorin Salvant is definitely a breath of fresh air. Not that she offers anything that wasn´t heard before, but at least she does what she does with grace, elegance and mannerisms which can be considered fastidious enough to be interesting. She is obviously a very intelligent singer, who knows what she is singing about and her original songs are all at least as good as the standards she sings, which is a great achievement by itself. Her interpretation of the song by the great French chanteuse BarbaraFind albums by this artist (a.k.a. Monique Andree SerfFind albums by this artist), which she sings in perfect French, is one of the highlights of this album and another proof of her impeccable taste. She and the trio are at their absolute best with their interpretation of the "West Side Story" song "Something´s Coming" and personally I´d love to hear a whole album of similar explorations.

Of course she is constantly "on the edge" between brilliant trickery and kitsch, somehow managing to land safely in the former rather than on the latter category. No doubt that listening to this album is like watching an ice-skater performing pirouettes and clutching hands nervously in fear he won´t be able to land safely.

All things considered, this is a charming album, which delivers a powerful and wonderfully aesthetic musical message, holds many twists and turns, unpredictable vocal vistas and above all is highly intelligent. Thank God this is not yet another straightforward mainstream Jazz vocal delivery, which honestly is no longer bearable.

Listeners looking for originality and obvious talent, within the classic Jazz idiom, should find this album delightful. Highly recommended!

Updated: 07/11/2016Posted: 07/11/2016

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WARREN WOLF ~ CONVERGENCE
MACK AVENUE 1105 (Barcode: 673203110526) ~ USA ~ Jazz
Recorded: 2016 Released: 2016

This is an album by American vibraphonist / composer Warren WolfFind albums by this artist, recorded with a stellar lineup, which features pianist Brad MehldauFind albums by this artist (on five tunes), guitarist John ScofieldFind albums by this artist (on two tunes), bassist Christian McBrideFind albums by this artist and drummer Jeff WattsFind albums by this artist. It presents eleven tracks, six of which are original compositions by Wolf and five are standards (the last tune is a medley of a standard and a Classical piece).

Sadly the stellar lineup is unable to save this album from the terrible boredom that it offers to the listener. In fact this album epitomizes everything that is wrong with American Jazz: it is outdated, unimaginable, derivative and simply tedious. The original compositions are unremarkable and the standards played here offer absolutely nothing that was not already stated thousands of times before. No ambition, no imagination, no effort…

Of course these musicians can play, and they do play very well, but the result remains dull and unimpressive, similar to thousands of other mainstream American albums recorded every year and all sounding exactly the same. The two tracks with Scofield at least offer his remarkable power of expression, but that is by far not enough to save this album from complete failure.

The funny thing is of course reading the reviews of this album, written by American critics (look them up). They all think this album is remarkable, outstanding and fabulous, which of course goes to show that the entire American Jazz scene is simply completely hypocritical and rotten. Saying that Wolf is the next Milt JacksonFind albums by this artist or Bobby HutchersonFind albums by this artist is an insult to these two great pioneers. Wolf plays well technically but his playing offers no innovation or progress which was the trademark of all great vibraphonists (or Jazz musicians in general) before him.

In short this is just another boring American mainstream album, which sounds nice and lets the listener tap his feet to the steady rhythm, requiring zero intellectual effort to listen to the music, which simply washes off the listener´s mind instantly when the music is over.

Updated: 04/11/2016Posted: 04/11/2016

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HANA SEBESTOVA ~ UTAJENA
MUSIC FUND SLOVAKIA 8588006417036 (Barcode: 8588006417036) ~ SLOVAKIA ~ Jazz
Recorded: 2016 Released: 2016

This is the debut album by Slovak vocalist / songwriter Hana SebestovaFind albums by this artist, on which she presents ten of her original songs (music and lyrics) and one standard, sung, except for the standard and the opening and closing songs, in her native Slovak language. She is accompanied by an excellent team of musicians, which includes brass and string sections in addition to the core group which features keyboardist Lubos SramekFind albums by this artist, who was also in charge of the arrangements, guitarist Matus JakabcicFind albums by this artist, flautist Barbora KolarovaFind albums by this artist, bassists Tomas BarosFind albums by this artist or Juraj GriglakFind albums by this artist and drummer Marian SevcikFind albums by this artist. American pianist Kevin HaysFind albums by this artist appears as a guest star singing on the last track.

The album is nothing short of a double triumph for Sebestova, as she shines both as a songwriter and a vocalist.

The music is a great collection of superbly crafted new original songs, which are all as good as anything on the standards list. Diverse stylistically (Blues / Soul / Jazz) and wonderfully melodic, these songs are simply irresistible.

Sebestova´s decision to stick to her native tongue saved her from the embarrassment caused by non-native English speakers singing in English, which sadly are almost always catastrophic. The three songs she does sing in English find her definitely up to the task, but thankfully they are a minority. Although her vocal range is not exceptional, she uses her voice wisely and intelligently, inserting vocalese and other vocal theatrics occasionally, which turn this album into a most entertaining affair.

She was also extremely lucky to assemble such a stellar team of musicians to accompany her. Sramek´s piano playing and his arrangements are absolutely brilliant and have a major influence on the overall result of this album. But all the other musicians are also beyond reproach and contribute amicably.

Overall this is a stunning and most impressive debut and a vocal Jazz album I have personally enjoyed like nothing similar in a very long time. In many respects this album should be studied by the aspiring young Jazz vocalist, who are about to record their debut albums. Well done Milady!

Updated: 24/02/2017Posted: 24/02/2017

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LESZEK KULAKOWSKI ~ CODE NUMBERS
MUSIC VOX ~ POLAND ~ Jazz
Recorded: 2009 Released: 2010

This is a wonderful piano trio album by Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist with bassist Piotr KulakowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist (of RGGFind albums by this artist fame). The album presents thirteen original compositions, all by Kulakowski, some quite short, like outlines if a musical idea which is repeated four times, others lengthy and expanded with elaborate improvisations. The album was recorded at the Studio Tokarnia and was engineered and mastered by Jan SmoczynskiFind albums by this artist, as usual with spectacular sonic results.

Kulakowski is a musician of many diverse preferences, moving between the pure Jazz idiom and Jazz-Classical Fusion, feeling comfortably in both situations. Although this album presents him in seemingly "pure" Jazziness, both his playing and his compositions always incorporate a certain element of contemporary Classical music, even if not stated openly. He is a master of melody, but also of atmosphere and suspense, which keeps the listener in a state of anticipation. Personally I find this ability quite remarkable as it emerges in Kulakowski´s work with such intensity for the first time since the works of Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, were created in the late 1960s. The music also champions the typical Polish lyricism and intrinsic melancholy, which although omnipresent in Polish Jazz, are rarely revealed with such exquisiteness and compassion, as in the music presented here.

The performances are all quite brilliant, with the piano often performing without accompaniment, and when the whole trio is present, the rhythm section often takes a deliberate step back, respectfully keeping the piano in the spotlight. Of course when the rhythm section does step in full swing, the musicians sound like one coherent unit. Gradziuk displays his usual virtuosic, yet reserved ability to keep time in a most inspired way and even is his solo tries not to outshine his colleagues. The bassist also performs wonderfully, providing those magnificent riffs that keep the anticipation in the air. The whole thing is simply brilliant.

This music should be heard by every piano trio connoisseur on this planet, as it is definitely has to offer many novel ideas and deeply moving music, which deserves to be discovered and shared. Not to be missed!

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LESZEK KULAKOWSKI ~ SLAP & CARESS
MUSIC VOX 001 ~ POLAND ~ Jazz
Recorded: 2005 Released: 2005

This is an excellent quartet recording by the Polish pianist / composer / educator Leszek KulakowskiFind albums by this artist with the superb veteran vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. The album includes nine original compositions, all by Leszek Kulakowski.

Kulakowski is recognized as one of the most respected Polish Jazz musicians, with many achievements as a leader of his own ensembles, composer of Jazz and Jazz-Classical Fusion pieces and distinguished Jazz educator since many years. This album presents just one of his diverse activities in the field, i.e. small ensemble Jazz.

The piano / vibraphone quartet, a sadly neglected lineup, opens up many possibilities of expression, which would be otherwise unattainable and Kulakowski makes the best out of this opportunity. The keyboards / vibraphone dialogue is the focal point of this music, which allows the melodic themes to be separately developed by both players simultaneously. The excellent rhythm section supports the soloists sympathetically and elegantly, maintaining the delicate balance between the foreground and the background. Overall the performances are first-rate and the level of professionalism is amazing, as expected.

But of course the real forte of this album is the superb level of the compositions, which are all simply stunning. Kulakowski manages to construct his own language, which encompasses elements of Jazz and contemporary Classical idioms, even if those are somewhat hidden beneath the surface. These are hardly the average ditties, which often appear on Jazz albums only to disappear into obscurity soon after. They all have a character and maintain a level of intellectual curiosity, which deserves all praise.

Kulakowski is often associated with the Polish Jazz legend Krzysztof KomedaFind albums by this artist in many contexts. Although his compositions are not directly derived from Komeda´s legacy, they show the same conciseness and ability to condense a deeply emotional musical message into a seemingly simply melodic theme. And of course Komeda also had a vibraphonist in his early groups – the legendary Jerzy MilianFind albums by this artist. Capish?

So here we have a beautiful mainstream Jazz album, which is full of great music, excellent performances and sophisticated, delicate scents of European Jazz at its best. Who can ask for anything else in these circumstances? Oh well, a bottle of good wine would be nice…

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THIERRY PEALA ~ INNER TRACES
NAIVE 3298492261024 (Barcode: 3298492261024) ~ FRANCE ~ Jazz
Recorded: 2000 Released: 2000

This is the debut album by French Jazz vocalist Thierry PealaFind albums by this artist. Subtitled “A Kenny Wheeler Songbook”, it presents twelve compositions by British trumpeter / composer Kenny WheelerFind albums by this artist, with lyrics by various lyricist, including British Diva Norma WinstoneFind albums by this artist, who also sings duets with Peala on four tracks. Other musicians include French pianist Bruno AngeliniFind albums by this artist, Italian bassist Riccardo Del FraFind albums by this artist, drummers British Steve ArguellesFind albums by this artist and French Christophe MarguetFind albums by this artist, and finally the Maestro Wheeler himself on trumpet.

The music is absolutely delightful from start to finish, which is hardly surprising, and showcases a lesser known facet of Wheeler’s work as a composer of songs, rather than instrumental music. The album is completely unknown to most Wheeler followers and does not appear in Wheeler’s discographies (and Norma Winstone’s discographies as well), which I am familiar with. I stumbled upon it quite accidentally and thanks God I did, as it is an outright marvel.

Of course the Wheeler’s compositions are all wonderful, but the vocal interpretations by Peala are also brilliant, as is the instrumental work by all participants. Wheeler plays on ten tracks, as usual stunningly, including some overdubbed duets with himself. Del Fra’s superb bass playing is second to none and Angelini proves to be a highly sensitive accompanist. In short, this is a breathtaking album in every respect, and the fact that I was not aware of it is a travesty, now finally amended. And yes, there is the French accent (all the lyrics are in English), which normally could be an issue, bus somehow in this case this is a charming effect to the whole affair.

Overall, this is a sublime album of modern vocal Jazz, beautifully sung and played by the Master musicians, and an important, albeit almost completely hidden, part of Wheeler’s recorded legacy. Of course it is a must for every Wheeler’s records collector, which probably is not that easy to find by now. A truly delightful, heart melting piece of music!

Updated: 14/08/2024Posted: 14/08/2024

SOINTI JAZZ ORCHESTRA ~ SAARNAAJA
NOVA 23 (Barcode: 6420114012036) ~ FINLAND ~ Big Band Jazz
Recorded: 2014 Released: 2016

This is the third album by the Finnish Sointi Jazz OrchestraFind albums by this artist, founded in 2013 by composer / arranger / conductor Rasmus SoiniFind albums by this artist. The orchestra consists of seventeen musicians, forming the classic four sections. On this album the special guest and primary soloist is the legendary Finnish saxophonist / flautist Juhani AaltonenFind albums by this artist. The album presents a five-parts (and two cadenzas) suite, composed by Soini, entitled “The Preacher”, or rather The Jazz Preacher, a most appropriate name for Aaltonen, who obviously is one of the Godfathers of modern Finnish Jazz.

The music is absolutely gorgeous, which is hardly surprising when Finnish Jazz is being played, superbly composed, arranged and performed by the orchestra and Aaltonen, who despite his age (born 1935, i.e. aged 81 at the time of the recordings) shows no signs of wear and tear whatsoever.

The music is a perfect amalgam of Jazz tradition, Finnish Folk and Classical influences and at times even pretty Free Form outings, which all fit together as perfectly as one might desire. Aaltonen’s soloing is as imaginative and inspired as his entire work over the decades, staying fully relevant and contemporary at all times.

The compositions and arrangements call for the entire palette of the Orchestra to be demonstrated in full, wonderfully emphasizing the European approach to orchestral Jazz music, which reaches beyond the American Big Band tradition, crossing over to Classical Orchestral heritage and other contemporary musical idioms.

The Sointi Jazz Orchestra clearly manages to achieve a unique language, which distinguishes it from all other European Jazz Orchestras, and it expands the boundaries of the genres with a fresh and bold approach, without necessarily breaking any basic rules.

Rasmus Soini certainly deserves respect for forming the orchestra, composing the original music it performs and establishing a unique approach, which altogether seems to be working splendidly, as their albums positively prove.

This album is a wonderful piece of music, which certainly deserves to be discovered and listened to but listeners, who might also come from beyond the strict Jazz circle, as it certainly is universally beautiful. Thanks for the music!

Updated: 09/05/2021Posted: 09/05/2021

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SOINTI JAZZ ORCHESTRA ~ KOLIBRI
NOVA 26 (Barcode: 6420114021564) ~ FINLAND ~ Big Band Jazz
Recorded: 2020 Released: 2020

This is the fourth album by the Finnish Sointi Jazz OrchestraFind albums by this artist, founded in 2013 by composer / arranger / conductor Rasmus SoiniFind albums by this artist. The orchestra / Big Band consists of a classic four section lineup, altogether seventeen musicians, conducted by Soini. Norwegian saxophonist Marius NesetFind albums by this artist guests on the title track. The album presents seven original compositions, all by Soini.

The music is absolutely stunning, combining a plethora of diverse influences, from contemporary Classical, Folklore, cinematic music, etc. all beautifully arranged with a strong Jazz flavor, but definitely quite apart from a typical Jazz Orchestra / Big Band, in many respects, like instrumentation, the respective roles of the sections and general balance and aural ambience.

This is another extraordinary example of the European approach to orchestral Jazz, which seeks well beyond the traditional swing and riff exchanges between the sections, presenting a superb palette of musical tricks of the trade, which altogether sounds completely unique.

The album offers a clear emphasis on the orchestral performance, rather than on individual soloing, which is not a significant element of this music, except perhaps for the title track. The amazing section unisono performances and the overall delicate balance between the instruments, even during the crescendo moments, is amazing example of reserve and general intentional “cool”, which are simply breathtaking.

Overall this is definitely one of the finest European Jazz Orchestra / Big Band albums that landed on my desk in recent years, which makes me curious to hear the rest of the albums the orchestra recorded.

As usual, Finnish Jazz does not disappoint, and stands up to the brilliant achievements of its legacy, which keeps to be developed by the new generation of local musicians and composers. True orchestral Jazz fans should have a field day with this music, especially those from beyond the pons, who are rarely exposed to such unique, creative and innovative approach to the Big Band idiom. Absolutely and wholeheartedly recommended!

Updated: 13/03/2021Posted: 13/03/2021

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STEPHEN STILLS ~ LIVE AT BERKELEY 1971
OMNIVORE 515 (Barcode: 810075113013) ~ USA ~ Classic Rock
Recorded: 1971 Released: 2023

This is an archival live album by American singer / songwriter Stephen StillsFind albums by this artist, recorded on August 20 and 21, 1971 during the tour supporting Stills’ second solo album. with a stellar team of musicians, including bassist Calvin SamuelsFind albums by this artist, drummer Dallas TaylorFind albums by this artist and the legendary Memphis HornsFind albums by this artist. Lifetime friend David CrosbyFind albums by this artist joins Stills on two songs. The album presents fifteen tracks, almost all with songs written or co-written by Stills.

The music includes acoustic material, which features Stills on guitar / piano and vocals, including the spine-chilling duets with Crosby, and also more electric Rock oriented material, which features the full band with the horns. Several songs from the Crosby, Stills & NashFind albums by this artist repertoire are naturally included as well.

Stills is absolutely amazing as a guitarist and vocalist and his output over the years is obviously at the very top of American Rock achievements. He has very few competitors as far as writing brilliant songs, with intelligent lyrics, full of social awareness, which were the soundtrack of my generation.

Not surprisingly, the music lost absolutely nothing of its strength and beauty over the time, and remains at the core of classic Rock. As uplifting as it is, it is also devastating, showing the tragic state of contemporary music, which completely “lost it” in time.

Overall, this is a great document of the era, spotlighting the incredible talents of one of the greatest American Rock heroes, captured for posterity. It takes just one man with his acoustic guitar and incredible charisma to mesmerize thousands of people, no effects, electronics, auto-tuning and all the gadgetry that replaced talent over time. This is as good as music gets, no BS, and let’s not forget it.

Updated: 04/06/2023Posted: 04/06/2023

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BLOOD, SWEAT & TEARS ~ WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS?
OMNIVORE 518 (Barcode: 810075112894) ~ USA ~ Brass Rock
Recorded: 1970 Released: 2023

This is an absolutely sensational live archive album by the iconic American Brass Rock / Jazz-Rock Fusion ensemble Blood, Sweat & TearsFind albums by this artist, recorded in June / July 1970 during their Eastern European tour behind the Iron Curtain, organized and sponsored by the State Department, which included shows in Zagreb, Yugoslavia / Bucharest, Romania and Warsaw, Poland. The shows were filmed and recorded for a documentary, and remained lost for over fifty years, finally to be re-discovered and now released This CD is the soundtrack of the documentary. The album presents ten tracks, most of which were recorded during the final concert in Warsaw. The material originates mostly from the second, eponymous BS&T album from 1968 and the debut album “Child Is Father To The ManFind albums with this title” from 1967.

The lineup includes vocalist David Clayton-ThomasFind albums by this artist, trumpeters Lew SoloffFind albums by this artist and Chuck WinfieldFind albums by this artist, trombonist Jerry HymanFind albums by this artist, saxophonist Fred LipsiusFind albums by this artist, keyboardist / trombonist Dick HalliganFind albums by this artist, guitarist Steve KatzFind albums by this artist, bassist Jim FielderFind albums by this artist and drummer Bobby ColombyFind albums by this artist.

The sound quality and the music are absolutely stellar and every second of this album is absolutely sensational. The strength of the material, the arrangements and the virtuosic performances are some of the best musical moments ever caught on tape. Despite the fact that this music was recorded fifty-three years ago, it easily swipes away almost anything recorded since, and remains completely unique. This version of BS&T was a one-time collection of completely compatible musicians, which together were able to produce an incredibly intelligent, sophisticated and everlasting music.

Overall, as far as archival albums are concerned, this is probably the best one in a decade, if not two. They don’t make music like this today or even anything remotely close to it, and listening to this album proves how deeply in trouble we are today with today’s music and Culture in general. I can’t imagine any serious music lover not having this Masterpiece in their collection, can you?

Updated: 11/05/2023Posted: 11/05/2023

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ANDY MIDDLETON ~ BETWEEN WORLDS
PROVA 14 (Barcode: 9008798037513) ~ USA ~ Jazz
Recorded: 2008 Released: 2010

This is an album by American (resident in Austria) saxophonist / composer Andy MiddletonFind albums by this artist, recorded in a quartet setting with German pianist Tino DeradoFind albums by this artist, American (resident in Germany) bassist Paul ImmFind albums by this artist and American drummer Alan JonesFind albums by this artist. The album presents ten tracks, all of which are original compositions by the leader.

The album’s title refers to Middleton’s move to Vienna and the period of transition between countries, people, cultures, etc. that all emigrants, and Artists in particular, go through in their lives, when making a leap, although as far as I know this was a move “in the right direction” for him, with Vienna becoming his new happy habitat. We are Friends since some years, and he always felt way more a European than an American to me, also on the musical plateau.

The music is beautifully melodic, and the classic quartet setting is an ideal environment to express the lyricism of the compositions and allow the leader to improvise extensively, which he does with passion. All the members of the quartet are seasoned musicians, which is immediately apparent, and the music offers a marvelous flow, despite some complex time signatures and non-trivial harmonics. This is modern Jazz at its best and to me it sound way more European than what I can hear from across the pond.

Overall, this is a wonderful album, in a classic Jazz quartet setting with excellent compositions and superb musicianship, so what else can one ask for? Well, perhaps it’s high time for some new recordings from you, my Friend!

Updated: 03/02/2025Posted: 03/02/2025

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COLIN TOWNS ~ BOLT FROM THE BLUE
PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz
Recorded: 1990 - 1991 Released: 1991

The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.

COLIN TOWNS ~ NOWHERE & HEAVEN
PROVOCATEUR 1013 (Barcode: 5029152801322) ~ UK ~ Jazz
Recorded: 1996 Released: 1996

British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist presents his 2nd large scale Jazz project on this album, released on his record label ProvocateurFind albums on this label Records. Five years after his previous release, which was a great surprise and a stunning example of modern big band Jazz music, Towns takes the listener even further into the realm of orchestral Jazz, with an ambitious and complex piece of music, performed by his Mask Orchestra, which includes some of the best Jazz players in Britain, such as Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Guy BarkerFind albums by this artist (trumpet) and Clark TraceyFind albums by this artist (drums). But the greatest surprise on the album is the presence of Italian singer Maria Pia De VitoFind albums by this artist, who delivers some remarkable vocal parts, cleverly incorporated into the music, often taking the music places previously unexplored. Incorporating vocal parts into large scale orchestral Jazz is not new in the British Jazz tradition and has been previously used during the golden age of the late 1960s / 1970s by composers like Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist and others. I suppose Towns is familiar with these examples and I’m happy to see him creating an up-to-date example of this compositional device. The music is truly grand, rich and sophisticated; somewhat similar to Classical Music at times, but more dynamic and of course retaining the element of swing, which clearly keeps the music well inside the overall framework of Jazz. Perfect performances, with many splendid solo parts and the fantastic sound quality all contribute to the success of this album, which deserves a worthy place in the Pantheon of the valued British Jazz tradition. Although requiring attentive listening, patience and open-mindedness, this music is richly rewarding and holds many intellectual as well as emotional qualities, which should keep all Jazz lovers happy. Wholeheartedly recommended!

COLIN TOWNS / MARIA PIA DE VITO ~ STILL LIFE
PROVOCATEUR 1015 (Barcode: 5019148619420) ~ UK ~ Jazz
Recorded: 1998 Released: 1998

British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is most commonly associated with his work for and with Jazz big bands, like his Mask OrchestraFind albums by this artist or the German NDR Big BandFind albums by this artist, but this album presents a different aspect of his work. Towns wrote ten intriguing compositions, of which nine are “songs” (i.e. include lyrics also written by him) and the entire cycle is preformed by an instrumental quintet (called not surprisingly Mask QuintetFind albums by this artist), fronted by the gorgeous Italian vocalist Maria Pia De Vito. The quintet members include, in addition to Towns who plays keyboards, some of his regular cohorts and members of his ensembles: saxophonist Julian ArgüellesFind albums by this artist, guitarist John ParricelliFind albums by this artist, bassist Dudley PhillipsFind albums by this artist and drummer Ralph SalminsFind albums by this artist. For lovers of modern vocal Jazz this album is a Godsend, as it presents a whole new outlook on the art of writing for vocals as well as vocal approach, rather than trying to use yet again some of the vocal Jazz standards, which often have been already abused to death. These are beautiful, intricate and highly intelligent compositions, using a wide palette of Jazz compositional structures, incorporating some World Music influences. De Vito performs these splendid songs with grace, deep musicality and unprecedented open-mindedness, creating a truly magnificent offering. Her crystal-clear voice, incredible range and above all sensitivity assure her position as one of the most important contemporary Jazz vocalists. Of course the instrumentalists accompanying her also contribute to this album’s success, playing impeccably and delicately not to overshadow her vocal parts. Towns’ cooperation with De Vito goes hand in hand with his work with the legendary British singer Norma WinstoneFind albums by this artist, as documented on other ProvocateurFind albums on this label Records releases. In many respects De Vito could be considered as an admirable younger “sister” of Norma’s, both of them sharing rare qualities and individual approach to Jazz vocals, which is extremely rare. The album is quite an experience and I had an absolutely marvelous time listening to it, surprised time and time again both by the music and the execution. I dare everybody to try it!

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ANDY SHEPPARD ~ LEARNING TO WAVE
PROVOCATEUR 1016 (Barcode: 5019148619413) ~ UK ~ Jazz
Recorded: 1998 Released: 1998

British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For this, his debut recording on Provocateur, Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. Tabla player Shalda SahaiFind albums by this artist is added on three tracks. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.

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COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES
PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion
Recorded: 1997 - 1998 Released: 1999

British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!

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ALAN SKIDMORE ~ THE CALL
PROVOCATEUR 1018 (Barcode: 5038491000037) ~ UK ~ Jazz-World Fusion
Recorded: 1999 Released: 1999

Legendary British saxophonist / composer Alan SkidmoreFind albums by this artist is one of the pivotal players on the modern British Jazz scene. His immense contribution to the development of the scene is well documented on his numerous recordings as a leader and sidemen in the late 1960s / 1970s and his position in the Pantheon of British Jazz is fully earned. Skidmore is one of the relatively few heroes of the British Jazz revolution to continue an active and successful career through the years, which also included recording of new albums periodically, keeping him constantly in the public eye (or rather ear). This album also reveals Skidmore’s open-mindedness and respect towards cultures and music other than Jazz, constituting a splendid example of contemporary Jazz-World Fusion. During his 1994 stay in South Africa Skidmore met the local drums / percussion ensemble AmampondoFind albums by this artist and fell in love with their music. Five years later he actually fulfilled his dream to record an album with Amampondo, which was recorded in South Africa and includes also Colin TownsFind albums by this artist on keyboards. Some overdubbing was later added to the original recording in the UK, which features Steve MellingFind albums by this artist (piano), Arnie SomogyiFind albums by this artist (bass) and Gary HusbandFind albums by this artist (drums). Skidmore plays incredibly on this album. His tone and vigor completely untouched by time and his improvisational powers at their peak, resembling as always those of John ColtraneFind albums by this artist. In fact it almost jumps out of this music that Coltrane would have probably recorded a similar album if he lived, as he was often researching and absorbing the African roots of Jazz prior to his untimely death. This realization adds another dimension to this sublime music, a prophetic one in that. In all respects this is one of the best Jazz-World Fusion albums I’ve ever heard and surely one I’ve probably enjoyed the most. Skidmore’s saxophone improvisations backed up by the African percussion merge perfectly into a new amalgam, which sounds and feels completely natural and coherent. His virtuoso performances are dazzling, but never flashy or overbearing – just exactly right for each moment. Skidmore again proves to his listeners that he is a Master with unmatched quality and talent. This album deserves to be listened to by every Jazz lover on this planet and embodies an essential recording of human Culture, transcending race, backgrounds and traditions and pointing clearly to the future of music.

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JULIAN ARGÜELLES ~ ESCAPADE
PROVOCATEUR 1019 (Barcode: 5038491000044) ~ UK ~ Jazz
Recorded: 1999 Released: 1999

British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his first on the prestigious ProvocateurFind albums on this label label was recorded with a splendid octet, which includes some of the best young British Jazz players, including Django BatesFind albums by this artist (tenor horn) – Julian’s old friend and frequent collaborator since their common days in Loose Tubes. The music is a great example of contemporary Jazz, with a strong melodic basis, but with plenty of fascinating twists and turns and diverse enough to keep the listener interested at all times. The level of the performances and improvisations is everything one might expect from a musician of his statue, and should more than satisfy every Jazz connoisseur. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

ANDY SHEPPARD ~ DANCING MAN & WOMAN
PROVOCATEUR 1020 (Barcode: 5038491102021) ~ UK ~ Jazz
Recorded: 1999 Released: 2000

British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For his debut recording on Provocateur (“Learning To WaveFind albums with this title”), Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. On this album, the follow-up release, the quintet is expanded to a septet with the addition of the legendary US electric bass player Steve SwallowFind albums by this artist and young tabla player Kuljit BhamraFind albums by this artist. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.

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JOHN PARRICELLI ~ ALBA
PROVOCATEUR 1021 (Barcode: 5038491102120) ~ UK ~ Jazz
Recorded: 1999 Released: 2000

British guitarist / composer John ParricelliFind albums by this artist ranks amongst the most respected players on the contemporary British Jazz scene. His work with Andy SheppardFind albums by this artist and Colin TownsFind albums by this artist (also on the ProvocateurFind albums on this label label) shows his versatility and technical skills, but this, his debut album as a leader, focuses the attention on his compositional skills. All the music on this album was composed by him and is performed by an excellent quartet, featuring Mark LockheartFind albums by this artist on saxophone, Dudley PhillipsFind albums by this artist on bass and Martin FranceFind albums by this artist on drums. Stylistically the album moves across a wide spectrum of contemporary Jazz, from up-tempo Fusion oriented tunes to slow dreamy ballads. Some World Music influences are also apparent. Parricelli plays with gusto and obvious sensitivity. People who like Pat MethenyFind albums by this artist (not that Parricelli is copying Metheny in any way) will love this album, and all Jazz guitar lovers should find it interesting. Definitely worth investigating.

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ANNIE WHITEHEAD ~ THE GATHERING
PROVOCATEUR 1022 (Barcode: 5038491102229) ~ UK ~ Jazz
Recorded: 2000 Released: 2000

British trombonist / composer Annie WhiteheadFind albums by this artist earned her legendary status working on the local scene since the late 1970s in an incredible variety of settings, spanning everything from Pop & Rock and up to Free Jazz. Her amazing versatility and technical proficiency made her a most appreciated session musician and a reliable band member. Over the years she played practically with countless British Jazz players, both the older and newer generation. She started to lead her own ensembles since the mid-1980s. Her reputation spreads worldwide beyond the British Isles and she also played with many internationally renowned Jazz musicians. This album, her debut for the prestigious ProvocateurFind albums on this label label, finds her leading her own quintet, which includes the gifted keyboardist Steve LodderFind albums by this artist and veteran drummer Liam GenockeyFind albums by this artist. On one of the tracks the legendary Robert WyattFind albums by this artist adds his vocal and instrumental contributions. The music, mostly composed by Annie, covers a wide variety of styles, from Funk, World Music influences and contemporary Jazz. Performed with her usual fire and grace, and always technically brilliant, the album is a lovely portrait of Annie’s charm and abilities. Lovers of trombone will of course see this as a must, but any Jazz fan should find some aspects of this album to be both interesting and pleasurable. Worth investigating.

MARIA PIA DE VITO / JOHN TAYLOR / RALPH TOWNER ~ VERSO
PROVOCATEUR 1023 (Barcode: 5038491102328) ~ ITALY ~ Jazz
Recorded: 2000 Released: 2000

Italian singer / composer / arranger Maria Pia De VitoFind albums by this artist, British pianist / composer John TaylorFind albums by this artist and American guitarist / composer Ralph TownerFind albums by this artist met by accident, but we all know that some of the best things in music (and not only in music) happen quite by accident. Born in Naples, De Vito is classically trained but spends most of her time on the Jazz scene, both locally in Italy and also all over Europe, performing and recording with some of the best Jazz musicians. This is her fifth album.

Taylor and Towner need no introduction; both with extensive careers behind them and both being among the most highly esteemed contemporary Jazz personalities. Together the trio presents everything that characterizes European Jazz: sophistication, subtlety, intelligence and lyricism.

The all-original music they perform was written by Taylor and Towner, with De Vito contributing lyrics to some of the tracks. She sings both lyrics and vocalese, with exceptionally clear voice and unique expressionism, which is both enchanting and captivating.

The music moves constantly between solo, duo and trio parts, changing moods and tempi. As much of contemporary European Jazz, the music fluctuates somewhere between Jazz and contemporary Classical, making the attempt to label it completely redundant. It is simply great music, which is performed with exquisite taste and virtuosity. Since the album is entirely acoustic, it is of course low-key and requires attentive listening to capture all the beautiful little details. The superb recording quality helps a lot in this case and listeners addicted to the “ECMFind albums on this label sound” will love this recording unconditionally. A must to all lovers of vocal Jazz and contemporary European Jazz.

Updated: 03/07/2020Posted:

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MARCIO DOCTOR ~ RESTLESS WORLD
PROVOCATEUR 1024 (Barcode: 5038491102427) ~ ARGENTINA ~ Jazz-Classical Fusion
Recorded: 2000 Released: 2001

Argentinean percussionist / composer Marcio DoctorFind albums by this artist earned a lot of respect as the resident percussionist with one of worlds most renowned Jazz orchestras – the NDR Big BandFind albums by this artist. His desire to learn and expand his musical horizons brought him from his country of birth to Europe, where he eventually settled in Germany. His ambition to study with one of the world’s greatest percussionists Mark NauseefFind albums by this artist (also resident in Germany) was eventually fulfilled. This album, his debut as leader and composer, presents an ambitious and complex musical suite, which is subtitled: “Music for Woodwind Instruments and Percussion”. The album was recorded by an ensemble comprising of several other NDR Big Band members, including the phenomenal saxophonist Christof LauerFind albums by this artist and trumpeter Ingolf BurkhardtFind albums by this artist. Famous German musician / composer / producer and sound engineer Walter QuintusFind albums by this artist guests on electronics, adding some of his magic to the already widely unusual sound of the album, which he also engineered. The music is a dense, complex and strangely beautiful piece of contemporary Jazz, which could easily be also considered as contemporary Classical Music. The suite’s five movements are composed, but leave plenty of space for extended individual as well as collective improvisations. The virtuosity of the musicians is obvious every step of the way and their rapport phenomenal. This is one of those albums, which might sound intimidating at first, but grow on you with repeated listening. By no means an easy journey, but one full of intellectual rewards. Warmly recommended!

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MICHAEL GIBBS ~ NONSEQUENCE
PROVOCATEUR 1027 (Barcode: 5038491102724) ~ UK ~ Jazz
Recorded: 2001 Released: 2001

British composer / arranger / bandleader Michael GibbsFind albums by this artist is one of the pillars of modern British Jazz. His outstanding 1970s recordings serve as musical milestones in the development of Jazz and Jazz-Rock Fusion composition and his bands of the period, which always included some of the best players on the scene, are remarkable achievements remembered and cherished to this very day. After the decline of the British Jazz scene Gibbs returned to the US, where he concentrated on teaching and composing works for many different media (TV, cinema, performances and concerts) in a variety of musical genres, including of course Jazz and contemporary Classical Music. Although many of his compositions were released as soundtrack albums, he recorded only three “real” / dedicated Jazz albums in the last 30 years. Therefore his new album on ProvocateurFind albums on this label Records is a major event and a delight for his many fans and admirers. The album presents an ambitious project involving a recording on two continents (Hamburg and New York) by two big ensembles (the NDR Big BandFind albums by this artist in Hamburg and a specially assembled band in NY), presenting music mostly written by Gibbs with just a few of his unique arrangements of compositions by other composers. The NY band includes some of the most illustrious names on the contemporary Jazz scene, like Lew SoloffFind albums by this artist and Randy BreckerFind albums by this artist (trumpet), Chris HunterFind albums by this artist and Alex FosterFind albums by this artist (saxophone), Hiram BullockFind albums by this artist (guitar) and Steve SwallowFind albums by this artist (bass) among others. The NDR Big Band includes many marvelous players, but most notably saxophonist Christof LauerFind albums by this artist and pianist Wladyslaw SendeckiFind albums by this artist. The music is everything one might expect from Gibbs – marvelously melodic, beautifully crafted, devilishly cleverly arranged and superbly executed by both ensembles. Gibbs skillfully gets the best out of the big band setting, using the incredible dynamics it allows for and interposing multi-layered harmonic and rhythmic structures against each other to achieve an incredibly dramatic effect. Several excellent solo parts ornament the album like cherries on a cake and the different moods and tempi never allow for even a brief dull moment. The music reflects perfectly the composer’s versatility and open-mindedness, which have always been his forte. This is one refreshing and delightful musical experience that I’d hate my friends to miss; so nothing else remains to be said other that recommending this album wholeheartedly. You won’t regret it!

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COLIN TOWNS ~ ANOTHER THINK COMING
PROVOCATEUR 1028 (Barcode: 5038491102823) ~ UK ~ Jazz
Recorded: 2001 Released: 2001

British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist and his Mask OrchestraFind albums by this artist ensemble are one of the best examples of modern Jazz, which is still groundbreaking and innovative. Towns’ composition and arrangements are always not only skillful and sophisticated, but also completely innovative and even surprising (take it form an old skeptic who has heard it all before). Using the big band in ways previously unexplored is a rare talent indeed and deserves both respect and admiration. This album presents a series of Towns’ original instrumental compositions and two arrangements, one of a classical piece by Claude DebussyFind albums by this artist and the other a John LennonFind albums by this artist / Paul McCartneyFind albums by this artist tune. Partly commissioned by the NDR Big BandFind albums by this artist, with which Towns cooperates on a regular basis, here they are performed by his own band. Varying in style from early New Orleans Jazz, via Psychedelic and up to contemporary World-Jazz Fusion, the album presents an invigorating vista of modern Jazz at its best, full of great melodic content, imagination, daring and masterly performed Art. The players, including legendary veterans such as Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), playing along young British Jazz lions, do everything expected of them and beyond, delivering perfectly coherent and beautifully executed music, which fills the listener’s heart and soul with instant gratification. The enhanced CD also includes a short film with music composed by Towns and performed by the band. Any big band and modern Jazz fan should definitely check out this superb album, and frankly anything else Towns delivers, as talent of his caliber is rare and deserves all the attention it can achieve. Grab it!

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ANDY SHEPPARD ~ NOCTURNAL TOURIST
PROVOCATEUR 1029 (Barcode: 5038491102922) ~ UK ~ Jazz
Recorded: 2001 Released: 2001

British saxophonist / composer Andy SheppardFind albums by this artist takes a bold step into creating a one-man-show concept album, which is a big step away from his usual subject matter as a mainstream Jazz musician. Playing several instruments (saxophones, keyboards, guitar and synthesizers) and accompanied only by French drummer / percussionist Stephane San JuanFind albums by this artist, Sheppard brilliantly employs also an array of studio wizardry, using samples, pre-recorded background sounds, fragments of recorded conversation, lops, etc., all these to create a very interesting collage of sounds, on top of which he improvises. His highly developed sense of melody prevails of course and his improvisations are kept strictly within the melody lines. Nevertheless the overall effect of this music is quite fascinating, as it presents another way to expand the Jazz idiom into new and contemporary vistas. Although some Jazz purists might shrug about this music, let’s make no mistake here – it is still good music, even if unconventional in the traditional Jazz aspect. As a matter of fact this album might serve as a perfect tool to introduce many listeners to Jazz, especially the younger generation. Comparing this music with many lounge and ambient projects created in the last decade, the result will still place this album way above other efforts. I had a lot of fun listening to this and quite a few surprises along the way. Definitely worth checking out!

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GUY BARKER ~ SOUNDTRACK
PROVOCATEUR 1030 (Barcode: 5038491103028) ~ UK ~ Jazz
Recorded: 2001 Released: 2002

British trumpeter / composer Guy BarkerFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his first on the prestigious ProvocateurFind albums on this label label, continues Barker’s fascination with cinema, as the title suggests. The central piece of the album is an epic suite entitled “Sounds in Black and White” and is homage to classic movies. Performed by a septet consisting of excellent European musicians, the music is a great example of contemporary Jazz, with a strong melodic basis, but with plenty of fascinating twists and turns and diverse enough to keep the listener interested at all times. The level of the performances and improvisations is everything one might expect from a musician of Barker’s statue, and should more than satisfy every Jazz connoisseur. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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MARIA PIA DE VITO ~ NEL RESPIRO
PROVOCATEUR 1031 (Barcode: 5038491103127) ~ ITALY ~ Jazz
Recorded: 2001 - 2002 Released: 2002

Following her brilliant album “VersoFind albums with this title”, recorded a couple of years earlier, Italian Jazz singer Maria Pia De VitoFind albums by this artist returns with her second album on the splendid ProvocateurFind albums on this label label, and her sixth consecutive album. Her two faithful companions on the previous album: British pianist John TaylorFind albums by this artist and US guitarist Ralph TownerFind albums by this artist are back with her again, but this time the instrumental ensemble is expanded to a quartet with the participation of legendary US bassist Steve SwallowFind albums by this artist and French drummer / percussionist Patrice HeralFind albums by this artist.

The music, composed by De Vito, Taylor, Towner and Swallow, is beautifully minimalist and quite complex, providing an ideal vehicle for the singer’s vocal explorations. She uses lyrics and vocalese interchangeably, with a rare ability to sound perfectly right at each given moment. The written music is but a frame for hers and the musicians’ improvisations, which keep floating effortlessly. De Vito continues in her singing the modern European vocal Jazz tradition, initiated in the 1970s by singers like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and Jeanne LeeFind albums by this artist (Vocal SummitFind albums by this artist), but of course this tradition is brought up-to-date and her personal input is dominant.

The album is a beautiful collection of highly sensitive, lyrical music, which captures the listener totally and requires his total dedication. Most importantly it keeps the process of exploration, as far as vocal Jazz is concerned, alive, rather than following the “easy” path of yet another attempt at vocal Jazz standards. Listening to this album one realizes that vocal Jazz is still alive and kicking, a relief indeed, and has a lot of fascinating innovations to offer. Don’t even think twice!

Updated: 03/07/2020Posted:

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NORTHERN LIGHTS ~ AIRPLAY
PROVOCATEUR 1032 (Barcode: 5038491103226) ~ UK ~ Jazz-World Fusion
Recorded: 2002 Released: 2002

The Northern LightsFind albums by this artist ensemble is a collaboration between the legendary British trombonist / composer Annie WhiteheadFind albums by this artist and concertina player / composer Alistair AndersonFind albums by this artist. Together with Chris StoutFind albums by this artist (violin), Ian MaidmanFind albums by this artist (guitar) and Liam GenockeyFind albums by this artist (drums), the quintet performs some great music composed and co-composed by Whitehead and Anderson, which is a lovely tribute to the Celtic folk, spiced and ornamented with Jazz rhythms and improvisations. This delicate acoustic music flows gently like a country stream, glimmering with joy and crying with melancholy. The music is truly beautiful, moving between the folksy and the Jazzy parts with ease and elegance. All players display obvious virtuosity on their respective instruments, and the overall effect is simply charming. This is a splendid example of Jazz-World Fusion, with neither of the respective genres suffering from the effects of being joined together. Definitely worth investigating.

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JULIAN ARGÜELLES ~ AS ABOVE SO BELOW
PROVOCATEUR 1033 (Barcode: 5038491103325) ~ UK ~ Jazz-Classical Fusion
Recorded: 2002 Released: 2003

British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his second on the prestigious ProvocateurFind albums on this label label (and 6th as a leader), was recorded with a splendid octet, which includes both young British Jazz players and seasoned veterans, including Stan SulzmannFind albums by this artist (sax) and Henry LowtherFind albums by this artist (trumpet), and a 20-piece string ensemble. The music is a beautiful synthesis of Jazz and contemporary Classical Music that is surely Julian’s most ambitious and far-reaching work as a composer. The tranquil and contemplative themes are splendidly orchestrated and the octet performs in perfect harmony with the string ensemble. Deeply moving and uplifting, this music combines formal musical structures and improvisation in a most elegant way. Serious Jazz connoisseurs as well as those who love Classical Music are both for a treat. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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ANDY SHEPPARD / JOHN PARRICELLI ~ P.S.
PROVOCATEUR 1034 (Barcode: 5038491103424) ~ UK ~ Jazz
Recorded: 2003 Released: 2003

British saxophonist / composer Andy SheppardFind albums by this artist and his partner guitarist / composer John ParricelliFind albums by this artist are both household names on the contemporary British Jazz scene. They have collaborated many times before recording this duo album, which documents perfectly their mutual admiration and respect for each other’s talents. They both contributed equally from their respective songbooks and added one co-composed tune to round things up. The music is very intimate, as appropriate for a duo recording, with mostly lyrical content. The cooperation and interplay is perfect in every sense and the tempi vary from classic Jazz, Latin and even African rhythmic patterns. Parricelli plays both the acoustic and electric guitars and Sheppard plays both the tenor and soprano saxophones, so between the two of them there is certainly enough variety to keep the listener hooked and enchanted. The overall atmosphere is similar to many ECMFind albums on this label recordings, where silence and space are equally important as are the actual sounds played. Enthusiasts of that kind of subdued and restrained emotionality will absolutely love this album. Definitely worth checking out!

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ALAN SKIDMORE / UBIZO ~ UBIZO
PROVOCATEUR 1036 (Barcode: 5038491103622) ~ UK ~ Jazz-World Fusion
Recorded: 2002 Released: 2003

Following the recording of the sensational “The CallFind albums with this title” album, legendary British saxophonist / composer Alan SkidmoreFind albums by this artist reunited again with the South African ensemble AmampondoFind albums by this artist and created the group UbizoFind albums by this artist, adding a few other British Jazz musicians. This album documents the group’s music, which is a direct continuation of the tremendous success achieved on the previous album. This time the group presents a slightly different balance between Jazz and Folklore, as the “Jazz section” is strengthened by the addition of trumpeter Ingolf BurkhardtFind albums by this artist (from the NDR Big BandFind albums by this artist). Other players include Colin TownsFind albums by this artist (keyboards), Steve MellingFind albums by this artist (piano) and Arnie SomogyiFind albums by this artist (bass), who played on the previous album, and Stephen KeoghFind albums by this artist on drums. The music includes compositions by Skidmore, Towns and of course by members of Amampondo, as well as arrangements of traditional South African music. The overall balance between Jazz and Folklore is absolutely perfect, creating a superb Jazz-World Fusion, as it should be. British Jazz aficionados should remember Skidmore’s participation in Chris McGregorFind albums by this artist’s Brotherhood Of BreathFind albums by this artist some 30 years earlier, which also blended South African music and Jazz. It is quite interesting to compare this recording with the BOB ones and observe the process of maturity and refining that occurred in the meantime. The raw power and wildness (in search of musical and not only freedom) is replaced here by moderation and sophistication. Yes, we are all getting older, no doubt, but this does not affect Skidmore’s playing, which is exceptional, like always. His tone and improvisational skills are a symbol of (spiritual) youth and his Coltranesque explorations remain equal to none. I only hope Skidmore will continue to record his superb music for many years to come. Delightful!

CD 1 Digipak HDCD Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK
PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz
Recorded: 2004 Released: 2006

British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend

COLIN TOWNS ~ LEND ME YOUR EARS
PROVOCATEUR 1038 (Barcode: 5038491103820) ~ UK ~ Jazz
Recorded: 2005 - 2006 Released: 2006

British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, cooperates often with Europe’s premiere Jazz orchestra, the German NDR Big BandFind albums by this artist from Hamburg. This album presents a series of original compositions by Towns, written especially for the NDR Big Band and performed by it. Having at his disposal such esteemed and well trained group of musicians, Towns is able to stretch his compositional and arranging skill to the limit, creating some of the most magnificent big band music ever recorded. The music covers a vast musical panorama, from exotic World Music influences, via chamber pieces and even electronics. Brilliantly performed (and superbly recorded), this is a beautiful example of music, which is fresh, intelligent and innovative, dazzling with its intricacy and moving with its melodic lyricism. The compositions include a six-part Jazz suite dedicated to and featuring the talents of Polish pianist Wladyslaw SendeckiFind albums by this artist, who is the NDR Big Band’s resident pianist. There is ample space for some superb solos by the band’s members, including saxophonist Christof LauerFind albums by this artist, one of Europe’s most distinguished players today. I can hardly imagine a more perfect big band recording, which is an instant classic and a superb example of the Jazz Art Form, something that should inspire and educate other Jazz composers and arrangers and set an example for others to study. It is, after all, a collection of the entire Jazz vocabulary harmonically, stylistically and historically. Well-trained listeners should have no trouble hearing shades of New Orleans marching bands, Duke EllingtonFind albums by this artist’s masterly compositions and Gil EvansFind albums by this artist’ pioneering orchestrations, mind you subtle shadows as in smiling Angels watching over Towns, never imitations or plagiarism so often heard in other big band efforts. If it was up to me I’d have made this album a compulsory learning tool for every Jazz student, but alas this is beyond my powers. I still can, however, recommend this beauty to every connoisseur of truly great music - Jazz included. As I already said – a true classic!

CD 1 Digipak Recommend To A Friend

WLADYSLAW SENDECKI ~ PIANO
PROVOCATEUR 1039 (Barcode: 5038491103929) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2007

Polish pianist / composer Wladyslaw SendeckiFind albums by this artist is one of the finest representatives of European Jazz. As a child prodigy he started his classical studies at the age of 11 and performances at the age of 15. Once he discovered Jazz, his passion for music concentrated in this field and he became involved with the Polish Jazz scene, playing piano in famous Polish groups like Extra BallFind albums by this artist and Sun ShipFind albums by this artist, both of which pioneered the Polish Jazz-Rock Fusion movement. In 1981 Sendecki left Poland (as did many gifted musicians at the time) first to Sweden and later settled in Switzerland. In 1990 he moved to Germany (Hamburg) and took the resident piano chair with the excellent NDR Big BandFind albums by this artist. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Bronislaw SuchanekFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. This beautiful piano solo album was recorded 20 years after his last recording as a leader and is a most welcome return and a great opportunity for new listeners to get exposed to his great talent. He composed most of the music, including the three parts suite dedicated to painter Marc Chagall and the Art of painting. Three pieces by other composers are also included, reflecting his love of music by other talented composers. The album is an absolutely stunning piece of music, performed with virtuosity and deep musical sensitivity. Sendecki keeps his brilliant technique “in check”, not letting it overshadow his delicate and impressive improvisational exploits. For well-trained listeners, the Polish musical tradition, especially the piano legacy of Frederic ChopinFind albums by this artist, is quite evident (Chopin’s romanticism and soul-searching qualities influence all Polish piano players to this very day). The music flows beautifully from one piece to another and for me it was all over much too soon, which means it will be played again many a time. The sound quality of the album is (not surprisingly) excellent, as all the other recordings on the ProvocateurFind albums on this label label. Piano lovers, Jazz lovers or just plain music enthusiasts should find plenty of content here and even if the Artist’s name is completely unfamiliar to them, it is absolutely worth investigating. I for one am proud to have such a superb musician for a friend. Hopefully we won’t have to wait for 20 years to enjoy another album of his.

ALAN SKIDMORE / UBIZO ~ 50 JOURNEYS
PROVOCATEUR 1040 (Barcode: 5038491104025) ~ UK ~ Jazz-World Fusion
Recorded: 2008 Released: 2008

3rd album by British saxophonist / composer Alan SkidmoreFind albums by this artist and his African Music ensemble UbizoFind albums by this artist, which combines European Jazz musicians with African ethnic players. The album’s title celebrates Skidmore’s 50 years as a Jazz musician, one of the most illustrious careers on the British Jazz scene. The music is a beautiful amalgam of modern Jazz and ethnic elements, which Skidmore and his group have been exploring for the last few years. This version of Ubizo includes such gifted players as Ingolf BurkhardtFind albums by this artist (trumpet), Steve MellingFind albums by this artist and Colin TownsFind albums by this artist (keyboards) and Neville MalcolmFind albums by this artist (bass), alongside the African players, who play a plethora of folklore instruments. This album is slightly more oriented towards the ethnic elements, with relatively short tracks, but the scope and the beauty of the music is breathtaking. The Jazz elements are of course still strongly manifested, especially in view of the two John ColtraneFind albums by this artist compositions included, with spectacular solos by Skidmore. Overall this is another masterpiece of Jazz-World Fusion, with great music from start to finish, proving that music does not have to be somber and gloomy to be intelligent and rewarding. I had a great fun listening to this album and I’m sure many listeners will feel the same. Wholeheartedly recommended!

COLIN TOWNS ~ THE ORPHEUS SUITE
PROVOCATEUR 2004 (Barcode: 5038491200420) ~ UK ~ Jazz
Recorded: 2004 Released: 2004

British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, is renown for his work in a variety of musical settings, which include cinema, TV and Jazz big band. Therefore it is no surprise that the Birmingham Royal Ballet would commission Towns to compose a suite, to be used as the accompaniment for the ballet’s performance. The composer stood up to the challenge admirably, as documented on this album. The music, inspired by the Greek mythological hero Orpheus, is performed by Towns’ Mask OrchestraFind albums by this artist, which includes an expanded percussion section allowing a more rhythmic emphasis in the music. Although intended for the ballet, the music stands perfectly on its own and is able to inspire and touch the listener even without the visual counterpart. The separate pieces of the suite differ from each other in many respects, but sustain a feeling of continuity and conceptual unity. Slightly more percussive at times than Towns’ usual compositions (as appropriate for modern dance) some of the parts are also beautifully melancholic, creating a stunningly dramatic atmosphere of the entire suite. The music is quite complex, presenting the band with challenging obstacles, but the experienced and talented musicians of this caliber conquer the difficulty with flying colors. Distinguished soloist like Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist (trumpet), along with younger but highly skilled players in the band deliver an all round excellent performance. The album includes a bonus track, which was considered, but eventually not included in the ballet performance. All in all this is another momentous achievement for Towns and his band, worthy of an honorable place in any serious Jazz music collection. On a side note, I wonder if the tragic fate of Orpheus, a poet and musician, who tried to cheat death using his artistic skills and perished himself in the process, is not a metaphor one can easily apply to artists even in our times. After all Orpheus did achieve immortality, even if only as a myth, so perhaps the role of all artists lies primarily with whatever is left as their legacy, by which they will be remembered?

CD 1 Bonus Tracks Recommend To A Friend

LESLIE WEST ~ GOT BLOOZE
PROVOGUE 7155 (Barcode: 8712725715528) ~ USA ~ Blues-Rock
Recorded: 2005 Released: 2005

Legendary guitarist Leslie WestFind albums by this artist is best known as the leader of MountainFind albums by this artist, America’s answer to the UK power trio CreamFind albums by this artist. Mountain recorded a series of excellent albums in the late 1960s and early 1970s, which were loud and powerful (often being quoted as one of the forefathers of Heavy Rock), but also quite sophisticated. West’s unique tone and approach to the guitar, heavily based in the blues tradition, stays to this very day as one of the icons of the formative years of electric guitar. A famous anecdote tells that if one places West in a room with another 99 guitar players, just one note played by him will be immediately recognizable. Since the mid-1970s West recorded sporadically, with none of the albums leaving any significant impact on the scene, but his 2000s output marks a revival of his powers. West returned to what he does best – playing the blues in his unique manner, which has but a few competitors. West formed an excellent group with two formidable blues / rock veterans: Tim BogertFind albums by this artist (Vanilla FudgeFind albums by this artist, CactusFind albums by this artist, Beck, Bogert & AppiceFind albums by this artist) – one of rock’s most respected bass players and Aynsley DunbarFind albums by this artist (John MayallFind albums by this artist, Frank ZappaFind albums by this artist) – one of blues-rock most respected drummers. Together they storm through a program, which includes many blues standards, but sounds fresh and vital like never before. West also pays tribute to his ex-partner Jack BruceFind albums by this artist by including his superb composition “Politician” on this album. For blues-rock fans this is an absolute must!

STONEY CURTIS BAND ~ ACID BLUES EXPERIENCE
PROVOGUE 7160 (Barcode: 8712725716020) ~ USA ~ Blues-Rock
Recorded: 2005 Released: 2005

Although completely anonymous, Stoney CurtisFind albums by this artist and his power trio (Colby SmithFind albums by this artist – bass and Charles Glover IIFind albums by this artist – drums) play a nock-out Blues-Rock set on this (apparently) debut album. All the music is original, but based on the 1970’s classics of the genre with Jimmy HendrixFind albums by this artist and Johnny WinterFind albums by this artist as immediate associations. The guitar work is absolutely stunning, twisting and screaming the blues in ways previously attempted only by the very best guitar players. The retro psychedelic sound fits this music perfectly and if I didn’t know better I would swear this was a lost treasure from the past. I realize it is almost impossible to convince people to try unknown artists, but this one truly deserves to be discovered and ignoring it would be a (musical) crime. I hope you will dare (and later send me a thank you note, as usual).

LESLIE WEST ~ BLUE ME
PROVOGUE 7191 (Barcode: 8712725719120) ~ USA ~ Blues-Rock
Recorded: 2006 Released: 2006

2nd recent album by legendary guitarist Leslie WestFind albums by this artist, dedicated to the exploration of his blues roots. Similar to its predecessor (Got BloozeFind albums with this title), the album includes a mixture of blues and rock classics brilliantly performed by West and his cohorts, again including drummer Aynsley DunbarFind albums by this artist (see John MayallFind albums by this artist, Frank ZappaFind albums by this artist). West lost none of his magic touch, which made MountainFind albums by this artist one of the most distinctive and pioneering groups of the late 1960s. There are no great discoveries here, no groundbreaking pyrotechnics, just perfect blues-rock performances that sound right time after time. If you love Mountain, you’ll love this. If you love the blues, you’ll love this too. Just listen to West’s version of George GershwinFind albums by this artist’s “Summertime” and bliss will take over. So what else can one ask for?

Visitors' Comments

Dr. Rafael Augusto Lara Palmeros
A superb albumn!!!. Leslie West and a group of excellent musicians – Aynsley Dunbar, Tim Fahey, Kevin Curry, Art Groom, Todd Wolfe and Brian Michell - recorded this marvelous music with covers from Leroy Carr, Ida Cox, The Great Muddy Waters, Sonny Thompson and others. The music is a mixture of Blues-Rock and some Bayou sound (´Green River´). West still sings with a gear-shredding roar and guitar lines sound heavier than thunder on this set of blues-rockers. ´Hit the road Jack´ is relatively sleek and elegant (remember Ray Charles version!!), ´Four day creep´ is a Blues-Rock as old times (West, Bruce and Laing), ´Standing around crying´ is a real good Blues. Gershwin´s ´Summertime´, that closes the albumn is plenity moody, with West´s guitar weeping and a exceptional Brian Mitchell playing piano. A must for a real Blues-Rock fan!!. 4.5 stars.

MICHAEL LANDAU / GROUP ~ LIVE
PROVOGUE 7209 (Barcode: 8712725720928) ~ USA ~ Jazz-Rock Fusion
Recorded: 2004 - 2006 Released: 2006

Michael Landau is one of the best-kept secrets on the US West Coast scene. Although almost completely anonymous, he is definitely one of the best and most gifted guitar players in US today. He is quite famous to the “insiders” of the music scene as he is featured (as a session player) on an endless list of albums by the biggest names in rock music. His work as a leader is unfortunately hardly available and this new album is a most welcome addition. The album is a showcase of his amazing versatility and staggering technique. The first disc of this 2CD set id dedicated to the electric blues, which Landau performs brilliantly with shades of Hendrix and Vaughan coming to mind immediately. The second discs could not be more different and it includes a superb set of jazz / rock Fusion, with Landau playing some amazing licks. He also composed all the music (sans one track) on this album. If you have never heard of this guy, do yourself a favor and listen to this album. I can assure you won’t be sorry!

JOE BONAMASSA ~ LIVE FROM THE ROYAL ALBERT HALL
PROVOGUE 7274 (Barcode: 8712725727422) ~ USA ~ Blues-Rock
Recorded: 2009 Released: 2009

Considering the fact that nothing significant is happening in Blues in the last few decades since it went electric and combined forces with Rock, it´s always great to hear somebody make a worthwhile contribution. US guitarist / singer / composer Joe BonamassaFind albums by this artist has been steadily building up a reputation as a major figure on the Blues-Rock scene and this live concert, recorded at the legendary London Royal Albert Hall, which hosted the greatest names in Rock music over the years, is ample proof of his outstanding achievements. Supported by an excellent band, which includes a three-piece horn section and with help / guest appearances by stars / veterans like Eric ClaptonFind albums by this artist on guitar and Paul JonesFind albums by this artist on harmonica, this music kicks ass from start to finish. Bonamassa, who wrote at least half of the material included, is a gifted songwriter and his soul is definitely full of the Blues feeling. If you still like the Blues and don´t mind a Rocky kick behind it, you won´t stop drooling while this album plays on!

WARREN HAYNES BAND ~ LIVE AT THE MOODY THEATRE
PROVOGUE 7383 (Barcode: 8712725738329) ~ USA ~ Blues-Rock
Recorded: 2011 Released: 2012

US guitarist / vocalist / songwriter Warren HaynesFind albums by this artist needs no introduction and any Blues-Rock fan around the world is surely familiar with his work with The Allman Brothers BandFind albums by this artist, Gov`t MuleFind albums by this artist or his solo recordings. He is regarded as one of the best Blues-Rock guitarist out there and his versatility and talent precede him. This superb live recording of his band brigs everything he has to offer in one neat package with four hours of material on two CDs and a DVD, which should keep every Blues-Rock fan more than happy. The six-piece band and guest musicians go through two sets of songs, mostly written by Haynes, with just a few borrowed treasures. This is music straight from the heart and one should take it as it is, without looking for things that aren´t there. Haynes and his guitar are trademarks of contemporary US Blues-Rock and they kick bottoms. Warmly recommended!

2CD+DVD 3 Digipak Recommend To A Friend

RIDES ~ CAN`T GET ENOUGH
PROVOGUE 7412 (Barcode: 819873010142) ~ USA ~ Blues-Rock
Recorded: 2013 Released: 2013

This is the debut album by American Blues-Rock band The RidesFind albums by this artist, formed in 2013 by the legendary singer / songwriter / guitarist Stephen StillsFind albums by this artist with singer / songwriter Kenny Wayne ShepherdFind albums by this artist and veteran keyboardist Barry GoldbergFind albums by this artist. The band also includes bassist Kevin McCormickFind albums by this artist and drummer Chris LaytonFind albums by this artist. The album presents ten songs, four of which are originals co-written by the three founding members of the band, one is written by Neil YoungFind albums by this artist, one is written by Stills, one is written by Iggy PopFind albums by this artist and three are Blues standards.

Stills is able to put his ego away and embrace a much younger Blues-Rock star like Shepherd in order to create what he calls "the blues band of my dreams" in order to revisit his Blues roots. Surprisingly this unlikely coalition works out splendidly and the album is full of a true camaraderie and more importantly some superb Blues songs with scorching guitar solos all along the way.

The new songs are all first class and the covers are updated with sparkling and ass-kicking rejuvenated arrangements, altogether resulting in an album that might have been recorded fifty years earlier – and I mean this as a compliment.

For all the Classic Rock / Blues-Rock enthusiasts, who still listen to real music today, this is as good as this type of music ever gets. Nostalgia, "heard it all already", etc. – who cares! This music is alive and kicking and all you contemporary zombie-music lovers eat your hearts out! This music truly rocks!

Updated: 27/04/2019Posted: 27/04/2019

RIDES ~ PIERCED ARROW
PROVOGUE 7461 (Barcode: 819873013341) ~ USA ~ Blues-Rock
Recorded: 2016 Released: 2016

This is the second album by American Blues-Rock band The RidesFind albums by this artist, formed in 2013 by the legendary singer / songwriter / guitarist Stephen StillsFind albums by this artist with singer / songwriter Kenny Wayne ShepherdFind albums by this artist and veteran keyboardist Barry GoldbergFind albums by this artist. The band also includes bassist Kevin McCormickFind albums by this artist and drummer Chris LaytonFind albums by this artist. The album presents ten songs, nine of which are originals co-written by the three founding members of the band and the bassist and one is a Blues standard.

This album is decidedly less Blues oriented than the debut and offers mostly American Rock with some Bluesy spicing, but the songs are all as good as Rock songs get and are all perfectly executed. Stills still sings wonderfully as does Shepherd and both play tasty guitar solos, so what else can one ask for. At least these guys play what they believe in and they have something to say, which is better that most other "music" maker these days.

One can wonder if these guys have it in them to deliver another album of their songs – time will show. Shepherd has a stardom career to run, which personally leaves me rather cold, and it is Stills who made me to listen to The Rides, and I honestly don´t regret it.

For all the Classic Rock / Blues-Rock enthusiasts, who still listen to real music today, this is as good as this type of music ever gets. Nostalgia, "heard it all already", etc. – who cares! This music is alive and kicking and all you contemporary zombie-music lovers eat your hearts out! This music truly rocks!

Updated: 28/04/2019Posted: 28/04/2019

GARY MOORE ~ LIVE FROM LONDON
PROVOGUE 7605 (Barcode: 810020501032) ~ UK ~ Blues-Rock
Recorded: 2009 Released: 2020

This is an archive album by British guitar virtuoso / vocalist / composer Gary MooreFind albums by this artist, recorded live in December 2009 just over a year before his untimely death in 2011. The album was recorded with keyboardist Vic MartinFind albums by this artist, bassist Peter ReesFind albums by this artist and drummer Steve DixonFind albums by this artist. The album presents thirteen tracks, some being his original compositions, which span his entire career, with an emphasis on Blues, which was always his favorite idiom despite the fact that his career covered a wide range of genres.

The tight band and the incredibly coherent choice of material make this album one of his best ever live recordings. The fire and virtuosity of his soloing fully justify his legendary status as a guitar hero and one of the very best axe man of his generation. The music includes such classic Blues anthems as John MayallFind albums by this artist’s “Have You Heard” and Al KooperFind albums by this artist’s “I Love You More Than You’ll Ever Know”, which alone are the worth the price of the album in gold.

Overall this album is an instant classic, especially for Blues-Rock enthusiasts and a wonderful reminder of Moore’s genius. Although the market is pretty stuffed with live Moore material, this album is an absolute highlight and an essential part of any decent music collection. Wholeheartedly recommended!

Updated: 09/08/2021Posted: 09/08/2021

CD 1 Digipak Recommend To A Friend

ROBIN TROWER ~ NO MORE WORLDS TO CONQUER
PROVOGUE 76242 (Barcode: 810020502176) ~ UK ~ Blues-Rock
Recorded: 2022 Released: 2022

This is the 26th solo studio album by legendary British Rock guitarist / songwriter Robin TrowerFind albums by this artist, recorded mostly in an intimate trio setting with vocalist Richard WattsFind albums by this artist and drummer Chris TaggartFind albums by this artist. Trower plays both guitar and bass guitar. Occasional organ is played by Paddy MilnerFind albums by this artist and occasional bass by Livingstone BrownFind albums by this artist. The album presents eleven original songs, all by Trower.

As the title appropriately points out, Trower has absolutely nothing more to prove and his over five-decades long recording career, both with Procol Harum and as a solo artist, established his position as one of the greatest British Rock guitar players of all time.

The songs on this album continue the style of his late solo albums, soaked with deep Blues feel and spiced by the spectacular guitar playing, which sounds as good as ever. His abilities remain completely intact and his album are as reliable as sunrise and sunset.

Overall, this is another gem of an album in the long list of his solo albums, which happily for us he keeps delivering in regular time interviews. For his many followers, getting this album is absolutely a no-brainer.

Updated: 01/05/2023Posted: 09/06/2022

CD 1 Digipak Recommend To A Friend

ROBIN TROWER ~ JOYFUL SKY
PROVOGUE 77092 (Barcode: 8712725746102) ~ UK ~ Blues-Rock
Recorded: 2023 Released: 2023

This is the 27th solo studio album by legendary British Rock guitarist / vocalist / songwriter Robin TrowerFind albums by this artist, recorded mostly in an intimate trio setting with vocalist Sari SchorrFind albums by this artist and drummer Chris TaggartFind albums by this artist. Trower plays both guitar and bass guitar. Occasional keyboards are played by Adrian GautreyFind albums by this artist. The album presents ten original songs, all by Trower.

Following his departure from the iconic Procol HarumFind albums by this artist, Trower pursues a solo career since 1973, with dozens of albums to his credit. He manages miraculously to stick to his own formula of creative Blues-Rock, which he follows in the sixth decade of his career. His guitar playing is still sharp and clear-cut and his vocals are still as powerful as always, and he does not need to reinvent himself or search for any new avenues, doing what he does best. His many fans love his music, and that’s what matters the most.

Schorr is an incredible rising star on the Blues-Rock scene, and this is her 4th album following three excellent solo albums. Her vocals are gutsy and full of the Blues sensitivity, which is very rare.

The songs on this album continue the style of Trower’s late solo albums, soaked with deep Blues feel and spiced by the spectacular guitar playing, which sounds as good as ever. His abilities remain completely intact and his album are as reliable as sunrise and sunset.

Overall, this is another gem of an album in the long list of his solo albums, which happily for us he keeps delivering in regular time interviews. For his many followers, getting this album is absolutely a no-brainer.

Updated: 09/12/2023Posted: 09/12/2023

CD 1 Digipak Recommend To A Friend

MAKOTO KURIYA / SYLWESTER OSTROWSKI ~ JUST MUSIC
P-VINE 24327 (Barcode: 4995879243275) ~ JAPAN ~ Jazz
Recorded: 2013 Released: 2014

This is the debut album by the international quintet co-led by Japanese pianist / composer Makoto KuriyaFind albums by this artist and Polish saxophonist / composer Sylwester OstrowskiFind albums by this artist, which also includes Polish trumpeter Piotr WojtasikFind albums by this artist and American rhythm section comprising of bassist Essiet Okon EssietFind albums by this artist and drummer Newman Taylor BakerFind albums by this artist. The album presents nine compositions, five of which are originals co-composed by Ostrowski and Wojtasik, two are originals by Kuriya and the remaining two are standards.

The music belongs to the melodic mainstream variety, with solid compositions, but completely non-original approach which puts the album somewhere in the proximity of 1950s or early 1960s American Jazz idiom. Of course these are all highly professional musicians, who can play really well, but the overall effect of this music is simply passé.

Personally I find the phenomenon of European or Japanese musicians trying to imitate American Jazz sort of pathetic; they will never be able to beat the American Jazz tradition so they might as well find their own path and take the music elsewhere, which of course many do, especially the younger ones.

Overall this is very well played mainstream American-like Jazz, which still has many followers all over the globe. For such audiences, this album is definitely worth investigating, although there are thousands of similar recordings out there deserving no less attention.

PAUL RODGERS ~ FREE SPIRIT
QUARTO VALLEY 805859064124 (Barcode: 805859064124) ~ UK ~ Blues-Rock
Recorded: 2018 Released: 2018

This is a live recording by veteran British Blues-Rock vocalist / guitarist / songwriter Paul RodgersFind albums by this artist, captured at the legendary Royal Albert Hall. The concert commemorates the fiftieth anniversary of founding one of the greatest Blues-Rock bands in history, the celebrated mighty FreeFind albums by this artist, which was of course headed by Rodgers. The album presents sixteen classic Free songs, spanning their relatively short history (1968-1972) and six studio (and one live) albums. Rodgers is supported by a superb band, which consists of members of the Deborah BonhamFind albums by this artist band: guitarist Peter BullickFind albums by this artist, keyboardist Gerard LouisFind albums by this artist, bassist Ian RowleyFind albums by this artist and drummer Richard NewmanFind albums by this artist. The accompanying DVD in this set includes the same material as the CD.

Rodgers sings as if the tides of time pass him by completely, with his brilliant husky voice sounding clear and confident as it did five decades earlier. He is without a doubt one of the most stable performers in the Rock world, consistently delivering absolutely superb vocals. He is also the best white Blues vocalist of all times, which he proved over and over again throughout his career.

Free were the epitome of the British Blues Revival of the mid / late 1960s, and although Britain produced scores of great Blues bands, very few of those got anywhere close to the perfect sound and feel of the Blues that Free managed to create at their time, largely due to Rodgers´ vocals, songwriting and leadership.

Although the album does not offer any new music, it is an excellent review of the exquisite material Free created during their heydays, wonderfully played and excellently recorded which should keep every fan of the group ecstatically happy and the connoisseurs of classic British Blues-Rock in seventh heaven.

An absolute must have!

Updated: 21/09/2018Posted: 21/09/2018

CD+DVD 2 Digipak Recommend To A Friend

SAVOY BROWN ~ CITY NIGHT
QUATRO VALLEY 0114 (Barcode: 805859068528) ~ UK ~ Blues-Rock
Recorded: 2019 Released: 2019

Fifty years (and forty albums) after I heard Kim SimmondsFind albums by this artist and his Savoy BrownFind albums by this artist band for the first time in London sometime in 1969, he is still very much alive and kicking, as this album proves beyond any doubt. In time Savoy Brown became an icon of British Blues-Rock, although the band achieved success primarily in the US and Germany. The preferred modus operandi of Simmonds these days is a Blues power trio, like the one heard here, with Simmonds playing guitar and delivering the vocals, accompanied by bassist Pat DesalvoFind albums by this artist and drummer Garnet GrimmFind albums by this artist. The album presents twelve original songs, all written by Simmonds.

Simmonds is perhaps not the greatest, and surely not the most famous guitar player around, but his true forte is the incredible consistency both as a player and a songwriter, which over time amassed an incredible amount of great tunes and hours on end of superb Blues guitar performances. Starting as part of the British Blues Revival and the birth of the Blues-Rock idiom, Savoy Brown was able to hold the candle of the genre for generations, with obvious ups and downs but always genuinely sincere and classy.

Although the Blues is an a priori limited musical playground, with clearly defined rules and regulations, human ingenuity proves that in spite of these limitations there is an infinite universe of music which can be created within them. Blues-Rock, now in its sixth decade, continues to daze and confuse all of us on a daily basis and thanks to Artists like Simmonds and his Gibson Les Paul guitar the scorching tones keep penetrating directly into our hearts.

Overall this is a superb and true to the source Blues-Rock album, which should satisfy completely all the connoisseurs of the genre and wet the lips of all guitar freaks around the globe. To Kim, all I can say is Godspeed and please don´t you ever change!

Updated: 10/07/2019Posted: 10/07/2019

CD 1 Mini-Sleeve Recommend To A Friend

SAVOY BROWN ~ AIN`T DONE YET
QUATRO VALLEY 0129 (Barcode: 805859074123) ~ UK ~ Blues-Rock
Recorded: 2020 Released: 2020

The title says it all; the unstoppable Blues machine called Savoy BrownFind albums by this artist is rolling on in its sixth decade bravely led by vocalist / guitarist Kim SimmondsFind albums by this artist, currently in a trio lineup with bassist Pat DesalvoFind albums by this artist and drummer Garnet GrimmFind albums by this artist. The new album presents ten original songs, all by Simmonds.

Despite the limitations that the Blues format imposes on the music, the idiom is alive and kicking sounding healthier than most of it children within the Pop and Rock idioms, proving the "if it ain´t broke don´t fix it" advice. This music does not sound much different from what Savoy Brown and the entire Blues Revival generation played in the 1960, and yes it still manages to sound fresh and exciting, provides the listener is a Blues enthusiast of course.

Simmonds, perhaps not the most spectacular Blues Rock guitarist of the class of Peter GreenFind albums by this artist, Rory GallagherFind albums by this artist or Jimi HendrixFind albums by this artist, manages to produce the unmistakable "Blues guitar sound", which works for our generation like nothing else and he has one undeniable advantage – he is still alive and kicking.

For the numerous Savoy Brown fans and followers this album is as enjoyable and exciting as everything else the group produced over the years; they just can´t go wrong. Warmly recommended!

Updated: 30/09/2020Posted: 30/09/2020

CD 1 Mini-Sleeve Recommend To A Friend

SAVOY BROWN ~ BLUES ALL AROUND
QUATRO VALLEY 0165 (Barcode: 805859088724) ~ UK ~ Blues-Rock
Recorded: 2022 Released: 2023

This is an album by legendary British Blues band Savoy BrownFind albums by this artist, founded in 1965 by guitarist / vocalist / composer Kim SimmondsFind albums by this artist. The album was recorded in a trio setting with bassist Pat DesalvoFind albums by this artist and drummer Garnet GrimmFind albums by this artist and was completed shortly before Simmonds died in December 2022, aged seventy-five, and was released posthumously. The album presents twelve original songs, all by Simmons.

As the music proves, Simmonds never lost any of his great feeling for the Blues and his recorded legacy, which spans dozens of albums, has no weak spots, despite the ever changing lineup of the band. His vocals and especially his unique guitar playing remain an everlasting statue of the Blues-Rock idiom, which proves that Europeans can write and play the Blues every bit as well as musicians from across the pond.

Overall, with the sadness accompanying the departure of the iconic figure of Simmonds, this album is a great testimony of his creative powers and a proper “closing” of his titanic career, although more of his recording are bound to pop up in the future. Absolutely not to be missed, this is an instant Blues classic.

Updated: 16/03/2023Posted: 16/03/2023

CD 1 Mini-Sleeve Recommend To A Friend

ZSOLT KALTENECKER ~ IMPOSSIBLE
R&V 001 (Barcode: 5999548111628) ~ HUNGARY ~ Jazz
Recorded: 2006 Released: 2007

Keyboards wizard / composer Zsolt KalteneckerFind albums by this artist is definitely one of the most interesting Hungarian musicians in the last decade. His amazing technique, regardless if he plays the acoustic piano or an array of synthesizers, as well as his brilliant writing, again regardless if in an acoustic Jazz setting, hardwired Fusion or Ambient music, are always first rate and listening to his albums is quite an experience. This wonderful album presents Kaltenecker as a solo performer, playing both pre-composed pieces and freely improvised ones, using an electronic synthesizer programmed to emulate instruments like clavichord, harpsichord and guitar. The effect is pretty amazing and the entire album is one heck of a listening experience, certainly different from almost anything else out there. Wholeheartedly recommended to all keyboards freaks, especially those who like more ambitious Jazz oriented music!

CD 1 Digipak Recommend To A Friend

SHQ ~ KAREL VELEBNY & COMPANY
RADIOSERVIS 0398 (Barcode: 8590236039827) ~ CZECHOSLOVAKIA ~ Jazz
Recorded: 1963 - 1976 Released: 2008

The legendary multi-instrumentalist / composer / bandleader Karel VelebnyFind albums by this artist is universally recognized as the Godfather of post-WWII Czechoslovak Jazz. His ceaseless activity as a player, bandleader and educator resulted in raising generations of Jazz players in the country, many of which continued to become leaders of their own later on. His ensembles, usually called SHQFind albums by this artist, incorporated over the years the absolute who´s who of the Czechoslovak (and later Czech) scene. His contributions as a teacher and educator were also invaluable. This compilation by the Czech Broadcasting Corporation presents a series of radio recordings by Velebny´s SHQ ensemble in the 1960s and 1970s, all previously unreleased, which of course is a great treat to lovers of Czechoslovak Jazz. The names of the participating musicians include flautist / saxophonist Jiri StivinFind albums by this artist, saxophonists Rudolf TichacekFind albums by this artist and Petr KralFind albums by this artist, pianists Karel RuzickaFind albums by this artist and Emil ViklickyFind albums by this artist, bassists Frantisek UhlirFind albums by this artist, Petr KorinekFind albums by this artist and Karel VejvodaFind albums by this artist, drummer Josef VejvodaFind albums by this artist and many more. Most of the music is original with just four standards out of the thirteen tracks on this album. This is a Jazz history treasure and any fan of Czechoslovak Jazz will find this album as indispensable. A must!

CD 1 Remastered Recommend To A Friend

CONCEPT ART ORCHESTRA ~ BIGBANDTRONICS (SIX MOVEMENTS OF SONIFICATION)
RADIOSERVIS 0597 (Barcode: 8590236059726) ~ CZECH REPUBLIC ~ Big Band Jazz
Recorded: 2011 Released: 2012

This is the second album by Czech Big Band called Concept Art OrchestraFind albums by this artist, founded in 2010 and currently led by trumpeter / composer Stepanka BalcarovaFind albums by this artist. On this album the Big Band is conducted by American (resident in Germany) musician / composer / arranger Ed PartykaFind albums by this artist and incorporates two members of the German nuBoxFind albums by this artist trio, bassist Alois KottFind albums by this artist and drummer Peter EisoldFind albums by this artist, who co-composed the six original compositions arranged by Partyka, presented on the album.

The music is a rather strange amalgam of Big Band Jazz and electronic / trance music, which despite the obvious effort to create a unified concept, remains an experiment rather than a convincing concept. Of course experimentation is an important element in Art in general and in music in particular, but there is no guarantee it will work effectively, and this album is one of such examples.

Of course the Big Band plays marvelously and all the members are first class instrumentalist, but the music simply does not stick together very well and the complex arrangements don’t manage to create a coherent whole of the Jazz elements and the electronic ones. At times the music sounds somewhat like Free Jazz, at other like Circus music, but mostly it simply makes no convincing statement at all.

I am very happy to have discovered the Concept Art Orchestra via their later albums with music composed by the Prague Six, which are all absolutely brilliant. This album remains as an example of their excellent musicianship but is very far from depicting their magnificent work as a Big Band with proper music to perform.

Updated: 05/02/2023Posted: 30/04/2021

CD 1 Digipak Recommend To A Friend

STEPANKA BALCAROVA ~ STESTI
RADIOSERVIS 1171 (Barcode: 8590236117129) ~ CZECH REPUBLIC ~ Jazz & Poetry
Recorded: 2022 Released: 2022

This is the second ‘remake” project, that lands on my desk this week – statistically this is a miracle…

In 2017 the Czech trumpeter / composer / arranger / bandleader Stepanka BalcarovaFind albums by this artist released her wonderful Jazz & Poetry album, entitled “Life And Happiness Of Julian TuwimFind albums with this title”, recorded with her Czech / Polish septet, which featured nine of her compositions to the poems by my favorite Polish poet Julian TuwimFind albums by this artist. Now, five years later, she presents six of those compositions, expanded and accompanied by orchestral arrangements, performed by the same septet and the Prague Radio Symphony OrchestraFind albums by this artist, conducted by Marko IvanovicFind albums by this artist. There is no point in repeating what I said about the previous recording, which you can read by clicking on the album’s title, and my comments concentrate on the new recording.

My only reservation about the previous album were the vocal parts, which I am happy to say are well balanced with the rest of the music this time, taking a stone off my chest. The orchestral arrangements influence to aural outcome of the music, which is somewhat more distant from the Jazz & Poetry idiom, but not eliminating that delicate relationship entirely, which is a happy outcome. On the other hand, if the orchestral parts were not given a significant weight on this album, the entire concept of the remake might have been questionable. So, all things considered, this second approach is all for the best every way one looks at it (or rather listens to it).

The vocalist still uses her idiosyncratic voice with a theatrical emphasis, which of course is a subjective assessment, but balanced by the orchestra the vocal parts work splendidly this time. Her vocalese soloing is absolutely stunning. Obviously, the septet instrumentalists have way less space to solo and display their Jazz chops, but the piano parts are still omnipresent and the wonderful bass playing is the heartbeat of the music.

The music is so wonderful, that one can assume it would have sounded great in any variation. Balcarova’s arrangements deserve nothing but praise and my only worry is that we might lose her Jazz oriented work in favor of other explorations, but I am sure she has still so much to say in her future accomplishments; that we won’t be able to resist her charm and sophistication.

Overall, this is a fascinating piece of music and more, a superb Jazz & Poetry project, a great example of cross-genre exploration, in short a gem of an album. The level of creativity and musical Artistry present herein is absolutely astounding. If you love music and even if you don’t speak Polish, this is still a dynamite piece of music, which is completely universal. If you, however, do speak Polish, and even perhaps also love Tuwim, this is Heaven on Earth.

Updated: 05/02/2023Posted: 05/02/2023

CD 1 Digipak Recommend To A Friend

MAGNUM ~ STRONGHOLD
RECEIVER 007 ~ UK ~ Progressive Rock

This live album recorded in 1997 documents the reunited Magnum at full swing. They perform brilliantly material spanning their entire career of 20 years and numerous albums. All their memorable songs are included here from the debut album till their last 1996 release The Last Dance. If you wish to have just one Magnum album, this is the one to have!

	FLEETWOOD MAC ~ THE VOUDEVILLE YEARS 1968-1970 RECEIVER 014 ~ UK ~ Blues A collection of all previously unreleased studio material from the best period of the greatest white blues group ever with two lead guitarists (Peter Green & Danny Kirwan) exchanging licks for hours. Packaged as a lavish book with many photographs and extensive notes. Absolutely essential to all blues fans and a rarity!
	CD 2 Digipak Recommend To A Friend

	MAGNUM ~ INVASION RECEIVER 113 ~ UK ~ Progressive Rock This 1982 live album by Magnum captures the band at the peak of their performing powers after several superb studio albums. They perform some of the best material from their studio albums and the performances are top notch. The skills of the band members are well reflected here, as are the powerful vocals by Bob Catley.
	CD 1 Recommend To A Friend

FLEETWOOD MAC ~ LIVE AT THE MARQUEE
RECEIVER 157 ~ UK ~ Blues

This 1966 live recording at the legendary London club is the earliest known recording by this seminal UK blues band. Recorded before the first studio album and even before the final line-up was crystalized, we can hear Green, Spencer and Flieewood playing their hearts out. The recording is pretty Lo-Fi, but considering the historic importance of this material nothing else matters. This is history in the making.

Updated: 01/06/2018Posted:

GROUNDHOGS ~ HOGGIN THE STAGE
RECEIVER 207 ~ UK ~ Blues

Led by guitarist / vocalist Tony McPhee the Groundhogs were one of the most creative UK blues outfits. They released a string of ephonymous albums in the late 1960s and early 1970s, which are still considered as masterpieces. This live recordings from the 1970s show how good the group was at the peak of their career. The material includes tunes from their album Split.

WISHBONE ASH ~ TIMELINE
RECEIVER 216 ~ UK ~ Classic Rock

Wishbone Ash dominated the UK rock scene in the early 1970s as one of the finest British groups. Famous for their double lead guitar line-up and their memorable tunes with extended themes and tempo changes. The group re-united in the 1990s and still enjoys a strong fan base around the world and tours constantly. This 1997 live recording shows them at their best playing many of their old favorites the way only they can.

EDGAR BROUGHTON BAND ~ CHILLY MORNING MAMA
RECEIVER 262 ~ UK ~ Classic Rock

UK rock band Edgar Broughton BandFind albums by this artist were as legendary and revolutionary as bands get. Considered by many as the forefathers of Metal and Punk, they were always controversial and bittery anti-establishments. The music was rough and the lyrics plainly abusive (or what was considered abusive then). This live recording catches them at the peak of their 1970s days playing material from their 3 first albums.

Updated: 26/08/2021Posted:

WISHBONE ASH ~ THE KING WILL COME
RECEIVER 276 ~ UK ~ Classic Rock

Wishbone Ash dominated the UK rock scene in the early 1970s as one of the finest British groups. Famous for their double lead guitar line-up and their memorable tunes with extended themes and tempo changes. The group re-united in the 1990s and still enjoys a strong fan base around the world and tours constantly. This 1999 live recording shows them at their best playing many of their old favorites the way only they can.

MAGNUM ~ ARCHIVE
RECEIVER 281 ~ UK ~ Progressive Rock

British Prog band Magnum is one of those strange stories in the music world. Although immensly popular in Europe, they never managed to make it across the Atlantic, which of course limits their popularity. Started in 1978 they released a long string of great albums and keep performing to this very day. This album is a selection of their best material from their early 1970s material. A great introduction to the band.

	MAGNUM ~ UNCORKED RECEIVER 284 ~ UK ~ Progressive Rock A collection of tracks from the 1990s albums by this veteran OK Prog group, which although relatively little known has a lot to offer. The band includes some incrdible musicians and their lead singer Bob Catley is one of the strongest and best voices of the genre. Very good introduction to the second period of the band`s career.
	CD 1 Recommend To A Friend

	LANDBERK ~ RIKTIGT AKTA RECORD HEAVEN 1 ~ SWEDEN ~ Progressive Rock 1st album by another great Swedish band, based somewhat on Scandinavian folk music with mixed in sophisticated Prog elements.
	CD 1 Recommend To A Friend

	NIMBUS ~ SCAPEGOAT RECORD HEAVEN 12 ~ SWEDEN ~ Progressive Rock 1st album from 1998 by this outstanding Swedish group, which combines elements of Prog, Jazz, World Music and Contemporary Classical music into an unbelievable amalgam. Complex compositions, virtuoso playing and the use of strings (viola, violin) make this an outstanding musical experience.
	CD 1 Recommend To A Friend

	ETCETERA ~ FIN DE SIECLE RECORD HEAVEN 14 ~ DENMARK ~ Progressive Rock 1st album by another great Scandinavian band, this time form Denmark. Very good musicians and strong compositions make this album a solid listening experience.
	CD 1 Recommend To A Friend

	TEN JINN ~ AS ON A DARKLING PLAIN RECORD HEAVEN 18 ~ USA ~ Progressive Rock 1st album from 1999 by this great American Neo-Progressive band, very much in the Gentle Giant vein, with intricate compositions and quirky melodies. A true masterpiece and a must in every Prog collection.
Updated: 21/09/2021Posted:	CD 1 Recommend To A Friend

	LANDBERK ~ INDIAN SUMMER RECORD HEAVEN 2 ~ SWEDEN ~ Progressive Rock 2nd album by this band, even more sophisticated and modern then the debut album. Fascinating melodies and great playing.
	CD 1 Recommend To A Friend

	BLUES UP FRONT ~ ALL THE WAY FROM DUBLIN RECORD HEAVEN 22 ~ IRELAND ~ Blues An Irish blues band, playing some nice licks and mostly self-penned material, with absolutely great slide guitar. Nothing one would expect from the Celts, but truly wonderful blues record!
	CD 1 Recommend To A Friend

	LONDON UNDERGROUND ~ LONDON UNDERGROUND RECORD HEAVEN 23 ~ ITALY ~ Progressive Rock Great Italian band recreating the sound of the late 60`s Psychedelia so well that you feel like you took a trip in a time machine. Absolutely stunning performance and truly great compositions.
	CD 1 Recommend To A Friend

ISILDURS BANE ~ MIND VOL.2:LIVE
RECORD HEAVEN 24 (Barcode: 7320470029626) ~ SWEDEN ~ Progressive Rock
Released: 1996

9th album by Isildurs BaneFind albums by this artist, a 2CD set which proves that even though it`s almost impossible to equal or even surpass their previous achievements, if anyone can do it, they can. This is absolutely amazing music, not only Prog but also contemporary classical. The group emerges here as the leader of world Prog without equals. Stunning booklet with 48 pages of text and photographs included.

	NIMBUS ~ GARMONBOZIA RECORD HEAVEN 25 ~ SWEDEN ~ Progressive Rock 2nd album from 2000 by this group, which continues the path set by the previous album. More of this strangely beautiful music.
	CD 1 Recommend To A Friend

	NITZINGER ~ GOING BACK TO TEXAS RECORD HEAVEN 33 ~ USA ~ Blues Former lead guitarist of the 70`s band Bloodrock comes back to his roots and plays some mean Texas blues, very energetic and rocky, with brilliant solos that can drive you up the wall. Outstanding!
	CD 1 Recommend To A Friend

	LOTUS ~ COMPLETE FRUITAGE RECORD HEAVEN 37 ~ SWEDEN ~ Classic Rock 2nd album by this power trio from Sweden, now remastered and with bonus tracks. Great heavy riffs, putting it in the Metal Prog category, based on the best traditions of this genre. Led Zep fans will love this one for sure!
	CD 1 Recommend To A Friend

	LECAR, VIC / BLUE MOON ~ VIC LECAR`S BLUE MOON RECORD HEAVEN 42 ~ USA ~ Classic Rock 1st album by this veteran rocker`s new group, whose members read like a who`s who of Hard Rock, including Rainbow. Absolutely delightful heavy guitar solos and a rock solid rhythm section take you to a power trip you can`t resist!
	CD 1 Recommend To A Friend

MAZUR NEURINGER DUO ~ DIACHRONIC PATHS
RELATIVE PITCH 1046 (Barcode: 616892379843) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2013 Released: 2015

This is the fifth album by the Avant-Garde / Improvising Music duo comprising of Polish acoustic bass guitarist Rafal MazurFind albums by this artist and American saxophonist Keir NeuringerFind albums by this artist. Together they perform six spontaneously improvised pieces, co-composed by the duo members.

As usual with Improvised Music it is not about the virtuosic abilities of the players, which of course are also present herein, but about the ability to communicate, cooperate and create together something that is more than the simple sum of the components. Mazur and Neuringer have already successfully proved that they are among the best of the kind and this album firmly verifies again, that this is the case.

The six lengthy pieces present a plethora of moods and emotional states, beautifully illustrated by the music, which often sounds strangely melodic and coherent in spite of its improvised nature. An attentive listener simply gets completely lost within the music, engulfed within the emotional fabric of the sounds.

This album is a wonderful example of truly creative Improvised Music that stays relevant beyond the actual moment of creation and is able to reproduce the magic also in recorded form. Sadly such music constitutes a minority within the genre, which many artists involved in it have serious problems understanding.

Of course the individual performances by those two brilliant musicians also deserve a high praise. Mazur managed to create a completely individual bass sound and his incredible technique is also completely unique. Neuringer displays unlimited fluency and improvisational depth, which are both unprecedented.

As usual, a great piece of intriguing, wonderfully performed music, which sets the path (pun intended) for others to follow, both as listeners and musicians. Thanks for sharing!

Updated: 12/04/2019Posted: 08/10/2016

CD 1 Digipak Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ SAFE AS MILK (EXPANDED EDITION)
REV-OLA 271 (Barcode: 5013929457126) ~ USA ~ Classic Rock
Recorded: 1967 Released: 2009

Captain BeefheartFind albums by this artist (born Don VlietFind albums by this artist and later adopted the name Van VlietFind albums by this artist) was one of America’s most enigmatic and groundbreaking Rock personalities. His ability to mix Jazz, Blues, contemporary Classical and Rock made him a unique figure and a true innovator. He met and befriended Frank ZappaFind albums by this artist and the two cooperated in many ways (making movies, music and business together). Vliet was active on and off the music scene for about 20 years (between the late 1960’s and late 1980’s), with long periods of inactivity in between. His back-up group, called The Magic BandFind albums by this artist, changed personnel frequently, but always included top-notch players based in different musical genres like Blues, Jazz or Rock. He left a sizable legacy of superb music, which can now be appreciated with a much better perspective than at the time of its release. This, his debut album, is a wonderful mixture of Blues, Psychedelia and Garage Rock, but Vliet’s unique voice and songwriting make them fascinating enough to last for posterity and become classics. Over time this album became an all-time relic of the era and whole volumes were written about it, so there´s no need really to add much more here – simply grab it if you don´t have it already, as your record collection will never be complete without it!

CD 1 Remastered Bonus Tracks Recommend To A Friend

H.P. LOVECRAFT ~ DREAMS IN THE WITCH HOUSE: THE COMPLETE PHILIPS RECORDINGS
REV-OLA 88 (Barcode: 5013929438828) ~ USA ~ Classic Rock
Recorded: 1967 - 1968 Released: 2005

This album compiles all the studio recordings (1st and 2nd albums and singles) by the excellent US group H.P. LovecraftFind albums by this artist, one of the most important American bands, which flourished in the late 1960s on the West Coast scene (although formed in Chicago, the band moved to California in the early days of their career). Based on the American Folk tradition, the band´s sound was similar to that of the early Jefferson AirplaneFind albums by this artist, featuring beautiful vocal harmonies by the group´s two founders: guitarist George EdwardsFind albums by this artist and keyboardist Dave MichaelsFind albums by this artist, playing a mixture of self-penned material and covers. They epitomize the American psychedelia probably better than most of their contemporaries both in the instrumental approach, which included atmospheric keyboards, tasty guitar solos and some orchestral arrangements, and the vocal approach, based on perfect, multilayered vocal harmonies. Unfortunately the group fell apart after recording only these two splendid albums. A later incarnation, called just Lovecraft, released two more albums, but these were nowhere near the original greatness. Fortunately, in the 1990s a live recording of the group surfaced on CD ("Live May 11, 1968Find albums with this title") showing them in full splendor. This is absolutely classic stuff, essential listening to Classic Rock enthusiasts and Psychedelic heads. Superb stuff!

CD 1 Remastered Bonus Tracks Recommend To A Friend

GRASS ROOTS ~ WHERE WERE YOU WHEN I NEEDED YOU (EXPANDED EDITION)
REV-OLA 93 (Barcode: 5013929439320) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2005

1st album by US Rock group The Grass RootsFind albums by this artist, formed around the talented team of songwriters: Steve BarriFind albums by this artist and P. F. SloanFind albums by this artist, who co-wrote some of the most notable songs of the 1960s California Sound, performed by many of the top artists of the era. Although initially the group was in fact just the songwriting duo supported by studio musicians associated with their label DunhillFind albums on this label, owned by legendary producer Lou AdlerFind albums by this artist, later on it developed into a bona fide Rock group, which produced a stream of excellent albums and several chart hits.

The material is a superb mixture of influences, from Folk-Rock, Garage Rock, British Invasion and early Psychedelia and in retrospect still sounds excellent today. Most of the music is original, but several covers of great songs of the period are also included. This expanded edition includes all three versions of the hit song, which gave the album its name, as well as other non-album tracks. A great trip down the memory lane!

Updated: 21/02/2024Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

THELONIOUS MONK ~ THE COMPLETE RIVERSIDE RECORDINGS
RIVERSIDE 888072360020 (Barcode: 888072360020) ~ USA ~ Jazz
Recorded: 1955 - 1961 Released: 2014

This magnificent Box Set compiles all the recordings by American Jazz pianist / composer / Prophet Thelonious MonkFind albums by this artist made between 1955 and 1961 for the independent American RiversideFind albums on this label Records label, co-owned and led by the legendary record producer Orrin KeepnewsFind albums by this artist, who sadly died in March 2015. The fifteen CDs included in this Box Set contain some of the most important Jazz music ever recorded, by one of the greatest and most idiosyncratic figures on the American music scene. The music is arranged chronologically and includes thirty recording sessions with music ranging from solo piano performances to ensemble pieces, starring the crème de la crème of American Jazz musicians of the 1950s, including John ColtraneFind albums by this artist, Coleman HawkinsFind albums by this artist, Sonny RollinsFind albums by this artist and many others.

Although usually associated with Bebop as one of its founding figures, Monk never really played Bebop as such and the association is mostly coincidental, since he started his career when Bebop erupted. In fact Monk always played only Monk, and that was it. His absolutely unique sense of rhythm (or rather the lack of it as we know it) and his weirdly twisted melody lines were his trademark and usually just a few notes are enough to identify him as a player. Riverside was Monk´s second label after his stint with Blue Note and before moving to Columbia, and it proved to be the most creative as far as his composing career is concerned. Except for a few standards played on the early Riverside sessions, most of the music in this Box Set comprises of Monk´s originals, which are all absolutely marvelous.

The importance of Monk´s contribution to Jazz is of course his complete disregard of the "norm" and the consistent approach of following his own path. His music always sounded like nothing else around him and the musicians playing with him had to forget almost everything they knew about melody, harmony and rhythm and simply follow his lead. It´s hardly surprising that he was considered "difficult" and "noncooperative" by many people around him, which was intensified by his erratic personal behavior, but of course this is a problem with many extraordinary people. Sadly in Monk´s case his mental state deteriorated relatively early and he disappeared from the active musical life by early 1970s (he died in 1982), following his last appearances during the worldwide tour with the Giants Of Jazz, which I was lucky to hear live at the time. Therefore these sessions are even more invaluable, as they represent a large portion of his relatively short overall recording career.

Every note played on these CDs is absolutely priceless and I can´t imagine any serious Jazz record collection not including this music in one form or another. This Box Set is the most comprehensive and the cheapest option to have it in your possession.

Updated: 26/01/2019Posted: 29/12/2015

CD 15 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

CAST ~ LAGUNA DE VOLCANES
ROCK REVELATION 001 ~ MEXICO ~ Progressive Rock

Mexican Prog band Cast takes a look at their past with revamped recordings of their earlier material spanning between 1994 and 2000. The new versions are much extended and mature, sparkling with excellent musicianship and innovative ideas. Also all the songs are now in their native Spanish, rather then in English as originally recorded. A superb summary and a great addition to their overall output.

QUIDAM ~ SAIKO
ROCK SERVICE 070 (Barcode: 5907729907021) ~ POLAND ~ Progressive Rock
Recorded: 2011 Released: 2012

This is the tenth album by the legendary Polish Prog ensemble QuidamFind albums by this artist, recorded four years after their last studio album "Alone TogetherFind albums with this title". It marks a dramatic transformation in the group´s stylistic approach as far as its music, lyrics, production and aesthetic aura is concerned, an alteration more profound than that, which occurred when Quidam´s original vocalist Emila DerkowskaFind albums by this artist left the group to be replaced by Bartek KossowiczFind albums by this artist. The album consists of twelve original compositions, as usual credited to the group members, eight of which are songs and four are instrumental interludes. Only one of the songs has lyrics in English and the other seven have Polish lyrics.

The group´s decision to go back and use lyrics in the Polish language (as they did in their early days) is a profound resolution, which is completely misunderstood by most of their fans, especially those outside of Poland. My regular readers are aware of my passionate opinion on this subject, which always advocates the usage of mother tongue in lyrics. Every vocalist not performing in his / hers native langue losses an enormous amount of depth, expression and precision simply due to the fact that the meaning of words is deeply embedded in our brains in the natural language and so much is lost in the "translation" when we articulate our thoughts in a foreign language. And of course there is the problem with the unnatural accent, pronunciation and articulation, which are never really correct (and that is especially true for Polish vocalists singing in English), regardless of how hard they try or how good they are. I salute Quidam for taking this bold decision, which proved their maturity as artists. Only mature artists are able to understand, that their true Art transcends language barriers and singing in English is not really necessary to achieve international success.

But apart from the language, Quidam also make a giant stylistic leap in their music, crossing over from the 1970s to the 21st Century. They update their sound, arrangements, production and the overall aura to contemporary Rock idiom, using electronics, loops, layers and other paraphernalia simply in order to update their vocabulary. As much as I love the sound of early Prog, which Quidam so beautifully sustained and even expanded in their music made prior to this album, one must admit that keeping that style artificially alive has its limits and keeping doing it forever borders on necrophilia. Many fans, shocked by this new musical approach, failed to see through these external manifestations deeply into the soul of this music, which is very much a continuation of the good old Quidam. There is the same beautiful lyricism, intrinsic melancholy, depth of expression and above all superb musicianship and Artistic profundity of expression. As always, this music is perfectly executed, dramatically sung and contains a message. Quidam prove yet again, that a masque makes an impact, but does not change the person behind it.

In the months since this album was released I´ve read a plethora of highly critical reviews, some of which were truly abusive and cruel. It is sad, that people who have very little understanding of music have the audacity to express their opinions in public. I guess that the middle finger is the only proper response to such "opinions".

Quidam emerge on this album victorious, overcoming against all odds the objective difficulties that contemporary music faces, with the world loosing interest in music and stupidity and shallowness ruling our lives. Being able to progress is after all the essence of Prog, and Quidam yet again prove that they have very little competition anywhere on this planet. This is an absolute gem, which every Prog fan should be honored to have in their collection.

CD 1 Digipak Recommend To A Friend

QUIDAM ~ STRONG TOGETHER (DELUXE EDITION)
ROCK SERVIS 069 (Barcode: 5907729906994) ~ POLAND ~ Progressive Rock
Recorded: 2009 Released: 2010

This is the ninth album by the legendary Polish Prog ensemble QuidamFind albums by this artist, which documents a concert recorded when the group was promoting their seventh album "Alone TogetherFind albums by this artist". As usual, a concert by Quidam is a feast and a celebration of their music and the well over two hours long program includes music from the new album as well as classics from their earlier albums and "quotations" from their favorite Prog groups. The package includes 2 CDs with music and a DVD with the video of the concert.

Quidam always were the model performers and this concert is an absolutely perfect example of great showmanship and sublime musicianship, which should serve as textbook for all other Neo-Prog groups around the world, most of which are really sub-standard at best and completely atrocious at the worst case. The members of Quidam are all brilliant musicians and their lead singer is one of the best vocalists around (getting better all the time). They can all keep a tune, improvise, change dynamics, and so on. They also have an exquisite feel for the music, they swing and they are fun. What else might one ask for?

Every Prog fan on this planet should have a field day with this album, either in the audio or video formats (or both), and if they don´t they must be either deaf of retarded. Quidam are simply better that absolutely any other Neo-Prog band on this planet, and this without playing even one tiny note of the dreaded Metal. This music is 100 % non-toxic to your ears, body and mind…

The many Quidam fans around the world need no persuasion to grab this instantly but my advice goes primarily to Prog fans in other countries: if you can grab a copy of this album your life will be changed forever and you´ll discover real music, which can proudly be called Neo-Prog after years of listening to the ersatz stuff. A must!

Updated: 21/09/2021Posted:

2CD+DVD 3 Digipak Box Set Recommend To A Friend

CROSBY, STILLS & NASH ~ UN GENERAL ASSEMBLY HALL, NEW YORK, NOVEMBER 18, 1989
ROX VOX 1004 (Barcode: 5292317100428) ~ USA ~ Classic Rock
Recorded: 1989 Released: 2015

This is a live recording of a concert by the iconic Classic Rock trio of singers / songwriters Crosby, Stills & NashFind albums by this artist, captured at the UN General Assembly Hall in NY. They play and sing twenty of their sublime songs which span the entire career starting with their debut album together and including their trio and solo efforts up to the time this album was recorded. All the songs appear in their acoustic versions, since there are no other musicians present. The entire concert spans over two CDs.

In many respects this is one of the best if not the best concert recording by the trio ever captured. All three are in superb form both musically and vocally and also obviously in good spirits. The relaxed atmosphere, perfect sound quality and the depth of the material are simply spine chilling. The three-part harmonies are here as are many other Crosby, Still & Nash timeless trademarks, musical and otherwise.

This album is not only about music. Considering the fact that this was a benefit concert for Children of The Americas, one of many benefit show the trio played over the years, it emphasizes the social and political awareness and involvement that these three legendary figures, as human and full of faults and vices as all of us, and yet always open minded and heartfelt toward other people.

Overall this is an absolute must have to all Crosby, Still & Nash many fans and admirers, which closes a gap their officially released albums did not cover that well over the years. There is no one unnecessary note, word, breath or spoken word here that is not worth hearing or being remembered!

Side Note

Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.

Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.

The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.

Approach with caution, but keep in mind that some of these releases are absolutely brilliant!

Updated: 21/05/2019Posted: 21/05/2019

CD 2 Remastered Recommend To A Friend

STEPHEN STILLS ~ LIVE IN CONCERT
ROX VOX 1006 (Barcode: 5292317100626) ~ USA ~ Classic Rock
Recorded: 1976 - 1977 Released: 2015

This is a live recording of two concerts by the iconic American singer / multi-instrumentalist / songwriter Stephen StillsFind albums by this artist, which were originally broadcast by the legendary radio show King Biscuit Flower Hour. The concerts were recorded just three months one after the other (October 1976 and January 1977), the first of which was recorded completely solo and the second in a trio setting with bassist George PerryFind albums by this artist and drummer Joe VitaleFind albums by this artist. Together the album presents nineteen songs, most of which were written by Stills, spanning his entire career to date and including material from the Buffalo SpringfieldFind albums by this artist, Crosby, Stills, Nash & YoungFind albums by this artist and his solo albums.

The music showcases the extraordinary qualities of Stills as a singer, brilliant guitarist and of course seminal songwriter. These performances are significantly different from other available recordings of this material and therefore should be highly interesting to the many Stills fans and considering the fine sound quality of this material, it is absolutely worth investigating. It seems Stills is largely underappreciated and somewhat forgotten today, which is a great pity as in retrospect he surely is one of the brightest stars of American Classic Rock – and don´t you forget it!

Side Note

Updated: 24/05/2019Posted: 24/05/2019

CD 1 Remastered Recommend To A Friend

DELANEY & BONNIE & FRIENDS ~ LIVE IN DENMARK 1969
ROX VOX 2165 (Barcode: 5292317216525) ~ USA ~ Classic Rock
Recorded: 1969 Released: 2020

This is an archival live album by American singer / songwriter couple Delaney BramlettFind albums by this artist and Bonnie BramlettFind albums by this artist, known as Delaney & BonnieFind albums by this artist and later on as Delaney & Bonnie & FriendsFind albums by this artist. This album was recorded during the band´s European tour in 1969, capturing two concerts at the Copenhagen Falconer Theater on 10 and 12 of December 1969, immediately following the three shows that were recorded on 1, 2 and 7 of December 1969 during the UK leg of that tour and released in 1970 as the "On Tour With Eric ClaptonFind albums with this title" LP. The music was recorded by a dream team of top American and British musicians, which included Delaney Bramlett on guitar and vocals. Bonnie Bramlett on vocals, Rita CoolidgeFind albums by this artist on vocals, Eric ClaptonFind albums by this artist on lead guitar and vocals, Dave MasonFind albums by this artist on guitar, George HarrisonFind albums by this artist on guitar, bassist Carl RadleFind albums by this artist, keyboardist Bobby WhitlockFind albums by this artist, saxophonist Bobby KeysFind albums by this artist, trumpeter Jim PriceFind albums by this artist, drummer Jim GordonFind albums by this artist and percussionist Tex JohnsonFind albums by this artist. The album presents original songs, which were penned by the Bramletts, as well as classic Rock And Roll numbers. The set list of the two shows is almost identical.

The "On Tour With Eric Clapton" album brought Delaney & Bonnie to the center of attention of many listeners, who missed their two earlier albums entirely, most probably due to the fact that if featured Clapton, who was already a superstar. But the music of Delaney & Bonnie was of course stylistically very different to what earlier Clapton recordings offered and presented an unprecedented mixture of Rhythm And Blues, Soul, Blues and Gospel with Rock and Pop, creating an entire new musical universe. This album turned out to be a huge commercial success, but in retrospect failed to establish Delaney & Bonnie as major artists and their career disintegrated after their divorce in 1973, after they managed to record three more excellent albums.

This album, although less carefully recorded, offers the same fire and genuine Rock spirit as "On Tour With Eric Clapton" and is an invaluable addition to the rather limited recorded legacy by Delaney & Bonnie & Friends and the rest of the musicians present herein, and as such is a Classic Rock gem.

Side Note

Updated: 08/05/2023Posted: 07/01/2021

CD 2 Digipak Remastered Recommend To A Friend

DR. JOHN ~ LIVE IN EUROPE 1995
SALVO 035 (Barcode: 698458063526) ~ USA ~ Jazz-Pop Fusion
Recorded: 1995 Released: 2014

This is a live album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded at the Montreux Jazz Festival with his regular band consisting of guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist, drummer Herman Ernest IIIFind albums by this artist, percussionist Smiley RicksFind albums by this artist and a brass section comprising of trumpeter Charlie MillerFind albums by this artist, saxophonist Alvin Red TylerFind albums by this artist and baritone saxophonist Ronnie CuberFind albums by this artist. The CD album presents eleven tracks, and the accompanying DVD includes the CD contents and two additional tracks.

The music includes a selection of Dr. John originals and Jazz / Pop standards, with Jazz oriented arrangements. The beautiful throaty voice, keyboards playing and general attitude of Dr. John are absolutely perfect for these Funky songs, and the live performances are full of energy and vigor. Listening to this album is one great thrill from start to finish, and the piano parts are simply delicious. Dr. John is one of the best live performers out there.

Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!

Updated: 22/10/2023Posted: 22/10/2023

CD+DVD 2 Digipak Recommend To A Friend

PAUL RODGERS ~ ELECTRIC
SPV 4001617297025 (Barcode: 4001617297025) ~ UK ~ Blues-Rock
Recorded: 1999 Released: 1999

This is the fourth solo studio album by British singer / songwriter Paul RodgersFind albums by this artist, the voice of legendary groups like FreeFind albums by this artist and Bad CompanyFind albums by this artist and undoubtfuly the most impressive white Blues / Blues-Rock vocalist ever. The album presents ten original songs, all written by Rodgers (music and lyrics), recorded by a tight unit, which includes guitarist Geoff WhitehornFind albums by this artist, bassist Jaz LochrieFind albums by this artist and drummer Jim CopleyFind albums by this artist. Rodgers plays some guitar and piano, Tom KeelysideFind albums by this artist plays flute and there are also some female background vocals.

The music on this album marks a return to the Blues based songwriting, which is Rodgers´ trademark, away from the MOR approach that characterized this album´s predecessor "NowFind albums with this title", recorded a couple of years earlier. The overall level of the individual songs is excellent and in retrospect they lost nothing of their quality over the years. Rodgers´ vocals are impeccable, as always, full of the soulful, bluesy charm, that knows no equal.

The instrumental parts are also perfect for the job, with many good guitar solos and tight, highly professional executions from start to finish. The flute adds a beautiful touch on "Over You", creating a sort of "Celtic Blues" feel and making it the strongest song on this album by far.

Overall this is a fine album by a superb Artist, who manages to stick to what he does best and tries to do his own thing despite the reality, which basically tries to rob music of all its values. Rodgers always was, and still is, a completely unique voice, a natural born Blues ambassador, who spills his emotions to share them with his listeners with total dedication. I wholeheartedly recommend getting hold of this gem, although it´s pretty tough to get hold of a copy these days. This music is absolutely timeless!

Updated: 07/02/2016Posted: 07/02/2016

	BLACKMORE`S NIGHT ~ UNDER VIOLET MOON SPV 7241 (Barcode: 693723724126) ~ UK ~ Classic Rock 2nd album by Blackmore`s NightFind albums by this artist, very similar to the first album and as delightful. A combination of original tracks and arrangements of early English music. Ritchie`s playing shines brightly, as ever.
	CD 1 Recommend To A Friend

BLACKMORE`S NIGHT ~ FIRES AT MIDNIGHT
SPV 72432 (Barcode: 4001617724323) ~ UK ~ Classic Rock
Recorded: 2001 Released: 2001

3rd album by Blackmore`s NightFind albums by this artist led by the legendary ex-Deep PurpleFind albums by this artist guitarist Ritchie BlackmoreFind albums by this artist. Continuing the Medieval atmosphere of the two previous albums, but adding a harder edge and electric guitar, which made Blackmore famous anyway, this is the strongest album by the group so far. Ritchie´s wife Candice NightFind albums by this artist handles the vocals with the usual charm. People who loved the two earlier albums will enjoy this for sure.

JAZZ Q ~ TALISMAN
STUDIO BUDIKOV 030 (Barcode: 8594159980303) ~ CZECH REPUBLIC ~ Jazz-Rock Fusion
Recorded: 2015 Released: 2016

This is an album by Czech Fusion ensemble Jazz QFind albums by this artist founded in 1964 (yes you are reading correctly) and led by veteran keyboardist / composer Martin KratochvilFind albums by this artist and here including guitarist Zdenek FiserFind albums by this artist (another veteran ex ImpulsFind albums by this artist), bass guitarist Premysl FauknerFind albums by this artist (yet another veteran and member of early versions of Jazz Q) and drummer Filip JenicekFind albums by this artist (a representative of the young generation). The album presents twelve original compositions, all of which were composed by Kratochvil. This album follows the album “ZnovuFind albums with this title” (Eng. Again), released three years earlier, which was the first Jazz Q release in over two decades.

The music is a typical Eastern European Jazz-Rock Fusion, based on the excellent compositions of the "forever young" Kratochvil, which offers splendidly weaved melodic themes, full of melancholy and lyricism, which serve as basis for extensive soloing by keyboards and guitar, supported amicably by the rhythm section, with occasional soli by bass and drums. There is not much innovation of course, but Fusion has been pretty stable in the last five decades, since the genre´s lovers prefer to stay on the safe side. This music combines highly melodic approach with Funk and Groove, which is quite unique. The fretless bass guitar parts work brilliantly within this idiom and provide a perfect background layer for the synthesizer and guitar parts.

Kratochvil seems to be completely time defiant and his music sounds as fresh and full of his idiosyncratic tricky melodies as he was half a Century ago and it is a true joy to see (and hear) a veteran musician to be so stable and productive over the years.

Fusion and guitar freaks should love this album to bits and are encouraged to find a copy, since they don´t make music like this anymore these days. It is hard to believe that this music was created and played by a musician in the eighth decade of his life. Hats off Maestro!

Updated: 03/02/2021Posted: 03/02/2021

CD 1 Digipak Recommend To A Friend

KRATOCHVIL / KOUBKOVA / ACKERMAN / KUCERA ~ ZNENI & SNENI
STUDIO BUDIKOV 037 (Barcode: 8594159980372) ~ CZECH REPUBLIC ~ Jazz-Rock Fusion
Recorded: 2018 Released: 2020

This is an album by four veteran musicians associated with the Czech Jazz scene: keyboardist Martin KratochvilFind albums by this artist, vocalist Jana KoubkovaFind albums by this artist, American (resident in Czech Republic) guitarist Tony AckermanFind albums by this artist and Czech (resident in Berlin) saxophonist Joe KuceraFind albums by this artist. The album presents eight spontaneously improvised original compositions, recorded during an unexpected recording session, credited two each to the four participants, according to which musician initiated the specific tune.

Although the music seems very hesitant and fragile at first, the magic atmosphere of the session and the wonderful feel of freedom and invention win over and the music turns out to be a wonderful listening experience in retrospect. In contrast to most Improvised Music recordings, this session was not a race between the participants to show off, but a respectful and highly sympathetic series of “conversations”, which include Blues, Rock and Jazz sources and manage to be highly melodic.

Each of the four participants is of course a master musician, and the album includes many wonderful instrumental improvisations, but the vocal parts by Koubkova easily steal the show. She is absolutely delightful, regardless if she sings lyrics, vocalese or just randomized vocal phrases, and she is the glue that holds this album together.

Although initially not meant to be released commercially on an album, I support the decision to finally have this music out for the listeners to enjoy, as it is definitely worth it. The comradeship and the empathy between these veterans is truly inspiring, and the age seems to be no hindrance, au contraire the vast experience is evidently a great asset.

Thanks for sharing!

Updated: 12/03/2021Posted: 12/03/2021

CD 1 Digipak Recommend To A Friend

JAZZ Q ~ AMULET
STUDIO BUDIKOV 038 (Barcode: 8594159980389) ~ CZECH REPUBLIC ~ Jazz-Funk Fusion
Recorded: 2020 Released: 2020

This is an album by Czech Fusion ensemble Jazz QFind albums by this artist founded in 1964 (yes you are reading correctly) and led by veteran keyboardist / composer Martin KratochvilFind albums by this artist and here including guitarist Zdenek FiserFind albums by this artist (another veteran ex ImpulsFind albums by this artist), bass guitarist Premysl FauknerFind albums by this artist (yet another veteran and member of early versions of Jazz Q) and drummer Filip JenicekFind albums by this artist (a representative of the young generation). The album presents thirteen original compositions, ten of which were composed by Kratochvil and one each by the other three members of the ensemble.

The music is a typical Jazz-Rock Fusion, based on the excellent compositions of the "forever young" Kratochvil, which offers splendidly weaved melodic themes, which serve as basis for extensive soloing by keyboards and guitar, supported amicably by the rhythm section, with occasional soli by bass and drums. There is not much innovation of course, but Fusion has been pretty stable in the last five decades, so the genre´s lovers prefer to stay on the safe side.

Kratochvil seems to be completely time defiant and his music sounds as fresh and full of his idiosyncratic tricky melodies as he was half a Century ago and it is a true joy to see (and hear) a veteran musician to be so stable and productive over the years.

Fusion and guitar freaks should love this album to bits and are encouraged to find a copy, since they don´t make music like this anymore these days, and it still makes you ass swing impatiently, which is the greatest thing any music can do, especially if played by musician in the eighth decade of his life. Hats off Maestro!

Updated: 22/01/2021Posted: 22/01/2021

CD 1 Digipak Recommend To A Friend

JAZZ Q ~ RITUAL
STUDIO BUDIKOV 040 (Barcode: 8594159980402) ~ CZECH REPUBLIC ~ Jazz-Rock Fusion
Recorded: 2022 Released: 2023

This is an album by the Czech Fusion ensemble Jazz QFind albums by this artist, which functions almost sixty years since it was established in 1964 by keyboardist / composer / bandleader Martin KratochvilFind albums by this artist. The current lineup of the group includes also guitarist Zdenek FiserFind albums by this artist, bassist Premysl FauknerFind albums by this artist and drummer Filip JenicekFind albums by this artist. The album presents nine original compositions, all by Kratochvil, and was recorded in his own studio, which functions since many years.

The music offers a wonderful collection of melodic themes, deeply soaked in Blues and offering a genuine Fusion tradition, with extensive guitar and keyboards soloing and dynamic, highly supportive rhythm section, which is a true heaven for lovers of the genre.

Despite his advanced age (approaching eighty), Kratochvil remains forever young, and his heart-wrenching melodies and virtuosic keyboard solos are completely ageless. He sticks to his own formula since many years, and the “don’t fix it if it ain’t broke” rule serves him perfectly well. Although the music has a distinct nostalgic tinge, the result is way more effective than what Fusion music has to offer these days.

Overall, this is an excellent Fusion album, which sounds as if it was recorded in the 1970s, but still sounds fresh and exciting, especially to listeners who grew up listening to Fusion at that time. The guitar and keyboards licks are right on the money and it should be a no-brainer to grab a copy ASAP. I wish you health and happiness my Friend and hope to hear more of your music again soon!

Updated: 13/03/2023Posted: 13/03/2023

CD 1 Digipak Recommend To A Friend

CAPERCAILLIE ~ DELIRIUM
SURVIVAL 015 ~ UK ~ Irish, Scottish & Celtic

5th album from 1991 by the greatest Celtic Rock group on earth, who combine the traditional Celtic elements with modern rock arrangements to a stunning result. The lead singer - Karen Matheson - has one of the finest female voices on the scene. Sung in Gaelic and English this is considered their peak acheivement, although all of their albums are truly wonderful and woth pursuing.

	CAPERCAILLIE ~ GET OUT SURVIVAL 016 ~ UK ~ Irish, Scottish & Celtic 6th album from 1992 by this seminal Celtic Rock, which includes some live material and some re-mixes of their earlier stuff. As usual the standard of musicianship is excellent and the music itself great. Capercaillie are a great live band and they are a major live attraction wherever they perform. The live tracks here show why.
	CD 1 Recommend To A Friend

CAPERCAILLIE ~ SECRET PEOPLE
SURVIVAL 017 ~ UK ~ Irish, Scottish & Celtic

7th album from 1993 by this superb Scottish band, which combines the beautiful tradition of Celtic music with modern rhythms and instrumentation, a winning combination which is unbeatable (and much much stronger than other more famous Celtic Rock bands). Singer Karen Matheson has a wonderful voice that will remind Celtic pop fans of Mary Black, but the wonderful sense of ballance and deep knowledge of the tradition take her much further. A beauty!

MATHESON, KAREN ~ THE DREAMING SEA
SURVIVAL 020 ~ UK ~ Irish, Scottish & Celtic

Stunning debut album from 1996 by Capercaillie frontwoman Karen Matheson. Her crystal clear voice and immense talent, combined with an excellent choice of material make this one of the best ever Celtic Rock albums. A solo album showcases her vocal range and gives her an opportunity to experiment with her many talents. The material includes both traditional Gaelic songs as well as new songs written especially for this album. A must!

CAPERCAILLIE ~ BEAUTIFUL WASTELAND
SURVIVAL 021 ~ UK ~ Irish, Scottish & Celtic

11th album from 1997 and another stunning success for this superb Scottish Celtic Rock band. Recorded in the mountains of Andalucia, in Southern Spain, it includes some participation of local musicians and shows the band`s openess to ther musical cultures and their will to ever expand the horizons of their music. Karen Matheson´s crystalline voice sounds better then ever and the entire albums is kust one great musical trip.

CAPERCAILLIE ~ DUSK TO DOWN
SURVIVAL 023 ~ UK ~ Irish, Scottish & Celtic

A collection of material from all their albums. Although called the `best of`, it`s really difficult to accept it, as all of their material is absolutely delightful. If you don`t intend to buy all the separate albums, this one is a perfect solution, but it is most warmly recommended to get them all - you are on for a truly rewarding trip into the absolute best of Celtic Rock there is!

CAPERCAILLIE ~ NADURRA
SURVIVAL 025 ~ UK ~ Irish, Scottish & Celtic

12th album from 2000. After almost 3 years here comes another brilliant album by the best Celtic Rock band there is. In the interim period between the last album and this band members were involved in many solo projects (including childbirth by Karen). They are revitalized and brilliant as usual here with a superb collection of new material and impeckable production as usual.

TASAVALLAN PRESIDENTTI / JUKKA HAURU & SUPERKINGS ~ POP LIISA VOL. 01 & VOL. 02
SVART 003 (Barcode: 6430050665647) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2016

By the time this live broadcast was captured on tape Tasavallan PresidenttiFind albums by this artist, first Finnish Fusion / Prog Supergroup, already released three seminal albums and were about to release their fourth (and sadly last) album "Milky Way MosesFind albums with this title" recorded earlier in London. The lineup underwent another change when the new bass player Heikki VirtanenFind albums by this artist joined vocalist Eero RaittinenFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, saxophonist Pekka PoyryFind albums by this artist and drummer Vesa AaltonenFind albums by this artist.

The group performs just two extended pieces, full of lengthy instrumental improvisations kept in a jam session mood with a strong Fusion orientation.

The first piece is a composition by the legendary Jazz saxophonist Eero KoivistoinenFind albums by this artist, which originates from his Jazz & Poetry album "ValtakuntaFind albums with this title", where it was sung by Raittinen, and which was also recorded on the a.m. fourth album in its English version with the lyrics translated by Jim PembrokeFind albums by this artist, a member of WigwamFind albums by this artist (yes there was a strong bond between these two pioneering Finnish groups).

The second piece is a rendition of one of the songs appearing on the third album "LambertlandFind albums with this title" composed by Tolonen. Considering that eighteen months passed between the original recording of this song and this broadcast, it is not surprising that this version is diametrically different from the original, and present a much more Jazz oriented approach which even explores some Free Form elements.

Overall this recording presents Tasavallan Presidentti at their absolute peak and offers an amazing example of European / Finnish Fusion created at the time.

Guitarist Jukka HauruFind albums by this artist was part of the Finnish Fusion scene and was closely related to the Tasavallan Presidentti gang, since he was substituting for Tolonen whenever needed between 1972 and 1974. He was considered as a superb guitarist, which the recordings herein prove beyond any doubt. He gathered a group of excellent top Finnish players for the purpose of recording his debut album "InformationFind albums with this title", which appears here jokingly renamed to SuperkingsFind albums by this artist. Again not surprisingly it includes two Tasavallan Presidentti members: Virtanen and Aaltonen, as well as violinist Juhani PoutanenFind albums by this artist, pianist Olli AhvenlahtiFind albums by this artist and percussionist Reino LaineFind albums by this artist.

Together the sextet performs four original compositions, three by Hauru and one by Poutanen, one of which appears on the a.m. debut album and three were unrecorded at the time. The music is even more Jazz oriented that the Tasavallan Presidentti set, offering much more freedom than the usual Fusion played at the time, with a strong Zappaesque tinge and obvious extended instrumental soloing.

Overall this is some of the most staggering music created in Europe in the early 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 29/04/2020Posted: 29/04/2020

CD 1 Remastered Recommend To A Friend

WIGWAM / TAIVAANVUOHI ~ POP LIISA VOL. 03 & VOL. 04
SVART 006 (Barcode: 6430050665692) ~ FINLAND ~ Progressive Rock
Recorded: 1973 Released: 2016

By the time this live broadcast was captured on tape WigwamFind albums by this artist, the most celebrated Finnish Fusion / Prog Supergroup, already released three seminal albums and were about to release their fourth album "BeingFind albums with this title" recorded in the months preceding this show. The lineup was steady since the second album when the new bassist Pekka PohjolaFind albums by this artist joined vocalist / organist Jukka GustavsonFind albums by this artist, British expatriate vocalist / pianist Jim PembrokeFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist. Following the release of the third album "FairyportFind albums with this title" Pohjola released his phenomenal debut album "Pihkasilma KaarnakorvaFind albums with this title" and Pembroke released his debut album "Wicked IvoryFind albums with this title", both in 1972 on LoveFind albums on this label Records. "Being" was to be the last studio album by this "classic" Wigwam lineup.

The group performs five pieces: a short intro (cover of a John LennonFind albums by this artist song), one piece from Pohjola´s debut composed by him, one song from the forthcoming "Being" album composed by Pembroke, the title song from the "Fairyport" album composed by Gustavson and finally one piece from Pembroke´s debut composed by him.

Overall this recording presents Wigwam at the absolute peak of the first period in the group´s history and offers an amazing example of European / Finnish Progressive Rock and Fusion created at the time.

In complete contrast to Wigwam, TaivaanvuohiFind albums by this artist was one of the many Finnish Prog / Fusion groups that despite their relative popularity as a live act did not manage record an album and disappeared into oblivion without leaving a trace. The group was formed in 1972 and after a long period of personal hiatus the lineup stabilized around the founding member guitarist Sami HurmerintaFind albums by this artist and included also vocalist Tarmo RoselundFind albums by this artist, saxophonist / flautist Pertti PaivinenFind albums by this artist, bassist Urpo SiitonenFind albums by this artist and drummer Ismo RaisanenFind albums by this artist. This is the lineup that is heard here playing live and which also started to record material for the debut album by the group, which sadly eventually never materialized.

The group performs five pieces, four of which are original compositions by Hurmerinta with lyrics by him and other group members and one is a composition by Frank ZappaFind albums by this artist. The music is a unique mixture of Prog, Fusion and Psychedelia featuring extensive guitar and saxophone soloing and judging by what can be heard here they would have perhaps created another Finnish gem album, but alas it was not to be.

Overall this is some of the most staggering music created in Europe in the early 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 30/04/2020Posted: 30/04/2020

CD 1 Remastered Recommend To A Friend

JUKKA HAURU / NONO SODERBERG / FINNFOREST / ELONKORJUU ~ POP LIISA VOL. 05 & VOL. 06
SVART 009 ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1976 - 1977 Released: 2016

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artist, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions.

Guitarist / composer Jukka HauruFind albums by this artist appeared already on the "Pop Liisa Vol. 01 & Vol. 02Find albums with this title" album some three years before this recording was captured. In the meantime he released his second album "EpisodeFind albums with this title" (on LoveFind albums on this label Records), but the band playing here was completely different from the crew that recorded the album, except for the violinist Juhani PoutanenFind albums by this artist. The other players are pianist Eero OjanenFind albums by this artist, bassist Tapani TamminenFind albums by this artist, drummer Esko RosnellFind albums by this artist and percussionist Ari ValtonenFind albums by this artist. They perform just one extended instrumental composition by Hauru, a six-part suite, which did not appear on any of his albums, a complex Jazz-Rock Fusion piece featuring lengthy Jazz improvisations.

Guitarist / composer Nono SoderbergFind albums by this artist released his debut album "NonoFind albums with this title" about a year before this recording was captured and two of the pieces from that album, which were composed by him, get expanded renditions here by a band which also includes saxophonist Reijo YlinenFind albums by this artist, keyboardist Esa KotilainenFind albums by this artist, bassist Harri MerilahtiFind albums by this artist, drummer Roope KoistinenFind albums by this artist and percussionist Esa RoswallFind albums by this artist. The music is more conventional Fusion oriented, with melodic themes and some Prog elements as well.

By the time the second broadcast presented here was captured (early 1977), the so called "first wave" of Finnish Progressive Rock / Fusion bands was almost over with Tasavallan PresidenttiFind albums by this artist already disbanded and WigwamFind albums by this artist about to be disbanded after switching to more Pop oriented music. This gave an opportunity to the "second wave" of Finnish Prog / Fusion bands like those appearing here to capture the scene.

FinnforestFind albums by this artist already had two excellent albums under their belt, the eponymous debut "FinnforestFind albums with this title" from 1975 and the follow up "Lahto MatkalleFind albums with this title" from 1976, both released on Love Records. Founded by the brothers: guitarist Pekka TegelmanFind albums by this artist and drummer Jussi TegelmanFind albums by this artist the band also included keyboardist Pertti PokkiFind albums by this artist and bassist Jarmo HiekkalaFind albums by this artist. They perform two pieces, which did not appear on the released albums, one by Pokki and the other by Jussi Tegelman. The music is strongly Fusion oriented, with some Prog elements present as well.

ElonkorjuuFind albums by this artist had a long history debuting with their album "Harvest TimeFind albums with this title" already in 1972, which was Blues-Rock oriented. Over time they disbanded and created the group again, changing the lineup and musical direction more towards Jazz-Rock Fusion and Funk. The lineup present here includes vocalist Kari TamminenFind albums by this artist, saxophonist Juha UnkilaFind albums by this artist, pianist Pekka TyniFind albums by this artist, guitarist Jukka SyreniusFind albums by this artist, bassist Veli-Pekka PessiFind albums by this artist and drummer Veikko NoutioFind albums by this artist. They perform three songs, all by Syrenius, which showcase the stylistic diversity of their music.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 15/05/2020Posted: 03/05/2020

CD 1 Remastered Recommend To A Friend

KALEVALA / NIMBUS ~ POP LIISA VOL. 07 & VOL. 08
SVART 012 (Barcode: 6430050667153) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1973 - 1974 Released: 2016

The legendary and sadly short lived Finnish Prog / Fusion group KalevalaFind albums by this artist, which managed to record their debut album "People No NamesFind albums with this title" in 1972 about one year before the live radio broadcast presented on this record. The band included vocalist Harri SaksalaFind albums by this artist, multi-instrumentalist Sakari KukkoFind albums by this artist, guitarist Matti KurkinenFind albums by this artist, bassist Juha SalonenFind albums by this artist and drummer Alf ForsmanFind albums by this artist. They perform seven original songs, six of which were composed by Kurkinen and five featured lyrics by Saksala and one was an instrumental. The last song was written (music and lyrics) by Saksala.

Only one of the songs originates from the debut album, and all the rest of the material is new and was never released on record. All the lyrics are in Finnish in contrast to the debut album which featured lyrics in English. Kukko was not in the band when the debut album was recorded and his presence changed the sound and musical direction of the band significantly, adding marvelous Jazz-World Fusion accents and virtuosic flute / saxophone parts. The reworking of the song from the debut albums turns into a lengthy piece featuring superb soloing by Kukko and Kurkinen.

The lineup appearing here never managed to record an album and after Saksala and Kukko left the band the second album "Boogie JungleFind albums with this title" was released in 1975, but the music changed into straightforward Blues-Rock. A few months later Kurkinen was killed in a traffic accident and the band disappeared into oblivion.

NimbusFind albums by this artist were an even more obscure Finnish band, which did not record an album yet when this live radio broadcast was captured on tape. They managed to record the album "ObusFind albums with this title" later on in 1974, falling apart a few months thereafter. The band included vocalist Pasi SaarelmaFind albums by this artist, organist Pekka RautioFind albums by this artist, guitarist Harri SuilamoFind albums by this artist, bassist Juha JokirantaFind albums by this artist and drummer Matti JokirantaFind albums by this artist. They perform six pieces, five of which are original compositions by Suilamo (one instrumental and four songs with his lyrics) and a cover of a composition by Dave GreensladeFind albums by this artist with lyrics by Dave LawsonFind albums by this artist.

The music has both deep Prog roots with impressive organ work and Fusion elements echoed by the guitar playing. Considering the rarity of this material and the limited recorded legacy left by this group, these tracks are of course priceless!

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 04/05/2020Posted: 04/05/2020

CD 1 Remastered Recommend To A Friend

JUKKA TOLONEN BAND / HURMERINTA – SORVALI BIG BAND ~ POP LIISA VOL. 09 & VOL. 10
SVART 015 ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1975 - 1977 Released: 2016

Following the breakdown of the pioneering Finnish group Tasavallan PresidenttiFind albums by this artist in 1974, guitarist / composer Jukka TolonenFind albums by this artist continued his successful solo career, releasing albums on a regular basis. By the time his band was captured playing on this live broadcast, his fourth solo album "HystericaFind albums with this title" was about to be released soon after. The band, which also included saxophonist Pekka PoyryFind albums by this artist, keyboardist Esa KotilainenFind albums by this artist, bassist Heikki VirtanenFind albums by this artist and drummer Esko RosnellFind albums by this artist, perform four instrumental pieces, all originating from the "Hysterica" album and all composed by Tolonen. These live versions of the pieces are quite different from the studio versions and therefore their inclusion here is a perfect companion to the original album.

The music is almost completely Fusion oriented, with superb soloing by all the band members. Kotilainen´s keyboard performances are probably the only strong link present here to Progressive Rock, but the Fusion elements include also some Funk influences. Considering the fact that the bad collectively comprised of the "hottest" players on the Finnish scene, the fact that all the performances here are simply stellar.

Guitarist Sami HurmerintaFind albums by this artist, his wife vocalist Maarit HurmerintaFind albums by this artist and drummer Upi SorvaliFind albums by this artist put together the Hurmerinta – Sorvali Big BandFind albums by this artist in 1977, combining forces with many musicians they performed and recorded with earlier on, such as British vocalist Frank RobsonFind albums by this artist (ex-Tasavallan Presidentti), trumpeter Esko HeikkinenFind albums by this artist, Romanian trombonist Mircea StanFind albums by this artist, saxophonists Pertti PaivinenFind albums by this artist and Pentti LahtiFind albums by this artist, keyboardist Kari KuusamoFind albums by this artist, bassist Harri MerilahtiFind albums by this artist, and second drummer Roope KoistinenFind albums by this artist. This eleven-piece Big Band was not a typical Jazz Big Band, but rather a Brass Rock ensemble with a double vocal front. The Big Band existed for about a year between 1977 and 1978 and never recorded a studio album, so this live broadcast is their only recorded legacy.

The Big Band performs six songs, three of which were written by Jimi HendrixFind albums by this artist, two by Robson and one by Sami Hurmerinta. Hendrix was an obvious influence on these musicians and the legendary album by Gil EvansFind albums by this artist and his Orchestra "Plays The Music Of Jimi HendrixFind albums with this title" prompted them to form the Big Band in the first place. The music is of course typical of Brass Rock bands of the time, which combined Rock and Jazzy horns sound.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 09/05/2020Posted: 08/05/2020

CD 1 Remastered Recommend To A Friend

ALWARI TUOHITORVI / KIRKA & ISLANDERS ~ POP LIISA VOL. 11 & VOL. 12
SVART 018 ~ FINLAND ~ Jazz-Soul Fusion
Recorded: 1974 - 1975 Released: 2016

The Finnish group Alwari TuohitorviFind albums by this artist, formed in 1968, went through a major personnel change in 1972 and the new lineup stabilized with lead guitarist Seppo AlajokiFind albums by this artist, guitarist Jukka RautiainenFind albums by this artist and bassist Mika SundqvistFind albums by this artist, all three sharing vocal duties, and drummer Raimo PikanenFind albums by this artist. When their live radio broadcast was captured they were already working on their eponymous debut album, which was released a while later, but none of the songs on that album were featured on the radio show, which presented nine songs covering some of their Prog era material, like the covers of songs by Wishbone AshFind albums by this artist and Beggars OperaFind albums by this artist and other Classic Rock items, as well as one original song by Alajoki. The material clearly marked their musical shift towards conventional Rock, following the general trend on the local Finnish scene, which after the first Progressive Rock wave was over became almost completely Rock dominated.

Vocalist KirkaFind albums by this artist (a. k. a. Kirka BabitzinFind albums by this artist) was a successful Finnish artist with a career spanning six decades. He changed styles over the years moving within the Pop and Rock idioms and recorded over sixty albums until his death in 2007. His appearance on the live radio broadcast catches him with his band The IslandersFind albums by this artist, a superb Soul-Rock outfit, expanded to a ten-piece smoking Brass Rock, which included Romanian (resident in Finland) trombonist Mircea StanFind albums by this artist, saxophonist Pentti LahtiFind albums by this artist, keyboardist Kassu HalonenFind albums by this artist, guitarist Esko VesterinenFind albums by this artist, bassist Matti TyniFind albums by this artist and drummer Juoni KestiFind albums by this artist, strengthened by three top Finnish Jazz musicians trumpeter Mike KoskinenFind albums by this artist and saxophonists Pekka PoyryFind albums by this artist and Tapio TuominenFind albums by this artist. Together they perform eight songs, three covers by Pop / Soul / Blues songs (BeatlesFind albums by this artist, Otis ReddingFind albums by this artist, Edgar Winter BandFind albums by this artist) and five excellent original songs, two each by Stan and Halonen and one traditional Blues arranged by Stan.

Kirka´s superb voice and the spectacular band create some outstanding Jazz-Rock-Soul Fusion somewhat resembling the divine Joe CockerFind albums by this artist and his Mad Dogs & EnglishmenFind albums by this artist band with a slightly more Jazz feel.. The strength of this material and the performances turn this music into an instant classic, regardless of the Finnish lyrics, which don´t spoil the fun one bit. It is an absolute unadulterated fun from start to finish!

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 29/05/2020Posted: 09/05/2020

CD 1 Remastered Recommend To A Friend

UNISONO QUARTET / TAIVAANTEMPPELI ~ JAZZ LIISA VOL. 01 & VOL. 02
SVART 021 (Barcode: 6430050665753) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2016

The Unisono QuartetFind albums by this artist, formed in 1970 by legendary Godfather of Finnish Jazz, saxophonist / composer Paroni PaakkunainenFind albums by this artist, had many lineup changes during its history and often included more than four members, but kept the "Quartet" as part of its name. This live radio broadcasts captured the band in a quartet setting with pianist Olli AhvenlahtiFind albums by this artist, bassist Make LievonenFind albums by this artist and drummer Reino LaineFind albums by this artist, all representatives of the top young Finnish Jazz players at the time. The band recorded its sole eponymous album only in 1975.

They perform four original compositions, two by Ahvenlahti and one each by Paakkunainen and Lievonen, all lasting about ten minuets each, which of course offers plenty of opportunities for extended soloing. The compositions, although based on melodic themes, are very open and tend to include Free Form explorations and odd time signatures, as appropriate for the musical climate of the time.

TaivaantemppeliFind albums by this artist was a short-lived sextet, which played sophisticated Jazz-Rock Fusion. It included two members of the Unisono Quartet, Ahvenlahti and Lievonen, and also flautist Matti JakolaFind albums by this artist, guitarist Pekka RechardtFind albums by this artist, drummer Upi SorvaliFind albums by this artist and percussionist Tapani IkonenFind albums by this artist. They never managed to record an album and this live radio broadcast is the only document of their legacy.

They perform three original compositions, all by Lievonen, which are between ten and fifteen minutes long and offer extensive soloing. Based on wonderfully melodic themes and performed by highly talented musicians, this is some on the best European Fusion of the period, unique due to the sublime flute parts and challenging musical versatility and forward thinking.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have!

Side Note

Updated: 02/06/2020Posted: 02/06/2020

CD 1 Remastered Recommend To A Friend

JUKKA TOLONEN RAMBLIN` JAZZ BAND / KOM QUARTET ~ JAZZ LIISA VOL. 03 & VOL. 04
SVART 024 (Barcode: 6430050665807) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1973 - 1975 Released: 2016

Guitarist / composer / bandleader Jukka TolonenFind albums by this artist moved with ease between Progressive Rock, Fusion and Jazz and was one of the founders of modern Finnish music scene. The band captured during this live radio broadcast features a powerful double rhythm section and includes also trumpeter Mike KoskinenFind albums by this artist, saxophonist Pekka PoyryFind albums by this artist, bassists Pekka PohjolaFind albums by this artist and Heikki VirtanenFind albums by this artist and drummers Reino LaineFind albums by this artist and Ronnie OsterbergFind albums by this artist, a most impressive collection of top Finnish Fusion / Jazz musicians at the time.

They perform only two extended pieces, around twenty minutes each, both composed by Tolonen. The first piece originates from his second album "Summer GamesFind albums with this title" and the second from his debut album "Tolonen!Find albums with this title". Both pieces feature extensive soloing by all participants, including a rare violin solo by Pohjola, who of course is primarily known as a legendary bassist / composer.

The KOM QuartetFind albums by this artist, which was captured here in an expanded sextet lineup featuring two vocalists: Eija OrpanaFind albums by this artist (who also plays violin) and Pertti MelasniemiFind albums by this artist (who also plays percussion) in addition to the four instrumentalists, regular members of the band: pianist Eero OjanenFind albums by this artist, guitarist Jukka HauruFind albums by this artist, bassist Tapani TamminenFind albums by this artist and drummer Ari ValtonenFind albums by this artist, were members of the KOM Theatre group of musical / social activists.

They perform six songs (two combined into one track), composed three each by Hauru and Ojanen, all based on the lyrics by the novelist / poet Claes AnderssonFind albums by this artist, who was later on Finland´s Minister of Culture (1995-1998). Although featuring lyrics, these tracks are mostly instrumental and feature extensive soloing by Hauru and Ojanen.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have!

Side Note

Updated: 03/06/2020Posted: 03/06/2020

CD 1 Remastered Recommend To A Friend

JUPU GROUP / JUKKA LINKOLA OCTET ~ JAZZ LIISA VOL. 05 & VOL. 06
SVART 027 (Barcode: 6430050667207) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1974 - 1977 Released: 2016

Jupu GroupFind albums by this artist was a short-lived Finnish experimental Fusion band led by violinist Juhani PoutanenFind albums by this artist and included also guitarist Janne LouhivuoriFind albums by this artist, keyboardist Jukka LinkolaFind albums by this artist, bassist Ilkka HanskiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. On this live radio broadcast they also included saxophonist / flautist Sakari KukkoFind albums by this artist. The band recorded their sole album "AhmooFind albums with this title" almost a year after this session.

They perform five original compositions, two of which would appear later on their album in a studio version. Four of the compositions were composed by Poutanen and one by Kukko. Although Fusion oriented and played on electric instruments, the music includes many freely improvised passages and sounds mostly quite Avant-Garde.

Keyboardist / composer / bandleader Jukka Linkola is one of the central figures on the Finnish music scene to this day, with extensive involvement both in Jazz and Classical Music. He has a substantial recorded legacy, always of the highest quality. The Jukka Linkola OctetFind albums by this artist, which he led between mid 1970s and early 1990s, was just one of many ensembles under his leadership and throughout his career he always had empathy towards large ensembles, orchestras and Big Bands. The octet recorded three excellent albums: "ProtofunkFind albums with this title", "Lady In GreenFind albums with this title" and "Scat SuiteFind albums with this title", all worth investigating.

On this live broadcast session the octet includes also trumpeter Esko HeikkinenFind albums by this artist, trombonist Tom BildoFind albums by this artist, saxophonists Pentti LahtiFind albums by this artist and Teemu SalminenFind albums by this artist, bassists Ilkka Hanski, drummer Jukkis UotilaFind albums by this artist and percussionist Upi Sorvali. They perform four original compositions by Linkola and his arrangement of a traditional tune. The music floats between mainstream Jazz, Fusion and Funk and is highly melodic, offering an almost orchestral ambience and of course a lot of unadulterated fun!

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have!

Side Note

Updated: 27/08/2020Posted: 04/06/2020

CD 1 Remastered Recommend To A Friend

MEDUSA ~ RISING FROM THE ASHES
SVART 028 (Barcode: 6430050668051) ~ USA ~ Progressive Rock
Recorded: 1975 Released: 1977

This is the second album by American Prog band MedusaFind albums by this artist, which comprises of keyboardist / composer Donna BrownFind albums by this artist, guitarist Gary BrownFind albums by this artist, vocalist / guitarist Randy BobzienFind albums by this artist, bassist Phoenix JohnsonFind albums by this artist and drummer Dean McCallFind albums by this artist. The album presents six original songs all composed by Donna Brown and with lyrics written or co-written by her.

The band was originally formed in 1973 and recorded their debut album a couple of years later, which remained unreleased, except for a single. Forty years later the music was re-discovered and released as the band´s debut album "First Step BeyondFind albums with this title". Another couple of years later the band recorded this, their second album, which was released by the Finnish SvartFind albums on this label Records label.

The music is kept faithfully within the retro 1970s style and sound boundaries, based on the myriad of early Prog / Hard Rock bands active at the time, mostly those in the UK. Dominated by guitar riffs and heavy Hammond parts, supported by dynamic rhythm section, the band sounds as if it was teleported four decades into the future.

The songs are very solid and appropriate for the style, the melodies and the lyrics mimic the conventions; in short the music keeps the past alive, faithfully and respectfully, with no attempt to be original or innovative, which is perfectly acceptable as longs as there are no false pretentions. It is pretty sure that in a "blindfold test" situation anybody would guess this is a contemporary recording, which is an achievement in itself.

For the many fans of early Prog / Hard Rock this album is exactly what they expect, with excellent songs and stylish performances, regardless of when this music was recorded. I had a lot of fun listening to this!

Updated: 17/10/2020Posted: 17/10/2020

CD 1 Mini-Sleeve Recommend To A Friend

OTON KVARTETTI / WASAMA–TUOMINEN / HIETANEN & HAUTA-AHO / WASAMA QUART ~ JAZZ LIISA VOL. 07 & VOL. 08
SVART 030 (Barcode: 6430050667252) ~ FINLAND ~ Jazz-Soul Fusion
Recorded: 1973 - 1976 Released: 2016

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions.

Oton KvartettiFind albums by this artist, led by violinist Otto-Tapio NevanlinnaFind albums by this artist, included also pianist Jukka LinkolaFind albums by this artist, bassist Jorma KoivulehtoFind albums by this artist and drummer Heikki TimonenFind albums by this artist, was a short lived group of young classically trained musicians who moved into Jazz and offered a wonderfully lyrical, but completely open music. They perform only one original composition by Linkola, which lasts for over twenty minutes and offers extensive soloing, and which progressively intensifies as the music continues, climaxing with a passionate group improvisation.

Wasama - Tuominen TrioFind albums by this artist consisted of saxophonist Tapio TuominenFind albums by this artist and brothers Olli-Pekka WasamaFind albums by this artist on bass and Jukka WasamaFind albums by this artist on drums. The trio played passionate Free Jazz, based on the powerful lead statements by Tuominen and intense rhythm section support by the Wasama brothers. They perform two original compositions, one credited to the trio members and the other to Jukka Wasama. Influenced by the European / British Free Jazz flourishing at the time, the trio was a superb example of the Finnish Free Jazz / Improvising Music scene, which had many excellent representatives at the time.

By the time the duo of pianist Pentti HietanenFind albums by this artist and bassist Teppo Hauta-AhoFind albums by this artist took part in this live radio broadcast they were both already established musicians, who started their careers a decade earlier. The music is classic mainstream Jazz, and the duo performs three original compositions, all by Hietanen, which are all about the wonderful interplay between them and showcase the virtuosic bass playing by Hauta-Aho.

The Wasama brothers added violinist / pianist Mikko-Ville Luolayan-MikkolaFind albums by this artist and guitarist Ilkka NiemelainenFind albums by this artist to form the Wasama QuartetFind albums by this artist, who played a mixture of modern Jazz and World Music elements, with a lot of space for improvisation. They perform three pieces, two original compositions by Niemelainen and their interpretation of the famous Jim PepperFind albums by this artist composition "Witchi Tai To" which was covered extensively. The quartet recorded two studio albums several years after their appearance on this live radio broadcast.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 15/06/2020Posted: 06/06/2020

CD 1 Remastered Recommend To A Friend

MIKE KOSKINEN ORCHESTRA / OTTO DONNER TREATMENT ~ JAZZ LIISA VOL. 09 & VOL. 10
SVART 033 ~ FINLAND ~ Jazz
Recorded: 1973 Released: 2016

Trumpeter / composer / bandleader Mike KoskinenFind albums by this artist was one of the most prominent figures on the Finnish Jazz scene in the early to mid 1970s, involved in a wide rage of stylistic explorations, from Free Jazz to more conventional post Bebop. He was one of the first Finnish Jazz musicians to study at the Berklee College of Music. He released his debut album "SunwebsFind albums with this title" on 1976 and moved to the US a year later.

This live radio broadcast presents Koskinen leading two ensembles, an octet and a big orchestra, which include the crème de la crème of the Finnish Jazz scene at the time: trombonists Mircea StanFind albums by this artist, Petri JuutilainenFind albums by this artist and Raimo NaatanenFind albums by this artist, trumpeter Kaj BacklundFind albums by this artist, saxophonists Juhani AaltonenFind albums by this artist, Paroni PaakkunainenFind albums by this artist, Pentti LahtiFind albums by this artist, Pekka PoyryFind albums by this artist and Teemu SalminenFind albums by this artist, pianist Olli AhvenlahtiFind albums by this artist, guitarist Otto BergerFind albums by this artist, bassists Teppo Hauta-AhoFind albums by this artist and Heikki VirtanenFind albums by this artist, drummer Edward VesalaFind albums by this artist and percussionist Ari ValtonenFind albums by this artist.

They perform five compositions (three by the octet and two by the orchestra) four of which are original compositions by Koskinen and one is an arrangement of a Chick CoreaFind albums by this artist tune. The music portrays the diversity of Koskinen musical interests, with almost straightforward Jazz pieces and Free / Improvised orchestral experimentations, which are the more challenging and in retrospect interesting.

Composer / arranger / bandleader / trumpeter Otto DonnerFind albums by this artist is one of the Godfathers of Finnish Jazz and one of the greatest European Jazz composers. His ensemble Otto Donner TreatmentFind albums by this artist changed lineups according to specific project requirements and the large orchestral lineup caught on this live radio broadcast is sadly not fully known, but includes trumpeter Markku JohanssonFind albums by this artist, saxophonist Christer BoustedFind albums by this artist, Juhani Aaltonen (who also plays flute) and Paroni Paakkunainen, pianist Esko LinnavalliFind albums by this artist and others.

They perform four original compositions by Donner, which feature Bousted and Aaltonen as the primary soloists. The music is absolutely delightful and reflects Donner´s talents as composer and arranger, as well as the incredible level of musicianship by his band members. As everything else recorded by Donner, this is a first class musical gem.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 08/06/2020Posted: 08/06/2020

CD 1 Remastered Recommend To A Friend

PENTTI LAHTI / AHVENLAHTI – OJANEN / MIRCEA STAN / JUKKA RUOHOMAKI ~ JAZZ LIISA VOL. 11 & VOL. 12
SVART 036 ~ FINLAND ~ Jazz
Recorded: 1974 Released: 2016

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions.

Saxophonist / composer Pentti LahtiFind albums by this artist was one of the modern Finnish Jazz pioneers and a prominent figure on the local scene. The band captured on this live radio broadcast finds him playing alongside trombonist Mircea StanFind albums by this artist, pianist Olli AhvenlahtiFind albums by this artist, bassist Ilkka WillmanFind albums by this artist and drummer Tapani IkonenFind albums by this artist. They perform two standards and an original composition by Stan, all kept pretty much close to mainstream Jazz with a bit of World Music tinge on the piece by Stan, who immigrated to Finland from Romania and incorporated some Romanian folklore influence in this tune.

The piano duo comprising of Olli Ahvenlahti and Eero OjanenFind albums by this artist is a classic example of the "Art of the Duo" and their mutual affinity and wonderful interplay are captured perfectly on this live radio broadcast. They perform two compositions, one an original by Ojanen and the other a Keith JarrettFind albums by this artist piece, which is then partly repeated again as an encore.

The quintet led by trombonist Mircea Stan is basically identical to the one led by Lahti on the first radio broadcast included here, except for the bassist Pekka SarmantoFind albums by this artist. This time they perform three original compositions by Stan, with some Romanian music influences but also including Latin and Hard Bop stylistics, typical of his work. This music is less mainstream oriented than the Lahti session and includes many open, Free Jazz oriented parts.

The synthesizer player Jukka RuohomakiFind albums by this artist combines electronic music and Jazzy improvisation sharing forces with trombonist Mircea Stan, moog player Olli Ahvenlahti and synthesizer player Erkki KurenniemiFind albums by this artist. Together they perform just one extended piece, co-composed by all four players and basically collectively improvised.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 10/06/2020Posted: 10/06/2020

CD 1 Remastered Recommend To A Friend

VIRTA ~ HURMOS
SVART 047 (Barcode: 6430050668570) ~ FINLAND ~ Jazz-Ambient Fusion
Recorded: 2016 Released: 2016

This is the second album by Finnish experimental Jazz trio VirtaFind albums by this artist comprising of trumpeter / vocalist Antti HevosmaaFind albums by this artist, guitarist / vocalist Heikki SelamoFind albums by this artist and drummer Erik FrakiFind albums by this artist. All three utilize also a plethora of electronic devices. The album presents seven original compositions, all co-composed by the trio members.

The music is a unique amalgam of dense electronic and acoustic music, presenting beautifully melodic Nordic elements and contemporary ambient soundscapes. This kind of mixture of acoustic Jazz and strong electronic enhancement has become quite popular with many young European ensembles and seems to be able to create a new sub-genre, which develops consistently in the last few years.

The trumpet and guitar solos are superbly accompanied by dense layers of electronically generated sounds, which wonderfully accompany the sound of the acoustic instruments. The resulting music is hypnotic and beautifully atmospheric, keeping the listener in suspense and trans-like state of anticipation, which are intense but not overbearing. The solid and imaginative drum parts serve as the music heartbeat.

Overall this is a superb sophomore album and since it was released almost four years ago, I am eagerly awaiting their third album. In the meantime I strongly recommend to all lovers of young and blistering Jazz music to get a copy of this CD, released by the adventurous SvartFind albums on this label Record label, before it completely disappears from the market. A real gem!

Updated: 17/08/2020Posted: 17/08/2020

CD 1 Mini-Sleeve Recommend To A Friend

EERO KOIVISTOINEN ~ MUUSA JA RUUSA
SVART 049 (Barcode: 6430050666866) ~ FINLAND ~ Jazz & Poetry
Recorded: 1971 Released: 2016

This is a reissue of a delightful and little known Jazz & Poetry project (this time intended for children) by Finnish composer / saxophonist Eero KoivistoinenFind albums by this artist who wrote the music to poems by Finnish poetess Kirsi KunnaksenFind albums by this artist. He enlisted a group of great vocalists and musicians to realize this album, which include vocalists Vesa-Matti LoiriFind albums by this artist and Eero RaittinenFind albums by this artist, bassist Pekka SarmantoFind albums by this artist, guitarist Hasse WalliFind albums by this artist, drummer Esko RosnellFind albums by this artist, pianist Eero OjanenFind albums by this artist, saxophonist / flautist Juhani AaltonenFind albums by this artist and many others. The album presents thirteen tracks, three of which are instrumentals and ten have poems as lyrics. All the music and arrangements are by Koivistoinen. This remastered edition offers also the texts of the poems and exact lineup of all the tracks as well as a nice (bilingual) article about the whole project.

Although obviously not a bona fide Jazz project, this album is a great document of Koivistoinen openness and diversity as a musician and composer. Exposing young children to quality music is a crucial part of their Cultural education, a fact that is almost completely neglected today with children being fed absolute infantile rubbish in the media. This album, almost fifty years old, is better and more challenging than most of what passes al children´s music today.

In retrospect this stuff sounds fresh and exciting today, completely contemporary. Even listeners not familiar with the Finnish language should be able to enjoy these fabulous musical stories and get intuitively what they are all about.

Overall this is a wonderful example of the ingenuity of Koivistoinen and the entire Finnish Jazz scene at the time, full of love and understanding of the young souls. Still delightful!

Updated: 09/07/2020Posted: 09/07/2020

CD 1 Digipak Remastered Recommend To A Friend

DAY IS OVER ~ DAY IS OVER
SVART 051 (Barcode: 6430065585169) ~ FINLAND ~ Jazz
Recorded: 1975 Released: 2018

This is a reissue of the only album by one-off Finnish-Danish Jazz quintet Day Is OverFind albums by this artist, which comprised of Finnish saxophonist Eero KoivistoinenFind albums by this artist, keyboardist Esko LinnavalliFind albums by this artist and drummer Esko RosnellFind albums by this artist and Danish trumpeter Allan BotschinskyFind albums by this artist and bassist Niels-Henning Orsted PedersenFind albums by this artist. The album presents eight original compositions, one each by Koivistoinen, Linnavalli and Orsted Pedersen and the rest by other Finnish Jazz composers.

The quintet was formed during the Finnish Jazz Music Workshop, which was organized to prepare the legendary UMOFind albums by this artist Orchestra / Big Band in late 1974 and the album was recorded in February 1975 in Stockholm. Linnavalli commissioned the compositions for the album from several leading Finnish Jazz composers at the time and the musicians were exposed to the music without having time to rehearse it – the remarkable result proves the remarkable level of professionalism and talent by all the participants. Of course Orsted Pedersen was already one of the most revered and sought after bass players in Europe, playing and recording with all visiting American Jazz stars.

The music is all strictly melody based modern mainstream Jazz, but it has a distinct Scandinavian touch and the compositions reflect the unique Finnish music spirit, which can be heard distinctly on the recordings originating in the 1970s. The performances are brilliant from start to finish and offer a great opportunity to hear the brilliant work by Orsted Pedersen, who firmly keeps the music swinging smoothly.

Sadly the quintet disbanded as quickly as it was formed, leaving this sole album as its only recorded legacy. However, the UMO Orchestra was formed a few months after the Day Is Over adventure, and exists to this very day, producing some of the finest music out there.

Overall this is a wonderful piece of Finnish (and Nordic) Jazz history, well worth being remembered and still a great piece of quality enjoyable music. Warmly recommended!

Updated: 25/03/2024Posted: 20/07/2020

CD 1 Remastered Recommend To A Friend

FINNFOREST ~ ALPHA TO OMEGA: THE COMPLETE STUDIO RECORDINGS 1973-1980
SVART 056 (Barcode: 6430065585435) ~ FINLAND ~ Jazz-Funk Fusion
Recorded: 1973 - 1980 Released: 2018

This is a reissue of the collected studio recordings by the Finnish Progressive Rock / Fusion ensemble FinnforestFind albums by this artist. It includes the remastered versions of the three LPs recorded by Finnforest and released on the legendary LoveFind albums on this label Records label: "FinnforestFind albums with this title" (1975), "Lahto MatkalleFind albums with this title" (1976) and "DemonnightsFind albums with this title" (1979). Additionally two singles, one compilation track and two previously unissued recording sessions, one before the debut album (1973) and another after the last album (1980), are also included. Beautifully packaged and with in depth liner notes this 3 CD set is a proper tribute to this great band.

Finnforest was formed in 1973 by twin brothers Pekka TegelmanFind albums by this artist, who played guitar and Jussi TegelmanFind albums by this artist, who played drums. The early version of the band included also keyboardist Jukka RissanenFind albums by this artist, bassist Jarmo HiekkalaFind albums by this artist and vocalist Ari MustonenFind albums by this artist. This quintet lineup plays on the six early tracks recorded in 1973.

The first album was recorded in Sweden in 1975 just by the trio of Tegelman brothers and Jukka Rissanen. The second album was also recorded in Sweden a year later, and featured the Tegelman brothers, Hiekkala on bass and keyboardist Jukka LinkolaFind albums by this artist, Second keyboardist Pertti PokkiFind albums by this artist plays on two tracks and a string section conducted by Otto DonnerFind albums by this artist plays on one track. The third album was recorded in 1978 and features only Jussi Tegelman from the original lineup and the rest are all new members: keyboardist Jarmo SavolainenFind albums by this artist, guitarist Jari RissanenFind albums by this artist, bassist Tuomo HelinFind albums by this artist and saxophonist Juhani AaltonenFind albums by this artist. Pekka Tegelman plays only on some of the tracks. The last session features all new musicians playing with Jussi Tegelman. All the music present on this set, except for one track, was composed by one or the other of the Tegelman brothers.

The early tracks are typical proto-Prog but starting with the tracks on the first album the music becomes absolutely stunning, with complex compositions and lengthy improvisations, slowly moving from Symphonic Prog into Jazz-Rock Fusion, with even more daring and challenging musical excursions.

In retrospect it is clear that Finnforest were one of the most important European Prog groups in the 1970s, creating some of the most exciting music that came out of Finland at the time, despite the fact that they had fierce competition as Finland at the time produced incredible amount of fascinating music. It is great to see these classic albums back in circulation and the bonus tracks are always a welcome incentive. This is definitely a must have for all true Prog and Fusion collectors from around the world.

Updated: 02/07/2020Posted: 02/07/2020

CD 3 Remastered Bonus Tracks Recommend To A Friend

KAIRA ~ URBAN SAGAS OF NORTHERN CITIES
SVART 067 (Barcode: 6430050668792) ~ FINLAND ~ Smooth Jazz
Recorded: 2017 Released: 2017

This is the debut album by Finnish Jazz sextet KairaFind albums by this artist, which consists of keyboardist Markus NiittynenFind albums by this artist, drummer Jussi LehtonenFind albums by this artist, bassist Sampo TiittanenFind albums by this artist, saxophonist Joonatan RautioFind albums by this artist and vocalists Nina MyaFind albums by this artist and Sam HuberFind albums by this artist. The album presents nine original songs written mostly by composer Lauri KairaFind albums by this artist, who put the band together, and Niittynen with lyrics (in English) by Emma LarssonFind albums by this artist and Lasse KurkiFind albums by this artist.

The music is a nice and easy version of Smooth Jazz, with great melodies and perfect execution, copying the American model note by note and trick by trick. Mya has a soulful voice and Huber sings / raps no less soulfully and the rest of the band members are all excellent professionals.

Although not really my cup of tea, one has to admit that this album ticks like Swiss clockwork and pulls all the right strings on the emotional scale, and if one has to listen to this kind of music, this is something I can wholehearted recommend. At least it has melody, harmony and musical sense in comparison to what passes as music these days.

In short if you like Soul / Pop / Jazz music with lush melodies, this is something you should not miss!

Updated: 21/08/2020Posted: 21/08/2020

CD 1 Digipak Recommend To A Friend

JOE DAVIDOW ~ DIFFERENT MOMENTS – THE MUSIC OF JOE DAVIDOW
SVART 068 (Barcode: 6430050668396) ~ FINLAND ~ Jazz
Recorded: 1978 - 1994 Released: 2016

This is an archival album presenting music composed by American (resident in Finland since 1978) pianist / composer / director Joe DavidowFind albums by this artist, recorded between 1978 and 1994 with different ensembles, which featured top Finnish Jazz musicians at the time, like saxophonist Paroni PaakkunainenFind albums by this artist, guitarist Hasse WalliFind albums by this artist, bassists Ilkka HanskiFind albums by this artist and Make LievonenFind albums by this artist, drummers Tom NekludowFind albums by this artist and Reino LaineFind albums by this artist and others. The music was recorded at the YLE (Finnish Broadcasting Company) studio, except for one track which was recorded at the LoveFind albums on this label Records studio. The album presents ten original compositions, all composed and arranged by Davidow.

The music offers a wide stylistic variety between melodic mainstream Jazz and Avant-Garde Free Form, all bearing Davidow´s personal signature, which combines American Jazz tradition with modern European approach in a highly individual way. It often moves beyond the Jazz idiom into more cinematic vistas, which is hardly surprising considering Davidow´s role as director and composer of cinematic music.

The lasting cooperation between Davidow and Paakkunainen, who appears on all the tracks, discloses an obvious aesthetical proximity between the two. As the primary soloists the two exchange heated dialogues and lyrical laments, always on the same emotional wavelength.

Davidow´s piano playing, which is quite idiosyncratic, adds a unique color to the proceedings, as he is hardly an average Jazz player, often playing completely "against the rules", and always keeping faithful to his personal style.

The various rhythm sections consistently do a great job accompanying the saxophone / piano duo, regardless of the stylistic environment utilized on each of the tracks. Those are after all seasoned veterans, able to play anything and always finding the required mindset.

Considering the fact that this is the first time this music appears on record, this is a true gem and source of enjoyment, not to mention its historical significance. This album is therefore an absolutely essential piece of Finnish Jazz history and deserves to be heard!

Updated: 31/07/2020Posted: 31/07/2020

CD 1 Mini-Sleeve Remastered Recommend To A Friend

KAIRON; IRSE! ~ RUINATION
SVART 071 (Barcode: 6430050669218) ~ FINLAND ~ Progressive Rock
Recorded: 2017 Released: 2017

This is the third album by the Finnish Prog group Kairon; IRSE!Find albums by this artist. The band consists of bassist / vocalist Dmitry MeletFind albums by this artist, drummer Johannes KohalFind albums by this artist, guitarist Niko LehdontieFind albums by this artist and guitarist / bassist / keyboardist Lasse LuhtaFind albums by this artist. Saxophonist / clarinetist Andreas HeinoFind albums by this artist appears as guest. The album presents six original pieces, all co-credited to the group members with lyrics by Melet, Luhta and Jena HaapaharjuFind albums by this artist.

This album marks a significant change in the group´s sound, with the group´s "wall of sound" effect mellowed and appearing only from time to time and the vocals become audible, although still purposely distorted. The melodic content also becomes much clearer.

The music still combines Heavy Rock / Psychedelia / Ambient and some Jazz influences and the album again sounds interesting, surprising and unusual, continuing the path set by the two previous releases. The group´s originality escapes the accepted stylistic labeling, although the "shoegaze" idiom is commonly used to describe their music, which I personally find quite ridiculous. The group is evidently not trying neither to copy the original Prog sound and attitude, nor the New Prog derivative attempts, and wants to make their own stand, which of course is commendable.

The fact that Kairon; IRSE! Manage to re-invent their music time after time speaks volumes about their ambitious approach to music and a constant need to progress, which after all is the essence of Prog, and basically all music. The music does get a bit loud at times, and the volume knob is there to solve the problem, if it ever arises.

Overall this is obviously worth checking out, especially for the brave-hearted Prog followers, who are ready to try something new and unexpected. The group released so far one more album after this one, so there is obviously a consistency and continuity here – well done!

Updated: 02/11/2020Posted: 02/11/2020

CD 1 Digipak Recommend To A Friend

VARIOUS ARTISTS ~ ETEENPAIN! – COMPLETE 1966-1970
SVART 075 (Barcode: 6430050669331) ~ FINLAND ~ Special Products
Recorded: 1966 - 1970 Released: 2016

This fabulous Box Set presents a reissue of the complete output by the independent / underground Finnish record label Eteenpain!Find albums on this label (Eng. Forward!), founded in 1966 by musicologist / author Pekka GronowFind albums by this artist and singer / songwriter M. A. NumminenFind albums by this artist (a.k.a. Mauri Antero NumminenFind albums by this artist) in order to present mainly the eclectic and prolific recordings by Numminen, but also many other recordings. In addition to all the releases this collection was expanded to include also unreleased material from the label´s vaults.

Eteenpain! was one of the first independent European record labels and its releasing policy was definitely most eclectic and plainly "wild" in every respect. As a result the music including in this Box Set includes a completely nutty mixture styles and genres, including Folk, Pop, Rock, Blues, Jazz, Avant-Garde Rock, comedy, parody and even songs in Esperanto language. Such wonderful diversity and openness characterized of course the 1960s and could have happened only then, with complete disregard of public opinion or commercial considerations.

By the end of the 1960s the label slowly run out of steam as a result in the changes in the local music industry and social structure / cultural climate. By 1970 the label owners called it quits and the recording archives were passed to the other legendary Finnish record label LoveFind albums on this label Records (also founded in 1966), which occasionally used some of it in their releases. Following Love Records bankruptcy in 1979 the archives returned back to Numminen.

This Box Set is a wonderful document of an era long gone, where Avant-Garde / underground Culture was flourishing and was able to find dedicated support, which enabled its creative output to be published, which today is of course implausible. There are certain parallels between Eteenpain! and the New York ESPFind albums on this label record label founded in 1963 by Bernard StollmanFind albums by this artist, however as much as Stollman´s openness and vision were of course extraordinary, especially in America, his label was relatively more "conservative" in the choice of material in comparison to the wonderful weirdness that characterized what Gronow and Numminen were doing.

Overall this Box Set is a superb document, not only of the music but more importantly of the Cultural climate of the late 1960s in Finland and beyond. Kudos are due to SvartFind albums on this label Records for undertaking this mammoth project and their dedication to preserve Culture.

Updated: 25/08/2020Posted: 25/08/2020

CD 4 Digipak Box Set Remastered Recommend To A Friend

HEIKKI SARMANTO ~ OPEN SKIES
SVART 080 (Barcode: 6430050669690) ~ FINLAND ~ Jazz
Recorded: 2011 - 2012 Released: 2017

This is a wonderful solo piano album by veteran Finnish pianist / composer / bandleader and my dear friend Heikki SarmantoFind albums by this artist. The 2CD album presents twenty two tunes, nine of which are original compositions by Sarmanto and thirteen are his interpretations of (more or less) standards. The music was recorded live at various concerts over a period of several months and resulted in no less than 1,200 recorded pieces, from which these twenty two were selected.

I have had the enormous pleasure to follow Sarmanto´s career for the last half a Century, seeing him developing his personal style and aesthetics, which never failed to amaze and delight, travelling across a wide cross-genre mass of music, touching on Jazz-Rock Fusion, Gospel, modern Jazz, Classical and Chamber Music and others and now also solo piano performances. The accumulated contribution of Sarmanto´s productivity as a composer, his genius as a performer and improviser and his recording and concert careers and invaluable and constitute a most significant part of the European Jazz idiom in particular and European Culture on the whole.

Although the original idea of this album was to present solo piano renditions of Sarmanto´s vast legacy as a composer, the final result combines this original concept with his tribute to the American Songbook, which encapsulates the development of Jazz in the US, and other musical sources, which shaped his Artistic personality over the years.

Sarmanto´s interpretation of standards is very varied, moving between close proximity to the original and quite abstract improvisations, often hiding the original almost entirely. It is up to the listener to discover the original chord changes and the melody thread in the case of the more nonrepresentational interpretations, which is always a great intellectual fun of course.

Solo piano music, especially that of an improvised nature, is never an easy listening, and requires from the listener as much dedication, attentiveness and love as those put by the musician into creating them. As a result, listening to this album in its entirety is a challenge, but of course an immense source of joy and satisfaction. Sarmanto is a very unconventional piano player, and although he maintains a close connection with melody and above all musical coherence, he can, and often is, quite demanding, in a most delightful way I might add.

I urge every true music connoisseur to grab this extraordinary album and put the music on as soon as possible. Pour yourself a glass of some great wine or Special Reserve cognac (can´t hurt) and let yourself be immersed within this magical music; satisfaction guaranteed!

Thank you my Friend for sharing your gift with the world!

Updated: 28/09/2017Posted: 28/09/2017

JUPU GROUP ~ AHMOO
SVART 081 (Barcode: 6430065585442) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2018

This is a reissue of the only album by the short-lived Finnish Fusion / Progressive Rock Jupu GroupFind albums by this artist, which included violinist Juhani PoutanenFind albums by this artist, keyboardist Jukka LinkolaFind albums by this artist, guitarist Janne LouhivuoriFind albums by this artist, bassist Ilkka HanskiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. On three tracks a string trio is added to the lineup. The album presents six original tracks, three by Poutanen and one each by Sorvali, Hanski and Linkola.

The music comprises of complex cross-genre explorations, amalgamating Rock, Jazz and Classical Music, with a strong Fusion feeling, with the violin at the centre, which of course was rather unusual. All the compositions are beautifully melodic, serving as ideal vehicles for the lengthy soloing by all group members. The three tracks with the string section have a more Classical Music atmosphere, but remain faithful to the Fusion spirit of the album.

The album is a wonderful example of Finnish instrumental music created at the time (mid-1970s), which was bursting with ideas and wonderful creativity. These young musicians proved that brilliant music can be created anywhere in the world and the music remains completely relevant today, losing absolutely nothing of its significance, artistic quality and intrinsic elegance.

It is great to have this gem available again, as it absolutely deserves to be heard today by the young generation of music lovers. Thanks to SvartFind albums on this label Records for keeping the memory alive. For European Fusion fans this album is an absolute music of course!

Updated: 15/07/2020Posted: 15/07/2020

CD 1 Remastered Recommend To A Friend

ROYHKA / PYYSALO / MAARIT ~ TURMION SUURHERTTUA
SVART 084 (Barcode: 6430050669867) ~ FINLAND ~ Jazz & Poetry
Recorded: 2016 Released: 2017

This is a wonderful album by Finnish Rock vocalist / songwriter / author Kauko RoyhkaFind albums by this artist, recorded with Jazz vibraphonist / composer Severi PyysaloFind albums by this artist and a great band that comprises of drummer Jussi LehtonenFind albums by this artist, bassist Juho KivivuoriFind albums by this artist, guitarist Varre VartiainenFind albums by this artist, trumpeter Jukka EskolaFind albums by this artist, saxophonist Joonatan RautioFind albums by this artist and trombonist Heikki TuhkanenFind albums by this artist. The superb singer MaaritFind albums by this artist (a.k.a. Maarit HurmerintaFind albums by this artist) appears on selected tracks. The album presents ten original songs, all composed and arranged by Pyysalo with lyrics by Royhka.

Royhka enjoys a highly successful career in Rock since early 1980s, with a long list of albums under his arm, and in parallel a career as author with several books over time. He is especially revered for his strong, often provocative lyrics, which can easily be categorized as sung poetry.

The decision to record this album, which crosses boldly into the Jazz idiom, turns out to be extremely creative, and these ten songs are all masterpieces of composition and arrangement, and combined with Royhka´s idiosyncratic voice and theatric delivery, are absolutely brilliant. The music is spiced with some Jazz soloing, just enough to define the musical environment, but not dominating the proceedings.

This album brings fond memories of many similar projects that dominated the Finnish Jazz scene in the late 1960s and 1970s, and were abandoned later on, as the Jazz scene (and music scene in general) changed into less adventurous turf.

Overall this is a superb album, which offers brilliant music, masterly arranged and performed, which works perfectly even for people like myself, who do not speak Finnish. The delivery and the music are strong enough even without the textual layer. An absolute must for Jazz & Poetry lovers!

Updated: 22/08/2020Posted: 22/08/2020

CD 1 Digipak Recommend To A Friend

MATTI JARVINEN / CASCADE / MIKE WESTHUES BAND / FYYRALYYRA ~ POP LIISA VOL. 13 & VOL. 14
SVART 085 (Barcode: 6430065583080) ~ FINLAND ~ Jazz-World Fusion
Recorded: 1976 - 1977 Released: 2017

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artist, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions.

Guitarist / composer Matti JarvinenFind albums by this artist appeared on the Finnish scene for a brief period, which allowed him to record just one album called "Martin LevyFind albums with this title" and a few concerts, before he decided to leave the music business completely and disappeared into oblivion. This live broadcast is the only glimpse in existence of his concert activities. He is supported by keyboardist Kari KuusamoFind albums by this artist, bassist Harri MerilahtiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. Together they perform four original songs, all by Jarvinen, which originate from the a.m. album. Musically this material is Prog oriented and offers highly melodic compositions based on interesting Rock riffs. These live versions feature impressive guitar and keyboards soloing.

The group CascadeFind albums by this artist, fronted by the double female vocal line of Ami EspelundFind albums by this artist and Marjo-Riitta KervinenFind albums by this artist included also keyboardist Kari Kuusamo, guitarist Pekka LeminenFind albums by this artist, bassist Renne AngelvuoFind albums by this artist and drummer Heikki LyttinenFind albums by this artist. They perform four covers of Pop songs (three of which are by Stevie WonderFind albums by this artist), nicely arranged with a slight Jazzy feel. It is the most Pop oriented material in the entire Pop Liisa series.

American singer / songwriter Mike WesthuesFind albums by this artist lived in Finland twice for relatively short periods, during which he managed to record four albums as a leader. This live broadcast finds him performing five songs from the two albums he recorded for LoveFind albums on this label Records, all written by him. He is supported by pianist Heikki HiekkalaFind albums by this artist, guitarist Dave LindholmFind albums by this artist, bassist Make LievonenFind albums by this artist, and drummer Urpo LeppanenFind albums by this artist. Tiitta SpoutFind albums by this artist sings backing vocals. The music is pretty straightforward American Country Rock, but is excellently executed, being no less exciting than the same kind of music was played across the pond.

FyyralyyraFind albums by this artist is by far the most interesting group in this collection, a Jazz-World Fusion quintet fronted by two multi-instrumentalists Jouni KoskimakiFind albums by this artist and Hannu LehtorantaFind albums by this artist, who among the two of them played a plethora of string and wind instruments, guitarist Arto KakkoFind albums by this artist, bassist Hannu TahtelaFind albums by this artist and drummer Juoni KestiFind albums by this artist. Just before this live broadcast was captured they recorded their eponymous debut album, which sadly turned out to be their sole recorded output. They perform four pieces, two composed by Lehtoranta and two folk tunes (one Irish and one Finnish) arranged by Lehtoranta and Koskimaki. They are often compared to the legendary Finnish group PiirpaukeFind albums by this artist, who pioneered the local Jazz-World Fusion idiom.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!

Side Note

Updated: 15/05/2020Posted: 13/05/2020

CD 1 Remastered Recommend To A Friend

ORFEUS / HASSE WALLI & ZEUS ~ POP LIISA VOL. 15 & VOL. 16
SVART 088 (Barcode: 6430065583523) ~ FINLAND ~ Classic Rock
Recorded: 1972 - 1973 Released: 2017

The Finnish Rock band OrfeusFind albums by this artist, formed in 1971, followed the same path that many other similar bands also traveled on, starting as an impressive Progressive Rock outfit and by the mid 1970s switching gradually into more commercial, mainstream Rock oriented act. At the time this live radio broadcast was recorded, they were at the peak of their Prog period, as this performance undoubtedly proves. Organist Heikki HiekkalaFind albums by this artist, guitarist Jan OdnerFind albums by this artist, bassist Klaus StoltFind albums by this artist and drummer / vocalist Urpo LeppanenFind albums by this artist perform just four lengthy covers of highly ambitious material (The BandFind albums by this artist, Frank ZappaFind albums by this artist. Jack BruceFind albums by this artist and Pink FloydFind albums by this artist), which feature the heavenly sound of early 1970s, with heavy Hammond parts, screaming guitars solos and high-pitched vocals (in English) as appropriate for the Prog of the time. It is a great reminder what Prog was all about during its first reign, to which it sadly never managed to return again.

Guitarist Hasse WalliFind albums by this artist is rightly considered as the Godfather of modern Finnish Rock. He was the lead guitarist of Blues SectionFind albums by this artist, the band that started it all and spawned Tasavallan PresidenttiFind albums by this artist and WigwamFind albums by this artist. He formed the band Hasse Walli & ZeusFind albums by this artist in 1972 after a period of inactivity caused by an injury, joined by four excellent musicians: guitarist Tommy KnifFind albums by this artist, bassist Renne AngelvuoFind albums by this artist and drummer Ari ValtonenFind albums by this artist. The group existed for a brief period of time and didn´t manage to record an album, and this live radio broadcast is the only recorded evidence of their existence. They perform four extended pieces, three covers (Jimi HendrixFind albums by this artist, Frank Zappa, and Bob DylanFind albums by this artist) and one original by Walli. As with the Orfeus set, this is a wonderful reminder of what Classic Rock / Prog sounded at their best. This "Popstudio" broadcast is the earliest of those included in this wonderful series.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Classic Rock and Prog-heads this is an absolute must have!

Side Note

Updated: 14/05/2020Posted: 14/05/2020

CD 1 Remastered Recommend To A Friend

TUSMORKE ~ HINSIDES
SVART 089 (Barcode: 6430050669744) ~ NORWAY ~ Progressive Rock
Recorded: 2015 - 2016 Released: 2017

This is the fourth album by Norwegian Prog group TusmorkeFind albums by this artist, which consists of twin brothers: vocalist / bassist Benedikt MomrakFind albums by this artist and vocalist / flautist Kristoffer MomrakFind albums by this artist (both playing a plethora of other instruments between them), keyboardist Lars Fredrik FroislieFind albums by this artist (who is also a member of other prominent Norwegian Prog bands like WobblerFind albums by this artist, White WillowFind albums by this artist and others) and drummer Martin Nordrum KneppenFind albums by this artist (also a member of Wobbler). Sverre JensenFind albums by this artist plays several instruments and adds some vocals and Morten ObyFind albums by this artist plays congas on one track. The album presents five original songs, all written by the Momrak brothers,

By the time this album was recorded Tusmorke crystalized their group sound and musical direction, emerging as one of the most important contemporary Prog groups. The music, based on the tradition set by Prog Godfathers in the late 1960s / early 1970s, which is cautiously preserved, is however completely original, and offers an updated version of the original Prog sound and aesthetics.

The music has a distinct Medieval atmosphere, with the flute and a plethora of analog synthesizers perfectly setting the aural background. The album’s magnum opus – a twenty-three+ minutes long suite – references to the 14th Century Black Death pandemic (how appropriate for the times this text is written), St. Sebastian and his role as protector against plague. The lyrics include Latin texts from Medieval sources, and the entire piece sounds like a soundtrack of a sacral rite. Beyond the strictly musical aspects of the album, which are all wonderful, it is great to see the intellectual involvement invested in this project, again something typical of the overall approach of the early Prog idiom.

For fans of the original Prog, the music of Tusmorke is a true blessing and as the people who experienced that music at the time it was born, a most welcome resurrection and a relief of the shallow (musically and intellectually) Neo-Prog attempt to carry on. Quite possibly the young listeners exposed to this music might also seek out some of the original Prog recordings, which really lost nothing of their charm over the five decades that passed so quickly.

This album is an absolutely essential listening experience and as such is wholeheartedly recommended. Hats off!

Updated: 21/09/2021Posted: 01/03/2021

CD 1 Mini-Sleeve Recommend To A Friend

PETRI & PETTERSSON BRASS / MAGYAR / DONNA / TABULA RASA ~ POP LIISA VOL. 17 & VOL. 18
SVART 091 (Barcode: 6430065583530) ~ FINLAND ~ Progressive Rock
Recorded: 1973 - 1976 Released: 2018

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artist, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions. Also the first session combines shows from two separate dates – the only such case in the entire Pop Liisa Series, of which this is the last part.

Trombonist Petri PetterssonFind albums by this artist and his three brothers: trumpeters Hannu PetterssonFind albums by this artist and Heikki PetterssonFind albums by this artist and guitarist Ari PetterssonFind albums by this artist formed their band as early as 1966 and released their first eponymous album as Petri & Pettersson BrassFind albums by this artist in 1971. By the time this live radio broadcast was captured in 1973 they were about to release their second album a year later. The lineup included also saxophonist Pekka KajanderFind albums by this artist, organist Jarmo KokkonenFind albums by this artist, bassist Antero AsikainenFind albums by this artist and drummer Esa KarkiFind albums by this artist. Together the octet was a bona fide ass kicking Brass Rock ensemble, which could give any contemporary band of this kind around the world a run for their money. They perform six pieces, two originals and the rest covers of Rock songs (one by ChicagoFind albums by this artist) arranged by the group.

The band MagyarFind albums by this artist recorded only one album released on LoveFind albums on this label Records in 1974 and the material they perform on this live radio broadcast originates from this release. The band consisted of vocalist / composer Harry GunaropoulosFind albums by this artist, vocalist Jouko NiiranenFind albums by this artist, saxophonist / flautist Markku HeikkonenFind albums by this artist, organist Vesa KurkelaFind albums by this artist, guitarist Kari HuttunenFind albums by this artist, bassist Taito KettunenFind albums by this artist and drummer Kari PietikainenFind albums by this artist. All their songs were composed by Gunaropoulos and featured lyrics by the poet Jukka ItkonenFind albums by this artist, which placed them in the sung poetry / protest songs idioms, due to the highly social / political involvement of Itkonen´s poetry.

The band DonnaFind albums by this artist never managed to record an album. They consisted of guitarist / vocalist Jari YliahoFind albums by this artist, lead guitarist Tapio ManninenFind albums by this artist, bassist Vesa ReijonenFind albums by this artist and drummer Paavo KaiholaFind albums by this artist. Pianist Lasse RajaFind albums by this artist played on one track. They perform five original songs, all co-composed by the band members and featuring lyrics by poet Kimmo KoskimaaFind albums by this artist. The songs have a distinct Reggae feel but are beautifully melodic and also belong to the sung poetry idiom. This material is a true gem as the only recorded material by the band was just one single they managed to record.

The band Tabula RasaFind albums by this artist managed to record two albums on Love Records during their short existence. They were one of the last Finnish groups of the first Prog wave. Their lineup went through several changes and the live radio broadcast was recorded by vocalist Jukka SalmelaFind albums by this artist, organist Jarno SinisaloFind albums by this artist, guitarist Heikki SilvennoinenFind albums by this artist, bassist Tapio SuominenFind albums by this artist and drummer Jukka AronenFind albums by this artist. They perform just two lengthy versions of songs from their second album, composed by Silvennoinen and Sinisalo, both featuring excellent instrumental work.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Classic Rock, Brass Rock and Prog-heads this is an absolute must have!

Side Note

Updated: 18/05/2020Posted: 18/05/2020

CD 1 Remastered Recommend To A Friend

EERO KOIVISTOINEN / NORDJAZZ QUINTET ~ JAZZ LIISA VOL. 13 & VOL. 14
SVART 094 (Barcode: 6430065583011) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1974 - 1975 Released: 2017

Saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist is one of the Godfathers of modern Finnish Jazz with a career spanning six decades and a glorious legacy of recorded music spanning a wide range of stylistic explorations. The live radio broadcast captured here presents Koivistoinen and his quartet: pianist Heikki SarmantoFind albums by this artist (another iconic figure of the Finnish Jazz scene), his brother Pekka SarmantoFind albums by this artist on bass and drummer Reino LaineFind albums by this artist, hosting the superb Belgian guitarist Philip CatherineFind albums by this artist, who visited Finland at the time. On one track the quintet is expanded to a sextet when joined by the Bulgarian trumpeter Reicho IvanovFind albums by this artist.

They perform five original compositions, two composed by Catherine, and one each by Danish trumpeter Palle MikkelborgFind albums by this artist, Koivistoinen and Ivanov. The music is highly electric (Sarmanto plays electric piano, Catherine electric guitar and even Ivanov plays an electric trumpet – see the Fusion group Eleventh HouseFind albums by this artist led by Larry CoryellFind albums by this artist, which had a similar lineup), which results in a charged Fusion fury, comparable to the best work of Mahavishnu OrchestraFind albums by this artist, and offering some of the finest quality of the genre ever recorded.

I am happy to say that Koivistoinen and Heikki Sarmanto have been my friends since decades and I had the immense pleasure to write liner notes for their albums.

The Nordjazz QuintetFind albums by this artist was a collaborative ensemble combining Jazz musicians from the Nordic countries (as opposed to Scandinavian, which means only Denmark, Norway and Sweden and not Finland and Iceland). The lineup changed over time and the one captured on this live broadcast includes Finnish saxophonist / flautist Pekka PoyryFind albums by this artist, Danish pianist Ole Kock HansenFind albums by this artist, Norwegian guitarist Nils Petter NyrenFind albums by this artist, Swedish bassist Kjell JanssonFind albums by this artist and Icelandic drummer Petur OstlundFind albums by this artist.

They perform three original compositions, one composed by Hansen and two composed by Finnish Jazz musicians, both keyboardists / composers, not members of the ensemble: Olli AhvenlahtiFind albums by this artist and Jukka LinkolaFind albums by this artist. The music serves as basis for extended improvisations within the Fusion oriented idiom, featuring extensive soloing.

These two sessions are ideally matched together and this CD is definitely one of the strongest and most coherent within the Jazz Liisa series.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 13/06/2020Posted: 13/06/2020

CD 1 Remastered Recommend To A Friend

PIIRPAUKE / TAPIO TUOMINEN TRIO / PORI BIG BAND / TAPIOLA BIG BAND ~ JAZZ LIISA VOL. 15 & VOL. 16
SVART 097 (Barcode: 6430065583509) ~ FINLAND ~ Jazz
Recorded: 1975 - 1977 Released: 2017

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on the first show included here. The other two sessions were recorded on different dates.

PiirpaukeFind albums by this artist, founded in 1974 by saxophonist / keyboardist / composer Sakari KukkoFind albums by this artist and still active today forty-five years later, was one of the first European Jazz-World Fusion ensembles. It includes initially also guitarist Hasse WalliFind albums by this artist, bassist Antti HyttiFind albums by this artist and drummer Jukka WasamaFind albums by this artist. Synthesizer player Otto RomanowskiFind albums by this artist appeared as an associate member. This live radio broadcast captures the group before the release of their eponymous debut album, which created quite a stir at the time. They perform three pieces; one composed by Kukko and two unique arrangements by the group members of folk songs: one Romanian and the other Karelian in origin. Both folk songs were included on the a.m. debut album. The music is a wonderful amalgam of modern Jazz, sometimes with freely improvised parts, and folkloristic inspirations, which will become the modus operandi of the group.

Saxophonist Tapio TuominenFind albums by this artist and his trio, which also included bassist Jorma KoivulehtoFind albums by this artist and drummer Jukka WasamaFind albums by this artist, represent the Finnish Free Jazz movement, which flourished in the 1970 and led to high local activity as well as international cooperation with other European players, including those from Poland and other East European countries. The trio plays three original compositions credited to Wasama, but obviously presenting a group improvisation effort. Similarly to the material presented by the Wasama - Tuominen TrioFind albums by this artist, presented on an earlier release of the "Jazzstudio" sessions, the music is typical of European Free Jazz at the time, highly inventive and emotional, which lost nothing of its power over time.

The 1970s were hay days for the Finnish Big Bands and several were active in parallel at the time, which for a country of the size of Finland was absolutely phenomenal. One of the factors that enabled this to happen was the solid local and national financial support available for Arts at the time, and combined with the number of young Jazz musicians flooding the scene and involvement of semi-professional / amateurs evolved into a heaven on earth for Big Band enthusiasts.

Pori Big BandFind albums by this artist, founded in 1971 and still active today, was led over the years by top Finnish musicians / instrumentalists and has an impressive legacy of recordings to its credit. It is traditionally featured during the annual Pori Jazz Festival. On this live radio broadcast the Big Band was conducted by bassist / composer Markku KokkoFind albums by this artist and performed two original compositions: one by trombonist / composer Kaj BacklundFind albums by this artist and one by Kokko.

Tapiola Big BandFind albums by this artist, founded in 1970 by Martti LappalainenFind albums by this artist and still active today, included many top Finnish musicians over time, some of which were double billing as members of the Mother Ship of the Finnish Big Band scene, the UMOFind albums by this artist Orchestra. On this live radio broadcast the Big Band was conducted by Lappalainen and included a crème de la crème lineup of Finnish Jazz musicians and performed two pieces: one original composition by Mike KoskinenFind albums by this artist and an arrangement of a folk song by Eero KoivistoinenFind albums by this artist.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 15/06/2020Posted: 15/06/2020

CD 1 Remastered Recommend To A Friend

AALTONEN, HELASVUO, HAUTA-AHO, VESALA / EDWARD VESALA ENSEMBLE ~ JAZZ LIISA VOL. 17 & VOL. 18
SVART 100 (Barcode: 6430065583516) ~ FINLAND ~ Avant-Garde Jazz
Recorded: 1973 - 1974 Released: 2018

The two "Jazzstudio" broadcasts compiled on this CD focus on the iconic figure of drummer / composer / bandleader and Godfather of modern Finnish Jazz, Edward VesalaFind albums by this artist, who is probably the most famous Finnish Jazz musician outside of his native country. Born in 1945, Vesala was active on the local Jazz scene since the late 1960s and until his tragically premature death in 1999 at the ridiculous young age of 54. His premiere recording was the little known album "NykysuomalaistaFind albums with this title" (Contemporary Finnish) from 1969 and the full debut "NanaFind albums with this title" came a year later. In 1972 he took part in his first ECMFind albums on this label album, the Jan Garbarek´s "TriptykonFind albums with this title" and soon after recorded his debut album for the label "Nan MadolFind albums with this title". He recorded five more albums for ECM and also participated on albums by Polish trumpeter Tomasz StankoFind albums by this artist. On the whole he left an impressive recorded legacy, including releases on his own LeoFind albums on this label Records.

The first session presents the Edward Vesala trio, with bassist Teppo Hauta-AhoFind albums by this artist and pianist Esa HelasvuoFind albums by this artist on one track composed by him and then with saxophonist Juhani AaltonenFind albums by this artist (who replaces Helasvuo) on two tracks, both composed by Vesala. Whereas the first track is still pretty conventional, the two other tracks are mostly freely improvised and explode with energy and spontaneous exploration as appropriate for Avant-garde at its best.

The second session presents the Edward Vesala EnsembleFind albums by this artist, a collection of top Finnish Jazz improvisers at the time: trumpeter Simo SalminenFind albums by this artist, trombonist Mircea StanFind albums by this artist, saxophonists Juhani Aaltonen, Paroni PaakkunainenFind albums by this artist and Pentti LahtiFind albums by this artist, bassist Teppo Hauta-Aho, electric bassist Make LievonenFind albums by this artist and Antero HonkanenFind albums by this artist who added some electronic effects on one track. This lineup is very similar to the lineup that recorded the a.m. ECM debut a few months after this session was recorded. They play three stacks, all by Vesala, all of which were later recorded for that album. In addition a short interview with Vesala in also present, in Finnish of course, which makes it sadly accessible only to Finnish speaking audience. (A transcript in English would have been most welcome).

The music is spectacular and breathtaking, a true Avant-garde masterpiece combining composed and group-improvised parts, mystic Nordic moods and brilliant performances by these excellent musicians. These versions of the material are quite different from the recorded versions, which makes this session especially valuable.

These two sessions are some of the most important documents of Finnish Jazz and are definitely among the strongest releases in the entire Jazz Liisa series.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!

Side Note

Updated: 28/06/2020Posted: 19/06/2020

CD 1 Remastered Recommend To A Friend

SUKELLUSVENE ~ VESI- JA LINTUMUSIIKKIA
SVART 106 (Barcode: 6430065585176) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2018

This is a reissue of the only album by the Finnish Jazz / Fusion sextet SukellusveneFind albums by this artist, which comprised of saxophonist Lassi TalasmoFind albums by this artist, keyboardist Kari LitmanenFind albums by this artist, guitarists Jukka MakinenFind albums by this artist and Tapani TuomanenFind albums by this artist, bassist Pekka MuhliFind albums by this artist and drummer Timo KotinevaFind albums by this artist. The album, released on the legendary LoveFind albums on this label Records, presented six original compositions, two each by Litmanen and Tuomanen and one each by Makinen and Muhli. This remastered and expanded edition adds two tracks from a single with non-LP tracks.

Although established in the early 1970s, it took the group almost eight years to record their album, following several lineup changes, and it sadly disbanded soon after. Nevertheless this sole album remains as one of the finest Finnish Fusion recordings of the 1970s, and lost nothing of its charm over the years. Full of superb compositions and fiery performances it is a true gem of the period and a wonderful testament of the incredible Finnish musical scene that flourished at the time.

Although obviously Fusion oriented and with a distinct Fusion sound due to the use of synthesizers, guitars and electric bass, it offers also a lot of Jazz spirit within the improvisations and Progressive Rock tendencies reflected in the melodic approach. As such this music is highly attractive to a wide range of music connoisseurs with cross-genre tendencies.

Overall this is a wonderful piece of Finnish Jazz / Fusion history, well worth being remembered and still a great piece of quality music. Warmly recommended and an absolute must to European Jazz enthusiasts. As usual kudos to SvartFind albums on this label Records for saving this gem from oblivion!

Updated: 25/07/2020Posted: 25/07/2020

CD 1 Remastered Bonus Tracks Recommend To A Friend

EERO KOIVISTOINEN ~ ILLUSION
SVART 124 (Barcode: 6430065582939) ~ FINLAND ~ Jazz
Recorded: 2012 - 2015 Released: 2017

This is the second album by a quartet led by Finnish Jazz Giant, saxophonist / composer Eero KoivistoinenFind albums by this artist with three representatives of the younger generation of the Finnish Jazz scene: pianist Alexi TuomarilaFind albums by this artist, bassist Jori HuhtalaFind albums by this artist and drummer Jussi LehtonenFind albums by this artist. The album presents seven tunes, six of which are original compositions by Koivistoinen and one is a standard, which originates from an earlier recording session from 2012 that produced the debut album "Hati HatiFind albums with this title". The six new recordings were the last ones recorded at the legendary M1 Studio of the YLE (Finnish Broadcasting Company) which witnessed numerous Jazz albums being recorded there during its existence.

The music, as expected, is a wonderful collection of sublimely melodic tunes, which Koivistoinen manages to weave times and time again with his usual natural heartfelt elegance. As a composer Koivistoinen is absolutely untouched by the tides of time and his compositions are as vigorous, full of joy, energy and harmony as they were through his entire career.

The quartet performs also every bit as expected, with Koivistoinen saxophone soaring over the background supplied by the rhythm section, in a typical barrage of notes which characterizes the Modern Jazz post-Coltrane school, which he always represented faithfully. Tuomarila displays his incredible fluency and technique, which spark the quartet´s overall sound significantly. Huhtala and Lehtonen solidly provide the rhythmic pulsations and since this album features more up-tempo numbers that the debut, they are heard much more prominently. Overall this quartet´s performances are the epitome of what modern mainstream Jazz is all about – great tunes perfectly executed by talented and highly professional musicians, who have to ability to state something personal and original rather than imitating the past.

For mainstream Jazz lovers this album is an instant classic, which should satisfy even the most experienced connoisseurs. Just grab a copy ASAP and enjoy – satisfaction guaranteed!

Updated: 19/12/2022Posted: 28/11/2017

CD 1 Digipak Recommend To A Friend

JUSSI LEHTONEN ~ MOVE ON
SVART 125 (Barcode: 6430065582786) ~ FINLAND ~ Jazz
Recorded: 2016 Released: 2017

This is the third album by Finnish drummer / composer Jussi LehtonenFind albums by this artist, recorded in a quintet setting with saxophonist Joonatan RautioFind albums by this artist, guitarist Teemu ViinikainenFind albums by this artist, pianist Aki RissanenFind albums by this artist and bassist Jori HuhtalaFind albums by this artist. The album presents nine original compositions, all by Lehtonen.

The music is all straightforward modern mainstream Jazz, completely within the Jazz convention. The compositions are all well weaved and offer nice melody lines, but tender little intellectual challenge as such and create a déjà vu impression.

All the players are excellent performers, who can carry a tune and improvise elegantly, without a hitch. But altogether there is nothing here that any Jazz listener anywhere in the world has not heard before and the entire album lacks the ability to cross beyond the ordinary. Personally for me only the guitar work by Viinikainen offers somewhat more glimmer than the rest of the stuff presented here.

Having said all that, this is a perfectly composed and performed Jazz album, which should make many Jazz enthusiasts completely happy. It is simply a bit too much American and too little Finnish for my liking.

Updated: 14/08/2020Posted: 14/08/2020

CD 1 Digipak Recommend To A Friend

AKE ANDERSSON / ANTERO HONKANEN ~ REIDARIN SAHKOISET KUVAT
SVART 129 (Barcode: 6430065584483) ~ FINLAND ~ Electronic & Ambient
Recorded: 1975 - 1976 Released: 2018

This is a reissue of a wonderful and pretty obscure album, originally released on the legendary LoveFind albums on this label Records, by two Finnish electronic music pioneers Ake AnderssonFind albums by this artist and Antero HonkanenFind albums by this artist. The album presents eight original compositions, four each by the two team members and this is the first time this music appears on CD.

Andersson and Honkanen were both studio technicians at the YLE (Finnish Broadcasting Company) and were in charge of producing a myriad of soundtracks used by the radio in its various programs. They decided to create an album of electronic music, based on the paintings by Reidar SarestoniemiFind albums by this artist. The music accompanied an exhibition of Sarestoniemi´s works, which was heard by Otto DonnerFind albums by this artist, the producer / co-owner of Love Records, who decided to release the music on an album.

In retrospect this music sounds every bit as innovative and fresh as it did at the time of its recordings. Using a mixture of synthesizers, electronic devices and acoustic instruments the team managed to create a wide spectrum of sound vistas, which although lack strict melodic themes, make an aesthetic emotional impact based on pure sound variations.

The fact that the music was released at the time speaks volumes about the role of Love Records in shaping the landscape of Finnish Culture and the openness of the label´s owners to all genres of music, as well as the sparkling diversity of the local music scene. Therefore this album is a superb document of the vitality of 1970s, which marked a rapid emancipation of the Finnish music from its earlier relative "provinciality". This is definitely a hidden gem waiting to be discovered.

Updated: 06/08/2020Posted: 06/08/2020

CD 1 Digipak Remastered Recommend To A Friend

YLE EXPERIMENTAL STUDIO ~ ODE TO MARILYN
SVART 130 (Barcode: 6430065584506) ~ FINLAND ~ Avant-Garde Electronic
Recorded: 1973 Released: 2018

This is a reissue of one of the rarest and most important Finnish Jazz / Electronic Music / Avant-Garde albums from the early 1970s. The album was recorded under the auspices of the YLE (Finnish Broadcasting Company) Experimental Studio by a group of Finnish musicians led by trumpeter Jarmo SermilaFind albums by this artist, which also included flautist Mikael HelasvuoFind albums by this artist, bassist Teppo Hauta-AhoFind albums by this artist, drummer Edward VesalaFind albums by this artist and electronic music composer Antero HonkanenFind albums by this artist. Soprano singer Pirkkolisa TikkaFind albums by this artist guests on one track. The album presents eight original compositions, three composed by Honkanen, two each by Sermila and Vesala and one by Hauta-Aho. The album’s title originates from the poem by Marilyn MonroeFind albums by this artist “A Doll’s Cry”, which lyrics sung by Tikka appear on one of the tracks.

The music is a wonderful amalgam of contemporary Avant-Garde, Electronic Music and Jazz improvisation and remains completely original and unique today, almost half a Century later. The fact that such audacious music was recorded in Finland at the time is a testimony to the incredible musical Renaissance of Finnish music in the late 1960s / early 1970s, which produced an immense amount of fresh, inventive and challenging music at the time.

This long overdue reissue (kudos to SvartFind albums on this label Records) is a wonderful opportunity for this music to be discovered by young generations of music lovers, as well as an important document of the era. For lovers of experimental music this album is an absolute classic and should not be missed!

Updated: 17/02/2021Posted: 17/02/2021

CD 1 Digipak Remastered Recommend To A Friend

SAMMAL ~ SUULIEKKI
SVART 140 (Barcode: 6430065583905) ~ FINLAND ~ Progressive Rock
Recorded: 2017 Released: 2018

This is the third album by Finnish Prog group SammalFind albums by this artist, which consists of vocalist Jan-Erik KiviniemiFind albums by this artist, guitarist Jura SalmiFind albums by this artist, keyboardist Juhani LaineFind albums by this artist, bassist Lasse IlanoFind albums by this artist and drummer Tuomas KarivaaraFind albums by this artist. The album presents nine original pieces, written by the group members and featuring lyrics in Finnish.

The music continues the concept of the two earlier albums, but this time offers more melodic and complex compositions. The sound and style are faithful retro reproductions of Prog / Hard Rock of late 1960s / early 1970s, rather than an attempt to innovate, which is probably fine with most Prog followers. Prog blossomed in Finland during that period in parallel to other Prog centers across Europe. Sammal, like several other contemporary Finnish Prog groups, decided to skip over the dreaded Neo-Prog wave, which proved to be mostly derivative, and decided to return to the source of the music, at the height of its magical powers. They also decided to use vocals in Finnish, rather than ridicule the vocal parts with broken English pronunciation and accent.

As a result of these conscious decisions and of course their talents and abilities, they offer a retro sound / style of the idiom, which is authentic and at the same appealing. The music is excellently structured within the idiom´s boundaries, offering great melodies, strong riffs and superb soloing. The instrumental execution is spotless, as are the vocals, and original Prog connoisseurs should be delighted to hear this music, which is able to bring on waves of nostalgia and excitement at the same time. The pieces on this album are every bit as strong and stimulating as those on some the best albums created in the past.

Overall this album is certainly the strongest offering by the group. For people who already have numerous Prog albums, but are not aware of Sammal, it is a high time to discover them. Wholeheartedly recommended!

Updated: 21/09/2021Posted: 24/02/2021

CD 1 Mini-Sleeve Recommend To A Friend

OILING BOILING ~ TWO FACES
SVART 142 (Barcode: 6430065581222) ~ FINLAND ~ Jazz
Recorded: 1977 Released: 2017

This is a reissue of the second album by Finnish Jazz drummer / composer / bandleader Matti OilingFind albums by this artist and his band Oiling BoilingFind albums by this artist, which on this album was a sextet and included also trumpeter Markku JohanssonFind albums by this artist, saxophonist Erik DannholmFind albums by this artist, guitarist Juha BjorninenFind albums by this artist, bassist Ilkka WillmanFind albums by this artist and keyboardist Tuomo TanskaFind albums by this artist. The album presents eight tracks, six of which are original compositions (three by Tanska, two by Johansson and one co-composed by Oiling and the recording engineer Harold BurgonFind albums by this artist) and two are Jazz standards.

The music, as the title suggests, presents a mixture of Jazz and Fusion tunes, each genre given one side of the original LP, with the band being completely capable of handling both on equal footing. Great playing and soloing and excellent original composition make it a highly enjoyable listening experience, which lost nothing of its strength over time.

Oiling was one of the pioneers of modern Finnish Jazz and Fusion and a role model for many Finnish drummers, in both Rock and Jazz circles. He wrote the first tutorial book about drumming in the Finnish language in 1969 (expanded in 1975). He was also a pioneer of mixing Jazz with Funk and Rhythm And Blues and his many albums with the Oiling Boiling band reflected these influences, never compromising on musical quality. He was also a sweet person and I was lucky to meet him several times and kept in touch with him until his untimely passing in 2009.

Overall this is a wonderful piece of Finnish Jazz / Fusion history, well worth being remembered and still a great piece of quality enjoyable music. Warmly recommended!

Updated: 08/05/2023Posted: 17/07/2020

CD 1 Remastered Recommend To A Friend

MALADY ~ TOINEN TOISTA
SVART 145 (Barcode: 6430065583417) ~ FINLAND ~ Progressive Rock
Recorded: 2017 Released: 2018

This is the second album by Finnish Progressive Rock group MaladyFind albums by this artist, which consists of guitarist Tony BjorkmanFind albums by this artist, vocalist / guitarist Babak IssabeiglooFind albums by this artist, drummer Juuso JylhanlehtoFind albums by this artist, keyboardist Ville RohiolaFind albums by this artist and bassist Jonni TanskanenFind albums by this artist. Several guest musicians also take part in the recording. The album presents five original compositions, co-composed by the group members, with lyrics (in Finnish) by Jylhanlehto.

The music is a direct continuation of the glorious days of Finnish Prog from the late 1960s and 1970s, as if the clock stopped for almost five decades and started again in 2010s. The classic characteristics of the Finnish Symphonic Prog are all here; beautiful melodic themes, expanded instrumental passages, layers of Nordic sound vistas and a general ambience of mystery imagination. The sound and the structure of the compositions are kept exactly in the same manner like those of the original Prog period, which luckily saves the group from the dreaded Neo-Prog mannerisms, and creates a contemporary reflection of the Prog tradition.

The performances are all elegant and intelligent, preserving a coherent group sound and sparing the listener the redundant solo doodling, which is the curse of most Neo-Prog albums. The decision to credit the music to all the group members is also a reflection of the same motivation. Malady wants to put out a unique group sound and musical aesthetics, rather than a collection of individual statements.

In spite of the fact that Prog is an a priori limited idiom, Malady is a great example of the possibility to make innovative and intelligent music, which is timeless and beautiful, and a proud continuance of the tradition, both of Prog in general and the superb Finnish legacy of the idiom.

Malady is one of several Finnish Prog groups active today and they are all well worth checking out. But this album easily achieves the "instant classic" merit and every true Prog lover´s collection wouldn´t be complete without it!

Updated: 21/09/2021Posted: 13/10/2020

KAIRON; IRSE! ~ UJUBASAJUBA
SVART 148 (Barcode: 6430050669225) ~ FINLAND ~ Progressive Rock
Recorded: 2014 Released: 2017

This is a reissue of the second album by the Finnish Prog group Kairon; IRSE!Find albums by this artist, which was, same as their debut album, originally self-released and later reissued by SvartFind albums on this label Records, their current record label. The band consists of bassist / vocalist Dmitry MeletFind albums by this artist, drummer Johannes KohalFind albums by this artist, guitarist Niko LehdontieFind albums by this artist and guitarist / bassist / keyboardist Lasse LuhtaFind albums by this artist. Saxophonist / clarinetist Andreas HeinoFind albums by this artist appears as guest. The album presents six original pieces, all co-credited to the group members with lyrics by Melet and Luhta.

The group manages to create a completely unique "wall of sound" effect, which combines Heavy Rock / Psychedelia / Ambient influences and emerges as one of the most interesting discoveries of the 2010s Prog. The group´s originality escapes the accepted stylistic labeling, although the "shoegaze" idiom is commonly used to describe their music, which I personally find quite ridiculous. The group is evidently not trying neither to copy the original Prog sound and attitude, nor the New Prog derivative attempts, and wants to make their own stand, which of course is commendable.

The music is based on melodic background, which only rarely comes to the surface of the music due to the intense racket the guitars produce, but sharp-eared listeners won´t miss. Strangely, the massive attack of sound is not aggressive and can be easily solved by turning the volume knob slightly counterclockwise, to reveal the diverse sound layers hiding behind it. The vocals are hardly audible and become a part of the overall sound, which work fine for me.

Overall this is obviously worth checking out, especially for the brave-hearted Prog followers, who are ready to try something new and unexpected. The group released two more albums after this one, so there is obviously a consistency and continuity here – well done!

Updated: 30/10/2020Posted: 30/10/2020

CD 1 Digipak Recommend To A Friend

WIGWAM ~ NUCLEAR NIGHTCLUB (50TH ANNIVERSARY EXTENDED EDITION)
SVART 159 (Barcode: 6430065585190) ~ FINLAND ~ Progressive Rock
Recorded: 1974 - 1975 Released: 2018

This is a reissue of the sixth album by the iconic Finnish Prog band WigwamFind albums by this artist, which featured a new lineup of the group and marked a new period in the band´s career, often referred to as Wigwam Mk. II. Following the departure of keyboardist Jukka GustavsonFind albums by this artist and bassist Pekka PohjolaFind albums by this artist, the two remaining members: vocalist / pianist Jim PembrokeFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist were joined by guitarist Pekka RechardtFind albums by this artist and bassist Mans GroundstroemFind albums by this artist. Keyboardist Esa KotilainenFind albums by this artist, also not a formal member of the group, added his invaluable input during the recording of the album. The original album presented eight original songs, five composed by Rechardt and three by Pembroke, and all featuring lyrics written by Pembroke, who was a British expatriate and could naturally handle the lyrics in English flawlessly. This remastered and expanded edition adds a second CD, which includes an entire concert recorded for Swedish radio in November of 1974, before the band entered the studio to record the "Nuclear NightclubFind albums with this title" album. It presents seven songs, five of which will be recorded later for the album, and two which originated from Pembroke´s second solo album "PigwormFind albums with this title" recorded earlier in 1974. Kotilainen did not participate on this recording.

The music, although undoubtedly somewhat less strictly Prog oriented, is by all means absolutely brilliant, wonderfully combining the excellent songwriting with perfect performances, full of great instrumental parts. Wigwam were, as it often happened with the capricious Prog fanatics, accused for taking a more commercial path, but the band, which suffered from a dichotomy in its ranks since its inception, was now completely united behind their musical output and quite honestly read well the changing Prog landscape, which pulled many of the classic Prog bands towards a more song oriented direction.

The collected talents of Wigwam´s members still made it one of the best Prog band in Europe and even worldwide, and if not for the fact that they originated from Finland, they would have probably reached to top of the Prog peak. This album was released in the UK and a few other countries, bringing the band some success, but Prog at the time was approaching its global collapse, when the initial creativity of the genre simply dried out. Wigwam released two more excellent albums before calling it quits and future efforts to resurrect the band proved to be as futile as those of other Prog band around the globe. The magic was simply gone.

This excellently sounding and expanded edition is a must have for Finnish Prog / Wigwam fans all over the globe and SvartFind albums on this label Records, as usual, made a perfect job preparing this reissue. Brilliant stuff!

Updated: 11/08/2020Posted: 07/08/2020

CD 2 Remastered Bonus Tracks Recommend To A Friend

WIGWAM ~ LUCKY GOLDEN STRIPES AND STARPOISE (50TH ANNIVERSARY EXTENDED EDITION)
SVART 160 (Barcode: 6430065585206) ~ FINLAND ~ Progressive Rock
Recorded: 1976 Released: 2018

This is a reissue of the seventh album by the iconic Finnish Prog band WigwamFind albums by this artist, which featured a new lineup of the group and marked a new period in the band´s career, often referred to as Wigwam Mk. II. Following the departure of keyboardist Jukka GustavsonFind albums by this artist and bassist Pekka PohjolaFind albums by this artist, the two remaining members: vocalist / pianist Jim PembrokeFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist were joined by guitarist Pekka RechardtFind albums by this artist and bassist Mans GroundstroemFind albums by this artist. On this album the lineup was extended to a quintet with the addition of keyboardist Hessu HietanenFind albums by this artist. The original album, which was recorded in London, presented nine original songs, five composed by Rechardt and three by Pembroke, all featuring lyrics written by Pembroke, who was a British expatriate and could naturally handle the lyrics in English flawlessly, and finally one tune was an instrumental co-composed by all five members of the group. This remastered and expanded edition adds a second CD, which includes five alternate mixes and four live studio rehearsals of the tunes from the album, all previously unissued.

The music, although undoubtedly somewhat less strictly Prog oriented, is by all means absolutely brilliant, wonderfully combining the excellent songwriting with perfect performances, full of great instrumental parts. Wigwam were, as it often happened with the capricious Prog fanatics, accused for taking a more commercial path, but the band, which suffered from a dichotomy in its ranks since its inception, was now completely united behind their musical output and quite honestly read well the changing Prog landscape, which pulled many of the classic Prog bands towards a more song oriented direction. Hietanen was a fully integrated member of the band by the time this music was recorded and this changed the entire sound of the group. Although this album is often described as the most commercial of all the Wigwam albums, is not really that different from its predecessor or its successor, and the difference is mostly due to the different sound ambience rather than the music itself.

The collected talents of Wigwam´s members still made it one of the best Prog band in Europe and even worldwide, and if not for the fact that they originated from Finland, they would have probably reached to top of the Prog peak. This album was released in the UK and a few other countries, bringing the band some success, but Prog at the time was approaching its global collapse, when the initial creativity of the genre simply dried out. Wigwam released one more excellent album before calling it quits and future efforts to resurrect the band proved to be as futile as those of other Prog band around the globe. The magic was simply gone.

This excellently sounding and expanded edition is a must have for Finnish Prog / Wigwam fans all over the globe and SvartFind albums on this label Records, as usual, made a perfect job preparing this reissue. Brilliant stuff!

Updated: 11/08/2020Posted: 11/08/2020

CD 2 Remastered Bonus Tracks Recommend To A Friend

WIGWAM ~ DARK ALBUM (50TH ANNIVERSARY EXTENDED EDITION)
SVART 161 (Barcode: 6430065585213) ~ FINLAND ~ Progressive Rock
Recorded: 1977 Released: 2018

This is a reissue of the eighth (and last by the original group) album by the iconic Finnish Prog band WigwamFind albums by this artist, which featured a new lineup of the group and marked a new period in the band´s career, often referred to as Wigwam Mk. II. Following the departure of keyboardist Jukka GustavsonFind albums by this artist and bassist Pekka PohjolaFind albums by this artist, the two remaining members: vocalist / pianist Jim PembrokeFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist were joined by guitarist Pekka RechardtFind albums by this artist and bassist Mans GroundstroemFind albums by this artist. Keyboardists Jukka Gustavson and Hessu HietanenFind albums by this artist added keyboard work on the tracks but the lineup reverted to a quartet again. The original album presented eight original songs, five composed by Rechardt and three by Pembroke, all featuring lyrics written by Pembroke (except for one, which was a poem), who was a British expatriate and could naturally handle the lyrics in English flawlessly. This remastered and expanded edition adds a second CD, which includes the demo version of the album including first mix of six tracks, which was rejected by VirginFind albums on this label Records (the British label that released the two previous albums in the UK).

The music, although undoubtedly somewhat less strictly Prog oriented, is by all means absolutely brilliant, wonderfully combining the excellent songwriting with perfect performances, full of great instrumental parts. Wigwam were, as it often happened with the capricious Prog fanatics, accused for taking a more commercial path, but the band, which suffered from a dichotomy in its ranks since its inception, was now completely united behind their musical output and quite honestly read well the changing Prog landscape, which pulled many of the classic Prog bands towards a more song oriented direction. Although this album is often described as outwardly commercial, is not really that different from its two predecessors, and the difference is mostly due to the different sound ambience rather than the music itself.

The collected talents of Wigwam´s members still made it one of the best Prog band in Europe and even worldwide, and if not for the fact that they originated from Finland, they would have probably reached to top of the Prog peak. This album was released in the UK and a few other countries, bringing the band some success, but Prog at the time was approaching its global collapse, when the initial creativity of the genre simply dried out. Wigwam decided to call it quits after this album was released and future efforts to resurrect the band proved to be as futile as those of other Prog band around the globe. The magic was simply gone.

This excellently sounding and expanded edition is a must have for Finnish Prog / Wigwam fans all over the globe and SvartFind albums on this label Records, as usual, made a perfect job preparing this reissue. Brilliant stuff!

Updated: 11/08/2020Posted: 11/08/2020

CD 2 Remastered Bonus Tracks Recommend To A Friend

ROCKRESSIO ~ ROCKRESSIO
SVART 169 (Barcode: 6430065585268) ~ FINLAND ~ Progressive Rock
Recorded: 1972 Released: 2018

This is an archival release presenting the entire recorded legacy of the Finnish Rock / Prog group RockressioFind albums by this artist, which included vocalist Hans DalmanFind albums by this artist, guitarist Kalervo KaarreFind albums by this artist, bassist Tapio MattlarFind albums by this artist and drummer Matti EverhallFind albums by this artist. It includes eight original pieces, all composed by Mattlar or co-composed by him and Kaarre with lyrics in English. Four of these pieces were released on an EP, three are YLE (Finnish Broadcasting Company) recordings and one is an instrumental outtake of one of the EP tracks.

The music is a delightful nostalgic reminder of good times when Hard Rock / Prog and other ambitious attempts of the kind ruled the earth. The English lyrics are a bit out of place but they can be forgiven considering the fact that singing in English was almost universal for young Finnish Rock groups at the time.

Rockressio were basically a power trio plus vocalist, which was the most common Rock lineup at the time. All three instrumentalists were surprisingly gifted and their soaring riffs / guitar soloing / pulsating bass and excellent drumming are all worth being remembered.

Sadly the group disappeared almost immediately after recording the EP and kudos are due to SvartFind albums on this label Records for bringing this music back to circulation. For Heavy early Prog a la Black SabbathFind albums by this artist debut, this is an absolute must!

Updated: 09/10/2020Posted: 09/10/2020

CD 1 Remastered Bonus Tracks Recommend To A Friend

OLLI AHVENLAHTI / UMO ~ SEAWINDS: THE COMPLETE YLE STUDIO RECORDINGS 1976-1981
SVART 171 (Barcode: 6430065583486) ~ FINLAND ~ Big Band Jazz
Recorded: 1976 - 1981 Released: 2018

This is an archival album collecting all the recordings by Finnish keyboardist / composer Olli AhvenlahtiFind albums by this artist recorded with the superb UMOFind albums by this artist Jazz Orchestra for the YLE (Finnish Broadcasting Company). The album presents fifteen tracks, including the five-part "Seawinds" suite, which gave the album its title. All the music was composed and arranged by Ahvenlahti.

UMO, founded in 1975, turned out to be Finland´s most renowned Jazz Big Band / Orchestra, active to this very day. Over the years its ranks included the absolute who’s who of the Finnish Jazz scene, as well as numerous international guests, and produced a remarkable recording legacy.

On these recordings the UMO was in its early days, but already offered a remarkable level of professionalism and talent, as well as a typical European approach to the Big Band Jazz sound and style. It included such formidable players as saxophonists Pekka PoyryFind albums by this artist, Eero KoivistoinenFind albums by this artist, Juhani AaltonenFind albums by this artist, Pentti LahtiFind albums by this artist and Paroni PaakkunainenFind albums by this artist, trumpeter Kaj BacklundFind albums by this artist, trombonist Mircea StanFind albums by this artist, pianist Heikki SarmantoFind albums by this artist, bassists Pekka SarmantoFind albums by this artist and Pekka PohjolaFind albums by this artist, drummer Esko RosnellFind albums by this artist and many others. Ahvenlahti played keyboards and the orchestra was conducted by Esko LinnavalliFind albums by this artist. Three of the tracks feature the wonderful vocalist Irina MilanFind albums by this artist, singing music composed to Finnish poetry.

The music is beautifully melodic and at the same time complex enough to keep the listener on his toes. The superb Big Band arrangements and wonderful soloing turns this album into an excellent listening experience, which is fresh and full of youthful energy with a slight Fusion tinge. All the sections of the Big Band are perfectly utilized to create a big sound, but the listener is able to hear each individual; instrument. The excellent rhythm section drives the music forward with zest and elegance.

Overall this is a great Big Band Jazz album that lost nothing of its power and freshness over time and sounds every bit as exciting as it did at the time of the recording. For European Big Band Jazz fans this is a true feast and for the many UMO followers around the world this is an absolute must have. Wholeheartedly recommended!

Updated: 12/07/2020Posted: 12/07/2020

CD 1 Remastered Recommend To A Friend

EMMA SALOKOSKI & ILMILIEKKI QUARTET ~ LIGGER DU FORTFARANDE I SANGEN!
SVART 179 (Barcode: 6430065585916) ~ FINLAND ~ Jazz & Poetry
Recorded: 2018 Released: 2018

This is an album by celebrated Finnish Jazz vocalist / composer Emma SalokoskiFind albums by this artist recorded with the Ilmiliekki QuartetFind albums by this artist, which comprises of trumpeter Verneri PohjolaFind albums by this artist, pianist Tuomo PrattalaFind albums by this artist, bassist Antti LotjonenFind albums by this artist and drummer Olavi LouhivouriFind albums by this artist. The album presents nine original songs, three by Salokoski, two each by Prattala, Pohjola and Louhivouri. The lyrics of the songs are poems by Finnish (and in two cases Swedish) poets, which of course makes this a Jazz & Poetry project, one of my favorite genres. The booklet includes all the poems in Finnish, Swedish and English languages.

The Jazz & Poetry idiom has been strongly present on the Finnish Jazz scene since the 1960s and some of its manifestations proved to be amongst the finest Finnish Jazz albums over the years, drawing a parallel between Finnish and Polish Jazz, which also seems to be enamored with that specific Art Form.

The music, although beautifully lyrical, as appropriate for this environment, is quite complex and convoluted, which of course means that it requires a lot of attention from the listener and refuses to be banal at any point. The quartet plays modern European Jazz, with a lot of intrinsic freedom and space, keeping the listener on the edge at all times. All the compositions are excellent and all serve the texts perfectly, which of course is the essence of Jazz & Poetry projects.

The personal contributions by all the participants are, as expected, absolutely perfect. Salokoski is a superb interpreter of the texts and offers a crystal clear tone and fascinating approach to melody. Pohjola, who within a space of a few years managed to climb right on the pedestal of Finnish Jazz, demonstrating brilliant technique and wonderful feel for the intricacies of the Jazz universe, which I had the pleasure to watch closely personally, is at his usual superb form here, and although he is mostly an accompanist rather than the main voice, stands up to the challenge with flying colors and his contributions are an essential part of the project. Prattala and the rhythm section are perfect in their respective roles supplying the harmonic and rhythmic foundations with elegance and flair.

Overall this is a wonderful album, full of delicate music and aesthetic pleasures, challenging but highly rewarding intellectually, in short a unique gift of music that should be cherished. Well done everybody!

Updated: 19/08/2020Posted: 19/08/2020

SAMMAL ~ SAMMAL
SVART 179 (Barcode: 6430028553792) ~ FINLAND ~ Progressive Rock
Recorded: 2011 Released: 2013

This is the debut album by Finnish Prog group SammalFind albums by this artist, which consists of vocalist Jan-Erik KiviniemiFind albums by this artist, guitarist Jura SalmiFind albums by this artist, keyboardist Juhani LaineFind albums by this artist, bassist Lasse IlanoFind albums by this artist and drummer Tuomas KarivaaraFind albums by this artist. The album presents nine original pieces, written by the group members and featuring lyrics in Finnish.

The music is a direct continuation of the Prog / Hard Rock idiom that crystallized in the late 1960s / early 1970s during the original Prog wave, which blossomed in Finland in parallel to other Prog centers across Europe. Sammal, like several other contemporary Finnish Prog groups, decided to skip over the dreaded Neo-Prog wave, which proved to be mostly derivative, and decided to return to the source of the music, at the height of its magical powers. They also decided to use vocals in Finnish, rather than ridicule the vocal parts with broken English pronunciation and accent.

As a result of these conscious decisions and of course their talents and abilities, they offer a retro sound / style of the idiom, which is authentic and at the same appealing. The music is excellently structured within the idiom´s boundaries, offering great melodies, strong riffs and superb soloing. The instrumental execution is spotless, as are the vocals, and original Prog connoisseurs should be delighted to hear this music, which is able to bring on waves of nostalgia and excitement at the same time. The pieces on this album are every bit as strong and stimulating as those on some the best albums created in the past.

I had a great time while listening to this album and the fact that they also managed to record (so far) two additional albums is very encouraging and promising. For people who already have numerous Prog albums, but are not aware of Sammal, it is a high time to discover them. Wholeheartedly recommended!

Updated: 21/09/2021Posted: 20/10/2020

CD 1 Mini-Sleeve Recommend To A Friend

KAIRON; IRSE! ~ POLYSOMN
SVART 204 (Barcode: 6430077091016) ~ FINLAND ~ Progressive Rock
Recorded: 2019 Released: 2020

This is the fourth album by the Finnish Prog group Kairon; IRSE!Find albums by this artist. The band consists of bassist / vocalist Dmitry MeletFind albums by this artist, drummer Johannes KohalFind albums by this artist, guitarist Niko LehdontieFind albums by this artist and guitarist / bassist / keyboardist Lasse LuhtaFind albums by this artist. The album presents nine original pieces, all co-credited to the group members with lyrics by the group members and Jena HaapaharjuFind albums by this artist.

The music continues the path set by the previous albums, heavily laced with Psychedelia and with traces of Heavy Rock and Ambient and some Jazz oriented improvisations. The group´s originality escapes the accepted stylistic labeling, although the "shoegaze" idiom is commonly used to describe their music, which I personally find quite ridiculous. The group is evidently not trying neither to copy the original Prog sound and attitude, nor the New Prog derivative attempts, and wants to make their own stand, which of course is commendable.

This album marks further change in the group´s sound, which is again mellowed, the Heavy elements appearing only occasionally and the vocals become audible, although still purposely distorted. The melodic content also becomes much clearer and more elaborate.

The fact that Kairon; IRSE! manage to re-invent their music time after time speaks volumes about their ambitious approach to music and a constant need to progress, which after all is the essence of Prog, and basically all music. The music does get a bit loud at times, and the volume knob is there to solve the problem, if it ever arises.

Overall this is obviously worth checking out, especially for the brave-hearted Prog followers, who are ready to try something new and unexpected.– again well done!

Updated: 06/11/2020Posted: 06/11/2020

CD 1 Digipak Recommend To A Friend

ALVARADO / KOIVISTOINEN / TUOMARILA ~ ALMA
SVART 208 (Barcode: 6430065588023) ~ FINLAND ~ Jazz-World Fusion
Recorded: 2018 - 2019 Released: 2019

This is a wonderful album by a trio which puts together Argentinean Tango vocalist Martin AlvaradoFind albums by this artist and two Finnish Jazz Masters: saxophonist / composer Eero KoivistoinenFind albums by this artist and pianist / composer Alexi TuomarilaFind albums by this artist. The album presents eleven songs, five composed by Koivistoinen and two by Tuomarila, all with lyrics by Alvarado, one by Alvarado and three come from other sources.

The music is a very authentic Jazz-World Fusion adventure, combining the Tango characteristics with Jazzy accompaniment, not trying to sound overtly related to any of the genres but rather creating a new amalgam. The original compositions by both the Finns manage successfully to create a Tango subtext, but also venture into other idioms, like Blues and Latin music.

The intimate setting creates a special ambience, where the vocals and the saxophone / piano accompaniment compliment each other very tightly, presenting plenty of opportunities for solo parts by both instruments, both executed perfectly. Koivistoinen, despite his age, sounds vital and creative, as if untouched by the tides of time, which hopefully will continue for many years to come.

Overall this is a very unique and beautiful project, splendidly executed and reverberating the idea of cross-genre pollination. Argentinean Tango was always spiritually close to Jazz, as already demonstrated by the pioneering work of Astor PiazzollaFind albums by this artist, and the many fans of this kind of musical bridge will find this album certainly worthy of their attention.

Updated: 15/08/2020Posted: 15/08/2020

CD 1 Digipak Recommend To A Friend

KAUKO ROYHKA / S. A. HYNNINEN ~ DEKADENSSI
SVART 228 (Barcode: 6430077090965) ~ FINLAND ~ Classic Rock
Recorded: 2020 Released: 2020

This is the debut album as a duo by two of veteran Finnish Rockers: vocalists / guitarists / songwriters Kauko RoyhkaFind albums by this artist and S. A. HynninenFind albums by this artist, both prolific figures on the local scene with an impressive recording legacy. The album present thirteen songs, twelve of which feature brilliant lyrics by Royhka and one is a poem by French poet Arthur RimbaudFind albums by this artist. Royhka composed ten of the songs and three were composed by Hynninen. They both sing and play guitars and percussions, Hynninen also plays the bass parts, several singesr help with vocals on selected tracks, Roberto LanzFind albums by this artist plays drums, Mikko HellstromFind albums by this artist plays upright bass and Janne RiisioFind albums by this artist plays percussion.

The album offers a collection of great Rock songs with highly intelligent socially / politically oriented contents, which are performed without much instrumental complexity, but kick ass from start to finish. The songs offers a consistent musical continuity and a unique atmosphere, almost, but not quite. “heavy” and simply delightful. Royhka’s vocals are heartfelt and sensitive and the album has a distinct “retro” feel and sound.

Overall this is splendid Rock album, which sounds and feels like albums from the good old days when people were making music for music’s sake. With Finnish lyrics, the verbal layer is of course limited to those who speak the language, but honestly this does not hinder the essence of what the album has to offer. I had a blast listening to this music!

Updated: 04/03/2021Posted: 04/03/2021

SPERM ~ 50TH ERECTION: COLLECTED WORKS 1967-1971
SVART 235 (Barcode: 6430065583820) ~ FINLAND ~ Avant-Garde Electronic
Recorded: 1967 - 1971 Released: 2018

This Box Set collects all the recordings by the pioneering Finnish Avant-Garde ensemble SpermFind albums by this artist led by guitarist / Electronic Music innovator Pekka AiraksinenFind albums by this artist. It includes the ensemble´s only album "Shh!Find albums with this title" and their early EP "3rd ErectionFind albums with this title" as well as the album "One Point MusicFind albums with this title" released under Airaksinen´s name, and additionally a plethora of previously unreleased recordings form the same period, more than doubling the playing time, spread over two CDs. In addition to the CDs the Box Set also includes a wonderfully researched book (bilingual) with historic background and detailed story of the ensemble.

Sperm were obviously heroes of the Finnish / European Underground / Avant-Garde movement, way beyond just their approach to music. The music was in fact just one of the elements of expression, which symbolized social, political and artistic revolution, often extremely different from the mainstream Culture. As such, Sperm, in their radicalism, opened the minds of young Fins at the time to question authority and cultural norms.

The music mixes early electronic / ambient experiments, Free Jazz and Improvised Music and in retrospect remains as radical as it was at the time it was created and lost nothing of its originality or power of expression. Actually such "audacity" and disregard of the norms is probably unthinkable today, as we have grown to become a race of intellectual chickens.

This Box Set is an enormously important document of the era, not only in Finland but in Europe as a whole. Similar radical experiments were happening all over Europe, even including the Socialist countries, and they were a reflection of the European unrest that swept the continent in the late 1960s.

Although not for the weak hearted, the music included in this Box Set and its significance is definitely something I wish everybody could experience in their lifetime, better late than never!

Updated: 22/08/2020Posted: 22/08/2020

CD 2 Digipak Box Set Remastered Bonus Tracks Recommend To A Friend

TASAVALLAN PRESIDENTTI ~ LAMBERTLAND
SVART 250 (Barcode: 6430065588511) ~ FINLAND ~ Progressive Rock
Recorded: 1972 Released: 2019

This is a reissue of the third album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This album was recorded in Finland and Sweden (vocals only) and originally released internationally on SonetFind albums on this label Records and locally on LoveFind albums on this label Records.

The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish Love Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.

By the time this album was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist and so did Frank Robson, who was replaced by Eero Raittinen (see above). Tolonen, who started to develop a successful solo career and released his debut album "Tolonen!Find albums with this title" in 1971 (also on Sonet), became the group´s resident composer and wrote almost all the music on this album, except for one piece, which was composed by Poyry. The album presented six extended tracks, two of which were instrumentals. The lyrics were written by bassist Mats HuldenFind albums by this artist, founding member of WigwamFind albums by this artist, "the other" seminal Finnish Prog supergroup at the time. This expanded edition adds the two sides of the band´s single as bonus tracks.

The music is classic Progressive Rock of the period, with complex compositions often combining several themes into a single musical piece. The vocal parts are relatively limited and most of the music is devoted to instrumental improvisations, with a strong Jazzy influence, which continues the Jazz-Rock element of the earlier albums. Tolonen and Poyry offer plenty of bloodcurdling soloing, which remains completely relevant to this very day. In retrospect this album stands out as one of the finest achievements of the European Prog in early 1970s, before the genre lost most of its steam and originality in the years that followed.

For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.

Updated: 21/04/2020Posted: 21/04/2020

CD 1 Remastered Bonus Tracks Recommend To A Friend

BROTZMANN / AALTONEN / KOWALD / VESALA ~ HOT LOTTA
SVART 253 (Barcode: 6430065584575) ~ FINLAND ~ Free Jazz / Improvised Music
Recorded: 1973 Released: 2018

This is a reissue of the iconic album by the German / Finnish Free Jazz quartet, a one time cooperation formed as a result of a Finnish tour organized by the Goethe Institut for the two German musicians: saxophonist Peter BrotzmannFind albums by this artist and bassist Peter KowaldFind albums by this artist, joined by Finnish Free Jazz pioneers: saxophonist / flautist Juhani AaltonenFind albums by this artist and drummer Edward VesalaFind albums by this artist. The original album, which offered just four tracks, is remastered and expanded by a sensational and previously unavailable live radio session, adding five tracks and almost doubling the original album´s playing time. All the music is of course original, and although credited to individual quartet members, it is mostly spontaneously created by the players.

At the time of the recording the German musicians were already Free Jazz "veterans", with the German Avant-Garde already flourishing for a few good years, and Brotzmann gaining already a legendary status with his brazing innovations and complete disregard of conventions. Aaltonen and Vesala started to play Free Jazz just about a couple years earlier, recording the first Finnish Free Jazz album "NanaFind albums with this title". When the tour and the recording of this album happened, Vesala already recorded the "TriptyconFind albums with this title" album with Jan GarbarekFind albums by this artist for the ECMFind albums on this label label and a year later would record "Nan MadolFind albums with this title", his first ECM release.

The music is, as expected, absolutely stunning and completely fresh, sounding better than most Free Jazz played five decades later, which is not able to reproduce the spontaneity, group improvisation and telepathic communication between the musicians. Aaltonen´s flute parts are especially interesting, as flute is relatively rarely used in Improvised Music, surely at the time. The unusual double saxophone lineup is also a factor in making this album so outstanding.

Overall this is a quintessential piece of European Avant-Garde / Free Jazz history, which is sadly little known due to the obscurity of this album, which reaches astronomical prices on the vinyl market these days. Therefore this reissue is an absolute marvel and again kudos is due to the SvartFind albums on this label label for their amazing work in keeping the Cultural legacy alive.

Obviously this is an absolute must to all European Free Jazz connoisseurs anywhere on this planet. Essential listening!

Updated: 28/06/2020Posted: 28/06/2020

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TUSMORKE ~ RISET BAK SPEILET
SVART 270 (Barcode: 6430050661762) ~ NORWAY ~ Progressive Rock
Recorded: 2014 Released: 2014

This is the second album by Norwegian Prog group TusmorkeFind albums by this artist, which consists of twin brothers: vocalist / bassist Benedikt MomrakFind albums by this artist and vocalist / flautist Kristoffer MomrakFind albums by this artist (both playing a plethora of other instruments between them), keyboardist Lars Fredrik FroislieFind albums by this artist and drummer Martin Nordrum KneppenFind albums by this artist. Five guest musicians contribute on selected tracks. The album presents eight original songs (the LP version of the album includes only five songs and the additional three appear only on the CD version as bonuses), all written by the Momrak brothers.

From the very first moment the music starts playing it is pretty obvious that the band decided to go back to the glorious tradition of the original Progressive Rock from the late 1960s / early 1970s, and skip the tedious Neo-Prog idiom completely. Musically Tusmorke (at least on this album) is heavily influenced by Jethro TullFind albums by this artist, but combines in their music many other motifs, including Nordic Folklore, Medieval Music, and some Heavy / Dark Rock, creating a wonderful amalgam that can justly be called Prog, despite the fact that the idiom has been gone for almost five decades.

The music is pretty complex and offers extended pieces lasting close to ten minutes in duration and in one case even fifteen minutes, which allows the creation of atmospheric buildup and structural dynamics.

The music is deeply soaked in the keyboards sound (as the band does not feature a lead guitar), but those sound (or are) authentic like the keyboards of the original period, rather than the synthesizer imitating the past, which adds considerably to the authenticity and overall atmosphere of the music. The vocals, which in most cases are sung unisono, are not necessarily in the focus of the music and are skillfully integrated in the overall aural experience.

The sound quality of the album is rather murky, which adds to the retro effect, but the music suffers to some extent, but charmingly so. Hopefully this music will never fall into Steven WilsonFind albums by this artist’s claws.

Overall it is quite obvious that Tusmorke is one of the few true Prog bands active today and their albums belong to the finest achievements of the idiom in 2010s. This is an absolute must for all Prog lovers, as are all other albums released by the band so far. Brilliant stuff!

Updated: 21/09/2021Posted: 26/02/2021

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IRO HAARLA ELECTRIC ENSEMBLE ~ WHAT WILL WE LEAVE BEHIND
SVART 274 (Barcode: 6430077094833) ~ FINLAND ~ Avant-Garde Rock
Recorded: 2019 Released: 2021

This is an album by Finnish keyboardist / harpist / composer Iro HaarlaFind albums by this artist, ex-wife of iconic Finnish drummer / composer Edward VesalaFind albums by this artist, recorded with her ensemble called Electric EnsembleFind albums by this artist, which also includes her current husband, bassist / keyboardist Ulf KrokforsFind albums by this artist, guitarist Jukka OrmaFind albums by this artist, saxophonist Sami SippolaFind albums by this artist and her child with Edward Vesala, drummer Aniida VesalaFind albums by this artist. The album presents twelve tracks, eight composed by Haarla, two co-composed with Krokfors and Aniida Vesala, one co-composed with Krokfors and one composed by Aniida Vesala.

The music is an amalgam of Ambient synthesizer soaked atmospheric sounds and electronic music, Psychedelia, Jazz and Rock, which shuns any attempt to be categorized. It will probably mean / sound differently to different listeners, and could be considered as contemporary Progressive Rock with strong Improvised Music influences. It also has the quality of a soundtrack to an imaginary movie.

There are obvious melodic parts, which appear in some of the compositions, and more Ambient approach in others, presenting a fascinating musical trip, which keeps the listener on his toes for the entire duration of the album. The guitar parts are obviously Rock oriented, as is the strong drumming, but this is only one of several facets of the music, which keeps constantly changing.

Overall, this is a highly original piece of music, created by veteran and young musicians playing alongside each other, which is interesting and unexpected and offers music which can be accessible to a wide audience. Listeners looking for innovation and surprise won’t be disappointed and the album is definitely quite an experience.

Updated: 09/03/2022Posted: 09/03/2022

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TASAVALLAN PRESIDENTTI ~ TASAVALLAN PRESIDENTTI (II)
SVART 298 (Barcode: 6430065588535) ~ FINLAND ~ Jazz-Blues Fusion
Recorded: 1970 Released: 2019

This is a reissue of the second album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This album, same as the debut, was also eponymous and therefore its title is often supplemented with (II) to distinguish between the two. This album was recorded in Sweden and originally released on Swedish EMIFind albums on this label in hope of exposing the group to a wider European audience.

The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish LoveFind albums on this label Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.

By the time this album was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist. The album presents nine original tunes, eight of which feature lyrics (in English) by Robson. The music was composed by Groundstroem, Tolonen and Robson or co-composed by all members of the group.

The music is absolutely stunning and every bit as good as the best efforts produced at the time in the UK. With a big heavy sound, obvious Blues influence and featuring wicked flute solos it resembles the early albums by Jethro TullFind albums by this artist and many other proto Jazz-Rock Fusion and Progressive bands of the era. Robson´s expressive vocals and English accent make this music sound as if produced by a British group, which enabled Tasavallan Presidentti to tour the UK several times, where I heard and met them for the first time.

The unique combination of extraordinary instrumental abilities and sublime songwriting, which was about to explode on their next album "LambertlandFind albums with this title" made Tasavallan Presidentti one of the unforgettable and iconic bands in Finnish music history, which in its entirety remains one of the greatest hidden treasures of the European music scene.

For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.

Updated: 21/04/2020Posted: 20/04/2020

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EERO KOIVISTOINEN ~ THE ORIGINAL SIN
SVART 307 (Barcode: 6430077093621) ~ FINLAND ~ Jazz
Recorded: 1971 Released: 2021

"The Original SinFind albums with this title", recorded on August 13, 16 & 23, 1971, was the fourth album released by Finnish saxophonist / composer / arranger Eero KoivistoinenFind albums by this artist. Aged 25 at the time, Koivistoinen was already recognized at the time as a central figure on the burgeoning Finnish Jazz scene.

During his student days at the Sibelius Academy in Helsinki, one of the first European educational institutions to recognize Jazz as a valid musical Art Form worthy of academic studies, Koivistoinen frequented the Finland´s Capital Jazz club scene, performing at jam sessions. By 1967 he already had his first trio with bassist Pekka SarmantoFind albums by this artist (brother of pianist / composer Heikki SarmantoFind albums by this artist) and the legendary drummer Edward VesalaFind albums by this artist, who is often considered as the Godfather of modern Finnish Jazz. The trio played adventurous free-improvised Jazz, being the pioneers of Free Jazz in their country. Sadly, the trio never recorded an album and the only recorded evidence of their performances can be found on a live EP recorded at the Espoo Jazz Festival in 1967.

In 1967 the newly founded Finnish Jazz Federation (FJF), probably the best professional Jazz organization in Europe at the time, selected Koivistoinen as the first recipient of the annual Georgie Award in recognition for his outstanding talents. Two years later Koivistoinen performed for the first time outside of his country´s borders at the Montreux Jazz Festival in Switzerland (his performance at Montreux as a member of the International Festival Big Band was recorded and released on PolydorFind albums on this label), winning the festival´s competition for bands, which in turn led to his appearance at the Newport Jazz Festival in the US, exposing his talents on the global scale.

In the early 1970s Koivistoinen continued his studies in Jazz composition at the Berklee College of Music in Boston, where numerous of his compatriot Jazz musicians also studied over the years, starting with Heikki Sarmanto, who upon his return home brought over the American guitarist Lance GundersonFind albums by this artist who plays on this album. During the 1970s Koivistoinen recorded a stream of exceptional albums, which featured his compositional and arranging skills as well as his brilliant saxophone playing. Constantly re-inventing himself, his music kept changing during this decade and touched upon various Jazz genres, including his pioneering contribution to Jazz-Rock Fusion, but always remaining his very own.

Starting with "ValtakuntaFind albums with this title" (1968) and continuing with "OdysseusFind albums with this title" (1969), "For ChildrenFind albums with this title" (1970), "The Original Sin" (1971), "Muusa Ja RuusaFind albums with this title" (1971), "Wahoo!Find albums with this title" (1972), "3rd VersionFind albums with this title" (1973), "The Front Is BreakingFind albums with this title" (1976), "LabyrinthFind albums with this title" (1977) and finally "Live At The Belmont Jazz ClubFind albums with this title" (1977) Koivistoinen produced a body of work of amazing depth, beauty, sophistication and intellectual significance, which remains as a wonderful illustration of the Finnish and European Jazz heritage during that decade.

However, by the end of the 1970s, the immense popularity, which European Jazz managed to kindle, was gradually losing its steam. Record labels, owned by international mogul corporations, lost interest in any kind of adventurous music, Jazz included, and the number of Jazz releases went down considerably, a situation which affected Finland as well. Undeterred by this turn of events Koivistoinen decided to take matters into his own hands and established in 1983 one of the first musician-owned independent record labels, PROFind albums on this label Records, which enabled him to realize his musical projects.

This album is a deeply significant milestone in Koivistoinen´s musical development, since it presents for the first time the true depth of his compositions as well as his overall musical approach. It is also his first work with a large-scale ensemble, which enables him to utilize his arranging skills to a full extent.

The six compositions present here were recorded by three different lineups; a tentet ("Sinner", "Both & And" and "Rock & Roll"), a septet ("The Original Sin") and a sextet (the remaining two). The tentet comprised of: Eero Koivistoinen – tenor, alto & soprano saxophones, Tapani LuuppolaFind albums by this artist – trumpet, Jussi AaltoFind albums by this artist or Erkki LipponenFind albums by this artist – trombone, Pekka PoyryFind albums by this artist – tenor & alto saxophone, Pentti LahtiFind albums by this artist – baritone saxophone, Eero OjanenFind albums by this artist – piano, Lance Gunderson – guitar, Pekka Sarmanto – bass and Reino LaineFind albums by this artist & Esko RosnellFind albums by this artist – drums. The sextet comprised of: Koivistoinen, Ojanen, Gunderson, Sarmanto, Laine and Rosnell and the septet added Unto Haapa-ahoFind albums by this artist on bass clarinet.

Both the music and the performances are absolutely breathtaking, although the album focuses on ensemble playing rather than on extensive soloing, but of course there are still plenty of most impressive solos. An atmosphere of serenity, contemplation and wide-open spaces, typical in Finnish music, prevails even in the up-tempo passages, which turns listening to this album into a most satisfying love affair with music. The fact that it is now almost 50 years old is completely meaningless in this context, where true classics only get better with time.

Thanks to SvartFind albums on this label Records for making this musical treasure available again. Listeners interested in Finnish Jazz legacy are recommended to check out also the other Svart Records reissues documenting this burgeoning period.

Side Note

Updated: 11/06/2021Posted: 11/06/2021

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SONNY SIMMONS / MOKSHA SAMNYASIN ~ NOMADIC
SVART 331 (Barcode: 6430050662684) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2012 Released: 2014

This is a studio album by legendary American saxophonist / English horn player / composer Sonny SimmonsFind albums by this artist (born 1933) recorded with the French trio Moksha SamnyasinFind albums by this artist (bassist Thomas BellierFind albums by this artist, drummer Sebastian BismuthFind albums by this artist and sitar player Michel KristofFind albums by this artist). The album presents four original compositions, all co-credited to the four participating musicians.

Simmons, who is recognized as one of the earliest American Jazz Avant-Gardists, has a convoluted and fascinating biography. Following some pioneering Free Jazz recordings in the 1960s, he disappeared from the scene to return some three decades later and since the 1990s recorded a steady stream of albums, despite his advanced age.

The music on this album, although primarily improvised, is more ambient / psychedelic / atmospheric than Free Jazz oriented. Some World Music influences are also audible and the presence of sitar brings on obvious Indian Music associations. Simmons improvises most of the time over a drone-like background played by the trio, and the music develops slowly without much dynamics.

Overall this is a contemplative listening experience, which offers relatively well behaved improvisations over a steady, hypnotic rhythmic background, which could easily serve as background for meditation or a relaxed listening session.

Updated: 24/08/2020Posted: 23/08/2020

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EERO KOIVISTOINEN ~ DIVERSITY
SVART 336 (Barcode: 6430050661618) ~ FINLAND ~ Jazz
Recorded: 2021 Released: 2022

This is the third album by Finnish saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist recorded with his current quartet, which offers a steady lineup for the last decade and includes the outstanding pianist Alexi TuomarilaFind albums by this artist, bassist Jori HuhtalaFind albums by this artist and drummer Jussi LehtonenFind albums by this artist. The album presents eight original compositions, all by the leader.

The music offers a wide range of contemporary modern Jazz, mostly within the mainstream idiom, but brilliantly showcasing the diversity (as the title suggests) of the genre. The elaborately melodic base, which characterizes Koivistoinen’s career now entering its seventh decade, is always beautifully crafted and offers an ideal vehicle for the quartet members to improvise and express their inventiveness and virtuosity.

Completely in disregard of his age, Koivistoinen still displays strong, vigorous saxophone parts, which easily match the energy and vitality of the younger members of the quartet. Tuomarila is by now an established musical figure on the international scene and his piano playing sparkles with elegance and sophistication. The rhythm section is superbly synchronized with the two soloists and for the entire duration offers a perfect support, as well as impressive solo inserts.

Koivistoinen, who is one of the founding Fathers of Finnish Jazz, manages to stay prolifically active, relevant and still mostly unmatched on the local scene, which of course is an absolutely remarkable phenomenon in every respect. His recorded legacy to date is a wonderful example of the best in European Jazz, which although strongly rooted in American Jazz tradition, successfully integrates European ingredients, creating a perfect hybrid.

Overall, this is another masterpiece in the extensive collective work by Koivistoinen as composer, player and bandleader, which is a living proof of the ingenuity of our generation, proudly serving as an example to the future music makers. Thank you for this wonderful music, my Friend!

Updated: 21/12/2022Posted: 21/12/2022

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EERO KOIVISTOINEN ~ HATI HATI
SVART 352 (Barcode: 6430050663032) ~ FINLAND ~ Jazz
Recorded: 2012 Released: 2014

This is the debut album by a quartet led by Finnish Jazz Giant, saxophonist / composer Eero KoivistoinenFind albums by this artist with three representatives of the younger generation of the Finnish Jazz scene: pianist Alexi TuomarilaFind albums by this artist, bassist Jori HuhtalaFind albums by this artist and drummer Jussi LehtonenFind albums by this artist. The album presents eight tunes, seven of which are original compositions by Koivistoinen and one is an arrangement of a Bob DylanFind albums by this artist song.

During a career that lasts for over five decades Koivistoinen amassed an incredible legacy of music. As one of the founding Fathers of Finnish Jazz he continuously performed, recorded, led ensembles, and toured both locally and internationally, in short was and still is "Mr. Jazz" in the best and most accurate meaning of the term. He always combined the two most vital qualities essential for a great Jazz musician: a superb and very personal technique and a very personal, instantly recognizable compositional skill. Consistently and marvelously Koivistoinen established his position as one of the leading world-class post-Coltrane saxophonists over the years, and his playing lost absolutely nothing of its fluency, vitality and most importantly that incredible "coolness" which makes him stand apart from most other players.

This album is a superb example of melodic Modern Jazz, which flows gently from one tune to the next completely naturally and coherently. Koivistoinen´s compositions are all absolute gems, each and every one of them immediately deserving a status of a standard. Since the very early days he always managed to amaze me time after time with the gorgeousness of his tunes and the ones present here are no exception. Of course great tunes are basis of everything in Jazz, which this album demonstrates repeatedly.

The saxophone performances are also stunning and stellar, with a wonderful natural flow and lucidity. Even when the improvisations become complex and dense, they sound absolutely melodic and crystal clear. Careful listening reveals the entire Jazz tradition, which Koivistoinen´s playing is based on, and yet he remains completely original and always full of imagination. It is not surprising that for me Koivistoinen is one of the absolute top active world saxophone players and hopefully this will continue to be the case in years to come. The fact that Koivistoinen is first and foremost Finnish and European, which forged his musical personality and allowed it not to be overwhelmed by the American Jazz tradition, creating a wonderful amalgam of European elegance and taste with the original American spirit of the idiom.

Over the years Finland continuously produces wave after wave of extremely talented and creative musicians, including those active on the Jazz scene. Therefore it is not surprising that the younger players on this album are all masters of their trade. Tuomarila, who is naturally given a greater exposure, is an absolutely wonderful pianist, with exceptional sense of melody and fluidity, which turns his solos into micro masterpieces. Huhtala supports the music solidly and with a great sense of harmony. Lehtonen takes a very conservative approach trying to be as much respectfully unobtrusive as possible, which in case of this rather soft and delicate music is the best approach.

Overall this is a stunningly beautiful album, full of exquisite music and stellar performances, as always in the case of anything Koivistoinen is involved with. His many fans will find this album a worthy continuation of his splendid legacy and those who are not familiar with the Master, will perhaps be caught in the net of his magic notes. Thank you Eero for making this great music, which is able to make us smile again!

Updated: 19/12/2022Posted: 25/11/2017

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SAMMAL ~ MYRSKYVAROITUS
SVART 370 (Barcode: 6430050663452) ~ FINLAND ~ Progressive Rock
Recorded: 2014 Released: 2015

This is the second album by Finnish Prog group SammalFind albums by this artist, which consists of vocalist Jan-Erik KiviniemiFind albums by this artist, guitarist Jura SalmiFind albums by this artist, keyboardist Juhani LaineFind albums by this artist, bassist Lasse IlanoFind albums by this artist and drummer Tuomas KarivaaraFind albums by this artist. The album presents nine original pieces, written by the group members and featuring lyrics in Finnish.

The music takes off exactly where the debut ended and follows the quest of direct continuation of the Prog / Hard Rock idiom that crystallized in the late 1960s / early 1970s during the original early Prog / Hard Rock wave (Deep PurpleFind albums by this artist, Uriah HeepFind albums by this artist and of course many others), which blossomed in Finland in parallel to other Prog centers across Europe. Sammal, like several other contemporary Finnish Prog groups, decided to skip over the dreaded Neo-Prog wave, which proved to be mostly derivative, and decided to return to the source of the music, at the height of its magical powers. They also decided to use vocals in Finnish (or in one case in Swedish, which is the second formal language in Finland), rather than ridicule the vocal parts with broken English pronunciation and accent.

As a result of these conscious decisions and of course their talents and abilities, they offer a retro sound / style of the idiom, which is authentic and at the same appealing. The music is excellently structured within the idiom´s boundaries, offering great melodies, strong riffs and superb soloing. The instrumental execution is spotless, as are the vocals, and original Prog connoisseurs should be delighted to hear this music, which is able to bring on waves of nostalgia and excitement at the same time. The pieces on this album are every bit as strong and stimulating as those on some the best albums created in the past.

This album was followed by the third album "SuuliekkiFind albums with this title", which affirms the group´s success to bring Prog back to its former glory. For people who already have numerous Prog albums, but are not aware of Sammal, it is a high time to discover them. Wholeheartedly recommended!

Updated: 21/09/2021Posted: 24/10/2020

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EERO KOIVISTOINEN WITH FRIENDS ~ JAPPA
SVART 373 (Barcode: 6430077093812) ~ FINLAND ~ Jazz
Recorded: 1967 - 1968 Released: 2021

This is a sensational reissue of the one of the modern Finnish Jazz most obscure and sought after recordings, a series of four EPs released originally in 1967/68 by the Jazz Society formed by the students of the Helsinki Polytechnic (now Helsinki University of Technology), who were avid Jazz fans and some of the students were also Jazz musicians.

The album presents all the nineteen tracks, that appeared collectively on these EPs, recorded by different lineups, which featured the absolute crème de la crème of the young generation of Finnish modern Jazz players.

EP 1 presents the earliest recording by saxophonist Eero KoivistoinenFind albums by this artist, which also includes bassist Pekka SarmantoFind albums by this artist and drummer Edward VesalaFind albums by this artist with a percussionist on one track and a couple of cellist on another. They perform three original compositions by Koivistoinen and the music is an example of early Finnish Free Jazz. It precedes the recording of Koivistoinen’s debut album “ValtakuntaFind albums with this title”.

EP 2 presents two original compositions by pianist Pentti HietanenFind albums by this artist, recorded by a septet, which also included trumpeter Kaj BacklundFind albums by this artist, saxophonists Ilkka KrumoFind albums by this artist, Stanley LindroosFind albums by this artist and Paroni PaakkunainenFind albums by this artist, bassist Teppo Hauta-AhoFind albums by this artist and drummer Esko RosnellFind albums by this artist. Both are wonderful example of modern European Jazz with some Free oriented soloing by the participants and superb ensemble work by the septet.

EP 3 presents three tracks, one by saxophonist Pekka PoyryFind albums by this artist and two by Koivistoinen. The first is performed by Poyry with pianist Eero OjanenFind albums by this artist, Hauta-Aho and Rosnell. The second is performed by a trio with Koivistoinen, Sarmanto and drummer Reino LaineFind albums by this artist. The third is performed by a quintet with Koivistoinen, Poyry, Ojanen, Sarmanto and Laine. Again, the music is wonderful modern Jazz, brilliantly performed by all the participants.

EP 4 presents eleven short tracks documenting an Art Happening, mostly performed by the Finnish “underground” artist Tommi ParkoFind albums by this artist, who sings and plays a plethora of instruments. He appears solo on the first seven tracks and then is joined by other instrumentalists, including Jazz trumpeter Mike KoskinenFind albums by this artist. These tracks, although only marginally associated with Jazz, reflect the open-mindedness and diversity of the late 1960s.

Overall this is a superb effort by SvartFind albums on this label Records, which returns to life some great music, which deserves to be available for both old and young Finnish Jazz fans.

Updated: 26/06/2021Posted: 26/06/2021

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TASAVALLAN PRESIDENTTI ~ CHANGING TIMES AND MOVEMENTS
SVART 386 (Barcode: 6430077093980) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1970 - 1971 Released: 2021

This is a brilliant archival album by the pioneering Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist, which presents live recordings captured in Finland and Sweden in 1970 and 1971. The group was fronted by British vocalist / lyricist Frank RobsonFind albums by this artist and included saxophonist / flautist Pekka PoyryFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, bassist Mans GroundstroemFind albums by this artist and drummer Vesa AaltonenFind albums by this artist. The 2CD album presents thirteen tracks recorded at three separate concerts. The music is all original, except for one song (repeated twice), from the debut album “Ahead Rings OutFind albums with this title” by the brilliant British band Blodwyn PigFind albums by this artist.

Most of the material performed here was recorded for the groups second album “Tasavallan Presidentti (II)Find albums with this title” in August 1970, but was not released until spring of 1971, and therefore was yet unknown to the audiences. These live recordings, all of which offer brilliant sound quality, offer a completely new view of the legendary group, presenting them as improvisers and incredible soloists. Three of the tracks last between thirteen and seventeen minutes and are an orgy of Jazz-Rock Fusion extensive improvisation, mostly by Poyry and Tolonen (who was barely eighteen at the time).

This album is an invaluable addition to the Tasavallan Presidentti recorded legacy, especially since the group never released a live album, and is a perfect companion to the “Live In LambertlandFind albums with this title” archival album, also released earlier on Svart Records, who do an absolutely fabulous job with reissues of great Finnish music.

For European Jazz-Rock Fusion enthusiasts, this is an absolute must of course!

Updated: 28/07/2021Posted: 28/07/2021

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TASAVALLAN PRESIDENTTI ~ LIVE IN LAMBERTLAND
SVART 387 (Barcode: 6430065588559) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2019

This is an archival album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This material was recorded live on three separate occasions in the summer of 1972, after the album "LambertlandFind albums with this title" was recorded in the studio in the spring of that year, and offers mostly renditions of the material from that album except for one composition originating from the debut alum by the guitarist (see below). The recordings were done by the YLE (Finnish Broadcasting Company), which similarly to the BBC has bottomless archives of absolutely sensational material recorded over the years, which offers an amazing opportunity to hear past treasures, usually captured with a superb sound quality. All the material on this 2CD album was previously unissued.

The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish LoveFind albums on this label Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.

By the time this material was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist and so did Frank Robson, who was replaced by Eero Raittinen (see above). Tolonen, who started to develop a successful solo career and released his debut album "Tolonen!Find albums with this title" in 1971 (on SonetFind albums on this label), became the group´s resident composer and wrote almost all the music on the "Lambertland" album, except for one piece, which was composed by Poyry. The lyrics were written by bassist Mats HuldenFind albums by this artist, founding member of WigwamFind albums by this artist, "the other" seminal Finnish Prog supergroup at the time.

The music, as usual with live recordings, offers much more expanded versions of the studio material, which feature long and complex instrumental improvisations, and as a result bring this music closer to the Jazz-Rock Fusion idiom than the original album´s Progressive Rock ambience. The strong Jazzy influence is more obvious and allows Tolonen and Poyry to produce plenty of bloodcurdling soloing, superbly supported by the rhythm section and even the vocal parts feature some wordless vocalese. Overall this music is a splendid example what this group was capable off at their absolute best.

For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.

Updated: 24/04/2020Posted: 24/04/2020

CD 2 Remastered Recommend To A Friend

HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.1
SVART 398 (Barcode: 6430050667788) ~ FINLAND ~ Free Jazz / Improvised Music
Recorded: 1971 Released: 2016

This is the first volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.

Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971, features all original material, with four of the pieces composed by Sarmanto, two by Herndon and one by Gunderson. The two Herndon pieces are previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "A Boston DateFind albums with this title" and "Magic SongFind albums with this title".

The music is an early form of European Free Jazz, and although the ensemble features electric piano and guitar, has almost nothing to do with Jazz-Rock Fusion, which was extremely popular at the time. The music is mostly improvised and the live environment allows the musicians to expand their personal statements and venture into lengthy solos. But in spite of the Free Form atmosphere, the music remains at all times superbly coherent. It is absolutely stunning to see how concise and minimalistic music like this one can express so much and be so rich in expression, staying elegant and aesthetically superior.

There is no doubt that this is some of the most interesting early European Free Form music. Readers interesting in more comprehensive analysis of this music and its relation to American Free Form music at the time are again invited to check out the a.m. review of the "A Boston DateFind albums with this title" album.

It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!

Updated: 29/09/2017Posted: 29/09/2017

CD 1 Remastered Recommend To A Friend

HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.2
SVART 399 (Barcode: 6430050667818) ~ FINLAND ~ Jazz
Recorded: 1971 - 1972 Released: 2016

This is the second volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. Wonderful vocalist Maija HapuojaFind albums by this artist sings on nine tracks and saxophonist Eero KoivistoinenFind albums by this artist plays on one track. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.

Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971 and December 4, 1972, features almost entirely original material composed by Sarmanto, except for one track which was composed by the little known American pianist Herbie NicholsFind albums by this artist. The Nichols piece is previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "Like A FragonardFind albums with this title", "A Boston DateFind albums with this title", "Flowers In The WaterFind albums with this title" and "Everything Is ItFind albums with this title" and the Koivistoinen album "3rd VersionFind albums with this title".

The music is an early form of modern European Jazz, and although the ensemble features electric piano and guitar, it has only a limited proximity to Jazz-Rock Fusion, which was extremely popular at the time. The music is mostly song related, in contrast to the music presented on the first volume, but is still extensively improvised and quite complex. Hapuoja´s vocals and vocalese parts take the music into a different dimension and her performances are simply hair-raising. There is a strong sense of melody but the lengthy tunes develop significantly from the initial statement of the melodic theme to powerful instrumental climaxes, serving as vehicles for the musicians to fully explore their ideas.

There is no doubt that this is some of the most interesting early modern European Jazz, which by the time this music was recorded had already established its own identity. It is also a superb document of the burgeoning Finnish Jazz scene, which was simply exploding with talent at the time. The songs are also a marvelous example of the Poetry & Jazz idiom, which enjoyed a wonderful and fruitful bloom during the early days of Finnish Jazz.

It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!

Updated: 29/09/2017Posted: 29/09/2017

CD 1 Remastered Recommend To A Friend

HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.3
SVART 400 (Barcode: 6430050667849) ~ FINLAND ~ Jazz
Recorded: 1971 - 1972 Released: 2016

This is the third volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. Legendary Finnish saxophonist Eero KoivistoinenFind albums by this artist plays on four tracks. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.

Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971 and December 4, 1972, features entirely original material, with two compositions each by Sarmanto, Herndon and Koivistoinen. The two Herndon pieces are previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "A Boston DateFind albums with this title" and "MoonflowerFind albums with this title". and the Koivistoinen album "3rd VersionFind albums by this artist".

The music is an early form of modern European Jazz, and although the ensemble features electric piano and guitar, it has only a limited proximity to Jazz-Rock Fusion, which was extremely popular at the time. On the four tracks on which Koivistoinen is featured as the main soloist, the music is mostly swinging, with clearly stated melodic themes, which are then expanded into lengthy improvisations. Both Sarmanto and Koivistoinen display superb instrumental abilities, and even this "informal" live recording clearly emphasizes their respective talents. The two quartet tracks without the saxophonist are more Free Form oriented, similar to the material included on the first volume of this release. All the performances are a showcase of great interplay and cooperation between the participants.

There is no doubt that this is some of the most interesting early modern European Jazz, which by the time this music was recorded had already established its own identity. It is also a superb document of the burgeoning Finnish Jazz scene, which was simply exploding with talent at the time. Readers interested in the circumstances surrounding the recording of the "3rd VersionFind albums with this title" album are welcome to read my liner notes of the album.

It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!

Updated: 29/09/2017Posted: 29/09/2017

CD 1 Remastered Recommend To A Friend

TUSMORKE ~ FORT BAK LYSET
SVART 401 (Barcode: 6430050666088) ~ NORWAY ~ Progressive Rock
Recorded: 2014 - 2015 Released: 2016

This is the third album by Norwegian Prog group TusmorkeFind albums by this artist, which consists of twin brothers: vocalist / bassist Benedikt MomrakFind albums by this artist and vocalist / flautist Kristoffer MomrakFind albums by this artist (both playing a plethora of other instruments between them), keyboardist Lars Fredrik FroislieFind albums by this artist and drummer Martin Nordrum KneppenFind albums by this artist. The album presents seven original songs, all written by the Momrak brothers.

From the very first moment the music starts playing it is pretty obvious that the band decided to go back to the glorious tradition of the original Progressive Rock from the late 1960s / early 1970s, and skip the tedious Neo-Prog idiom completely. Musically Tusmorke is heavily influenced by Jethro TullFind albums by this artist, but combines in their music many other motifs, including Nordic Folklore, Medieval Music, and some Heavy / Dark Rock, creating a wonderful amalgam that can justly be called Prog, despite the fact that the idiom has been gone for almost five decades. The subject matter involves Norwegian mythology, which apparently is as rich and mysterious as any other existing mythology.

Although the music is pretty complex and offers several themes within each song, the songs are more condensed this time, ranging between four and eight minutes, and as such more coherent, but still allow the creation of atmospheric buildup and structural dynamics. The prevailing ambience of Medieval troubadours and Gregorian chanting is absolutely magical.

The music is deeply soaked in the keyboards sound (as the band does not feature a lead guitar), but those sound (or are) authentic like the keyboards of the original period, rather than the synthesizer imitating the past, which adds considerably to the authenticity and overall atmosphere of the music. The vocals, which in most cases are sung unisono, are not necessarily at the epicenter of the music and are skillfully integrated in the overall aural experience.

The sound quality of the album is rather murky, which adds to the retro effect, but the music suffers to some extent, but charmingly so. Hopefully this music will never fall into Steven WilsonFind albums by this artist’s claws. The album is now out of print and is pretty difficult to find, but it is definitely worth the effort of finding a copy.

Overall it is quite obvious that Tusmorke is one of the few true Prog bands active today and their albums belong to the finest achievements of the idiom in 2010s. This is an absolute must for all Prog lovers, as are all other albums released by the band so far. Brilliant stuff!

Updated: 21/09/2021Posted: 10/09/2021

CD 1 Mini-Sleeve Recommend To A Friend

EDWARD VESALA TRIO ~ NANA
SVART 421 (Barcode: 6430065585183) ~ FINLAND ~ Free Jazz / Improvised Music
Recorded: 1970 Released: 2018

This is a reissue of the iconic debut album by the Godfather of modern Finnish Jazz drummer / composer / bandleader Edward VesalaFind albums by this artist and his trio with Finnish saxophonist Juhani AaltonenFind albums by this artist and Norwegian bassist Arild AndersenFind albums by this artist. The album presents seven original compositions, four by Aaltonen, one each by Vesala and Andersen and one co-composed by all three members of the trio. Finnish trumpeter Mike KoskinenFind albums by this artist, who was supposed to play on the album, fell ill and the recording went down in history as a trio affair.

This was the first ever Finnish Free Jazz album and except for the little known album "NykysuomalaistaFind albums with this title" (Contemporary Finnish) recorded a year earlier, on which Vesala and Aaltonen appeared only on the B side of the LP, this was the debut full album for both of them.

The music is typical of the early European Free Jazz wave, which exploded on both sides of the Iron Curtain by the late 1960s. Vesala enlisted Anderson (who was a few months younger than him) to play with the trio as Anderson had already gained experience playing Free Jazz with Don CherryFind albums by this artist and others. The cooperation proved to be of crucial importance for Vesala, as it led to him being introduced to Norwegian saxophonist Jan GarbarekFind albums by this artist. In 1972 Vesala took part in his first ECMFind albums on this label album, the Jan Garbarek´s "TriptykonFind albums with this title" and soon after recorded his debut album for the label "Nan MadolFind albums with this title". He recorded five more albums for ECM and also participated on albums by Polish trumpeter Tomasz StankoFind albums by this artist released by the label.

In retrospect, the album is not only a highly important document of Finnish / European Jazz, but also a piece of music that still sounds vibrant and exciting, in spite of the fact that it was recorded five decades earlier.

This remastered edition is the first ever appearance of this historic album on CD, and considering its immense importance, it is an absolute must for any serious European Free Jazz connoisseur!

Updated: 28/06/2020Posted: 26/06/2020

CD 1 Remastered Recommend To A Friend

EERO KOIVISTOINEN ~ LABYRINTH (40TH ANNIVERSARY EDITION)
SVART 435 (Barcode: 6430065581413) ~ FINLAND ~ Jazz
Recorded: 1977 Released: 2017

This is a reissue of an iconic album by one of the Godfathers of modern Finnish Jazz, saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist, which was his second release on the legendary LoveFind albums by this artist Records label. The album was recorded in a classic Jazz quartet setting with Russian born pianist Vladimir ShafranovFind albums by this artist, bassist Pekka SarmantoFind albums by this artist and drummer Reino LaineFind albums by this artist. The original album presents eight tracks, three of which are parts of the suite that gave the album its title. This remastered and expanded 2CD edition adds an entire second CD of alternate takes and outtakes, more than doubling the playing time of original LP.

Koivistoinen´s music embraced a stunning stylistic diversity, which crossed genres and idioms from Free Jazz to Jazz-Rock Fusion, Progressive Rock, Jazz & Poetry, children´s songs, World Music and others. His biography, recorded legacy and list of achievements are truly remarkable and can serve as an example of excellence and inspiration.

This album presents him as a classic modern mainstream Master, a post-Coltrane virtuoso, as well as a weaver of beautiful, soulful melodic themes, which are ideal vehicles for extended improvisations. The superb musicians playing with him are able to support his soloing ideally, with amazing piano accompaniment and soloing by Shafranov and a most sympathetic and elegant work by the rhythm section.

This edition enables the listener to compare the originally selected takes with the alternate takes, which offer a myriad of subtle differences, slight tempo changes and other variations, which are of course characteristic of the process of recording a Jazz album, with each take capturing a unique creative moment.

In retrospect this album stands out as one of the finest Finnish Jazz recordings of all time, an absolute classic which lost nothing of its power of expression and timeless beauty over time. It definitely earned a "must have" status for any serious Finnish / European Jazz collection and this expanded edition is even more deserving. Absolutely essential!

Koivistoinen is still active today and seems to be as creative as ever, which is awe inspiring. I can only wish you many more years of activity and heath, my Friend!

Updated: 06/07/2020Posted: 06/07/2020

CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

EERO KOIVISTOINEN ~ ALTERED PICTURES
SVART 529 (Barcode: 6430077094710) ~ FINLAND ~ Jazz

This is a 3CD reissue of the two albums by iconic Finnish saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist recorded originally in the US in 1983 and 1991.

CD1 presents the album “Picture In Three ColorsFind albums with this title” recorded by a sextet, which includes Koivistoinen with American musicians: trumpeter Tom HarrellFind albums by this artist, pianist Jim McNeelyFind albums by this artist, guitarist John ScofieldFind albums by this artist, bassist Ron McClureFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. The album presents six original compositions, all by the leader. The album was originally released on Koivistoinen’s new (at the time) self-owned record label ProFind albums on this label Records.

CD2 presents the album “Altered ThingsFind albums with this title” recorded by a septet, which includes Koivistoinen with American musicians: trumpeter Randy BreckerFind albums by this artist, trombonist Conrad HerwigFind albums by this artist, pianist David KikoskiFind albums by this artist, Scofield, McClure and DeJohnette. Norwegian keyboardist Bugge WesseltoftFind albums by this artist added synthesizer parts on three tracks during post production and mix, which was done at the Rainbow Studio in Oslo by Jan Erik KongshaugFind albums by this artist. The album presents ten original tracks, eight by the leader and one each by Finnish pianist / composer Seppo KantonenFind albums by this artist and McClure. The album was originally released on CD only on the Dutch TimelessFind albums on this label Records label, owned by Wim WigtFind albums by this artist, who produced the album.

CD3 presents eight bonus tracks, five from the first album and three from the second, which include both outtakes and alternate takes, all by the leader except one composition by McClure.

The music is all within the modern mainstream Jazz tradition, showcasing Koivistoinen’s brilliant composing / arranging skills and superb performances by some of the best American Jazz musicians active at the time.

Koivistoinen’s ties with American Jazz go back in time to the years spent at the Berklee College of Music in Boston, where he absorbed the knowledge he would brilliantly utilize during his future career. He always showed a deep respect towards the American Jazz tradition, but at the same time presented a highly individual voice, which went beyond the boundaries of that tradition and incorporated European musical values and his native Finnish influences, turning him into one of the most versatile and prominent European Jazz personalities, as the music included here brilliantly exemplifies.

It is of course great to see these two important albums expanded and made available again, thanks to the exemplary work done by SvartFind albums on this label Records, which treats the Finnish musical treasures with the respect they deserve, preserving the Cultural values, which are perhaps more important today than ever, in these dark days.

Updated: 22/02/2022Posted: 20/02/2022

CD 3 Remastered Bonus Tracks Recommend To A Friend

TASAVALLAN PRESIDENTTI ~ STATE VISIT
SVART 585 (Barcode: 6430080231034) ~ FINLAND ~ Progressive Rock
Recorded: 1972 Released: 2022

This is an archival live release by the legendary Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist. It presents six tracks recorded by the second lineup of the group, which included vocalist Eero RaittinenFind albums by this artist, flautists / saxophonist / keyboardist Pekka PoyryFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, bassist Heikki VirtanenFind albums by this artist and drummer Vesa AaltonenFind albums by this artist. The music was recorded live by the Swedish Radio during two separate concerts performed five months apart in 1973, and offers an exceptional sound quality and clarity. All the material is previously unreleased.

The album presents six tracks, three of which are of extended duration (14, 19 or 21 minutes+) and the other three are shorter (6 or 7 minutes+), which means that the band was able to play at will without any time restrictions usually set during a studio recording. The material was composed almost completely by Tolonen, except for one tune composed by Poyry.

Musically the band was light-years ahead of most of their contemporaries, both in Finland and in Europe at large, mixing Rock with Jazz and even Improvised Music already at this early stage. The three expanded pieces show how the music flowed organically incorporating pre-composed material and then improvising on the themes at length. The band is somewhat less experimental and Free Form oriented than what can be heard on the “The Lost 1971 Studio SessionFind albums with this title” but still there is a lot of improvisations, which are completely spontaneously created in the spur of the moment, which of course was quite normal in Jazz but rarely encountered in Rock or Prog. The material includes mostly compositions from the brilliant “LambertlandFind albums with this title” and “Milky Way MosesFind albums with this title” (not yet recorded at the time) albums.

Overall, this is an absolutely astounding find as far as Finnish music is concerned and a Milestone of recorded Finnish music of the early 1970s, both thanks to the quality and scarcity of such material and the incredible sound quality it was preserved in. This is an absolute must have for all Finnish / European Fusion / Prog fans, no questions asked!

Updated: 18/02/2023Posted: 18/02/2023

CD 1 Remastered Recommend To A Friend

SONNY ROLLINS / HEIKKI SARMANTO ~ LIVE AT FINLANDIA HALL, HELSINKI 1972
SVART 609 (Barcode: 6430080233304) ~ FINLAND ~ Jazz
Recorded: 1972 Released: 2023

By mid-1971 the great American saxophonist / composer Sonny RollinsFind albums by this artist returned to public performances following his “second sabbatical”, and in the summer of 1972 he recorded his first new studio album in six years, starting the thirty years long stint with the legendary MilestoneFind albums on this label Records label, which resulted in twenty-two albums, and which earned him the title of “Saxophone Colossus”.

Finnish pianist / composer Heikki SarmantoFind albums by this artist was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston in 1968. His arrival in America was soon after followed by a hyperactive activity of performing on the local Boston scene, to be extended afterward also to the NY scene, where Sarmanto met, among many other American Jazz musicians, also with Sonny Rollins. When Rollins was invited to perform at the Finland Festival in the summer of 1972, he opted to play a concert with the Heikki Sarmanto trio, with Sarmanto on the Fender Rhodes electric piano, his brother Pekka SarmantoFind albums by this artist on bass and Esko RosnellFind albums by this artist on drums. The historic concert took place at the magnificent Finlandia Hall, an architectural marvel, which was completed only a few months earlier. The concert was recorded by the YLE (Finnish Broadcasting Company), and is presented herein for the first time fifty years after it was recorded. Sarmanto remembers:

“When we talked about the concert at The Finlandia Hall, we both remembered that we had a full house with an enthusiastic audience. We also remembered that Sonny stayed at the classic Hotel Vaakuna and that he bought some 10 pairs of nice bell-bottoms from the Seppälä clothing store in Helsinki.”

The music is everything one might have hoped for, with extensive improvisations and incredible soloing by the musicians. Two standards and one original by Rollins, which last between sixteen and twenty-four minutes, offer ample opportunity to illustrate both the quartet vibe and individual virtuosity. Rollins seems to be especially in high spirits and his powerful and expressive playing, full of sense of humor, is simply marvelous. He even manages to quote some hints of Jean SibeliusFind albums by this artist’ “Finlandia” tone poem as a tribute to the venue. Sarmanto’s electric piano offers a fresh aura and delicate melodious sensitivity, his brother’s bass playing swings and pulsates superbly and Rosnell’s drumming drives the music like a ship with sails full of wind and his solo, which ends the concert, leaves the audience ready for a standing ovation.

American Jazz musicians often performed in Europe and some even relocated to Europe (including Finland) in view of the racist politics and lack of Artistic recognition they were exposed to back home at the time. In most cases American Jazz musicians would come over to Europe with their combos, and the fact that Rollins decided to play with the Finns speaks volumes about his respect for Sarmanto’s talent and personality, that continued for years to come. Sarmanto mentions that:

“Later on, in the early 80s, Sonny´s and Heikki´s collaboration resulted in a major project. Sonny hired Heikki to arrange, orchestrate and conduct Sonny´s “Concerto For Tenor Saxophone and Orchestra”. This massive two-hour work was premiered in Tokyo in 1986 with Yomiuri Nippon Symphony OrchestraFind albums by this artist, conducted by Heikki, Sonny as soloist. The premier was a success, and after Tokyo, Sonny and Heikki took the concerto to Italy, where it was performed at Ravenna and Parma Festivals with Arturo Toscanini OrchestraFind albums by this artist, again with great success!”

The fact that Finnish Jazz fans are able to hear this music now, so many years after it was recorded, is a true marvel and blessing. Thanks to the tireless effort by the SvartFind albums on this label Records label, we are constantly re-introduced to important pieces of Finnish Jazz legacy, which should not be forgotten.

Side Note

Updated: 13/09/2023Posted: 13/09/2023

CD 1 Remastered Recommend To A Friend

TASAVALLAN PRESIDENTTI ~ THE LOST 1971 STUDIO SESSION
SVART 662 (Barcode: 6430080231041) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2022

This is an archival release by the legendary Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist. It presents four tracks recorded by the first lineup of the group, which included British vocalist Frank RobsonFind albums by this artist, flautists / saxophonist / keyboardist Pekka PoyryFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, bassist Mans GroundstroemFind albums by this artist and drummer Vesa AaltonenFind albums by this artist. The music was recorded by the YLE (Finnish Broadcasting Company) in the autumn of 1971 and offers an exceptional sound quality and clarity. All the material is previously unreleased.

The album presents just four tracks, two of which are of extended duration (13 or 16 minutes+) and the other two are shorter (4 or 7 minutes+), which means that the band were able to play at will without any time restrictions set by the studio. The material was composed by Tolonen (first two pieces) or co-composed by the band members (the last two pieces).

Musically the band was light-years ahead of most of their contemporaries, both in Finland and in Europe at large, mixing Rock with Jazz and even Improvised Music already at this early stage. The two expanded pieces show how the music flowed organically incorporating some pre-composed material and then improvising on the themes at length. Especially interesting are the parts of the improvisations, which are completely Free Form and spontaneously created in the spur of the moment, which of course was quite normal in Jazz but rarely encountered in Rock or Prog.

Overall, this is an absolutely astounding find as far as Finnish music is concerned and a Milestone of recorded Finnish music of the early 1970s, both thanks to the quality and scarcity of such material and the incredible sound quality it was preserved in. This is an absolute must have for all Finnish / European Fusion / Prog fans, no questions asked!

Updated: 15/02/2023Posted: 15/02/2023

CD 1 Remastered Recommend To A Friend

AGA TAURA CONFAB / ENRICO RAVA ~ EL CONVIDADO
SVART / MONDO 381 (Barcode: 6430065589419) ~ ARGENTINA ~ Jazz-World Fusion
Recorded: 1975 Released: 2019

In June of 1975 Italian trumpeter / composer Enrico RavaFind albums by this artist recorded his debut album for the prestigious German ECMFind albums on this label label, entitled "The Pilgrim And The StarsFind albums with this title", which upon its release later that year kick-started his solo career. The album was recorded with an international lineup of ECM stable musicians: American guitarists John AbercrombieFind albums by this artist (who also released his ECM debut the same year) and a marvelous Scandinavian rhythm section consisting of Swedish bassist Palle DanielssonFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist.

A trumpet virtuoso and an exceptionally gifted composer, Rava established himself on the international scene during the entire decade earlier, playing and recording with the elite of Avant-Garde Jazz players of that period both in Europe and in America, which included Steve LacyFind albums by this artist, Roswell RuddFind albums by this artist, Charlie HadenFind albums by this artist, Don CherryFind albums by this artist, Argentinean Gato BarbieriFind albums by this artist (during his stint in Italy), Lee KonitzFind albums by this artist and others. By the early 1970s Rava embraced a more melodic approach to Jazz and started to cooperate with Fusion musicians, a path common to many of his European contemporaries. This led to his participation in the recording of the seminal Jazz-Rock opera "Escalator Over The HillFind albums with this title" by Carla BleyFind albums by this artist as well as the recording of the little known album for the legendary German MPSFind albums on this label label called "Katcharpari RavaFind albums with this title", where he played vis-à-vis Abercrombie and which, when first heard by ECM owner Manfred EicherFind albums by this artist, led to inviting them both to record for ECM in the first place.

What led Enrico Rava to take part in the recording of the obscure album you are holding in your hand, which took place in December of 1975 in Buenos Aires, the Capital of Argentina, you ask? Well it turns out Rava had some family in Buenos Aires, which he was visiting at the time and which is hardly surprising considering the fact that most of Argentina´s inhabitants are descendants of European ethnic groups, with more than 55% of them having Italian origins. Therefore being Italian and having family in Argentina is a highly probable outcome. Quite accidently, Rava already visited Buenos Aires almost a decade earlier, when playing there with the Steve Lacy quartet. A performance by that quartet recorded in Buenos Aires in November of 1966 was released as the album "The Forest And The ZooFind albums with this title" on the ESPFind albums on this label label.

The rest of the story, however, is pure Jazz "improvisation". Upon learning that Rava is in town, local Jazz aficionados swiftly decided to size the day and hook him up with local musician and record an album. It is difficult to know today if Rava and the Argentineans realized that he was already under ECM contract and they needed to ask Eicher to give them permission to make this recording, which was highly unlikely he would. But considering South American attitude towards rules and regulations nobody probably cared too much about it, which of course in retrospect should make us thankful.

The team selected to accompany Rava, named as "Aga Taura ConfabFind albums by this artist", included three Argentinean Jazz musicians: pianist Fernando GelbardFind albums by this artist, bassist Adalberto CevascoFind albums by this artist and drummer Nestor AstaritaFind albums by this artist and an Argentinean Folk percussionist Farias GómezFind albums by this artist, who also contributed vocalese parts. Although less experienced and with no international exposure at the time, they stood their ground formidably and performed alongside Rava without any inferiority complex. Of the five tunes on the album, four are performed by the quintet, where Gelbard plays the Fender Rhodes electric piano, and one is a duet consisting of Rava and Gelbard, who plays acoustic piano. Not surprisingly Rava´s performances are the absolute pinnacle of the session, encompassing different styles and approaches moving between melodic lyricism and Free Form explorations. He knowingly pays tribute to his idols: Miles Davis and Chet Baker, but avoids copying any explicit phrasing and crafts his distinctly own voice.

The spontaneous recording session lasted for a few hours, just long enough to capture five tracks totaling in about forty two minutes of music. The sound quality of the recording turned out to be better than one might expect, with clear, crispy tone and excellent separation, which suited the music perfectly. The music includes a Rava original, which appears only on this album, a standard, a composition by the Brazilian composer João DonatoFind albums by this artist, a composition by Argentinean saxophonist / composer Horacio BorraroFind albums by this artist and finally a composition by the quintet´s percussionist Farias Gómez – a mixed bag which offers a strong World Music influence and plenty of opportunities for the musicians to show their chops.

In retrospect this is definitely a piece of music that deserves to be revisited, not only for nostalgic reasons, but primarily as a historical document of the period, as well as proof of the fact that music knows no boundaries. Due to its rarity the original LP release is a highly sought after collectors item to Jazz aficionados all over the world, not only connoisseurs of Enrico Rava, but also enthusiasts of early Jazz-World Fusion.

Side Note

Updated: 22/05/2020Posted: 22/05/2020

CD 1 Mini-Sleeve Remastered Recommend To A Friend

BENOIT WIDEMANN ~ STRESS!
SVART / MONDO 391 (Barcode: 6430065589259) ~ FRANCE ~ Progressive Rock
Recorded: 1977 Released: 2020

By the late 1970s the synthesizer was undoubtedly the King of Pop / Rock. There was hardly any music making unit at the time that did not feature the synthesizer in its arsenal, and the electronically generated sounds were rapidly and consistently dominating the popular music scene, achieving total dominance a decade later.

It all started really promising with the introduction of the Hammond Organ in the mid-1930s, which was warmly embraced by the Jazz community and expanded the instrumental range by another warm and funky sounding instrument. By the mid-1960s the Hammond Organ became also a much beloved member of the young Rock family, especially by the more ambitious early Progressive Rock pioneers, soon to be joined by the new kid on the block, the Moog synthesizer.

The 1970s brought an avalanche of rapidly developing new synthesizers, which were able to produce a growing range of unearthly soundscapes and capable of imitating every existing musical instrument on earth, including the drums, and beyond. By the 1980s popular music became one gigantic synthesized buzz of undistinguishable source, as if the earth was invaded by an alien race that was terrorizing the humans and dissolving their brains using synthesizers. It often seems that this situation did not improve much since, and the only desert islands of relative sanity survived thanks to Classical Music and Jazz.

Therefore one could speculate that it was the synthesizer, which brought upon us the downfall of Popular Music and destroyed the magnificent achievements of the Golden Era of Rock (1965-1975) down to a pulp. Of course other might think differently, especially those who still play guitars, basses, drums or (God forbid) a flute ;)

"Stress!Find albums with this title" is a classic example of a synthesizer dominated music, although it makes some use of non-synthesized sounds, like the acoustic piano or drums. The composer and chief performer, Benoit WidemannFind albums by this artist, plays an array of synthesizers, as appropriate for the occasion and is accompanied, although only occasionally, by other musicians, all representatives of the French Progressive Rock camaraderie around the legendary group MagmaFind albums by this artist, firmly led by drummer / composer Christian VanderFind albums by this artist with an ever changing lineup, which more or less included the entire French Prog / Zeuhl scene over time.

The music is all over the place, with touches of early Techno, Funk, Prog of course and traces of Jazz, hardly a consistent flow of musical ideas, but an excellent demonstration of Widemann´s abilities as a composer and player. Well recorded and offering a god example of the diversity of sounds that the synthesizers were able to produce at the time, with a touch of the obvious nostalgic tinge, this album is still a very enjoyable listening experience today and certainly has more to offer than most music produced at present.

The French Progressive Rock, similarly to French Classical Music, has a distinctive ambience, which this album reflects very well. Less focused on melody and rhythmic complexity, this music is more about the atmospheric statement, the moods and the colors of the music and its influence on the listener´s psyche.

Although previously reissued, soon do disappear again, this music certainly deserves to be available to listeners looking for non-trivial music that the past has to offer. Enjoy!

Side Note

Updated: 23/05/2020Posted: 23/05/2020

CD 1 Mini-Sleeve Remastered Recommend To A Friend

YONI RECHTER ~ MUSIC IS WHAT COUNTS
TAV 8 (Barcode: 7290105161734) ~ ISRAEL ~ Progressive Rock
Recorded: 2010 Released: 2012

This is a wonderful live recording by Israel´s most important composer / pianist / vocalist Yoni RechterFind albums by this artist. In the last 40 years Rechter enriched the Israeli Culture by a vast amount of absolutely superb songs, which are all instant classics. His monumental talents, completely unique approach to melody and profound lyricism are unparalleled and have always been a beacon of light in the dreary musical landscape, which usually surrounds us. Rechter´s songs have been an important catalyst, which launched the careers of many top Israeli artists, such as Gidi GovFind albums by this artist, Yehudith RavitzFind albums by this artist and many others. This recording captures a performance at the annual "Piano Festival", which gave Rechter an opportunity to produce a marvelous retrospective of his work, featuring his old and new songs and performing them with many guests, who came to pay a well deserved tribute to his genius. Rechter plays piano and keyboards and is accompanied by a small ensemble with consists of guitarist Aharoni BenariFind albums by this artist, bassist Yorai OronFind albums by this artist and drummer Tal CohenFind albums by this artist. Several other musicians also take part, including the excellent saxophonist Eli DegibriFind albums by this artist, percussionist Joca PerpignanFind albums by this artist and a string quartet. Several guest vocalists take part in the recording, including Yehudith Ravitz, NatanelaFind albums by this artist, Rona KeinanFind albums by this artist and Shlomi ShabanFind albums by this artist. There is so much wonderful music included here, that it seems almost ridiculous to recommend it to others, but honestly anybody, who loves Israeli music, or just quality music, regardless of where it comes from, will enjoy this immensely. A masterpiece!

AVISHAI COHEN ~ AT HOME
TAV 8 (Barcode: 7290105160010) ~ ISRAEL ~ Jazz

Although Israel produced a fair number of excellent Jazz musicians over the years, none of them reached the international fame and admiration of the same proportions as bestowed upon Avishai CohenFind albums by this artist. Cohen is considered one of the best bass players in the US today and his performances with Chick CoreaFind albums by this artist are truly legendary. But Cohen is also a pianist, an arranger and most importantly an extremely gifted composer, as evident on this album. The music enclosed here includes a set of ensemble and trio performances, all written and arranged by him and he plays acoustic or electric bass on all pieces. The compositions are complex, often incorporating Middle-Eastern rhythms and motifs, but retain a strong melodic feeling. The performances by all the musicians are truly outstanding and the entire album is a masterpiece of contemporary Jazz in every respect. Most warmly recommended!

CD 1 Digipak Recommend To A Friend

DANIEL ZAMIR ~ AMEN
TAV 8 (Barcode: 7290010781539) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2006

This is the 4th album by brilliant Israeli saxophonist / composer Daniel ZamirFind albums by this artist, one of most renowned Israeli Jazz musicians born in the country, who also managed to establish an international career. Zamir was born to a secular family, but during his stay in the US re-discovered Jewish religion and became an orthodox Jew. Zamir lived in the US since 2000 and returned to Israel in 2006, where he now lives, writes music, performs and records. During his stay in US he was "discovered" by John ZornFind albums by this artist and eventually recorded four (so far) albums for Zorn´s TzadikFind albums on this label label. This is his first album recorded and released in Israel. His music is a wonderful mixture of Klezmer, Jewish music, Eastern European and of course Jazz, which is completely unique. His technical fluency and unlimited expressionist powers place his among the world´s saxophone virtuosi. He now plays the soprano saxophone exclusively and his sound is often reminiscent of John ColtraneFind albums by this artist´s. This album includes music composed entirely written by him and he´s accompanied by some of the best Israeli Jazz players: Omri MorFind albums by this artist – piano, Omer AvitalFind albums by this artist – bass and Daniel FriedmanFind albums by this artist – drums. Israeli trumpeter Avishai CohenFind albums by this artist guests on several tracks. The album is a beautiful listening experience to every sensitive music lover, with everybody being able to discover the many different facets of this great music. Wholeheartedly recommended!

CD 1 Digipak Recommend To A Friend

DANIEL ZAMIR ~ ONE
TAV 8 (Barcode: 7290012387197) ~ ISRAEL ~ Jazz
Recorded: 2009 Released: 2009

This is the sixth album by brilliant Israeli saxophonist / composer Daniel ZamirFind albums by this artist, one of most renowned Israeli Jazz musicians born in the country, who also managed to establish an international career. Zamir was born to a secular family, but during his stay in the US re-discovered Jewish religion and became an orthodox Jew. Zamir lived in the US since 2000 and returned to Israel in 2006, where he now lives, writes music, performs and records.

During his stay in US he was "discovered" by John ZornFind albums by this artist and eventually recorded four (so far) albums for Zorn´s TzadikFind albums on this label label. This is his second album recorded and released in Israel. His music is a wonderful mixture of Klezmer, Jewish music, Eastern European and of course Jazz, which is completely unique. His technical fluency and unlimited expressionist powers place his among the world´s saxophone virtuosi. He now plays the soprano saxophone exclusively and his sound is often reminiscent of John ColtraneFind albums by this artist´s.

This album includes music composed entirely written by him and he´s accompanied by some of the best Israeli Jazz players: Nitai HershkovitsFind albums by this artist – piano, Jonathan AlbalekFind albums by this artist– guitar, Noam VisenbergFind albums by this artist – bass and Daniel DorFind albums by this artist – drums. A string quartet is also present on the four-part suite dedicated to Noam Shalit. The album is a beautiful listening experience to every sensitive music lover, with everybody being able to discover the many different facets of this great music. Wholeheartedly recommended!

CD 1 Slipcase Recommend To A Friend

KAREN MALKA ~ LADY OF THE FOREST
TAV 8 (Barcode: 7290013088987) ~ ISRAEL ~ Progressive Rock
Recorded: 2009 - 2010 Released: 2010

This is the debut album by Israel singer / songwriter Karen MalkaFind albums by this artist, who has been active on the local scene since several years, most recently as a member of Avishai CohenFind albums by this artist´s AuroraFind albums by this artist quintet, recording two albums with that ensemble. Cohen produced this album and plays on it, contribution his exquisite bass parts and also wrote one of the songs, with the rest being all by Malka. Other participating musicians include pianist Shay MaestroFind albums by this artist, percussionist Itamar DuariFind albums by this artist and guitarist Guy ShohamFind albums by this artist. Veteran flautist Shem Tov LevyFind albums by this artist plays on one track. The music is a gentle, somewhat melancholic mixture of Folk influences, Jazz undertones and contemporary Art Rock, which is difficult to categorize, but works out well, producing a dreamy atmosphere. The instrumental accompaniment (including one instrumental track) is excellent, with the individual musicians being able to express themselves at their best. The production and sound quality are also excellent. Altogether this is a great album, which many music connoisseurs will surely enjoy, and which has new musical vistas every time one listens to it. Definitely worth investigating!

CD 1 Slipcase Recommend To A Friend

SHEM TOV LEVY ENSEMBLE ~ STATIONS
TAV 8 (Barcode: 7290011118631) ~ ISRAEL ~ Jazz-Rock-World Fusion
Recorded: 2006 Released: 2007

Israeli flautist / pianist / vocalist / composer Shem Tov LevyFind albums by this artist is a pillar of the Israeli music scene. From his early work with Prog ensembles No NamesFind albums by this artist and Tuned ToneFind albums by this artist, his solo albums and numerous co-operations with all top Israeli musicians, his illustrious career is always characterized by meticulous execution and excellent ideas, as well as incredible sense of melody. He combines, perhaps better that any other Israeli musician, the heritage of East & West meeting together in a wonderful amalgam of modern music, which is second to none. It is with great joy that his fans are able to enjoy a renewed surge of activity displayed by this album, his first with the Shem Tov Levy EnsembleFind albums by this artist, which consists of some of the best instrumentalist on the local scene. This is wonderful and beautiful music, which embodies the spirit of music crossing genres and traditions. Wholeheartedly recommended!

ALON OLEARTCHIK ~ ROCK & TENDERNESS
TAV 8 (Barcode: 7290011118709) ~ ISRAEL ~ Pop & Rock
Recorded: 2007 Released: 2007

Over a decade after his previous album as a singer / songwriter, veteran Israeli musician Alon OleartchikFind albums by this artist returns with a double album, full of new songs he composed and wrote the lyrics for, with a few exceptions where the lyrics are by Israeli poets. The songs are divided stylistically, as the album´s title suggests, into a more up-tempo Rocky songs on one CD and the more intimate, romantic songs on the other.

Ten years is a very long time to wait, but since Oleartchik was active in the interim releasing several albums, which presented the Jazzy side of his musical personality, his name did not drop off the local scene. Of course nobody, who was a member of the legendary KaveretFind albums by this artist, can be easily forgotten. At any rate the album was definitely worth waiting for, as it introduces a set of wonderful songs, several of which were immediately included in the pantheon of Oleartchik´s evergreens. His superb musicality and keen sense of melody are always a source of excellent melodies and intelligent lyrics, which somehow make perfect sense, albeit probably to the somewhat matured listeners.

The double CD concept emphasizes that Oleartchik is a great romantic at heart (must be his Polish heritage), since the second CD seems to be much more immediately striking. Written from the perspective of his life´s experience, Oleartchik´s songs about the joys and pains of love are more convincing than ever. The delicate string or brass arrangements, which are present on almost all the songs on the second CD, highlight their tender affinity and bring out the lyrical atmosphere. Most of the music has a distinctive Jazzy undertone, which willingly or not has become Oleartchik´s second nature.

The first CD is full of good songs, but somehow they are less stylistically coherent and definitely only marginally Rocky, and therefore less faithfully represent the title than those on the second CD. The last track on that CD is a long instrumental jam, which showcases the abilities of the entire band and stylistically belongs to the Jazz-Rock Fusion genre.

Overall this is a very personal album by a mature artist, who has plenty to say, both as a composer and a lyricist. There are, after all, only a handful of artists of his caliber in Israel and therefore his work becomes sooner or later a part of the Israeli cultural fabric, which is being slowly woven by artist like him. It takes a few listening sessions to fall in love with this material, as is always the case with any non-trivial content, but eventually the effort is richly rewarded.

If you own the album, you know what I´m talking about and if you don´t – it´s never too late, and the sooner the better!

CD 2 Slipcase Recommend To A Friend

SHEM TOV LEVY ENSEMBLE ~ BEN ADAMA (SON OF THE EARTH)
TAV 8 (Barcode: 7290013087485) ~ ISRAEL ~ Jazz-Rock-World Fusion
Recorded: 2010 Released: 2010

Israeli flautist / pianist / vocalist / composer Shem Tov LevyFind albums by this artist is a pillar of the Israeli music scene. From his early work with Prog ensembles No NamesFind albums by this artist and Tuned ToneFind albums by this artist, his solo albums and numerous co-operations with all top Israeli musicians, his illustrious career is always characterized by meticulous execution and excellent ideas, as well as incredible sense of melody. He combines, perhaps better that any other Israeli musician, the heritage of East & West meeting together in a wonderful amalgam of modern music, which is second to none. It is with great joy that his fans are able to enjoy a renewed surge of activity displayed by this album, his second with the Shem Tov Levy EnsembleFind albums by this artist, which consists of some of the best instrumentalist on the local scene. This is wonderful and beautiful music, which embodies the spirit of music crossing genres and traditions. Wholeheartedly recommended!

AVISHAI COHEN ~ LYLA
TAV 8 (Barcode: 7290105160003) ~ ISRAEL ~ Jazz

Israels`s most prominent Jazz musician Avishai CohenFind albums by this artist is a legend in the US Jazz circles and his bass work with Chick CoreaFind albums by this artist awarded him worldwide recognition as well. Cohen`s solo albums are meant to showcase not only his amazing technique as a bass (both acoustic and electric) player, but also as composer, arranger and bandleader. This 2003 album does the work on all fronts - the music, the performances, the amalgam of jazz and native Israeli traditional elements all come together to form a wonderful amalgam of rhythms and sounds of rare quality. An absolute must to every modern jazz fan!

CD 1 Digipak Recommend To A Friend

DANIEL ZAMIR ~ MISSING HERE
TAV 8 (Barcode: 7290013087850) ~ ISRAEL ~ Jazz
Recorded: 2010 Released: 2010

This is the 7th album by brilliant Israeli saxophonist / composer Daniel ZamirFind albums by this artist, one of most renowned Israeli Jazz musicians born in the country, who also managed to establish an international career. Zamir was born to a secular family, but during his stay in the US re-discovered Jewish religion and became an orthodox Jew. Zamir lived in the US since 2000 and returned to Israel in 2006, where he now lives, writes music, performs and records. During his stay in US he was "discovered" by John ZornFind albums by this artist and eventually recorded four (so far) albums for Zorn´s TzadikFind albums on this label label. This is his third album recorded and released in Israel. His music is a wonderful mixture of Klezmer, Jewish music, Eastern European and of course Jazz, which is completely unique. His technical fluency and unlimited expressionist powers place his among the world´s saxophone virtuosi. He now plays the soprano saxophone exclusively and his sound is often reminiscent of John ColtraneFind albums by this artist´s. This album includes music composed entirely written by him and he´s accompanied by some of the best Israeli Jazz players: Omer KleinFind albums by this artist – piano, Omer AvitalFind albums by this artist – bass and Aviv CohenFind albums by this artist – drums. Guest players include trumpeter Itamar BorochovFind albums by this artist and trombonist Avi LeibovitchFind albums by this artist. Israeli singer / pianist Eviatar BanaiFind albums by this artist guests on the title track. The album is a beautiful listening experience to every sensitive music lover, with everybody being able to discover the many different facets of this great music. Wholeheartedly recommended!

RAFI GINAT ~ EYE LEVEL
TAV 8 (Barcode: 7290012387944) ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 2009 Released: 2009

Israeli TV personality Rafi GinatFind albums by this artist, blessed with a deep bass voice, dreamt for many years to record an album with the American band Blood, Sweat & TearsFind albums by this artist. Fond of the great brass arrangements, for which the band is famous, Ginat finally managed to make his dream come true. He invited current Blood, Sweat & Tears members (bassist Gary FooteFind albums by this artist, drummer Andrea ValentiniFind albums by this artist, trumpeter Steve JankowskiFind albums by this artist, trombonist Jens WendelboeFind albums by this artist and saxophonist Ken GioffreFind albums by this artist) to Israel and the recorded a dozen songs, nine of which are standards sung in English and three are Israeli songs sung in Hebrew. The music is beautifully arranged and preformed by the guest musicians with some help from local musicians: guitarist Avi SingoldaFind albums by this artist and keyboardist Gil FeldmanFind albums by this artist, who is also responsible for the arrangements. Although not a professional vocalist, Ginat tries his best and compensates for the lack of vocal flexibility by his highly developed musicality. The brass arrangements are of course absolutely brilliant and this album should be of interest to the many Blood, Sweat & Tears fans around the world!

ALON OLEARTCHIK ~ OLEARTCHIK STYLE
TAV 8 (Barcode: 7290105160362) ~ ISRAEL ~ Jazz
Recorded: 2011 Released: 2011

When a person reaches certain age (and I´m saying this from personal experience) the urge to summarize one´s life achievements becomes imperative, for one reason or another. Israeli singer / songwriter / multi-instrumentalist Alon OleartchikFind albums by this artist (who is more or less my age) must have had similar thoughts when he decided to record this album, which is above all a life´s retrospective as far as his musical career is concerned.

The album includes twelve songs, ten of which are his own compositions and nine have his lyrics. One of the songs he did not write comes from KaveretFind albums by this artist´s repertoire and the other is an Israeli classic. Historically the songs span a forty years period, starting with the Kaveret days in the early 1970s and ending now, with one new song, which was recently written. But the album also amalgamates Oleartchik´s love of all things Jazzy, as the songs are performed in a superb new arrangement, which involves him singing the songs accompanied by a classic Jazz piano trio. He also plays occasional guitar and a few guest musicians participate on selected songs. The trio comprises of pianist Elad AdarFind albums by this artist, bassist Max OleartchikFind albums by this artist (Alon´s son and a classic example of a second generation bassist) and drummer Shay VetzerFind albums by this artist.

Oleartchik manages to perform these songs simply fabulously, with a clear and steady voice and intelligent phrasing, which when supported by the piano trio comes out as one of the best Jazz vocal recordings recorded in Israel. His original songs are remarkably adaptable and emerge marvelously delicious under these new arrangements. Oleartchik has a gift of making his music sound eternally young and fresh, relevant and kicking, as if untouched by time; a great gift indeed.

Strangely (or perhaps not) this might easily be the best album Oleartchik ever recorded, but regardless it firmly places him in the Pantheon of contemporary Israeli music, a place he truly deserves to be in. His consistency, modesty and musical excellence are simply beyond reproach.

This album is an ideal entry point for people not familiar with Oleartchik´s music and of course also a kind of "best of" (with a twist) for his faithful fans; Oleartchik style indeed. Absolutely not to be missed!

RAVID KAHALANI / YEMEN BLUES ~ YEMEN BLUES
TAV 8 7290105161031 (Barcode: 7290105161031) ~ ISRAEL ~ Jazz-World Fusion
Recorded: 2009 - 2010 Released: 2011

This is a brilliant example of the musical fusion that is happening in Israel in the last decade. The dozens of different cultures living side by side in the tiny country of Israel are a fertile ground for interconnections and unexpected fusions since many years, but the last decade has been especially fertile, with new ensembles springing to life all the time. Vocalist / composer Ravid KahalaniFind albums by this artist collected around him a remarkable ensemble of gifted Israeli players, mostly with a strong Jazz background, and together they recorded this superb album, which combines African, Yemenite, Middle Eastern and other musical cultures, rhythms and traditions, fusing them all together into an amalgam, which is deeply moving and overwhelmingly beautiful. Kahalani wrote all the music and the lyrics (in several languages) and sings them simply breathtakingly. Yemen BluesFind albums by this artist was born when Kahalani met Israeli Jazz bassist Omer AvitalFind albums by this artist, who adorned Kahalani´s music with brilliant Jazzy arrangements, which are intelligent and subtle enough not to overshadow the folkloristic roots, but add interesting layers and unexpected twists. Avital plays bass and oud on the album and the other musicians are: Galia HaiFind albums by this artist on viola, Hilla EpsteinFind albums by this artist on cello, Hadar NoibergFind albums by this artist on flute, Itamar BorochovFind albums by this artist on trumpet, Avi LebovichFind albums by this artist on trombone, Itamar DoariFind albums by this artist and Rony IwrynFind albums by this artist on percussion. People interested in Jazz-World Fusion will be delighted with this album from the first time they hear it, and I can only recommend everybody to try it out! Brilliant stuff!

CD 1 Mini-Sleeve Recommend To A Friend

ASAF AVIDAN ~ NOW THAT YOU`RE LEAVING (EP)
TELMAVAR 001 (Barcode: 827912048339) ~ ISRAEL ~ Classic Rock
Recorded: 2006 Released: 2006

Following the phenomenal success of Asaf AvidanFind albums by this artist’s debut album “The ReckoningFind albums with this title”, he re-released his first recording made a year earlier, an EP with six songs he wrote (music and lyrics) and performed, which is now enjoying a great success as well, although overlooked at the time of the release. The music is very similar to the material included on the debut album and of the same excellent quality. The recording is a bit raw, but has a charm of freshness and youthful energy about it, which is overall quite nice. Asaf’s great talent as a writer and absolutely unique voice are unparalleled by almost nothing on the current music scene worldwide, and therefore this release is most welcome, enabling us to enjoy more of his extraordinary creations. Asaf should have been born 40 years ago and by now he’d have been a great Rock star, but alas in this cold and musically barren post-modern world he is still able to touch and excite some listeners, which hopefully is a sign that not everything is lost yet. This stuff was a classic even before it was placed on a piece of plastic, which now you can get to share his vision!

ASAF AVIDAN / MOJOS ~ THE RECKONING
TELMAVAR 002 (Barcode: 718122809523) ~ ISRAEL ~ Classic Rock
Recorded: 2007 Released: 2008

The debut album by Israeli singer / songwriter Asaf AvidanFind albums by this artist (born in Jerusalem and aged 28) and his group the MojosFind albums by this artist is undoubtedly the most sensational Rock album ever released in the country. Apparently we had to wait for 60 years to get some real Rock happening here. Israel has produced some superb music over the years, but none of it was “real” Rock. We had plenty of excellent Pop, Art and Alternative Rock, even Progressive Rock, but nothing as gutsy, bluesy, smoky and throaty as this, ever! Imagine a hybrid between the young Robert PlantFind albums by this artist and Janis JoplinFind albums by this artist (if you can) and you get an idea how Asaf’s voice sounds. When I was first told about this album, I naturally thought the enthusiasm is a gross exaggeration. But the minute I heard the first sound uttered from the singer’s throat I understood this is real. His voice is not only unique in Israel, but I wouldn’t be surprised if he’s universally special. I have not heard anything like this anywhere. Add to this the fact that Asaf sings in English, completely without a trace of any foreign accent, as if he was born somewhere between West Bromwich and Texas. And of course he also wrote all the tunes and lyrics present on this album – all fifteen on them. I have no idea how to explain all this; it’s a bit early for genetic engineering so karma and reincarnation will have to do in the meantime. The fact is that this guy takes us all back 40 years when Rock really rocked. The material - all excellent with great melodies, non-trivial lyrics and intelligent arrangements – can be basically divided between two categories: hard-rocking up tempo tunes a la Led ZeppelinFind albums by this artist (first album) and quiet introvert acoustic ballads Janis so wonderfully spilled out of her heart on PearlFind albums with this title. The band (the Mojos) support the singer all the way, with scorching lead guitar solos and rock-solid backing on the up-tempo numbers and delicate (acoustic guitar, cello, etc.) accompaniment behind the ballads. I know all this sounds just too good to be true – well, you won’t know unless you try it, will you? An instant classic!

CD 1 Digipak Recommend To A Friend

ASAF AVIDAN / MOJOS ~ POOR BOY
TELMAVAR 003-1 (Barcode: 7290013013132) ~ ISRAEL ~ Classic Rock
Recorded: 2009 Released: 2009

2nd album by Israeli singer / songwriter Asaf AvidanFind albums by this artist and his band The MojosFind albums by this artist, recently snatched and singed by SonyFind albums on this label where this album will be released internationally in a few months from now. It was pretty obvious that one of the Majors will sign Avidan, as he obviously is now one of the most original singers in the entire world – a bold statement, but true nevertheless. His debut album left critics and audiences around the world stunned and sold a staggering number of copies, even though it wasn´t quite "easy" music at all. But Avidan´s incredible and completely unique voice and his unusual approach to vocal expression simply make him stand out like a beacon of light in the deep of the night. As good as the debut album was this one surpasses it magnificently, mainly due to the strength of the new material – all penned and composed by Avidan – which is much more mature, developed and diverse than the material on the debut album. Add to this the intelligent and perfectly executed musical arrangements, which involve both acoustic and electric instruments, and you get a monster album, which should satisfy any true music lover regardless of his usual music preferences. There is a bit of everything here: Blues, Rock, shades of Alternative and even shades of Prog, all beautifully amalgamated together, creating an enchanting listening experience. But words are not adequate to truly describe this music, simply get a copy and enjoy! Satisfaction guaranteed!
Note: This album was released under two different titles – "Poor BoyFind albums with this title" and "Lucky ManFind albums with this title", with different packaging, but the musical content is identical! Slightly confusing, but a lot of fun!

CD 1 Digipak Recommend To A Friend

ASAF AVIDAN / MOJOS ~ LUCKY MAN
TELMAVAR 003-2 (Barcode: 7290013013118) ~ ISRAEL ~ Classic Rock
Recorded: 2009 Released: 2009

GURU GURU ~ WAH WAH
THINK PROGRESSIVE 1.507.002 ~ GERMANY ~ Progressive Rock

Guru Guru are one of the most notable representatives of the German Krautrock. Active since 1970 they managed to survive many upheavals and changes on the scene and remain a performing band till this very day. This 1995 album is fresh and blistering, with brilliant guitar work and of course excellent percussion polyrhythms, which are the group`s trademark.

VARIOUS ARTISTS ~ OPEN AIR BURG HERZBERG-BEST OF PART II
THINK PROGRESSIVE 1.907.054 ~ GERMANY ~ Progressive Rock

The Burg Herzberg music festival in Germany is one of the most famous and unique annual events in Europe. It featured during the years the most advanturous rock music and the album presents some of the festival highlights with acts like Caravan, Ashra, Edgar Broughton, Dissidenten a.m.o. This is great music and an important historic document of the European alternative scene.

MAINHORSE ~ MAINHORSE
TIME WAVE 001 (Barcode: 604388669523) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1970 Released: 2006

Only album by MainhorseFind albums by this artist, which was the first group to feature the amazing talents of the Swiss keyboards wizard Patrick MorazFind albums by this artist. A typical early Progressive work, with plenty of great instrumental moments. Moraz composed all the music for the group. Unfortunately the group split shortly after recording this album. Moraz would of course later join YesFind albums by this artist in their high glory days (replacing Rick WakemanFind albums by this artist) and record the classic RelayerFind albums with this title album with them. Later on he joined The Moody BluesFind albums by this artist (replacing Mike PinderFind albums by this artist). This album remained unreleased on CD for many years and is one of the most sought after Prog rarities in history.

CD 1 Remastered Recommend To A Friend

REFUGEE ~ REFUGEE
TIME WAVE 002 (Barcode: 604388669622) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1974 Released: 2006

Only album by the classic Prog group RefugeeFind albums by this artist, which at the time was viewed as an attempt to revive the glorious days of The NiceFind albums by this artist as it featured two ex-Nice members (Lee JacksonFind albums by this artist and Brian DavisonFind albums by this artist) and was fronted by a virtuoso keyboards player – Patrick MorazFind albums by this artist. The album is a great showcase of Patrick’s abilities as a player and composer and includes two lengthy suites (17 and 18 minutes long) in the best tradition of Prog instrumental music. It is a real shame they managed to record only one album before disbanding. Moraz would of course later join YesFind albums by this artist (and achieve international recognition) and then The Moody BluesFind albums by this artist. This album remained unavailable for many years on CD and is one of the most sought after Prog releases in history.

CD 1 Remastered Recommend To A Friend

PATRICK MORAZ ~ THE STORY OF I
TIME WAVE 003 (Barcode: 604388669721) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1975 Released: 2006

1st album by Swiss keyboards wizard Patrick MorazFind albums by this artist and then member of YesFind albums by this artist. Following the release of RelayerFind albums with this title all Yes members embarked on solo projects, this one being definitely the most significant of them all. After completion of this project Moraz returned to Yes to play some concerts with them, soon to be replaced by none other than the returning Rick WakemanFind albums by this artist. This album presents Moraz not only as a virtuoso player, but also more importantly as a serious composer. The music, which mixes elements of jazz, classical and world music, is complex and intricate and yet extremely melodic. As customary at the time the album is a concept work based on a story line written by Moraz himself. Moraz recorded the music in Switzerland and Brazil, where he used a group of local percussionists. This gives the music a distinct ethnic and trans-cultural feel. The splendid Jeff BerlinFind albums by this artist plays some great bass lines and drummer Alphonse MouzonFind albums by this artist swings mightily. In retrospect this is definitely one of the best works created among the Yes Family members and a worthy document of the era. Warmly recommended.

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Dr. Rafael Augusto Lara Palmeros
This is the first solo albumn by Swiss keyboard player Patrick Moraz with an excellent group of musicians (John McBurnie, Vivienne McAuliffe, Ray Gomez, Jeff Berlin, Alphonse Mouzon, Andy Newmark and percussionists of Rio de Janeiro). The concept albumn is based in a love story of massive tower in the jungle (¿Amazonia?). The tower lures people from all over the world to go inside it. Inside the tower people are able to experience their wildest desires and fantasies but the only rule is that people inside the tower may not fall in love with each other. However two people inside do so and decide to escape since the tower acts also as a prision which inhabitants are slaves of their own desires- The albumn consists in a suite (fourteen relatively short tracks related to the story), the music is notable for its rich use of pitch-bend controls on the synth/organ notes and its multi-layered, heavy but rhytmically agile synth and keyboard textures. ´ Impact´,´Warmer hands´,´ The storm´, ´Risk and fall´,' Dancing now´, and my favourite ´Best years of our lives' are tracks of impressive Prog- World Music- Jazz Fusion. If you are a real Prog fan, this item is absolutely essential. 5 stars.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ OUT IN THE SUN
TIME WAVE 004 (Barcode: 604388669820) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1977 Released: 2006

2nd album by Swiss keyboards wizard shortly after he left Yes. It is remarkably consistent with the debut release (The Story Of I) in every respect: it was also recorded in Switzerland and Brazil, the lineup is almost identical and so is the multi-cultural feel. The only difference is that rather than producing a concept album Moraz composed eight individual pieces of music, which are unrelated to each other. The level of composition and the performances are splendid, as usual with Moraz, and the album is equally enjoyable. American bassist Wornell Jones replaces Jeff Berlin and plays some great funky bass lines. The great jazz bassist Isla Eckinger plays acoustic bass on one track and flute legend Herbie Mann also adds delicate touch. Great joy to see this album available again.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ PATRICK MORAZ (III)
TIME WAVE 005 (Barcode: 604388669929) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1978 Released: 2006

3rd album by the Swiss keyboards wizard. In many respects it is a pivotal work as Moraz decides to take the center of the stage (almost) completely alone this time. With the rapid development of the electronic instruments by the end of the 1970’s Moraz employs a wide array of keyboard instruments with skill and elegance, making the use of additional musicians unnecessary. He does however continue to use the Brazilian percussion ensemble (The Percussionists of Rio de Janeiro), as he did on the two previous albums. The album revolves around the concept of dichotomy between the civilized world (represented by the electronic instruments) and the primitive world (represented by acoustic instruments), hoping for an eventual co-existence between the two worlds. The music is in many respects quite ahead of its time with sonic ideas, which would become widely accepted only two decades later. Since this album has been unavailable for many years, it is great to be able to hear this music again and the numerous fans of Patrick Moraz, who have been waiting eagerly for the reissue, will have a field day with this.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ / SYRINX ~ COEXISTENCE (LIBERTATE)
TIME WAVE 006 ~ SWITZERLAND ~ Progressive Rock

4th album (recorded 1979-1980) by Patrick Moraz in collaboration with the Romanian pan flute player Simion “Syrinx” Stanciu. The album was reissued in 1989 under the title of Libertate with all the royalties going to the charitable foundation "Terre des Hommes", a charity organization based in Geneva, to help the children or newly liberated Rumania in 1989. The album continues the concept of the previous release (the self-titled 3rd album) dealing with the relationship between the modern and the ancient, as expressed by the use of electronic versus acoustic instruments. Moraz continues to use the Brazilian percussion ensemble (The Percussionists of Rio de Janeiro) and adds a few assisting players, but the essence is expressed by the duets between his keyboards and the enchanting pan flute – one of the oldest instruments in human culture. Again the album is ahead of its time in many respects: the innovative sounds produced by the keyboards instruments, the extensive use of ethnic elements, etc. This beauty is definitely worth checking out, not only by Moraz fans, but also by any fan of unorthodox music.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ TIMECODE
TIME WAVE 007 (Barcode: 604388670123) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1984 Released: 2006

5th album by Partick MorazFind albums by this artist, heavily influenced by then contemporary New Wave pop. It is the only Moraz album consisting almost completely of songs (i.e. with lyrics) rather than his mostly instrumental pieces on his earlier (and later) albums and therefore considered his most pop oriented release. Of course it much depends on one’s definition of pop, since his compositions are definitely more complex than your average pop song. In addition to John McBurnieFind albums by this artist who handles most of the vocal parts (sounding very much like Jon AndersonFind albums by this artist BTW), several guest vocalist take part as well. Bill BrufordFind albums by this artist guests on one track on electronic drums (Bill and Patrick recorded two excellent jazz oriented albums as a duo around that time). Patrick’s keyboards wizardry is omnipresent here and not to be ignored or dismissed. For his many fans this album is a nice trip down the memory lane.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ FUTURE MEMORIES
TIME WAVE 008 (Barcode: 604388670222) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1979 Released: 2006

6th album by Moraz recorded live during a TV solo concert and based on the concept of spontaneous composition / improvisation. Moraz plays a series of lengthy composition, starting with a couple of acoustic piano pieces and then moving to electronic keyboards gradually building up the array of the instruments he uses, including percussion and gongs. It is difficult to believe that all this music is performed by one musician and recorded live, but no overdubbing whatsoever is used. Moraz seems to have a lot of fun here and the results are truly amazing. His wizardry as a player and compositional skills are evident and this is one of his strongest solo projects. Another album based on the same concept and setup was recorded four years later, called Future Memories II. No Moraz fan will want to miss this one.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ FUTURE MEMORIES II
TIME WAVE 009 (Barcode: 604388670321) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1982 Released: 2006

7th album by Moraz, which documents his second solo show for the Swiss TV. The concept is quite similar to the previous album, with Moraz improvising on the spot and using an incredible array of keyboard instruments. No acoustic piano pieces this time, but Moraz clearly shows his masterly playing and compositional skills, sounding like a one-man orchestra. The show was recorded over the period of several days and the album includes a selection of the material recorded. A companion DVD (Future Memories 1 & 2) presents a full document of these sessions. The music was quite innovative at the time and includes many technological tricks of the trade (like voice samples), which were incorporated into the mainline of the industry only years later. For the many Patrick Moraz fans this is a must have, especially in view of the fact that this material was unavailable for many years.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PATRICK MORAZ ~ HUMAN INTERFACE
TIME WAVE 011 (Barcode: 604388670529) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1987 Released: 2006

This is the eighth album and another solo effort with all the music composed by Patrick MorazFind albums by this artist, who also plays all the instruments. By the time this album was recorded the electronic instrumental genre was no longer the uncharted territory, with VangelisFind albums by this artist and Jean-Michel JarreFind albums by this artist presiding.

Moraz managed to maintain his individual touch both as a player and a composer, by using a more distinct classic influence than his “rivals” did in their work. Some of the compositions on this album rank amongst his strongest works and his playing is brilliant as always. The bonus tracks are also quite interesting, as they were recorded live at the Abbey Road Studio in London, where the album was mastered.

The album’s atmosphere is much more serene that most of his earlier works, which can be perhaps explained by natural maturing and seasoning. In any case this is a must have for all Moraz fans and a pleasant surprise to those who are unfamiliar with his works.

Updated: 13/04/2017Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

KENNETH DAHL KNUDSEN ~ WE`LL MEET IN THE RAIN
TWO RIVERS 008 (Barcode: 5060428630086) ~ DENMARK ~ Jazz-Classical Fusion
Recorded: 2016 Released: 2016

This is the third album by Danish bassist / composer Kenneth Dahl KnudsenFind albums by this artist, this time recorded with a Big Band (including a string quartet) consisting of nineteen musicians originating from many different countries, like Polish trumpeter Tomasz DabrowskiFind albums by this artist, Israeli (resident in Berlin) pianist Uri GincelFind albums by this artist and others. The album presents nine original compositions, all by Knudsen.

As all Big Band projects, this is a much more ambitious undertaking than Knudsen´s first two albums, which were recorded by small ensembles. The music is also much more complex and moves outside of the mainstream Jazz idiom into contemporary Classical and orchestral music, which is more difficult than his earlier efforts. Of course more ambitious music is a sign of personal development and can only be seen as a move in the right direction.

Knudson writes beautiful melodies and his music has always been based on his solid compositions, which is also the case here. Performed by a big ensemble the melodies are less straightforward of course, as the orchestral arrangements sometimes hide the melody, but that is the nature of the beast.

The performances by the individual players are all quite impressive and the whole band is kept on track by the conductor Malte SchillerFind albums by this artist, who does a splendid job. The introduction of the human voice, with vocalist Marie SeferianFind albums by this artist who sings superb vocalese parts, is a nice touch and adds another layer to the music, but on the other hand takes it away from the Jazz core. The entire ensemble manages to keep a nice balance between the brass section, the string section and the rhythm section, producing an overall coherent result.

I have been following Knudson´s career for a few years now and it is great to see his musical personality grow and take on new challenges, like the making of this album. This album puts his composition skills at the focus of our attention, rather than his abilities as a bass player, but those have been already amply demonstrated on his earlier recording as a leader and sideman.

One can only hope that this album reaches as many open-minded listeners as possible, as this music certainly deserves to be heard and enjoyed my many. Congratulations on a job well done and looking forward to your next endeavors, my young and talented friend!

Updated: 06/05/2016Posted: 06/05/2016

CD 1 Digipak Recommend To A Friend

AGNIESZKA HEKIERT ~ STORIES
UNIVERSAL 028947651475 (Barcode: 028947651475) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2012

Polish Jazz vocalist / composer Agnieszka HekiertFind albums by this artist, who combines the careers of a vocalist and a successful vocal coach for TV reality shows, released this album eight years after her last release called "Night And Day SwingFind albums with this title", which she recorded with the pianist / composer Krzysztof HerdzinFind albums by this artist and his trio. In the meantime she also recorded the "European ImpressionsFind albums with this title" album with my dear friend, the great Polish saxophonist / composer Leszek ZadloFind albums by this artist, which unfortunately remains unreleased so far. From that session she carried over the Bulgarian pianist / composer Konstantin KostovFind albums by this artist (who studied with another friend of mine, the Russian pianist / composer Leonid TschischikFind albums by this artist, now living and teaching in Germany), who is her closest collaborator on this album. The other musicians, who constitute the piano trio on this album, are bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist. Guest appearances also include Herdzin on flute (yes I smiled too), vocalist Kuba BadachFind albums by this artist and the superb Atom String QuartetFind albums by this artist.

The album includes twelve songs, four of which are Kostov / Hekiert originals, another four are by Hekiert or feature her lyrics, one is a standard, one is a song by StingFind albums by this artist, another one by Polish vocalist KayahFind albums by this artist and the last of mysterious Far East source (sic!); overall quite a mishmash of styles and influences, which are unified by the arrangements (the arranger is not listed) and excellent performances by the piano trio. Kostov is a brilliant player, which is evident both on his solo spots and his skillful accompaniment, and so are of course veterans Kubiszyn and Konrad.

Hekiert is a talented vocalist, singing lyrics and vocalese with obvious ease and technical proficiency. Most of the vocals are in Polish, which of course is highly commendable, with few exceptions, which are unfortunately less impressive. Overall the vocal parts are kept within very safe limits of mainstream Jazz, which is somewhat lacking, as she obviously could have taken a few more risks and less obvious choices. Perhaps the fact that the album was released by Universal signifies an attempt to produce a much wider accessible music? In any case compared to some truly exciting vocal albums released in 2012 in Poland, this one sadly does not challenge any of them.

Connoisseurs of vocal Jazz will find this a pleasant listening experience, with excellent instrumental parts and professional vocal performances, no less and no more.

CD 1 Digipak Recommend To A Friend

WORLD ORCHESTRA ~ LIVE IN GDANSK
UNIVERSAL 028948107599 (Barcode: 028948107599) ~ POLAND ~ Jazz-World Fusion
Recorded: 2011 Released: 2013

The World Orchestra is a brainchild of Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist, who managed to create an international ensemble of dozens of musicians from all over the world, which performs a sort of Jazz-World Fusion music, based on melodic themes with strong ethnic flavors. This album presents a live recording by the World Orchestra, featuring some world-famous World Music artists, like the Bulgarian kaval player Theodosii SpassovFind albums by this artist, Finnish kantele player Sinikka LangelandFind albums by this artist, the Bulgarian Voices AngeliteFind albums by this artist choir and many others. Polish artists included Atom String QuartetFind albums by this artist, pianist Marcin WasilewskiFind albums by this artist and a large orchestra; all in all 84 (according to the liner notes) musicians on one stage. They perform fourteen pieces, most of which were composed by Piotrowski, with a few exceptions.

Although the logistics behind this project must have been staggering and the basic idea of combining musical cultures is definitely commendable, the overall result is very problematic. There is no common bond linking the different pieces together, no thematic thread, not even a loosely devised common denominator. As a result each of the pieces more or less works on its own, but is not connected to anything before and after it and the entire concert becomes a sort of tribute to different folkloristic themes, but not more. Although all the musicians involved are true masters of their respective trade, the lush orchestral arrangements and the ambience of Smooth Jazz floating above create a typical overproduced easy-listening music, which keeps the brain in a state of blissful lethargy.

This kind of domesticated World Music is very popular since it is accessible to large crowds, who would definitely have a problem to stomach some authentic Folklore and need the sugary envelope to be able to swallow it. Of course one can wonder is this is the correct way to bring new musical thrills to people, but that becomes a question of moral / artistic choices.

The CD is accompanied by a DVD of the same concert, which adds no additional music beyond the contents of the CD and is therefore completely redundant.

Updated: 26/10/2016Posted:

CD+DVD 2 Digipak Recommend To A Friend

WATERS, ROGER ~ THE WALL: LIVE IN BERLIN
UNIVERSAL 038437 ~ UK ~ Classic Rock

Just one year after the Berlin Wall came crashing down, Roger Waters staged this spectacular concert in the now united city, which could not be more symbolic. The cast assenbled reads like the `Who`s Who` of Rock and the show is still considered today as one the the greatest Rock events ever. Snowy White handles the guitar parts admirably. Dolby Digital 5.1 Surround Sound.

CUBY AND THE BLIZZARDS ~ LIVE `68
UNIVERSAL 042283465923 (Barcode: 042283465923) ~ NETHERLANDS ~ Blues-Rock
Recorded: 1968 Released: 2004

The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 5th album and their first live recording and features the British Blues legend, vocalist Alexis CornerFind albums by this artist, on two tracks. An absolute must to all Blues-Rock fans and a great document of European music history!

CD 1 Remastered Recommend To A Friend

TOMASZ STANKO ~ EGZEKUTOR (SOUNDTRACK)
UNIVERSAL 044001434723 (Barcode: 044001434723) ~ POLAND ~ Jazz
Recorded: 2001 Released: 2001

Polish trumpet virtuoso / composer Tomasz StankoFind albums by this artist is universally recognized as one of world´s top Jazz musicians since many years. However, his contributions as composer of music for cinema is somewhat lesser known, which is a pity. Stanko´s work in that area started way back to the early 1970s, but even earlier, when he was a member of the legendary Krzysztof KomedaFind albums by this artist ensemble, he already became intimate with the art of writing for cinema from his mentor, who was one of the greatest soundtrack creators ever, mostly known for his work for Roman PolanskiFind albums by this artist. It is therefore understandable that Stanko´s music for films would become heavily influenced by Komeda´s approach, which culminates with this soundtrack, written to a brilliant film by Polish director Filip ZylberFind albums by this artist. In fact this is the second time Stanko contributes the soundtrack to a film by Zylber, with "A Farewell To MariaFind albums with this title" being the predecessor to this one. Stanko is accompanied by some impressive players on this album, most notably by singer Justyna SteczkowskaFind albums by this artist, who contributes some breathtaking vocalese parts. Also present are Janusz SkowronFind albums by this artist on synthesizer, Slawomir KurkiewiczFind albums by this artist on bass, Michal MiskiewiczFind albums by this artist on drums, and Zbigniew BrysiakFind albums by this artist on percussion, as well as a string quartet. But Stanko´s trumpet dominates this music completely and overwhelmingly, when it plays completely solo or is accompanied by other instruments. Stanko´s virtuosity and magic sound are truly magnificent and supported by the atmospheric and often melancholic melodic motifs, the overall effect is simply stunning. It is a rare occasion when a soundtrack stand alone as a full fledged Jazz album, and this is a superb example of this being the case. I can only say that every Stanko fan should try and listen to this album, even if finding it today, only 10 years after it was released, is virtually impossible. The album was released as a double set with a CD and DVD Audio (Surround Sound) version of the music, which present different mixes of the same music. An absolute must!

CD+DVD 2 DVD-A Recommend To A Friend

JOACHIM KUHN ~ UNIVERSAL TIME
UNIVERSAL 044001667121 (Barcode: 044001667121) ~ GERMANY ~ Jazz
Recorded: 2001 Released: 2002

This is an album by German pianist / composer / bandleader Joachim KuhnFind albums by this artist, recorded in a trio setting with American bassist Scott ColleyFind albums by this artist and Cuban drummer Horacio HernandezFind albums by this artist. French saxophonist / bass clarinetist Michel PortalFind albums by this artist and American saxophonist Chris PotterFind albums by this artist guest on selected tracks. The album presents eleven tracks, nine composed by Kuhn and two by Ornette ColemanFind albums by this artist. Kuhn plays piano on nine tracks and saxophone on two tracks.

The music is a brilliant example of modern European Jazz with a large degree of Freedom and Improvisation, but based on strictly and brilliantly composed themes. The lineup shifts between trio, quartet and quintet settings, and allows wonderful interplay between these exceptional musicians. Kuhn is undoubtedly one of the most unique and innovative European Jazz musicians, and this album, as in fact all of his recordings, clearly show why.

Kuhn dominates the proceedings with his virtuosic piano parts, mostly played at a hyper-fast tempo, but all the musicians get a chance to solo and show their chops, and the excellent rhythm section manages to keep standard time most of the time. For me, Kuhn is one of the greatest and most talented weavers of wonderful melodies, and this album is full of these.

Overall, this is a superb album and sadly one of the lesser known in the extensive recorded legacy by Kuhn, which is absolutely worth being discovered, although it is not easy to be found these days. The hair-raising virtuosity of Kuhn has but a few equals in modern Jazz and he never recorded an album, which is not worthy of an honorable place in a serious modern Jazz record collection.

Updated: 12/08/2024Posted: 12/08/2024

CD 1 Digipak Recommend To A Friend

METTE JUUL ~ CHANGE
UNIVERSAL 060257796101 (Barcode: 060257796101) ~ DENMARK ~ Jazz
Recorded: 2019 Released: 2019

This is the fourth album by Danish Jazz singer / guitarist / songwriter Mette JuulFind albums by this artist recorded with a team of excellent musicians: Swedish bassist Lars DanielssonFind albums by this artist and Danish keyboardist Heine HansenFind albums by this artist who play on most of the tracks and three guitarists playing on selected tracks: Swedish Ulf WakeniusFind albums by this artist (three tracks), Israeli Gilad HekselmanFind albums by this artist (two tracks) and Danish Per MollehojFind albums by this artist (one track). The album presents thirteen tracks, five of which are written or co-written by Juul and the rest are her interpretations of standards.

The music is a collection of intimate trio, duo and solo performances, completely acoustic and minimalist, with the "more is less" attitude clearly in mind. The bass and piano trio sessions are kept in a classic vocal Jazz atmosphere, whereas the solo and duo tracks with the guitarist have a slightly Folksier ambience.

The material is carefully selected to suit Juul´s vocal abilities, which allows her to be relaxed and feel herself for the entire duration of the album. As usual for a non-native English speaker the accent and pronunciation are evidently "foreign" (well Scandinavian obviously), but in this case it is rather charming than obtrusive. The vocal stylistics and mannerisms are somewhat similar to those of the great Karin Krog, which of course is meant as a compliment.

The instrumental performances are of course perfect in every respect. Both the trios and the duos with the guitarists keep the focus on the vocalist accompanying her amicably and creating the appropriate ambience rather than being dominant. In the age when making music is usually associated with overloading the listener´s ears with a wall of synthetic noise, such modest and delicate approach is most welcome and commendable.

Overall this is wonderful, subtle and delicate piece of music, which is full of great instrumental performances and heartfelt vocals, superb choice of songs and a straightforward, honest delivery, despite its sophistication and artistry. Warmly recommended!

Updated: 19/09/2019Posted: 19/09/2019

CD 1 Digipak Recommend To A Friend

HERMETO PASCOAL ~ A MUSICA LIVRE DE HERMETO PASCOAL
UNIVERSAL 4988031427828 (Barcode: 4988031427828) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1973 Released: 2021

This is a reissue of the second album by the Brazilian Jazz multi-instrumentalist / composer / bandleader Hermeto PascoalFind albums by this artist. Recorded with several of the best Brazilian instrumentalist at the time and an orchestra. The album presents six tracks, three of which were composed by Pascoal and the remaining three by other Brazilian composers / songwriters.

The music is a magical amalgam of Pop, Brazilian Folklore and Jazz, beautifully arranged by Pascoal, creating often complex musical vistas and orchestral sound. The album is an excellent example of the depth of Brazilian music, and of course the Genius of Pascoal, which are way beyond the simplistic image of Samba and Bossa Nova, which most people associate with music originating in Brazil.

The players are of course all excellent, and the music flows fluently, featuring many short, but superb solos by the musicians involved. The music is brilliantly arranged and orchestrated by Pascoal and there is not a dull moment on this album, from start to finish.

Overall, this is an excellent example of Brazilian Jazz-World Fusion, which offers a diverse collection of musical trends, brilliantly arranged and performed by some of the best Brazilian musician, all under the watchful eye / ear of Hermeto Pascoal, who is one of the greatest musical Geniuses on this planet.

Updated: 14/05/2023Posted: 14/05/2023

DIDIER LOCKWOOD ~ GLOBE-TROTTER
UNIVERSAL 602498093245 (Barcode: 602498093245) ~ FRANCE ~ Jazz-World Fusion
Recorded: 2003 Released: 2003

This is a wonderful double album by veteran French violinist / composer Didier LockwoodFind albums by this artist, one of the Masters of the French Jazz Violin School. The first CD presents Lockwood in a quartet setting with organist Benoit SourisseFind albums by this artist, saxophonist / flautist Stephane GuillaumeFind albums by this artist and drummer Andre CharlierFind albums by this artist and a few guest artists. Together they perform ten original compositions, five by Lockwood, three by Sourisse and one each by Guillaume and Charlier. The second CD presents seventeen short pieces performed on solo violin, all composed by Lockwood.

The music is strongly influenced by World Music elements, as suggested by the album´s title, and incorporates both melodic and rhythmic ingredients from many different folk sources. Everything is executed with typical French elegance and finesse and Lockwood proves that he is still at the top of his creative powers. The typical French sound of violin and Hammond organ, which was born with the early Jean-Luc PontyFind albums by this artist´s trio with Eddy LouissFind albums by this artist on organ in the late 1960s, is still one of the most exciting and aesthetically fulfilling approaches in European Jazz and Lockwood skillfully repeats that approach here.

The solo violin pieces are a delightful journey into the world of solo violin. The pieces were recorded live during Lockwood´s performances on the stages around the world and collected here to be presented as a kaleidoscope of musical pieces influenced by many different places and Cultures. Lockwood uses synthesizers and other electronic devices to accompany him on these pieces, but they are essentially solo violin performances, which are all cleanly breathtaking. This CD is simply a text book of modern violin playing and should be studied by all young musicians learning to play that instrument.

This is definitely a most gratifying album in every respect and an absolute must for the Jazz violin fans and all lovers of European Jazz at its best.

Updated: 01/03/2017Posted: 01/03/2017

CD 2 Digipak Slipcase Recommend To A Friend

PINK FREUD ~ PUNK FREUD
UNIVERSAL 602517235328 (Barcode: 602517235328) ~ POLAND ~ Jazz
Recorded: 2005 Released: 2008

This is the 5th album (and the first on UniversalFind albums on this label) by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. On this album Pink Freud appear as trio with the leader and two other founding members: trumpeter Tomasz ZietekFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist. Saxophonist Tomasz DudaFind albums by this artist appears on five of the ten tracks and two female strings players guest on two of the tracks. Nine of the ten tracks on this album are original compositions by the participants and the last track is their interpretation of a Charles MingusFind albums by this artist tune. The music is a typical Pink Freud mix of musical ideas, stylistically all over the place, but unified by the highly energetic and expressive delivery. The music definitely retains the rebellious spirit and often lacks the precision and flawlessness a Jazz fan might expect, but one must not forget this music is not about these qualities at all and therefore should not be judged by them. The ultimate question is the overall impression and effect this music has on a listener and if it is successful to make the listener spend an hour having fun while listening, it achieved its goal. Let´s make no mistakes here; parts of this music are quite complex and advanced, requiring attentive listening and seriously challenging the listener´s ear. Some listeners will mentally "skip" these parts at first, but might (hopefully) discover them later. Regardless of what one might think about Pink Freud and their music, one thing is sure: they can not be ignored. Definitely worth investigating!

CD 1 Digipak Recommend To A Friend

ANNA MARIA JOPEK ~ ID (POLISH EDITION)
UNIVERSAL 602517348424 (Barcode: 602517348424) ~ POLAND ~ Jazz-World Fusion
Recorded: 2006 - 2007 Released: 2007

Twelve brilliant albums in just ten years are surely an awe-inspiring record for even a most accomplished musician. Polish singer / composer / lyricist extraordinare Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist) seems to be unstoppable in her continuous path towards a secure position in the Pantheon of contemporary Jazz vocal achievements. Classically trained (at The Warsaw Music Academy) as a concert pianist, her Jazz singing was a second career opportunity, inspired by her stint at the Manhattan School of Music. The world of Jazz opened an entire new universe, which she embraced wholeheartedly and never looked back. Stars certainly smiled upon her as her career in her native Poland literally exploded, with her albums reaching Gold and Platinum sales one after another.

Her big international break happened when Pat MethenyFind albums by this artist agreed to record an album with AMJ entitled "UpojenieFind albums with this title" (note also Metheny’s memorable cooperation with Israeli singer NoaFind albums by this artist a.k.a. Achinoam NiniFind albums by this artist). This opened a gate for AMJ to cooperate with many more world-class musicians, as demonstrated on this album. AMJ sings mostly songs she either wrote herself or were written by her husband / musical soul mate Marcin KydrynskiFind albums by this artist. Over the years the couple created a vast songbook, which deserves praise and admiration for it’s consistent quality. This album is in many respects a glorious expansion of AMJ’s already remarkable accomplishments.

The creative process took over a year until fruition, with recordings in studios located across Poland, Paris and New York, with tragic personal events lurking in the background, which inevitably had a momentous influence on the outcome. The list of participating musicians is very impressive and includes such renowned Jazz and World Music artists as saxophonist Branford MarsalisFind albums by this artist (his solos are a sweet reminder of his fabulous work alongside StingFind albums by this artist), percussionist Mino CineluFind albums by this artist, bassist Christian McBrideFind albums by this artist, bassist Richard BonaFind albums by this artist, singer and oud player Dhafer YoussefFind albums by this artist, singer and guitarist Oscar Castro NevesFind albums by this artist and percussionist Manu KatchéFind albums by this artist. Top Polish players like Robert MajewskiFind albums by this artist (flugelhorn) and Leszek MozdzerFind albums by this artist (piano) also participate, alongside AMJ’s regulars: Pawel Bzim ZareckiFind albums by this artist (keyboards), Marcin Kydrynski (guitar) and Marek NapiórkowskiFind albums by this artist (guitar). The music (as already mentioned) is an extension of AMJ’s existing repertoire, with the usual deeply lyrical / melancholic ballads and highly expressive vocal improvisations beautifully spiced with World Music elements. Vocal duets with the African / Middle-Eastern motifs sung by Youssef are among the best of the kind ever attempted.

Although profoundly melodic, AMJ’s music is full of surprises, with ever changing rhythm patterns, unusual harmonies and intelligent instrumentation. Songs are often multi-layered and complex technically, but the overall effect is easy on the ear and goes straight into the listener’s heart. This fantastic talent to weave this musical tapestry is something I admire in AMJ above all her many virtues. Of course her outstanding delivery is right on the money time after time. Regardless of the mood, tempo or harmony, her deep voice modulating between whisper and shout remains clear, expressive, sexy and enchanting. The entire album is very skillfully put together, with exceptional sound quality and superb recording. Definitely a masterpiece of contemporary Jazz-World Fusion and an essential piece of evidence pointing to the fact that music (and Art in general) know no bounds, no borders and no limits. 100 % Brilliant!

Side Note: This is a Polish edition of the album. Apparently an international edition (with different contents) is due to be released later this year. Well, I can’t wait to put my hands on that. BTW the album went Platinum in Poland just 3 weeks after its release – apparently I’m not the only person who loves this stuff.

CD 1 Digipak Recommend To A Friend

PINK FREUD ~ ALCHEMIA
UNIVERSAL 602517578845 (Barcode: 602517578845) ~ POLAND ~ Jazz
Recorded: 2006 Released: 2007

This is the 6th album by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. This album, which was recorded live at the legendary Jazz club "Alchemia" in Krakow, finds Pink Freud in an expanded quintet lineup, with trumpeter Tomasz ZietekFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist supported by saxophonist Tomasz DudaFind albums by this artist (who recorded with the group earlier) and brilliant young keyboardist Marcin MaseckiFind albums by this artist. Five of the six expanded tracks (all over 10 minutes long) on this album are originals by the band members and the remaining one is their interpretation of a Joe ZawinulFind albums by this artist tune. In many respects this album is a "back to the roots" experience for the band, which returns to extensive Jazz improvisation, which although always present at the root of their music, was often subdued on their previous albums. The special atmosphere and ambience of the club and above all the presence of Masecki transform the band into a full-fledged Jazz combo and a great one at that. The trumpet / saxophone front line enables the players to stretch out, supported comfortably by a full rhythm section, with Masecki supplying some breathtaking solo spots as well. The emotional and more importantly musical level of the band heard here surpasses everything they managed to achieve earlier, and is truly exquisite. True to their basic approach, the band emphasizes personal expression and spontaneity rather that elaborate skills or scholarly musical background. For listeners, who can appreciate such approach to music, this is quite an experience. But this music is important enough to be heard by any music connoisseur and definitely should be re-visited for in-depth listening experience. Great stuff!

CD 1 Digipak Recommend To A Friend

WOJTEK MAZOLEWSKI ~ GRZYBOBRANIE
UNIVERSAL 602517939738 (Barcode: 602517939738) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2008

This is the debut solo album by Polish bassist / composer Wojtek MazolewskiFind albums by this artist, well-known as the founder / leader of the legendary Polish Jazz ensemble Pink FreudFind albums by this artist, which managed to achieve considerable success on the local and international scene. He is supported on this album by a group of musicians, who were at the time members of Pink Freud or were associated with the group in one way or another. They are: trumpeters Kamil SzuszkiewiczFind albums by this artist and Tomasz ZietekFind albums by this artist, saxophonists Irek WojtczakFind albums by this artist and Tomasz DudaFind albums by this artist, pianist Marcin MaseckiFind albums by this artist and his wife Candelaria Saenz ValienteFind albums by this artist, who provided the vocal parts, drummer Kuba StaruszkiewiczFind albums by this artist and percussionist Lukasz MoskalFind albums by this artist. The album includes nine tracks, which although not specifically accredited to Mazolewski on the album´s cover, are his compositions.

Recorded shortly after the excellent "AlchemiaFind albums with this title" album, which Mazolewski recorded with Pink Freud, this solo album is in many respects a continuation of the musical direction initiated there, i.e. a return to highly improvised Jazz. The music is not completely free and is based on pre-composed motifs, but with a lot of freedom awarded to the individual musicians, leading to lengthy expanded improvisations. Being very atmospheric, it develops slowly from delicate hints and low volume statements, gradually arriving at magnificent crescendos, with all the musicians playing together. There are many World-Music influences, some more obvious than others, like the distinctive Flamenco feel on the pieces featuring the Spanish vocals, which Candelaria delivers with a chilling sensitivity.

Although all the performances on this album are truly outstanding, I personally think that the work done by Masecki is the dominant factor, which turns this music from excellent to absolutely brilliant. The piano parts just keep everything together, filling the blanks and hinting towards the possible directions to be taken by the entire ensemble. Although not really up-front most of the time, his contribution is simply invaluable.

This is a complex album, which requires several (if not many) listening session in order to truly digest it and to appropriately comprehend its depth as well as appreciate its beauty. Regardless of one´s favorite Jazz sub-genre, there is definitely something for everybody here, without compromising the quality or musical truthfulness herein.

This is something no serious Polish Jazz lover should ignore, so if you don´t have it yet, get it as soon as possible. This stuff is timeless and although only a few years old, already feels like a classic.

ANNA MARIA JOPEK ~ DWA SERDUSZKA CZTERY OCZY
UNIVERSAL 602517947825 (Barcode: 602517947825) ~ POLAND ~ Jazz-World Fusion
Recorded: 2005 - 2008 Released: 2008

This phenomenal Box Set, or rather book set, combines three albums by Polish vocalist / songwriter Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist), recorded over a period of several years in the mid 2000s. It includes the album "IDFind albums with this title", a CD full of demos and outtakes which did not make it to be included on "ID" and the live album "JO & COFind albums by this artist". Together these three CDs summarize the "ID" period, which was a groundbreaking step in AMJ´s development as an artist. Packaged with a marvelous book full of black & white photographs of AMJ and the participating musicians, elegantly designed and exquisitely printed, this is a piece of Art in every sense of the word.

Surrounded by a group of wonderful musicians form Poland and the world over she performs mostly self-written songs, mixing Jazz and World Music with the typical Polish melodic / lyrical atmosphere, which dominates the proceedings. The list of world famous musicians participating on "ID" is most impressive and includes saxophonist Branford MarsalisFind albums by this artist, bassists Christian McBrideFind albums by this artist and Richard BonaFind albums by this artist, drummer Manu KatchéFind albums by this artist, percussionist Mino CineluFind albums by this artist, oud player / vocalist Dhafer YoussefFind albums by this artist, guitarist / vocalist Oscar Castro NevesFind albums by this artist and pianist Tord GustavsenFind albums by this artist. Polish musicians include keyboardist Pawel Bzim ZareckiFind albums by this artist, guitarists Marcin KydrynskiFind albums by this artist and Marek NapiorkowskiFind albums by this artist, pianist Leszek MozdzerFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, pianist / arranger Krzysztof HerdzinFind albums by this artist, who is in charge of the string quartet and orchestral arrangements (performed by the Sinfonia VivaFind albums by this artist Orchestra). The live album includes also organist Jan SmoczynskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist.

The music presents a complex panorama of sounds and ideas, which include many cross-genre excursions, vocal experiments, poetic vistas and intimate dialogs between the Artist and the world that surrounds her. AMJ has one of the sweetest voices on this planet and her big artistry is all about not to make sugary music, which would be quite natural for many other singers. She also has an incredible sense of rhythm in general and Jazzy swing in particular, which is quite rare. Her affinity to music originating beyond her native Polish / European sphere of influence is also quite remarkable. All these, combined with her unique expressionism as a singer and delicate, elegant, intricate vocal delivery make her one of my favorite singers of all times.

AMJ enjoys a superstar status in Poland, which usually is a sign of tasteless commercialism and total lack of any artistic values. Her ability to be extremely popular and at the same time produce first class music is therefore especially impressive. Although some snobbish Jazz circles in her country deem her commercial and populist, this is simply completely unjustified and probably a sign of narrow-mindedness if not worse. I find it hard to believe that anybody listening to this music would feel anything but total admiration, as it is simply perfect.

Updated: 26/01/2019Posted:

CD 3 Box Set Recommend To A Friend

ROLF KUHN ~ ROLF KUHN FEATURING KLAUS DOLDINGER (MOST PERFECT SOUND EDITION)
UNIVERSAL 602527224770 (Barcode: 602527224770) ~ GERMANY ~ Jazz
Recorded: 1962 Released: 2009

This is a reissue of a fabulous album recorded by German clarinetist / composer Rolf KuhnFind albums by this artist upon his return to Germany from his stint in the US, where he achieved his international recognition. He is joined by another upcoming (at the time) German Jazz musician, saxophonist Klaus DoldingerFind albums by this artist, who like Kuhn would be playing one of the leading roles on the German Jazz scene in the years to come. The two soloists are accompanied by German organist Ingfried HoffmannFind albums by this artist and a Dutch rhythm section comprising of bassist Hermann SchoonderwaltFind albums by this artist and drummer Cees SeeFind albums by this artist. Together the quintet performs twelve tunes, one of which is an original composition by Kuhn and the rest are compositions by German Jazz composers (no American standards are used).

The music is almost completely within the Swing idiom, which Kuhn perfected during the years he played in the US, but the sound is somewhat different from the American model: the improvisations are less constrained to the basic melody lines and the combined sound of the clarinet, saxophone and organ is more modern than the sound of typical American Swing combos at the time. There are traces of Bebop on one hand and Rhythm And Blues on the other, and the overall feel of the quintet is fresh and wonderfully sparkling.

Although recorded well over half a Century ago, this music lost absolutely nothing of its charm and intrinsic beauty. The performances are perfect in every way and the wonderful melodies are evergreens, which withstand the passing of time effortlessly. This album is an extraordinary document of the time of its making, beautifully preserved and even enhanced by today´s remastering techniques.

Overall this album is a superb piece of music, which documents the early days of German / European Jazz and enables the listeners to discover the early work of Rolf Kuhn and Klaus Doldinger, two of the brightest European Jazz stars, who made an enormous contribution to the genre over the years. This album is a must for all Kuhn fans and listeners interested in the history of European Jazz, not to mention of course Swing lovers, many if which are still among us, even if they don´t admit it.

Updated: 08/05/2023Posted: 10/01/2017

CD 1 Oversampling Remastered Recommend To A Friend

PINK FREUD ~ MONSTER OF JAZZ
UNIVERSAL 602527377025 (Barcode: 602527377025) ~ POLAND ~ Jazz
Recorded: 2009 Released: 2010

This is the 7th album by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. This album was recorded by an expanded sextet version of the group, which includes, apart from the leader, trumpeters Adam Milwiw-BaronFind albums by this artist (son of the great Polish saxophonist Piotr BaronFind albums by this artist) and Tomasz ZietekFind albums by this artist, saxophonist Tomasz DudaFind albums by this artist, vibraphonist Jerzy RogiewiczFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist. Of all the Pink Freud albums, this is the most "radical" one, with the electronics, dub and jungle elements taking the lead, pushing the Jazz improvisations aside considerably. As a result this album will be probably the least "appealing" to listeners with a strong Jazz background. Of the twelve tracks present on the album, eleven are original compositions by the group members and the remaining one was adopted from a composition by the British electronic duo AutechreFind albums by this artist, a choice which hints as to the general direction of this album. Although there is plenty of inspired blowing by the horns, the overall mood is somewhat hectic and lacks a clear musical direction. There is an apparent absence of well formed melody lines, which characterized the groups´ earlier outings. As much as the group´s intention to continue their restless journey in search of new expressions is commendable and admirable, it often is a treacherous path which could lead to disaster if moderation is not applied. One must hope that they will re-invent themselves anew with their future efforts, leaving this one behind as a document of their quest. Of course there is plenty of music here to be enjoyed and the album is worth listening to, even if one somehow expects something more from such a great group.

CD 1 Digipak Recommend To A Friend

ANNA MARIA JOPEK ~ LUSTRA
UNIVERSAL 602527835242 (Barcode: 602527835242) ~ POLAND ~ Jazz-World Fusion
Recorded: 2010 - 2011 Released: 2011

Polish vocalist extraordinaire Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist) never stops to amaze her faithful fans and devoted listeners, but this, her latest Box Set (or rather book set), which consists of not one, not two but three full-fledged musical projects released simultaneously, is simply awe-inspiring. The three projects, entitled "PolannaFind albums with this title", "HaikuFind albums with this title" and "SobremesaFind albums with this title", were also released separately, but this set includes all three of them packaged with a marvelous book full of photographs and background information, elegantly designed and exquisitely printed, in a format similar to her previous 3 CD set "Dwa Serduszka Cztery OczyFind albums with this title", released three years earlier.

The three projects, although diametrically different from each other, form a coherent "whole", which reflects AMJ´s complex artistic vision of this world, which bridges different cultures, traditions and backgrounds, finding the common beauty in all of them, and engulfing her inner spirit. Obviously she feels completely "at home" with her music, regardless if it is rooted in the Polish melancholy, Japanese introversion and minimalism or Portuguese / African pulsations. Spanning the entire world this music is simply a living proof that geography, language and nationality have absolutely no meaning when artistic expression is concerned.

As usual AMJ is surrounded by excellent musicians, some from Poland, other from around the world. The list is very long and can be studied by reading the book, but the most significant names include Japanese pianist / composer Makoto OzoneFind albums by this artist, Cuban pianist / composer Gonzalo RubalcabaFind albums by this artist, American keyboardist / producer Gil GoldsteinFind albums by this artist and many more. Polish musicians include, among others, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The music on all the albums is superbly recorded and mastered, being not only perfect musically but also sublime sonically even to the most uncompromising sound quality connoisseurs. This is a "total" listening experience, which is so incredibly rare these days.

I must say that every time I confess my love of AMJ´s work my Jazz friends give me a "funny" look, which I find often infuriating. This is not Free Jazz, it´s not freely improvised music, and in fact it is only marginally Jazz at all, or rather a Jazz-World Fusion. So what? I find it fulfilling, challenging, aesthetic and meaningful nevertheless. The fact that this music can be enjoyed by a wide circle of listeners without losing an iota of quality and dedication testifies of its inherent value, which I´m always ready to defend.

So overall this is a serious piece of excellent music, diverse and surprising, deeply heartbreaking at times and unboundedly cheerful at others, but always honest and straight to the point, again a rare quality these days. Keep doing what you are doing girl, never look back!

Updated: 26/01/2019Posted:

CD 3 Box Set Recommend To A Friend

KRZYSZTOF HERDZIN ~ LOOKING FOR BALANCE
UNIVERSAL 602527877860 (Barcode: 602527877860) ~ POLAND ~ Jazz
Recorded: 2010 Released: 2011

Polish pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is without a doubt not only the most versatile musician in his country, but also extremely prolific and obviously accordingly talented. He likes to work with as many different musical settings as possible, from a piano trio to large scale orchestral extravaganzas, seemingly with equal ease and success. This is one of such "out there" projects, which features Herdzin´s original music played by a Jazz ensemble and accompanied by a full scale string and woodwinds orchestra.

The ensemble comprises of Herdzin´s regular trio, with bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist, and three guests: guitarist Marek NapiorkowskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist and Swiss harmonica player Gregoire MaretFind albums by this artist (of Pat MethenyFind albums by this artist Group fame), who is the featured soloist. The Sinfonia VivaFind albums by this artist Orchestra is responsible for the orchestral parts.

The music belongs broadly to the Jazz & Strings format, which of course was tried many times before. The Jazz ensemble plays a set of very melodic, relaxed and lyrical compositions, taking solos in turn, with Maret being the principle soloist. The harmonica is relatively rarely used as a solo instrument in the Jazz framework and with the exception of a few known cases (most notably the Belgian Toots ThielemansFind albums by this artist) is usually associated with less challenging music. Of course in the hands (and mouth) of a very talented player it can sound quite virtuosic, as is the case here, but it adds another dimension of "sweetness" to the proceedings, which borders with overdoing it. Personally Baron´s contributions on this album are the most interesting, albeit being decisively too limited.

The orchestral arrangements are elegant and kept in good taste, playing only the second fiddle (pun intended) in the proceedings. Although excellently played and masterfully arranged, they seem to be merely ornamentation, contributing little to the actual musical content other than setting an atmospheric background. There is definitely a fine balance and cooperation between the ensemble and the orchestra, but full musical integration is not achieved here, perhaps purposely. Herdzin of course proves that he can easily handle the orchestral arrangements any way he pleases.

Overall this is a very nice album, which many listeners will find pleasing and enjoyable. For hardcore Jazz fans this might be a bit too sweet to swallow (especially those with diabetes like myself), but nevertheless it is professionally executed classy music, accessible to a wide audience, which definitely has its merits.

CD 1 Digipak Recommend To A Friend

FRANK SINATRA ~ THE CONCERT SINATRA (EXPANDED EDITION)
UNIVERSAL 602527968070 (Barcode: 602527968070) ~ USA ~ Classic Pop
Recorded: 1963 Released: 2012

This wonderful album by Frank SinatraFind albums by this artist, released unfortunately under a somewhat misleading title, is a studio recording (not as the title might suggest), made with a huge orchestra (arranged and conducted by the fabulous Nelson RiddleFind albums by this artist) and including material, which Sinatra did not perform usually on stage. What the "concert" part of the title did suggest was that this material is more "serious" and deserved to be performed in a concert hall. The huge orchestra and the exceptional care about the recording quality were all part of the same "serious" status applied to this recording. Whatever the original intentions were at the time, this album allows the listener a rare opportunity to hear Sinatra singing more challenging (both musically and lyrically) material, with he does wholeheartedly and admirably. Riddle´s marvelous orchestration turns each and every one of tracks into an instant classic and in retrospect this album retains all its original beauty and aesthetic finesse.

CD 1 Remastered Bonus Tracks Recommend To A Friend

FRANK SINATRA / COUNT BASIE ~ THE COMPLETE REPRISE STUDIO RECORDINGS
UNIVERSAL 602527968872 (Barcode: 602527968872) ~ USA ~ Jazz
Recorded: 1962 - 1964 Released: 2012

Every time I hear Frank SinatraFind albums by this artist sing, my heart melts and yet at the same time I get mad remembering what so many sanctimonious Jazz critics had to say about him and his contribution to Jazz. Let me tell you smug ignoramuses: Sinatra had more feel for Jazz in his pinky than most other Jazz vocalists you rave about. Anybody with a pair of ears used as musical devices rather than decoration will tell you that these recordings by Sinatra, accompanied by the divine Count Basie OrchestraFind albums by this artist, are pure, unadulterated Jazz classics, which stand the test of time better than most others recordings of the era. This album brings together the two studio albums Sinatra made with Basie: "An Historic Musical FirstFind albums with this title" (arranged and conducted by Neal HeftiFind albums by this artist) and "It Might As Well Be SwingFind albums with this title" (arranged and conducted by Quincy JonesFind albums by this artist), recorded a couple of years apart in the early 1960s, when both Sinatra and Basie were at their absolute artistic peak. The repertoire includes many Sinatra classic standards, which he performed repeatedly over the years live, with these particular versions being definitely remarkable. An absolute classic!

CD 1 Remastered Recommend To A Friend

PINK FREUD ~ HORSE & POWER
UNIVERSAL 602537026203 (Barcode: 602537026203) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2012

This is the 8th album by Polish ensemble Pink FreudFind albums by this artist, one of the country´s top acts both in the Jazz and non-Jazz spheres. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base home and abroad. This album was recorded in a new quartet lineup, which features, alongside the leader, trumpeter Adam Milwiw-BaronFind albums by this artist, saxophonist Tomasz DudaFind albums by this artist and for the first time new drummer Rafal KlimczukFind albums by this artist. All the ten tracks on this album are original compositions by the group members with Mazolewski being credited or co-credited for all but one composition. In full contrast to their last album ("Monster Of JazzFind albums with this title"), recorded almost three years earlier, this album is a complete stylistic "about face", marking the group´s return to almost acoustic Jazz, with the electronic, dub and other non-Jazz elements completely gone. Of course this is still Pink Freud, with their unique brand of post-Yass, characterized by non-Jazz rhythm patterns, nonchalant treatment of chord changes and other signs of the "coolness" poise, but also full of passion and surprising ventures into Free Jazz soloing and funky bass parts, all of these happening out of the blue, which of course is absolutely marvelous, if one likes such atypical musical approach. And those great melodies, which were almost completely lost on the preceding album, are back, haunting the listener, turning him into a humming zombie. People familiar with Mazolewski´s activities should not be taken by complete surprise by this album, since his excellent solo album "Smells Like Tape SpiritFind albums with this title", released in between the two last Pink Freud albums, already hinted as to the return of the prodigal son to Jazz. So here we have a group that changes like the proverbial chameleon, adopting to contemporary developments and returning to the tradition, and yet managing to keep their musical originality and integrity intact, which is definitely a great accomplishment. Above all, this music, apart for its quality, intelligent compositions and excellent execution, manages to be such fun. Imagine hearing this stuff live and one can understand why the group mesmerizes audiences all over the world taking no prisoners. So regardless if this music is driven by horse power, steam power or nuclear power, it is worthy of music connoisseurs attention and should not be missed, for fun´s sake. Brilliant stuff!

CD 1 Mini-Sleeve Recommend To A Friend

KRZYSZTOF HERDZIN ~ JESTES SWIATLEM
UNIVERSAL 602537293872 (Barcode: 602537293872) ~ POLAND ~ Jazz & Poetry
Recorded: 2012 Released: 2013

The Jazz & Poetry sub-genre is one of the pillars of Polish Jazz in particular, but also Polish Music in general, as it appears on the scene in many variations and crosses genre boundaries between Pop, Rock and Jazz since many decades. The abundance of great poets and poetesses as much as composers and performers, the intrinsic Polish lyricism and melancholy and the intellectual elitism of Polish Art evidently produce a fruitful ground for such meetings between words and music, which happen in the Polish Culture more often then anywhere else in the world.

This album by celebrated Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is his contribution to the Jazz & Poetry legacy. It presents eight original compositions and one arrangement of a song by the Polish 19th Century Romantic composer Karol KurpinskiFind albums by this artist to the words of a late 18th / early 19th Century poet Franciszek KarpinskiFind albums by this artist, the father of Polish Sentimentalism. Of the eight compositions by Herdzin, one (the title track closing the album) is an instrumental and the others have lyrics by contemporary Polish poets: Konstanty Ildefons GalczynskiFind albums by this artist (one of my favorite Polish poets) and Kazimierz Przerwa-TetmajerFind albums by this artist.

Herdzin assembled a dreamy team to record this music, which features him on keyboards and a plethora of other instruments, bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist. Guitarist Marek NapiorkowskiFind albums by this artist guests on five tracks. The vocal tracks are sung by the legendary Anna Maria JopekFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Grzegorz TurnauFind albums by this artist. Herdzin himself sings on one track and adds background vocals on two more.

In spite of the truly excellent instrumental accompaniment and no less excellent vocals, the focus of this album is the original music, which spotlights Herdzin´s talent as a composer. Diverse and often even contrasting in the many tempi and cross-genre excursions, from deep lyricism to exotic World Music themes, this music remains constantly beautifully melodic and round. It fits the various poems used as the lyrics perfectly, which is always a great challenge for any composer. Even though Herdzin is still a relatively young musician, his enormous experience and his many talents come to full fruition herein.

The instrumental work is pretty exciting as well, with Herdzin changing instruments more often that he changes his socks, playing all of them quite well, Kubiszyn playing some very nasty fretless bass parts that make the hair on your neck curl, Konrad keeps the entire ensemble rolling like only he can, and Napiorkowski adds some superbly tasty ornamentation. All three (or four in fact) vocalists are without reproach, with Jopek being (for me) divine as always, but the others not falling behind by any means. Turnau, who specializes in the Jazz & Poetry niche, sings most of the vocals, always with sensitivity and exquisite diction.

So here we have it, another great album by Maestro Herdzin, whose inexhaustible energies know no limits. Jazz & Poetry buffs will of course love this to bits, but for any cultural music connoisseur this is a piece of music worthy admiration and a source of many pleasurable moments.

Updated: 01/01/2016Posted:

CD 1 Digipak Recommend To A Friend

STANISLAW SOJKA ~ W HOLDZIE MISTRZOWI - LIVE
UNIVERSAL 602537329854 (Barcode: 602537329854) ~ POLAND ~ Blues-Rock
Recorded: 2013 Released: 2012

This is a live recording of a concert by veteran Polish Blues / Jazz / Rock vocalist Stanislaw SojkaFind albums by this artist (a.k.a. Soyka) and his band, performing songs by Poland´s greatest ever singer / composer Czeslaw NiemenFind albums by this artist. Niemen composed all the nine songs performed here, three of which also have his lyrics and others are by other lyricists or poems written by Polish poets. Sojka also plays piano and the band comprises of seven players, including a brass section, and a guest guitarist Tomasz JaskiewiczFind albums by this artist, original member of the band AkwareleFind albums by this artist, Niemen´s first group, which recorded many of these songs originally.

Considering Niemen´s legendary status on the Polish scene, any attempt to tackle his material is a priori a potentially perilous affair. No other Polish vocalist managed, in the decades that followed, to come even close to Niemen´s power of expression and vocal virtuosity. Therefore this album, although a tribute, faces enormous challenges, which unfortunately prove insurmountable even to such an experienced and talented artist as Sojka. Niemen´s songs needed to be rearranged quite radically in order to fit within Sojka´s vocal range. In addition the instrumental accompanied was updated, which distances the songs from their original Rock setting and places them into a comfortable middle-of–the-road relaxed Pop setting with slight Jazzy overtones. Overall the album sounds incredibly nice, which of course is its key problem; Niemen´s music might mean many different things to different people, but "nice" was never among them.

The music is played perfectly and beautifully recorded, with a warm, clear sound quality, especially so for a live recording. The audio CD is accompanied by a DVD capturing the same concert, so the listener has a choice of just listen to or also watch the proceedings.

Personally, I find little affinity for this project, which simplifies and even to some extent trivializes the original songs in my opinion, but I´m sure many others will find this a most pleasurable listening experience. Luckily I still have the original Niemen recordings to keep the memory alive and the fire burning.

CD+DVD 2 Digipak Recommend To A Friend

SLAWOMIR JASKULKE ~ MOMENTS
UNIVERSAL 602537345595 (Barcode: 602537345595) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013

This is the fifth solo album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist and his second solo piano recording. Jaskulke has been a dominant figure on the young Polish Jazz scene since the turn of the Century, participated in numerous projects and recorded over thirty albums, mostly as a sideman. This album presents eight original compositions by Jaskulke the composer, which all receive an extended treatment by Jaskulke the pianist.

The immediate impression of the music on this album is quite surprising, especially to people who are familiar with Jaskulke´s earlier recordings. It seems he went through a deep transformation over time, during which the Classical music influence won over his initial focus on Jazz, taking him towards new pastures. One might even quite seriously wonder if this music is Jazz at all; a serious question not about how to label this music, which of course is irrelevant, but how to react to it aesthetically. A sort of question one might also ask about the solo piano works of Keith JarrettFind albums by this artist, where there is no clear answer to that dilemma. The music is melodic, lyrical and melancholic, with few, if any, rhythmic changes. After stating the melodic theme of each composition, Jaskulke enters a hypnotic, dreamlike phase of variations (rather than improvisations), returning intermittently to the melodic theme. Any listener, without prior knowledge of the artist involved, would most probably come to the conclusion that this is contemporary Classical piano music.

Gone is Jaskulke´s percussive attack on the keyboard, his long arpeggios and his youthful carefree chutzpah, all to be replaced by poise, introvert soul-searching and almost lethargic delivery. Obviously his excellent technique as a player is still very much there, but it is less dazzling and flamboyant. Are we talking about "growing up" I wonder, a wiz-kid becoming a celebrity? I have no answers only a lot of questions, but it seems a bit early in his career to "take it easy".

At least the music is all beautifully recorded, with an incredible sound quality, ambience, balance, separation, etc. A Steinway and a superb recording engineer are always worth their cost in gold. This is (sound wise) as good as any ECM recording!

I´m pretty sure this album will win many ecstatic reviews and make numerous listeners very happy. Good for them! It probably even deserves it; and it must be simply me looking for the imperfections of the universe. Talking of which I wonder is the fact that several albums I didn´t fall head over heels in love with lately were all released by UniversalFind albums on this label Music Polska? A coincidence, one wonders?

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MICHAEL PATCHES STEWART ~ ON FIRE
UNIVERSAL 602537537594 (Barcode: 602537537594) ~ USA ~ Pop & Rock
Recorded: 2012 Released: 2013

Although released under the name of American Jazz trumpeter Michael Patches StewartFind albums by this artist, this is in fact a product of cooperation between American and Polish Jazz musicians. The Americans also include saxophonist Kenny GarrettFind albums by this artist, keyboardist George DukeFind albums by this artist (on one track only), drummer Poogie BellFind albums by this artist and a few others. The Poles are represented by bassist / keyboardist Robert KubiszynFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, keyboardist Pawel TomaszewskiFind albums by this artist and others. The album comprises of eight tracks, four of which were composed by Kubiszyn and the remaining four by American composers. One track includes vocals.

The music has almost nothing to do with Jazz and is a kind of instrumental Soul / Funk with only marginal Jazzy touches. The melodies are completely banal and unremarkable and the improvisations shallow. The performances are well executed, which is not surprising considering the level of the musicians involved and their professionalism. However the overall result is pretty miserable, screaming "muzak" and "elevator music" from start to finish. Why such talented musicians would stoop so low is completely beyond me and I hope they´d all rather forget this disaster ASAP.

What a waste of talent!

ANNA GADT ~ BREATHING
UNIVERSAL 602537564392 (Barcode: 602537564392) ~ POLAND ~ Jazz
Recorded: 2012 - 2013 Released: 2013

This is the third album by Polish Jazz vocalist Anna GadtFind albums by this artist (a.k.a. Ania StepniewskaFind albums by this artist) and her first collaboration with the fabulous RGGFind albums by this artist trio: pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album consists of eleven original songs, ten of which were composed by Gadt and nine of which feature her lyrics, all in English. The tenth song uses a quote by American poet Ralph Waldo EmersonFind albums by this artist, combined with another quote by American opera singer Beverly SillsFind albums by this artist, with the entire quote credited only to Emerson? The remaining song was composed by Garbowski and features lyrics by Polish poet Miron BialoszewskiFind albums by this artist. The album was recorded at Poland´s finest recording facility, Studio Tokarnia, engineered as usual by the man with a pair of best ears in Poland, the studio owner Jan SmoczynskiFind albums by this artist.

At the first glance this album had the potential to achieve the status of one of the best Polish Jazz recording in 2013: the finest Polish Jazz piano trio active on the scene, fascinating music, highly sensitive vocal delivery, superb sound quality, in short a dream come true. Sadly this potential proved to be unfulfilled as a result of committing one single mistake, the same unforgivable mistake which hunts the Polish Jazz vocal scene consistently since decades, namely the unexplainable desire to sing in English. Why on earth would anybody, who is not a natural English speaker, want to sing in that langue is a total mystery to me? It is plainly obvious that the articulation, the pronunciation and the accent will be always against you, so why even try? Time after time all Polish Jazz vocalist fall into the same trap and nobody´s learning; what a pity. This album is no different; the vocals sung in English sound odd, unnatural and even bizarre at times. As if to prove the case, the only song with the Polish lyrics is simply heavenly and untouchable, as are the moments when Gadt is utilizing wordless vocalese. On the bright side, the music composed by Gadt is simply excellent from start to finish. Intelligent, atmospheric, versatile, moving, in short she made no mistakes whatsoever in that department and deserves all the praise.

Of course there are plenty of wonderful moments left to be enjoyed. The trio plays delightfully from start to finish and stands up to the challenge of accompanying a singer, which is quite different and in many respects more difficult that playing by themselves. Together with their astounding album "SzymanowskiFind albums with this title" released earlier this year, these two recordings firmly reassure their prime and unchallenged standing, which withstood the ground shaking personnel change they went through. They are simply beyond words. The way the trio improvises "around" the songs Gadt composed is simply a genius at work. In spite of the problem created by singing in English, Gadt is obviously a great vocalist, with exquisite sensibility, musicality and musical intelligence. All these qualities come through against all odds in these circumstances. One can only imagine what a brilliant, superb album this would be if she had decided to use Polish lyrics.

All things considered this is an amazing album after all, even magnificent at times. A magnificent failure? Well not quite, simply just another step on the long way which has no beaten tracks and leads to a place worth going. You win some, you lose some, c´est la vie…

CD 1 Slipcase Recommend To A Friend

DEEP PURPLE ~ MADE IN JAPAN (LIMITED EDITION SUPER DELUXE BOXED SET)
UNIVERSAL 602537696383 (Barcode: 602537696383) ~ UK ~ Classic Rock
Recorded: 1972 Released: 2014

This is the expanded reissue / remix of the seminal live album by iconic British Rock group Deep PurpleFind albums by this artist, recorded in Osaka and Tokyo during three consecutive nights on August 15, 16 and 17, 1972. The album was recorded by the original Mk II lineup of the group with vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist.

The Box Set presents the full concerts played during the three nights on CD1 to CD3 and the encores of all three nights on CD4. There is also a DVD with a documentary about these concerts and other material, as well as a replica of a 7” Vinyl single released in Japan during the tour and a plethora of printed materials.

The set list of the three concert is identical, as are the encores (with one exception). This provides the fans with an opportunity to compare these concerts looking for subtle (and sometimes less subtle) differences between them. Of course, every live concert is different from another, but the creativity of these musicians is truly amazing and in fact they are able to create many variations of the same tunes in a most astonishing way.

This album has been hailed for generations as “the best live Rock album of all time”, and it certainly deserves an honorable place on a pedestal of most memorable live recordings for its sheer power, ingenuity and brilliant music, uniquely combined into one. The new remixes might surprise listeners, who have listened to the earlier versions of this album (and who hasn’t?), as it offers a much more detailed separation between the instruments and clear sound. Of course even if you already have an earlier version, this Box Set is worth having, except for the fact that it now has an astronomical price rag.

Overall, this is a monumental historic Rock document, which is an essential part of every decent Classic Rock record collection, not necessarily in this expanded version. If your wife is bothering you about wasting money on buying records, tell her that this album is now worth over ten times as much as you paid for it ten years ago ;) Best investment ever!

Updated: 06/02/2024Posted: 06/02/2024

4CD+DVD+VINYL SINGLE 6 Box Set Remastered Bonus Tracks Essential Recommend To A Friend

DEEP PURPLE ~ MADE IN JAPAN (DELUXE EDITION)
UNIVERSAL 602537696406 (Barcode: 602537696406) ~ UK ~ Classic Rock
Recorded: 1972 Released: 2014

British Rock legends Deep PurpleFind albums by this artist, in their second incarnation called Mk II, were one of the definitive bands of all times and this live recording captures the band at their absolute peak form, resulting in an iconic album which is an integral part of the pantheon of live Rock albums. The band was an incredible amalgamation of talent and included the fierce rhythm section: bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist, two absolutely stupendous instrumentalists: organist Jon LordFind albums by this artist and guitarist Ritchie BlackmoreFind albums by this artist and a charismatic, energetic and unstoppable vocalist Ian GillanFind albums by this artist. Between them they also shared a rare ability to write incredible catchy riffs that stuck with the listener forever and some of the most beautiful Rock melodies ever composed. As a result at that time they had only very few competitors to the "Kings of Rock" title.

Originally this album was released as a double LP, a tradition that started in the late 1960s and continued for the decade to come, with most top Rock acts releasing at least one double live album during their career. The album included seven original Deep Purple tunes, originating from the three studio albums that preceded this recording: "In RockFind albums with this title", "FireballFind albums with this title", and "Machine HeadFind albums with this title". The average playing time of each of these tunes is over ten minutes, which means these were expanded versions, full of long solo spots, improvised passages and a general mayhem and race with the devil. The level of musicianship, energy, inventiveness and sheer stunning brilliance is simply astounding.

This Deluxe edition of the album adds a second CD of previously unreleased material recorded at the same concerts that produced the original album, and includes mostly encores the band played at the time. It includes songs which were not included on the original album, one of which is the band´s cover of a classic Rock song (they rarely played covers so this is a treat). Of course one can only speculate when the complete recordings done on the three nights in Japan will be released in their entirety.

In retrospect this is a piece of the Holy Grail, which appeared on earth for a brief decade and then was lost again. Nobody makes music like this any more and probably nobody will ever do. Thank God for sound recording and record labels for sharing this Ambrosia with us (for a fee, mind you). I pity the generations that came after ours for being ignorant of this music´s existence.

CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

ANNA MARIA JOPEK / GONZALO RUBALCABA ~ MINIONE
UNIVERSAL 602557398083 (Barcode: 602557398083) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017

Polish Diva Anna Maria JopekFind albums by this artist reached a stage in her career, which places her outside the helter-skelter of the local music scene, basically free to do whatever she loves to do. This magnificent album is a result of her desire to re-examine the Polish popular music of the pre-WWII period, the music of her Grandmother and the music of Warsaw, the Warsaw Tango, which thrived in the city´s nightclubs but was also on the lips of Warsaw people during their daily mundane lives. The passionate songs about love, desire, betrayal and despair and love again, which squeezed tears from women´s blue, black, green or brown eyes since the beginning of humanity.

These songs were written by such highly talented composers like Wladyslaw DanFind albums by this artist (Danilowski), Zygmunt BialostockiFind albums by this artist, Jerzy PetersburskiFind albums by this artist, Artur GoldFind albums by this artist and others and featured lyrics by poets like Andrzej WlastFind albums by this artist, Julian TuwimFind albums by this artist, Zenon FriedwaldFind albums by this artist and others; and yes they were mostly Polish Jews, which means that many of them did not survive the Holocaust: Bialostocki, Gold and Wlast perished in the Warsaw Ghetto or in concentration camps. Therefore this album is not only a tribute to the Polish Tango, but also homage to its creators.

The album´s eleven tracks present eight Polish evergreens, one classic non-Polish song, which Jopek performs as a vocalese, and two short piano fragments related to two of the songs. Jopek selected an ideal partner for this recording in the brilliant Cuban pianist Gonzalo RubalcabaFind albums by this artist, whose virtuosity but more importantly incredible sensitivity and understanding of the tango rhythmic intricacies turn this album into a true masterpiece. The rhythm section consists of two renown Cuban musicians: bassist (electric and acoustic) Armando GolaFind albums by this artist and drummer Ernesto SimpsonFind albums by this artist. Together, in the minimal vocals / piano trio format, they create their magic, delicate, somewhat subdued and melancholic, but always directly penetrating the soul.

This album stands out on its own in many respects, beyond comparison and competition, a mature piece of Art, which immediately enters the Polish Jazz vocal Hall of Fame, even if Jazz is not really its focal point. Jopek´s interpretations of these songs could be considered theatrical rather than straightforward Jazzy, but combined with the exquisite accompaniment the album stays within the Jazz idiom for the entire duration.

And most importantly, as usual in such cases, is the fact that this is not just one more vocal Jazz album; it is way more in every sense: aesthetic, conceptual, historical and cultural. It is a symbol of good taste, respect of one´s tradition and roots, continuity and Artistic consistency, being a true beacon of Polish Culture in the best meaning of the term. My deepest heartfelt thanks to you my Dear Anna Maria!

Updated: 15/09/2017Posted: 15/09/2017

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MATEUSZ SMOCZYNSKI ~ BEREK
UNIVERSAL 602557610710 (Barcode: 602557610710) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017

This is the third album as a leader by Polish violinist / composer Mateusz SmoczynskiFind albums by this artist, recorded again in a quintet setting with guitarist Konrad ZemlerFind albums by this artist, his older brother pianist Jan SmoczynskiFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. The album presents twelve original compositions, one of which is repeated twice, seven of which were composed by Jan Smoczynski, two were composed by Mateusz Smoczynski, two were co-composed by the Smoczynski brothers and one is credited to all five members of the quintet. The album was recorded in the legendary Studio Tokarnia and engineered by Jan Smoczynski, with spectacular sound fidelity.

In the last decade Mateusz Smoczynski, both as a solo artists and member of the already legendary Atom String QuartetFind albums by this artist, has been consistently paving his way to the Top of the Polish Jazz violin school, which has very little competition in any other part of the world. That top, extremely overcrowded by young musicians, is simply exploding with talent and incredible dexterity, to the delight of Jazz lovers, both in Poland and the world over, and is just one of the symptoms that characterize the Polish Jazz scene in general.

On this album Mateusz Smoczynski does not have to prove anything anymore, and therefore he is able to concentrate on his total delivery of the music, his personal style and the finesse of his skills. The exquisite compositions by Jan Smoczynski suit ideally his expressive style and their intrinsic elegance and lyricism, as well as superb Swing are simply ideal vehicles for the music to come forward.

Of course he is splendidly supported by the members of the quintet, all of which are Top Polish Jazz players with extensive experience and outstanding talents. The almost completely acoustic sound of the album allows for delicate and intricate interactions between the musicians, full of mutual respect. The round sound of the quintet, and the blooming sound quality, create a wonderful aural experience, which should leave no listener cold.

The music is a wide amalgam of many influences, none of which are particularly dominant, but to a sensitive ear are obviously audible, such as some Classical stylistic hooks, Polish Folklore motifs, tribute to past Polish Jazz violin legends, and many others. Of course these elements are perfectly well balanced and manage to create a new entity, which simply speaks for itself.

Overall this is a "perfect" album, one that has nothing that should be changed or added to it in any sense. It is beautifully performed and offers wonderful music, full of European aesthetics. There are no false pretences, no exhibitionism and no boring derivative fillers, just honest, straightforward great music from start to finish. So far definitely one of the best offers in 2017 that landed on my desk (or in my ears). Chapeau bas!

Updated: 25/05/2017Posted: 25/05/2017

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PETER FRAMPTON ~ ALL BLUES
UNIVERSAL 602577644245 (Barcode: 602577644245) ~ UK ~ Blues-Rock
Recorded: 2019 Released: 2019

This is the 17th solo album by legendary British guitarist / vocalist / songwriter Peter FramptonFind albums by this artist, recorded with his regular band, which includes keyboardist Rob ArthurFind albums by this artist, guitarist Adam LesterFind albums by this artist, drummer Dan WojciechowskiFind albums by this artist and bassists Glenn WorfFind albums by this artist or David LabruyereFind albums by this artist. Several guest musicians appear on selected tracks. The album presents ten tracks, all Blues classics and obviously Frampton’s favorites.

Following almost six decades of music career as member of The HerdFind albums by this artist and Humble PieFind albums by this artist, and a solo artist since 1971, which produced, among others, one of the top live Rock albums of all time, the iconic “Frampton Comes AliveFind albums with this title”, Frampton returns to his youth influences, paying tribute to the Blues. The selection of songs is impeccable and his abilities as a guitarist and vocalist, despite the diagnosed illness, are still absolutely stunning. The Blues was always an essential part of his musical persona, and this album proves why.

An interesting choice of including Miles DavisFind albums by this artist’ “All Blues”, as one of the covers and the album’s title, which gests a sensational rendition herein, emphasizes the omnipresence of the Blues in all forms and shapes of music.

Overall, this is a wonderful Blues Rock album, with superb guitar work, heartfelt vocals and a tinge of nostalgia, which no Blues fan ignore. Chapeau bas to one of the heroes of my youth, who still kicks ass way more convincingly that anybody half his age, despite the fact that our days are numbered!

Updated: 21/02/2024Posted: 21/02/2024

RICK WAKEMAN ~ NO EARTHLY CONNECTION
UNIVERSAL JAPAN 9295 ~ UK ~ Progressive Rock

5th solo album from 1976. After 4 extravagant epics from Six Wives to King Arthur, this is a much more `laid back` album and perhaps one of his best works of that period. The seven-piece bands that recorded the album (called the English Rock Ensemble) is tight and supportive and the methaphysical subject matter (yes it is another concept album) is well suited by the music.
Limited Edition

CD 1 Mini-Sleeve Remastered Recommend To A Friend

MAGNA CARTA ~ SEASONS
UNIVERSAL JAPAN 9299 ~ UK ~ Folk-Rock

2nd album from 1970 by this superb UK folk / Prog group led by Chris Simpson. Although rooted in the British folk, they were a true early Prog band in every respect. The music is lyrical and richly orchestrated and the 22 minutes suite `Seasons` is a masterly work and a prime example of the genre. What a delight to hear it now and see how well it kept over the years.
Limited Edition

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MAGNA CARTA ~ SONGS FROM WASTIES ORCHARD
UNIVERSAL JAPAN 9300 ~ UK ~ Folk-Rock

3rd album from 1971. If `Seasons` was suberb, this album is even stronger in every respect. Strengthened by the addition of the guitarist extraordinare Davey Johnstone the group reaches a fully developed sound. The material is excellent all the way through, with many beautifully stylized folk ballads, sung and played with gusto and perfection. A gem!
Limited Edition

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MEDICINE HEAD ~ HEAVY ON THE DRUM
UNIVERSAL JAPAN 9440 ~ UK ~ Classic Rock

2nd album from 1971 by this UK group. Founded in 1968, they started as a blues / rock duo but soon evolved into a full rock outfit. This album was produced by former Yardbirds / Renaissance member Keith Relf and is considered their best effort. The material is all solid and the playing vigorous and imaginative. The group scored several hit singles and disbanded in the mid `70s, but re-formed in 2004..
Limited Edition

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EARTH AND FIRE ~ EARTH AND FIRE
UNIVERSAL JAPAN 9462 ~ NETHERLANDS ~ Progressive Rock

1st album from 1969 by this legendary Dutch group, who were considered a continental answer to Pink Floyd and Genesis. This debut album is still very psychedelic and starting with the next one they will enter the Prog genre proper. Led by the Koerts brothers: Chris (guitars) and Gerard (keyboard) and fronted by singer Jerney Kaagman, Earth and Fire were surely on of the most interesting European groups. Roger Dean cover!
Limited Edition

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EARTH AND FIRE ~ SONG OF THE MARCHING CHILDREN
UNIVERSAL JAPAN 9463 (Barcode: 602498206270) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1971 Released: 2004

2nd album. By the time they recorded this album, which is often considered as their best, Earth and Fire developed into a proper Prog band with dominant mellorton and extended, complex and thematic suites, like the one (over 17 minutes long) on this album. The female vocals, not unlike Annie Haslam`s efforts (but alto) are quite fascinating. A masterpiece!
Limited Edition

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EARTH AND FIRE ~ ATLANTIS
UNIVERSAL JAPAN 9464 ~ NETHERLANDS ~ Progressive Rock

3rd album from 1973. The group creates here a full concept album (around the Atlantis myth), expanding further the Prog influence. Full of mellotron and some great guitar work, this is a typical symphonic Prog at its best. The female vocals fit the music perfectly and there is nothing else to to but to sit down, close one eyes and dive deep into the music. A gem!
Limited Edition

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LE ORME ~ COLLAGE
UNIVERSAL JAPAN 9465 ~ ITALY ~ Progressive Rock

3rd album from 1971. This great Italian Prog group started as a psychedelic influenced rock group in the 60s, but by the time they recorded this album they were already one of Italy`s most important Prog outfits. The trio format (keys, bass & drums) resembles of course ELP (and also Nice and Trace) and so does the music, but it is distinctive and original enough to deserve high prise.
Limited Edition

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LE ORME ~ CONTRAPPUNTI
UNIVERSAL JAPAN 9466 ~ ITALY ~ Progressive Rock

7th album from 1974. This legendary album is considered one of the highlights of Italian Prog. After adding guitar as the fourth instrument, the band developed their strongest and most advanced sound with played typical Italian symphonic Prog with lengthy and complex compositions, yet always preserving a strong melodic line. A must in every serious Prog collection!
Limited Edition

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JUMBO ~ JUMBO
UNIVERSAL JAPAN 9467 ~ ITALY ~ Progressive Rock

1st album from 1972 by this Italian Prog band. Recorded at the early days of the band`s formation, it does not come up to the full potential displayd on the band`s later excellent albums, but it is nevertheless quite a nice acheivment. Oroginally planned as a solo album by the group`s leader Alvaro Fella, whose nickname then became the name of the group. The orogonal vinyl albums is a collector`s item.
Limited Edition

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	SEBASTIAN HARDIE ~ FOUR MOMENTS (MS) UNIVERSAL JAPAN 9468 ~ AUSTRALIA ~ Progressive Rock 1st album from 1975 by this Australian group, the first and most famous Prog outfit from the 6th continent. Classic symphonic Prog in the Yes tradition, with well developed themes and lengthy instrumental passages. Very melodic and lyrical. Limited Edition
	CD 1 Mini-Sleeve Remastered Recommend To A Friend

SAVAGE ROSE ~ IN THE PLAIN
UNIVERSAL JAPAN 9469 ~ DENMARK ~ Progressive Rock

2nd album from 1969 by this Dannish outfit, which is probably the most famous Prog group from that country. They recorded a series of intriguing and eclectic albums in the late `60s and `70s, combining psychedelica, jazz and folk elements. Fronted by the lead singer Annisette, who had a very special timbre and sensual phrasing not unlike Janis Joplin. The group was also heavily involved in politics, supporting some radical political movements.
Limited Edition

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SAVAGE ROSE ~ TRAVELIN`
UNIVERSAL JAPAN 9470 ~ DENMARK ~ Progressive Rock

3rd album from 1969 by this Dennish Prog outfit. Recorded in New York during the group`s first US tour peaked by an appearance at the Newport Festival in 1969. By the time this album was recorded Savage Rose already earned a lot of respect in Europe and the extended 7 members line-up managed to record a landmark European album.
Limited Edition

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SAVAGE ROSE ~ WILD CHILD
UNIVERSAL JAPAN 9471 ~ DENMARK ~ Progressive Rock

8th album from 1973 and one before the last of their initial nine albums released till the end of the 70`s. By that time their music was almost entirely dominated by the composing skills of Thomas Koppel (who also composed conteporary classical music) producing finese well crafted melodies and excellent musicianship. The singer Annisette (who was to become Koppel`s wife) is in her usual best form here.
Limited Edition

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FAIRPORT CONVENTION ~ ANGEL DELIGHT
UNIVERSAL JAPAN 9483 ~ UK ~ Folk-Rock

6th album from 1971. Fairport Convention were among the most important pioneers of the British Folk / Prog and one of the most important bands ever in that genre. This is the first album recorded after Richard Thompson left the band to pursue a solo career, but the loss of their most important member did not make any dents in the group`s strength and this delightful album is one of their highlights.
Limited Edition

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FAIRPORT CONVENTION ~ `BABBACOMBE` LEE
UNIVERSAL JAPAN 9484 ~ UK ~ Folk-Rock

7th album from 1971 and the only concept album by FC, based on the life story of of John `Babbacombe` Lee, a Victorian-era condemned murderer. All songs are originals by the group members, except one traditional. This is probably the band`s most serious and complex album, but nevertheless it is as beautiful as all the others. An absolute classic of the Folk / Prog genre.
Limited Edition

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FAIRPORT CONVENTION ~ ROSIE
UNIVERSAL JAPAN 9485 ~ UK ~ Folk-Rock

8th album from 1973. After several more personell changes the bands still sounds great, especially with Dave Swarbrick on violin and previous members Sandy Danny and Richard Thompson (and his wife Linda) as guests. The sound and feel of this album is more `modern` and less folky, but the quality of the music and the musicians is excellent, as always with this group.
Limited Edition

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THOMPSON, RICHARD AND LINDA ~ I WANT TO SEE THE BRIGHT LIGHTS TONIGHT
UNIVERSAL JAPAN 9487 ~ UK ~ Folk-Rock

1st album from 1974 by this delightful duo. Richard Thompson was a founding member of Fairport Convention. He left the group in in 1972 and started a most successful solo career. After one solo album he teamed up with his wife Linda and they released several brilliant albums as a duo. This, their debut album, is considered one of the most important Folk / Prog albums of all times and an absolute masterpiece!
Limited Edition

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THOMPSON, RICHARD AND LINDA ~ HOKEY POKEY
UNIVERSAL JAPAN 9488 ~ UK ~ Folk-Rock

2nd album from 1975. Although their brilliant debut album was incredibly tough to follow, the Thompsons did a fantastic job to keep the same level of greatness on this one as well. An incredible collection of great songs and perfect execution make this a delightful album in every respect. Fans of Folk / Prog just can`t afford to miss this one!
Limited Edition

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SUNFOREST ~ SOUND OF SUNFOREST
UNIVERSAL JAPAN 9512 ~ UK ~ Progressive Rock

Only album from 1969 by this trio, which produced a one-off masterpiece of beautiful vocal harmonies based om medieval and renaissance music with a pinch of psychedelia and rock of course. The basic trio line-up is expanded by some string, brass and wind instruments, creating some truly wonderful music, similar to later efforts by Gryphon. The original album is a very rare collector`s item.
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CD 1 Mini-Sleeve Remastered Recommend To A Friend

ASHKAN ~ IN FROM THE COLD
UNIVERSAL JAPAN 9513 ~ UK ~ Progressive Rock

Only album from 1969 by this group. Early Prog based heavily on blues influences with some hard-rock elements. Not outstanding, compared to other music made at that time, but in retrospect the rough sound has its charm and the sound is so typical of the era. The original album is a very rare collector`s item.
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AARDVARK ~ AARDVARK
UNIVERSAL JAPAN 9514 ~ UK ~ Progressive Rock

Only album from 1970 by this proto-Prog band. Typical of many bands of the period, they mixed elements of Psychedelia and early Prog. As the band had no guitarist in their ranks, the instrumental emphasis is on the keyboards and therefore their music is compared often to Spring. Some influences are quite clearly evident, like Soft Machine and even early Pink Floyd, but they manage to establish their own identity. The original album is a very rare collector`s item.
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JERUSALEM ~ JERUSALEM
UNIVERSAL JAPAN 9515 ~ UK ~ Progressive Rock

Only album from 1972 by this group, which offers some bone-crunching hard rock, that being not surprising as the album was produced by no other than Ian Gillan of Deep Purple fame. As hard rock goes this is fine, but fails to break the boundaries of the genre and therefore is not exceptional in spite of the famous producer. The original album is a very rare collector`s item.
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CD 1 Mini-Sleeve Remastered Recommend To A Friend

SPRIGUNS ~ REVEL, WEIRD AND WILD
UNIVERSAL JAPAN 9516 ~ UK ~ Folk-Rock

3rd album from 1976 by this Folk / Prog group from Cambridge. Formed in 1974 as Spriguns of Tolgus, a British Folk group led by singer Mandy Morton, they soon acheived a solid following which led to the recording of 2 albums for Decca after a self produced cassette and album in 1974 and 1975 respectivly. The material is mostly traditional, with excellent arrangements and great instrumental performances, all this of course in addition to Morton`s superb vocals. The original album is a very rare collector`s item.
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SPRIGUNS ~ TIME WILL PASS
UNIVERSAL JAPAN 9517 ~ UK ~ Folk-Rock

4th and last album from 1977 by this Folk / Prog group led by the excellent singer Mandy Morton, who went on to form the Mandy Morton Band after Spriguns folded. The material is similar to the previous album, with many traditional folk tunes well arranged for the band and excellently performed. The original album is a very rare collector`s item.
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PRINCIPAL EDWARDS ~ ROUND ONE
UNIVERSAL JAPAN 9518 ~ UK ~ Progressive Rock

3rd and last album from 1974 by this group, which was formed in 1969 as Principal Edwards Magic Theatre by students of Exeter University as a multimedia enterprice including a rock group, dancers and light show. They were discovered by John Peel and recorded their first 2 legendary albums on his short-lived Dandelion label. On this last album the group kept only 2 original members. The original album is a very rare collector`s item.
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WORLD OF OZ ~ THE WORLD OF OZ
UNIVERSAL JAPAN 9519 ~ UK ~ Classic Rock

Only album from 1969 by this delicious Psychedelic band, which recorded this ultra rare collectors item on the legendary Deram label. The material is typical of the era, with whimsical lyrics loosely based on the Wizard of Oz story line, with some excellent melodies and great musicianship. What a pity this little gem was unavailable for so long, but now it shines even brighter in the remastered version.
Limited Edition

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

KROKE ~ REJWACH
UNIVERSAL MUSIC POLSKA 602508282867 (Barcode: 602508282867) ~ POLAND ~ Jazz-World Fusion
Recorded: 2018 Released: 2019

This is an album by veteran Polish Jazz-World ensemble KrokeFind albums by this artist, which consists of violist / multi-instrumentalist Tomasz KukurbaFind albums by this artist, accordionist Jerzy BawolFind albums by this artist and bassist Tomasz LatoFind albums by this artist. Percussionist Slawomir BernyFind albums by this artist guest on some of the tracks. The album presents ten original compositions three of which appear as reoccurring themes, together fourteen tracks, which were created as the soundtrack for the Warsaw´s Jewish Theatre performance of the spectacle "Rejwach", based on the book of the same title, directed by my Friend, Polish / American director Andrzej KrakowskiFind albums by this artist. All the music was co-composed by the Kroke members and their producer / sound engineer Dariusz GrelaFind albums by this artist.

The music is everything one can expect from Kroke, which in time reached the status of one of the leading ensembles active on the Polish scene, and which always emphasizes its empathy / connection with Jewish / Klezmer music in a most authentic, albeit at the same time completely original fashion. This music is completely up to date both in musical terms and its production approach, blending acoustic instruments with contemporary electronic sounds, as always with elegance and grace. Although the music has a distinct Jewish feel to it, it is also a rich amalgam of other influences, like Balkan and even Middle Easter tinges.

The themes are richly melodic, somewhat sentimental and lyrical, but never trivial or simplistic, which proves the true Artistry of its creators. "Rejwach" is a deeply charged spectacle and the music is in many aspects an antidote for the spectators, serving as a balancing factor between the often tragic subject matter and the world existing beyond the scene. It is undoubtedly one of the most successful and fitting original soundtracks created in Poland in the last few years.

But listeners, who had not been able to attend the theatre performance of "Rejwach" will be perfectly satisfied with listening to this album, which stands on its own ground perfectly securely as a separate piece of Art. Brilliantly performed by Kroke, superbly recorded and wonderfully put together, this is beautiful piece of music which is a true pleasure to listen to and surely deserves repeated periodic re-visits, as it is absolutely timeless and universal.

Hats off, my Friends!

Updated: 09/01/2025Posted: 07/11/2019

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ANNA RUTTAR ~ HEART MADE
UNIVERSAL MUSIC POLSKA 602547647313 (Barcode: 602547647313) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2015 Released: 2015

This is the debut album by Polish vocalist / keyboardist / songwriter Anna RuttarFind albums by this artist recorded with a core trio featuring guitarist Andrzej GondekFind albums by this artist, bass guitarist Wojciech GasiorFind albums by this artist and drummer Szymon MadejFind albums by this artist. Bassist Michal KapczukFind albums by this artist and kalimba player Bernard MaseliFind albums by this artist guest on one track each. The album presents ten original songs, all composed and arranged by Ruttar. She also wrote lyrics to nine of the songs and one song uses a poem by American poet E. E. CummingsFind albums by this artist. Nine of the songs use English lyrics and only one uses Polish lyrics.

The album is an excellent example of sophisticated Jazz-Pop Fusion, with the beautifully melodic songs dressed up in a Jazzy (and sometimes Bluesy) arrangements, superbly performed by the participating musicians. Combined with intelligent and meaningful lyrics, these songs are a great fun to listen to from start to end, presenting a truly exquisite collection of diverse, coherent, and rare quality music. The vocals / bass duet, which is the most Jazz oriented song on the album, is an instant classic and the solo track closing the album is perhaps a road sign for the future?

Ruttar has a nice, expressive voice and makes a good use of her vocal abilities throughout the album. My usual grunt about Polish vocalist singing in English is not really needed this time, as she does a good job with the English pronunciation and her foreign accent is rather charming. Nevertheless I would have preferred of course if the songs all had Polish lyrics, like the closing song of the album.

Instrumentally the album is pretty minimalist, and the most important, and by all means superb, contributions are by the guitarist, who plays some absolutely stunning licks here, all perfectly matched to the music. The rhythm section does an ideal job, being supportive, precise and professional, and most importantly not getting in the way.

Overall this is a superb debut effort, which sadly slipped under the radar when released, probably simply for the reason that it was too good to noted. I´d truly love to here more music from Ruttar, at the earliest convenience. Delightful stuff!

Updated: 07/10/2018Posted: 07/10/2018

DOROTA MISKIEWICZ ~ PIANO.PL
UNIVERSAL MUSIC POLSKA 602557206852 (Barcode: 602557206852) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016

This is a live recording of a gigantically ambitious project conceived by Polish Jazz vocalist Dorota MiskiewiczFind albums by this artist, which pays tribute to the Polish Jazz piano school, which spans several generations and is a sublime example of Polish / European Jazz tradition. The album presents twelve songs, one original by Miskiewicz and eleven "Polish standards" composed and written by the best Polish composers and lyricists, each performed by Miskiewicz accompanied by a different pianist and on eight of them also accompanied by the renowned Atom String QuartetFind albums by this artist. The list of the pianists reads like the who´s who of Polish Jazz: Michal TokajFind albums by this artist, Andrzej JagodzinskiFind albums by this artist, Lutoslawski Piano DuoFind albums by this artist, Bogdan HolowniaFind albums by this artist, Leszek MozdzerFind albums by this artist, Piotr OrzechowskiFind albums by this artist, Tomasz KalwakFind albums by this artist, Marcin WasilewskiFind albums by this artist, Krzysztof HerdzinFind albums by this artist, Dominik WaniaFind albums by this artist, Grzegorz TurnauFind albums by this artist (who also briefly sings) and Wlodzimierz NahornyFind albums by this artist. Saxophonist Henryk MiskiewiczFind albums by this artist (Dorota´s Father) guests on one song. The DVD (filmed during the concert), included in the package, adds the concert´s intro, outro and a couple of songs not included on the CD.

I am happy to say that I managed to have a more modest (with just three pianists) version of this project perform at the 2018 Singer Jazz Festival, which was extremely successful.

As expected, all the performances are absolutely wonderful, a typical example of European haute Culture, where music, words and stage performance are combined to deliver an overall experience, which is more than just a sum of its ingredients. The album moves between Jazz & Poetry and highly lyrical popular music, all expertly arranged and brilliantly executed, especially in view of the fact that it was captured live.

This album delivers exactly what it promises: an extraordinary panorama of Polish Jazz piano, full of elegance, virtuosity and flair. Miskiewicz moves with ease from one song to another, with a chameleonic change of moods and emotions, as appropriate for a great performer.

For lovers of Polish Jazz in general and Polish Jazz piano in particular, this album is a superb introduction to the subject. Even for listeners beyond the Polish language sphere, this music easily penetrates and language barriers and should be completely accessible to every music lover.

Updated: 14/09/2018Posted: 14/09/2018

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EWA LIPSKA / ZBIGNIEW PREISNER ~ 2016 DOKAD?
UNIVERSAL MUSIC POLSKA 602557360660 (Barcode: 602557360660) ~ POLAND ~ Sung Poetry
Recorded: 2016 Released: 2017

This is a live recording of a concert, which presents a series of compositions by composer Zbigniew PreisnerFind albums by this artist with texts by poetess Ewa LipskaFind albums by this artist. The music is performed by several vocalists, including Lisa GerrardFind albums by this artist, Edyta KrzemienFind albums by this artist and others, a large mixed choir and many instrumentalists, including pianist Dominik WaniaFind albums by this artist, organist Jozef SkrzekFind albums by this artist, percussionist Slawomir BernyFind albums by this artist and others. Both Lipska and Preisner also contribute spoken / sung parts. The 2CD album presents twenty-two tracks, which are also available on the enclosed DVD.

The music, which encompasses Classical, Folkloristic and Popular music elements, offers a form of a contemporary oratorio, but the subject matter is completely secular, and touches on deeply philosophical / political / social matters, which trouble the Polish society, as much today as it did through the ages. Lipska’s tongue, sharp as a razor, is completely ruthless and slaughters holly cows by the dozen, often shockingly “in the face”, which often is the only way to jiggle people out of their lethargy. Preisner’s music fits the “wild” and provocative lyrics perfectly, creating an amalgam of somber, deadly serious atmosphere with seemingly lighter interludes of cabaret-like textures.

Of course one can always ponder on the effectiveness of “protesting” in Art, and the realization that even the most talented human beings, like Allen GinsbergFind albums by this artist and the entire Beat Generation, or Bob DylanFind albums by this artist and the entire Protest Generation, or Marek GrechutaFind albums by this artist, or Julian TuwimFind albums by this artist managed to change anything in the long run, prevent wars, social injustice or human stupidity. And yet, the Artists simply must do, what they do, since they just wouldn’t be Artists if they wouldn’t do what they do, hoping that someone will hear what they mean.

Overall, this is a monumental stage enterprise, which forces the listener to face a mirror, and which uses an entire arsenal of Cultural armament: music, poetry, spoken word, etc. to make one simple, but powerful statement: “wake up! I consider myself extremely happy to be able to count several of the protagonist of this ambitious masterpiece as my friends. Thank you for the words and the sounds!

Updated: 24/05/2024Posted: 24/05/2024

2CD+DVD 3 Digipak Recommend To A Friend

KROKE ~ TRAVELLER (DELUXE EDITION)
UNIVERSAL MUSIC POLSKA 602557487787 (Barcode: 602557487787) ~ POLAND ~ Jazz-World Fusion
Recorded: 2016 Released: 2017

In 2017 the Polish Jazz-World Fusion trio KrokeFind albums by this artist celebrates its 25th Anniversary and this album is a part of these celebrations. Violinist / multi-instrumentalist Tomasz KukurbaFind albums by this artist, accordionist Jerzy BawolFind albums by this artist and bassist Tomasz LatoFind albums by this artist founded the band in 1992 in Krakow, initially as a Klezmer oriented band, but over the years expanded their horizons to encompass a wide kaleidoscope of ethnic inspirations, which embrace the entire world. The Mediterranean musical spices are at the heart of their music, which amalgamates Jewish, Greek, Turkish, Balkan, Arabic and many other influences, creating a rich tapestry of sounds and rhythms, rarely accomplished by other ensembles of this kind.

Kroke invited an old friend and wonderful drummer / percussionist Slawomir BernyFind albums by this artist to take part in the recording of this album, which presents ten (or eleven on this Deluxe Edition) original pieces of music, mostly composed by the members of Kroke, some with the participation of Dariusz GrelaFind albums by this artist, who also helped to arrange and was in charge of the recording of this album, which offers a spectacular sonic result.

The music of Kroke is a soundtrack, which takes the listener from one place on the surface of our small planet, to another, doing so with grace and elegance. The transition feels completely natural and the music more hints than actually points to a specific location, leaving a lot to the listener´s imagination. The album´s title, which symbolizes Kroke´s experiences gained during their extensive voyages and their encounters with People and their diverse Cultures, also describes no less accurately the experience that the listener is going through while listening to the music, as if travelling on a magic carpet with new vistas appearing before his eyes and ears while the journey continues.

Of course the level of performances by the musicians involved in no less than spectacular all the way through, but in the overall picture the instrumental intricacies are less important than the total effect this music creates. Only repeated listening can be dedicated to the discovery of the infinite riches this music offers, the elaborate arrangements and the virtuosic solo parts.

Overall this album is a beautiful piece of World Music, which emphasizes the beauty of Cultures all over our planet and demonstrates what happens when openness and acceptance overcomes barriers of fear and estrangement.

The secret of cooking tells us to use as many seemingly incompatible spices in one dish, as long se we keep the proportions right. Kroke cooked a wonderful musical meal for us, which leaves us simply to feast on it. Like good wine, Kroke still gets better with the passing of time, which is a true celebration and a blessing!

Updated: 16/09/2017Posted: 16/09/2017

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CEZARIUSZ GADZINA ~ MOSTY
UNIVERSAL MUSIC POLSKA 602557812039 (Barcode: 602557812039) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2017

This is an album by Polish (resident in Belgium) saxophonist / composer Cezariusz GadzinaFind albums by this artist, recorded with a host of top Polish Jazz musicians, which includes trumpeter Robert MajewskiFind albums by this artist, saxophonist Maciej SikalaFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, accordionist Cezary PaciorekFind albums by this artist, bassist Pawel PantaFind albums by this artist, percussionist Piotr IwickiFind albums by this artist and drummer Cezary KonradFind albums by this artist – a dream team by all respects. The album presents eight original compositions, all by Gadzina, all entitled "Bridge" in eight different languages ("Mosty" means bridges in Polish), symbolizing the connections between a plethora of genres and sub-genres present within the contemporary Jazz idiom.

Gadzina is primarily familiar for his work in the Jazz-Classical Fusion field and his previous recordings, including the excellent "The Fifth ElementFind albums with this title", testify to his affinity to this particular field. However, this recording seems to leave Classical Music out of the formula, concentrating on the Jazz side of Gadzina´s personality.

Stylistically the music sits well within the boundaries of modern mainstream Jazz language, offering excellent compositions and interesting arrangements, none of which are trivial or banal. The music is full of unexpected twists and turns, tempo changes and multiple themes, all within one composition, which of course makes listening to this music a real fun for true Jazz fans. The compositions are diverse enough to keep the listener interested and balance well between the beautifully melodic ballads and the up-tempo numbers.

The individual performances are all top notch, as expected from these highly experienced musicians. Personally I love the prominent presence of the accordion, a much neglected instrument in Jazz, and the percussion ornamentations, which add another layer of rhythmic contents. But of course the trumpet solo parts, excellent saxophone work, pulsating bass lines and everything else are just right. The overall octet sound is not to busy and allows all instruments to be perfectly audible.

Overall this is a great mainstream album, much more ambitious and advanced musically than the standard albums recorded in this genre. It is not about discovering any new territory, but offers novel approach to arrangement and very solid composition and performance standards. As such it deserves to be listened to and surely enjoyed as well.

Updated: 15/12/2017Posted: 15/12/2017

KRZYSZTOF HERDZIN ~ LOOK INWARD
UNIVERSAL MUSIC POLSKA 602557947120 (Barcode: 602557947120) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2017 Released: 2017

This is a solo piano album by Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist, who is a highly respected musician on the local scene, known for his professionalism and perfectionism. The album, which is Herdzin´s first solo piano venture, presents nine improvised pieces, which as the album´s title and the liner notes describe, are highly personal reflections of his musical life´s experiences, impulsively created on the spur of the moment.

In the last few years of his career Herdzin gradually moved away from Jazz towards other musical areas, mostly contemporary Classical Music and stage music. This album follows the same pattern, perhaps subconsciously, but it has very little to do with Jazz per se, and is much closer to Classical forms of expression. Although the melodic content is very fragmented, the overall mood is mostly lyrical and romantic, often quite minimalist. Herdzin uses mostly single notes and chords are being used sparingly, which creates tension and anticipation, but on the other hand makes the music somewhat difficult to follow after a while.

Overall this is an interesting experiment, which offers a unique glimpse of Herdzin´s complex musical personality. His customary listeners might find this music a tad too difficult to swallow, surely in the initial attempt, but this album grows on the listener in time. Herdzin is unquestionably a highly talented composer and performer, but he is often more appreciated by his peers than by the general public. It is good to see him let go of his disciplined approach and indulge in improvisation, even if the improvisation is somewhat imprisoned by his subliminal sense of order. I hope this album gets the exposure it deserves, and music connoisseurs will discover another facet of Herdzin´s music. Recommended!

Updated: 28/07/2018Posted: 28/07/2018

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ZBIGNIEW PREISNER / DOMINIK WANIA ~ TWILIGHT
UNIVERSAL MUSIC POLSKA 602577477812 (Barcode: 602577477812) ~ POLAND ~ Special Products
Recorded: 2018 Released: 2019

This is a sensational album which presents the music by celebrated Polish composer Zbigniew PreisnerFind albums by this artist, known as one of the most important cinematic contemporary music Masters, performed by virtuoso Polish pianist Dominik WaniaFind albums by this artist, who in the last decade conquered the Polish Jazz piano scene without much competition. The nine solo piano pieces composed by Preisner and interpreted by Wania present on this album are a magical window into the souls of both of these great Artists.

Last year, during the 2018 Haifa Film Festival, which celebrated the music of Preisner, I had the wonderful opportunity to spend many hours in his company, which provided ample opportunity to discuss music, philosophy, and life in general, while exchanging anecdotes and enjoying food together. Preisner the person turned out to be every bit as fascinating as his music.

Preisner´s music is always characterized by several basic qualities, which are intrinsically embedded into the fabric of the sonic visions he creates. They are melody, simplicity and melancholy. Anybody familiar with Preisner´s music is obviously aware of the fact that his music offers some of the most beautiful melodies to appear in cinematic music, which have an universal appeal capturing millions of music (and obviously cinema) lovers the world over. But his music also eschews complexity and unnecessary ornamentation, leaving the ground first and foremost to the melody. He is absolutely right when he states that no amount of sophistication and extrovert decoration is able to do anything, when the melody is lacking, and when the melody is great, not much more is needed. As to the melancholy, or even more precisely the typical "Polish Melancholy", which his music almost epitomizes, it is simply something that comes completely naturally to him, as it in fact happened to all great Polish composes since Frederic ChopinFind albums by this artist.

Dominik Wania is undoubtedly a great virtuoso, but his virtuosity is only one of his many qualities, which distinguish him from most of the other excellent piano players on the Polish scene. The most important of his qualities is his ability to find his very own adaptation of any kind of music he sets forward to perform. His Jazz recordings over the years prove his incredible stylistic diversity and sensitivity, finding him often in diametrically different musical surroundings, but there is not even one case which finds him unable to deal with the music at hand and that in the most spectacular way imaginable.

This album offers best of the two worlds: the wonderful compositions by Preisner with the incredible interpretation of these compositions by Wania. The pieces are all beautifully melodic and simple and melancholic, true pearls of Preisner´s creative powers. Wania´s fingertips take these melodies into his own world, adding his very own, often very subtle but always very evocative interpretation, which floats like another layer over the basic melody. The overall result is delicate, often minimalist, reflective and heartfelt, with the music achieving a state of a mantra lingering in the air. I recall when Preisner told me about this project when we met and I assured him that he could have not found a more suitable piano Master than Wania to uplift his compositions to another emotional / spiritual level, this of course before I heard the music. After hearing the music it became obvious that his (and mine) instincts were just right on and the result turned out to be simply outstanding.

I don’t like to use "big" words in vain, but this album puts two Geniuses together, and thanks to Higher Powers the combined qualities simply came together like a dream. I can hardly imagine any true music connoisseur staying impartial to this music, which I have played often since I first received it, finding it always striking directly at my heart in days of low and high. I hope many more people can enjoy the same level of musical bliss!

Updated: 01/07/2019Posted: 01/07/2019

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ZBIGNIEW PREISNER / LISA GERRARD / DOMINIK WANIA ~ MELODIES OF MY YOUTH
UNIVERSAL MUSIC POLSKA 602577665387 (Barcode: 602577665387) ~ POLAND ~ Special Products
Recorded: 2018 Released: 2019

This is the second album that presents music by the distinguished Polish composer Zbigniew PreisnerFind albums by this artist, which is performed by top Polish Jazz pianist Dominik WaniaFind albums by this artist (see the album "TwilightFind albums with this title"), this time also featuring the Australian vocal Diva Lisa GerrardFind albums by this artist, who often cooperates with Preisner in various projects. The album presents nine original compositions, seven composed by Preisner and two co-composed by Preisner and Gerrard.

The music, as always with Preisner, is deeply lyrical and melancholic, combines multi genre elements and invokes cinematic visions. The minimalist piano / vocals format creates a deeply romantic atmosphere on one hand but also incredible tension and anticipation, which is even more emphasized by the usage of Gerrard´s "metaphysical language", which consists of nonexistent "words", which can be freely interpreted by the listener and sound like any language that is subconsciously in the listener´s head.

The musical format is somewhat similar to the Classical lieder and song cycles sung in solons across Europe in the 19th Century. And yet the music itself is essentially East European, both Slavic and Jewish, wonderfully brought back to existence by Preisner´s imagination.

Gerrard´s vocal parts are absolutely stunning, which is hardly surprising in view of her career. For me her ability to identify herself completely with the musical origins on this album, which are not her "natural" cultural habitat, is simply out of this world.

Wania, who leaves the focus of interest to Gerrard, as appropriate for the concept, is a sublime accompanist both technically and emotionally. Although on this album he has very little opportunity to solo, his delicate interludes, intros and outros and his playing behind the vocals are all impeccable. Although more closely related to his Classical education rather than to his Jazz explorations, he fully shows his aesthetics and incredible sensitivity, which are always part of his every recording project.

The great facet of Preisner´s music is always the feeling of familiarity it creates, even if this is the first time one hears it. He is always able to pull the right soul strings, which are common to all true music lovers.

Overall this is a beautiful, highly unusual and yet strangely familiar music, which is universal in its directness and intrinsic splendor. Completely avoiding any labeling, this music is simply breathtakingly penetrating!

Updated: 04/11/2020Posted: 04/11/2020

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KUBA STANKIEWICZ ~ STANKIEWICZ PLAYS KILAR (EP)
V ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2013 Released: 2013

This EP is a brief glimpse at a work in progress, which hopefully will be completed very soon, which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one.

Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none.

Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful.

Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually.

I look forward impatiently to hear the complete album soon and with Stankiewicz a priori the best of luck with this admirable project.

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KUBA STANKIEWICZ ~ KILAR
V 001 (Barcode: 5903111377007) ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013

This is finally the full album (preceded by a teaser EP), which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one. Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none.

This album includes twelve compositions by Kilar, ten of which are from film scores and the remaining two from TV serials. Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful. I especially admire the pianist´s humility and modesty which are the predominant features of his approach to the music. He firmly leaves the focus on the amazing compositions, taking only very limited liberties with the original notes and making his personal input subtly concealed, exposed only to the sensitive listener. Contrary to many other Jazz pianists, who often like to dominate their interpretations of other composers´ music with their own statements, Stankiewicz simply serves as a vessel bringing Kilar´s music to a new audience.

Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist and Krzysztof KomedaFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist or the new album by the superb RGGFind albums by this artist trio performing the music of Karol SzymanowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually. An absolute must to all piano, solo piano and Jazz-Classical Fusion listeners everywhere. This is a heartwarming piece of music, which is a balsam to the ears, weary from the noise that surrounds us all.

This album was released on a new Polish Jazz record label, called VFind albums on this label Records, steered by the producer Adam DomagalaFind albums by this artist. I look forward impatiently to hear the future releases by this label and in the meantime wish the best of luck with this admirable project to both maestro Stankiewicz and his producer.

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MAREK NAPIORKOWSKI ~ UP!
V 002 (Barcode: 5903111377014) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013

Although this is only his fourth album as a leader, Polish guitarist / composer Marek NapiorkowskiFind albums by this artist is one of the most recorded artists on the local scene, being probably the most in-demand session guitarist since many years, which resulted in him taking part in over 140 different albums so far. He played and recorded with many world famous musicians and literally with everybody who is anybody on the local Polish scene; people like Tomasz StankoFind albums by this artist and Anna Maria JopekFind albums by this artist, to mention just two extremely different environments, which emphasize his legendary diversity and chameleonic ability to suit every musical milieu.

This is by far his most ambitious project so far, which involves eight of his original compositions arranged for a Jazz ensemble and a nine-piece chamber ensemble. The Jazz players are saxophonist Adam PieronczykFind albums by this artist, bass clarinet player Henryk MiskiewiczFind albums by this artist, pianist Krzysztof HerdzinFind albums by this artist, bassist Robert KubiszynFind albums by this artist and American drummer Clarence PennFind albums by this artist. Herdzin was also the man in charge of the arrangements, orchestration and conducting the chamber ensemble, turning him in many respects into the most significant contributor to this album alongside Napiorkowski.

The result is a sophisticated Jazz-Classical Fusion, based on solid melodies and featuring many excellent guitar solos, which floats between energetic up-tempo moods and gentle melancholic themes. Although the individual tunes are not related per se, the overall ambience and atmosphere of the album turns it into a kind of orchestral suite for chamber orchestra and Jazz soloists. The guitar work on this album, both in the acoustic and the electric tonalities, is simply brilliant and for me the best ever achieved by Napiorkowski. Rather than trying to prove his ability as a player, which is already established anyway, Napiorkowski really concentrates on playing music, the essence that so often tends to be forgotten in favor of flashy emptiness.

Herdzin, the Polish musical Wizard of Oz, once again manages to sprinkle his magic all over this music, both as a pianist and of course as the man behind the ornamentation, which makes this music spark and sizzle. Luckily he found the way of balancing the basic Jazz contents and the chamber enhancements, keeping them both intact and coexisting alongside each other rather than mixing them into an undistinguishable mesh, which happens, unfortunately, way to often in such situations. Herdzin is probably the only person on the local scene who can pull this off.

Some listeners might have a problem to identify with this music, which often happens when an Artist changes his established path in search of new means of expression. Perhaps this will be either too Jazzy or not Jazzy enough for some? One can never satisfy everybody and it´s preferable that the Art prevails rather than the attempt to be liked by everyone. This album is a statement by a mature, self-aware musician, who presents his vision, hoping that other can share it with him. I certainly hope many will do so!

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KUBA PLUZEK ~ FIRST ALBUM
V 003 (Barcode: 5903111377021) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2014

This is the debut album by young Polish Jazz pianist / composer Kuba PluzekFind albums by this artist, recorded partly in a trio setting with bassist Max MuchaFind albums by this artist and drummer Dawid FortunaFind albums by this artist and partly as a quartet which adds saxophonist Marek PospieszalskiFind albums by this artist to the trio. The album presents seven original compositions, all by Pluzek, three of which are parts of an extended three-part suite.

After just a few moments it becomes immediately apparent that this is a very unusual album in every respect. The music is simply "different" from anything else one usually hears on a Jazz recording today. It is melodic, but the melody is often quite elusive; it is rhythmic, but the rhythm keeps changing constantly; it dresses up as modern mainstream, but in fact it is almost completely Free at times. All those factors create a confusing haze at the first exposure, but very soon it all begins to make a perfect sense. However, this music never rests and keeps an attentive listener on his toes at all times, as anything can and most probably will happen while this music evolves.

The individual performances are all first rate, which is hardly surprising to people familiar with the Polish Jazz scene and previous recordings by the musicians involved, except the leader of course, who is a novice. Surprisingly it is the saxophonist that gets the most exposure and his convulsive solos fit the music perfectly. Pluzek plays along splendidly, arm in arm with the rhythm section, inserting complex chords and odd timed vamps, but he solos sparingly and when he does play solos, those are rather minimalistic as far as the number of separate notes present, being more chords oriented. Even on the trio pieces the bass and drums seem to bee actually often busier than the piano, which sort of "leads from behind".

The bass / drums team plays a much more significant role in this particular music than usually in Jazz, as the music is mostly based on a vamping pattern that is held and driven by them. Both instruments are recorded with strong presence and high up in the mix, which also adds to the overall sonic "strangeness". They both do a splendid job for sure. It seems that the leader wanted to present a team effort rather than boast his ego, which is commendable and honorable.

Overall this is a very impressive album, which of course is very rare these days, as it becomes more and more difficult to be unique, inventive and yes, impressive. Considering that we are talking about a debut, this is even more important. It is difficult to say if Pluzek will indeed become the great hope of Polish Jazz, as the PR material accompanying this album announces, but he certainly enters the ring with a bang; only time will tell, of course, but he deserves our best wishes. Well done indeed!

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LION VIBRATIONS ~ LION VIBRATIONS & FRIENDS
V 005 (Barcode: 5903111377052) ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2014 Released: 2014

This is a wonderful album by veteran Polish Reggae ensemble Lion VibrationsFind albums by this artist recorded with guests, which presents an ambitious and completely unique amalgam of Reggae and Jazz. The ensemble members, many of which are familiar names on the Polish Jazz scene as well, and their guests perform eleven songs, ten of which are Jazz standards, some of them with new lyrics in Polish, and one is an original song. Beautifully and cleverly arranged these songs preserve the Reggae rhythmic patterns, but become a synthesis of Jazz, Funk and Soul, which is very rarely heard anywhere else.

The list of participating guests includes some of the top Polish Jazz & Pop names, like vocalists Jorgos SkoliasFind albums by this artist, Kamil BednarekFind albums by this artist, Natalia NiemenFind albums by this artist and others, saxophonist Piotr BaronFind albums by this artist (his son and daughter in law are members of the ensemble) and bassist Wojtek MazolewskiFind albums by this artist. The album is full of fabulous instrumental solos and not too shabby vocals and altogether is a wonderful example of intelligent and sophisticated music that is also brilliant fun to listen to. Thanks to the excellent arrangements, the familiar standards sound completely natural in the Reggae setting, which is perhaps the album´s greatest success.

Albums like these are great examples of the cross genre approach, which is able to achieve superb results and prove again and again that music knows no borders and talent and dedication are what matters. This album should be accessible to the majority of musical audiences, regardless of the age brackets and people who are able to open up to unusual ideas will have a great time listening to it. Excellent idea and perfect execution!

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HOTS ~ HARMONY OF THE SPHERES
V 006 (Barcode: 5903111377083) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015

This is the debut eponymous album by the young Polish Jazz quartet HoTSFind albums by this artist, led by guitarist / composer Mikolaj PoncyljuszFind albums by this artist, which also includes trumpeter Radek NowakFind albums by this artist, bassist Adam ProkopowiczFind albums by this artist and drummer Jakub KinsnerFind albums by this artist. The album presents eight original compositions, all by the leader.

There is no doubt that HoTS emerges as a fresh voice on the local melodic mainstream scene, which happens relatively rarely. Their minimalistic, reserved and very "cool" approach is instantly recognizable and bears a certain "retro" approach reminiscent of early European Jazz. The music is lyrical and melodic, with the melody lines clearly stated in the heads of all the tracks, using typically the trumpet as the leading melodic voice. The guitar serves mostly as the harmonic accompaniment behind the trumpet´s solo work, when not soloing of course. The rhythm section serves as the backbone of the music, keeping excellent time but staying mostly in a respectful background. The pulsating bass lines are kept well on the level with the soloists, but the drums are (it seems) kept down in the mix and are often barely audible in the overall sound, which creates a very spacey and open ambience, with lost of breathing air, which serves the music perfectly.

The trumpet is definitely placed in the centre of the listener´s attention and gets most of the limelight. Nowak plays some very impressive passages for sure and his overall performance is formidable, especially in view of his age. Poncyljusz emerges mainly as a composer, although his guitar work is also without reproach. The sound of the guitar uses too much reverb, which can be unnerving at times, but obviously the band is still seeking its definitive sound and is doing quite well so far.

This is definitely a formidable debut and HoTS will slowly gain a respected position on the European Jazz scene once they hit the clubs and festivals circuit and continue to release albums of such quality as this one. Wholeheartedly recommended of course!

Updated: 04/03/2017Posted:

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KUBA PLUZEK ~ ELEVEN SONGS
V 007 (Barcode: 5903111377069) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015

This is the second album by young Polish Jazz pianist / composer Kuba PluzekFind albums by this artist and his first solo piano outing. It presents, as the title suggests, eleven "songs", or rather compositions, treated in a very melodic way, two of which are his own compositions and the remaining nine are by Polish (Zbigniew WegehauptFind albums by this artist, Andrzej KurylewiczFind albums by this artist) and other (Brad MehldauFind albums by this artist, Michel PetruccianiFind albums by this artist, Dave HollandFind albums by this artist) Jazz musicians / composers or by non-Jazz cinematic composers (Hans ZimmerFind albums by this artist, Luis BacalovFind albums by this artist).

From the very first notes of this album it becomes immediately apparent that Pluzek justifies all the high hopes expressed as a result of his debut album a couple of years earlier. His technique and touch are completely fluid and seamless, which is quite exceptional at his age. His choice of material seems to be no less intelligent and sophisticated than the actual performance, creating a roundness and sense of continuity, which only a few solo piano albums are able to achieve.

The piano playing style Pluzek utilizes on this album is based on extended continuous left hand arpeggios and the right hand stating the melody lines and chord progressions, which is somewhat similar to early Keith JarrettFind albums by this artist solo piano work, and is equally effective. His ability to play around with the tempi and producing a wide range of dynamic shifts is also impressive.

But beyond the technical facets of his playing, Pluzek expresses a beautiful lyricism and romance, which only the greatest piano players are blessed with. His interpretation of the classic ballad "Danny Boy", which has been performed countless times before, is a case in point. The entire experience of listening to this album is full of straightforward joy of music and of life, a rare moment of pure pleasure, which leaves the listener relaxed and deeply satisfied once the journey is over.

Although this is one of the first Polish Jazz albums of 2015, it is already pretty sure to become one of the contenders of the annual competition of top albums for this year. Definitely a commendable successor to the exceptional debut, this album is everything a piano solo album is supposed to be – a spiritual experience!

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SLOW ~ SONGS FOR EVERYONE
V 008 (Barcode: 5903111377090) ~ POLAND ~ Smooth Jazz
Recorded: 2014 Released: 2015

This is the second album by Polish Smooth Jazz ensemble SlowFind albums by this artist, led by guitarist / composer Tomasz KaczmarczykFind albums by this artist and keyboardist / composer Krzysztof WerminskiFind albums by this artist. They are supported by bassist Kamil PelkaFind albums by this artist, drummer Marcin RakFind albums by this artist and several additional musicians, which include two female vocalists, a string quartet and others. Pawel KonikiewiczFind albums by this artist is in charge of the musical production. The album presents ten original compositions, four of which are songs with lyrics, all co-composed by the two leaders

The music, as appropriate for the Smooth Jazz milieu, is based on catchy melodic tunes, perfectly executed by the crew, quite jazzy and yet not complicated enough to bring on a headache, in short music that, as the title suggests, can and should be enjoyed by everyone. The only "problem" with this album is that it is probably too "good" for the average Smooth Jazz listener.

There is plenty of great musicianship on this album; the nice but not cheesy compositions, the elegant instrumental parts, the vocals and the jazzy arrangements; in short it is obvious that these people are good musicians who know exactly what they are doing. It is definitely a great example of how the easy side of the Jazz spectrum can offer quality entertainment and how unjustly Smooth Jazz is often belittled by critics with narrow horizons and closed minds.

This music is meant to entertain people who like music but approach it on a less intellectual plane. There is absolutely nothing wrong with such attitude. I must admit that I had a great fun listening to this album, which is also superbly recorded and can be used as a great test device for your stereo system.

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MAREK NAPIORKOWSKI / ARTUR LESICKI ~ CELULOID
V 009 (Barcode: 5903111377076) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015

This is the fifth album as a leader (or co-leader in this case) by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, one of the most respected musicians on the local scene. This time Napiorkowski teams up with another Polish guitarist / composer Artur LesickiFind albums by this artist, and as a duo they deliver a series of wonderful tunes, dedicated, as the title suggests, to the Polish Cinema and the music associated with Polish Cinematic Art. The album´s nine tracks feature music from six classic Polish movies (or TV series), composed by such luminaries as Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Wojciech KilarFind albums by this artist, Andrzej KurylewiczFind albums by this artist and others, directed by no less iconic figures such as Roman PolanskiFind albums by this artist, Andrzej WajdaFind albums by this artist and others. Both Napiorkowski and Lesicki contribute one original composition each, with the title tune (by Napiorkowski) repeated twice.

The intimate and delicate duet setting creates a truly magical atmosphere, with the perfect balance between the acoustic and touches of electric sound, melody and improvisation, lyricism and inspiration. In fact this is definitely one of the best guitar duo albums I had the pleasure to listen to ever since I can remember. It is a perfect example of a case when two musicians simply amalgamate into one completely symbiotic and integral musical unit. Although obviously at some moments one of the players does play the lead and the other accompanies him, interchangeably of course, they are at all times simply one instrument, producing a coherent and fused soundscape.

The music selections as well as the original compositions are all beyond reproach and the affectionate and intelligent treatment applied by the musicians awards everything such great music deserves: respect, love and personal involvement. Although seemingly basic and simple, the resulting music is full of intricacies that can be revealed only by very attentive and open-minded listening, which this exquisite album truly deserves.

It is such a pleasure to see Napiorkowski move forward and try new things on his musical path. Compared to the complexity and sophistication of his previous album "Up!Find albums with this title" the intimacy and modesty of this album might appear as strikingly different, and yet Napiorkowski manages to preserve the quality and total dedication in full, regardless of the external form of his work. There are but a few musicians around with such class.

In short this is simply a gem of an album, which enchants and uplifts spiritually from the very first to the very last note delivered. Superb sound quality and production turn it into a superb aesthetic treasure, which should not leave any listener unmoved. Hats off to both magicians!

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YAROSH ORGAN TRIO ~ YAROSH ORGAN TRIO
V 010 (Barcode: 5903111377106) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016

This is the debut album by the Polish Jazz ensemble called Yarosh Organ TrioFind albums by this artist, led by veteran drummer / composer Przemyslaw JaroszFind albums by this artist with organist Kajetan GalasFind albums by this artist and saxophonist Tomasz PruchnickiFind albums by this artist. Together they perform eight original compositions, all by the leader. The album was recorded live, judging by the audience reaction at the very end, although this is not specified on the artwork.

The music is mostly melodic mainstream with occasional ventures into more ambitious territory, but overall it is overtly accessible. I have always declared my unconditional love for the Hammond B-3 organ with the Leslie speaker, and this is what dominates the sound of this album, which of course makes it extremely easy to be liked by yours truly. But beyond the Hammond sound, the album presents a series of fine compositions, which are far from trivial and the unusual amalgamation of saxophone, Hammond and drums is also intriguing.

Galas already recorded a great album with his trio Organ SpotFind albums by this artist three years earlier and his performances here are a clear proof of his progression as a player over time. Jarosz has an extensive career as a recording artist and Jazz educator and Pruchnicki also already made his mark on the local scene. Together as a trio they perform spotlessly and together they present a well oiled music machine, which takes the stage by storm.

Of course this kind of music is not supposed to break any new background or revolutionize the idiom; its sole purpose is to entertain and provide the listener with an opportunity to have a great time, which is perfectly OK with me in this case. Hammond freaks should all have a field day with this album!

Updated: 11/09/2016Posted: 11/09/2016

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JAZZBLASTER ~ PLAYS DEPECHE MODE
V 012 (Barcode: 590311137712) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2017 Released: 2017

This is the debut album by a young Polish Jazz quartet JazzBlasterFind albums by this artist, which comprises of trumpeter / vocalist Tadeusz KulasFind albums by this artist, pianist Piotr RachonFind albums by this artist, bassist Eugeniusz BetlinskiFind albums by this artist and drummer Marcin RakFind albums by this artist. Vocalist Adriana StyrczFind albums by this artist guests on a couple of tracks. The album was recorded live at the Vertigo Jazz Club in Wroclaw. As the title suggests, the album presents eight songs written by Martin GoreFind albums by this artist, the leader of British electronic Pop / New Wave group Depeche ModeFind albums by this artist, arranged for the Jazz idiom by Rachon.

Personally I have never been a great fan of the New Wave many groups, Depeche Mode included, founding their music rather limited and honestly boring, suffering from the post-Punk trauma. As such my approach to this album was a priori extremely cautious. I am glad to say that overall the album has many wonderful moments and surprises, which is more that I expected.

The positive thing about this music is its originality and the attempt to bridge between genres, which is its essence. On the other hand there are many problems, the main of which is the clarity of its statement, i.e. at times the music sounds like electronic Pop which has nothing to do with Jazz and at others it sounds like a modern Jazz quartet which has nothing to do with Depeche Mode except for the rhythmic parts. In short the proposed amalgam has not been fully achieved.

But these young musicians can play, that is for sure. All four of them display excellent technique and fire and the Jazz oriented parts swing beautifully. Kulas plays some truly wonderful trumpet parts, Rachon is a superb pianist, which I hope to hear more of in a different environment, Betlinski singlehandedly holds this music together by his superb bass parts and Rak adds the kick this music needs.

Overall take away the vocals (which are not up to par with the instrumental parts) and you get an entertaining Jazz-Pop Fusion album, which is fun to listen to, but nothing that breaks significant new ground; well done and passionate, but still very ambivalent. But there is a lot of great potential for sure, which hopefully will come to fruition in the future. A little more modesty on the album´s liner notes is also advised ;)

Updated: 09/02/2018Posted: 09/02/2018

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JORGOS SKOLIAS / PIOTR RACHON ~ FREE
V 014 (Barcode: 5903111377137) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2018

This is the debut album by Polish duo comprising of vocalist Jorgos SkoliasFind albums by this artist and pianist Piotr RachonFind albums by this artist. The album presents ten original compositions, spontaneously created during the recording session and credited to both participants, with the "lyrics" credited to Skolias. The album was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the expected superb sound quality.

From the very onset of the music it becomes immediately obvious that this album is unlike anything one might have come across before. As the album´s title suggests, this music is completely free from any preconceptions and genre limitations. Skolias and Rachon let themselves to be led by their respective instincts and the telepathic rapport they manage to establish during the session´s duration. They are clearly listening to each other very carefully, and yet they take turns in pushing the music from one plane to another, moving forward and backwards and sideways constantly.

Despite the seemingly directionless aura, the music is perfectly coherent and even "organized" and "melodic" most of the time, certainly in the abstract gist of these idioms. With Skolias using almost completely unconventional vocal techniques, Rachon sticks to almost conventional chords and scales, keeping the overall result "in check", which helps to avoid havoc and confusion. Both players are of course equally inventive at all times.

Skolias uses his voice in a multilayered and multidirectional manner, utilizing single words and phrases, Multilanguage and gibberish, natural and distorted vocals and harmonized vocal effects, screams and whispers, in short an amazing array of human-produced natural and unnatural effects, which only he is capable of creating. Rachon skillfully and incredibly sensibly manages to insert his piano sounds to harmonize perfectly with the barrage of sounds produced by Skolias, creating a symbiotic whole.

In fact describing this music in words is an a priori futile effort, and listening to it is the only proper way to treat it. Having said that, one must admit that this music is so extraordinary and Avant-Garde that it can be considered groundbreaking, certainly as far as Improvised Vocal Music is concerned. The Giant Step taken by Skolias from his Rock, Blues and Jazz roots towards this revolutionary modus operandi is astonishing in its boldness and ingenuity. Although I have always considered Skolias as a superbly talented and multifaceted artist, this time he truly managed to knock my socks off!

Hats off to you my Friend!

Updated: 12/04/2019Posted: 19/11/2018

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CUBAN LATIN JAZZ ~ JUNTOS POR SIEMPRE
V 015 (Barcode: 5903111377175) ~ POLAND ~ Jazz-World Fusion
Recorded: 2018 Released: 2019

This is the debut album by the international Jazz quartet called The Cuban Latin JazzFind albums by this artist, which comprises of Cuban bassist / composer Roland AbreuFind albums by this artist, Ukrainian saxophonist Taras BakovskyiFind albums by this artist and Polish pianist Pawel KukulaFind albums by this artist and drummer Dominik JaskeFind albums by this artist. Two additional renowned Cuban percussionists also participate in the recording. The album presents six compositions, three of which were composed by Abreu, one was co-composed by Abreu and Bakovskyi and the remaining two are by famous Cuban musicians / composers. The music is wonderfully recorded and offers a splendid sound quality, which enhances the listening experience considerably.

The music is exactly what one might expect from the quartet´s name – an energetic display of Cuban Jazz, which sounds as original as they come. The surprising element is of course the fact that three quarters of the quartet are East Europeans, who certainly were not born with the Latin ingredient in their Cultural heritage, but manage to sound convincing enough to fool most of the listeners. Of course a more trained ear will discover that the music is slightly less passionate, wild and sensuous than the original Cuban Jazz, but on the other hand it might as well be for the best. Who needs another Cuban Jazz imitation? These young musicians manage to paint the Cuban character with the lyricism of Eastern European music, which is most evident in the playing of Kukula, who is the most ingenious musician in the quartet.

Albums of this kind prove that cross-cultural experiments in Jazz work well, as much as one doest not have to be born Polish to love pierogi. Amazingly at times musicians not born into a certain cultural background are able to absorb and emulate it more authentically than those who were.

Overall this is a splendid album from start to finish, and considering that Cuban music is always danceable, even in its most Jazzy form, the music simply does not allow the listener to sit still and not move his (and especially hers) butt, bringing on an orgy of energy and good mood. Subtle musical accents arriving from beyond the Cuban environment are present as well, adding some highly aesthetic spicing to the salsa on the table! Enjoy!

Updated: 21/02/2019Posted: 21/02/2019

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JAZZBLASTER ~ NIGHT OUT
V 017 (Barcode: 5903111377168) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2019 Released: 2019

This is the second album by Polish ensemble JazzBlasterFind albums by this artist, which comprises of trumpeter / vocalist Tadeusz KulasFind albums by this artist, keyboardist Piotr RachonFind albums by this artist, violinist Dominik BienczyckiFind albums by this artist, bassist Roland AbreuFind albums by this artist and drummer Marcin RakFind albums by this artist. Bassist Wojciech BerganderFind albums by this artist plays on one track and additional synthesizers are played by Pawel KonikiewiczFind albums by this artist, who was also involved in the recording process. The album presents eight original tracks all composed by Rachon (except one co-composed with Kulas) and all texts (in English) are by Kulas.

The music moves away from Jazz even more significantly than on the debut album and the overall sound and musical direction of the ensemble are entirely Pop / Rock oriented with the Jazz accents present only within the instrumental passages, which are sadly less prominent on this album. Kulas almost completely resigned from his role as a trumpeter and is manly featured as vocalist. As it usually happens with Polish vocalists singing in English, his accent and pronunciation are really unacceptable, but perhaps on the local Polish scene this is less noticeable.

I wander if JazzBlaster and EABSFind albums by this artist are about to create the Wroclaw sound, as there are strong similarities between these two young bands´ sound?

Having said all that, the album does have its moments and the overall Punkish attitude probably does it for the younger generation of the Polish listeners. The heavy bass sound and presence of the bass up front in the mix creates a trance like somewhat Funky mood, which is quite effective. The piano parts are all very well played and the addition of the violin also enriches the sonic ambience. The trumpet, when finally played, is also pretty helpful.

To sum it up, take away the vocals (or perhaps make them wordless vocalese) and what is left becomes quite a tasty piece of youthful Funky / Punk Jazz, which is danceable and overall quite entertaining. Sorry guys that I can´t be more enthusiastic, but as usual to each his own. The music shows tons of potential for sure, and just a little push in the right direction and everything will click!

Updated: 17/03/2020Posted: 22/09/2019

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ROLAND ABREU / CUBAN LATIN JAZZ ~ ROOTS
V 018 (Barcode: 5903111377199) ~ POLAND ~ Jazz-World Fusion
Recorded: 2019 Released: 2020

This is the second album by Cuban (resident in Poland) bassist / composer Roland AbreuFind albums by this artist and his Cuban Latin JazzFind albums by this artist quartet, which also includes Ukrainian saxophonist Taras BakovskyiFind albums by this artist, pianist Pawel KukulaFind albums by this artist and drummer / percussionist Dominik JaskeFind albums by this artist. Two additional Cuban percussionists: Nando Del RioFind albums by this artist and Elio Rodriguez LuisFind albums by this artist also take part in the recording. The album presents seven original compositions, all co-credited to the members of the quartet. The music was recorded at the splendid Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with a truly spectacular sound quality.

Cuban Jazz can not be played perfectly by musicians not originating from Cuba, and I am glad that this album presents music, which has obvious Cuban roots, but does not try to be strictly just Cuban Jazz. It offers a very successful amalgam between the Cuban rhythms and the Slavic lyricism represented by the rest of the quartet members, which works out very well, now for the second time in a row.

The compositions are all well structured and perfectly coherent; the melodic content is excellent, as are the arrangements spiced by the Cuban elements. Although the music is mostly on the lighter side of the Jazz spectrum, it is wonderfully entertaining and even spiced with a dash of exotic humor, which makes the album a true pleasure to listen to. But Jazz connoisseurs will be also able to enjoy the great saxophone and piano soloing, the wonderfully warm bass parts and the delightful polyrhythmic percussion "balagan".

Overall combining the fluent playing, nice tunes, exuberant rhythmic background and great sound quality, this album has a great entertaining value, without compromising the artistic qualities even one notch. This is one danceable piece of unadulterated pleasure, which is guaranteed to move your ass unless you are completely deaf.

Updated: 19/03/2020Posted: 19/03/2020

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DAMIAN HYRA ~ Z ODDALI
V 019 (Barcode: 5903111377205) ~ POLAND ~ Jazz
Recorded: 2020 Released: 2020

This is the debut album by Polish Jazz vocalist / guitarist Damian HyraFind albums by this artist recorded in a quartet setting with trumpeter Dominik GawronskiFind albums by this artist, bassist Ambrozy RanzFind albums by this artist and drummer Dawid OpalinskiFind albums by this artist. The album presents nine original songs composed and featuring lyrics (eight in Polish and one in English) by Hyra.

The music is all melodic mainstream Jazz, based on solid themes, easy on the ear and definitely on the easier side of the Jazz spectrum, but highly entertaining, briskly swinging and offering a good time listening experience to the listeners.

The instrumental lineup is unusual, with the trumpet / flugelhorn playing most of the leads and soli and the guitar playing the "second fiddle", but also soloing on most of the tracks, utilizing a somewhat Fusion oriented sound and attitude while soloing. The rhythm section is highly supportive and keeps the time perfectly, but stays mostly on the back plane.

Hyra´s vocals are definitely an acquired taste and take a while to get used to, but after a while become enjoyable, despite their atypical sound and articulation. The one track with the English lyrics is a perfect example of what should be avoided by all possible means.

Overall this is an entertaining Jazzy album, which offers some nice songs and a lot of good time, but stays away from exploring uncharted territory. This is definitely not a typical Polish Jazz album, by any respect, showing another facet of the local scene.

Updated: 20/04/2024Posted: 10/11/2020

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PIOTR RACHON QUARTET ~ AMAZONIA
V 020 ~ POLAND ~ Jazz
Recorded: 2020 Released: 2021

This is the debut album by Polish Jazz pianist / composer Piotr RachonFind albums by this artist, recorded in a quartet setting with guitarist and electronics manipulator Vojto MonteurFind albums by this artist (of EABSFind albums by this artist fame), bassist Jakub OlejnikFind albums by this artist and drummer Pawel NienadowskiFind albums by this artist. The album presents six lengthy tracks, all about ten minutes in duration, all composed by the leader, one based on a classical piece and two based on traditional Mongolian melodies.

The music floats somewhere between modern Jazz and Fusion, depending how much guitar and electronics are involved at a given moment. The piano parts are definitely more Jazz associated, whereas the guitar has a distinct Fusion sound and feel. But the collective result is quite interesting and lively, although the entire album somewhat lacks a clear musical focus, perhaps searching for a direction, hopefully to be better nailed on the next recording.

Another problem (at least for me) is the strange muffled sound of the recording with a bizarre balance, which places the bass right up in the mix. Olejnik’s bass playing is absolutely fine on the album, but he is dominating the entire proceeding, simply being up front at all time. I suppose the mix is intentional and a matter of taste, but it is certainly disturbing for me.

But with all these minor glitches aside, this is still a very interesting piece of music, which can be enjoyable to a wide audience and certainly holds the attention of the listener for the entire duration. Both Rachon and Monteur play excellent solo parts and the rhythm section is up to par with the challenges, with Olejnik’s superb bass pulsations pushing the music steadily forward.

Overall, this is an interesting debut effort for the leader and the quartet as a whole, with interesting compositions, excellent performances and an unusual sound, which is certainly a matter of acquired taste. Well done!

Updated: 21/04/2024Posted: 19/04/2024

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HURRA ~ IN SEARCH OF WAVES
V 023 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2022 Released: 2022

This is the debut album by Polish Jazz septet HurraFind albums by this artist, led by guitarist / composer Grzegorz DoroszenkoFind albums by this artist, which also includes second guitarist Jakub KlimiukFind albums by this artist, Swedish saxophonist Jonas KulhammarFind albums by this artist, trumpeter Jakub KurekFind albums by this artist (a member of EABSFind albums by this artist), keyboardist Dominik KisielFind albums by this artist (the most experienced Polish musician in the lineup with several albums as a leader and member of other ensembles under his belt), bassist Paul RutschkaFind albums by this artist and drummer Wojciech WarmijakFind albums by this artist (member of Immortal OnionFind albums by this artist). The album presents seven original compositions, all by the leader.

The music offers an excellent collection of well-constructed tunes with clear melody lines, which are executed with obvious technical proficiency and a dose of freshness, which has been missing from the local scene since a while. Although the music has a distinct Fusiony tinge, it is not Fusion per se and could be (if one must) classified somewhere between Brass-Rock and Electric Jazz; styles that sadly almost completely disappeared from the contemporary Jazz scene.

The septet offers a fat / big sound, Funky beats and a lot of fun in general, and despite a contemporary sound it does bring sentimental memories of the 1970s, which of course is meant here as a compliment. It also resembles to some degree the music of EABS, at its best.

Overall, I truly enjoyed the music from start to finish, as it flows smoothly, caressing the ears with great melody lines, shakes the ass with a danceable rhythmic patterns and tingles the brain with impressive instrumental improvisation by the septet members. In short, this is a truly rare phenomenon of an album, which is as plangent as it is stimulating. Highly recommended!

Updated: 09/01/2023Posted: 08/01/2023

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MACIEJ MAZUREK ~ MY HOME
V 024 ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2022 Released: 2023

This is the debut album by Polish guitarist / composer Maciej MazurekFind albums by this artist, recorded in a trio format with bassist Piotr MazurekFind albums by this artist and drummer Michal MalinskiFind albums by this artist. Percussionist Bartek PajakFind albums by this artist plays on three tracks and guitarist Artur LesickiFind albums by this artist, saxophonist Tomasz WendtFind albums by this artist, keyboardist Robert JarmuzekFind albums by this artist and vocalist Natalia LubranoFind albums by this artist guest each on one track. The album presents seven tracks, six of which are original compositions by Maciej Mazurek and one is co-written by Mazurek and Lubrano. The music was recorded at the excellent Monchrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, offering a spotless sound quality.

The music is all highly melodic, based on solid tunes, which serve as basis for the improvisations by the participating musicians. The steady rhythmic background has a Smooth Jazz tendency, but the guitar is rather more Fusion oriented with strong Blues ties. Altogether the music is a nice mixture of melodic tunes, which flow without challenging the listener’s gray cells, but offer a pleasant background listening experience.

Overall, this is a nice debut by young musicians, who are still searching for their specific musical path, showing obvious talent, but lacking maturity. Still, guitar lovers should find this very entertaining and full of exciting licks.

Updated: 09/06/2023Posted: 09/06/2023

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LARRY CORYELL ~ LADY CORYELL
VANGUARD 6509 ~ USA ~ Jazz-Rock Fusion
Recorded: 1969

This is the third album by the US guitarist Larry CoryellFind albums by this artist, who by that time was already making serious waves on the jazz scene, soon to reach a superstar status among such guitar masters as John McLaughlinFind albums by this artist.

This is just on the brink of the fusion era soon to follow, and here Coryell still plays in a trio format with such jazz greats as drummer Elvin JonesFind albums by this artist and bassist Jimmy GarrisonFind albums by this artist - both of John ColtraneFind albums by this artist´s divine quartet.

Updated: 14/02/2020Posted:

OREGON ~ MUSIC OF ANOTHER PRESENT ERA
VANGUARD 79326 (Barcode: 090204820542) ~ USA ~ Jazz-World Fusion

2nd album from 1972. Oregon formed in 1970 by four brilliant jazz instrumentalists, who played together in the Paul Winter Consort, where they absorbed many non-jazz influences - mainly World Music. The group developed into one of the most important and influential US ensembles, with music reaching far beyond the expected and anticipated. The mixture of jazz improvisations and World Music themes is extremely beautiful.

	OREGON ~ DISTANT HILLS VANGUARD 79341 (Barcode: 090204820559) ~ USA ~ Jazz 3rd album from 1973. More of the same outstanding performances and deeply mooving music by the quartet, which dares to go far beyond what was considered jazz at that time with vision and prophetic dedication. This music did not loose any of its freshness and ingenuity over the years.
	CD 1 Recommend To A Friend

LARRY CORYELL ~ INTRODUCING THE ELEVENTH HOUSE
VANGUARD 79342 ~ USA ~ Jazz-Rock Fusion
Recorded: 1974

1st album by Larry CoryellFind albums by this artist`s group Eleventh HouseFind albums by this artist, which also included the talents of Randy BreckerFind albums by this artist (trumpet) and Alphonse MouzonFind albums by this artist (drums). This group was in many aspects a follow up to the John McLaughlinFind albums by this artist`s Mahavishnu OrchestraFind albums by this artist, with the same vigor and virtuosity. The absolute embodiment of the fusion genre and brilliant music all the way!

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LARRY CORYELL ~ SPACES
VANGUARD 79345 ~ USA ~ Jazz-Rock Fusion
Recorded: 1969

The absolute classic album on which Larry CoryellFind albums by this artist plays with some of the best musicians on this planet: fellow guitar player John McLaughlinFind albums by this artist, Chick CoreaFind albums by this artist on piano, Miroslav VitousFind albums by this artist on bass and Billy CobhamFind albums by this artist on drums. If there was ever a definition of Fusion - this is the album that does it! The guitar duets just knock you out of your socks.

	OREGON ~ WINTER LIGHT VANGUARD 79350 (Barcode: 090204820566) ~ USA ~ Jazz 4th album from 1974. Brilliant album by the four multi-instrumentalists who created some of the most original music ever recorded. Collin Walcott plays tabla, sitar and dulcimer. Glen Moore plays bass, clarinet and piano. Paul McCandless plays many reed instruments. Ralph Towner plays some of the greatest acoustic guitar.
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LARRY CORYELL ~ PLANET END
VANGUARD 79367 (Barcode: 090204820504) ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 Released: 1990

Another brilliant album by US guitarist Larry CoryellFind albums by this artist and a "second edition" of the "SpacesFind albums with this title" album from 6 years earlier with identical line-up. Sequel albums usually stink, but this one is a great exception to this rule, stunning and as great as its predecessor. Also on this one are a couple of tracks which are the final sessions with Larry`s group Eleventh HouseFind albums by this artist.

Updated: 14/02/2020Posted:

OREGON ~ FRIENDS
VANGUARD 79370 ~ USA ~ Jazz-World Fusion

8th album from 1977 (and their 3rd in the same year!). By that time the group was not only superb in every aspect of musicianship, but also very prolific, producing 3 albums in 1977 and another 3 in the next year. The music is as alwas deeply intertwined with World Music, with emphasis on textures and moods. Similar to many ECM recordings of the same era.

LARRY CORYELL ~ THE ELEVENTH HOUSE AT MONTREUX
VANGUARD 79410 ~ USA ~ Jazz-Rock Fusion

Recorded live at the 1974 Montreux Jazz Festival, this album captures Coryell and his Fusion band at their best. Dynamic, fiery and inspired, they fly through the set with vigor and instrumetal brilliance. Coryell`s blistering guitar and Lawrence`s high pitched trumpet soar above the solid and supportive rhythm section with Mouzon in lead. Not to be missed!

	OREGON ~ MOON AND MIND VANGUARD 79419 ~ USA ~ Jazz 11th album from 1978 (and third in the same year!). More great improvisations based on World Music themes, with plenty of opportunity for all the players to shine and dazzle, although Oregon was never flashy in nature, the music being very relaxed and introspective. This is music for the soul much more then for the body or the intellect.
	CD 1 Recommend To A Friend

FRANK ZAPPA ~ FZ:OZ
VAULTERNATIVE 20021 (Barcode: 824302002124) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2002

This is an archival album of live recordings by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, recorded on January 20, 1976 at Hordern Pavillon in Sydney, Australia. The 2CD album includes all the music played during the second show that night, lasting together for almost two hours, all of which was previously unreleased. The album was released in 2002 as one of the series of complete live concerts, which also includes “BuffaloFind albums with this title”, “WazooFind albums with this title”, “Philly `76Find albums with this title”, “Hammersmith OdeonFind albums with this title”, “Carnegie HallFind albums with this title” and “Chicago `78Find albums with this title”. The music was compiled from several sources to reconstruct the show in its entirety. All the music was composed by Zappa.

The lineup of the musicians playing in the band, which played this concert consists, in addition to Zappa on guitar and vocals of course, of saxophonist Napoleon Murphy BrockFind albums by this artist, keyboardist Andre LewisFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummer Terry BozzioFind albums by this artist (a rare quintet only lineup). The repertoire covers past favorites going as far back as the debut album “Freak Out!Find albums with this title” and of course current (at the time) repertoire, including material from the forthcoming “Zoot AlluresFind albums with this title” album.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than two hours of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 23/03/2022Posted: 09/11/2021

CD 2 Mini-Sleeve Remastered Recommend To A Friend

FRANK ZAPPA ~ JOE`S CORSAGE
VAULTERNATIVE 20041 (Barcode: 824302004128) ~ USA ~ Classic Rock
Recorded: 1964 - 1966 Released: 2004

This is the 72nd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2004. This album is the 1st release in the series of albums compiled by Zappa’s vaultmeister Joe TraversFind albums by this artist, which also includes “Joe`s DomageFind albums with this title” (2004), “Joe`s XMASageFind albums with this title” (2005), “Joe`s MenageFind albums with this title” (2008) and “Joe`s CamouflageFind albums with this title” (2014), all released on the VaulternativeFind albums on this label label.

The album presents twelve tracks, some composed by Zappa and the rest covers, recorded in mid-1960s before the recording of the debut album by The Mothers Of InventionFind albums by this artist “Freak Out!Find albums with this title”. The lineup includes Zappa on guitar and vocals, guitarist Henry VestineFind albums by this artist, vocalist Ray CollinsFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummer Jimmy Carl BlackFind albums by this artist. The opening and closing tracks are excerpts from Zappa’s interviews and the rest are early versions / demos / live recordings of some the songs which will later appear on the debut album and others that appear only here.

The material included on this album was never intended to be heard by “regular” listeners, and is a reflection of Zappa’s documenting passion, which prompted him to record every second of his performances in the studio and on stage from day one. It does, however, offer an incredible glimpse into the inner makings of music under Zappa’s guidance and shows the meticulous process involved in creating the music, starting with very basic ideas and developed slowly during these rehearsals. As such it shows Zappa’s genius at work and explains the ability of his musicians to perform the unspeakably tricky parts on stage later on. This is another piece of the puzzle of the Frank Zappa Genius.

Updated: 17/03/2023Posted: 17/03/2023

CD 1 Remastered Recommend To A Friend

FRANK ZAPPA ~ JOE`S DOMAGE
VAULTERNATIVE 20042 (Barcode: 824302004227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2004

This is the 73rd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2004. This album is the 2nd release in the series of albums compiled by Zappa’s vaultmeister Joe TraversFind albums by this artist, which also includes “Joe`s CorsageFind albums with this title” (2004), “Joe`s XMASageFind albums with this title” (2005), “Joe`s MenageFind albums with this title” (2008) and "Joe`s Camouflage"Find albums with this title (2014), all released on the VaulternativeFind albums on this label label.

The lineup that Zappa put together in the studio to record this music is an absolute dream team of superb instrumentalists, mostly Jazz oriented players, which includes keyboardist Don PrestonFind albums by this artist, bassist Alex DmochowskiFind albums by this artist, drummer Aynsley DunbarFind albums by this artist, saxophonist Tony OrtegaFind albums by this artist, trumpeters Sal MarquezFind albums by this artist and Malcolm McNabbFind albums by this artist, trombonist Ken ShroyerFind albums by this artist and others.

The material included on this album was never intended to be heard by “regular” listeners, and is a reflection of Zappa’s documenting passion, which prompted him to record every second of his performances in the studio and on stage. It does, however, offer an incredible glimpse into the inner makings of music under Zappa’s guidance and shows the meticulous process involved in creating the music, starting with very basic ideas and developed slowly during these rehearsals. As such it shows Zappa’s genius at work and explains the ability of his musicians to perform the unspeakably tricky parts on stage later on.

Overall, although presenting only sketchy outlines of his brilliant compositions, now half a Century old, this album is a treasure of ingenuity and historical documentation of the process of music making by the greatest musical mind of the 20th Century, and as such certainly worth being listened to and perhaps learning something about the process of creating music from the Master himself.

Updated: 13/03/2023Posted: 23/03/2022

CD 1 Remastered Recommend To A Friend

FRANK ZAPPA ~ JOE`S XMASAGE
VAULTERNATIVE 20051 (Barcode: 824302005125) ~ USA ~ Pop & Rock
Recorded: 1962 - 1965 Released: 2005

This is the 75th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2005. This album is the 3rd release in the series of albums compiled by Zappa’s vaultmeister Joe TraversFind albums by this artist, which also includes “Joe`s CorsageFind albums with this title” (2004), “Joe`s DomageFind albums with this title” (2004), “Joe’s MenageFind albums by this artist” (2008) and “Joe`s CamouflageFind albums by this artist” (2014), all released on the VaulternativeFind albums on this label label.

The album presents eleven tracks, all composed by Zappa, recorded (most probably) between 1962 and 1965 with most of the participating musicians unidentified. It is a wonderful glimpse at the very early days of Zappa’s career and the music that influenced him at the early days and obviously became part of his musical persona later on.

The material included on this album was never intended to be heard by “regular” listeners, and is a reflection of Zappa’s documenting passion, which prompted him to record every second of his performances in the studio and on stage from day one. It does, however, offer an incredible glimpse into the inner makings of music under Zappa’s guidance and shows the meticulous process involved in creating the music, starting with very basic ideas and developed slowly during these rehearsals. As such it shows Zappa’s genius at work and explains the ability of his musicians to perform the unspeakably tricky parts on stage later on. This is another piece of the puzzle of the Frank Zappa Genius.

Updated: 14/02/2023Posted: 14/02/2023

CD 1 Remastered Recommend To A Friend

FRANK ZAPPA ~ BUFFALO
VAULTERNATIVE 20071 (Barcode: 824302007129) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1980 Released: 2007

This is the 80th official release by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist. It is an archival album recorded live on October 25, 1980 at Memorial Auditorium in Buffalo, NY. The 2CD album includes all the music played during the show that night, lasting together for over two hours, all of which was previously unreleased. The album was released posthumously in 2007 as the second in the Vaulternative series of complete live concerts, which also includes “FZ:OZFind albums with this title”, “WazooFind albums with this title”, “Philly `76Find albums with this title”, “Hammersmith OdeonFind albums with this title”, “Carnegie HallFind albums with this title” and “Chicago `78Find albums with this title”. The music was compiled from several sources to reconstruct the show in its entirety. All the music was composed by Zappa.

The lineup of the musicians playing in the band, which played this concert consists, in addition to Zappa on guitar and vocals of course, of guitarists Steve VaiFind albums by this artist, Ray WhiteFind albums by this artist and Ike WillisFind albums by this artist, keyboardists Tommy MarsFind albums by this artist and Bob HarrisFind albums by this artist, bassist Arthur BarrowFind albums by this artist and drummer Vinnie ColaiutaFind albums by this artist. The repertoire covers past favorites going as far back as “Chunga`s RevengeFind albums with this title” and of course current (at the time) repertoire, including material from the forthcoming “Tinsel Town RebellionFind albums with this title” album.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than two hours of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 28/01/2022Posted: 28/01/2022

CD 2 Mini-Sleeve Remastered Recommend To A Friend

FRANK ZAPPA ~ WAZOO
VAULTERNATIVE 20072 (Barcode: 824302007228) ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2007

This is the 82nd official release by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist. It is an archival album recorded live on September 24, 1972 at Music Hall in Boston, MA. The 2CD album includes all the music played during the show that night, lasting together for over one and a half hour, all of which was previously unreleased. The album was released posthumously in 2007 as the third in the Vaulternative series of complete live concerts, which also includes “FZ:OZFind albums with this title”, “BuffaloFind albums with this title”, “Philly `76Find albums with this title”, “Hammersmith OdeonFind albums with this title”, “Carnegie HallFind albums with this title” and “Chicago `78Find albums with this title”. The music was compiled from several sources to reconstruct the show in its entirety. All the music was composed by Zappa.

The lineup of the musicians playing in the band, which played this concert consists, in addition to Zappa on guitar and vocals of course, of guitarist Tony DuranFind albums by this artist, keyboardist Ian UnderwoodFind albums by this artist, bassist Dave ParlatoFind albums by this artist, drummer Jim GordonFind albums by this artist, percussionist Ruth UnderwoodFind albums by this artist, vibraphonist Tom RaneyFind albums by this artist, cellist Jerry KesslerFind albums by this artist and a twelve members brass section, altogether twenty musicians. The repertoire covers Zappa’s ambitious orchestral Jazz oriented works from “Waka / JawakaFind albums with this title”, “The Grand WazooFind albums with this title” and later “Studio TanFind albums with this title” albums.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than one and a half hour of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 15/02/2022Posted: 15/02/2022

CD 2 Mini-Sleeve Recommend To A Friend

FRANK ZAPPA ~ JOE`S MENAGE
VAULTERNATIVE 20081 (Barcode: 824302008126) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1975 Released: 2008

This is the 84th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2008. This album is the 4th release in the series of albums compiled by Zappa’s vaultmeister Joe TraversFind albums by this artist, which also includes “Joe`s CorsageFind albums with this title” (2004), “Joe`s DomageFind albums with this title” (2004), “Joe`s XMASageFind albums with this title” (2005) and “Joe`s CamouflageFind albums by this artist” (2014), all released on the VaulternativeFind albums on this label label.

The album presents eight tracks, all composed by Zappa, recorded live by Zappa and his group in 1975 and features a rare appearance of vocalist / saxophonist Norma Jean BellFind albums by this artist, who was a member of this band for a very brief period of time. The other members in this lineup include Zappa on guitar and vocals, saxophonist Napoleon Murphy BrockFind albums by this artist, keyboardist Andre LewisFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummer Terry BozzioFind albums by this artist.

The music reflects Zappa’s Jazz-Rock Fusion period, which produced some of his most fascinating studio albums, full of great songwriting and exceptional instrumental performances, as well as his razor-sharp satire and critique of the American society, politics, corruption and ideological / religious folly. Several explosive guitar solos are the highlights of this album, as well as the super tight band, which was like an instrument in Zappa’s hands. The sound quality is somewhat less brilliant here, but the source material was painstakingly restored by Travers, and is definitely listenable.

Overall, although almost fifty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 14/02/2023Posted: 20/07/2022

CD 1 Remastered Recommend To A Friend

FRANK ZAPPA ~ PHILLY `76
VAULTERNATIVE 20091 (Barcode: 824302009123) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2009

This is an archival album of live recordings by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, recorded on October 29, 1976 at The Spectrum in Philadelphia. The 2CD album includes all the music played that night, lasting together for over two hours, all of which was previously unreleased. The album was released in 2009 as one of the series of complete live concerts, which also includes “FZ:OZFind albums with this title”, “BuffaloFind albums with this title”, “WazooFind albums with this title”, “Hammersmith OdeonFind albums with this title”, “Carnegie HallFind albums with this title” and “Chicago `78Find albums with this title”. All the music (except one song) was composed by Zappa.

The lineup of the musicians playing in the band, which is rarely documented, consists, in addition to Zappa on guitar and vocals of course, of vocalist / keyboardist Bianca OdinFind albums by this artist (a.k.a. Lady BiancaFind albums by this artist), vocalist / rhythm guitarist Ray WhiteFind albums by this artist, violinist / keyboardist Eddie JobsonFind albums by this artist, bassist Patrick O`HearnFind albums by this artist and drummer Terry BozzioFind albums by this artist. The repertoire covers past favorites and of course current (at the time) repertoire, including material from the “Zoot AlluresFind albums with this title” album, as well as some rarities previously unreleased or rarely performed.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than two hours of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 23/03/2022Posted: 14/11/2021

CD 2 Mini-Sleeve Remastered Recommend To A Friend

FRANK ZAPPA ~ HAMMERSMITH ODEON
VAULTERNATIVE 20101 (Barcode: 824302010129) ~ USA ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2010

This is an archival album of the live recordings by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, recorded in January and February of 1978 at London’s Hammersmith Odeon, one of which yours truly had the pleasure to attend. The 3CD album includes a selection of tracks played during these concerts, all of which were previously unreleased. The album was released in 2010, to celebrate Zappa’s 70th Birthday. All the music was composed by Zappa.

The lineup of the musicians playing in the band, which played these concerts consists, in addition to Zappa on guitar and vocals of course, of drummer Terry BozzioFind albums by this artist, bassist Patrick O`HearnFind albums by this artist, guitarist Adrian BelewFind albums by this artist, keyboardists Tommy MarsFind albums by this artist and Peter WolfFind albums by this artist and percussionist Ed MannFind albums by this artist (who played mallet percussion, i.e. vibraphone and similar instruments); a relatively concise septet without a brass section, which represented Zappa’s approach at the time. The repertoire covers past favorites going as far back as “Hot RatsFind albums with this title”, but also new material, which will materialize in the form of the brilliant 1979 “Sheik YerboutiFind albums with this title” album.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than three hours of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 23/03/2022Posted: 24/10/2021

CD 3 Digipak Slipcase Remastered Recommend To A Friend

FRANK ZAPPA ~ CARNEGIE HALL
VAULTERNATIVE 20111B (Barcode: 824302010181) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2020

This is an archival album of live recordings by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, recorded on October 11, 1971 at NY Carnegie Hall, the only concert played by Zappa and his Mothers Of InventionFind albums by this artist at this prestigious venue. The 3CD album includes all the music played during the two shows that night, lasting together for over three hours, all of which was previously unreleased. The album was released in 2011 as one of the series of complete live concerts, which also includes “FZ:OZFind albums with this title”, “BuffaloFind albums with this title”, “WazooFind albums with this title”, “Philly `76Find albums with this title” and “Hammersmith OdeonFind albums with this title”. This is the 2020 version of the album, which omits the support act (The PersuasionsFind albums by this artist) CD from the original 4CD 2011 version. All the music (except for two tracks which were co-composed) was composed by Zappa.

The lineup of the musicians playing in the band, which played these concerts consists, in addition to Zappa on guitar and vocals of course, of vocalist / percussionist Mark VolmanFind albums by this artist, vocalist Howard KaylanFind albums by this artist (both ex-TurtlesFind albums by this artist collectively known as Flo & EddieFind albums by this artist), keyboardist / saxophonist Ian UnderwoodFind albums by this artist, keyboardist Don PrestonFind albums by this artist, bassist Jim PonsFind albums by this artist and British drummer Aynsley DunbarFind albums by this artist. The repertoire covers past favorites going as far back as the debut album “Freak Out!Find albums with this title” and up to “King KongFind albums with this title” (which gets an improvised 30 minutes long treatment), “Hot RatsFind albums with this title”, “Chunga`s RevengeFind albums with this title” and “200 MotelsFind albums with this title”.

The music, as I have already stated repeatedly, is beyond categorization, being first and foremost the idiosyncratic creation of Zappa’s musical Genius. Of course every new piece of reissued vault material by Zappa expands the portrait of one of the paramount musical Geniuses of the 20th Century. I still label it as Jazz-Rock Fusion, as it embraces the wide perspective of these two genres. After all it is no less than three hours of the best music money can buy, brilliantly recorded and carefully put together for you listening pleasure.

Overall, this a superb and highly detailed document of the way Zappa created his masterpieces, and of course a testimony to his musical out of the box thinking and creativity. As far as concert recordings, this is an extraordinary example of Zappa’s ability to run a tight ship, perhaps tighter than any other. Despite the complexity of the material, Swiss watchmakers are using this music to synchronize their watches by.

Updated: 11/08/2022Posted: 29/10/2021

CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend

FRANK ZAPPA ~ ROAD TAPES VENUE #1
VAULTERNATIVE 20122 (Barcode: 824302012222) ~ USA ~ Avant-Garde Rock
Recorded: 1968 Released: 2012

This is the 92nd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2012. This 2CD album was released on the VaulternativeFind albums on this label label and is the first of three “Road Tapes” releases, which document entire live performances by Zappa and The Mothers Of InventionFind albums by this artist. This performance was captured at Kerrisdale Arena, Vancouver BC, Canada on August 25, 1968. The album presents fourteen tracks, all composed by Zappa, except one track by Edgar VareseFind albums by this artist.

The lineup includes, in addition to Zappa, who plays guitar and sings, woodwinds player Bunk GardnerFind albums by this artist, saxophonist Jim SherwoodFind albums by this artist, keyboardists Don PrestonFind albums by this artist and Ian UnderwoodFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummers Jimmy Carl BlackFind albums by this artist and Art TrippFind albums by this artist.

The live material reflects the highly experimental / improvisational character of the music, as well as the Avant-Garde approach to composition and Free Form improvisation, which characterized Jazz, but was unheard of in Rock music at the time.

Comparison between the live versions on this album, which are up to twenty minutes in duration, with the studio albums, prove how unique every concert by Zappa and his groups was and how important it is for all that material to be available on records, which of course is possible only due to Zappa’s passion and dedication to document his performances.

Overall, although almost fifty-five years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 30/09/2022Posted: 11/08/2022

FRANK ZAPPA ~ ROAD TAPES VENUE #2
VAULTERNATIVE 20131 (Barcode: 824302013120) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1973 Released: 2013

This is the 96th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2013. This 2CD album was released on the VaulternativeFind albums on this label label and is the second of three “Road Tapes” releases, which document entire live performances by Zappa and The Mothers Of InventionFind albums by this artist. This performance was captured at Finlandia Hall, Helsinki, Finland on August 23 & 24, 1973. The album presents nineteen tracks, all composed by Zappa.

The lineup includes, in addition to Zappa, who plays guitar and sings, violinist Jean-Luc PontyFind albums by this artist, saxophonist Ian UnderwoodFind albums by this artist, trombonist Bruce FowlerFind albums by this artist, percussionist Ruth UnderwoodFind albums by this artist, keyboardist George DukeFind albums by this artist, bassist Tom FowlerFind albums by this artist and drummer Ralph HumphreyFind albums by this artist. This live material reflects the highly experimental / improvisational character of the music, played by one of the most Jazz oriented lineups of the Mothers. Not surprisingly, most of the music is instrumental.

Six of the tracks on this album last for well over ten minutes, and one even over twenty minutes, which emphasizes the role of improvisation in Zappa’s music, which this superb collection of performers was able to execute with a staggering precision and unlimited imagination. This is also the most extensive document of Luc-Ponty’s live performances with Zappa, which of course is sensational.

Overall, although over fifty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 04/11/2022Posted: 04/11/2022

CD 2 Remastered Recommend To A Friend

FRANK ZAPPA ~ JOE`S CAMOUFLAGE
VAULTERNATIVE 20132 (Barcode: 824302013229) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1975 Released: 2014

This is the 98th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2014. This album is the 5th release in the series of albums compiled by Zappa’s vaultmeister Joe TraversFind albums by this artist, which also includes “Joe`s CorsageFind albums with this title” (2004), “Joe`s DomageFind albums with this title” (2004), “Joe`s XMASageFind albums with this title” (2005), and “Joe`s MenageFind albums with this title” (2008) all released on the VaulternativeFind albums on this label label.

The album presents fifteen tracks, all composed by Zappa, recorded in 1975 by a rehearsal lineup which never recorded any official album or played any concerts. It includes Zappa on guitar and vocals, guitarists Denny WalleyFind albums by this artist and Robert CamarenaFind albums by this artist, violist Novi NovogFind albums by this artist, saxophonist Napoleon Murphy BrockFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummer Terry BozzioFind albums by this artist. The material includes some of the regular Zappa repertoire of the time as well as material that appears here exclusively, with great guitar soloing and a strong Fusiony vibe.

The material included on this album was never intended to be heard by “regular” listeners, and is a reflection of Zappa’s documenting passion, which prompted him to record every second of his performances in the studio and on stage from day one. It does, however, offer an incredible glimpse into the inner makings of music under Zappa’s guidance and shows the meticulous process involved in creating the music, starting with very basic ideas and developed slowly during these rehearsals. As such it shows Zappa’s genius at work and explains the ability of his musicians to perform the unspeakably tricky parts on stage later on. This is another piece of the puzzle of the Frank Zappa Genius.

Updated: 13/03/2023Posted: 13/03/2023

CD 1 Remastered Recommend To A Friend

FRANK ZAPPA ~ ROAD TAPES VENUE #3
VAULTERNATIVE 20161 (Barcode: 824302016121) ~ USA ~ Avant-Garde Rock
Recorded: 1970 Released: 2016

This is the 103rd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2016. This 2CD album was released on the VaulternativeFind albums on this label label and is the last of three “Road Tapes” releases, which document entire live performances by Zappa and The Mothers Of InventionFind albums by this artist. This performance was captured at Tyrone Guthrie Theater, Minneapolis, MN, USA on July 5, 1970. The album presents twenty-six tracks, all composed by Zappa, except one track by Igor StravinskyFind albums by this artist.

The lineup includes, in addition to Zappa, who plays guitar and sings, vocalists Mark VolmanFind albums by this artist and Howard KaylanFind albums by this artist, keyboardists Ian UnderwoodFind albums by this artist and George DukeFind albums by this artist, bassist Jeff SimmonsFind albums by this artist and drummer Aynsley DunbarFind albums by this artist. This recordings capture one of the first of the (then) new lineup of the Mothers. None of the material included here is included on the “The Mothers 1970Find albums with this title” Box Set released in 2020.

The live material reflects the highly experimental / improvisational character of the music, as well as the Avant-Garde approach to composition and Free Form improvisation, which characterized Jazz, but was unheard of in Rock music at the time.

Comparison between the live versions on this album, which are up to twenty minutes in duration, with the studio albums, prove how unique every concert by Zappa and his groups was and how important it is for all that material to be available on records, which of course is possible only due to Zappa’s passion and dedication to document his performances.

Overall, although over fifty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.

Updated: 03/10/2022Posted: 30/09/2022

VERED DEKEL / MILES GRIFFITH ~ EXPANDED INTERPRETATIONS
VDMG 7063 ~ ISRAEL ~ Jazz
Recorded: 2002 Released: 2002

Debut album by a duo of jazz singers: Vered DekelFind albums by this artist from Israel and Miles GriffithFind albums by this artist from the US. Outstanding vocal jazz, well based in the tradition but completely original and innovative. The plethora of sounds and voices produced by these two singers is unimaginable - one has to hear this to believe. Strong and tasteful support by the instrumentalist. A beautiful and extraordinary musical experience.

ECHOLYN ~ A LITTLE NONSENSE: NOW AND THEN
VELVETEEN ~ USA ~ Progressive Rock
Recorded: 1991 - 2000 Released: 2000

This beautiful Box Set brings back to life (and circulation) a huge chunk of the material recorded during the 1990’s by the best US Prog band ever. EcholynFind albums by this artist might not have reached the level of recognition and appreciation they deserve (partly due to the fact that their albums remained unavailable for many years), but that does not mean of course that they don’t deserve it. Very few bands did manage to produce such consistently excellent musical output – complex and intelligent and yet highly melodic and moving. Their songs are always perfectly crafted and executed with passion and flair. This set includes the band’s debut self-titled album from 1991, the 3rd album (EP) …And Every BlossomFind albums with this title from 1993 and the 5th album When The Sweet Turns SourFind albums with this title from 1996 – all these on two CDs. In addition a third CD includes bonus material, which consists of live and unreleased material as well as re-recorded new versions of older songs. The whole set is exquisitely packaged and sure to become a collector’s item. An absolute must, not only for the many Echolyn fans but also for any Prog fan on earth.

Updated: 26/01/2019Posted:

CD 3 Box Set Bonus Tracks Recommend To A Friend

ECHOLYN ~ AS THE WORLD
VELVETEEN 00011 ~ USA ~ Progressive Rock

4th album (recorded 1994), released originally on a Major label (Sony). This masterpiece of Prog is considered as one of the best and most important Prog releases of the 1990`s. After years of being unavailable (due to Sony`s politics) here is is again, reissued with a companion DVD documenting a 1995 performance filmed just 2 days before the initial release of the album. For Echolyn many fans (and every Prog lover) this is a Godsent!

CD+DVD 2 Digipak Recommend To A Friend

ECHOLYN ~ SUFFOCATING THE BLOOM
VELVETEEN 2007 ~ USA ~ Progressive Rock

2nd album (recorded 1992). This is the album that turned the attention of Prog fans around the world to this great US group. In many respects it is a perfect album, with excellent music throughout, brilliant playing and a 28 minutes suite to top the cake. Some say this album may have single-handedly launched the 90s prog rock revival in the US, but regardless if this is true or not, this is a milestone in every respect.

CD 1 Remastered Recommend To A Friend

ECHOLYN ~ MEI
VELVETEEN 2009 (Barcode: 837101058957) ~ USA ~ Progressive Rock
Recorded: 2002 Released: 2002

7th album. EcholynFind albums by this artist not only refuse to die, but they continue to develop their mastery from one release to the next. This album is a magnificent opus, a tour de force of rare proportions. The entire album is one piece of music! No more separate songs, even if those were part of a concept album - this is the ultimate concept album. There is so much music here that rather then reading about it, just listen to it!

CD 1 Digipak Recommend To A Friend

ECHOLYN ~ THE END IS BEAUTIFUL
VELVETEEN 2010 (Barcode: 837101075886) ~ USA ~ Progressive Rock
Recorded: 2005 Released: 2005

8th album and a most anticipated release three years after their ephonymous `Mei` masterpeice. Echolyn stand up to the challenge with flying color and produce another masterpiece firmly establishing their position as US most important contemporary Prog act. Back to song format (as opposed to the continuous one track of `Mei`) each and every one of the tracks is simply brilliant, with rich instrumental arrangements, great vocals and intelligent lyrics. What else can we ask from a band? Superb!

CD 1 Digipak Recommend To A Friend

JON HISEMAN ~ ABOUT TIME TOO!
VERABRA 2014 (Barcode: 4011687201426) ~ UK ~ Jazz-Rock Fusion
Recorded: 1985 Released: 1991

This must be one of the most unique albums ever released, as it consists entirely of drum solos by the legendary British drummer / composer / bandleader Jon HisemanFind albums by this artist, one of the pillars of modern British Jazz, Jazz-Rock Fusion and Progressive Rock. There is but a handful of British musicians who have managed to create such a gigantic musical legacy over time and Jon´s contribution to music is simply invaluable. The solos on this album were all recorded during live concerts played by the United Jazz + Rock EnsembleFind albums by this artist, an multinational collective of European Jazz musicians, of which Jon was a founding member, and concerts by the superb Barbara ThompsonFind albums by this artist´s ParaphernaliaFind albums by this artist ensemble (Barbara being of course Jon´s wife and life companion). The original LP edition of this album consisted of four tracks, two of which were full drum solos (lasting sixteen and eleven minutes respectively) and two part-solos included for their uniqueness. This CD version of the album was extended with one more full solo (also timing almost sixteen minutes).

An album of drum solos might seem excessive (to say the least) at first, but anybody who appreciates the Art of music and the virtuosity involved in playing it will surely be able to appreciate the contents of this album. It is not only about Hiseman´s technical skills, but first and foremost about his musicality and his ability to "play" the drums rather than bang of them simply marking the tempi. Each of these solos is completely unique and tells a different story, with different moods, emotion and explorations involved.

People who are experienced concert goers know that drum solos are usually just an opportunity to get the public excited with a seemingly dazzling display of drumming virtuosity, but in most cases have almost nothing to do with the actual music being played before and after the solo; in case of Hiseman´s solos there is as much music in them as when the full band is playing.

These solos tell many stories about using the drum as an instrument on many different levels. They show how a melody can be played using drums, what polyrhythmic drumming means, how important controlling the dynamics is and finally how Rock, Jazz and Fusion merge together in the hands and legs of one fantastic drummer.

In case you get completely bored and depressed by the bullshit you are exposed to on the Media on the day to day level, simply reach out and put this album in the player – I promise the world will instantly and inevitably turn into a better place.

Thank you Jon for simply being there all those years!

Updated: 06/02/2016Posted: 06/02/2016

CD 1 Bonus Tracks Recommend To A Friend

	ARENA ~ SONGS FROM THE LIONS CAGE VERGLAS 001 ~ UK ~ Progressive Rock 1st album by one of the best and most sophisticated Neo-Prog British outfits, led by the keyboards wizard Clive Nolan. Critically acclaimed as a cornerstone of the Neo-Prog movement.
Updated: 21/09/2021Posted:	CD 1 Recommend To A Friend

SHADOWLAND ~ MAD AS A HATTER
VERGLAS 003 (Barcode: 5029282100036) ~ UK ~ Progressive Rock
Recorded: 1996 Released: 1996

3rd album by great UK Neo-Prog group ShadowlandFind albums by this artist led by Clive NolanFind albums by this artist of ArenaFind albums by this artist fame. Nolan`s enormous talent and creativity prompts him to participate in many musical projects simultaneously. Shadowland is softer and more melodic oriented then Arena, presenting yet another face of Mr. Nolan. The music is heavily based in British literature, as the title suggests.

Updated: 21/09/2021Posted:

	ARENA ~ PRIDE VERGLAS 004 ~ UK ~ Progressive Rock 2nd album by this group, even more powerful then the debut. Warmly recommended.
	CD 1 Recommend To A Friend

	ARENA ~ THE CRY (EP) VERGLAS 005 ~ UK ~ Progressive Rock 3rd album by this group, this special EP is a collection of short pieces that appeared on the first two albums as in-between tracks, now fully developed. Very interesting.
	CD 1 Recommend To A Friend

	SHADOWLAND ~ RING OF ROSES VERGLAS 006 ~ UK ~ Progressive Rock 1st album from 1992 by this UK Neo-Prog band, which is another `side` project of Clive Nolan - leader and keyboards player with Arena and Pendragon. Shadowland is more lyrical and calm then the other groups Noland plays with and the themes are largly based on literary works.
Updated: 21/09/2021Posted:	CD 1 Bonus Tracks Recommend To A Friend

	ARENA ~ WELCOME TO THE STAGE VERGLAS 009 ~ UK ~ Progressive Rock 4th album by this group, this one presents all the electricity and excitement of Arena live on stage. Good one!
	CD 1 Recommend To A Friend

	SHADOWLAND ~ THROUGH THE LOOKING GLASS VERGLAS 010 ~ UK ~ Progressive Rock 2nd album from 1993 by this UK Neo-Prog group led by Clive Nolan from Arena and Pendragon. Beautiful melodies and gentle themes based on literary influences (mainly Lewis CarrollFind albums by this artist) are the main characteristic of the group`s music. Excellently played and sung, this is Neo-Prog at its best.
Updated: 31/03/2024Posted:	CD 1 Bonus Tracks Recommend To A Friend

	STRANGERS ON A TRAIN ~ THE KEY PART 1: THE PROPHECY VERGLAS 011 ~ UK ~ Progressive Rock Another project by the keyboards wizard Clive Nolan (Arena & Pendragon), this time with female vocals. Part one of a concept album, mystical and beautiful, very much in the Yes tradition.
	CD 1 Recommend To A Friend

	ARENA ~ THE VISITOR VERGLAS 012 ~ UK ~ Progressive Rock 5th album, a phenomenal and timeless concept album by a really mature and tight Neo-Prog outfit.
Updated: 21/09/2021Posted:	CD 1 Recommend To A Friend

	STRANGERS ON A TRAIN ~ THE KEY PART 2: THE LABYRINTH VERGLAS 013 ~ UK ~ Progressive Rock Part two of the project above. More of the same, keyboards oriented atmospheric music with female vocals.
	CD 1 Recommend To A Friend

	CLIVE NOLAN / OLIVER WAKEMAN ~ JABBERWOCKY VERGLAS 014 ~ UK ~ Progressive Rock Great concept album by two keyboard players Nolan & Wakeman (Rick`s oldest son) with help from stellar cast, including Daddy Wakeman. Based on famous Lewis Carroll`s poem. One of the best of such projects.
	CD 1 Recommend To A Friend

	ARENA ~ IMMORTAL? VERGLAS 019 ~ UK ~ Progressive Rock 6th album, a superb dark and atmospheric piece of brilliant compositions and excellent performance. One of the best Neo-Prog albums ever recorded.
Updated: 21/09/2021Posted:	CD 1 Recommend To A Friend

	ARENA ~ BREAKFAST IN BIARRITZ VERGLAS 021 ~ UK ~ Progressive Rock 7th album, a 2CD live set recorded in Switzerland showcasing the band in its best form and including extended treatment of studio tracks and new material. This 2CD version of this album is a Limited Edition which later will be a single CD only!
	CD 2 Recommend To A Friend

	CLIVE NOLAN / OLIVER WAKEMAN ~ THE HOUND OF THE BASKERVILLES VERGLAS 022 ~ UK ~ Progressive Rock 2nd cooperation project by these two giant musicians based again on a litarary work, this time by Connan Doyle`s famous Sherlock Holmes story. Many guest musicians make this a real treat, similar in nature to `Jabberwocky`. Excellent music and great performances, a true gift of music.
	CD 1 Recommend To A Friend

	ARENA ~ CONTAGIOUS (EP) VERGLAS 023 ~ UK ~ Progressive Rock Companion EP to the Arena album `Contagion`, with additional tracks not included on the album as well as plenty of video material added for good measure. For the band`s many fans this is great opportunity to expand the scope of the original album.
	CD 1 Recommend To A Friend

ARENA ~ CONTAGION
VERGLAS 024 ~ UK ~ Progressive Rock

Long awaited new studio album from 2003 (their 8th) by this great UK Prog band. As their last albums, especially the brilliant `Immortal?`, are extremely difficult to top, let`s just say that the new album firmly confirms the status already achieved by the group. There is an entire concept behind the music and the lyrics, as often in Prog. Brilliant all the way!

CD 1 Digipak Recommend To A Friend

	ARENA ~ CONTAGIUM (EP) VERGLAS 025 ~ UK ~ Progressive Rock 2nd companion EP to the album `Contagion`, with additional tracks not included on the original album, as well as plenty of video material added for good measure. This release concludes the band`s `Contagion` project in full. For the band`s many fans this is great opportunity to complete the entire scope of the album.
	CD 1 Recommend To A Friend

ARENA ~ LIVE & LIFE
VERGLAS 027 ~ UK ~ Progressive Rock

This Limited Edition Box Set includes the 2CD live recording of the complete `Contagion` project, recorded during the 2003 tour following the release of their last album (This is the `Live` part). The companion DVD contaings a 40 minutes documentary following the band and crew on tour, backed with both on and off stage footage (This is the `Life` part). For Arena fans this is an absolute must!

Updated: 26/01/2019Posted:

2CD+DVD 3 Box Set Recommend To A Friend

ARENA ~ PEPPER`S GHOST
VERGLAS 028 ~ UK ~ Progressive Rock

Following their ground-breaking release of `Contagion` (2003), this new (2005) Arena album was one of the most eagerly anticipated new releases ever on the Neo-Prog scene. As hard as it might be to believe, the band surpasses all their previous efforts, again creating another Prog masterpiece. There seems to be no limits to their mastery and imagination, as best demonstrated on the epic `Opera Fanatica` 13+ minutes outstanding track, which closes the album. In short - whow!
Limited Edition Eco-friendly Packaging

Updated: 21/09/2021Posted:

OHISASHIBURI ~ REIMAGINING THE BEATLES
VERTE 20004 (Barcode: 8032790260915) ~ ITALY ~ Jazz
Recorded: 2020 Released: 2020

This is an album by the OhisashiburiFind albums by this artist Jazz quartet, which comprises of British pianist / composer Jonathan GeeFind albums by this artist and Italian saxophonist Gaetano PartipiloFind albums by this artist, bassist Giuseppe BassiFind albums by this artist and drummer Fabio AccardiFind albums by this artist. As the title suggests, the album presents six interpretations of BeatlesFind albums by this artist songs as well as three original compositions, two by Gee and one by Partipilo.

I treat a priori any Jazz album with music by The Beatles with extreme caution, as over time such attempts proved to be rather corny at best. Sure, The Beatles wrote many nice songs, but somehow those never sound just right when taken over to the Jazz idiom, with rare exceptions, all in my opinion of course.

This album is an effort to treat the songs with a less conventional approach, and although the quartet offers wonderful performances, I find it difficult to connect with the result. The original compositions, however, are a different story altogether, which of course makes me wish that all the tracks on the album would have been originals. The level of musicianship simply jumps up several levels and the music gets a true kick.

Having said that, considering how many people like those Beatles tunes, perhaps it wasn’t such a bad decision after all. The album offers an excellent sound quality and can be enjoyed by a wide audience, not necessarily from a strict Jazz hardcore circles.

Updated: 28/08/2021Posted: 27/08/2021

CD 1 Mini-Sleeve Recommend To A Friend

GENTLE GIANT ~ GENTLE GIANT
VERTIGO 842624 (Barcode: 042284262422) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 1990

1st album by the seminal UK Prog group Gentle GiantFind albums by this artist. Shockingly daring, advanced and complex debut album, which marked the group af future forerunners of the Progressive genre. Mixing elements of classical, jazz and hard rock and spiced with humor and quirky rhythms, this was far beyond anything happening on the scene. An absolute classic!

Visitors' Comments

Dr. Rafael Augusto Lara Palmeros
Debut album by one of the most impressive, extraordinary and eclectic bands in the Prog Rock History. Gentle Giant was known for the complexity and sophistication of its music and for the varied musical skills of its members, all of them, except the first two drummers, were multi-instrumentalists. The Shulman Brothers (Derek, Ray and Phil), Kenny Minnear, Gary Green and Martin Smith with additional musicians (Paul Cosh, tenor horn on ´ Giant´ and Calire Deniz, cello on ´Isn´t it quiet and cold´) were a great ensamble. The band´s music was considered complex even by progressive rock standards, drawing on a broad swathe of music incluiding Folk, Jazz, Bluez, Classical Music, Baroque, Mediaeval Music, Modernist Chamber Music elements. In this work, we found multi-part vocal harmonies, complex lyrics, frequente changes in tempo, frequent use of syncopation and polymeters, use of complex melodies, frequently contrasting harmonies with dissonance, extreme use of instrumental and vocal counterpoint, use of clssical and mediaeval instrumentation, use of musical structures typically associated with Classical Music (madrigal, fuga, etc, etc) and the consistent use of stated exchanged and recapitulated muscial themes exchangend between instruments.´Giant´,´ Alucard´,´Nothing to all´,´Funny ways´, ´Why not?´, are excelent tracks of this extraordinary albumn. Essential !!!!. 5 stars.

CD 1 Essential Recommend To A Friend

GENTLE GIANT ~ OCTOPUS
VERTIGO 842694 (Barcode: 042284269421) ~ UK ~ Progressive Rock
Recorded: 1972 Released: 1990

4th album. In many ways this was the peak of Gentle GiantFind albums by this artist`s career and artistic development. This album includes some of their most brilliant compositions, like `Knots` and the playing is mature and perfected. In retrospect this album definitely belongs to the `canon` of Prog and still is a major source of inspiration to both musicians and fans.

CD 1 Essential Recommend To A Friend

GENTLE GIANT ~ ACQUIRING THE TASTE
VERTIGO 842917 (Barcode: 042284291729) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 1990

2nd album. Following the stunning debut album, this one stretches the ideas even further, with everything between Hard Rock and Gregorian Chants fused into an amazing amalgam unique to this band. Elegant and sophisticated, humorous and deep, this is an unmatched musical gem. which inspired generations of Proggers. No Prog collection should be without this album.

CD 1 Essential Recommend To A Friend

CHICK COREA ~ THE LEPRECHAUN
VERVE 519798 ~ USA ~ Jazz
Recorded: 1975

Brilliant album by one of the leading jazz figures - Chick CoreaFind albums by this artist. Parallel to his work with the Fusion group Return To ForeverFind albums by this artist at that time, Corea recorded this orchestral suite with a Big Band and string section, which was fresh and innovative. His quest to cover new musical ground is of course one of his greatest virtues. Superb performances by Steve GaddFind albums by this artist on drums and Eddie GomezFind albums by this artist an bass.

CD 1 Remastered Recommend To A Friend

PACO DE LUCIA / AL DI MEOLA / JOHN MCLAUGHLIN ~ THE GUITAR TRIO
VERVE 533215 (Barcode: 731453321526) ~ SPAIN ~ Jazz-World Fusion
Recorded: 1996 Released: 1996

14 years after recording their last acoustic guitar album together, Paco De LuciaFind albums by this artist, Al Di MeolaFind albums by this artist and John McLaughlinFind albums by this artist - three guitar geniuses - get together again to deliver a follow up. This album is every bit as good as their previous encounters. There is no evidence whatsoever of weariness, on the contrary – age seems to agree with them, refining their musical instincts. As usual, the music was all composed by the players themselves, except one bossa-nova, which gets a superb treatment. The format of duos and trios seems to be a perfect vehicle for all three players to express their outstanding abilities and they explore it to the extreme. There is really not much to say here, except recommend this album to every music lover – satisfaction guaranteed.

SCHIFRIN, LALO ~ MARQUIS DE SADE
VERVE 537751 ~ USA ~ Jazz

One of the most famous jazz albums of all times by the great composer, arranger and pianist Lalo Schifrin, famous also for his numerous film and TV scores, such as `Mission Impossible`. On this album Schifrin creates jazz `a la baroque`, combining jazz and 18th Century inspired classical music, one of the best efforts of this kind. Absolute classic!

TONY WILLIAMS / LIFETIME ~ EMERGENCY!
VERVE 539117 (Barcode: 731453911727) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 1997

1st album by the revolutionary Tony Williams LifetimeFind albums by this artist trio, released originally as a double album, now on 1 CD. With Tony Williams, one of the greatest jazz drummers ever, John McLaughlinFind albums by this artist on guitar and Larry YoungFind albums by this artist on organ, they were a pioneering force in the emerging Jazz-Rock Fusion genre and shaped its development. Considered as one of the most influential albums ever.

CD 1 Remastered Essential Recommend To A Friend

TONY WILLIAMS / LIFETIME ~ TURN IT OVER
VERVE 539118 (Barcode: 731453911826) ~ USA ~ Jazz-Rock Fusion
Recorded: 1970 Released: 1997

2nd album by the pioneering Jazz-Rock outfit Tony Williams LifetimeFind albums by this artist. With the young and brilliant Tony Williams at the drum chair and Larry YoungFind albums by this artist playing organ (both from the US) and John McLaughlinFind albums by this artist on guitar and Jack BruceFind albums by this artist on bass & vocals (both from UK), they deliver some of the best Fusion imaginable. This album influenced scores of other musicians to develop this genre further.

CD 1 Remastered Bonus Tracks Recommend To A Friend

JOHN MCLAUGHLIN ~ THE HEART OF THINGS
VERVE 539153 (Barcode: 731453915329) ~ UK ~ Jazz-Rock Fusion
Recorded: 1997 Released: 1997

Since the late 1960’s John McLaughlinFind albums by this artist’s career enfolded like a continuous success story, moving from one musical hilltop to another: recording with Miles DavisFind albums by this artist, leading the Mahavishnu OrchestraFind albums by this artist, world music excursions with ShaktiFind albums by this artist, etc. – all remarkable achievements. Keeping a position “in the lead” for so many years is never easy, but McLaughlin manages to deliver an amazingly consistent high quality output time after time with elegance and grace. This album is no exception and presents the genius player / composer at his best again. Listening to this album raises almost immediately an attempt to compare the music and the group of musicians playing it to the Mahavishnu Orchestra. Although never formally called by that name, it is indeed a direct continuation of the work McLaughlin did with Mahavishnu about 20+ years earlier – electric Fusion. Of course this group is more mature, slightly more jazz oriented, and definitely much more relaxed and laid back, all for the good. Not that the fire and passion of the original Mahavishnu wasn’t fantastic – it definitely was, but it often ventured into moments of havoc and confusion, which are completely absent here. McLaughlin uses on this recording a set of seasoned and experienced players: saxophonist Gary ThomasFind albums by this artist (one of the most talented players of the new generation and the jazziest player in this group), keyboards player Jim BeardFind albums by this artist and drummer Dennis ChambersFind albums by this artist, both veteran fusion players and finally the youngest member – Matthew GarrisonFind albums by this artist on bass (son of the legendary bass player Jimmy GarrisonFind albums by this artist from John ColtraneFind albums by this artist’s quartet). McLaughlin composed all the music on this album, and the result should be equally appealing to both jazz and fusion fans. Highly recommended!

CD 1 Digipak Recommend To A Friend

CHICK COREA ~ MY SPANISH HEART (MASTER EDITION)
VERVE 543303 (Barcode: 731454330329) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2000

Probably the finest ever album combining the elements of Jazz-Rock Fusion and Latin rhythms. This masterpiece includes a stellar line-up (Jean-Luc PontyFind albums by this artist, Stanley ClarkeFind albums by this artist, Steve GaddFind albums by this artist a.m.o.) and rich string & brass arrangements, but of course Chick CoreaFind albums by this artist`s brilliant piano playing is the focal point. The compositions, many of which are considered today as standards and are universally played by musicians all over the globe, are also outstanding and have the unforgetable charm and sophistication. An absolute gem!

CD 1 Digipak Oversampling Remastered Bonus Tracks Essential Recommend To A Friend

JOHN MCLAUGHLIN ~ THE HEART OF THINGS - LIVE IN PARIS
VERVE 543536 (Barcode: 731454353625) ~ UK ~ Jazz-Rock Fusion
Recorded: 1998 Released: 2000

This is a live companion album to the studio recording of the same name. Recorded during a tour that followed the release of the studio album, this album complements the studio recording perfectly, as there is very little parallel materiel on the two. Only three of the tunes present on the studio album are played here, and as usual they get a completely different treatment, which of course is the essence of live recordings. The rest of the material consists of earlier compositions by John McLaughlinFind albums by this artist. The group is almost identical to the one which recorded in the studio, except for keyboards player Otmaro RuizFind albums by this artist (who replaces Jim BeardFind albums by this artist) and the presence of percussionist Victor WilliamsFind albums by this artist (who was only a guest on the studio album). The musicians perform splendidly, with the lengthy tunes leaving plenty of space for individual players to solo extensively. There is not a dull moment here, with enough inspiration, professionalism and talent to satisfy even the harshest critics. Definitely worth having.

MICHAEL BRECKER ~ NEARNESS OF YOU: THE BALLAD BOOK
VERVE 549705 (Barcode: 731454970525) ~ USA ~ Jazz
Recorded: 2000 Released: 2001

Michael Brecker is considered one of the top US saxophone players and innovators. His illustrious career goes back to the late 1960’s when he was a member of the little known Jazz-Rock Fusion band Dreams (similar to BS&T and Chicago but more funky) and later as co-leader of the Brecker Brothers band (with his brother trumpeter Randy Brecker). His career as a leader started rather late with the release of his debut (self-titled) solo album in 1986 and marked his return to the jazz mainstream. Since then he released a series of consistently excellent albums, this being his 8th. With a stellar lineup including Pat Metheny on guitar, Herbie Hancock on piano, Charlie Haden on bass and Jack DeJohnette on drums Brecker presents an all- ballad repertoire, which of course is a great challenge for even the most accomplished players. Of course in his case the listener has nothing to worry about, as he passes the test with flying colors. His (and his band members) playing is perfect all the way through, lush and sensuous but always sensitive to the melody’s special ambience. A very nice surprise comes in the guest appearance (on two of the songs) by the veteran singer / songwriter James Taylor, who performs one of his everlasting songs and the title song. Listening to this album is nothing but bliss and pleasure, a true jazz gem.
Side Note: In 2005 Michael Brecker was diagnosed with a rare blood cancer and is fighting for his life to this day. Thousands of musicians and fans underwent blood tests (myself included) in search for a suitable donor for a marrow transplant for Michael, so far with no positive match. My thoughts and best wishes for a speedy recovery are with him always.

RETURN TO FOREVER ~ LIGHT AS A FEATHER (MASTER EDITION)
VERVE 557115 (Barcode: 731455711523) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 1998

2nd album by Return To ForeverFind albums by this artist and one of the pivotal Fusion albums of all times. This is the last recording of the original (acoustic) RTF line-up with Joe FarrellFind albums by this artist, Airto MoreiraFind albums by this artist, Stanley ClarkeFind albums by this artist, Flora PurimFind albums by this artist & Chick CoreaFind albums by this artist, and they perform some of the best music ever recorded with panache and elegance rarely acheived anywhere. Corea manages to make the electric piano (Rhodes) sound anything between a feather`s touch and a storm. Clarke`s pulsating acoustic bass is the driving force and Airto`s percussion work is the spice. The material on the second disc is as oustanding as the previously released one and it was a crying shame to keep it under wraps for so long. If you can have just one album - this one is surely a worthy nomination.

CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

TONY WILLIAMS / LIFETIME ~ EGO
VERVE 559512 (Barcode: 731455951226) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 1999

3rd album by the Tony Williams LifetimeFind albums by this artist. A mixture of jazz and space/psychedelic rock, which explains why this group is considered as one of the most important pioneers of Jazz-Rock. Williams, who at the age of 17 was given the drum chair by Miles DavisFind albums by this artist, is one of the greatest drummers of all times and his untimely death in 1997 was a great blow to all music lovers.

CD 1 Digipak Oversampling Remastered Recommend To A Friend

STEFANO BOLLANI ~ BIG BAND!
VERVE 602527720821 (Barcode: 602527720821) ~ ITALY ~ Big Band Jazz
Recorded: 2010 Released: 2011

This is a live album by Italian Jazz pianist / composer Stefano BollaniFind albums by this artist, recorded with the excellent German NDR Big BandFind albums by this artist, conducted by Norwegian musician / arranger Geir LysneFind albums by this artist. The album presents five tracks, all original compositions by Bollani, arranged by Lysne. Among the international team of the NDR, we find American drummer Jeff BallardFind albums by this artist, Argentinean percussionist Marcio DoctorFind albums by this artist, German saxophonist Christof LauerFind albums by this artist and others.

The music is as much about Bollani’s brilliant piano playing and fascinating compositions, as about the incredible arrangements and performances by the Big Band, which are us usual stellar to say the least. NDR is the leading European Jazz Big Band, with a constantly changing lineup of top Jazz musicians from all over the world. It epitomizes the European orchestral / Big Band approach, which is diametrically different from the American Jazz tradition. The orchestra functions as one body, organically creating a sound, which reflects the rich and complex layers, all contributing to the total outcome. There are no repeated riffs and clear division into sections, but rather an organic music making mechanism, which is basically inseparable.

Bollani’s romantic, lyrical pieces are expanded into suite-like continuances, with little space for soloing per se. His piano is elegantly integrated into the orchestral sound, clearly audible but not dominating the proceedings. The resulting music is quite complex, but offers a powerful “punch”, which is extremely effective. This is European aesthetics at its best.

Overall, this is a rich and powerful musical experience, delivered by some of the best musicians around, and for the Big Band sound enthusiasts, this is a true engulfing orgy of pulsations and resonances, which one wishes should never stop. Wholeheartedly recommended!

Updated: 21/07/2024Posted: 21/07/2024

DAVID CROSBY ~ LIGHTHOUSE
VERVE 602557238686 (Barcode: 602557238686) ~ USA ~ Pop & Rock
Recorded: 2016 Released: 2016

A couple of years ago (in 2014) legendary singer / songwriter David CrosbyFind albums by this artist of the ByrdsFind albums by this artist and Crosby, Stills & NashFind albums by this artist fame, released his fourth studio album ("CrozFind albums with this title") after twenty one years of silence, and forty three years after the release of his debut album, which means that his average output is one album every eleven years give or take a year. And now, against all odds and just two years later, he´s back with another album, his fifth studio effort, with nine great new songs!

Although released under Crosby´s name, the album is actually a duo effort, with Crosby co-writing most of the songs and performing them with Michael LeagueFind albums by this artist, bassist, guitarist and the leader of the instrumental group Snarky PuppyFind albums by this artist. Most of the songs feature just Crosby singing and playing acoustic guitar and League accompanying him on various guitars and bass and singing backing vocals.

Crosby´s voice, which I had the immense pleasure to listen to live last year (2015), is remarkably steady and clear, although his range is obviously limited by age and he does not use his dramatic falsetto any more. Nevertheless he is still a formidable performer and the intimate setting of this album suits him ideally.

The songs are all very good, both musically and lyrically. Although the times when songs had to have a great melody and intelligent lyrics are long forgotten, Crosby still adheres to this golden formula, which is a blessing. His natural melancholy and deep lyricism are still intact and the songs reflect these qualities, as they always did over the years.

Considering the fact that the generation of great musicians, to which Crosby belongs, is being depleted on a daily basis, the fact that Crosby is still with us, in spite of his serious heath problems over the years, is a true miracle. For us, mere followers of his musical journeys, this album is like winning a lottery, which makes getting older just a bit easier for a while.

Keep on, David! God Bless!

Updated: 18/01/2019Posted: 02/01/2017

JOHN MCLAUGHLIN ~ MOLOM: A LEGEND OF MONGOLIA (SOUNDTRACK)
VERVE 731452903426 (Barcode: 731452903426) ~ UK ~ Jazz-World Fusion
Recorded: 1994 Released: 1995

This is an album by British Jazz guitarist / composer John McLaughlinFind albums by this artist, which collects the music he recorded for the soundtrack to the movie of the same title. The album presents twenty-two short tracks, fifteen of which are original compositions by McLaughlin, which he performs on acoustic and electric guitar, with synthesizer background. Indian percussionist Trilok GurtuFind albums by this artist plays on selected tracks. The remaining seven tracks are traditional Mongolian songs, performed by various local artists.

The music is absolutely gorgeous, with beautiful melodic / lyrical themes, quite unusual in McLaughlin’s repertoire, brilliantly performed, as expected. Other tracks offer the more familiar Jazz-World Fusion stylistic, performed with the usual virtuosity and skill.

Overall, this is an almost completely and criminally ignored album in McLaughlin’s recorded legacy. McLaughlin’s numerous fans will find here some of the most beautiful music he ever wrote, as well as blood-curdling performances, which make this album a must in every serious collection of his recordings. Probably not easy to find, but definitely worth the effort to close a gap in one’s collection!

Updated: 09/07/2024Posted: 09/07/2024

HERBIE HANCOCK ~ RIVER: THE JONI LETTERS
VERVE 744826 (Barcode: 602517448261) ~ USA ~ Jazz
Recorded: 2007 Released: 2007

Jazz legend Herbie HancockFind albums by this artist finally repays the debt the Jazz world owes to Rock legend Joni MitchellFind albums by this artist. Joni’s 1979 album MingusFind albums with this title stands out to this very day as one of the greatest tributes ever made to Jazz by a non-Jazz musician and I always wondered when is someone going to settle the score. Well better late than never and better still if the musician to do so is someone of Hancock’s statue and sensibility. For me Joni’s music always had subtle jazzy undertones, even if she didn’t use Jazz musicians as her backing band (like on “Mingus” and a few other albums), and therefore this project sounds completely natural and perfectly matched. Hancock assembled a superb quintet for the job, with Wayne ShorterFind albums by this artist (soprano and tenor saxophone), Dave HollandFind albums by this artist (bass), Vinnie ColaiutaFind albums by this artist (drums) and Lionel LouekeFind albums by this artist (guitar). The ten tracks, combined and arranged to constitute a continuos suite-like experience, include eight Joni’s songs and two Jazz standards. Several vocalists were invited to interpret the vocal parts on six of the tracks and these include Norah JonesFind albums by this artist, Tina TurnerFind albums by this artist, Corinne Bailey RaeFind albums by this artist, Luciana SouzaFind albums by this artist, Joni Mitchell herself and Leonard CohenFind albums by this artist, who recites rather than sings. The overall effect is absolutely beautiful and deeply moving. The musicians are all Masters of their trade and they are amongst the most sensitive accompanist, as well as first rate soloists. Hats off Mr. Hancock and thanks for this wonderful gift of music and thank you Joni for bestowing your great talent on all of us – you truly deserve this tribute. Essential!

CD 1 Essential Recommend To A Friend

STAN GETZ ~ THE BOSSA NOVA ALBUMS
VERVE 754969 (Barcode: 602517549692) ~ USA ~ Jazz-World Fusion
Recorded: 1962 - 1963 Released: 2008

The Brazilian musical gift to the world – the Bossa Nova – is celebrating its 50th Anniversary, so it’s only natural to take a look at some classic recordings, which popularized the genre outside of its birthplace, namely the legendary Stan GetzFind albums by this artist recordings, which created a Bossa Nova craze in the US. Saxophonist Stan Getz was already an established Jazz player at the time these timeless albums were recorded, but his pioneering work with Brazilian musicians was a bold step, very unusual for the conservative US Jazz community. Although accused of commercialism and “selling out” by many of his peers and music critics, the fact that this music became so immensely popular with Jazz fans and even many non-Jazz listeners, has everything to do with the quality of the music, rather than the its accessibility. After all the Bossa Nova’s inherent beauty and mesmerizing rhythm are addictive and quite irresistible and the way Getz immersed himself totally in the music, creating a perfect amalgam of Jazz and the Brazilian music (a superb early example of Jazz-World Fusion) was phenomenal. Add to this the incredible tone of his saxophone, lush and clear, sweet as honey and yet highly intelligent and often innovative musically, and you get some classic music, which sounds forever fresh and moving, even if you heard some if it countless times before. This beautiful Box Set includes the five Bossa Nova albums Getz recorded for Verve in 1962 and 1963: “Jazz SambaFind albums with this title”, “Big Band Bossa NovaFind albums with this title”, “Jazz Samba Encore!Find albums with this title”, “Getz / GilbertoFind albums with this title” and “Getz / AlmeidaFind albums with this title”. Of these five albums, four are small combo recordings, where Getz plays opposite a guitarist: Charlie ByrdFind albums by this artist, Luiz BonfaFind albums by this artist, Joao GilbertoFind albums by this artist and Laurindo AlmeidaFind albums by this artist, respectively. The big band album features a large orchestra (with some of the best Jazz players of the time), conducted by Gary McFarlandFind albums by this artist, who also arranged the music. The legendary producer Creed TaylorFind albums by this artist produced all the albums. A few vocal tracks appear here, including the everlasting Astrud GilbertoFind albums by this artist‘s “The Girl From Ipanema”. In the 45 years that passed since these sessions were recorded, the music lost absolutely nothing of its charm and beauty and I still very much a source of great musical pleasure. Don’t get fooled by people, who label this music commercial or “sentimental”, this is essential stuff, which will outlast its critics.

Updated: 26/01/2019Posted:

CD 5 Digipak Box Set Remastered Essential Recommend To A Friend

JOHN MCLAUGHLIN ~ QUE ALEGRIA
VERVE 837280 (Barcode: 042283728028) ~ UK ~ Jazz-World Fusion
Recorded: 1991 Released: 2003

A beautiful album by the John McLaughlinFind albums by this artist Trio, with percussionist extraordinare Trilok GurtuFind albums by this artist and bass player Dominique Di PiazzaFind albums by this artist (Kai BeckhardFind albums by this artist plays bass on two of the nine tracks). McLaughlin switches masterfully between the acoustic guitar and guitar synthesizer according to the desired mood and his partners play along with virtuosity and elegance. The music covers a wide range of genres, from blues to strong world music influences. McLaughlin wrote most of the music on the album, with Gurtu and Di Piazza contributing one track each. This is a true showcase of sophisticated and invigorating music creation, which is timeless and precious. A case of “less is more”, where the silence is as important as the sound. Beautifully recorded in the famous Ludwigsburg Studio (in South Germany), where also many ECM albums were recorded. Brilliant!

Updated: 09/07/2024Posted:

CD 1 Digipak Recommend To A Friend

REMEMBER SHAKTI ~ THE WAY OF BEAUTY
VERVE 838683 (Barcode: 602498386835) ~ UK ~ Jazz-World Fusion
Recorded: 1976 - 2004 Released: 2006

Finally, after so many years of waiting, the fans (myself included) can enjoy au vivo the spectacular and divine work of John McLaughlinFind albums by this artist and his Indian ensemble ShaktiFind albums by this artist. The original Shakti was formed in 1975 with McLaughlin combining forces with several classical Indian Masters, including percussionist extraordinare Zakir HussainFind albums by this artist. After releasing three superb albums McLaughlin disbanded the ensemble in 1977, only to reunite it again 22 years later, this time under the name Remember ShaktiFind albums by this artist, which recorded another 3 albums. This great DVD includes over 3 hours of material, which covers performances of the original ensemble as well as the reunion, documentary material and interviews. McLaughlin visionary and pioneering approach to World-Jazz Fusion is of course just one of his many musical achievements, which deserve to be devoured at all possible avenues. This is a true Godsend! NTSC

CARAVAN ~ CARAVAN (EXPANDED EDITION)
VERVE 882952 (Barcode: 042288295228) ~ UK ~ Canterbury Scene
Recorded: 1968 Released: 2002

1st (self titled) album by this revolutionary Prog band, which already at that stage shows how innovative and talented these musicians were. This edition includes the entire album remastered in both stereo and mono mix and a bonus track - a real treat to all Caravan fans.

CD 1 Remastered Bonus Tracks Recommend To A Friend

JOHN MCLAUGHLIN ~ INDUSTRIAL ZEN
VERVE 983932 (Barcode: 602498393284) ~ UK ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2006

Here it is at last – the finest album recorded in the 21st century! As lofty and far-fetched as this might sound, I’m ready to defend this statement for as long as it takes. This masterpiece by the legendary guitarist is a complex, multi-layered work of art. On one hand it is contemporary in every sense, especially as far as the overall sound is concerned, on the other hand however it is also an amalgam of John McLaughlinFind albums by this artist’s entire life as a musician, including every style, genre, direction and sound he played over the years, all of these synthesized into an integral new entity. For people familiar with McLaughlin’s illustrious career it should be quite easy to recognize the familiar elements: the spontaneity of the Miles DavisFind albums by this artist sessions, the fire of Mahavishnu OrchestraFind albums by this artist, the grace of his solo work on acoustic and electric guitar and of course his sensitivity and openness to other cultures as demonstrated in ShaktiFind albums by this artist and Remember ShaktiFind albums by this artist. Every note here is original and yet every note also has traces and links to something accomplished in the past. As far as the sound and instrumentation are concerned, these are completely new to McLaughlin. As the title of the album suggests, he uses plenty of electronics here – synth-guitar, keyboards and even drums are used to produce a plethora of both foreground and background electronic sounds, somewhat similar to the so-called “Industrial” sound used in Rock, but of course infinitely more complex and interesting. In addition, the album is very rhythmic and percussive, with two drummers and percussion players present simultaneously on most tracks. To achieve the maximal effect McLaughlin uses different players on various tracks and the list is most impressive: Mark MondesirFind albums by this artist, Vinnie ColaiutaFind albums by this artist, Dennis ChambersFind albums by this artist, Gary HusbandFind albums by this artist – drums; Otmaro RuizFind albums by this artist, Gary HusbandFind albums by this artist – keyboards; Bill EvansFind albums by this artist, Ada RovattiFind albums by this artist – sax; Matthew GarrisonFind albums by this artist, Hadrien FeraudFind albums by this artist – bass; Zakir HussainFind albums by this artist – tabla; Shankar MahadevanFind albums by this artist – vocals. This superb group of musicians supports their Master with love and devotion, which is evident, every step of the way. Another very interesting aspect of this album is that it seems McLaughlin is paying homage to the greatest Fusion ensemble in history – Weather ReportFind albums by this artist. Two of the tracks are explicitly named after WR members: “For Jaco” (Jaco PastoriusFind albums by this artist) and “Wayne’s Way” (Wayne ShorterFind albums by this artist) but also the entire sound and feel of the album reflects very closely the feel of WR albums. I had a distinct feeling as if listening to a new album by an expanded version of WR including guitar. Perhaps something that was meant to happen but never did (i.e. WR playing with McLaughlin) finally materializes here? Fusion Karma? Whatever the Gods intended is besides the point here; one thing is sure: to create such divine music McLaughlin surely had to have a measure of godly intervention / inspiration. Bless you John for giving us such a wonderful musical gift. You do make life endurable again with your beacon clearly showing the direction to ships sailing the oceans of musical ennui.

CD 1 Essential Recommend To A Friend

HERBIE HANCOCK ~ THE NEW STANDARD
VERVE 988403 (Barcode: 602498840351) ~ USA ~ Jazz
Recorded: 1996 Released: 2005

After playing jazz standards throughout all his life (in addition to original music of course), Herbie HancockFind albums by this artist decided to record an album dedicated to his rendition of contemporary Pop songs, which in his opinion deserve to enter the standard songbook. The BeatlesFind albums by this artist, Steve WonderFind albums by this artist and scores of other songwriters active since the 1960’s composed thousands of songs worthy of becoming classics, yet the jazz standards to this day are mostly tunes written in the first half of the 20th century. Hancock selected a dreamy sextet of some of the best contemporary jazz Masters to take part in this recording, with Michael BreckerFind albums by this artist – sax, John ScofieldFind albums by this artist – guitar, Dave HollandFind albums by this artist – bass, Jack DeJohnetteFind albums by this artist – drums and Don AliasFind albums by this artist – percussion. He takes the original tunes quite far from the source, transforming them into jazz with masterful touch and divine sensibility. Of course all the players perform beautifully, with Hancock taking a few fiery solos and so do Brecker and Scofield. The rhythm section provides solid and sophisticated background and the entire session just swings like there is no tomorrow. Absolutely delightful!

JOZEF SKRZEK ~ MOJA MUZYKA
VIATOR 001 (Barcode: 5901549197235) ~ POLAND ~ Electronic & Ambient
Recorded: 1978 - 1981 Released: 2014

This is an archival album by Polish bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, one of the leading musicians in the country and the founder and leader of the legendary group SBBFind albums by this artist. This album concentrates on Skrzek as a synthesizer player and presents eight tracks, seven of which are performed only on synthesizers and one with features also the SBB drummer Jerzy PiotrowskiFind albums by this artist. The opening and closing tracks were recorded solo live during TV shows and the remaining six tracks are fragments of live performances by SBB, edited out to showcase the synthesizer parts. All music was composed by Skrzek.

The music is a loosely connected series of ambient / electronic pieces, which are only marginally interesting. There are no real melodic themes developed and expanded by improvisations, but mostly loops and repetitive sounds which result in uneventful music, reminiscent of efforts by New Age / ambient artists. The closing, almost half hour long title track, is in fact pretty difficult to listen to without falling asleep.

Of course many diehard SBB fans will find this music to their liking, but honestly Skrzek is at his best when playing bass with SBB and making ass-kicking music that rocked Eastern Europe in the early years, rather than pretending to make "serious" music, which goes nowhere. Considering the plethora of available SBB and Skrzek live recordings, there comes a point when one should let the bygones be bygones and concentrate on new music, if possible, rather than dig out more pieces from the past which do not add anything to the long list of achievements by Skrzek or SBB.

This album is a first release on a new label called ViatorFind albums on this label Records, owned by Skrzek and dedicated to release his music, including more archival material like the one present on this album.

JOZEF SKRZEK ~ AKUSTYCZNIE II
VIATOR 002 (Barcode: 5901549197440) ~ POLAND ~ Progressive Rock
Recorded: 2003 Released: 2015

This is an archival release by Polish bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, the founder and leader of the legendary Polish Progressive Rock and Jazz-Rock Fusion band SBBFind albums by this artist. It is the second album on his ViatorFind albums on this label label, and it presents a solo concert by Skrzek captured live at a club in Czech Republic. The music includes six original compositions by Skrzek, spanning his entire career, which are well known to Skrzek / SBB fans. Skrzek sings and plays piano and Minimoog.

The recording captures very well the atmosphere of the club and Skrzek at his best, playing his heart out. The recording quality is rather questionable, but considering the intensity of the performance this can be easily forgiven. Skrzek´s fans will find this highly interesting and entertaining of course.

On the other hand, however, Skrzek and SBB released way to many live recordings so far, which feature quite similar material, which means that one more such album basically adds nothing new to what Skrzek / SBB have to offer, simply further saturating the market.

Updated: 03/03/2016Posted: 03/03/2016

JOZEF SKRZEK ~ KOLEDY 81-82
VIATOR 003 (Barcode: 5901549197679) ~ POLAND ~ Progressive Rock
Recorded: 1981 - 1982 Released: 2016

This is an archival album presenting the unreleased solo album recorded by the Polish bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, primarily known as the leader of the legendary group SBBFind albums by this artist. This album presents Skrzek´s interpretations of Christmas Carols, performed by a plethora of keyboards and bass. The album offers thirteen tracks, twelve of each are traditional compositions presented in their instrumental form and only the last track offers an original composition by Skrzek which also includes vocals.

The music is a typical synthesizer drenched music, which dominated the 1980s, with occasional solo piano pieces, which are much more lyrical and enjoyable. Although the melodic background is familiar, Skrzek takes the Carols into the Prog fantasy world, to the delight of his many fans. As a result this is only marginally a Christmas album, if at all, but rather a Progressive Rock venture, which emphasizes Skrzek´s virtuosity as a synthesizer Master and a bass virtuoso. Fans of the late Keith EmersonFind albums by this artist will find this album a pure delight.

The fact that this music was unreleased for such a long time is a pity and the fact that it is finally available is a relief. The continued effort by Skrzek to present his musical archives on his own ViatorFind albums on this label Records label is definitely worth checking out.

Updated: 21/03/2017Posted: 21/03/2017

CD 1 Remastered Recommend To A Friend

	VARIOUS ARTISTS ~ KNIGHTS OF THE BLUES TABLE VICEROY 54189 ~ UK ~ Blues A tribute to the farher of British Blues - Alexis Korner, by some of the most distinguished blues musicians. Very lyrical and brilliantly performed in the true blues feeling. 1 last copy in stock!
	CD 1 HDCD Recommend To A Friend

	VARIOUS ARTISTS ~ RATTLESNAKE GUITAR (MUSIC OF PETER GREEN) VICEROY 54190 ~ UK ~ Blues 2CD tribute to the music of Peter Green, the greatest living guitar hero. Performances by all the greatest axe masters (and some other friends like Ian Anderson and Arthur Brown) make this a 2½ hours trip of the best blues ever put on record.
	CD 2 Recommend To A Friend

	SAVOY BROWN ~ BRING IT HOME VICEROY 54213 ~ UK ~ Blues A most welcome comeback by this legendary 60`s blues group, playing strongly as ever. Led by the original lead guitarist Kim Simmonds, a real treat to all electric white blues fans.
	CD 1 Recommend To A Friend

MR. TOAD ~ TRENCH ART
VICTORIAN ~ ISRAEL ~ Progressive Rock

Mr. Toad are a group of young Israeli Prog musicians, who create some of the most interesting music recorded here in a long time. Stylistically they are similar to past greats such as Gryphon, Amazing Blondel and other ensembles, who mixed early music with folk and jazz in order to create a unique blend of delicate acoustic sounds an complex compositions. Mostly instrumental with some vocals in English.

FRANCESCO BRUNO ~ LE PAROLE ALTRE: IL LUNGO VIAGGIO DI TIZIANO TERZANI
VIDEO EIKON ~ ITALY ~ Jazz-World Fusion
Recorded: 2009 Released: 2010

This is the eighth album by the Italian Jazz guitarist / composer Francesco BrunoFind albums by this artist and his ensemble, which also includes saxophonist / flautist Javier GirottoFind albums by this artist (on two tracks only), pianist Pierpaolo PrincipatoFind albums by this artist, bassist Enzo PietropaoliFind albums by this artist, drummer Tommaso CarliniFind albums by this artist and percussionist Iginio De LucaFind albums by this artist. The vocalist Irina DanciFind albums by this artist adds some voiced ornamentation on four tracks. The album is a multi-media package, which includes an audio CD, a DVD and a book, and which pays homage to the life and work of the legendary Italian journalist and writer Tiziano TerzaniFind albums by this artist, best known for his work about the Far East, where he lived for many years and wrote about extensively. The DVD documents a spectacle, which presents Terzani´s work narrated by his wife Angela Terzani StaudeFind albums by this artist and accompanied by the Francesco Bruno ensemble playing live.

The entire project, which combines music, photography, video and literary work is a beautiful example of dedication and love of Culture necessary to make such an endeavor come true. Sadly such projects are quite rare in our reality these days.

The audio CD presents eight original compositions, all by Francesco Bruno, which are beautifully melodic and intelligently crafted. The ensemble setting and the fact that Bruno uses also the guitar synthesizer enrich the overall sound scope, sounding quite orchestral at times. The compositions are strongly influenced by World Music, which is emphasized by the percussionist, who uses an array of exotic instruments from all over the world. All the ensemble members perform excellently, creating a vibrant, rich palette of sounds, which is aesthetically pleasing and emotionally engaging. Bruno´s guitar playing is simply spectacular throughout.

Although this music was created to serve as part of the entire multi-media project, the audio CD has a complete life of its own and is perfectly suitable to be listened to separately and is a wonderful listening experience at that, sparkling with the joy of life and good spirited music.

Overall this is a piece of wonderful work, which should make all those who were involved in its creation proud. In our cold, cynical world the fact that some people still care about Culture is a heart-worming assurance that life is worth living. All I can say is "thanks for sharing"!

BOOK+CD+DVD 2 Recommend To A Friend

FRANCESCO BRUNO ~ WITAM
VIDEO EIKON 002 (Barcode: 8033706214404) ~ ITALY ~ Jazz
Recorded: 2014 Released: 2014

This is the ninth album by the Italian Jazz guitarist / composer Francesco BrunoFind albums by this artist and his quartet, which also includes pianist Pierpaolo PrincipatoFind albums by this artist, bassist Luca PirozziFind albums by this artist and drummer Nicola AngelucciFind albums by this artist. Two Polish Jazz musicians guest on couple of the album´s tacks: trumpeter Piotr WojtasikFind albums by this artist and saxophonist Sylwester OstrowskiFind albums by this artist and the Japanese pianist Makoto KuriyaFind albums by this artist guests on one track. The album presents nine original compositions, all by Bruno. The album´s title is the Polish word for "Welcome" and reflects Bruno´s special relationship with Poland, where he often performs with his quartet and Polish Jazz musicians.

The music is a beautifully melodic mainstream Jazz, mostly very lyrical and somewhat melancholic on the slow tempo numbers. The compositions contain traces of typical Italian melody lines, characteristic of gentle breezes, sunny shores and lovable wine, that we, Mediterranean people know how to enjoy. The music broadcasts "amare la vita", with its elegance, nonchalance and caressing notes, which are meant to please and lift the spirit of the listener, without sounding banal or corny.

Bruno has a very unique guitar sound, somewhat reminiscent of Pat Metheny but without the rough edge, and his quartet is an ideal vehicle for his melodic improvisations, with the pianist gently adding his highly harmonious ornamentations and the rhythm section elegantly steering the ensemble in the right direction. The guests also add some fine moments to the overall effort.

On the whole this is a pleasant, stylish and graceful musical effort, which should make the listeners happy and asking for more. I suppose it would be most enjoyable accompanied by a glass of wonderful red wine and gentle see breeze, but sitting by a fireplace in the midst of winter is definitely also an option. Grazie amici!

HERSCH / WINSTONE / WHEELER / CLARVIS ~ 4 IN PERSPECTIVE
VILLAGE LIFE 00909 (Barcode: 5037013009091) ~ UK ~ Jazz
Recorded: 1999 Released: 2000

This is a beautiful and criminally little know album recorded by the quartet comprising of American pianist / composer Fred HerschFind albums by this artist and three British Jazz musicians: vocalist Diva Norma WinstoneFind albums by this artist, trumpeter Giant Kenny WheelerFind albums by this artist and highly respected drummer Paul ClarvisFind albums by this artist. It documents a live performance by the quartet recorded at St Barnabas Church in Oxford. The album presents nine tracks, four of which are original compositions by Hersch (one featuring lyrics by Winstone), one is an improvised piece credited to all four participants, one is a Wheeler composition with lyrics by Winstone and three are standards.

The music is of course brilliant from start to finish. Hersch, despite his American ancestry (nobody´s perfect), was always spiritually way closer to European music than most American musicians, and as a result his music can be considered a part of the European Jazz tradition. Of course he played with Winstone and Wheeler many times before this occasion, and the mutual amity is obvious. The music ranges from straightforward classics to improvised pieces, which for me are the highlight of the proceedings.

The personal performances are all superb, as expected. Winstone uses her theatrical lyrics delivery masterfully and her vocalese parts are priceless as always. Wheeler ornaments the proceeding with excellent trumpet parts. Hersch plays wonderfully and his piano parts are full of the romantic notions he is renowned for, displaying his obvious virtuosity. Clarvis, who has the toughest job here, uses his percussion instruments with grace and intelligence managing not to spoil the acoustic ambience and still be clearly heard.

Overall this is a brilliant piece of music and a must in any serious British Jazz collection, especially for the many Winstone and Wheeler connoisseurs. Not easy to get hold of but definitely worth the effort. Wholeheartedly recommended!

Updated: 06/04/2019Posted: 06/04/2019

HENRY LOWTHER / STILL WATERS ~ CAN`T BELIEVE, WON`T BELIEVE
VILLAGE LIFE 171013 (Barcode: 5060092190169) ~ UK ~ Jazz
Recorded: 2017 Released: 2018

Following the recent release of the archival album by the legendary British trumpeter / composer / bandleader Henry LowtherFind albums by this artist, called “Never Never LandFind albums with this title”, I decided to explore his bewilderingly limited discography as a leader, which apart from his debut album “Child SongFind albums with this title” from 1970, includes only three other albums with his name on them. Henry was graciously kind to send me a copy pf this here album, I managed to buy a copy of “I.D.Find albums with this title” from the drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, and the last one, called “Fungii MamaFind albums with this title”, recorded by a quartet co-led by Lowther and guitarist Jim MullenFind albums by this artist, seems sadly unobtainable (anybody with a spare copy?).

“Can`t Believe, Won`t BelieveFind albums with this title” was recorded by a quintet, which comprises of Lowther, saxophonist Pete HurtFind albums by this artist, pianist Barry GreenFind albums by this artist, legendary bassist Dave GreenFind albums by this artist and Clarvis. The album presents eight tracks, six of which are original compositions by Lowther, one is by Hurt and one is a standard.

The music is absolutely brilliant, from start to finish, sublimely melodic, radiantly executed by the quintet and astonishingly characteristic of the “British Jazz” sound, that dominated the early days of the idiom. Although perhaps somewhat nostalgic and sentimental, it is rather simply mature, encapsulating decades of experience, as well as the ability to play without a need to prove anything, a status Lowther rightfully earned a long time ago.

I must say that it has taken me completely by surprise and as someone who is supposed to know a thing or two about British Jazz, the fact that I discovered this absolute gem only now, is truly shameful. The only way to repent is to spread the word and recommend everybody to grab a copy of this hidden treasure, while they last.

Overall, this is an absolute marvel of an album, which for a lack of a better word I’d call “sweet”, which simply distillates the emotions I enjoyed while listening to the music. A British Jazz classic by every standard, this album is an absolute must in every serious British Jazz collection - beyond essential!

Updated: 22/12/2022Posted: 22/12/2022

CD 1 Digipak Recommend To A Friend

HENRY LOWTHER / STILL WATERS ~ I.D.
VILLAGE LIFE 97122 (Barcode: 5024777971221) ~ UK ~ Jazz
Recorded: 1996 Released: 1997

This is the criminally little known debut album by the legendary British trumpeter / composer / bandleader Henry LowtherFind albums by this artist and his Still WatersFind albums by this artist quintet, which comprises of Lowther, saxophonist Julian ArguellesFind albums by this artist, pianist Pete SabertonFind albums by this artist, legendary bassist Dave GreenFind albums by this artist and drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label on which the album was released. The album presents nine tracks, seven of which are original compositions by Lowther, one is an arrangement of a Classical piece and one is a standard.

The music is as marvelous as one might expect from Lowther and his cohorts, relaxed and beautifully melodic, splendidly performed by the quintet members. Lowther’s lyrical compositions cry “British Jazz” with every note and the quiet ambience, influenced by the fact that the music was recorded in a Church, is typical of the early period of the genre, which Lowther lovely carries over along the pathway of his career.

Arguelles proves to be an ideal “partner in crime” to the gentle explorations of the melodic ventures, showing remarkable restrain and harmonious cooperation with Lowther, especially potent during their unisono passages. The sublimely delicate piano parts and amicable rhythm section approach turn the music into a tranquil, slow paced ride, which is delightful from start to finish.

As astounding as it might sound, this is one of the remarkable few recording by Lowther as a leader, and it makes me exceedingly happy to be able to listen to this music now, so many years after it was released, and bring it to the attention of the many faithful followers of Lowther’s career and Genius.

Overall, this is an absolute must have album in any serious British Jazz collection. It seems the album is out of print by now, but perhaps the label might be persuaded to press some more copies of this jewel. In any case try to hunt down a copy and you won’t regret it!

Updated: 24/12/2022Posted: 24/12/2022

CLARVIS / SULZMANN / HYMAS ~ FOR ALL THE SAINTS
VILLAGE LIFE 97123 (Barcode: 5024777971238) ~ UK ~ Jazz-World Fusion
Recorded: 1996 Released: 1997

This is the debut album by British Jazz trio called For All The SaintsFind albums by this artist, which comprises of pianist Tony HymasFind albums by this artist, saxophonist / flautist Stan SulzmannFind albums by this artist and drummer Paul ClarvisFind albums by this artist. The album presents twelve tracks, seven of which are improvisations on traditional tunes from different Cultural spheres, and five are original compositions by the trio members.

The music is a wonderful amalgam of Jazz and World Music elements, treated with a lot of Freedom and recorded in a relaxed atmosphere, which allows the three musicians to exchange ideas without any pressure. The album offers a very unique spacey sound as a result of the recording being captured at a church (All Saints Church in Petersham), which also gave the trio / album its name / title.

The result is mostly quite removed from the original traditional sources, so one must not expect to hear exact quotes, but just hints and most of all the atmosphere and perhaps a rhythmic characteristic of the source, rather than explicit World Music vistas. On the other hand, the music is definitely not completely Freely Improvised, which results in a perfect balance between familiar elements and Free improvisations, making it accessible to relatively wide audiences.

The album was released on the Village LifeFind albums on this label label, owned by Clarvis, and is sadly pretty obscure among the British Jazz enthusiasts, like most of the excellent releases on that label, all of which deserve a much wider recognition. My friendly advice is to grab anything still available on that label, before they are all sold out.

Overall, this is an excellent Jazz-World Fusion, emphasizing the Free / Improvised Music influences. This is definitely one of Sultzmann’s most Free oriented recordings and since everything recorded by him deserves of course special attention to the British Jazz community, as he is still grossly underrated, despite his contribution lasting decades. This is another true gem!

Updated: 05/07/2023Posted: 05/07/2023

FOR ALL THE SAINTS / THE SOLID STRINGS ~ BUBBLING UNDER
VILLAGE LIFE 98116 (Barcode: 5037013981168) ~ UK ~ Jazz-Classical Fusion
Recorded: 1998 Released: 1998

This is an album by British Jazz trio called For All The SaintsFind albums by this artist, which comprises of pianist Tony HymasFind albums by this artist, saxophonist / flautist Stan SulzmannFind albums by this artist and drummer Paul ClarvisFind albums by this artist, recorded with the Solid StringsFind albums by this artist string quartet led by violinist Sonia SlanyFind albums by this artist. The album presents five tracks, one each composed by Sultzmann and Hymas, two by Slany and the last piece being partly traditional and partly composed by Sultzmann.

The music is a wonderful amalgam of Jazz and Classical Music elements, but also many other less obvious influences, like World Music and Folklore. The septet sounds like a fully organic musical unit and the Jazz and Classical elements complement each perfectly, creating a brilliant chamber atmosphere of delicate beauty and depth.

The pieces are all perfectly structured, most lasting close to or over the ten minutes’ mark, and the string arrangements, despite the fact of being quite complex, are highly melodic and rhythmically suitable for the Jazz improvisations by the trio, creating together a highly aesthetic musical treat.

The album was released on the Village Life label, owned by Clarvis, and is sadly pretty obscure among the British Jazz enthusiasts, like most of the excellent releases on that label, all of which deserve a much wider recognition. My friendly advice is to grab anything still available on that label, before they are all sold out.

Overall, this is a brilliant Jazz-Classical Fusion offering of the highest class, which offers wonderful compositions, arrangements and performances, which make this music ageless and completely resistant to passing time. Everything recorded by Sultzmann deserves of course special attention to the British Jazz community, as he is still grossly underrated, despite his contribution lasting decades. This is a true gem!

Updated: 30/06/2023Posted: 30/06/2023

STAN SULZMANN BIG BAND ~ BIRTHDAYS, BIRTHDAYS
VILLAGE LIFE 99108 (Barcode: 5037013991082) ~ UK ~ Big Band Jazz
Recorded: 1999 Released: 1999

This is a wonderful Big Band album by another British Jazz silent hero, saxophonist / composer Stan SulzmannFind albums by this artist. The music was recorded by an absolutely dreamy Big Band, which comprises of the crème de la crème of British Jazz musicians, like trumpeters Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Pete HurtFind albums by this artist, guitarist John ParricelliFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, which released this album, and many others. The album presents thirteen relatively short pieces, all (except one arrangement of a standard) original compositions by Sultzmann, composed over a period of many years, collected here as part of the celebrations of his 50th Birthday.

Although strongly present on the British Jazz scene since many years and with dozens (actually well over a hundred as far as my collection reveals) of albums recorded as a leader and sideman, Sultzmann stays mostly in the shadows and is rarely in the limelight, despite his mammoth achievements and legacy.

This album is a sublime example of the European approach to Big Band Jazz, where the entire ensemble plays like one metaphysical being rather than a collection of individuals, and where the sound of the ensemble is more important than the soloing, although when solos are played, they are all stunning. The compositions are all beautifully melodic and complex enough to keep the listener fascinated at all times. The album is a fitting tribute to Sultzmann’s activity up to that point, which of course continues to this very day.

Overall, this is a superb Big Band Jazz album in every respect, which offers wonderful music and brilliant performances by everybody involved. The British Jazz feel is omnipresent here, which adds to the charm. Obviously this album deserves to be a part of every serious British Jazz collection, and I am ashamed to admit that I missed it for over two decades, now however, it is happily united with the rest of my collection.

Updated: 20/01/2023Posted: 20/01/2023

PIOTR KOMOSINSKI / JERZY MAZZOLL ~ PORY…
VINTAGE 002 ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2023 - 2024 Released: 2025

This is an album by a duo of Polish Jazz musicians: bassist / composer Piotr KomosinskiFind albums by this artist and bass clarinetist Jerzy MazzollFind albums by this artist. Both musicians play several other instruments and three guest musicians appear on selected tracks. The album presents thirteen tracks, all composed by Komosinski, and the album title (“Seasons”) and the track titles refer to the passing thirteen months over which this music was gradually recorded in home studios.

The music is based on a seemingly simplistic concept, where Komosinski plays a series of basic melody lines and rhythmic bass pulsation and Mazzoll improvises on top of these. This simplicity works out like a dream and the resulting music is absolutely divine, combining atmospheric vistas, contemplative soundscapes, lyrical chants and prayers, which progress gently and naturally from one track to another. The ornamentations added by the guest musicians (viola / piano / vibraphone) are non-intrusive and melt organically with the content created by the duo.

As I have already repeatedly stated in my reviews, Mazzoll is a class by himself, completely incomparable to any other Polish Jazz / Avant-Garde improviser and the most impressive revelation for me, since I heard Andrzej PrzybielskiFind albums by this artist, who was a phenomenon on a similar level. Every sound he plays is always perfectly uttered and fits the one before and the one following, as if they were genetically compatible. His performances here simply re-state his obvious Genius and listening to him playing is like watching Picasso painting.

But it is Komosinski who carries the music, instigates it and keeps it moving forward in a coherent flow, which is no less important in order to create the resulting music we are hearing, and therefore his contribution to this music is equally essential. The two of them are a perfect incarnation of the “Art of the Duo” phenomenon and the music is a wonderful amalgam of contrasts between the bass lines and the Free Improvisations, which in Mazzoll’s case are also completely melodious, at least in my ears.

Overall, this is a phenomenal album, which offers a combination of deeply spiritual, soul-wrenching music, heart-beat pulsations which keep it progressing on a firm basis and abstract improvisations, which still make perfect sense. What a bliss… Thank you my Friends for being!

Updated: 18/02/2025Posted: 18/02/2025

CD 1 Mini-Sleeve Recommend To A Friend

NICE ~ FIVE BRIDGES
VIRGIN 1014 (Barcode: 077778738428) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 1990

4th and last album by NiceFind albums by this artist. Keith EmersonFind albums by this artist reaches here to realize his ambitions to compose classical music and the group performs his `The Five Bridges Suite`, accompanied by the New Symphonia orchestra. Additional treatment of classical pieces (Jean SibeliusFind albums by this artist & Pyotr TchaikovskyFind albums by this artist) are also included. A true classic of the genre and very bold move at that time.

Updated: 15/07/2021Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ VOYAGE OF THE ACOLYTE
VIRGIN 1111 ~ UK ~ Progressive Rock

1st album from 1975 recorded while Hackett was still a member of Genesis. Considered by many as one of the best Prog albums of all times and an absolute classic. John is supported by fellow Genesis members (Collins & Rutherford), his brother John and Sally Oldfield on vocals. A concept album of sorts pointing to the direction Hackett will take in his solo career.

HATFIELD AND THE NORTH ~ HATFIELD AND THE NORTH (EXPANDED EDITION)
VIRGIN 2008 (Barcode: 077778726623) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 1990

1st album by Hatfield And The NorthFind albums by this artist, which became an absolute classic and is viewed by many as the culmination point of the Canterbury sub-genre of Prog. This group included probably the best ever collection of Canterbury musicians (Dave SinclairFind albums by this artist, Phil MillerFind albums by this artist, Pip PyleFind albums by this artist & Dave StewartFind albums by this artist) and produced many offspring groups later. An icon and an absolute must in every Prog record collection.

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

HATFIELD AND THE NORTH ~ THE ROTTERS` CLUB (EXPANDED EDITION)
VIRGIN 2030 (Barcode: 777787267222) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 1990

2nd album by Hatfield And The NorthFind albums by this artist. As impossible as it may sound, this album is considered even better and more mature then the debut album. Regardless of what the case really is, this one is surely at least as good as the 1st one, which means it`s an absolute classic. The only sad thing is that this was to be their last album.

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

STEVE HILLAGE ~ FISH RISING
VIRGIN 2031 ~ UK ~ Canterbury Scene

1st album from 1975. After leaving Gong, where he played on the entire `Radio Gnome Invisible` trilogy, Hillage recorded this excellent debut album with some of his ex-Gong cohots participating, but adding the great Dave Stewart and even Lindsay Cooper (from Henry Cow), to create a much more sophistcated sound and instrumentation. The material consists mothly of 3 long (2 over 14 minutes) suites and a few shorter pieces. In retrospect this album mamages to keep at it`s extraordinary qualities well and is still fresh and exciting.

GONG ~ SHAMAL
VIRGIN 2046 (Barcode: 077778724322) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 1989

This 1975 albums marks the transitional period of GongFind albums by this artist, after Daevid AllenFind albums by this artist left the band, towards the second incarnation of Gong led by Pierre MoerlenFind albums by this artist, which was much more jazz oriented then the original psychedelic / experimental direction. Excellent playing by all members, with Didier Malherbe on reeds and Steve HillageFind albums by this artist on guitar (on 2 tracks only).

GONG ~ GAZEUSE!
VIRGIN 2074 (Barcode: 077778723820) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 1989

Also known as `Expresso` (hence Expresso II), this album was recorded by the 2nd version of GongFind albums by this artist, led by Pierre MoerlenFind albums by this artist. It was a Jazz-Rock Fusion group which had very little to do with the original group, but nevertheless was an excellent ensemble with some brilliant players, especially Allan HoldsworthFind albums by this artist on guitar, who delivers here some mighty contributions and Mino CinelouFind albums by this artist on percussions.

GONG ~ EXPRESSO II
VIRGIN 2099 (Barcode: 777787237218) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 1989

By the time this album was recorded, GongFind albums by this artist were a Jazz / Rock Fusion band led by drummer Pierre MoerlenFind albums by this artist, featuring some of the best instrumentalist available, such as the legendary guitar player Allan HoldsworthFind albums by this artist and violin player Darryl WayFind albums by this artist (Curved AirFind albums by this artist). Some great improvisations and real Fusion atmosphere.

VAN DER GRAAF GENERATOR ~ GODBLUFF (EXPANDED EDITION)
VIRGIN 311393 (Barcode: 094631139321) ~ UK ~ Progressive Rock
Recorded: 1975 Released: 2005

5th album by Van Der Graaf GeneratorFind albums by this artist, which marks the return of the group to the studio after almost 4 years, during which the leader Peter HamillFind albums by this artist developed his solo career and made several albums. The long break did not diminish their status as a group and the album, which includes just 4 lengthy compositions, is incredibly focused and expressive. Hamill goes from whisper to shriek in an few seconds and his theatrics serve the general effect incredibly well. Definitely a classice of the genre.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ STILL LIFE (EXPANDED EDITION)
VIRGIN 311394 (Barcode: 094631139420) ~ UK ~ Progressive Rock
Recorded: 1975 - 1976 Released: 2005

6th album by Van Der Graaf GeneratorFind albums by this artist and a perfect follow up to the GodbluffFind albums with this title album with similar musical and lyrical directions. The song themes touch upon complex philosophical concepts and the musice sets the perfect mood for such contemplations. The album includes just five lengthy tunes, all of them well suited with each other, creating a continuous musical experience. Another classic of the era.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ FOOL`S MATE (EXPANDED EDITION)
VIRGIN 311395 (Barcode: 094631139529) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2005

1st album by musician / poet / philosopher Peter HammillFind albums by this artist, who became known not only as the creator and leader of the Van Der Graaf GeneratorFind albums by this artist but also as one of the most prolific and lasting figures on the Prog scene. The album was recorded around the time of the H To He Who Am The Only OneFind albums with this title VDGG album and includes material that was intended for that album but eventually not included there, being more personal and intimate. The musicians include of course the other VDGG members but also quite a few others, most importantly Robert Fripp on guitar. A classic.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ WORLD RECORD
VIRGIN 332957 (Barcode: 094633295728) ~ UK ~ Progressive Rock

7th album (recorded 1976) and the last by the `classic` VDGG quartett line-up. By that time the band was suffering from tension between the members (which would lead to 2 of them leaving after this album) and the attempt to produce slightly more commercial music / shorter songs. However, in restrospect this is still a very good album, and it withstands the test of time rather well. For the VDGG fans this is a must.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ THE QUIET ZONE / THE PLEASURE DOME
VIRGIN 332974 ~ UK ~ Progressive Rock

8th album (recorded 1977) and the last (until the reunion almost 30 years later) VDGG studio album. It marks a major change in sound, as two of the veteran members (Evans & Jackson) left the band just prior to the recording, to be replaced by two new members, most notably the violin player Graham Smith, who becomes the front instrumentalist and the returning Nic Potter on bass. They also shortened the name (dropping the `Generator` part) to mark the new line-up. The music is as strong as ever and a natural development in the band`s remarkable saga.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ VITAL
VIRGIN 332981 (Barcode: 094633298125) ~ UK ~ Progressive Rock
Recorded: 1978 Released: 2005

9th album and the last chapter of the VDGG history untill their reunion in 2004. It is also the first live album the group made. Recorded at the famous London Marquee club, it captures VDGG as a quintet with the new member Charles Dickie on Cello and Keyboards. The addition of the 5th member adds a lot of depth and power to the sound and recording quality is quite exceptional. The band runs through a set of excellent material, both new and old and the resulting album is nothing short of the proverbial fireworks at the end of a concert - a beautiful way to end the magic story that was VDGG.

CD 2 Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ DEFECTOR (EXPANDED EDITION)
VIRGIN 337209 (Barcode: 094633720923) ~ UK ~ Progressive Rock
Recorded: 1980 Released: 2005

4th album. Typical Steve HackettFind albums by this artist material with superb guitar playing in addition to support from his brother on flute and other master musicians. By this time Hackett established his unique voicing and the position of a Prog icon. Although some critics describe this album as one of his lesser acheivements, it is still a great Prog record and Steve`s fans surely would like it in their collection.

CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ PLEASE DON`T TOUCH (EXPANDED EDITION)
VIRGIN 337222 (Barcode: 094633722224) ~ UK ~ Progressive Rock
Recorded: 1978 Released: 2005

2nd album by Steve HackettFind albums by this artist and the first after he left GenesisFind albums by this artist in 1977. Although quite different from the debut Voyage Of The AcolyteFind albums with this title and more song oriented, this is still a splendid example of Hackett`s talents as player and composer. A plethora of guesting stars spice the album with their additions and the result is altogether excellent.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ SPECTRAL MORNINGS (EXPANDED EDITION)
VIRGIN 337241 (Barcode: 094633724129) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2005

3rd album. With time Hackett turns more and more introvert and plays more acoustic guitar, whch is soon to become his main instrument. Beautifully crafted melodies and delicate arrangements make this album another success for this greatly talented musician. A must for all Hackett fans.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ VOYAGE OF THE ACOLYTE (EXPANDED EDITION)
VIRGIN 337242 (Barcode: 094633724228) ~ UK ~ Progressive Rock
Recorded: 1975 Released: 2005

1st album released while Steve HackettFind albums by this artist was still a member of GenesisFind albums by this artist. Considered by many as one of the best Prog albums of all times and an absolute classic. Steve is supported by fellow Genesis members (Phil CollinsFind albums by this artist & Mike RutherfordFind albums by this artist), his brother John HackettFind albums by this artist and Sally OldfieldFind albums by this artist on vocals. A concept album of sorts pointing to the direction Hackett will take in his solo career.

CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

GONG ~ LIVE ETC.
VIRGIN 3501 ~ UK ~ Canterbury Scene
Recorded: 1977

In 1977 the (almost) original GongFind albums by this artist re-united for a series of concerts, which were recorded and released on a double LP album. This CD contains all the material except 1 track, which was added to the CD version of Angel`s EggFind albums with this title. The group is in absolutely top form here and this is considered their best live effort ever. The material covers mostly the `Radio Gnome Invisible` trilogy.

CAPTAIN BEEFHEART / MAGIC BAND ~ UNCONDITIONALLY GUARANTEED
VIRGIN 365511 (Barcode: 094636551128) ~ USA ~ Classic Rock
Recorded: 1973 Released: 2006

Captain BeefheartFind albums by this artist (born Don VlietFind albums by this artist and later adopted the name Van VlietFind albums by this artist) was one of America’s most enigmatic and groundbreaking Rock personalities. His ability to mix jazz, blues, contemporary classical and rock made him a unique figure and a true innovator. He met and befriended Frank ZappaFind albums by this artist and the two cooperated in many ways (making movies, music and business together). Vliet was active on and off the music scene for about 20 years (between the late 1960’s and late 1980’s), with long periods of inactivity in between. His back-up group, called The Magic BandFind albums by this artist, changed personnel frequently, but always included top-notch players based in different musical genres like blues, jazz or rock. He left a sizable legacy of superb music, which can now be appreciated with a much better perspective than at the time of its release. This album marks a relavtively short “commercial” period of Vliet’s output, after a series of almost Avant-Garde albums, starting with his debut Safe As MilkFind albums with this title from 1967. The songs are much closer to the blues and rock tradition, but Vliet’s unique voice and songwriting make them fascinating enough to last for posterity and become classics.

Updated: 12/04/2019Posted:

CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ DOC AT THE RADAR STATION (REMASTERED EDITION)
VIRGIN 365513 (Barcode: 094636551326) ~ USA ~ Classic Rock
Recorded: 1980 Released: 2006

When the legal mess between record labels, which prevented any of his album to be released for almost six years, was finally over with the release of Shiny Beast (Bat Chain Puller)Find albums with this title in 1980, Don VlietFind albums by this artist immediately started work on a new album, which was completed and released later in the same year. Doc At The Radar Station was Vliet’s ultimate statement and generally considered his best work of the (third) last period of his career. It is stylistically much harsher and harder than its brilliant predecessor, closely reminiscent to the early works, but definitely much richer musically. The almost industrial sound blends perfectly with the bizarre lyrics and Vliet’s expressive vocalizations. Considering the fact that by the time this music was recorded, the world was sinking deep into sludge of musical mediocrity and muck, Vliet’s star shines even brighter. Definitely a timeless classic, which hopefully will be discovered by the young generation of music lovers, as well as re-discovered by some old-timers.

CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ ICE CREAM FOR CROW
VIRGIN 365514 (Barcode: 094636551425) ~ USA ~ Classic Rock
Recorded: 1982 Released: 2006

Sadly and unexpectedly, this album was to be Vliet’s swan song. Recorded with (yet again) new line-up of the Magic Band, it was to a large extent a closing of a circle by this visionary artist, as he re-visits here many of his earliest musical ides going way back to the 1960’s, which somehow remained omitted from earlier albums. Stylistically it is closest to his early recordings as well, with the same atmosphere of tension and frequent changes of mood and tempo. Vliet throws the lyrics at the listener with harsh rapid fire, more often in spoken form than singing. Of course the magic is all there, even when the music becomes aggressive, metallic and dissonant. Obviously influenced by the punk movement (although he himself was an inspiration to many of the movement’s pioneers – another circle closing), Vliet incorporates the punkish alienation and vehemence superbly, spicing it with brilliant overlays of complex outlandish musical threads, creating a collage of rare intensity and expressiveness. This album requires some digestion, but eventually it remains standing as an icon of the era and the last obelisk of Vliet’s colonnade. After this album was recorded, Vliet disconnected himself from the world of music, dedicating all of his time to painting, living in total seclusion, and eventually tragically fell victim to multiple sclerosis.

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CAPTAIN BEEFHEART / MAGIC BAND ~ BLUEJEANS & MOONBEAMS
VIRGIN 365515 (Barcode: 094636551524) ~ USA ~ Classic Rock
Recorded: 1974 Released: 2006

Following the release of Unconditionally GuaranteedFind albums with this title, Captain BeefheartFind albums by this artist and the Magic BandFind albums by this artist were about to start a European tour, but as a result of the commercial failure of the album (and other personal problems between Vliet and the band members) the Magic Band fell apart shortly before the tour was about to start. Vliet haphazardly put together a new version of the Magic Band, which made the tour (see the Live London ’74 album) and later recorded this album. The music again displays a more “commercial” approach, but the album was received coldly by critics and fans alike, which caused Vliet to withdraw from the music scene for a few years with the decision not try to make “commercial” music again. Mind you, “commercial” when referred to Vliet’s output, takes quite a different meaning than in most cases. In retrospect this is still a classic album, which lost nothing of it’s magic in the passing of time. Vliet’s brilliant vocal interpretations and superb songwriting are apparent and this is definitely a must have for all his numerous fans.

CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ SHINY BEAST (BAT CHAIN PULLER)
VIRGIN 365517 (Barcode: 094636551722) ~ USA ~ Classic Rock
Recorded: 1978 Released: 2006

Following the release of Bluejeans & Moonbeams and the lack of success of his last two albums, Vliet joined forces with his old buddy Frank Zappa, becoming a guest vocalist with Mothers of Invention during their 1975 tour (as captured on the live Bongo Fury album). He then borrowed some of Zappa’s players to revamp his Magic Band. In 1976 he and his group recorded an album of completely new material, called Bat Chain Puller, which was stylistically much closer to his earlier works. Unfortunately that album was never released as a result of legal battles between his record label (Virgin) and a new record label (Warner Bros.) he tried to sign with. Soon after the studio tapes leaked to the bootleg industry, which flooded the market with illegal copies of the album, making Vliet quite unhappy. To resolve this mess Vliet recorded in 1978 a new version of the album (using a different line-up of the Magic Band), this time called Shiny Beast (Bat Chain Puller) for Warner Bros., who tried to release it the same year, but alas again it was legally bulldozed by Virgin. Fortunately Virgin eventually released the album in 1980 (after a settlement with Warner Bros. was reached). Musically the album is a triumphant return to Vliet’s idiosyncratic, magical mix of originality and genius (rivaled only by his friend Zappa and often quite similar to his music). The album also featured Vliet’s original paintings used for the cover art, revealing his other (apart from music) artistic vocation. This is a masterpiece of rock music and a timeless classic.

CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ LIVE LONDON `74
VIRGIN 368577 (Barcode: 094636857725) ~ USA ~ Classic Rock
Recorded: 1974 Released: 2006

Although Vliet and his Magic Band left us a sizeable legacy of recorded material, they never released a live album, which is quite strange in many ways. This album was recorded during the European tour, which followed Vliet’s signing with Virgin and the release of the Unconditionally Guaranteed album. As his band fell apart shortly after the recording of the album, Vliet had to put together a new version of the band just before the tour started and rehearse with them both the new material from the album they were promoting, as well as some old favorites – an almost impossible task considering the complexity of the material and the lack of time. Nevertheless, as we can hear here, the results were brilliant, as always, with everything he ever attempted. The concert captured here presents Vliet and the band at top form and the music flows beautifully from start to finish. Earlier version of this recording appeared on CD in semi-bootleg versions, but never in full and never as brilliantly sounding as this one. A must! (Just for the sake of historic perspective, the band who used to open the shows for Captain Beefheart and the Magic Band on this tour were no other than Henry Cow, who also signed with Virgin at that time)

CD 1 Remastered Recommend To A Friend

PETER HAMMILL ~ CHAMELEON IN THE SHADOW OF THE NIGHT (EXPANDED EDITION)
VIRGIN 370435 (Barcode: 094637043523) ~ UK ~ Progressive Rock
Recorded: 1973 - 1978 Released: 2006

2nd album by Van Der Graaf GeneratorFind albums by this artist leader Peter HammillFind albums by this artist, who maintained a remarkable solo career in parallel to his work with the band. Although accompanied by his VDGG mates, his solo albums were quite different in sound and atmosphere from the band’s albums. Hammill is much more personal and expressive, with song lyrics being poetic and much more complex in nature. His vocal talents come to full exposure here and the atmosphere is passionate and bleak. The album is considered to be one of his strongest efforts and is often referred to as a concept album about old age, although formally never described as such. Definitely a must for all VDGG and Hammill fans.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ THE SILENT CORNER AND THE EMPTY STAGE (EXPANDED EDITION)
VIRGIN 370511 (Barcode: 094637051122) ~ UK ~ Progressive Rock
Recorded: 1973 - 1978 Released: 2006

3rd album by Vand Der Graaf GeneratorFind albums by this artist leader Peter HammillFind albums by this artist and one of his best early albums, where he eventually finds his identity away from his band, although the band members continue to accompany him here again. The complex and deeply poetic lyrics require attentive listening and firmly place Hammill in the creative Avant-Garde, far away from the trivial dribble so often used as lyrics by less ambitious artists. Hammill’s vocal performances are electrifying and suit perfectly his convolute texts. Although often criticized a self-indulgent, this is timeless Art, worthy of repeated listening and admiration. A definite must to all VDGG and Hammill fans.

Updated: 12/04/2019Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ IN CAMERA (EXPANDED EDITION)
VIRGIN 370512 (Barcode: 094637051221) ~ UK ~ Progressive Rock
Recorded: 1973 - 1974 Released: 2006

4th album by Peter HammillFind albums by this artist, who was then still living a double life both as the Van Der Graaf GeneratorFind albums by this artist leader and a solo artist. The band members accompany him here as on all the early albums, but the music is quite different from the band’s material, surely more personal and poetic. A balanced mixture of up-tempo numbers and slow introvert songs makes this a most pleasant listening experience, especially in view of how well Hammill’s material ages, being completely relevant today as much as it was at the time of its release. It is quite apparent when listening to the album that Hammill was an extraordinary music maker, with completely unique palette of sounds and a personal thesaurus. In addition he was also remarkably prolific recording more that one album a year, something he continued to do for many years to come. Getting into Hammill’s music can take time, but I recommend the effort (is one is necessary), as the rewards are worth it. For VDGG and Hammill fans this is of course a must.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ NADIR`S BIG CHANCE (EXPANDED EDITION)
VIRGIN 370513 (Barcode: 094637051320) ~ UK ~ Progressive Rock
Recorded: 1974 Released: 2006

5th album by Van Der Graaf GeneratorFind albums by this artist leader Peter HammillFind albums by this artist, where he takes a bold move by dramatically changing his musical approach and trying to create a more straightforward rock music. Influenced by the early Punk movement, Hammill demonstrates a deliberate sloppy approach to the instrumentation, creating a noisy and jarring effect. He assumes the character of Rikki Nadir, a garage rocker, and treats the music and his vocals with vengeance, with the listener being unable to comprehend the lyrics properly. Although shocking at the time of its release, in retrospect the album shows simply another, more spontaneous side of Hammill’s many talents and the album remains an important document of his career.

CD 1 Remastered Recommend To A Friend

PETER HAMMILL ~ OVER (EXPANDED EDITION)
VIRGIN 370514 (Barcode: 094637051429) ~ UK ~ Progressive Rock
Recorded: 1976 - 1977 Released: 2006

6th album by Peter HammillFind albums by this artist and a complete about face compared to the punkish predecessor. Back to his more customary lyricism and gloom, this is an album about end of relationships, a theme common in our lives and therefore more approachable. Hammill’s Van Der Graaf GeneratorFind albums by this artist buddies are back at his side, providing great instrumental support. His voice is stronger and pronunciation clearer then ever, so the lyrics are easily audible. The music moves between melancholic ballads and more up-tempo number. Orchestral arrangements are added on some songs, making this the most versatile Hammill album to date. Many of Hammill’s fans cite this to be their favorite album of all, which is quite understandable, as it includes some of his best songs and performances. In retrospect it looses nothing of its power and beauty over the years and remains a true classic.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ THE FUTURE NOW (EXPANDED EDITION)
VIRGIN 370515 (Barcode: 094637051528) ~ UK ~ Progressive Rock
Recorded: 1978 Released: 2006

7th album by Peter HammillFind albums by this artist and also regarded as one of his strongest releases. It is more artistic and experimental than its mellow predecessor, with music going all over stylistically. Hammill is almost alone here, playing all the instruments and singing, with some occasional help form Van Der Graaf GeneratorFind albums by this artist cahoots David JacksonFind albums by this artist and Graham SmithFind albums by this artist. This is an album that requires repeated listening before it truly sinks in, with layers and layers musical and lyrical overtones that need to be assimilated in time. The effort pays off eventually and once hooked, it stays with you forever. Not recommended to Hammill beginners, but essential to his true fans. The song “If I could” is perhaps Hammill’s most memorable creations amongst the hundreds of songs he has written and although he revisits it on later album, the version included here tops them all.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ PH7 (EXPANDED EDITION)
VIRGIN 370516 (Barcode: 094637051627) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2006

8th album by Peter HammillFind albums by this artist and another about face compared to its predecessor. This time he comes up with a set of beautifully melodic tunes, almost conventional (mind you Hammill is never really conventional), which are more accessible than almost any of his previous material. Don’t misinterpret this as a put down, these are still great songs with many of Hammill’s characteristics, all beautifully sung and played. The overall atmosphere is just brighter and less tormented than usual. I haven’t listened to this album in a long time and upon hearing the remaster I was pleasantly surprised to rediscover this material, which stands the test of time beautifully. This is yet another face of Hammill’s multi-faced artistic portrait. Recommended as a Hammill starter for people who are not aquatinted with his or Van Der Graaf GeneratorFind albums by this artist work.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ A BLACK BOX (EXPANDED EDITION)
VIRGIN 370518 (Barcode: 094637051825) ~ UK ~ Progressive Rock
Recorded: 1979 - 1980 Released: 2006

9th album by Peter HammillFind albums by this artist and the last to be released on the CharismaFind albums on this label label (well not really, as it was first released on Hammill’s independent label and only later licensed back to his old label). It is also the first “real” solo album, as by the time it was recorded Van Der Graaf GeneratorFind albums by this artist were no more. The only link to his band is saxophonist David JacksonFind albums by this artist present on one song only. All the rest of the music is played solely by Hammill, which of course makes this a truly personal statement. The work on this album took quite a while and he included here songs he has been working on for quite a while, which were postponed due to the VDGG usual havoc. Now free of any other obligations, Hammill was able to concentrate on his solo work. The music and the texts are as usual deeply expressive and personal, culminating in the multi-part 19+ minutes suite, which was side B of the original LP. In many respects this albums marks the end of en era, for Hammill and music in general, with the golden 1970s behind and the dreary 1980s ahead. From now on Hammill will be releasing his albums on his own label, affirming his independence as an artist. For Hammill and VDGG fans this is a must.

CD 1 Remastered Recommend To A Friend

STEVE HILLAGE ~ FISH RISING (EXPANDED EDITION)
VIRGIN 373415 (Barcode: 094637341520) ~ UK ~ Canterbury Scene
Recorded: 1974 - 1975 Released: 2007

1st album recorded while Steve HillageFind albums by this artist was still a member of GongFind albums by this artist. After recording with Gong the entire “Radio Gnome Invisible” trilogy, Hillage decided it was time to start a solo career, where his music would be featured more prominently, with this album being the first step in that direction. In Gong Hillage met his life-long partner Miquette GiraudyFind albums by this artist, who would become his musical collaborator and they both composed all the music and the entire concept of this album. Most of his Gong cohorts participate, but Hillage added the great Dave StewartFind albums by this artist on keyboards and Lindsay CooperFind albums by this artist (from Henry CowFind albums by this artist) on bassoon, to create a much more sophisticated sound and instrumentation. The material consists mostly of 3 long (2 over 14 minutes) suites and a few shorter pieces. The overall sound and style of the album is still very much Gong related / influenced and can be considered as another Gong off-shot project (which many Gong fans do), but Hillage’s individuality is certainly already present and it will come to full fruition starting with the next album. In retrospect this album manages to keep at its extraordinary qualities well and is still fresh and exciting, adding another Canterbury classic album to the list.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HILLAGE ~ L (EXPANDED EDITION)
VIRGIN 373419 (Barcode: 094637341926) ~ UK ~ Progressive Rock
Recorded: 1976 Released: 2007

2nd album by Steve HillageFind albums by this artist and his most (commercially) successful release ever. In contrast to the debut album, which was recorded while Hillage and his partner Miquette GiraudyFind albums by this artist were still members of GongFind albums by this artist and included strong similarities to Gong material, this album was quite a different affair. Hillage used his record label’s connections to establish contact with US musician / producer Todd RundgrenFind albums by this artist, who agreed to produce this album. Hillage and Giraudy left for the US, where this album was recorded and produced by Rundgren, with members of Rundgren’s band UtopiaFind albums by this artist serving as the backing band. The material includes both original material by Hillage / Giraudy and a few covers of what Hillage describes as “his favorite songs at the time” (including a great version of DonovanFind albums by this artist’s “Hurdy Gurdy Man”). The album stands the test of time fabulously and is a great example of both Hillage’s strength as a composer and a guitarist. One more point of interest is the participation of the great jazz trumpet player Don CherryFind albums by this artist, who adds an interesting coloring to the album’s atmosphere. A classic by all means!

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STEVE HILLAGE ~ MOTIVATION RADIO (EXPANDED EDITION)
VIRGIN 373425 (Barcode: 094637342527) ~ UK ~ Progressive Rock
Recorded: 1977 Released: 2007

3rd album by Steve HillageFind albums by this artist also recorded (same as its predecessor) in the US. Hillage was trying to expand the scope of his music beyond the Prog and Canterbury genres he was associated with and to include other elements, especially Funk, which he found interesting at the time. He approached the legendary producer Malcolm CecilFind albums by this artist (producer of FunkadelicFind albums by this artist) who agreed to produce the album. The resulting music is much lighter and funkier that the previous albums, bearing less Psychedelic elements. Steve is the main soloist and his guitar playing on this album is definitely some of his finest ever. Miquette GiraudyFind albums by this artist adds some tasty spacey keyboards and the rhythm section provides a strong steady basis for Hillage’s extended guitar outings. Steve’s compositions are also particularly strong here and the album stands the test of time fabulously. Definitely a classic and a must for all Hillage fans.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HILLAGE ~ LIVE HERALD (EXPANDED EDITION)
VIRGIN 373440 (Barcode: 094637344026) ~ UK ~ Progressive Rock
Recorded: 1977 - 1978 Released: 2007

5th album by the legendary guitarist Steve HillageFind albums by this artist and the only live document of his music during the early period of his solo career. Recorded during a period of 18 months when Hillage and his band (three different band lineups are featured) performed frantically all over the world in support of his excellent solo albums, this material was initially released as a double LP. The first 3 sides of the album included live material and the fourth side included new studio material. For the CD reissue the 3 live sides were combined into a single CD (now with bonus live material previously unreleased) and the studio material was moved as bonus tracks of the next album (OpenFind albums with this title), where it rightfully belongs. Hillage composed almost all the music on the album with his life-long musical companion and synthesizer pioneer Miquette GiraudyFind albums by this artist, whom Hillage befriended during his GongFind albums by this artist days. The sound of the band is often quite similar to Gong’s familiar mixture of psychedelic Space-Rock and early ambient influences (which would later develop as Hillage’s main interest) are also quite evident. In retrospect this is quite visionary music, foretelling by almost 20 years the ambient explosion of the late 1990’s. There is a lot happening (musically) here, which means this stuff requires attentive listening to truly comprehend its complexity. This is an important historical document, which sheds a lot of light on the music scene of the late 1970’s, which existed in parallel to the punk dominated mainstream.

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STEVE HILLAGE ~ GREEN (EXPANDED EDITION)
VIRGIN 373456 (Barcode: 094637345627) ~ UK ~ Progressive Rock
Recorded: 1977 - 1979 Released: 2007

4th album by Steve HillageFind albums by this artist, recorded almost immediately following the recording of its predecessor (Motivation RadioFind albums with this title), on which he shares the production credits with no other than Pink FloydFind albums by this artist’s drummer Nick MasonFind albums by this artist. Hillage and his partner Miquette GiraudyFind albums by this artist wrote all the music on this album and the excellent and very tight band makes this perhaps the most consistent (musically) album Hillage ever recorded. Hillage’s guitar work is superb all the way and his almost telepathic cooperation with Giraudy reaches its peak here. Listening to this music 30 years after it was recorded it still quite an experience and it sounds as good now as it did then. Another classic worthy of being a part of any decent music collection.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HILLAGE ~ RAINBOW DOME MUSICK (EXPANDED EDITION)
VIRGIN 373458 (Barcode: 094637345825) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2007

6th album by Steve HillageFind albums by this artist, which was really an off-shot project from his “normal” sequence of solo albums, as it was recorded to serve as background music for a special event staged in London in April of 1979 – the “Mind And Body Festival”. As part of the festival’s preparations a special dome was erected, called the Rainbow Dome, as it presented the visitor / spectator with special light effects. The festival’s organizers contacted Hillage with their plans and he immediately agreed to write the music, which would be played continuously in the Rainbow Dome. Hillage and his partner Miquette GiraudyFind albums by this artist quickly assembled an ambient soundtrack for the project and the music was released to coincide with the festival’s opening. The music is a beautiful example of early ambient composition, executed with deep sensibility and grace. It was to be an extremely influential piece of music, which would be often cited by members of the young generation of composers of ambient music some two decades later as one of their main influences. Hillage and Giraudy themselves changed their main musical activity to ambient and electronic music in the later days of their career, still being active today as System 7Find albums by this artist. A classic!

CD 1 Remastered Recommend To A Friend

STEVE HILLAGE ~ OPEN (EXPANDED EDITION)
VIRGIN 373459 (Barcode: 094637345924) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2007

7th album by Steve HillageFind albums by this artist in less than 5 years and the third one originally released in 1979 – a very busy year for him. As already mentioned (see Live HeraldFind albums with this title) the album opens with four studio tracks originally included as side 4 of the Live Herald album and then continues with the tracks recorded a few months later as the original OpenFind albums with this title album. As usual most of the music was written by Hillage and his partner Miquette GiraudyFind albums by this artist, with just one cover of a BeatlesFind albums by this artist song and a most surprising instrumental track based on a song by the legendary Egyptian singer Oum KalsoumFind albums by this artist. This proves that Hillage was looking everywhere for inspiration and his openness to music outside the strict rock circles was always obvious. Just two months after the album was released the Steve Hillage band would play a couple of farewell concerts and disband and it would be three years until the next Hillage album would be released. The album stands the test of time beautifully and the remaster upgrades the sound considerably, so this is another must for SH fans.

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STEVE HILLAGE ~ FOR TO NEXT / AND NOT OR (EXPANDED EDITION)
VIRGIN 373463 (Barcode: 094637346327) ~ UK ~ Progressive Rock
Recorded: 1982 Released: 2007

8th album by Steve HillageFind albums by this artist and the last one released on the VirginFind albums on this label label. Following the release of OpenFind albums with this title and a few concerts in late 1979 Hillage disbanded this band for good this time and plunged into the world of producing, putting his own music aside for a while. It was almost 3 years later when he fulfilled his contractual obligation with Virgin, recording the last album for them. The album called For To NextFind albums with this title was recorded as a duo, with Miquette GiraudyFind albums by this artist as the only other participating musician. Strongly influenced by the “New Wave” genre Steve was involved with as a producer (Robyn HitchcockFind albums by this artist, Simple MindsFind albums by this artist and others) the album was a prime example of the genre. Dominated by synthesizers and electronic sounds with Hillage’s guitar ornamenting the proceedings. The music stands the test of time formidably and although the album is not considered a classic of the genre, it definitely deserves it. The album was released as a 2 LPs set, with the second album including instrumental music recorded at the same sessions (called And Or NotFind albums with this title). It included music that was more typical of what Hillage and Giraudy were really into and what would be later developed by their work with The OrbFind albums by this artist and with their group System 7Find albums by this artist, which is active to this very day. The album is a great document of the era and even if the 80’s electronic sound is not one’s cup of tea, the quality and musicianship displayed here is definitely worth listening to.

CD 1 Remastered Recommend To A Friend

STEVE HACKETT ~ CURED (EXPANDED EDITION)
VIRGIN 384415 (Barcode: 094638441526) ~ UK ~ Progressive Rock
Recorded: 1981 Released: 2007

5th album, written while Steve HackettFind albums by this artist was recuperating in Brazil, following a grueling couple of years filled with concert appearances and studio recordings. Hackett disbanded his regular band, with which he toured supporting his earlier releases, and for this project he retained the services of one musician only – his keyboards player Nick MagnusFind albums by this artist. Hence this is basically a duet effort, with the only exception being Steve’s brother John HackettFind albums by this artist, who contributes his flute on one tune. This is also the first album featuring Hackett as a lead vocalist, something Hackett was trying to avoid for a long time. It turns out he is quite capable of carrying a tune and his vocal performances are perfectly acceptable. The music is as good as always, with a slightly “lighter” approach, but nevertheless this is still Hackett, who couldn’t make bad music even if he tried very hard. Especially the fantastic “The Air Conditioned Nightmare” instrumental, which is a Prog classic and remained for many years a regular feature of his concerts. In retrospect, considering this album was unavailable for so many years, it’s a pleasure to remember and a most enjoyable listening experience.

CD 1 Remastered Bonus Tracks Recommend To A Friend

STEVE HACKETT ~ HIGHLY STRUNG (EXPANDED EDITION)
VIRGIN 384418 (Barcode: 094638441823) ~ UK ~ Progressive Rock
Recorded: 1982 Released: 2007

6th album by Steve HackettFind albums by this artist and the last one released on the CharismaFind albums on this label label (All the rest of Steve’s extensive catalogue is available on his privately owned label CaminoFind albums on this label Records, also available on this site). For this album Hackett expanded the duo format, which recorded Cured, into a trio with the addition of drummer Ian MosleyFind albums by this artist (future MarillionFind albums by this artist member) and a few guest musicians also participated. Together they created what is considered one of the best Steve Hackett albums, full of great melodies and excellent playing. Back to the Prog format and sound and including some of Hackett’s most memorable tunes like Camino Royale, this is a perfect summary of his early period. Future Hackett albums will slowly mark the transition into acoustic music and his dedication to the acoustic guitar, with only occasional ventures into the classic electric Prog. This is a beautiful album in every sense and a pleasure to revisit after all these years. Definitely a classic and highly recommended!

CD 1 Remastered Bonus Tracks Recommend To A Friend

	STEVE HACKETT ~ PLEASE DON`T TOUCH VIRGIN 4012 ~ UK ~ Progressive Rock 2nd album from 1978 and the first after he left Genesis in 1977. Although quite different from the debut `Acolyte` and more song oriented, this is still a splendid example of Hackett`s talents as player and composer. A plethora of guesting stars spice the album with their additions and the result is altogether excellent.
	CD 1 Recommend To A Friend

	STEVE HACKETT ~ SPECTRAL MORNINGS VIRGIN 4017 ~ UK ~ Progressive Rock 3rd album from 1979. With time Hackett turns more and more introvert and plays more acoustic guitar, whch is soon to become his main instrument. Beautifully crafted melodies and delicate arrangements make this album another success for this greatly talented musician. A must for all Hackett fans.
	CD 1 Recommend To A Friend

STEVE HACKETT ~ DEFECTOR
VIRGIN 4018 ~ UK ~ Progressive Rock

4th album from 1980. Typical Hackett material with superb guitar playing in addition to support from his brother on flute and other master musicians. By this time Hackett established his unique voicing and the position of a Prog icon. Although some critics describe this album as one of his lesser acheivements, it is still a great Prog record and Steve`s fans surely would like it in their collection.

KING CRIMSON ~ THRAK
VIRGIN 40313 (Barcode: 724384031329) ~ UK ~ Progressive Rock
Recorded: 1994 Released: 1995

13th album from 1994. A brilliant debut album by the `double trio` version of KC from 1994, which marks the return of KC to `active duty` after several years of silence. The new expanded line-up enables ventyres to extremely complex interplay between the musicians on a multi-level improvisational scale. Innovative and stunning!

VAN DER GRAAF GENERATOR ~ H TO HE WHO AM THE ONLY ONE (EXPANDED EDITION)
VIRGIN 474888 (Barcode: 724347488825) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2005

3rd album, considered by many as the band`s finest hour. On this album Van Der Graaf GeneratorFind albums by this artist crystalized their sound and dark, somber musical approach. Using the heavy Hammond sound and the (unusual in most bands) saxophone, they acheive an overall overwhelming effect, close to the `wall of sound` approach used in free jazz. With much improved songwriting, this is a classic of the genre. With songs in the 10+ minutes range and innovative instrumentation, they certainly broke plenty of uncharted ground. A classic!

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ THE LEAST WE CAN DO IS WAVE TO EACH OTHER
VIRGIN 474889 (Barcode: 724347488924) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2005

2nd album. Well in fact it is a first proper album, following the release of `Aerosol Grey Machine` a year earlier, which was really a solo album by leader Peter Hamill, released eventually under the VDGG name. VDGG always were a vehicle for the leader / poet Peter Hamill, whose somber, cathastrophic and mystical lyrics and theatrical vocals dominated the band`s image. Musically located somewhere between the experimental King Crimson and the lyrical Genesis, VDGG were undeniably an impostant part of the early UK Prog mosaic, with fans and foes alike. The music is a bit shaky here, to be much improved on the two following albums.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ PAWN HEARTS (EXPANDED EDITION)
VIRGIN 474890 (Barcode: 724347489020) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2005

4th album by Van Der Graaf GeneratorFind albums by this artist and the last one of the first phase of the group, until they surface again in 1975. This is a well planned album with just 3 tracks, the last one an extended suite 23+ minutes long. Close in sound to the previous album, with Peter HammillFind albums by this artist`s theatrics exposed even further (somewhat like Peter GabrielFind albums by this artist`s work with GenesisFind albums by this artist) but with the lyrics getting ever more obtuse and obscure and extremely hard to follow. In retrospect this stands the test of time rather well, assuming you like the band to start with. Another classic of the genre.

CD 1 Remastered Bonus Tracks Recommend To A Friend

JON LORD ~ PICTURED WITHIN
VIRGIN 493704 (Barcode: 724349370425) ~ UK ~ Classic Rock
Recorded: 1997 Released: 1998

Recorded in 1997 while Jon LordFind albums by this artist was still an active member of Deep PurpleFind albums by this artist, this is his furthest venture away from Rock and into the classical music. Although previous Lord`s solo albums flirted with classical music, on this one he takes the deep plundge and leaves the Rock elements completely out of the equation. This mostly instrumental / orchestral music is serene and deeply lyrical, with only a few vocal tracks. The album consists of 4 legthy suites, each sub-divided into 3 parts. As all things, a matter of taste, but the classical textures he produces here are really quite beautiful.

PETER HAMMILL ~ AND CLOSE AS THIS (EXPANDED EDITION)
VIRGIN 503278 (Barcode: 5099950327829) ~ UK ~ Progressive Rock
Recorded: 1986 Released: 2007

13th album by Peter HammillFind albums by this artist and another complete about-face in comparison to its predecessor SkinFind albums with this title. Here we have Hammill alone, armed only with his piano (and some help from his MIDI and sequencers), singing his heart out and performing a great set of new songs. The passing years and the experience gathered over time only emphasize his immense talent and although such solo efforts are usually quite difficult to pull through, he manages to do so brilliantly. The material seems to be less dramatic than usual, almost calm and lyrical and as always deeply intimate and personal. The beautiful lullaby “Sleep Now” crowns the entire album. It is still unmistakably Hammill, showing yet another of his many faces and unveiling another layer of his complex personality. This is classic Hammill, something none of his many fans should miss in their collection.

CD 1 Remastered Recommend To A Friend

PETER HAMMILL ~ SKIN (EXPANDED EDITION)
VIRGIN 503279 (Barcode: 5099950327928) ~ UK ~ Progressive Rock
Recorded: 1985 Released: 2007

12th album by Peter HammillFind albums by this artist and by far one of his more interesting releases, although criticized severely due to the extensive use of MIDI and sequencers, which give the album a distinctive 1980s “New Wave” sound. On the album Hammill returns to a group format, using old Van Der Graaf GeneratorFind albums by this artist mates Guy EvansFind albums by this artist and David JacksonFind albums by this artist on all tracks along with several other musicians. In a sense this might be considered a VDGG album of sorts. The music is mostly up-tempo and rocky, but Hammill’s clever lyrics and his unique vocal approach set it apart from other contemporary albums. The overall impression is quite similar to the work David BowieFind albums by this artist was doing at the time, but of course it is still very much Hammill. I haven’t listened to this album for a very long time, but hearing it again now made me realize how alive and fresh it still sounds. This is classic Hammill, something none of his many fans should miss in their collection.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER HAMMILL ~ SITTING TARGETS (EXPANDED EDITION)
VIRGIN 503282 (Barcode: 5099950328222) ~ UK ~ Progressive Rock
Recorded: 1980 - 1981 Released: 2007

10th album by Peter HammillFind albums by this artist and his first true 1980s release. In contrast to the convoluted A Black BoxFind albums with this title, Hammill decided to take a more direct and concise approach to his songwriting on this album. He also adapted the new 1980s technology, using synthesized sounds and studio trickery. Old Van Der Graaf GeneratorFind albums by this artist mates: Guy EvansFind albums by this artist (drums) and David JacksonFind albums by this artist (sax) take part in the recording on several tracks. In retrospect this is still a very strong album, with many memorable songs Hammill will continue to perform over the years. His unique approach to songwriting and the dramatic, theatrical performances remain effective, losing nothing of their power over the years. Although somewhat neglected in comparison to his earlier work, this is still classic Hammill, something none of his many fans should miss in their collection.

CD 1 Remastered Recommend To A Friend

PETER HAMMILL ~ THE LOVE SONGS (EXPANDED EDITION)
VIRGIN 503286 (Barcode: 5099950328628) ~ UK ~ Progressive Rock
Recorded: 1983 Released: 2007

11th album by Peter HammillFind albums by this artist and the most unusual project to date, in which he takes a retrospective view of his entire solo career. Often mistaken as a compilation album, this is much more than a compilation of previously recorded songs. Hammill constructed here an extraordinary collection of his love-related songs from his previous 10 albums, but re-recorded all the vocals (except one), re-mixed and enhanced many of the instrumental tracks and added one completely new song. The resulting album is a beautiful and deeply lyrical look at the gentle side of Hammill’s music. Of course when the love songs are written and sung by him, one can never expect the conventional approach to the subject. Most of the songs are dark and sad, reflecting the author’s complex view of life and live. This has been my favorite Hammill album for many years and it’s a great introduction to his work for listeners not familiar with his previous recordings. This is classic Hammill, something none of his many fans should miss in their collection.

CD 1 Remastered Recommend To A Friend

GENESIS ~ 1970-1975
VIRGIN 5099951968328 (Barcode: 5099951968328) ~ UK ~ Progressive Rock
Recorded: 1970 - 1975 Released: 2008

This monster Box Set brings back to life the bulk of early recordings by the British band GenesisFind albums by this artist, which is of course synonymous with Progressive Rock genre and includes their 2nd to 6th albums: "TrespassFind albums with this title", "Nursery CrymeFind albums with this title", "FoxtrotFind albums with this title", "Selling England By The PoundFind albums with this title" and "The Lamb Lies Down On BroadwayFind albums with this title". Once the Genesis lineup stabilized (starting with the 3rd album) the band produced a remarkable body of music, which now, almost four decades later, still consists of the defining elements of the genre. Even if Genesis were not truly groundbreaking or innovative, and considering some extravagancies and annoying aspects of over the top theatrics by the band´s lead singer Peter GabrielFind albums by this artist, this music lost nothing of its remarkable quality and majestic aura. There is no point going into the detailed description of the music or its historic importance as a row model for countless musicians the world over, suffice to say that this is an essential piece of musical history, which deserves to be preserved for future generations, which this Box Set attempts to do. It includes 7 CDs and 6 DVDs: The original five albums are presented on 6 CDs (the last album was a double LP and is a double CD), remastered and remixed from the original studio tapes. The 7th CD includes bonus tracks recorded during this period, both studio and live, which is a holy grail for any Genesis fan. All CDs are hybrid CD / SACD format. The 6 DVDs present the albums in the advanced 5.1 surround sound mix and a plethora of video material captured during this period and recent interviews with the band members. Exquisitely packaged in a luxurious box (same format as the other 2 Box Sets with their later recordings), this limited edition is sure to disappear from the market in matter of weeks, same as the previous Box Sets. Need I say essential?

Updated: 26/01/2019Posted:

CD+DVD 13 Box Set SACD Remastered Bonus Tracks Essential Recommend To A Friend

BBM ~ AROUND THE NEXT DREAM
VIRGIN 724358367324 (Barcode: 724358367324) ~ UK ~ Classic Rock
Recorded: 1993 - 1994 Released: 2003

This is an expanded reissue / remaster of the only album by the short-lived British BBMFind albums by this artist trio, which comprised of three legendary figures: drummer Ginger BakerFind albums by this artist, bassist / vocalist Jack BruceFind albums by this artist and guitarist / vocalist Gary MooreFind albums by this artist. The original album presented ten tracks and this edition adds four bonus tracks, two of which were recorded live and two others are outtakes. Most of the songs were co-written by Moore and Bruce, some with the help of Kip HanrahanFind albums by this artist and a couple of Blues standards are also present.

The sound and feel of the album is remarkably close to that of the iconic CreamFind albums by this artist, which is hardly surprising. The production is of course much more polished and the almost thirty years separating this trio from Cream made its impact, but overall the resemblance is remarkable, almost as if this could be the album Cream never recorded.

Moore plays some outstanding guitar here, obviously with a wink towards Eric ClaptonFind albums by this artist, and Bruce is in top form singing his heart out, as is Baker beating the hell out of the drums.

For some and incomprehensible reason this album was almost completely ignored at the time of its release in 1994, which proves that music went to the drain by that time, as it is an absolute classic example of the British Rock tradition and formidable Blues-Rock recording.

Overall, this is an absolute marvel of an album, completely neglected and deserving being remembered. It offers brilliant songwriting and superb instrumental performances completely absent from today’s Rock scene. An absolute must in any decent Rock record collection!

Updated: 19/03/2024Posted: 19/03/2024

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

DR. JOHN ~ ANUTHA ZONE
VIRGIN 724384621827 (Barcode: 724384621827) ~ USA ~ Jazz-Pop Fusion
Recorded: 1998 Released: 1998

This is the 21st studio album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded in New York and London with his regular band consisting of guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist and drummer Herman Ernest IIIFind albums by this artist and many additional guest musicians, including Paul WellerFind albums by this artist. The album presents fourteen songs, which were mostly written by Dr. John or co-written with his wife Cat YellenFind albums by this artist, except one song by John MartynFind albums by this artist.

Stylistically this album returns to the early days of Dr. John with his New Orleans idiosyncrasies, Mardi Gras, Voodoo, etc. perfectly combined with Jazzy arrangements. The beautiful throaty voice, keyboards playing and general attitude of Dr. John are absolutely perfectly for these the Funky, Blues soaked, Boogie songs, and are a proof of his enormous talent. Listening to this album is one great thrill from start to finish, and the organ parts are simply delicious.

Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!

Updated: 18/10/2023Posted: 18/10/2023

BO HANSSON ~ SAGAN OM RINGEN (THE LORD OF THE RINGS) (EXPANDED EDITION)
VIRGIN 812061 (Barcode: 724381206126) ~ SWEDEN ~ Progressive Rock
Recorded: 1970 Released: 2002

1st album and a classic Prog masterpiece by the Swedish composer and keyboards player Bo HanssonFind albums by this artist, inspired by Tolkien`s brilliant trilogy. One of the finest examples of keyboards oriented solo Prog projects.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BO HANSSON ~ MELLANVASEN (ATTIC THOUGHTS)
VIRGIN 866139 (Barcode: 724386613929) ~ SWEDEN ~ Progressive Rock
Recorded: 1975 Released: 2004

3rd album by the Swedish keyboards wizard and composer Bo Hansson. Following the success of his previous albums, Hansson decided to pursue a more serious composing career rather then touring with his band. This album is much deeper musically then his predecessors, with much space for improvisations by the excellent musicians who participate here. Unfortunately (as expected) it was much less commercially successful.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BO HANSSON ~ EL-AHRAIAH (WATERSHIP DOWN)
VIRGIN 866141 (Barcode: 724386614124) ~ SWEDEN ~ Progressive Rock
Recorded: 1977 Released: 2004

4th album and his last from the 1970s. This is definitely his most serious work ever, inspired by literature and poetry and full of remarkable and beautiful musical themes, excellently performed by the musicians involved. However this serious approach pushed Hansson even further away from his traditional fans, who were looking for a much simplistic music. In retrospect this is a serene and deeply moving album which grows on you every tome you listen to it.

CD 1 Remastered Bonus Tracks Recommend To A Friend

GONG ~ YOU
VIRGIN 866554 (Barcode: 724386655424) ~ UK ~ Canterbury Scene
Recorded: 1974 Released: 2004

3rd and last part of the `Radio Gnome Invisible` trilogy. This album shows Gong going deeper into the improvisational rock and is less song oriented then the previous two. The players can really shine on this one and a strong jazz influence is present. This is considered to be the best and most focused of their albums, which later became even more spacey and Avant-Garde.

Updated: 12/04/2019Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

GONG ~ ANGEL`S EGG (EXPANDED EDITION)
VIRGIN 866556 (Barcode: 724386655622) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 2004

2nd part of GongFind albums by this artist´s `Radio Gnome Invisible` trilogy. This album marks the transition from the `songs` of the 1st part to the more instrumental / improvised pieces present on the 3rd part. Considered by Gong fans to be a highlight and one of their best acheivements.

CD 1 Remastered Bonus Tracks Recommend To A Friend

VAN DER GRAAF GENERATOR ~ PRESENT
VIRGIN 873579 (Barcode: 724387367920) ~ UK ~ Progressive Rock
Recorded: 2004 Released: 2005

This reunion album ranks among the most waited for, sensational and successful Prog events ever. The original Van Der Graaf GeneratorFind albums by this artist line-up - Hammill / Banton/ Evans / Jackson - locked themselves up for one week in the studio and came up with a result worthy of time tavel - there is almost no difference between this music and the music they created 30 years earlier, and I mean that in the good sense of course. One can hardly imagine a more rewarding experience for the many VDGG fans around the world.

VAN DER GRAAF GENERATOR ~ TRISECTOR
VIRGIN 9521030 (Barcode: 5099952103001) ~ UK ~ Progressive Rock
Recorded: 2007 Released: 2008

Three years after the original Van Der Graaf GeneratorFind albums by this artist reunited and surprised the wold with an excellent new album (PresentFind albums with this title); here they are doing it again. Alas, they are reduced to a trio (Peter HammillFind albums by this artist – vocals, guitars and pianos, Hugh BantonFind albums by this artist – organ and bass and Guy EvansFind albums by this artist – drums), having lost the great David JacksonFind albums by this artist on sax, who was the band’s integral ingredient and is much missed here. Nevertheless the trio manages to produce an excellent album, which will definitely delight the band’s fan base worldwide. Although the writing credits for the album’s contents are assigned to all the three members (except 1 track written by Hammill only), Hammill’s overall influence over the band remains dominant. He delivers his vocals with the usual theatrical abilities, remaining in excellent form. The music is much (and I mean much) rockier than any previous VDGG album, with the heavy organ riffs and energetic drumming driving the up-tempo tracks. But of course there is plenty of quiet contemplative material, typical of Hammill’s writing over the years. The overall sound, although excellent, is kept very retro, creating the illusion that the album was recorded sometime in the 1970s, which of course should delight the band’s fans as well. I can’t imagine any VDDG enthusiast being disappointed by this album, and I’d rather expect a pleasant surprise. I really enjoyed it immensely, especially in view of the fact that it proves again that talent does not go away with age – these veterans can easily blow any of the contemporary Prog or Rock bands off the stage with one blast of their music. Hats off!

KING CRIMSON ~ IN THE COURT OF THE CRIMSON KING
VIRGIN KC 1 ~ UK ~ Progressive Rock

1st album from 1969. Probably the most inportand Prog album of all times and a reference point for generation to follow. Most of what is defined as Prog can be found on this album: intricate compositions, shifting rhythms, extended improvisations, mystic lyrics - in short the canon of the genre. No other album ever reached the same revolutionary effect this masterpiece had on generations of listeners since its release. The remastered edition renders all previous releases obsolete and for the first time the listener can enjoy the beautiful sound as well. Absolutely essential.
30th Anniversary Edition. Out of print collectors` item.

CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend

KING CRIMSON ~ IN THE WAKE OF POSEIDON (30TH ANNIVERSARY EDITION)
VIRGIN KC 2 ~ UK ~ Progressive Rock
Recorded: 1970

2nd album from 1970. Following the debut album of such magnitude as ITCOTCK seemed impossible, especially in view of the shaky state the band was in at the time, with personell changes, but nevertheless this album is as strong, if not stronger then its predecessor. The compositions are more spacey and the playing, enforced by the presence of Keith Tippett and extended use of Mellortone by Fripp is richer and better organized. Amazing stuff and absolutely essential.

CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend

KING CRIMSON ~ LIZARD
VIRGIN KC 3 ~ UK ~ Progressive Rock

3rd album from 1970. Almost complete change of direction for the band with strong jazz influence incorporated into the initial formats defined by the the first two albums. The origianal band is no more present here, with Fripp taking over completely. The cream of the crop of UK jazz participates on this album, as initially indicated by the inclusion of Keith Tippett and Jon Anderson (Yes) sings on one track. In retrospect this is the boldest and most exciting statement by the first (well almost) incarnation of the band. Absolutely essential.
30th Anniversary Edition. Out of print collectors` item.

CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend

KING CRIMSON ~ ISLANDS (30TH ANNIVERSARY EDITION)
VIRGIN KC 4 ~ UK ~ Progressive Rock

4th album from 1971. This was to be the last studio album by what is know as the first period of the band, followed only by the live `Earthbound`. The instrumentation is similar to the one used on `Lizard`, with several jazz musicians guesting, but the format is tighter and more rocky. Fripp`s guitar and mellotron and Collins` saxes dominate the sound. The level of musicianship is stunning, as usual.
30th Anniversary Edition

CD 1 HDCD Oversampling Remastered Recommend To A Friend

KING CRIMSON ~ LARKS` TONGUES IN ASPIC
VIRGIN KC 5 ~ UK ~ Progressive Rock

6th album from 1973. This album marks the re-born KC after a short period of regrouping, with a completely new lineup, which includes David Cross on violin, John Wetton on bass and lead vocals and the astounding Bill Bruford on drums, who will be part of all KC incarnations from now on. Both the sound and the musical direction are completely revamped, with dark, heavy, convulsed atmosphere and avant-rock style dominating. A masterpiece!
30th Anniversary Edition

CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend

KING CRIMSON ~ STARLESS AND BIBLE BLACK
VIRGIN KC 6 ~ UK ~ Progressive Rock

7th album from 1974. Same line-up as on the previous album (less percussion) and the same musical direction, even more expanded into the fringes of the `known` musical vocabulary of that period. Some of the most memorable KC melodies were born for this album and the overall effect is shocking to this very day. As usual, KC were years ahead of their time and pioneering new musical grounds. Essential!
30th Anniversary Edition

CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend

	KING CRIMSON ~ RED VIRGIN KC 7 ~ UK ~ Progressive Rock 8th album from 1974. A fantastic work by the second version of KC, here as a trio (Fripp, Wetton, Brufford) with some overdubs by KC cohoots from earlier years (Collins & McDonald - saxes and David Cross on violin). Extremely energetic and demanding music, brilliant all the way!. 30th Anniversary Edition
	CD 1 HDCD Oversampling Remastered Recommend To A Friend

	KING CRIMSON ~ DISCIPLINE VIRGIN KC 8 ~ UK ~ Progressive Rock 10th album from 1981 and first by the reborn KC, now a quartet (Fripp, Belew, Levin & Bruford). As usual, the group expands the frontiers of Prog by adding unusual instrumentation, use of electronics and odd rhythm patterns. This mind blowing music is timeless and improves with age! 30th Anniversary Edition
	CD 1 HDCD Oversampling Remastered Recommend To A Friend

KING CRIMSON ~ EARTHBOUND
VIRGIN KC 11 ~ UK ~ Progressive Rock

5th album from 1972. Live recordings documenting the final days of KC version one, here as a quartet (Fripp, Collins, Boz, Wallace). Although the group was in disarray, the music was still memorable. The original vinyl edition suffered from very poor sound quality, which was greatly improved by the remastering process.
30th Anniversary Edition

CD 1 HDCD Oversampling Remastered Recommend To A Friend

	KING CRIMSON ~ USA VIRGIN KC 12 ~ UK ~ Progressive Rock 9th album from 1975. Live recording from 1974 by the second version of KC, here as a quartet (Fripp, Cross, Wetton, Bruford). This was recorded at the same time the recording of `Red` was under way in the studio. A great document of the group `in action`, now finally available on CD. 30th Anniversary Edition
	CD 1 HDCD Oversampling Remastered Recommend To A Friend

	KING CRIMSON ~ BEAT VIRGIN KCX 9 ~ UK ~ Progressive Rock 11th album from 1982 and second by the reborn KC, now a quartet (Fripp, Belew, Levin & Bruford). As usual, the group expands the frontiers of Prog by adding unusual instrumentation, use of electronics and odd rhythm patterns. This mind blowing music is timeless and improves with age! 30th Anniversary Edition
	CD 1 Mini-Sleeve HDCD Oversampling Remastered Recommend To A Friend

	KING CRIMSON ~ THREE OF A PERFECT PAIR VIRGIN KCX 10 ~ UK ~ Progressive Rock 12th album from 1984 and third by the reborn KC, now a quartet (Fripp, Belew, Levin & Bruford). As usual, the group expands the frontiers of Prog by adding unusual instrumentation, use of electronics and odd rhythm patterns. This mind blowing music is timeless and improves with age! 30th Anniversary Edition
	CD 1 Mini-Sleeve HDCD Oversampling Remastered Recommend To A Friend

ANEKDOTEN ~ VEMOD
VIRTA 001 (Barcode: 7320470044124) ~ SWEDEN ~ Progressive Rock
Recorded: 1993 Released: 2003

1st album by AnekdotenFind albums by this artist, one of the most interesting Swedish Prog groups, which uses two mellotrones and heavy guitar. Gloomy and mysterious sound and quirky melodies with many tempo changes make this album a fascinating listening experience and a perfect example of the Scandinavian Prog sound, placing the group among other top Swedish peers like AnglagardFind albums by this artist and Isildurs BaneFind albums by this artist.

	ANEKDOTEN ~ NUCLEUS VIRTA 002 (Barcode: 7320470046968) ~ SWEDEN ~ Progressive Rock Recorded: 1995 Released: 2004 2nd album by the Swedish group AnekdotenFind albums by this artist. More of the same brilliance that characterised the debut album, with sharp changes and dark atmosphere. Great interplays and interesting compositions. One of the most interesting groups in the 1990`s.
	CD 1 Remastered Bonus Tracks Recommend To A Friend

	ANEKDOTEN ~ FROM WITHIN VIRTA 003 (Barcode: 7320470024447) ~ SWEDEN ~ Progressive Rock Recorded: 1999 Released: 1999 3rd album by Swedish masters AnekdotenFind albums by this artist, as good as the first two and if you liked these you won`t miss this one as well just to find out what else these Swedes have in store for your ears.
	CD 1 Recommend To A Friend

ANEKDOTEN ~ GRAVITY
VIRTA 004 (Barcode: 3426300045058) ~ SWEDEN ~ Progressive Rock
Recorded: 2003 Released: 2003

4th album by the great Swedish group AnekdotenFind albums by this artist, which was quite a surprise after a few years of silence and speculations. The time did mellow them up a bit and this album is less dark and agressive then the earlier works, but still undeniably Anekdoten. They are masters of their trade and fans of the Scandinavian sound will love this one to bits!

ANEKDOTEN ~ A TIME OF DAY
VIRTA 005 (Barcode: 7320470083093) ~ SWEDEN ~ Progressive Rock
Recorded: 2006 - 2007 Released: 2007

5th album by the legendary Swedish Prog band AnekdotenFind albums by this artist, which together with other Swedish bands like AnglagardFind albums by this artist and Isildurs BaneFind albums by this artist are responsible for defining the so called Scandinavian Prog sound. The band released an album every 3-4 years since 1993, maintaining an almost unchanged lineup since formation, as well as being stylistically consistent and remarkably creative. The four musicians (Peter NordinsFind albums by this artist – drums, Anna Sofi DahlbergFind albums by this artist – mellotron, Nicklas BarkerFind albums by this artist – mellotron and guitar and Jan Erik LiljeströmFind albums by this artist – bass) play a vast array of instruments and manage to create the famous “wall of sound” effect using the double mellotron (or mellotron and moog) instrumentation. The Nordic melancholy and gloominess are predominant, but they carry all the mystic and enchanting elements upon which the musical tapestries are woven. The vocal parts (with English lyrics) are an integral part of the overall sound and are kept on the same (musical) plane with the instrumental parts, rather than being pushed to the foreground. This album is every bit as monumental as its predecessors, with slightly less aggressive approach than the first two releases (mellowing with age?) but not one iota less daring or brilliant. Guest flutist Gunnar BergstenFind albums by this artist contributes a few remarkable solos, bringing the sound of the band closer than ever to the sound of the sadly disbanded Anglagard. Although one does not expect anything less than brilliance from a band of such statue, the result simply overshadows all expectations, blessing us with another masterpiece. This is an absolute must for all Scandinavian Prog fans and perhaps a golden opportunity to enter the enchanted world of the Nordic musical wonders for those who are still not familiar with them.

CD 1 Digipak Recommend To A Friend

TOM ARTHURS / SIMON VINCENT ~ REAL-TIME SOUND SCULPTURE VOL.1
VISION OF SOUND 002 (Barcode: 5060268641266) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2015 Released: 2016

This is an album by the British Improvising Music duo comprised of trumpeter / composer Tom ArthursFind albums by this artist and Simon VincentFind albums by this artist, who generates electronic sounds. The music was recorded in real-time in a Berlin church and is completely improvised and presented on this album as two separate pieces, the first of which is divided into two and the second into three tracks.

The music is almost completely detached from the basic elements of melody, harmony or rhythm, and ventures into the abstract exploration of sound. As such it can only be absorbed on a pure emotional level, which naturally depends on the listener´s frame of mind at the time of listening to the music. There are long passages of almost complete silence or very low volume level of electronically generated sounds, which repeatedly test the listener´s patience.

Arthurs´ contributions are of course, as always, aesthetically overwhelming and the sound sculptures the musicians create together are fascinating, even though they are extremely challenging. This extreme Avant-Garde minimalism and free spirited sound creation is therefore definitely for the average listener.

Nevertheless this is definitely a valid form of musical cooperation and artistic expression, and open-minded listeners who are not afraid of experimentation should find this unique album intriguing and demanding, which is more than one can say about most of the music created these days.

Updated: 12/04/2019Posted: 16/11/2016

SYNCHRONOUS YAWN ~ CRACKS
VITAL 004 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 1999 - 2006 Released: 2007

1st album by excellent Japanese trio Synchronous YawnFind albums by this artist, led by guitarist / keyboardist Eishow MutohFind albums by this artist (who also wrote most of the music), with bassist Naoyuki SetoFind albums by this artist and drummer Masashi MatsumotoFind albums by this artist. Three guest musicians participate on several tracks, most notably the excellent soprano saxophonist Yuji KawamuraFind albums by this artist, who sounds like Wayne ShorterFind albums by this artist. The music is excellent, a mixture of Jazz-Rock Fusion and Japanese ethnic influences, somewhat resembling early Weather ReportFind albums by this artist. All these players are truly excellent and the album is full of mystic atmosphere and beautiful melodies. The recordings span a period of 7 years and since I couldn´t find any information about the band, I hope they still exist, as they have great potential. At least we have this document of their activities so far, hoping to hear more. The album reflects well the vibrant and advanced Japanese scene, which never ceases to surprise. Although completely obscure, this album surely deserves to be heard and enjoyed beyond its homeland. Recommended!

CICHLA TEMENSIS ~ ANOTHER TRIANGLE
VITAL 005 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2006 - 2007 Released: 2007

1st album by Japanese instrumental trio Cichla TemensisFind albums by this artist fronted by wonderful flautist Haruna FukazawaFind albums by this artist, with bassist / guitarist / keyboardist Takumi KokubuFind albums by this artist (who also wrote all the music) and drummer Masahiko NoguchiFind albums by this artist. They play beautifully melodic material in Jazzy rhythms, mostly serene and well crafted, with the flute engulfing the listener in continuous bliss. The flautist is truly a great player, incorporating in his playing both the centuries-long tradition of Japanese flute playing and Western Jazz improvisation technique. For flute lovers, this is an absolute delight from start to finish and Jazz fans will find this also interesting. Warmly recommended!

TEE ~ FIRST VOYAGE
VITAL 007 ~ JAPAN ~ Progressive Rock
Recorded: 2007 Released: 2007

1st album by Japanese ensemble TEEFind albums by this artist, recorded live and mainly a demo album made by the band in pursue of a recording contract. Fronted by the excellent flautist Kenji ImaiFind albums by this artist, the quintet plays classic Symphonic Prog. All the music is composed by the leader, keyboardist Ryuji YonekuraFind albums by this artist, who was a member of the great band Interpose before forming TEE. The band faithfully reconstructs the Symphonic Prog feel of the style´s golden Era in the 1970s, but adds a slight edge with Fusion inspired instrumentation. Fans of Symphonic Prog should enjoy this stuff outright, and the band´s studio album, which followed this release, enjoyed a warm reception worldwide.

PENTAGRAM ~ LIVE 2005 OSAKA
VITAL 008 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2007

1st album by Japanese Prog / Fusion instrumental quartet PentagramFind albums by this artist recorded live and intended as a demo of their abilities rather than a full-fledged release. Led by guitarist Tsutomu TamuraFind albums by this artist (who also wrote all the music), with keyboardist Kozo TsujiFind albums by this artist, bassist Takashi MoritaFind albums by this artist and drummer Satoshi IzutaniFind albums by this artist, the band plays around the guitarist, who is the main soloist. The music is pretty standard Fusion material, with shifting tempi and perhaps a bit to complex, sometimes losing focus. But overall there are plenty of interesting moments and the band members certainly have the potential to develop into a serious Fusion act, given the opportunity and time. Fusion fans, who are always looking for new material, should give this one a listen.

FISHING PERSONS ~ LIVE & DEMO
VITAL 010 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2000 - 2003 Released: 2008

1st album by excellent Japanese quintet Fishing PersonsFind albums by this artist, which collects their live performances and demo recordings. The band plays a strange mixture of Prog / RIO / Fusion and Jazz, completely unusual, which was all written by the band´s members. The instrumentation includes sax / flute, keyboards, guitar, bass and drums and the players are all excellent, especially the saxophonist / flautist, who takes a few very interesting solos. I couldn´t find any information about the band, but since the material included here is all several years old, I assume they disbanded in the meantime, which is a pity, as they had great potential. At least we have this document of their activities at the time, which reflects well the vibrant and advanced Japanese scene. Although completely obscure, this album surely deserves to be heard and enjoyed beyond its homeland. Recommended!

CICHLA TEMENSIS ~ AFFINE SPACE
VITAL 012 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2008 Released: 2009

2nd album by Japanese instrumental trio Cichla TemensisFind albums by this artist fronted by wonderful flautist Haruna FukazawaFind albums by this artist, with bassist / guitarist / keyboardist Takumi KokubuFind albums by this artist (who also wrote all the music) and drummer Masahiko NoguchiFind albums by this artist. They play beautifully melodic material in Jazzy rhythms, mostly serene and well crafted, with the flute engulfing the listener in continuous bliss. The flautist is truly a great player, incorporating in his playing both the centuries-long tradition of Japanese flute playing and Western Jazz improvisation technique. For flute lovers, this is an absolute delight from start to finish and Jazz fans will find this also interesting. Warmly recommended!

MINOKE? ~ SANGAKY
VITAL 027 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2004 - 2006 Released: 2007

1st album by excellent Japanese ensemble Minoke?Find albums by this artist, who play some of the most invigorating Jazz-Rock I´ve heard in a while. Fronted by wonderful reeds player Kosei KayamaFind albums by this artist, with keyboardist Kunihiko SekidoFind albums by this artist, bassist Yasushi KawaguchiFind albums by this artist and drummer Katsunori TakahashiFind albums by this artist, they play original music, which mixes Jazz, ethnic influences and Avant-Garde improvisation, creating an amazingly coherent and intelligent musical experience. The melodies are very well developed and the improvisations (mostly by Kayama) well structured, with everything falling into place just right. Even if completely obscure in the meantime, the band surely deserves to be heard, as they have so much to say. Jazz buffs should search out this little gem and give it a listen ASAP. Warmly recommended!

Updated: 12/04/2019Posted:

ACCEPT ~ SILVER MOON
VITAL 029 ~ JAPAN ~ Progressive Rock
Recorded: 1990 - 2007 Released: 2007

1st album by Japanese group AcceptFind albums by this artist, which as far as I can figure out from the album´s booklet is more or less a one-man show with one person playing all the instruments and a guest vocalist on a couple of tracks. The whole project took 17 years in total, but the result is definitely worth waiting for. The music is a beautiful Symphonic Prog suite, with lost of guitar solos and occasional vocals, full of great melodies and mystic atmosphere. The themes are well developed and the music flows in a continuous stream of coherent functionality. Symphonic Prog fans will enjoy this stuff immensely.

WARSZAWA KYIV EXPRESS ~ HUCULSKI BLUES
VIVI SOUND 0002 (Barcode: 5901549609011) ~ POLAND ~ Jazz-World Fusion
Recorded: 2010 Released: 2011

This is the debut album by the Polish / Ukrainian Jazz-World Fusion ensemble Warszawa Kyiv ExpressFind albums by this artist, comprising of five Polish and one Ukrainian musicians, playing what they describe as a tribute to the musical traditions of Eastern Europe, which is a mixture of Polish, Ukrainian, Jewish, Gypsy and other influences. The ensemble is co-led by Polish pianist Piotr Karol SawickiFind albums by this artist and Ukrainian trumpeter Konstantyn DonskojFind albums by this artist, who are also credited for writing all the music on this album except for one track, which is a folk song with a Jazz arrangement. Although it´s obvious that these musicians can play, the entire concept just doesn´t work well for me. The connection between the folkloristic motifs and the Jazz arrangements sound completely artificial and simply dishonest. It seems this album was made to measure rather than a result of a spontaneous intellectual effort. My Polish friends tell me that this album was received enthusiastically by local Jazz critics and the public… well what can I say, except perhaps that the reasons for liking it rest outside the musical sphere (political perhaps, with some Poles still mourning the loss of the Eastern territories?) In view of the splendid Polish Jazz heritage as far as Ethno-Jazz is concerned, which goes back many years into the past, this album is dangerously close to being a fad, following the trends rather than an artistic truth. However, I can understand the fact that some people like this music, as it is after all well and skillfully played, and touches on many nostalgic notes, with very many pretty notes… Go figure…

CD 1 Digipak Recommend To A Friend

TONY KINSEY ~ INTRODUCING / JAZZ AT THE FLAMINGO SESSION
VOCALION 4213 (Barcode: 765387421328) ~ UK ~ Jazz
Recorded: 1956 - 1957 Released: 2003

Drummer / composer / arranger Tony KinseyFind albums by this artist was one of the brightest stars on the modern British Jazz scene at its inception. Founder member of the Johnny Dankworth SevenFind albums by this artist in 1950, Kinsey later started to lead his own quintet and the first of the two albums included on this wonderful reissue is his debut recording with that quintet. Featuring a double saxophone front line the quintet included saxophonists Don RendellFind albums by this artist and Ronnie RossFind albums by this artist, pianist / vibraphonist Bill Le SageFind albums by this artist and bassist Pete BlanninFind albums by this artist. The second album is a live recording done just a few months after the debut and features the same rhythm section with two different saxophonists: Joe HarriottFind albums by this artist and Bob EffordFind albums by this artist. The music is mostly Jazz standards with few originals by Kinsey, Le Sage and Harriott, but the arrangements are completely different from the usual Bebop approach, adding some Cool and European tradition into the mix. The result clearly shows the seeds of the complete revolution and emancipation from the American Jazz that would follow just a few years after these recordings were made. Clearly Rendell and Harriott are such virtuosi players that they could blow any American saxophonist off the stage with ease. This is some of the best European early modern Jazz and the beautifully remastered sound just makes everything perfect. Absolutely brilliant stuff!

Updated: 01/06/2018Posted:

CD 2 Remastered Recommend To A Friend

ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE
VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz
Recorded: 1972 - 1974 Released: 2005

Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

CD 2 Remastered Recommend To A Friend

MICHAEL GIBBS ~ MICHAEL GIBBS / TANGLEWOOD 63
VOCALION 4253 (Barcode: 765387425326) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2005

Composer / arranger / bandleader / trombonist Michael GibbsFind albums by this artist was born in Rhodesia (now Zimbabwe). In his early twenties he moved to the US, where he studied both Jazz and Classical music at the Berklee College of Music, the Boston Conservatory and the Tanglewood Institute, where he studied with renowned classical composers Aaron CoplandFind albums by this artist and Lukas FossFind albums by this artist. In 1965 Gibbs settled in London and immediately was absorbed into the burgeoning local Jazz scene, first as a trombonist, and later when he stopped to play the instrument, as a composer, arranger and bandleader. Over the years he assembled an impressive body of work as a composer, which has been considered as some of the most innovative and daring forays into the fusion of Classical, Jazz and Rock. He recorded many of his compositions using large ensembles, which comprised of the best British and later also European Jazz musicians, all of which are considered masterpieces. He also composed music for cinema and created many incredible arrangements for albums in the Rock and Jazz areas. This album combines his two first albums, composed for and performed by huge ensembles including brass, string and rhythm sections and including around 30 musicians. The names of the participants resemble the “who’s who” of the British Jazz scene at the time and the main soloists are: Chris SpeddingFind albums by this artist, Ray RussellFind albums by this artist (guitar), Kenny WheelerFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist, John SurmanFind albums by this artist, Mike OsborneFind albums by this artist (sax), Gordon BeckFind albums by this artist (piano), Jack BruceFind albums by this artist, Brian OdgersFind albums by this artist (bass), Tony OxleyFind albums by this artist, John MarshallFind albums by this artist (drums) and many more. The music is quite incredible of course, very difficult to classify, as it flows between genres and musical landscapes disregarding any preconceptions. Gibbs is a master at creating an internal tension in his scores, which is often expressed by the role the brass and rhythm sections play against each other, with the brass section representing the jazzy elements and the rhythm section (especially the guitar) the rock elements. The music is often contemplative and moves slowly, similarly to many of the modern Classical music pieces, influenced obviously by the composer’s teachers and resembling sometimes even the work of Philip GlassFind albums by this artist. Definitely not easy listening, but a highly rewarding intellectual experience. For the lack of a better alternative I’ve decided to classify it under Jazz, but this music is truly beyond classification and constitutes a class of its own. Fascinating!

CD 2 Remastered Recommend To A Friend

TONY KINSEY ~ HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING / TIME GENTLEMEN PLEA
VOCALION 4262 (Barcode: 765387426224) ~ UK ~ Jazz
Recorded: 1958 - 1963 Released: 2005

British drummer Tony KinseyFind albums by this artist was one of the pillars of the local Jazz scene in the crucial period of late 1950s and early 1960s when British Jazz was absorbing the influences of the American Jazz and transforming them slowly into a new language of European Jazz. Although still very much influenced by American Bebop players, Kinsey and his quintet took the music a step further, replacing the raw energy of Bebop with European sophistication and classic harmony, producing highly intelligent music which was also elegant and although seemingly straight-forward, quite complex at its core. These two albums, from 1963 and 1958 present two of Kinsey´s quintets, both including trumpeter Les CondonFind albums by this artist, but the 1963 quintet includes two young players, which were destined to be crucial figure on the British Jazz scene in the decade that followed, saxophonist Peter KingFind albums by this artist and brilliant pianist Gordon BeckFind albums by this artist. This is great music, richly deserving to be remembered, and this reissue is truly a great opportunity to take a glimpse at this interesting period of early European Jazz. Warmly recommended!

Updated: 01/06/2018Posted:

CD 1 Remastered Recommend To A Friend

SHAKE KEANE ~ DIG IT! / WITH THE KEATING SOUND
VOCALION 4281 (Barcode: 765387428129) ~ UK ~ Jazz
Recorded: 1965 - 1968 Released: 2005

In parallel to his immensely important contributions in the Jazz field, British trumpeter Shake KeaneFind albums by this artist also recorded three crossover Jazz / Pop albums for the DeccaFind albums on this label label in the 1960s, which although being on the "lighter" side of things are still prime examples of his amazing tone and virtuosity. The remastered edition of the 1967 album "That`s The NoiseFind albums with this title" (the second of the three) was released on a separate album on the Vocalion label, and here are the other two. "With The Keating SoundFind albums with this title" form 1965 features Keane performing a great selection of Jazz standards, arranged and orchestrated by Johnny KeatingFind albums by this artist and accompanied by the gorgeous orchestra led by him. Keating´s orchestra, as many similar British orchestras at the time, included the best studio musicians, many of which were also active on the Jazz scene. "Dig It!Find albums with this title", from 1968, features Keane performing contemporary Pop material, again arranged and orchestrated for an orchestra, this time by Ivor RaymondeFind albums by this artist, and feature quite unusual approach to Pop material. Both albums are a great document of the great trumpeter´s genius, and of course include music, which stands the test of time quite well. Recommended for listeners who prefer the more melodic side of Jazz.

CD 1 Remastered Recommend To A Friend

DON RENDELL ~ PLAYTIME
VOCALION 4284 (Barcode: 765387428426) ~ UK ~ Jazz
Recorded: 1955 - 1959 Released: 2005

Saxophonist / composer Don RendellFind albums by this artist is a prominent figure on the UK Jazz scene for over 5 decades. Since his earliest recordings in the mid-1950s and well into the 2000s, his unmistakable tone and total control of his instrument have been his trademark. Although mostly known for his role as a co-leader of the Don Rendell / Ian CarrFind albums by this artist Quintet, one of Britain’s most innovative and brilliant Jazz ensembles of the late 1960s, over the years he recorded hundreds of sessions as sideman and leader. This album brings back to life his second LP recorded in 1958 (the first, called Meet Don RendellFind albums with this title was a 10-inch LP recorded 3 years earlier). The bonus tracks include two EP recordings, one form 1955 and the other from 1959. At the time these sessions were recorded the UK Jazz scene was strongly influenced by American Jazz. Rendell was a member of the legendary Ted HeathFind albums by this artist and Stan KentonFind albums by this artist orchestras and toured along with Gerry MulliganFind albums by this artist and the Modern Jazz QuartetFind albums by this artist, which gave him ample opportunity to hear the Masters and learn from them. By the time he formed the sextet that recorded this album Rendell was a seasoned musician and knew exactly what he wants to do. The music includes four original compositions by the sextet members (two of which are Rendell’s) and six standards. The arrangements are very clever and often quite different from the usual approach at the time, being an early sign of the new way the British musicians were about to treat the US Jazz tradition. The performances are spotless and inspired and overall this is a most enjoyable piece of great music, somewhere between Swing, Cool and Hard Bop. Most warmly recommended.

Updated: 12/06/2018Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

JOHN DANKWORTH ~ 5 STEPS TO DANKWORTH / JOURNEY INTO JAZZ
VOCALION 5303 (Barcode: 765387530327) ~ UK ~ Jazz
Recorded: 1956 - 1957 Released: 2008

Saxophonist / composer / bandleader John DankworthFind albums by this artist is one of the Godfathers of modern British Jazz. His activities on the local and international scenes since the early 1950s were instrumental in establishing a whole new generation of Jazz players, which eventually led to the flourishing and revolutionary British Jazz of the 1960s. After his first group - the John Dankworth SevenFind albums by this artist – disbanded, Dankworth established the John Dankworth OrchestraFind albums by this artist, the first British modern Big Band, which consisted of the best Jazz players in Britain at the time. Dankworth´s superb compositions and magnificent arrangements, aided by the virtuosity of his band members, were among the finest in the world and easily compared to the American Big Bands of Duke EllingtonFind albums by this artist, Count BasieFind albums by this artist and others, often surpassing their output with the sophistication and finesse of its works. This great reissue presents Dankworth´s first two recordings with his Orchestra, the debut "Journey Into JazzFind albums with this title", which includes the suite "Itinerary of an Orchestra" – Dankworth´s presentation of a Jazz Orchestra similar in concept to Benjamin BrittenFind albums by this artist´s "Young Person´s Guide to the Orchestra". As most of Dankworth´s compositions the arrangements were made by the excellent "in house" arranger David LindupFind albums by this artist. "5 Steps Into DankworthFind albums with this title", subtitled "Presenting the Music of Johnny Dankworth", concentrates on his talents as a composer and emphasized the magnificent full power of the Big Band. Together these two albums are a true treasure of great music, which lost nothing of its power and ingenuity over the years and sound completely relevant today. Brilliant stuff!

CD 1 Remastered Recommend To A Friend

THAD JONES ~ MAD THAD / OLIO
VOCALION 5307 (Barcode: 765387530723) ~ USA ~ Jazz
Recorded: 1957 Released: 2009

US trumpeter / composer Thad JonesFind albums by this artist (a member of the extensive Jones clan, which includes Quincy, Jimmy, Jo, Eddie and Thad´s younger brother Elvin) paid his dues in full on the NY scene, playing with the American who´s who of Jazz. His unique lyrical tone and his great feel for melody made him one of the greatest trumpeters of his time. This excellent reissue brings back to life two lovely recordings from the late 1950s, featuring Jones as a soloist in front of superb ensembles, which include such famous names as Frank FosterFind albums by this artist (sax) Frank WessFind albums by this artist (sax and flute) Tommy FlanaganFind albums by this artist (piano), Mal WaldronFind albums by this artist (piano) and many others. Although his most famous moments would come only about a decade later, when Jones was to co-lead one of the best ever Big Bands with drummer Mel LewisFind albums by this artist, these recordings show him in a more intimate setting, which emphasizes his excellent skills as a player and improviser. I had a real fun listening to these albums (which were out of circulation for ages), a reminder of times when life was simpler and music better. Recommended!

CD 1 Remastered Recommend To A Friend

JOHN DANKWORTH ~ DUET FOR 16
VOCALION 6230 (Barcode: 765387623029) ~ UK ~ Jazz
Recorded: 1959 Released: 2015

This is an archival recording by the British Jazz saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Taken from the BBC vaults, the music collected here was originally recorded during three sessions as part of the BBC´s transcription recordings, which were then broadcasted around the world by the BBC World Service. This particular recording includes spoken commentary in French and must have been intended for the French speaking territories; France, Belgium and perhaps Canada.

Apart from the theme which is used as the opening and closing track, the album includes nineteen compositions, which include five Dankworth originals. Rest of the material is either standards or material composed by David LindupFind albums by this artist, who was the staff composer / arranger often collaborating with Dankworth.

The orchestra´s lineup includes some of the top British Jazz players at the time, including the new arrival in UK, trumpeter Kenny WheelerFind albums by this artist. The excellent rhythm section comprised of pianist Derek SmithFind albums by this artist, bassist Eric DawsonFind albums by this artist and drummer Kenny ClareFind albums by this artist.

Stylistically the music mimics the American Big Band tradition, which was very popular in Britain during the post-WWII period. Therefore the orchestra plays easy swinging music, which is very well executed, but hardly innovative or challenging in any way. Dankworth represents the transitional British Jazz generation, which was deeply rooted in the American tradition and never really moved into the modern Jazz idiom completely, although he was certainly open minded in comparison to many of his contemporaries, and did include a certain element of experimentation in his later work.

These recordings are a snapshot of a period when Jazz was extremely popular and even served as dance music to a large part of the population. The popularity, however, demanded that the music would be kept strictly within closely defined melodic and rhythmic boundaries. One the modern British Jazz emerged by the mid 1960s Jazz naturally lost its popularity.

Having said all that, this album is still a great fun to listen to and a wonderful piece of British Jazz history, which deserves to be remembered. Dankworth and his orchestra prove beyond a shadow of a doubt that Jazz can be played by Europeans without any inferiority complexes attached.

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ THE HEART IS A LOTUS
VOCALION 8400 (Barcode: 765387840020) ~ UK ~ Jazz
Recorded: 1970 Released: 2005

Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick leading a sextet (Garrick – piano and harpsichord, Ian CarrFind albums by this artist – trumpet, Art ThemenFind albums by this artist – flute, clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and the divine Norma WinstoneFind albums by this artist – vocals) and on several tracks the ensemble is expanded to a nonet with the edition of Don RendellFind albums by this artist – sax, Jim PhilipFind albums by this artist – flute, clarinet and sax and Coleridge GoodeFind albums by this artist on second bass. Norma’s vocal parts – both when singing lyrics and improvising, using her voice as an instrument – are absolutely stunning and completely innovative. Her presence brings the music to another dimension, adding colors and enhancing the overall effect tremendously. She would become a permanent member of Garrick’s group for a while and their recordings together are some of the best moments of the British Jazz of that period. As usual, Garrick wrote all the music and this time also the lyrics used here. His formal education was after all English Literature, and hence his sensitivity to language and poetry and his writing abilities are no surprise. Beautifully melodic and yet constantly challenging, this is a superb album, which sound today every bit as great as it did at the time it was recorded. A must!

CD 1 Remastered Recommend To A Friend

TERRY DURHAM ~ CRYSTAL TELEPHONE
VOCALION 8401 (Barcode: 765387840129) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2005

Writer, poet and painter Terry DurhamFind albums by this artist recorded this one-off, strangely beautiful album for the DeramFind albums on this label label and disappeared from sight. The fact that a major record label released such unusual and unconventional production proves the incredible atmosphere of the late 1960s, before the record industry became completely ruthless and unsympathetic to innovation and musical progress.

The album includes a series of poems by Durham, which he recites (partly in spoken word and partly singing) on top of a magnificent musical background composed and orchestrated by John ColemanFind albums by this artist. The words and music fit one another perfectly and Durham’s poems stand the test of time beautifully. Although the full list of musicians participating in the recording is not given, a most notable, and again highly unusual appearance by Free Jazz saxophone giant Evan ParkerFind albums by this artist is one of the highlights of the album. Guitarist Alan ParkerFind albums by this artist also makes a notable appearance and the composer’s piano playing is featured as well.

Make no mistake – this is not a Jazz album at all. In fact it’s almost impossible to categorize at all, as it transcends genres and conventions at will. For the lack of a better solution I placed it under Progressive Rock, but it belongs probably more to a non-existent Poetry and Music sub-genre (as opposed to Jazz & Poetry which is a real sub-genre). Genres aside, this is a wonderful memento of a great time, which sounds today as good as it ever did. Wholeheartedly recommended to the adventurous listeners.

Updated: 01/01/2016Posted:

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ JOHN SURMAN
VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz
Recorded: 1968 Released: 2005

Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.

CD 1 Remastered Recommend To A Friend

HENRY LOWTHER ~ CHILD SONG
VOCALION 8403 (Barcode: 765387840327) ~ UK ~ Jazz
Recorded: 1970 Released: 2005

Trumpeter / violinist / composer Henry LowtherFind albums by this artist was one of the busiest and most sought after musicians on the British scene in the late 1960s and 1970s. His virtuosity and versatility resulted in him being a member in many groups (often simultaneously) and in different musical environments like Rock (Manfred MannFind albums by this artist), Jazz-Rock (Keef HartleyFind albums by this artist), Blues (John MayallFind albums by this artist) and Jazz (Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist) as well as participating in hundreds of recordings as a session musician. This album is his debut recording as a leader of his own quintet, which includes some of the best young and up-coming British Jazz musicians at the time: Tony RobertsFind albums by this artist – sax, Mike McNaughtFind albums by this artist – electric piano, Daryl RunswickFind albums by this artist – bass and Mike TravisFind albums by this artist – drums. Two additional musicians: Jimmy JewellFind albums by this artist – sax and Neil SlavenFind albums by this artist – percussion also take part in the recording. The music, all composed by Lowther, is a splendid example of the European modern Jazz, which is both melodic and adventurous at the same time. The performances are all spotless and the music flows beautifully, leaving the listener wishing for more when the album is over. Overall the album stands the test of time with flying colors and I can wholeheartedly recommend it every Jazz buff, but of course especially to people partial to the British Jazz scene. Great stuff!

CD 1 Remastered Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD
VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz
Recorded: 1970 Released: 2005

American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.

Updated: 14/08/2021Posted:

CD 1 Remastered Recommend To A Friend

CHITINOUS ENSEMBLE ~ CHITINOUS
VOCALION 8405 (Barcode: 765387840525) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2005

This strange and beautiful album would have never been released at the time if not for the openness of the DeramFind albums on this label label to issue even the most eccentric material, as long as it had musical merit. The Chitinous EnsembleFind albums by this artist was as fictitious as they come, so named by cellist / composer / arranger Paul BuckmasterFind albums by this artist, who assembled the musicians to perform an ambitious piece of orchestral music he composed. Buckmaster was a gifted and accomplished musician, who was in great demand in UK as arranger and composer, working with top Rock stars like Elton JohnFind albums by this artist, the Bee GeesFind albums by this artist (see OdessaFind albums with this title) and even the Rolling StonesFind albums by this artist (see Sticky FingersFind albums with this title). He also composed numerous film scores, including the amazing soundtrack for Roman PolanskiFind albums by this artist’s MacbethFind albums with this title, where he cooperated with the Third Ear BandFind albums by this artist. The ensemble Buckmaster assembled to perform this complex extended composition includes a large string section and a large deployment of his Jazz buddies, all top British Jazz players like Ian CarrFind albums by this artist on trumpet, Chris LaurenceFind albums by this artist on bass, John MarshallFind albums by this artist on drums and many more. The music is a mixture of classical influences with Jazz-Rock rhythmic patterns and modern sound vistas, all combined together into a wonderful sonic experience. It sounds absolutely great today as if time only enhanced the intrinsic beauty included therein. Wholeheartedly recommended for more adventurous listeners.

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ALAN SKIDMORE ~ ONCE UPON A TIME…
VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz
Recorded: 1970 Released: 2005

The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!

CD 1 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ LOVE SONGS
VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz
Recorded: 1970 Released: 2005

Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

SHAKE KEANE ~ THAT`S THE NOISE
VOCALION 8408 (Barcode: 765387840822) ~ UK ~ Jazz
Recorded: 1967 Released: 2005

Trumpeter / composer Shake KeaneFind albums by this artist was born in St Vincent (West Indies) and emigrated to Britain in the early 1950s. His superb tone and total control of his instrument was immediately recognized and the local music scene immediately absorbed him, providing plenty of opportunities for him to play in a variety of styles. By the end of the 1950s Keane almost completely to playing Jazz and became one of the spearheading figures of the British modern / free Jazz. He was a member of the pioneering group led by saxophonist Joe HarriottFind albums by this artist, with whom he recorded some of the most pivotal early European free Jazz. He was also a member, together with Harriott, in the groups led by pianist Michael GarrickFind albums by this artist.

Keane’s prime interest was actually in poetry and literature, which gave him his nickname, as short for Shakespeare. Playing with Garrick, he participated in the Jazz & Poetry scene, which of course was only appropriate for his field of interest.

Keane left Britain in the late 1960s, first to Germany and later returning to his native island, where he became a government minister of culture. He continued his literary work and published works of prose and poetry. A few years before his death in 1997 he returned to his musical activities and even recorded new albums. Strangely enough, in the midst of his activity in the Avant-Garde Jazz field, Keane recorded a few solo albums, which present another side of his musical personality. These albums could be considered as belonging to the “lighter” side of Jazz, where Keane mostly played adaptations of Pop songs of the period.

This album is one of these, and although at the time it was criticized as being a “sell-out”, in retrospect it is a real gem. Keane does use a set of Pop songs (BeatlesFind albums by this artist, Rolling StonesFind albums by this artist, DonovanFind albums by this artist and others) as the basis, but the clever and unusual arrangements and his phenomenal improvisational skills turn these songs inside out and the overall effect is truly spectacular. A couple of his original compositions are also included and one more by his partner Joe Harriott. He leads a splendid sextet with Bob EffordFind albums by this artist – sax, Olaf VasFind albums by this artist – flute, Pat SmytheFind albums by this artist – piano, Coleridge GoodeFind albums by this artist – bass and Bobby OrrFind albums by this artist – drums (Stan TraceyFind albums by this artist plays piano on three tracks), which plays elegantly and effortlessly. I had a real ball listening to this uplifting music. Easy Jazz? Perhaps, but who cares, when it sounds as good as this.

Updated: 12/04/2019Posted:

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JOHN CAMERON ~ OFF CENTRE
VOCALION 8409 (Barcode: 765387840921) ~ UK ~ Jazz
Recorded: 1969 Released: 2005

British composer / arranger / pianist John CameronFind albums by this artist is mostly known to the world for his pioneering work as a composer of film scores and arranger of countless albums, but in the late 1960s he was also an active Jazz player and his quartet played many gigs at the time and also managed to record this album, which remains to this very day as one of my all time favorites. Unfortunately this is almost the solitary session, which allows us to hear John’s exquisite piano work, and therefore it has also an immense historic importance. The quartet also included three absolutely marvelous players: saxophonists and flautist Harold McNairFind albums by this artist (one of the greatest talents of the British Jazz scene who passed away at a tragically young age), extraordinary bassist Danny ThompsonFind albums by this artist and drummer Tony CarrFind albums by this artist, who was a central figure on the British scene for many years. This album is special for many reasons, but I’ll mention just a few: first the absolutely brilliant compositions by John, with ingenious melodic lines and unusual time signatures – so typical of the British Jazz around that period; second the divine playing by Harold, whose flute work was second to none; third the level of musicianship displayed by all the players, which is absolutely stunning. Combined, all these factors contribute to making this album so special. Hearing it on CD for the first time, with the magnificent remastering by Michael DuttonFind albums by this artist, was a great experience and I’m delighted that this gem is available again to be enjoyed by the new generation of music lovers. Beyond essential!

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN
VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz
Recorded: 1970 Released: 2005

Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!

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MICHAEL GARRICK ~ BLACK MARIGOLDS
VOCALION 8411 (Barcode: 765387841126) ~ UK ~ Jazz
Recorded: 1966 Released: 2005

Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence.

This album presents Garrick in three different settings, emphasizing his immense versatility as a composer and player. As usual, he wrote all the music included here. The main body of the music is played by a magnificent septet, which comprised of the best Jazz players on the British scene at the time: Garrick – piano, Ian CarrFind albums by this artist – trumpet, Joe HarriottFind albums by this artist – sax, Don RendellFind albums by this artist – sax, Tony CoeFind albums by this artist – sax, Dave GreenFind albums by this artist – bass and Trevor TomkinsFind albums by this artist – drums. Garrick’s exquisite compositions and the exemplary performances by the players are just perfect.

Then come several pieces, which continue Garrick’s involvement with the Jazz & Poetry movement, which feature poet John SmithFind albums by this artist reciting his poetry accompanied by smaller ensembles (mainly trio, where Colin BarnesFind albums by this artist plays the drums). Smith wrote specific pieces of poetry to be performed with specific Jazz players, creating a unique experience in the process.

Last come a few pieces where Garrick turns to two atypical for Jazz instruments - harpsichord and celeste – using them in a trio format, emphasizing again his restless pioneering fever. Overall a beautiful album, full of surprises and wonderful moments and a superb document of the era and Garrick’s musical legacy.

Updated: 01/01/2016Posted:

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NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER
VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz

This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius.

The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording.

Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

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MICHAEL GARRICK ~ OCTOBER WOMAN
VOCALION 8413 (Barcode: 765387841324) ~ UK ~ Jazz
Recorded: 1964 Released: 2005

Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. Garrick first came to prominence on the London Jazz scene in the early 1960s, when he took part in the series of Jazz & Poetry concerts organized by poet Jeremy RobsonFind albums by this artist (for more details please read the Poetry And Jazz In ConcertFind albums with this title album description).

The quintet, which recorded this album, was established as a result of these concerts, when the Michael Garrick Trio (Garrick – piano, Coleridge GoodeFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) were joined by two exceptional players - saxophonist Joe HarriottFind albums by this artist and trumpeter Shake KeaneFind albums by this artist – the first black musicians on the London Jazz scene. Both Harriott and Keane were virtuoso players and their contributions were instrumental in shaping the exceptionally high level of musicianship, which characterized the entire generation of Jazz players at the time.

The music, all composed by Garrick, is also incredible – beautifully crafted and full of lyricism and intrinsic beauty. There are very few Jazz composers around who can write such clever and delightful tunes, often based on very simple basic ideas. This music just has a kind of natural flow, which makes everything fall into place in a most inherent way. This reissue adds to the original album an ultra-rare EP recorded by the quintet, called AnthemFind albums with this title, where the composer combines Jazz with sacred / liturgical music. Using an organ and choir to create the connection between the two musical entities, the musicians create an amazing amalgam of the two. Considering the time this recording was done, Garrick certainly proves he is prepared to challenge any convention head on and come out a champion. Overall an outstanding album of rare beauty, an absolute must to any Jazz lover on this planet.

Updated: 01/01/2016Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

JOHN MAYER ~ DHAMMAPADA
VOCALION 8414 (Barcode: 765387841423) ~ UK ~ Jazz-World Fusion
Recorded: 1976 Released: 2006

Violinist / bandleader / composer John MayerFind albums by this artist was born in India, where he started his musical studies. In the early 1950s he arrived in London to study at the Royal Academy of Music and later on was absorbed by the local scene, being one of the true pioneers in merging the Eastern and Western musical traditions, practically inventing the Jazz-World Fusion genre. In the late 1960s / early 1970s Mayer co-led an ensemble with saxophonist Joe HarriottFind albums by this artist, which recorded a series of revolutionary albums called Indo-Jazz FusionsFind albums with this title, which to this day are the absolutely best examples of the genre. Unfortunately with Harriott’s death in 1973 the ensemble disbanded. This album is an absolute sensation, as it presents a suite commissioned and recorded in 1976, but previously never released. A group of musicians, including some of the best Jazz players at the time (Henry LowtherFind albums by this artist – trumpet, Tony CoeFind albums by this artist – sax and clarinet and others) and players of Eastern instruments like tabla, sitar, koto, etc., directed by Mayer recorded this marvelous music, which goes beyond incorporating Jazz and Indian music, but also includes Korean and Japanese motifs. The music is absolutely breathtaking and the thought of it being hidden for almost 30 years is truly outrageous. Fortunately we can all enjoy it now, and as usual better late than never seems to be appropriate. I can’t recommend this album enough, as it is a true masterpiece and should touch the heart of every music lover on this planet. Essential!

CD 1 Remastered Essential Recommend To A Friend

MICHAEL GARRICK ~ COLD MOUNTAIN
VOCALION 8415 (Barcode: 765387841522) ~ UK ~ Jazz
Recorded: 1972 Released: 2006

CD 1 Remastered Essential Recommend To A Friend

MICHAEL GARRICK ~ POETRY AND JAZZ IN CONCERT
VOCALION 8416 (Barcode: 765387841621) ~ UK ~ Jazz & Poetry
Recorded: 1964 - 1966 Released: 2006

The love affair between the two Art Forms: Jazz music & Poetry, goes back to the late 1950s, when American writers / poets of the Beat Generation (Jack KerouacFind albums by this artist, Allen GinsbergFind albums by this artist and others) discovered the “intellectual proximity” between their writing and the process of creating Jazz music, as represented by the founding Fathers of Bee Bop (Charlie ParkerFind albums by this artist, Dizzy GillespieFind albums by this artist and others). However, although the poets were frequent patrons of the burgeoning NY Jazz club scene, actual poetry readings combined with Jazz performances were pretty rare and sporadic.

Only when the Jazz & Poetry concept crossed over the Atlantic to Britain (and later the rest of Europe) the movement reached a full swing and enjoyed immense popularity with the poets, musicians and the audiences. The intellectual crowds in London and the rest of Britain attended Jazz & Poetry concerts in huge numbers through the early and mid-1960s, but towards the end of the decade the enthusiasm diminished.

British poet Jeremy RobsonFind albums by this artist and pianist / composer Michael GarrickFind albums by this artist were largely responsible for the movement’s popularity. Garrick, a graduate in English Literature, had a great sensitivity to the literary works and managed to compose music, which suited the words perfectly. This album, released originally in 1964 as two separate LPs (Vol.1 & 2) documents a typical Jazz & Poetry concert. Recorded “live” in a studio, the applause and the audience’s reaction to the poetry faithfully reproduce the atmosphere of a performance hall.

The Jazz quintet (Garrick – piano, Joe HarriottFind albums by this artist – sax, Shake KeaneFind albums by this artist – trumpet, John TaylorFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) provides the music and four poets (Adrian MitchellFind albums by this artist, Dannie AbseFind albums by this artist, Jeremy Robson and Laurie LeeFind albums by this artist) read their poems, creating a wonderfully intellectual encounter, where the sum of the two Arts is actually better than their individual contribution. This new addition adds an ultra-rare EP of Jazz & Poetry recorded a couple of years later, featuring the Michael Garrick quintet (with Ian CarrFind albums by this artist – trumpet and Coleridge GoodeFind albums by this artist – bass replacing their respective counterparts in the earlier quintet) and Jeremy Robson, called Before Night/DayFind albums with this title. This is a timeless masterpiece and an everlasting food for sensitive souls – brilliant!

Updated: 01/01/2016Posted:

CD 2 Remastered Bonus Tracks Recommend To A Friend

JOHNNY ALMOND / MUSIC MACHINE ~ PATENT PENDING
VOCALION 8417 (Barcode: 765387841720) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2005

Multi-instrumentalist / composer Johnny AlmondFind albums by this artist was one of the most versatile and in-demand players on the British scene in the late 1960s. A member of the Alan Price SetFind albums by this artist, he also led a septet of young up-and-coming musicians called Johnny Almond Music MachineFind albums by this artist, which recorded two albums of which this is the first. Soon after recording this album Almond joined the new version of John MayallFind albums by this artist’s BluesbreakersFind albums by this artist, which recorded the revolutionary The Turning PointFind albums with this title album. In that group he met guitarist Jon MarkFind albums by this artist, with whom he formed one of the best British Jazz-Rock groups – Mark-AlmondFind albums by this artist. Bass player Roger SuttonFind albums by this artist (ex-Brian AugerFind albums by this artist’s TrinityFind albums by this artist), who plays on this album, was also a founding member of Mark-Almond and would later be e member of Riff RaffFind albums by this artist and NucleusFind albums by this artist. Another player, the drummer Alan WhiteFind albums by this artist, would later join the legendary YesFind albums by this artist. This album is a splendid example of early Jazz-Rock, with strong Rhythm And Blues influences. Almond plays tenor, alto and baritone saxophones, flute, alto flute, organ, vibes, mellotron and bass clarinet – surely deserving the “music machine” nickname. His virtuosity (my favorite being his flute playing) is obvious. He also composed all but one of the eight tunes included here. Overall this is an excellent album and a great trip down the memory lane. Wholeheartedly recommended!

Updated: 08/05/2023Posted:

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JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69
VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2006

Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.

CD 1 Remastered Essential Recommend To A Friend

TERRY CAVENDISH / ORCHESTRA ~ ALL IN AN AFTERNOON`S WORK
VOCALION 8419 (Barcode: 765387841928) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 - 1974 Released: 2006

The funny part of the story behind this album is the fact that there never was a Terry CavendishFind albums by this artist. The name is a completely fictitious. So where does it come from? Well, Cavendish was a name of a British “music library” – a company specializing in recording music, which was later licensed to radio, TV and film produces to serve as background / incidental music. The actual “brain” behind the music on this album is trumpeter / composer / arranger Ray DaviesFind albums by this artist. Davies was strongly influenced by Jazz and Funk at the time and the album is a beautiful example of Big Band / Orchestral music, spiced with a funky rhythm section, creating a superb blend of skillfully arranged and beautifully performed instrumental music, which is quite unique even today. Davies used the top session musicians in his band, really the cream of the crop, and a fantastic rhythm section, which drives this at all times and makes it go where normal Big Band music rarely goes. This is the true 1970s sound, which completely disappeared from the face of the earth later on. The bonus material is taken from other Cavendish recordings and was also composed / arranged by Ray Davies. People who love the powerful sound of a Big Band / Orchestra and Funk will have a field day with this.

CD 1 Remastered Bonus Tracks Recommend To A Friend

AMANCIO D`SILVA ~ KONKAN DANCE
VOCALION 8420 (Barcode: 765387842024) ~ UK ~ Jazz-World Fusion
Recorded: 1974 Released: 2006

Guitarist / composer Amancio D`SilvaFind albums by this artist was born in Goa, India and arrived in London in 1967, where he was immediately absorbed by the burgeoning local Jazz scene. Similarly to many other musicians, who arrived in the ex-Empire’s Capital from the colonial countries (but mostly from India), D`Silva was already “armed” with a vast musical tradition of his native county. The liberal cultural atmosphere of the London scene and the openness to other cultural influences where a major factor in creating a cultural amalgam between the Western Jazz tradition and the Eastern musical treasures. Several players practiced the new Jazz-World Fusion direction, like the John MayerFind albums by this artist / Joe HarriottFind albums by this artist ensemble with the revolutionary Indo-Jazz FusionsFind albums with this title recordings. Although D`Silva participated in a wide variety of sessions, his unique guitar voice always included a subtle Eastern undertone. However, on his solo recording projects, where his own compositions were mainly featured, this influence was much more apparent. He recorded five brilliant solo albums, of which this was the last. For some strange reason the last album was never released at the time and this is the first time this great music can be heard, which of course is a reason to celebrate, as anything recorded by this brilliant musician is an important heritage and a document of the era. The musicians participating in this recording come from the ranks of legendary British Jazz scene: Don RendellFind albums by this artist – saxophone, Stan TraceyFind albums by this artist – piano and Alan BranscombeFind albums by this artist – flute, vibes and electric piano. A sitar and two tabla players add the Indian flavor to the music, which flows beautifully like a river of sound in an enchanted garden. Absolute must!

CD 1 Remastered Recommend To A Friend

MAYNARD FERGUSON ~ M. F. HORN 2 / THE BALLAD STYLE OF MAYNARD FERGUSON
VOCALION 8421 (Barcode: 765387842123) ~ CANADA ~ Jazz
Recorded: 1969 - 1972 Released: 2006

Canadian Jazz trumpeter / bandleader Maynard FergusonFind albums by this artist arrived in UK in late 1968, where Jazz was accepted as a legitimate Art Form and highly appreciated. European audiences were more receptive to new sounds and musical experimentation, be it Free Jazz or Jazz-Rock Fusion, and therefore an ideal refuge for many frustrated American musicians. Ferguson resided in UK between 1968 and 1973, where he was warmly received and his talent promptly recognized. He recorded five albums in UK for the CBSFind albums on this label label, which are considered the pinnacle of his recorded legacy.

This album combines two of these albums, the last and the first of his UK recordings. In spite of the differences between the two albums they both showcase Ferguson’s amazing abilities as an instrumentalist. His famous high-pitched cadenzas and screaming, soaring finales are of course legendary.

"M. F. Horn 2Find albums with this title" is an excellent Jazz-Rock Fusion album, similar to the work of American bands like Blood, Sweat & TearsFind albums by this artist and ChaseFind albums by this artist or British bands like IfFind albums by this artist, but rather than leading a combo, Ferguson is riding the powerful locomotive of a full-fledged big band / brass orchestra, which of course makes a huge difference to the overall sound. Conducted by Keith MansfieldFind albums by this artist, a brilliant arranger and producer, the band comprised of the absolute best British Jazz horn players at the time and sounds like a million dollars. The clever and sophisticated arrangements suit Ferguson’s abilities perfectly and the album is an absolute blast from start to finish.

"The Ballad Style Of Maynard FergusonFind albums with this title" is a complete contrast, showcasing the trumpeter’s solos against a lushly playing orchestra, directed again by Keith Mansfield, who also arranged the music. Some Jazz fans might shrug at this music, considering it almost a Pop effort, but honestly anybody who can appreciate great trumpet performance and a superb orchestra supporting the soloist will find this certainly worth their while. Great stuff!

Updated: 17/04/2020Posted:

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SALENA JONES ~ THE MOMENT OF TRUTH / EVERYBODY`S TALKIN` ABOUT SALENA JONES
VOCALION 8422 (Barcode: 765387842222) ~ USA ~ Jazz
Recorded: 1969 - 1970 Released: 2006

Two great vocal albums by US singer Salena JonesFind albums by this artist, born at the same small town as Ella FitzgeraldFind albums by this artist, who came to prominence after she arrived in the UK and captured the British audiences with her warm, sensuous voice and great ability to interpret Jazz material. In Britain Jones recorded her first two albums, released on the CBSFind albums on this label label, both of which are presented here. Both albums were orchestrated and arranged by arranger / conductor Keith MansfieldFind albums by this artist, who was a superb master of his trade and whose orchestra included the best British studio and Jazz players at the time. The music covers a selection of popular vocal Jazz standards and other contemporary material, all beautifully performed with great feeling and masterly approach. The orchestral arrangements are absolutely stunning and full of superb short instrumental solos. The albums lost nothing of their charm over the years. Recommended to vocal Jazz enthusiasts.

CD 1 Remastered Recommend To A Friend

NICK INGMAN ~ TERMINATOR
VOCALION 8423 (Barcode: 765387842321) ~ UK ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2006

Keyboardist / composer / arranger Nick IngmanFind albums by this artist was one of the most important arrangers on the UK music market in the 1970s. As part of the Production Company run by ex-EMIFind albums on this label stuff producers George MartinFind albums by this artist and Norrie ParamorFind albums by this artist, he arranged albums for some of Britain’s most famous Pop and Rock stars. In parallel he released albums with his own compositions, which had a strong Jazz influence. Ingman studied with bassist / composer Graham CollierFind albums by this artist, who deeply influenced his approach to music, as well as at the Berklee School of Music in Boston. This is the last of the seven solo albums Ingman recorded and is the most Jazz influenced of them all. It’s a masterpiece of arrangement, which employs a large Big Band / Orchestra and a group of first rate session musicians and Jazz soloist. Ingman composed six of the eleven tracks on this album. Beautifully recorded and performed, this is a prime example of instrumental music, which is extremely difficult to categorize. The closest I can come up with is orchestral Jazz-Rock Fusion. Great stuff!

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CRITICS GROUP ~ SWEET THAMES FLOW SOFTLY
VOCALION 8424 (Barcode: 765387842420) ~ UK ~ World Music & Folklore
Recorded: 1967 Released: 2006

The folk music revival, which swept the US and Britain in the early 1960s, resulted in the new generation of musicians rediscovering the riches of musical tradition created over centuries passed. As opposed to Classical music, folklore was created outside of the musical "establishment" over the centuries, mostly by troubadours and non-professional authors, which of course doesn´t make that this music is in any way inferior to the Classical heritage, it is simply different. Before Folk turned into Folk-Rock by the mid-1960s, hordes of musicians sang traditional material and created new songs in the spirit of the Folk tradition. This album documents the work of the British ensemble The Critics GroupFind albums by this artist, which was quite well known at the time. This album, which collects folk songs from the streets of London, from Elizabethan times to present, is a beautiful example of how the folk tradition can be preserved and cherished. The group members are all excellent singers with splendid voices. The songs are mostly performed a cappella, as they were sung originally, but some have instrumental accompaniment. Overall this is a charming album, aimed at listeners who like traditional folklore.

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BARBARA DICKSON ~ DO RIGHT WOMAN / FROM THE BEGGAR`S MANTLE…
VOCALION 8425 (Barcode: 765387842529) ~ UK ~ Folk-Rock
Recorded: 1970 - 1971 Released: 2006

Superb British singer / songwriter Barbara DicksonFind albums by this artist has been part of the local Folk and Folk-Rock scene since the late 1960s, gaining respect and admiration from her colleagues and audiences alike. These two albums, recorded in the early 1970s present get vocal abilities and great sensitivity as a singer. Accompanied by a splendid team of Folk musicians, which include her long time partner in trade multi-instrumentalist Archie FisherFind albums by this artist, she soars through a selection of traditional and contemporary Folk material with grace and exceptional feel, equaled only by the best Folk performers. Fans of British Folk and early Folk-Rock will find these little known albums a delightful listening experience. Warmly recommended!

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MICHAEL GARRICK ~ HOME STRETCH BLUES
VOCALION 8426 (Barcode: 765387842628) ~ UK ~ Jazz
Recorded: 1972 Released: 2006

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NEW JAZZ ORCHESTRA ~ WESTERN REUNION LONDON 1965
VOCALION 8427 (Barcode: 765387842727) ~ UK ~ Jazz
Recorded: 1965 Released: 2006

The New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) was a big band directed by bandleader / arranger / composer Neil ArdleyFind albums by this artist and consisted of the best up-coming Jazz players on the British scene at the time: Ian CarrFind albums by this artist – trumpet, Paul RutherfordFind albums by this artist – trombone, Trevor WattsFind albums by this artist – sax, Barbara ThompsonFind albums by this artist – sax, Tony ReevesFind albums by this artist – bass, Jon HisemanFind albums by this artist – drums and many more.

Ardley ran the orchestra with an “iron fist” and in time turned it into a perfectly well oiled ensemble, which was able to perform even the trickiest arrangements with a breeze. His outstanding arrangements of classic Jazz pieces are all masterpieces of rare beauty and sophistication and he manages to get out of the band so much more that an average US big band playing similar material. Of course the soloist, who are all quite outstanding, add another dimension to the overall sound, which is truly heavenly.

This is the first album by NJO and includes mostly standards by American (Miles DavisFind albums by this artist, John LewisFind albums by this artist) and British composers, but one of Ardley’s compositions is also included. Ardley, who was an admirer of Gil EvansFind albums by this artist, developed a distinctive orchestral (rather than traditional big band) sound with NJO, using the various sections of the band to complement each other’s sound and tonality.

The overall effect is absolutely stunning and this is one of my all time favorite big band albums. This is essential listening to all big band fans and recommended to all Jazz listeners out there. A true gem!

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JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE?
VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2006

2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.

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MAYNARD FERGUSON ~ M. F. HORN 3 / M. F. HORN 4 & 5 - LIVE AT JIMMY`S
VOCALION 8429 (Barcode: 765387842925) ~ CANADA ~ Jazz
Recorded: 1973 Released: 2006

Following an almost five years long exile in the UK, trumpeter / bandleader Maynard FergusonFind albums by this artist returned to the US in 1973. His new producer for ColumbiaFind albums on this label was no other than Teo MaceroFind albums by this artist, famous for his long association with Miles DavisFind albums by this artist.

The album "M. F. Horn 3Find albums with this title" was still recorded mostly in UK and featured the same incredible big band that played with Ferguson on "M. f. HornFind albums with this title" and "M. F. Horn 2Find albums with this title" and only the finishing touches were done in NY. Stylistically the album is also quite similar to its predecessor, presenting powerful version of Jazz-Rock Fusion with brass, brilliantly arranged and splendidly executed.

The next album, a double recorded live in NY, was to be his ultimate recording. Fronting a great big band, which included several European players who played on his previous albums, as well as new American players, Ferguson plays brilliantly, pushing the band to unbelievable heights. The material selected for the recording is more mainstream Jazz than the distinctive Jazz-Rock Fusion predecessors, but the high energy and dominant rhythm section create a special blend, which is quite different from traditional American big band music.

This was Ferguson’s finest hour and his future attempts to capture wider audiences by performing covers of popular hits were sadly less memorable. This stuff is it – sheer genius at work and a must for any big band enthusiast.

Updated: 17/04/2020Posted:

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HARRY BECKETT ~ WARM SMILES / THEMES FOR FEGA
VOCALION 8430 (Barcode: 765387843021) ~ UK ~ Jazz
Recorded: 1971 - 1972 Released: 2006

Trumpeter / composer Harry BeckettFind albums by this artist has been a prominent figure on the British Jazz scene for five decades. Born in Barbados, he arrived on London in the early 1950s and soon became an integral part of the burgeoning community. Beckett was one of several musicians who arrived in London from the West Indies and left a most significant mark on the local scene, like saxophonist Joe HarriottFind albums by this artist, flautist Harold McNairFind albums by this artist and trumpeter Shake KeaneFind albums by this artist. Over the years Beckett was a member of many front-line groups, participated in countless recording sessions and appeared and numerous albums, many of which are considered absolute classics today. This album presents his second and third albums as a leader, recorded a year apart and with almost identical personnel. On Warm SmilesFind albums with this title he leads a sextet with Mike OsborneFind albums by this artist – sax, Frank RicottiFind albums by this artist – vibes and percussion, John TaylorFind albums by this artist – piano, Chris LaurenceFind albums by this artist – bass and John WebbFind albums by this artist – drums. On Themes For FegaFind albums with this title the group is expanded to a septet with the addition of Alan SkidmoreFind albums by this artist – sax. Beckett composed all the music on both albums and they are a prime example of the glorious British Jazz of the period. Beckett’s virtuosity and incredibly warm and clear sound is beautifully complimented by his colleague’s contributions. Definitely a most worthwhile addition to any Jazz collection and a must for lovers of British Jazz form the 1970s.

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MIRAGE ~ NOW YOU SEE IT…
VOCALION 8431 (Barcode: 765387843120) ~ UK ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2007

The short-lived Jazz-Rock Fusion group MirageFind albums by this artist is an excellent example of the incredible high level of music created in Britain in the 1970s. Co-led by two great instrumentalist and composers: saxophonist George KhanFind albums by this artist and guitarist Brian GoddingFind albums by this artist, they managed to record just one album, which was originally released on the obscure, but visionary Norwegian CompendiumFind albums on this label label (along with some other superb albums), which unfortunately folded shortly after this album was released. The group also included bassist Steve CookFind albums by this artist and drummer Dave SheenFind albums by this artist on permanent basis, but was often expanded to a sextet with the addition of Geoff CastleFind albums by this artist on keyboards and John MitchellFind albums by this artist on percussion. The group played music composed by Khan and Godding, which was a typical British Fusion, somewhat similar to what the many Canterbury groups (Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist) were doing at the time, with strong melodic lines and lengthy improvisations. Godding was of course one of the best British guitarists, sadly much under-appreciated and respected mostly among his peers. This most welcome reissue expands the original album by adding two long jam-like tracks recorded live, which give an excellent glimpse as to how the group (in its sextet form) sounded on stage. Brilliant stuff, from start to finish and a must to all Fusion-heads.

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BONNIE DOBSON ~ BONNIE DOBSON
VOCALION 8432 (Barcode: 765387843229) ~ CANADA ~ Folk-Rock
Recorded: 1972 Released: 2006

Canadian singer / songwriter Bonnie DobsonFind albums by this artist was part of the Folk revival that swept Northern America and Europe in the late 1950s and early 1960s, before the music got electric and became Folk-Rock. She preformed and recorded several albums in the US during the 1960s and by the end of that decade she moved to UK, where this album was recorded and released on the prestigious ArgoFind albums on this label label. It is probably her best recording ever, presenting her in the full glory of her talent. Her crystal clear voice and perfect pitch knew very few parallels and were often compared to the voice of Joan BaezFind albums by this artist. Bonnie sung in English and French with perfect ease and her choice of material was always exceptional. Unfortunately this was one of her last recordings, as she opted to leave the music business altogether in view of the Folk music being changed and commercialized. This album was unavailable for decades and became one of Folk´s most sought collector´s items. Here it is available again in its full glory – a classic of the genre.

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MICHAEL GARRICK ~ MR SMITH`S APOCALYPSE
VOCALION 8433 (Barcode: 765387843328) ~ UK ~ Jazz-Classical Fusion
Recorded: 1970 Released: 2007

Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick realizing a most ambitious work, which combines the elements he was always interested in: Jazz, poetry and liturgical music. It is an expansion of the idea of his earlier album PraisesFind albums with this title and presents a full cantata for Jazz sextet (Garrick – organ, Henry LowtherFind albums by this artist – trumpet, Don RendellFind albums by this artist – flute, clarinet and sax, Art ThemenFind albums by this artist – flute, clarinet and sax, Coleridge GoodeFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums), four soloists (including Norma WinstoneFind albums by this artist and the poet John SmithFind albums by this artist, who wrote the poems which serve as the libretto) and a large children’s choir. The entire ensemble was called Garrick`s FairgroundFind albums by this artist for the sake of the album. The music is majestic, as expected for the occasion, but not without humorous moments, typical of Garrick’s intelligent twists and turns. It might sound a bit odd to a typical Jazz listener, but anybody loving good music should enjoy this tremendously. This reissue adds to the original album the ultra-rare single, which was released at the time to promote the album. Overall a rare and pioneering work, ages ahead of its time and one reflecting the scope of Garrick’s talent and musical contribution. A must!

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BOB DOWNES / OPEN MUSIC ~ DIVERSIONS
VOCALION 8434 (Barcode: 765387843427) ~ UK ~ Jazz
Recorded: 1970 Released: 2007

Flautist / saxophonist / composer Bob DownesFind albums by this artist was one of the pioneers of the British free-form Jazz. Apart from leading his own groups, most notably the Open MusicFind albums by this artist trio presented here, he also played with Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Ray RussellFind albums by this artist’s Rock WorkshopFind albums by this artist and many others. He was also one of the first musicians to start their own record label, which was called OpenianFind albums on this label, on which this album was originally released. The Open Music trio included, apart from Downes, one of the following bass players: Barry GuyFind albums by this artist, Jeff ClyneFind albums by this artist, Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist (the first two are present on this recording) and drummer Denis SmithFind albums by this artist. Downes composed all the music and played mostly various flutes, although he was equally fluent playing the alto saxophone. The music is excellent and truly visionary for the time of the recording. The level of interplay between the trio members is exceptional and the virtuosity of the players is exemplary and the album lost none of its vigor and charm over the years. A great example of early British Free Jazz at its best, suitable for most Jazz listeners, as although highly improvisational, the natural flow of the music makes it easily acceptable to most people. The music on this album was used several times as a part of dance show, with the trio performing live and accompanying the dancers. Free Jazz listeners should definitely try this gem.

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RAY RUSSELL ~ TURN CIRCLE
VOCALION 8436 (Barcode: 765387843625) ~ UK ~ Jazz
Recorded: 1968 Released: 2007

Guitarist / composer Ray RussellFind albums by this artist has been active on the British Jazz and Fusion scene for the last five decades and has always been considered as a first class musician. Most of his recorded output belongs to the Fusion movement and he can be certainly considered as one of the genre’s pioneers. In the early and mid-1960s Russell was a member of the Graham Bond OrganizationFind albums by this artist and Georgie FameFind albums by this artist’s backing band Blue FlamesFind albums by this artist, two outfits that were among the first to combine Rhythm And Blues with Jazz. By the end of the 1960s Russell started to lead his own groups and record with them, although in parallel he participated in numerous recordings in his capacity as a studio musician. He was also a founding member of the excellent Rock WorkshopFind albums by this artist ensemble and later of RMSFind albums by this artist. This album presents Russell’s debut album as a leader and is quite different from most of his recorded output, as it is closer to straightforward Jazz then anything else he recorded. Accompanied by three excellent young musicians: Roy FryFind albums by this artist – piano, Ron MathewsonFind albums by this artist – bass and Alan RushtonFind albums by this artist – drums, the quartet plays some fabulous music, composed mostly by Russell (two standards are also included). Russell’s guitar tone, completely devoid of any electronic devices so popular at the time, sounds more like classic guitar work by Grant GreenFind albums by this artist or Barney KesselFind albums by this artist, but with a harder edge and more attack. Overall this is a great document of the era and of Russell’s musical legacy, which stands the test of time beautifully. Great fun and recommended listening!

Updated: 08/05/2023Posted:

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ELAINE DELMAR ~ SNEAKIN` UP ON YOU
VOCALION 8437 (Barcode: 765387843724) ~ UK ~ Jazz
Recorded: 1968 Released: 2007

British singer / actor Elaine DelmarFind albums by this artist is a prominent figure on the local entertainment scene, with several decades of activity on stage, cinema and recording studio. Delmar started her career as a Jazz singer in the mid 1960s, recording several albums for Denis PrestonFind albums by this artist, and then signed with the CBSFind albums on this label label, on which she released just the one album, now reissued on VocalionFind albums on this label. As opposed to her early strictly Jazz recordings, on this album Delmar presents repertoire drawn from the cinema and stage as well as contemporary songbook. Of course her Jazz inclinations are still very much audible, as are her natural charm and talent. The music is superbly arranged and the orchestral accompaniment perfectly executed, with that marvelous 1960s sound. In many respects this album is a perfect example of vocal albums made in Britain in the late 1960s / early 1970s, where arrangers and orchestra conductors were an integral part of the final result and the overall result full of brilliant details, both vocal and instrumental. They don´t make music like that any more, that´s for sure. This is a most pleasant trip don the memory lane, which lost nothing of its charm over time.

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MICHAEL GARRICK ~ PROMISES
VOCALION 8440 (Barcode: 765387844028) ~ UK ~ Jazz
Recorded: 1965 Released: 2008

Following the release of “October WomanFind albums with this title”, British pianist / composer Michael GarrickFind albums by this artist and his quintet were asked to record a new album soon after. Unfortunately the original quintet member, trumpeter Shake KeaneFind albums by this artist, left UK to join the Kurt EdelhagenFind albums by this artist’s radio Big Band in Germany – one of the best Jazz Orchestras on the continent – where he was to stay for the next four years. Garrick swiftly recruited a replacement, turning to his “half boss” (in the Don RendellFind albums by this artist / Ian CarrFind albums by this artist quintet) trumpeter Ian Carr to step into Keane’s shoes with a few days notice just before the recording. Since his writing was becoming more complex and elaborate, Garrick also expanded his quintet into a sextet with the addition of saxophonist / clarinetist Tony CoeFind albums by this artist. Legendary saxophonist Joe HarriottFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Colin BarnesFind albums by this artist, the original quintet members, completed the lineup. The album includes all original music, composed by Garrick, with the exception of one arrangement of a George GershwinFind albums by this artist tune. Of the 10 tracks present, 7 are played by the sextet and 3 by a piano trio, where bassist Dave GreenFind albums by this artist replaces Goode. The music is absolutely marvelous, with Garrick’s writing reaching maturity and self-confidence. The performances are stellar, with Harriott playing perhaps more beautifully than on any other album. The entire album is complete uninterrupted musical bliss from start to finish and a remarkable example of early European Jazz of the highest quality. Even the most dedicated Garrick followers will have to admit that this is definitely one of his best achievements, a magic moment captured for posterity for us to enjoy and revere. Essential stuff!

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JOHNNY ALMOND / MUSIC MACHINE ~ HOLLYWOOD BLUES
VOCALION 8441 (Barcode: 765387844127) ~ UK ~ Jazz
Recorded: 1969 Released: 2008

2nd (and last) album by British multi-instrumentalist / composer Johnny AlmondFind albums by this artist recorded under the Johnny Almond Music MachineFind albums by this artist moniker. Although recorded only a few months following the debut “Patent PendingFind albums with this title”, it is a completely different affair, as the album was recorded in the US and all the musicians except Almond come from the US West Coast. The opportunity to record this album arrived, when Almond visited the US to perform at the 1969 edition of the Newport Jazz Festival with John MayallFind albums by this artist’s BluesbreakersFind albums by this artist. Legendary producer Mike VernonFind albums by this artist came up with the idea to record an album with Almond and some local musicians. For the recording session a rhythm section was assembled, which included organist Charles KynardFind albums by this artist, legendary guitarist Joe PassFind albums by this artist, bassist Ray NeapolitanFind albums by this artist and drummers Earl PalmerFind albums by this artist / Joe HarrisFind albums by this artist. On the front line Almond was paired with one of three saxophone players: Hadley CalimanFind albums by this artist, Curtis AmyFind albums by this artist and Vi ReddFind albums by this artist. He plays several instruments (as usual) – tenor and alto saxophone, flutes, organ and vibraphone. Almond wrote most of the music on the album, with just a couple of standards used. The result is a delightful, funky, soulful session with excellent music and some remarkable solos. Almond’s playing bears a distinctive European approach, which when consolidated with the American natural bluesy sound fits just perfectly. The album is much more jazzy that the debut and perhaps less adventurous, but nevertheless and excellent document of the fine music that was happening at the time and cross-pollination of musical ideas. Most warmly recommended!

Visitors' Comments

Christopher Brice
I think this deserves an "essential" label - certainly an essential part of the soundtrack to my musical and general development; first a pirated reel-to-reel copy back in the early 70s; then eventually a second hand LP when I found one; and now the CD for easy access and road-trip enhancement.

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MICHAEL GARRICK ~ TROPPO
VOCALION 8444 (Barcode: 765387844424) ~ UK ~ Jazz
Recorded: 1973 Released: 2009

Pianist / composer Michael GarrickFind albums by this artist has been a pivotal figure in the British Jazz for over five decades and his recorded legacy over the years is an enormous source of inspiration and an example of intelligence, finesse and dedication. By the mid-1970s the British Jazz revolution was all but complete and the scene´s decade of glory was also nearing its end, with record sales declining. Therefore this album was to be the last recording Garrick made for the ArgoFind albums on this label label, a subsidiary of DeccaFind albums on this label. His ambition to push the music beyond the well established boundaries, with the music becoming more complex in the process, was a key factor in the company´s decision to cease the fruitful cooperation, which lasted for a decade and produced some of Britain´s best and most important Jazz masterpieces. Following the initial release of this album Garrick would almost completely stop releasing albums for over two decades, until he finally established his own independent Jazz AcademyFind albums on this label label and his output appeared there regularly since, to the delight of his many fans, myself included. The group playing on this recording consists mostly of Garrick´s long time cohorts and the British Jazz scene´s lions: Henry LowtherFind albums by this artist on trumpet and violin, Art ThemenFind albums by this artist on flute and sax, Don RendellFind albums by this artist on flute and sax, bassists Dave GreenFind albums by this artist and Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The divine vocalist Norma WinstoneFind albums by this artist was also an integral part of his band and her performances here are truly sensational. The album was recorded just a few weeks after the death of Joe HarriottFind albums by this artist, Garrick´s dear friend and music-making partner and the album includes a tribute to his genius. This has always been one of my favorite albums and surely one of British Jazz everlasting masterpieces, which remains an essential listening to this very day. Absolute must!

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MAGICIAN ~ MAGICIAN
VOCALION 8447 (Barcode: 765387844721) ~ UK ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2009

1st and only album by the British Jazz-Rock ensemble MagicianFind albums by this artist, a short lived group of top British Jazz musicians assembled to record this album written and arranged by Stan ButcherFind albums by this artist, himself a veteran composer / arranger on the British scene for several decades before this recording was made. Led by the fabulous saxophonist / flautist Barbara ThompsonFind albums by this artist, the group also included keyboardist Fiachra TrenchFind albums by this artist, guitarist Ray RussellFind albums by this artist, bassist Mo FosterFind albums by this artist and drummer Barry MorganFind albums by this artist as well as a brass section. The music is mostly laid back, beautifully crafted and arranged and typically British, which of course is to be expected. Thompson plays several superb saxophone and flute solos, and so do the other musicians, and the entire album although quite obscure, is definitely worth discovering. Lovers of European and particularly British Jazz will be delighted to see this gem available again!

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TURNING POINT ~ CREATURES OF THE NIGHT / SILENT PROMISE
VOCALION 8448 (Barcode: 765387844820) ~ UK ~ Jazz-Rock Fusion
Recorded: 1977 - 1978 Released: 2009

1st and 2nd albums by the great British Jazz-Rock Fusin ensemble Turning PointFind albums by this artist, one of the most interesting and unique phenomena of the late 1970s, formed by great bassist Jeff ClyneFind albums by this artist and vocalist Pepi LemerFind albums by this artist with saxophonist Dave TidballFind albums by this artist, pianist Brian MillerFind albums by this artist and drummer Paul RobinsonFind albums by this artist. The two albums represent the entire recorded output of the group, which disbanded following the recording of the second album as the musical scene at the time could no longer sustain ambitious music. The group´s music is a wonderful, typical British version of Jazz-Rock Fusion, which is based on clever compositions and virtuosic performances. The band had all that and more, as Lemer´s vocalese was quite unusual and the integration of the human voice as another instrument was rarely used, with the exception of Polish musicians Michal UrbaniakFind albums by this artist and Urszula DudziakFind albums by this artist in their bands. Therefore I´ve always kept a worm spot for this band in my heart and the fact that this music was unavailable for so many years was a crying shame, now corrected by the wonderful Vocalion label. This is a must for any true lover of the British Jazz and Jazz-Rock Fusion followers, but Canterbury fans will also find this music fascinating. Most warmly recommended!

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ANNIE ROSS ~ ME AND MY BABY – AN EVENING WITH ANNIE ROSS
VOCALION 8451 (Barcode: 765387845124) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2009

British singer Annie RossFind albums by this artist has spent many years in the USA, where she came to fame as one of the most important and innovative Jazz vocalists and is mostly known for her part in the vocal trio Lambert, Hendricks & RossFind albums by this artist, which revolutionized the group vocal approach in Jazz. Upon her return to the UK, Ross continued to record, perform and even acted in the movies. This album is a document of her one-women show at the Hampstead Theatre, where she performed a vide range of Jazz, Bossa Nova and even Progressive Rock (yes! She sings a King CrimsonFind albums by this artist song as well) material, accompanied by a wonderful band, which included keyboardist Dave MacRaeFind albums by this artist (another Prog connection, as we was at the time a member of Matching MoleFind albums by this artist), guitarist Gordon EdwardsFind albums by this artist, bassist Rick LairdFind albums by this artist (Mahavishnu OrchestraFind albums by this artist) and drummer Dave MontgomeryFind albums by this artist. This was 1971 and anything was possible! Of course this recording is very different from what most Annie Ross fans would expect to hear from her, and therefore quite special in every way. I have no idea how many people are even aware of this rare album, but surely many will be interested to check it out!

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OLYMPIC RUNNERS ~ PUT THE MUSIC WHERE YOUR MOUTH IS / OUT IN FRONT
VOCALION 8460 (Barcode: 765387846022) ~ UK ~ Jazz-Rock Fusion
Recorded: 1973 - 1975 Released: 2010

British Funk-Jazz outfit Olympic RunnersFind albums by this artist were active on the local scene during the 1970s, releasing a series of albums which gained relatively little attention in spite of their classy content. The group was initially an instrumental quartet and included keyboardist Pete WingfieldFind albums by this artist, American guitarist Joe JammerFind albums by this artist, bassist Delisle HarperFind albums by this artist and drummer Glen LeFleurFind albums by this artist. Under the wings of veteran producer Mike VernonFind albums by this artist (who plays occasional percussion on the second album) they managed to gain some attention in the US later on. This album includes the first two releases recorded by the group, which includes some great funky grooves somewhat similar to Herbie Hancock´s Headhunters. Since Funk is Funk, the material remains relevant today and still induces some involuntary backside movement. Watch out!

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MARTIN DREW / TONY LEE ~ MARTIN DREW BAND / STREETS OF DREAMS
VOCALION 8462 (Barcode: 765387846220) ~ UK ~ Jazz
Recorded: 1977 - 1979 Released: 2009

By the late 1970s the fantastic British Jazz scene, which thrived during the previous two decades producing some of the most revolutionary music ever and breaking many barriers of conceptual approach to Jazz, was unfortunately suffering badly. Many different factors contributed to this phenomenon: musical, social, economic and so on, but the situation "on the ground" was getting pretty desperate, with major record labels almost completely banning Jazz material from their repertoire of new releases, contrary to their traditional support of Jazz music. This new development opened a new opportunity for small independent British labels to step in and provide a platform, which would enable British Jazz musicians to record and release their music. One of such labels was the tiny, but excellent Lee LambertFind albums on this label label and this album is a long overdue reissue of two of the albums original released by that label in the late 1970s. Drummer Martin DrewFind albums by this artist presents an album recorded by his quintet / sextet with superb musicians: saxophonist Brian SmithFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and percussionist Chris FletcherFind albums by this artist. Pianist Tony LeeFind albums by this artist presents an album recorded by his quartet with bassist Tony ArcherFind albums by this artist, drummer Martin Drew and congas player Tony UterFind albums by this artist. Both albums are full of excellent musicianship and great ideas. The music includes mostly Jazz standards but there´s nothing standard about the way they are performed here. Both albums are excellent examples of how mainstream Jazz can be of high quality and completely devoid of boredom. Highly recommended!

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JOHN DANKWORTH ~ MOVIES `N` ME
VOCALION 8469 (Barcode: 765387846923) ~ UK ~ Jazz
Recorded: 1974 Released: 2010

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JOHN CAMERON ~ COVER LOVER / WARM & GENTLE
VOCALION 8478 (Barcode: 765387847821) ~ UK ~ Jazz
Recorded: 1966 - 1968 Released: 2011

British pianist / composer John CameronFind albums by this artist was one of the great mavericks on the local Jazz scene in the 1960s, when he was still performing himself. Later on Cameron concentrated on his work as a composer, arranger, bandleader contributing numerous film soundtracks, musicals, etc. This reissue brings to life two rare 1960s albums. The first features Cameron as pianist and vocalist, performing a set of songs he wrote, which are full of witty English humor. He is accompanied by four excellent musicians: saxophonists Ronnie RossFind albums by this artist and Art EllefsonFind albums by this artist, bassist Spike HeatleyFind albums by this artist and drummer Tony CarrFind albums by this artist. The second features an orchestra led by Cameron performing a set of Pop / Rock songs arranged by him, which is a typical easy-listening recording, but of high quality due to the superb Jazzy arrangements. This album is primarily of interest to followers of John Cameron´s music (myself included), but British Jazz enthusiasts might find it interesting as well.

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DICK MORRISSEY ~ HERE AND NOW AND SOUNDING GOOD / STORM WARNING!
VOCALION 8479 (Barcode: 765387847920) ~ UK ~ Jazz
Recorded: 1965 - 1966 Released: 2011

This exquisite reissue brings to life two extremely rare mid-1960s quartet recordings by the great British saxophonist Dick MorrisseyFind albums by this artist, one of the great representatives of the British Jazz scene at its peak in the 1960s / 1970s. Earning respect and admiration as a Hard Bop player (as documented on these two albums) Morrissey later formed the fantastic early Jazz-Rock ensemble IfFind albums by this artist and after it disbanded he formed the Morrissey-Mullen BandFind albums by this artist (with guitarist Jim MullenFind albums by this artist), which lasted for almost two decades as one of the best and most stable British bands. Sadly Morrissey died in 2000, losing his battle with cancer. A brilliant player with enormous sensitivity and beautiful tone, Morrissey remains a symbol of the times, when music sounded better and girls looked prettier (to old farts like myself of course). This album is sweet and mellow, with superb performance by pianist Harry SouthFind albums by this artist, who also contributed several original compositions, bassist Phil BatesFind albums by this artist and drummers Bill EydenFind albums by this artist (first album) and the legend Phil SeamenFind albums by this artist (second album). Disregarding the element of nostalgia, this is a damn great Jazz album, which swings like mad and makes life worth living. The recording quality (and the superb remastering by Michael J. DuttonFind albums by this artist) is simply breathtaking. So in short: don’t you dare to miss this beauty!

Updated: 12/06/2018Posted:

CD 2 Remastered Recommend To A Friend

JOHN DANKWORTH ~ THE ZODIAC VARIATIONS / THE $1,000,000 COLLECTION
VOCALION 8480 (Barcode: 765387848026) ~ UK ~ Jazz
Recorded: 1964 - 1967 Released: 2011

Legendary British saxophonist / composer / arranger / bandleader John DankworthFind albums by this artist was one of the Godfathers of modern British Jazz. Although his career started in mid-1940s he was keen to pursue the sounds of Bee Bop, when those crossed the Atlantic and later pioneered the modern British Big Band sound. This album brings together two of thematic / "concept" Jazz suites written by Dankworth and performed by his Big Band / Orchestra, both being masterpieces of the genre. "The Zodiac VariationsFind albums with this title", recorded both in US and UK, feature some top American Jazz players as soloists: trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist and others. "The $1,000,000 CollectionFind albums with this title" (about famous paintings), recorded three years later, when the British Jazz scene was rapidly developing into a dew dimension, features many of the brilliant young players arriving on the scene, like trumpeters Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Tony RobertsFind albums by this artist and Tony CoeFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist and many others. Musically this is brilliant stuff, from start to finish of course. British Jazz fans will find this stuff delightful, and Big Band enthusiasts will have a field day with this. I don´t think there is anything else I need to add here, just grab it, if this is your cup of tea!

Updated: 31/05/2017Posted:

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ALAN SKIDMORE ~ TCB
VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz
Recorded: 1970 Released: 2011

This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!

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PAUL GONSALVES & TUBBY HAYES / JOHNNY SCOTT ~ JUST FRIENDS / LONDON SWINGS
VOCALION 8482 (Barcode: 765387848224) ~ USA ~ Jazz
Recorded: 1965 - 1966 Released: 2011

During the 1964 concerts in UK by the Duke EllingtonFind albums by this artist Band, saxophonist Paul GonsalvesFind albums by this artist was taken ill immediately prior to the band´s opening concert. He was promptly, but without any warning, replaced by the legendary local saxophone hero, Tubby HayesFind albums by this artist, who filled the void superbly. This incident led to a friendship between the two players, which led to the recording reissued herein. Gonsalves and Hayes exchange licks like there´s no tomorrow, leading a nonet consisting of excellent British musicians, some of which were the members of Hayes´ band at the time. The great pianist Stan TraceyFind albums by this artist was also drafted to the ranks. The music is simply divine, swinging like mad and the performances are truly stellar. A true meeting of the Giants! This reissue also includes an album by the Johnny ScottFind albums by this artist Orchestra, which consists of the leading Jazz players on the UK scene at the time. The superbly arranged material is a prime example of how seemingly straight-forward material can be sophisticated and interesting, when in the hands of Masters. This is a great trip down the nostalgia lane. Hayes enthusiasts will find this one essential!

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JOHN DANKWORTH ~ FULL CIRCLE / LIFELINE
VOCALION 8484 (Barcode: 765387848422) ~ UK ~ Jazz
Recorded: 1971 - 1973 Released: 2011

This fantastic reissue brings back to life two excellent albums by the great British saxophonist / bandleader / composer John DankworthFind albums by this artist. Recorded at the heat of the Jazz-Rock Fusion explosion, both albums are superb examples how these new directions were absorbed and incorporated by Dankworth, who was always sensitive to the latest musical developments and kept changing his approach to Big Band arrangements accordingly. The Band includes the cream of the crop of the British scene at the time, with such revered players as: trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist and Tony CoeFind albums by this artist, trombonists Michael GibbsFind albums by this artist and Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist and many other excellent players. The music is all original, written by Dankworth and other band members. Beautifully remastered by the great Michael J. DuttonFind albums by this artist the music sounds fresh and alive. This is an excellent example of British Jazz at its finest hour and should not be missed by anybody who likes British / European Jazz.

Updated: 31/05/2017Posted:

CD 2 Remastered Recommend To A Friend

BENNIE MAUPIN ~ SLOW TRAFFIC TO THE RIGHT / MOONSCAPES
VOCALION 8485 (Barcode: 765387848521) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 - 1978 Released: 2011

This fantastic reissue brings back to life two excellent albums recorded in the 1970s by the great American saxophonist Bennie MaupinFind albums by this artist. Sadly mostly neglected and forgotten, Maupin was at the very centre of great revolutions in Jazz as a member of the Miles DavisFind albums by this artist ensemble and later the Herbie HancockFind albums by this artist "Mwandishi" group between 1971 and 1976. Both of these albums were recorded shortly after Maupin left Hancock and stylistically are very close to the work he was doing in Hancock groups, combining Jazz, Funk and Fusion. Supported by a dreamy cast, which includes among others keyboardists Patrice RushenFind albums by this artist and Patrick GleesonFind albums by this artist, bassist Paul JacksonFind albums by this artist and Abraham LaborielFind albums by this artist, drummers Ralphe ArmstrongFind albums by this artist and Harvey MasonFind albums by this artist and many others, Maupin presents his beautiful compositions, which sound today as fresh and innovative as they did at the time of the recording. Excellently remastered by Michael J. DuttonFind albums by this artist the sound quality is simply stunning. In retrospect this is classic stuff, which should be appreciated by many and hopefully this reissue will create a new interest in this excellent music.

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JOE HARRIOTT ~ MOVEMENT / HIGH SPIRITS
VOCALION 8486 (Barcode: 765387848620) ~ UK ~ Jazz
Recorded: 1963 - 1964 Released: 2012

It´s always a great pleasure to see reissues of legendary albums, which have been unavailable for years, suddenly appear on the market out of the blue, making a dream come true for music lovers, who anxiously hoped for them to be finally available on CD, rather than mortgaging their homes in order to get an insanely expensive fifty years old vinyl. This is certainly true as far as these two albums by the British Jazz saxophonist Joe HarriottFind albums by this artist are concerned.

Harriott, born in Jamaica, was one of several West Indian musicians, who arrived on the British scene, like trumpeter Shake KeaneFind albums by this artist, who became his close musical partner and plays on these two albums as well. By the early 1960s Harriott emerged as the most advanced pioneer of the new Jazz explorations, including Free Jazz, one of the first British musicians to embrace the concept of Free Form spontaneity in composition and performance. His absolutely incredible virtuosity as a player allowed him to achieve results unparalleled by any of his peers on the British scene at the time. His quintet included also pianist Pat SmytheFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Bobby OrrFind albums by this artist, some of the finest British Jazz players at the time. Four members of this quintet (excluding Smythe of course) were also members of the various ensembles led by pianist / composer Michael GarrickFind albums by this artist at the same time.

"MovementFind albums with this title", the first of the two albums included here, is a natural follow up to the two albums recorded earlier by Harriott: "Free FormFind albums with this title" and "AbstractFind albums with this title", which were full fledged Free Jazz releases. It includes nine original compositions, seven by Harriott and two by Garrick, which range stylistically between modern mainstream pieces and Free Form pieces, a rather unusual approach. The Free Form pieces are perhaps the most advanced Harriott´s excursions in that direction, but their overall impact of somewhat softened by the more conventional pieces present here. Nevertheless this is a brilliant piece of modern Jazz and an absolute milestone recording of the modern British Jazz legacy of that period.

"High SpiritsFind albums with this title" is quite a surprise as it is completely "conventional", with the quintet playing modern Jazz arrangements of the themes composed for the musical show of the same name, which was being staged In UK and USA at the time. Here the listener gets the opportunity to hear Harriott, Keane and Smythe playing perfect solos, showing their respective talents. The overall performance is simply perfect in every possible meaning of the word, clearly showing that by that time European musicians could play Jazz as well as their American contemporaries, if not better.

Considering the fact that Harriott´s recorded legacy is relatively limited, this new edition is simply a godsend. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers for the first time ever the stereo mixes of these two albums, never previously released, which is one more reason to grab them immediately without hesitation. Pure musical gold!

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HAROLD MCNAIR ~ HAROLD MCNAIR / FLUTE & NUT
VOCALION 8494 (Barcode: 765387849429) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2012

This is a criminally overdue reissue of the two albums recorded by the British Jazz flautist / saxophonist / composer Harold McNairFind albums by this artist for the RCAFind albums by this artist label, which have been unavailable for over forty years now. McNair, born in Jamaica, was one of many brilliant West Indian musicians to arrive on the British scene in the 1950s and 1960, greatly contributing to the creation of the modern British Jazz, which was at its peak when these two albums were recorded. Although McNair played the saxophone superbly, his flute playing was absolutely amazing and extraordinary, making him probably the best ever British Jazz flautist. He died from cancer in 1971 at a ridiculous young age of thirty nine, a tremendous loss of an amazing talent, lamented to this very day by those who knew him and his work. His rather limited recorded legacy is now radically expanded with the reissue of these two albums.

The eponymous album was recorded by the Harold McNair quartet, with pianist Bill Le SageFind albums by this artist, bassist Spike HeatleyFind albums by this artist and drummer Tony CarrFind albums by this artist. They perform nine pieces, five of which are originals composed by McNair, three are standards and one is a song written by the Folk-Rock singer / songwriter DonovanFind albums by this artist. McNair was a regular member of Donovan´s band, where he played alongside the pianist / composer / arranger John CameronFind albums by this artist. McNair´s performances on this album are perfect from start to finish. He uses the flute on most of the tracks and his immediately recognizable style is simply overwhelming.

The "Flute & NutFind albums with this title" album features McNair accompanied by a Jazz Orchestra conducted by John Cameron, performing eight pieces orchestrated and arranged by Cameron, three of which are McNair originals, one a Cameron original and the remaining four are standards. In retrospect this is the best album McNair ever recorded, with his flute (and occasional saxophone) sounding absolutely marvelous and the beautiful arrangements adding a spectacular effect to the entire production.

McNair recorded only one more album as a leader after this, called "The FenceFind albums with this title", before he died, which was released on the B&CFind albums on this label label. Parts of the first album included here were released posthumously by the same label as another eponymous album, and included also live material recorded at the Ronnie ScottFind albums by this artist´s club.

Beautifully remastered by Michael J. DuttonFind albums by this artist, these two albums sound fresh and wonderful, as if recorded only a short while ago. Musically they are some of the best Jazz flute music even captured and are an essential piece of the modern British Jazz legacy. Absolutely brilliant stuff!

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JOE HARRIOTT / AMANCIO D`SILVA ~ HUM DONO
VOCALION 8505 (Barcode: 765387850524) ~ UK ~ Jazz-World Fusion
Recorded: 1969 Released: 2015

This is a long overdue reissue of the only album recorded by the quartet co-led by two of modern British Jazz pioneers: saxophonist Joe HarriottFind albums by this artist and guitarist Amancio D`SilvaFind albums by this artist, which also included bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist. Vocalist Norma WinstoneFind albums by this artist and trumpeter Ian CarrFind albums by this artist appear as guest. The album consists of six tracks, five of which are original compositions by D`Silva and one is a standard. The original album was produced by the celebrated producer Denis PrestonFind albums by this artist and was recorded at the legendary Lansdowne Studios. This reissue was remastered by Michael J. DuttonFind albums by this artist and the sound quality and clarity are simply stunning. The liner notes include a reprint of the original liner notes printed on the album´s sleeve and a retrospective essay by Stephano D`SilvaFind albums by this artist, Amancio´s son.

Of the many British Jazz albums released by the end of the 1960s, this one is surely one of the most significant and prophetic in so many ways. The exploding British Jazz scene went through a rapid revolutionary movement towards independence from the American Jazz legacy, spearheading the birth of European Jazz, which would become the next evolutionary step for the Jazz Art Form. There are many reasons why Britain proved to be the most fertile ground for this quantum leap, but one of the most significant of these reasons was certainly the fact that Britain (and London in particular) became a natural harbor for immigrants arriving from all corners of the former Empire, making it the first, as we now call it, multiculti environments, amalgamating cultural influences originating from many different locations around the globe. Music, of course, would be one of the most profoundly influenced element of the British culture, to be touched by the influx of those sounds and rhythms and by the end of the 1960s World Music was alive and kicking in Britain, long before the actual term was coined.

Joe Harriott, born in Jamaica and Amancio D`Silva, born in India, were just two of many prominent British Jazz musicians, who were integrated into the local scene upon their arrival in Britain and naturally put in their own cultural heritage into the amalgam, which eventually emerged as modern British Jazz. This album is a splendid example of early Jazz-World Fusion, but certainly not the first of its kind. Harriott recorded a series of brilliant and revolutionary albums with another Indian immigrant, John Mayer, in the years preceding this recording. D`Silva recorded his debut album a few months earlier, which displayed similar World-Music influences. There were many other examples telling a similar story of integration and mutual inspiration.

Harriott, who is primarily hailed as one of Free Jazz pioneers / inventors displays the gentler side of his musical personality on this album. His solos are of course much more developed and free-spirited than those performed by conventional Jazz players, but he stays well within the melodic and harmonic boundaries outlined by D`Silva´s compositions. The brief standard, which features Harriott in a duet with Spring, is the only reference to Harriott´s free style abilities.

D`Silva showcases his highly individual style as a guitarist, which is clearly influenced by a plethora of Indian music characteristics. His compositions, which are all exceptionally beautiful, exemplify a perfect marriage between European lyricism and harmony and Indian spirituality and rhythmic trance. This will be also heard on his later recordings, all of which are classics in their own right.

Green, one of British Jazz most prolific and respected bassists, contributes his strong and steady pulsations, which keep the music well anchored and balanced. Spring, a brilliant and original player, performs some true drum magic on this album, which is both intelligent and inspired, especially in view of the rhythmic challenges and odd tempi he needs to deal with. Winstone, the absolute Diva of British Jazz, adds some lovely wordless vocals, which complete the compositions with a veil of mystery and sensuality. She participates on three of the tracks and her contribution is simply invaluable. The great Carr, who plays on just a couple of tracks, adds his superb solos, which are like gleaming jewels; something that happens every time he blows his flugelhorn.

All in all this is a most welcome reissue of a monumental milestone in the British Jazz history, which should be a part of every serious record collection owned by people who truly love Jazz. Hopefully VocalionFind albums on this label will release all the other albums recorded by D`Silva at that crucial period, which are all criminally forgotten and unavailable on the market. Oliver & Michael, please!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON
VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz
Recorded: 2006 Released: 2007

Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax).

Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest.

A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.

Updated: 01/01/2016Posted:

JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY!
VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz
Recorded: 1963 - 1969 Released: 2012

This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent.

"What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing.

"Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar.

Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!

CD 1 Remastered Recommend To A Friend

MIDDLETON-AHWAI / MORRISSEY-MULLEN BAND ~ ANOTHER SLEEPER / CAPE WRATH
VOCALLION 8493 (Barcode: 765387849320) ~ UK ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2012

This is a wonderful reissue of two albums recorded in 1979 and originally released on the legendary HarvestFind albums on this label label, EMIFind albums on this label´s progressive imprint, which present the Funk side of the British Jazz-Rock scene at the time. Keyboardist Max MiddletonFind albums by this artist and guitarist Robert AhwaiFind albums by this artist, who are present on both these albums, were among the movers and shakers of the British Jazz-Funk in late 1970s and 1980s, proving that American-born Funk penetrated deep the seemingly cold British character and mixed with Jazz roots created some mighty fine music.

"Another SleeperFind albums with this title" is the only album by a group co-led by Middleton and Ahwai and it features eight original compositions, six by Middleton and two by Ahwai. The group also includes bassist Kuma HaradaFind albums by this artist, drummer Richard BaileyFind albums by this artist, percussionist Darryl Lee QueFind albums by this artist, a brass section and background vocalists. The music is mostly Jazzy and the Funk element is expressed by what the rhythm section players do in the background. Middleton, a superb keyboardist and improviser, plays some great licks here, which often sound like Chick CoreaFind albums by this artist´s work with Return To ForeverFind albums by this artist. In retrospect this albums sounds definitely as something deserving more attention that it ever achieved at the time of its release.

"Cape WrathFind albums with this title" is the second album by the group co-led by saxophonist Dick MorrisseyFind albums by this artist and guitarist Jim MullenFind albums by this artist, which was Britain´s most revered Jazz-Rock-Funk ensemble at the time. On this album the other members of the band are four musicians playing on "Another Sleeper": Middleton, Ahwai, Harada and Bailey and percussionist Tony CarrFind albums by this artist. They play eight pieces, five of which are original compositions, two each by Middleton and Mullen and one by Morrissey, two are Jazz standards and one is an arrangement of a Pop song. The level of the musicianship here is truly excellent and the album is great fun to listen to after all these years.

Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz-Rock-Funk, a rather less frequently re-visited chapter in the British Jazz history, but one that has quite a few surprises to offer, when an effort is made. Definitely worth investigating for listeners who enjoy the "lighter" side of Jazz, which at its best can be as good as the "serious" side of the music.

Updated: 16/02/2024Posted:

CD 2 Remastered Recommend To A Friend

RGG ~ MYSTERIOUS MONUMENTS ON THE MOON
VOICE MUSIC 1002 (Barcode: 5906489287206) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2020 Released: 2021

This is the twelfth album by Polish Jazz trio RGGFind albums by this artist, which celebrates its 20th Anniversary these days, with a remarkable recording legacy to its credit. Pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist present this time fifteen mostly short pieces, nine of which are improvisations, eight called “Monuments” (numbered I to VIII). Three pieces are composed by Ojdana, one is by Eric SatieFind albums by this artist, another one by Artie ShawFind albums by this artist and one remains mysteriously uncredited. The music was recorded at the Studio Tokarnia and was engineered by Jan SmoczynskiFind albums by this artist, offering not surprisingly excellent sound quality.

RGG is obviously a very unique music-making setting, a leaderless ensemble of three dominant and very different personalities, which manage to combine their relative talents significantly more efficiently than any of their Polish Jazz colleagues, despite the fact that the Polish scene is blessed with incredible abundance of wonderful musicians. The trio excels in is uncompromised pursue of individuality and eschews commercialism, even if it means to remote itself from the “fame and glory” of the legendary “Polish Jazz” series, where their previous album was released on, an association which ended with a painful divorce.

There is no doubt that this album marks a new approach in the trio’s music making, with an emphasis on Free Improvisation. Although their earlier albums included plenty of advanced improvisation, it was never a focus of their recorded statements. The need to search for new forms of expression is not surprising in view of the fact that Polish Jazz scene is experiencing, perhaps to some degree influenced by the Covid-19 pandemic, a period of self-examination. RGG’s path in the last two decades is a reflection of the stellar development of the Polish Jazz during that period, which produced some of the best Jazz music on a world scale, but also seems to experience an identity / aesthetics crisis with the entry into the third decade of the 21st Century. Perhaps playing “more of the same” is simply not enough anymore?

Jazz, like most other things, is mostly about balance… How much Free Improvisation is needed to express “freedom” in music is often heatedly discussed. This album does not expel completely melody, harmony and even romanticism from the music, but makes it more difficult for the listener to identify them, which sometimes might prove too difficult for some. Well, too much freedom causes chaos, and too little causes frustration, a question of balance…

Personally I see this album as a “transitional experiment” by one of my favorite Jazz ensembles, and love and respect always require slack and acceptance. Their music always makes me want to hear the next album, and this one is no different.

Overall, this is a courageous statement by mature Artists, who know what they want to say, obviously much better than anyone can guess. It takes a few listening sessions to get into, but, as usual in RGG’s case, the music becomes irresistible. This was a long and painful birth, well worth waiting for.

Updated: 09/12/2024Posted: 28/10/2021

CD 1 Slipcase Recommend To A Friend

RGG ~ ENDORFINA
VOICE MUSIC 1003 ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2019 Released: 2022

This is thirteenth album by the Polish Jazz trio RGGFind albums by this artist, which comprises of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents just two lengthy tracks (eighteen and thirty-two minutes respectively). The album was released on LP, and the CD was added as a bonus. The wonderful mix and mastering by Jan SmoczynskiFind albums by this artist ensures a superb sound quality, as usual in his case.

The music is, not surprisingly, a continuation of the direction set by the album “Mysterious Monuments On The MoonFind albums with this title”, which in fact was recorded later than this album, but released earlier. It presents a shift towards Improvised Music, which leaves the classic concept of composition and improvisation on composed themes, which the trio followed brilliantly in the first two decades of their activity, in favor of spontaneous composition and much more abstract attitude and almost complete lack of melody per se.

RGG obviously earned their freedom of exploration, after excelling for many years in the “classic” Jazz piano trio format, and their individual development as composers and performers leads them into new paths. They are leaving behind a significant part of their faithful followers, who are not able to make a similar step towards abstract and Avant-Garde explorations, but they are obviously aware of the price they need to pay in order to pursue what their hearts dictate.

Of course listeners who delight in Improvised Music, especially “chamber” Improvised Music, as heard herein, will be delighted to explore this fascinating music. The three musicians lot absolutely nothing of their abilities and their technical proficiency is astounding, as always. It might involve several listening sessions to penetrate the depth of this music in full, delight in its minimalism and get caressed by its delicacy, but as usual in their case, all efforts are richly repaid. Personally I still consider this music as an expression of an interim period in RGG’s creative history, before the next period reaches will be revealed in its full glory.

Overall, this is another wonderful album by these highly talented Artists, which deserves an honorable position in their splendid discography, even if it presents a much bigger challenge to most listeners and refuses to compromise. I wouldn’t like to miss it for the world!

Updated: 09/12/2024Posted: 03/10/2023

CD 1 Mini-Sleeve Recommend To A Friend

PRZEMYSLAW STRACZEK ~ CULTURAL CONCEPT
VOICE MUSIC 1004 (Barcode: 5906489287220) ~ POLAND ~ Jazz-World Fusion
Recorded: 2022 Released: 2022

This is an album by Polish Jazz guitarist / composer Przemyslaw StraczekFind albums by this artist, recorded in a quintet setting with Taiwanese erhuist / vocalist Chiao-Hua ChangFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist, Columbian (resident in Poland) percussionist Edilson Sanchez-MoyanoFind albums by this artist and drummer Patryk DoboszFind albums by this artist. Kora player / vocalist Kandara DiebateFind albums by this artist and saxophonist Marcin KaletkaFind albums by this artist guest on selected tracks. The album presents eight tracks, seven of which are original compositions by the leader and one is by Diebate.

Straczek has been quite prolific over the years and recorded several albums over time, and I am only familiar with some of them. Those that I know are all Fusion oriented and lately they also involve strong ethnic influences, which is also the main theme of this album, which firmly belongs to the Jazz-World Fusion idiom.

Although the music is well played, it lacks focus, constantly moving between African, Chinese and other ethnic influences and straightforward Fusion, which is good for diversity but makes it difficult for the listener to find a clear thread to identify with the music. The Polish rhythm section is providing an excellent backbone, but Straczek continues to explore the Pat MethenyFind albums by this artist influenced Fusion and the other musicians follow their ethnic roots, which somehow does not work together all that well.

Overall, although created by very able musicians, the album lacks clear aesthetic center and sounds like a random collection of tracks put together. There are some very nice moments here and there, but as a whole I’d rather pass. Of course this is only my personal view and what do I know…?

Updated: 21/01/2023Posted: 21/01/2023

CD 1 Digipak Recommend To A Friend

WOJCIECH STANISZ QUARTET ~ SZUFLANDIA
VOICE MUSIC 1006 (Barcode: 5906489287312) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2021 - 2023 Released: 2023

This is the debut album by Polish Jazz bassist / composer Wojciech StaniszFind albums by this artist, recorded in a quartet setting with guitarist Piotr WieczorekFind albums by this artist, keyboardist Marcin JagielloFind albums by this artist and drummer Jan SzkudlarekFind albums by this artist. Several guest musicians appear on selected tracks. The album presents ten tracks, all original compositions by Stanisz.

The music is a mixture of Jazz-Rock Fusion, Funk and Grove, based on solid melodic tunes, with a lot of bass guitar up front, which obviously owes a lot to the genius of Jaco PastoriusFind albums by this artist, albeit almost five decades later that can be hardly considered as innovative. But the musicianship of all the quartet members is certainly commendable and the album is a lot of fun to listen to.

Stanisz plays several nice solos, which certainly reflect his skill and command of his instrument, and even virtuosity. His compositions are all well-constructed and coherent, which makes the album accessible to a wide range of listeners on the lighter side of the Jazz spectrum.

Overall, this is a nice debut effort, which presents mostly the skills of the leader as performer and composer, and offers a pleasant listening experience, but lacks creative depth, which usually comes with years of experience and learning. This album certainly is a great starting point and hopefully more ambitious recordings will follow in the future.

Updated: 16/04/2024Posted: 08/04/2024

CD 1 Digipak Recommend To A Friend

SONORISMO ~ PERSONAL VOICE
VOICE MUSIC 1007 (Barcode: 5906489287329) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2022 Released: 2023

This is the debut solo album by Polish Jazz drummer / percussionist / composer Krzysztof GradziukFind albums by this artist, appearing here under the SonorismoFind albums by this artist pseudonym. He is supported by his fellow partner in the RGGFind albums by this artist trio, keyboardist Lukasz OjdanaFind albums by this artist, who plays the Fender Rhodes electric piano, and Finnish saxophonist Pauli LyytinenFind albums by this artist, who is also in charge of electronics. Saxophonist Lukasz Poprawski guests on one track. The album presents fourteen tracks, some of which are composed by Gradziuk, some improvised by him and finally others are credited to all three musicians. Parts of the music was created as an improvised background soundtrack to the 1919 American silent film “The Woman Under Oath”. The album was recorded during a single session at the Tokarnia 2.0 studio and engineered by Jan SmoczynskiFind albums by this artist. The album is dedicated to the memory of Gradziuk’s recently departed Father.

Although the music is mostly improvised, it certainly offers many highly melodic themes, which create an intimate, mystical and almost meditative aura to the entire proceedings. The fact that some of the music was intended as a cinematic composition / improvisation, is in fact true to most the music on this album, which is closer to Ambient aesthetics than to Jazz per se on the majority of the tracks.

All three instrumentalists perform splendidly, each in his own sphere, and together they manage to create a coherent continuity. Ojdana is in charge of most of the melodic / harmonic content, Lyytinen is the link to the Jazz ambience and Gradziuk supplies the bonding rhythmic, or rather mostly a-rhythmic pulsations, which manage to hold everything together. Despite the fact the drummer is a leader of this session, the music is certainly a combined creation by the participants, with everybody inspiring each other for the entire duration.

Overall, this is a very ambitious Avant-Garde project, which should attract many listeners from various sub-genres, as it offers a wide palette of sounds and expressions, well beyond just Improvised Music / Free Jazz. Listeners, who like Jazz-Ambient Fusion should also enjoy this music, as well as Cinematic Music enthusiasts. The music demands attentive listening, in order to explore the intimate details, but can be enjoyed as well under a more relaxed circumstances, just submitting to the wonderful flow. Warmly recommended!

Updated: 03/04/2024Posted: 03/04/2024

CD 1 Digipak Recommend To A Friend

S. E. A. TRIO ~ INFLOW
VOICE MUSIC 1010 (Barcode: 5906489287466) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2024

This is the debut album by S. E. A. TrioFind albums by this artist, comprising of three prominent Polish Jazz musicians: vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents nine tracks, all of which are original compositions, six by Bukowski and three by Lemanczyk.

This is an ultra-rare opportunity to hear a vibraphone trio recording, which is a splendid occasion to explore this wonderful musical setting, with its naked minimalism and crystal clear sound. Bukowski could not have found a better rhythm section, since both Lemanczyk, which whom he records since decades, and Gradziuk, of RGGFind albums by this artist trio fame, are both superb instrumentalists, members of the very top of the Polish Jazz league. Their skills and talents are obviously perfect for this demanding task, as the fragile and intricate music is quite tricky.

Stylistically the music lies somewhere between ECMFind albums on this label era Gary BurtonFind albums by this artist and the Third Stream efforts by Polish Jazz vibraphone pioneer Jerzy MilianFind albums by this artist, revisiting the vibe (pun intended) of the “old days”, but without letting the nostalgia to cut any slack. The music is vibrant and fully alive, with all three instrumentalists displaying virtuosic fluency and up to date approach.

As already mentioned above, Lemanczyk is a natural choice for this project, but it’s a nice surprise to hear Gradziuk so well behaved and at the same time inventive here, proving again what a great drummer he really is.

Naturally, the spotlight is all on Bukowski as the soloist and main composer, but this album is an absolute team effort, as best Jazz albums always are. It is good to hear Bukowski in his natural habitat, doing what he loves, and keeping the smile on the listener’s lips at all time.

Overall, this is a splendid, beautiful Jazz album, with vibraphone at the helm, which is sadly a rare outing these days, featuring three of the top Polish Jazz players, which of course guarantees quality and class, felt from the first stroke of the mallets. Wholeheartedly recommended and an absolute must for vibraphone lovers.

Updated: 09/05/2024Posted: 09/05/2024

CD 1 Digipak Recommend To A Friend

RGG / LYYTINEN / BLASER ~ CITY OF GARDENS VOL. 2
VOICE MUSIC 1011 (Barcode: 5906489287527) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2021 Released: 2024

This is an album by Polish Jazz trio RGGFind albums by this artist (pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist), joined by Finnish saxophonist Pauli LyytinenFind albums by this artist and Swiss trombonist Samuel BlaserFind albums by this artist. The “Vol. 2” refers to the album recorded by a similar quintet, but with Finnish trumpeter Verneri PohjolaFind albums by this artist instead of Lyytinen, released in 2018. The album presents seven tracks, five of which are improvised by the quintet and two are composed by Garbowski. The album offers a stunning sound quality.

The music reflects the steady shift of RGG towards Improvised Music, which happened gradually during the twenty plus years of their music making together, and is, in retrospect, one of the most fascinating musical journeys on the Polish Jazz scene. All three members of the trio are brilliant instrumentalists, capable of producing a mesmerizing flow of music, which never loses its coherence and melodic footing, even when it journeys into the Free Improvisation sphere, all of which is wonderfully documented on their impressive recorded legacy, carefully assembled over the last two decades.

Another aspect of RGG’s musical journey is the openness towards other musicians from all over the world, which also yielded superb recordings, like the a.m. earlier “City Of GardensFind albums with this title” album or their cooperation with British improvisers, like Trevor WattsFind albums by this artist or Evan ParkerFind albums by this artist. The open-mindedness and empathy required in such circumstances is superbly documented on this album as well, which is a beautiful example of spontaneity and telepathic musical bonding at their best.

Overall, this is a deeply moving, elegant and truly inspiring example of Improvised Music at its best, full of elegance and eloquence, coherency and aesthetics, which makes listening to music such a pleasure. An absolute gem!

Updated: 09/12/2024Posted: 09/12/2024

CD 1 Digipak Recommend To A Friend

GONGMAISON ~ LIVE AT THE FRIDGE LONDON
VOICEPRINT 007 ~ UK ~ Canterbury Scene

Gongmaison version of Gong existed in the late 1980s and early 1990s. They recorded only one studio album and this DVD is the first filmed document of their performances. Captured at a live gig in 1991, Gongmaison are playing a splendid mixture of psychedelia and jazz. Didier Malherbe is superb on saxes and flutes (and keyboards), but the real suprise is the outstanding violin work by Graham Clarke, who sets the stage on fire every time he takes a solo. Great stuff!

JAN AKKERMAN ~ A TOUCH OF CLASS
VOICEPRINT 017 (Barcode: 604388663224) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1973 - 1983 Released: 2005

Dutch guitar virtuoso Jan AkkermanFind albums by this artist is most widely known as the co-leader of the legendary band FocusFind albums by this artist. However, after leaving Focus, Akkerman developed a splendid solo career, which now spans over 30 years of activity. As a soloist, Akkerman proved to be a most versatile musician, playing both acoustic guitar (and many other acoustic guitar-related instruments) and electric guitar, all this in different genres, from classical music, early music, blues, jazz and fusion. His exceptional technique and highly developed musical taste place him in a class of his own. This excellent DVD brings to light some archival material not seen in many years. The main part of the DVD includes a 1983 TV special, filmed in London for the BBC. It includes his then current group performing material from Jan’s albums: Can`t Stand NoiseFind albums with this title and TabernakelFind albums with this title, interviews with Akkerman and BBC footage of Focus from 1973. The bonus material includes footage filmed 18 month later and capturing a rare performance of Akkerman using the guitar synthesizer. For many Akkerman / Focus fans this is an absolute must and a most enjoyable musical experience. NTSC

DVD 1 Bonus Tracks Recommend To A Friend

ANNIE HASLAM ~ LIVE STUDIO CONCERT
VOICEPRINT 020 ~ UK ~ Progressive Rock

Considering how rare any footage by Annie Haslam / Renaissance is, it is a great feast to have an opportunity to see and listen to this wonderful performance. Filmed in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend.

STEVE HILLAGE ~ GERMANY-77
VOICEPRINT 032 (Barcode: 604388685325) ~ UK ~ Progressive Rock
Recorded: 1977 Released: 2007

Guitarist / composer Steve HillageFind albums by this artist is one of the most important figures of the British Progressive Rock scene. His entire 1970s / 1980s discography was recently beautifully remastered and now we can actually see some live footage of his incredible performances. Filmed for the German television this show captures the Steve Hillage Band at the peak of their powers, with Hillage on guitar, Miquette GiraudyFind albums by this artist on keyboards, Clive BunkerFind albums by this artist (Jethro TullFind albums by this artist) on drums, Colin BassFind albums by this artist (CamelFind albums by this artist) on bass, Christian BouléFind albums by this artist on rhythm guitar, Phil HodgeFind albums by this artist on keyboards and Basil BrooksFind albums by this artist on keyboards and flute. This was the group’s tour following the release of LFind albums with this title and some of that album’s material is included, as well as some tunes from the debut album. In addition to the splendid music, a recent (2007) interview with Steve and Miquette is also included. Brilliant stuff and an absolute must for Hillage fans.

STEVE HILLAGE ~ LIVE IN ENGLAND 1979
VOICEPRINT 044 (Barcode: 604388697700) ~ UK ~ Progressive Rock
Recorded: 1977 - 1979 Released: 2007

Guitarist / composer Steve HillageFind albums by this artist is one of the most important figures of the British Progressive Rock scene. His entire 1970s / 1980s discography was recently beautifully remastered and now we can actually see some live footage of his incredible performances. Filmed by British television this show captures the last version of the Steve Hillage Band, with Hillage on guitar, Miquette GiraudyFind albums by this artist on keyboards, Dave StewartFind albums by this artist on guitar, John McKenzieFind albums by this artist on bass and Andy AndersonFind albums by this artist on drums. This was the group’s tour following the release of Live HeraldFind albums with this title and some of that album’s material is included, as well as some tunes from earlier albums. Three bonus tracks from concerts in Germany, filmed two years earlier, are included as bonus material. In addition to the splendid music, a recent (2006) extensive interview with Steve and Miquette is also included. Brilliant stuff and an absolute must for Hillage fans.

SOFT MACHINE ~ ALIVE IN PARIS 1970
VOICEPRINT 045 (Barcode: 604388704200) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2008

Although the early period of the legendary Canterbury band Soft MachineFind albums by this artist is relatively well documented on record, especially in the last decade when many live recordings of the band have been unearthed, cleaned up and released, video material was so far almost completely nonexistent. Therefore if there is a Holy Grail of Canterbury scene, and of course of Soft Machine, this is it! This footage, filmed by French TV at the Theatre de la Musique is not only a stellar visual experience but also a great sonic document due to the theatre´s superb acoustic. The band is at their most creative peak of course and what´s more the quintet lineup here, including Lyn DobsonFind albums by this artist on saxes and flute, existed for a mere few months and is almost undocumented on record. Elton DeanFind albums by this artist, Mike RatledgeFind albums by this artist, Hugh HopperFind albums by this artist and Robert WyattFind albums by this artist are the band´s backbone and of course everybody plays their hearts out in glorious harmony and high-spirited atmosphere. I don´t need to emphasize how great and groundbreaking this music is (as I have done repeatedly so many times already), so let´s just say that this is an essential piece of music history, which deserves a place in any serious music collection.

DVD 1 Essential Recommend To A Friend

NATIONAL HEALTH ~ MISSING PIECES
VOICEPRINT 113 (Barcode: 604388301027) ~ UK ~ Canterbury Scene
Recorded: 1975 - 1979 Released: 1996

The last "piece of the puzzle", which completes the entire output recorded by the seminal group National HealthFind albums by this artist. Although a collection of unrelated pieces, this is still a great album. The music spans the period between 1975-1979 and includes material that was ommitted from the first 2 albums as well as some live recordings. Essential!

	CRANE, VINCENT ~ TARO ROTA VOICEPRINT 172 ~ UK ~ Progressive Rock Vincent Crane and Arthur Brown created this Prog suite after the split of `Crazy World Of Arthur Brown`. Very interesting music and of course great vocals by Brown make this little known musical jewel a fascinating discovery.
	CD 1 Recommend To A Friend

PIP PYLE ~ 7 YEAR ITCH
VOICEPRINT 198 ~ UK ~ Canterbury Scene

Pip PyleFind albums by this artist is of course the drumming pillar of the Canterbury Prog scene and past member of such legendary outfits as CaravanFind albums by this artist, GongFind albums by this artist, National HealthFind albums by this artist a.m.o. As the title suggests, this album took 7 years to fruition, but it was definitely worth waiting for. With a stellar lineup of Canterbury musicians one expects nothing less.

JOHN GREAVES ~ KEW.RHONE.
VOICEPRINT 200 (Barcode: 604388303229) ~ UK ~ Progressive Rock
Recorded: 1976 Released: 1997

The absolute classic album by John, with a stellar line-up including US friends Michael Mantler and Carla Bley. This music has been legendary since it was first released and this new reissue includes also some great video material (CD-ROM). A true masterpiece of Prog with strong jazzy influence.

CD 1 Remastered Bonus Tracks Recommend To A Friend

PIP PYLE / EQUIPE OUT ~ EQUIPE OUT
VOICEPRINT 213 (Barcode: 604388304622) ~ UK ~ Canterbury Scene
Recorded: 1985

1st album by a jazz ensemble led by the legendary Canterbury Scene drummer Pip PyleFind albums by this artist and featuring old Canterbury friends Elton DeanFind albums by this artist and Hugh HopperFind albums by this artist (from Soft MachineFind albums by this artist), Didier MalherbeFind albums by this artist (from GongFind albums by this artist) and French keyboardist Sophia DomancichFind albums by this artist. Superb playing all over and a real intellectual and challenging music.

PIP PYLE / JOHN GREAVES ~ THE PIG PART
VOICEPRINT 225 ~ UK ~ Canterbury Scene
Recorded: 1997 - 1999

	SOFT MACHINE ~ TURNS ON VOL.1 VOICEPRINT 231 ~ UK ~ Canterbury Scene Recorded: 1967 Early live recordings of the Soft MachineFind albums by this artist, dating around the release of their first two albums and even before. The quality of the recording is problematic, but the material absoluterly great, so you must decide if this is something worth having. Great historical material.
	CD 1 Recommend To A Friend

SOFT MACHINE ~ FACELIFT
VOICEPRINT 233 (Barcode: 604388306725) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2002

Any previously unreleased material by the seminal British band Soft MachineFind albums by this artist is always a great source of joy to the band´s many fans all over the world, even if similar material exists on other studio and live recordings. By the time this live recording was made, the band, which comprised of saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist, made a dramatic transition from their initial psychedelic period into Jazz-Rock Fusion, with often bordered on Free Jazz. This recording, from April 1970, was made just prior to the band entering the studio to record their masterpiece "ThirdFind albums with this title" and following their six-night residency at the prestigious Ronnie Scott´s club in London. They were at one of their musical peeks, having played the material included on this album for quite some time, which of course allowed them to stretch out and take risks, as well as re-invent the music at a greater rate of freedom that is usually possible with new pieces. This explains why several of the pieces are expanded to last well over 10 minutes and one even over 20 minutes. Most of the music was composed by Ratledge, with Hopper contributing a few of his own pieces and one piece by Wyatt. There is no doubt that this was a very special night, as the level of interplay and inspiration is truly extraordinary, with some of the most adventurous improvisations ever achieved by these illustrious musicians. While playing this music, the band was literally changing the shape of music as known up to that point, clearly pointing towards uncharted territory. Definitely one of the great moments of early British Jazz, not be missed by anybody interested in Soft Machine or the period´s music. This album is often criticized for its poor sound quality; indeed it suffers from the primitive recording source, but honestly I think that every minute of this music is worth more that almost anything else recorded at the time, so poor sound quality or not, this is a treasure!

SOFT MACHINE ~ TURNS ON VOL.2
VOICEPRINT 234 ~ UK ~ Canterbury Scene
Recorded: 1967 - 1968

Early live recordings of the Soft MachineFind albums by this artist, dating around the release of their first two albums and even before. The quality of the recording is problematic, but the material absoluterly great, so you must decide if this is something worth having. Great historical material.

	GILES, GILES & FRIPP ~ THE BRONDESBURY TAPES (1968) VOICEPRINT 235 ~ UK ~ Progressive Rock This material was recorded by the core members of the soon to be King Crimson and was never previously released. Very interesting as a historic document that portrays the period and its trends. Some brilliant musical ideas are already clearly present here.
	CD 1 Recommend To A Friend

ARTHUR BROWN ~ TANTRIC LOVER
VOICEPRINT 256 ~ UK ~ Progressive Rock

This is a surprising album from 2000, after several years of silence, from the master musician who shocked the Prog scene with the revolutionary Crazy World album in the early days of his career. It shows a gentle and more introvert side of Brown as a singer and songwriter, and the acoustic instrumentation brings out other qualities in his voice then we know from his past recordings. Very interesting indeed.

NEKTAR ~ MAN IN THE MOON
VOICEPRINT 259 ~ UK ~ Progressive Rock

Last album by this British Prog band from 1980, before they disbanded (to be re-united recently). Although more conventional then their previous efforts, the band is still a great unit here with evident talent and Prog ties. Songs are shorter then the epic Prog works they performed on the earlier albums, but melodies are great as ever and the production and performance spotless. Remastered.

ROYE ALBRIGHTON ~ THE FOLLIES OF RUPERT TREACLE
VOICEPRINT 260 (Barcode: 604388310227) ~ UK ~ Progressive Rock
Recorded: 1998 Released: 2002

Debut solo album by Roye AlbrightonFind albums by this artist, the lead singer and guitarist of NektarFind albums by this artist. An excellent concept work, mostly intrumental. Some superb guitar playing in various styles, very tight and consistent with a dash of blues, funk and fusion. Guitar fans and the many fans of the group will love that one. Available on CD for the first time.

SOFT MACHINE ~ SOMEWHERE IN SOHO
VOICEPRINT 262 (Barcode: 604388310425) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2004

Recorded live at the Ronnie ScottFind albums by this artist`s Jazz Club (in London`s Soho), this album features the most revered Soft MachineFind albums by this artist line-up (Mike RatledgeFind albums by this artist, Hugh HopperFind albums by this artist, Robert WyattFind albums by this artist & Elton DeanFind albums by this artist) around the ThirdFind albums with this title and FourthFind albums with this title albums. The cleanded-up and remastered material offers a surprisingly decent sound and the music is of course outstanding. Although there are plenty of SM live recordings around, this is a worthy addition to any fan`s collection.

CD 2 Remastered Recommend To A Friend

MICHAEL GILES ~ PROGRESS
VOICEPRINT 264 ~ UK ~ Progressive Rock

Unreleased album from 1978 now out for the first time! The list of musicians looks like the Who`s Who of the Canterbury scene and includes members of Caravan, Matching Mole and of course Michael`s brother Peter of the Giles, Giles and Fripp fame. The music, all written my Michael, is of course brilliant and the performances outstanding. How such a treasure went unreleased for such a log time is a mystery, but who cares now!

DICK HECKSTALL-SMITH ~ WOZA NASU
VOICEPRINT 266 (Barcode: 604388310821) ~ UK ~ Progressive Rock
Recorded: 1991 Released: 2002

After playing in various incarnations of rock and Prog music (Graham Bond OrganizationFind albums by this artist, ColosseumFind albums by this artist) for almost 35 years, Dick Heckstall-SmithFind albums by this artist recorded this great album in 1991, and it was considered his first `jazz` rather then rock recording. For some strange reason the album was almost instantly deleted and this new reissue is most welcome. Don´t be fooled - it is jazz, but the rock foundation is very strong and DHS is such a great player!

CD 1 Bonus Tracks Recommend To A Friend

BADGER ~ ONE LIVE BADGER
VOICEPRINT 275 ~ UK ~ Progressive Rock

Long awaited reissue of the only album by this band from 1972 and a great treat to all Yes fans, who were trying to find this since ages. Badger was formed by Tony Kaye upon leaving the keyboards chair in Yes, with some of the best players on the scene at that time. This album, recorded live, is unfortunately the only recorded testimony of this great band. Famous Roger Dean cover (his first!).

MOTHER GONG ~ THE OWL AND THE TREE
VOICEPRINT 278 ~ UK ~ Canterbury Scene

2nd album from 1990. Mother Gong was of course one of the many off-shot bands comming from the original Gong, this one being led by Gilli Smyth. Daevid Allen joins the group for this album and splits the vocal parts with Gilli, as well as contributing some of his songs. This is one of the best and most focused efforts to come out of the Gong camp from that troubled period.

CD 1 Remastered Bonus Tracks Recommend To A Friend

GONG ~ HISTORIES AND MYSTERIES OF PLANET GONG
VOICEPRINT 279 ~ UK ~ Canterbury Scene

Originally released as a single album in 1989 now in much extended 2 albums version. This is a collection of live recordings and other strange tidbits (and when Gong goes strange...), all combined as a continuous sound collage. There is some absolutely best Gong material here, as well as some of the most obscure. For Gong fans this is a marvel! The first (original) album includes material spanning from 1962 to 1979 and the second one comes all from the 1980`s.

CD 2 Remastered Bonus Tracks Recommend To A Friend

MOTHER GONG ~ TREE IN FISH
VOICEPRINT 281 ~ UK ~ Canterbury Scene

1991 album by Mother GongFind albums by this artist, which includes some studio and some live recordings from their 1991 US Tour. Gilli SmythFind albums by this artist is accompanied by a group of excellent musicians, including Harry WilliamsonFind albums by this artist and Robert CalvertFind albums by this artist. She creates the usual `unusual` mixture of poetry and sound, utilizing her unique voice to the max. This album was not available for a long time and now finally it`s back to many fans` delight.

CD 1 Remastered Recommend To A Friend

KATE WESTBROOK ~ CUFF CLOUT
VOICEPRINT 310 (Barcode: 604388315123) ~ UK ~ Jazz
Recorded: 2001 Released: 2003

British vocalist / lyricist Kate WestbrookFind albums by this artist, wife and musical companion of the celebrated pianist / composer Mike WestbrookFind albums by this artist, has been a singular figure on the local Art scene for decades. Her completely unique vocal approach as well as her exceptionally broad understanding and knowledge of the European literary and cultural heritage, make her a singular artistic personality of unparalleled quality. Combined with her knowledge of other European languages (French and German), which enables her to perform music written to accompany literary pieces in these languages and use the original versions, she is a perfect performer and a perfect partner for Mike Westbrook, similar to the role of the great Lotte LenyaFind albums by this artist with her husband Kurt WeillFind albums by this artist. This superb album presents a project originally staged in 1994 but recorded seven year later, in which Kate presents music composed by several of her favorite contemporary composers and to which she wrote original lyrics. Accompanied by a stellar cast of players, which includes among others saxophonists Chris BiscoeFind albums by this artist, Peter KingFind albums by this artist, Barbara ThompsonFind albums by this artist, Kate delivers the texts with true artistry and the overall effect of the music and lyrics is truly overwhelming. Perhaps not for a casual listener, but this project is so elegant and sophisticated that true music lovers will definitely enjoy it to the fullest. Warmly recommended!

GONG ~ ACID MOTHERHOOD
VOICEPRINT 311 ~ UK ~ Canterbury Scene

Long awaited new album from 2004 by completely new and re-vamped Gong line-up featuring no less then three guitar players and no wind instruments. Daevid Allen and Gilli Smyth (on 1 track only) lead a wild bunch of musicians to another uncharted waters, with completely new sound resembling nothing familiar. The music is more agressive and disonant, but always challenging and surprising, as proper for Gong. A new band, a new chapter and new excitement.

BRIAN HOPPER ~ IF EVER I AM
VOICEPRINT 338 ~ UK ~ Canterbury Scene

Every new project by a legendary Canterbury musician is of interest, but when the project involves re-recording some of the music played by the "mother" band of the Canterbury scene - the Wilde FlowersFind albums by this artist - it is even more so. Although Brian HooperFind albums by this artist did not manage to get all the original members of the Wilde Flowers in one place and at the same time, nevertheless he did manage to get them to play here, including other legends like Robert WyattFind albums by this artist and his brother Hugh HopperFind albums by this artist. Some of the remaining music is more conteporary, but fits in well stylistically. This is challenging music, but deeply rewarding!

SOFT MACHINE ~ BREDA REACTOR
VOICEPRINT 345 (Barcode: 604388318520) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2004

Recorded live in Holland (Breda), this album documents the brief period in the history of this legendary band Soft MachineFind albums by this artist (lasting only for about 3 months) when it included as a fifth member (in addition to the core members) the talented multi-instrumentalist Lyn DobsonFind albums by this artist. This marks a more jazzy sound then ever before, with both Dobson and Elton DeanFind albums by this artist exploring long and comples saxophone solos. The sound quality is surprisingly clear (as opposed to many other SM live recordings) and this is a most important document of the era.

CD 2 Remastered Recommend To A Friend

SHORT WAVE ~ LIVE
VOICEPRINT 347 (Barcode: 604388318728) ~ UK ~ Canterbury Scene
Recorded: 1992

Short Wave was a short-lived Prog / Jazz outfit combining the forces of the legendary Canterbury musicians: Didier MalherbeFind albums by this artist (saxes), Phil MillerFind albums by this artist (guitar), Hugh HopperFind albums by this artist (bass) and Pip PyleFind albums by this artist (drums). The group never actually got to record a studio album and this live recording is the only recorded heritage. The music is more Jazz oriented than the music by the famous Prog bands those musician played with, but of course both the Prog and Jazz fans will love this to bits.

PIP PYLE / EQUIPE OUT ~ UP!
VOICEPRINT 348 ~ UK ~ Canterbury Scene
Recorded: 1990

2nd album by a jazz ensemble led by the legendary Canterbury Scene drummer Pip PyleFind albums by this artist. On this album they are a quartet with new member Paul RogersFind albums by this artist, a superb acoustic bass player, who brings the sound of the ensemble closer to the mainstream jazz sound, but the music remains fresh, modern and intelligent. Plenty of great solos by all four players and a good recording sound make this a true gem.

GONG MATRICES ~ PARADE
VOICEPRINT 353 (Barcode: 604388319329) ~ UK ~ Canterbury Scene
Recorded: 2003 Released: 2004

Gong MatricesFind albums by this artist is a collaboration of GongFind albums by this artist members, Gilli SmythFind albums by this artist and some of the members of the US Prog band AzigzaFind albums by this artist. They all met at the 1999 Prog Fest and later played together, but it took untill 2003 to record this album. As expected, the music is a wild mixture of Psychedelia and Prog with Gillis`s extraordinary vocals as the icing on the cake. Gong and Mother GongFind albums by this artist fans will love this stuff madly.

ANNIE HASLAM ~ BLESSING IN DISGUISE
VOICEPRINT 354 ~ UK ~ Progressive Rock

Recorded in 1994 (and released under the banner Annie Haslam`s Renaissance) this is one of Annie`s strongest solo albums since leaving the mother group. Produced by the legendary Tony Visconti (who also plays on the album and composed some of the tracks) the album resembles the original Renaissance in every aspect - sound, atmosphere, instrumentation, etc. The material is exceptionally strong (in fact much stronger then the late Renaissance albums), Annie`s voice crystal clear as ever - in short a masterpiece. Considering the fact that she recorded this album just after recovering from a breast cancer is a miracle in itself. The bonus tracks, although written in 1992, were recorded in 2002. Essential!

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

ANNIE HASLAM ~ LIVE UNDER BRAZILIAN SKIES
VOICEPRINT 355 ~ UK ~ Progressive Rock

Recorded live during Annie`s 1997 tour of Brazil, this nice album spotlights her solo career years after leaving the legendary Renaissance. The music includes a few Renaissance classics, as well as songs from her later solo albums. Haslam has never lost neither her absolutely wonderful, crystal clear voice, nor her tremendous feeling and ability to express music, which make her one of the greatest performers in Prog.

CD 1 Remastered Bonus Tracks Recommend To A Friend

ANNIE HASLAM ~ DAWN OF ANANDA
VOICEPRINT 356 ~ UK ~ Progressive Rock

Recorded in 1999, this is Annie`s most serious solo project in many years. She wrote all of the lyrics to the songs included on the album and the wonderful music was composed by her veteran colleagues such as Michael Dunford (Renaissance), Rave Tesar and the legendary Tony Visconti, who also co-produced the album. The songs are all based on Annie`s deep personal feelings and experiences and the manages to transform those into music in full. This gentle, melodic, blissful music is perhaps to `sweet` for some, but I absolutely adore it.

CD 1 Remastered Recommend To A Friend

ANNIE HASLAM ~ IT SNOWS IN HEAVEN TOO
VOICEPRINT 357 ~ UK ~ Progressive Rock

Before you read any further - this is a `Christmas` album! So how come it is classified as Prog? Well, Annie Haslam has been associated with the genre since we all can remember and her vocal qualities are beyond dispute. And who better to record those songs then the Lady with the voice of an angel? Annie sings just brilliantly, and the songs, carefully arranged by Rave Tesar, sound just wonderful. The choice of material and the atmosphere are nothing like all those tacky X-mas albums we all know and despise - this is a masterpiece. The album was recorded in 2000.

CD 1 Remastered Recommend To A Friend

ANNIE HASLAM ~ ONE ENCHANTED EVENING
VOICEPRINT 358 (Barcode: 604388319824) ~ UK ~ Progressive Rock
Recorded: 2001 Released: 2005

Recorded live in 2001, this is the latest (so far) solo album by the legendary vocalist. As she herself describes it - it contains a number of songs that she has wanted to record for a number of years, and that she feels have played an important role in her career. Some truly exqusit renderings of classic songs, including her version of `She`s Leaving Home` by the Beatles. What a delight! In 2002 Annie started (seriously) to paint and the cover art of this album is one of her paintings.

CD 1 Remastered Recommend To A Friend

JOHN`S CHILDREN ~ THE COMPLETE
VOICEPRINT 365 (Barcode: 604388320523) ~ UK ~ Classic Rock
Recorded: 1966 - 1967 Released: 2005

This album collects all the recordings, including their only album "OrgasmFind albums with this title", singles and many bonus tracks, by the UK Psychedelic group John`n ChildrenFind albums by this artist, known only due to the fact that future Rock idol Marc BolanFind albums by this artist (T. RexFind albums by this artist) was a member of the group. However, they are definitely worth being remembered in their own respect as the group produced some of the best, most advanced and revolutionary Psycheledic music on the UK scene, with complex melodies and great instrumental work. A must to all Psych-heads and a great listen to the "general public".

CD 2 Remastered Bonus Tracks Recommend To A Friend

IAN WALLACE ~ HAPPINESS (WITH MINIMAL SIDE EFFECTS)
VOICEPRINT 367 (Barcode: 604388320226) ~ UK ~ Progressive Rock
Recorded: 2002 Released: 2002

1st album. It took Ex-King CrimsonFind albums by this artist drummer Ian WallaceFind albums by this artist almost 30 years to come up with his first solo effort, but it was definitely worth waiting for. This excellent album is probably the strongest and most consistent piece of music recorded by any of the ex-KC many members. Wallace collected a multi-talented group of musicians to help him record, including Ian McDonaldFind albums by this artist, Pat MastelottoFind albums by this artist (both ex-KC as well) and the truly magnificent Clive GregsonFind albums by this artist on guitar. Definitely worth getting, not only for KC fans.

FISSION TRIP ~ VOLUME ONE
VOICEPRINT 369 (Barcode: 604388321322) ~ UK ~ Progressive Rock
Recorded: 2004 Released: 2005

1st album. What happens when you put together two ex-members of a legendary UK Prog group King Crimson (Ian Wallace and Mel Collins) with two ex-members of a legendary Texan Prog band Hands (Michael Clay and Ernie Myers)? You get one ass-kicking new band called Fission Trip, combining the best of two worlds - the KC dark and hypnotic atmosphere with Hands jazzy / fusion elements. Add to this guest artists such as Adrian Belew and you get one of the best albums on the Prog scene in years! Absolute must, don`t even think twice about it!

CRIMSON JAZZ TRIO ~ KING CRIMSON SONGBOOK VOL.1
VOICEPRINT 373 (Barcode: 604388321421) ~ UK ~ Jazz
Recorded: 2005 Released: 2005

This is a perfect marriage of two of my favorite worlds: Jazz and Prog. The piano trio was always my jazz vehicle of choice, as it is ideal to provide both the improvisational and rhythmic jazz qualities. The music of the legendary Prog band King CrimsonFind albums by this artist was always right on top of my preferred music. The Crimson Jazz TrioFind albums by this artist combines both of these preferences perfectly. Jody NardoneFind albums by this artist (piano), Tim LandersFind albums by this artist (bass) and ex-KC Ian WallaceFind albums by this artist (drums) take the music of KC places, which were unimaginable so far – far into the land of swing (I wander if anybody could have imagined the music of KC in that setting before). The players shine and sweat from the onset to the very last note, full of imagination, brilliant technique and intelligent interplay. The sound is perfect as well, with clear definition of sound, which enables the entire range of the piano to sound balanced and the drum kit (from bass drum to hi-hat) to be perfectly audible. I can only join Robert FrippFind albums by this artist in his reaction to this masterpiece: “Can’t wait for Vol.2”!

FELLOWSHIP (FEATURING JON ANDERSON) ~ IN ELVEN LANDS
VOICEPRINT 378 ~ USA ~ Progressive Rock

This very interesting musical project took seven years to complete (1998-2005), but it was definitely worth waiting for. The Fellowship is an international group of musicians, who undertook a very challenging task of creating music based on the writings of J.R.R. Tolkien. Their approach is completely different from many other musicians, who created music inspired by Tolkien’s works (like Bo Hansson a.m.o.) – they conducted a thorough research of both Tolkien’s many writings of prose and poetry and also early European literature from the Middle Ages (13th & 14th century), all this to create the “authentic” music of the legendary “Middle Earth”. Of course the authenticity is a matter of opinion, as Tolkien himself did compose any music to accompany his writings, but as far as your humble servant here is concerned this sounds pretty “authentic” to me. The music is similar to early European Mediaeval music, with a touch of modernism, performed entirely on acoustic instruments (some ancient). The vocals (mostly by Yes front man Anderson) suit this music perfectly, and honestly to me this is better than are many other of his other projects. People who like early music fill have a feast with this album, but Yes fans and folkies should not stay far behind. I loved it!

CD 1 Digipak Recommend To A Friend

ANNIE HASLAM ~ LIVE STUDIO CONCERT
VOICEPRINT 379 (Barcode: 604388322022) ~ UK ~ Progressive Rock
Recorded: 1997 Released: 2006

Recorded in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend. This CD includes the audio material on the DVD by the same name, with the addition of one bonus track.

CD 1 Bonus Tracks Recommend To A Friend

KATE WESTBROOK ~ THE NIJINSKA CHAMBER
VOICEPRINT 383 (Barcode: 604388322428) ~ UK ~ Jazz
Recorded: 2005 Released: 2006

Brilliant album by singer / lyricist Kate WestbrookFind albums by this artist with music by her husband Mike WestbrookFind albums by this artist, dedicated to the memory of Bronislava Nijinska (sister of Vaslav Nijinsky), the great pioneer of modern choreography. Of Polish descent, Nijinska started her career in Russia, but soon became internationally known and worked all over the world, being admired and revered as the pioneer of modern ballet. She died in Los Angeles in 1972. Westbrook´s lyrics tell the story of her life with taste and extraordinary sensitivity to Art, in all its revelations. The entire suite is performed by Westbrook either solo or accompanied by the extraordinary accordion player Karen Street, creating a sublime atmosphere of cabaret, French chanson and Kurt Weill´s "The Threepenny Opera". Not an easy piece of music, this is a masterpiece of European elegance and sophistication, which requires a refined listener to enjoy the music in full. Brilliant stuff!

SNOWY WHITE / WHITE FLAMES ~ LITTLE WING
VOICEPRINT 396 (Barcode: 604388324729) ~ UK ~ Blues
Recorded: 1997 Released: 2006

This is a most welcome reissue of a little known Snowy White album, which was released only in Europe. White returns to the Blues / Rock format, which of course is his forte. The trio format serves him perfectly and the rhythm session is superb. He wrote all the music except the title track (by Hendrix of course) and one track contributed the drummer. He re-visits a few older songs, but most of the material is new. There is plenty of space for some formidable guitar playing, as the tracks are relatively long (up to 9+ minutes), which should make his many fans quite happy. Definitely one of his better albums and far superior to his mainstream efforts. Warmly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

SNOWY WHITE / WHITE FLAMES ~ KEEP OUT – WE ARE TOXIC
VOICEPRINT 397 (Barcode: 604388324828) ~ UK ~ Blues
Recorded: 1998 Released: 2006

This is a reissue of Snowy White’s little known album, which never gained the recognition it deserved. Recorded with his White Flames trio, a group White fronted for several years since the mid-1990’s, it is a superb example of Blues / Rock. White’s incredible guitar playing and his soulful voice comprise an ideal vehicle for this type of music and the band plays extremely well together. Add to this White’s great talent to compose those heartbreaking bluesy melodies and you have all it takes to make a most enjoyable album. This should appeal to a wide range of listeners from classic rock to blues, each and every one finding everything they like in this music. I’m glad to see this album available again.

CD 1 Remastered Bonus Tracks Recommend To A Friend

SNOWY WHITE / WHITE FLAMES ~ NO FAITH REQUIRED
VOICEPRINT 398 (Barcode: 604388324927) ~ UK ~ Blues
Recorded: 1996 Released: 2006

This is a reissue of Snowy White’s first album with his excellent White Flames trio, with some help from other musician friends (including John “Rabbit” Bundwick on keyboards). A superb example of Blues / Rock, where White’s incredible guitar playing and his soulful voice comprise an ideal vehicle for this type of music. White wrote all the music on this album and his love for the blues form is evident. Guitar freaks will of course enjoy White’s long guitar solos, but the material is generally very strong and the entire album is a most pleasant listen. It is great to have this album back in circulation, especially in view of the very limited exposure it received when originally released. Warmly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

GONG ~ IN THE 70`S
VOICEPRINT 406 (Barcode: 604388325726) ~ UK ~ Canterbury Scene
Recorded: 1973 - 1975 Released: 2006

New treasures from the GongFind albums by this artist archives! Previously unreleased live and rehearsal recordings of this great band are presented here in more than decent sound quality, which makes this a true bliss for the numerous fans of the band (myself included). The exact dates of the recordings are sketchy at best, but Daevid AllenFind albums by this artist’s liner notes shed some light on the contents: The majority of the tracks come from the jazzy version of the band with Steve HillageFind albums by this artist on guitar, Didier MalherbeFind albums by this artist on sax and Pierre MoerlenFind albums by this artist on drums. This almost fusion sounding band (recorded shortly before Hillage’s debut solo album Fish RisingFind albums with this title was made) really cooks! The rest of the tracks present the band around the time of Camembert ElectriqueFind albums with this title (with the great Pip PyleFind albums by this artist on drums) and around the time of Angel`s EggFind albums by this artist. All the music is of course quite brilliant and so uniquely Gong that I can hardly imagine that anybody who loves this band would like to miss this. Essential for all eggheads!

CD 1 Digipak Recommend To A Friend

REFUGEE ~ LIVE IN CONCERT - NEWCASTLE CITY HALL 1974
VOICEPRINT 421 (Barcode: 604388327225) ~ UK ~ Progressive Rock
Recorded: 1974 Released: 2007

Considering the fact that the legendary band RefugeeFind albums by this artist, formed in 1973 by two ex-NiceFind albums by this artist members Lee JacksonFind albums by this artist and Brian DavisonFind albums by this artist with the Swiss keyboards wizard Patrick MorazFind albums by this artist, recorded only one studio album and disbanded after less than a year with Moraz leaving to join YesFind albums by this artist, every piece of their recorded legacy is an absolute revelation. Add to this the surprisingly high quality of the recording and you have an amazing piece of Prog history on your hands. The concert includes most of the material from the studio album, but the live versions are extensively expanded to include longer solos and variations. All three musicians perform beautifully with Moraz expressing his virtuosity to the limit (and beyond). A couple of non-album tracks are also present, these of course never previously heard. It is a great pity that these recordings were to be the last recorded documents of Jackson and Davison for over 30 years (until the Nice reunion). The word of Prog would have been even richer if they continued their careers. Moraz was of course to be a central figure on the Prog scene for many years and recorded extensively. This is an absolute essential piece of Prog history and I know very few Prog fans that would miss this item in their collection.

PINK FLOYD ~ THE PINK FLOYD AND SYD BARRETT STORY
VOICEPRINT 473 ~ UK ~ Progressive Rock

The legendary 2001 BBC documentary by John Edginton about early Pink Floyd days created a major stirr among PF fans as it was one of the best ever documetaries about the band with lots of previously unavailable footage and a great insight. Now in the DVD version, with still more never previously seen footage and enhanced quality. This is an absolute must to any PF / Barrett fan and a great document of the period. Dolby Digital 5.1 Surround Sound, 74 minutes.

DVD 1 Bonus Tracks Recommend To A Friend

SLAPP HAPPY ~ ÇA VA
VOICEPRINT 509 (Barcode: 604388336029) ~ UK ~ Progressive Rock
Recorded: 1997 Released: 2009

In the early 1970s the trio Slapp HappyFind albums by this artist, which comprises of German vocalist Dagmar KrauseFind albums by this artist, British keyboardist Anthony MooreFind albums by this artist and US guitarist Peter BlegvadFind albums by this artist, was part of the early RIO movement, closely associated with the British group Henry CowFind albums by this artist. The two bands recorded a couple of brilliant albums together and Slapp Happy recorded two albums of their own (on their debut they were supported by the German band FaustFind albums by this artist), which are all considered absolute classic of Avant-Garde rock. When the band re-united to record this album, expectations were sky-high. The result took many of the band´s fans by surprise, as almost 30 years later Slapp Happy evolved into a completely different band, playing sophisticated, but melodic and hardly Avant-Garde material. Nevertheless the trio members lost none of their magical touch over the years as far as musicianship and composing skills are concerned. This great set of songs (and the album as a whole) is beautifully performed and crafted, with sophisticated lyrics and enchanting melodies. It is hard to determine if the passing time simply mellowed their once young and tormented souls, but they did grow up and aged well. Since one should allow artists to evolve and change, listening to this album one should "ignore" the band´s past to some degree, giving it a fair chance. With this approach I´m sure this great music can be accepted on its own terms and admired for its own merits. Excellent stuff!

Updated: 12/04/2019Posted:

SLAPP HAPPY ~ LIVE IN JAPAN – MAY, 2000
VOICEPRINT 523 (Barcode: 604388337422) ~ UK ~ Progressive Rock
Recorded: 2000 Released: 2009

In the early 1970s the trio Slapp HappyFind albums by this artist, which comprises of German vocalist Dagmar KrauseFind albums by this artist, British keyboardist Anthony MooreFind albums by this artist and US guitarist Peter BlegvadFind albums by this artist, was part of the early RIO movement, closely associated with the British group Henry CowFind albums by this artist. The two bands recorded a couple of brilliant albums together and Slapp Happy recorded two albums of their own (on their debut they were supported by the German band FaustFind albums by this artist), which are all considered absolute classic of Avant-Garde rock. When the band re-united in 1997 to record the splendid “Ça VaFind albums with this title” album, expectations were sky-high. The result took many of the band´s fans by surprise, as almost 30 years later Slapp Happy evolved into a completely different band, playing sophisticated, but melodic and hardly Avant-Garde material. Nevertheless the trio members lost none of their magical touch over the years as far as musicianship and composing skills are concerned. This live recording from the group´s Japanese tour finds them in great shape, performing several songs from the re-union album, as well as new versions of songs from their early 1970s recordings. This great set of songs is beautifully performed, with superb sound quality. It is hard to determine if the passing time simply mellowed their once young and tormented souls, but they did grow up and aged well. Since one should allow artists to evolve and change, listening to this album one should "ignore" the band´s past to some degree, giving it a fair chance. With this approach I´m sure this great music can be accepted on its own terms and admired for its own merits. Excellent stuff!

Updated: 12/04/2019Posted:

BAKER GURVITZ ARMY ~ LIVE IN MILAN ITALY 1976
VOICEPRINT / TMQ 054 (Barcode: 604388738021) ~ UK ~ Progressive Rock
Recorded: 1976 Released: 2010

This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of the group Baker Gurvitz ArmyFind albums by this artist, which he founded with ex-GunFind albums by this artist and Three Men ArmyFind albums by this artist members guitarist Paul GurvitzFind albums by this artist and bassist Adrian GurvitzFind albums by this artist and ex-SharksFind albums by this artist member vocalist Steve ParsonsFind albums by this artist (aka. SnipsFind albums by this artist). Baker Gurvitz Army recorded only three albums during its short life-span, and any additional material by the band is invaluable. The material is drown from the band´s studio albums and was recorded during the band´s final tour. Several surprises are heard here for the first time, like the group´s version of CreamFind albums by this artist´s "Sunshine Of Your Love". Definitely worth investigating, provided you´re not squeamish about sound quality.

GINGER BAKER / AIR FORCE ~ LIVE IN THE STADTHALLE OFFENBACH GERMANY 1970
VOICEPRINT / TMQ 055 (Barcode: 604388738120) ~ UK ~ Jazz-World Fusion
Recorded: 1970 Released: 2010

This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s revolutionary Jazz-World Fusion ensemble Air ForceFind albums by this artist, which he founded following the demise of CreamFind albums by this artist. Air Force recorded only two albums during its short life-span, and any additional material by the band is invaluable. Baker assembled a formidable group of top British Jazz players of the period, augmented by African vocalists and drummers. The fact that this album features the talents of the legendary saxophonist / organist Graham BondFind albums by this artist is alone worth the price, but other great players are also present: organist / guitarist Ken CraddockFind albums by this artist, saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist, bassist Colin GibsonFind albums by this artist and others. The material is similar to the material present on the two Air Force albums, but several surprises are heard here for the first time, like the group´s version of Cream´s "Sunshine Of Your Love". Most of the pieces include extended improvised parts, with the saxophonist taking solos in tandem. Definitely worth investigating, provided you´re not squeamish about sound quality.

GINGER BAKER / SALT ~ LIVE IN MUNICH GERMANY 1972
VOICEPRINT / TMQ 056 (Barcode: 604388738229) ~ UK ~ Jazz-World Fusion
Recorded: 1972 Released: 2010

This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s ensemble SaltFind albums by this artist, which he founded following the demise of Air ForceFind albums by this artist. Salt never recorded any albums during its short life-span, and therefore this material by the band is invaluable. In Salt Baker assembled a group of British Jazz players, which played in the last Air Force lineup, augmented by African vocalists and drummers, taking an even more radical step towards World-Jazz Fusion. Some great players are present: saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist and others. But the great surprise of this recording is the participation of the legendary Jazz drummer Art BlakeyFind albums by this artist, who "battles" with Baker in a series of drum exchanges. Definitely worth investigating, especially in view of the fact that the sound quality on this album is quite excellent, as it originates from a TV recording made of the concert.

GINGER BAKER / AFRICAN FRIENDS ~ LIVE IN BERLIN GERMANY 1978
VOICEPRINT / TMQ 057 (Barcode: 604388738328) ~ UK ~ Jazz-World Fusion
Recorded: 1978 Released: 2010

GINGER BAKER / ENERGY ~ LIVE IN MILAN ITALY 1980
VOICEPRINT / TMQ 058 (Barcode: 604388738427) ~ UK ~ Blues-Rock
Recorded: 1980 Released: 2010

JORGE PESCARA ~ GROOVES IN THE TEMPLE
VOICEPRINT BRASIL 114 ~ BRAZIL ~ Jazz-Rock Fusion

Jorge PescaraFind albums by this artist is a young Brazilian bass player. With the technique worthy of Jaco PastoriusFind albums by this artist and the sublime feel for the groove, he is a sensation in every respect. On this, his debut album, he is supported by virtually every great Brazilian jazz master, including Dom Um RomaoFind albums by this artist, Luiz BonfaFind albums by this artist, the legendary Eumir DeodatoFind albums by this artist and many many more. The album took 4 years of careful recording and the result is exceptional. The music, mostly written by Pescara, includes also tunes by Led ZeppelinFind albums by this artist and Jimi HendrixFind albums by this artist, showing his rock roots as well. Definitely groovy!