Record Reviews
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  | JOANNA SLOWINSKA ~ ZIELNIK POLSKI ROZSTAJA 116 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2016
This is an album which presents a live recording of a very grand musical undertaking, which brings together vocalist Joanna SlowinskaFind albums by this artist, a well known Polish World Music singer, with a Polish Classical orchestra Sinfonietta CracoviaFind albums by this artist and a Polish Jazz quartet led by young and upcoming violinist Stanislaw SlowinskiFind albums by this artist, which also includes pianist Katarzyna PietrzkoFind albums by this artist, bassist Justyn MalodobryFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. Together they perform twelve pieces, two of which are instrumentals and ten are songs featuring lyrics by Jan SlowinskiFind albums by this artist. In case you are wondering, Joanna and Jan are Stanislaw´s parents. Stanislaw Slowinski composed the music to eleven of these pieces and the last piece on the album was composed by Joanna Slowinska and arranged by Stanislaw. The album´s title ("Polish Herbarium"), the titles of the individual pieces and their subject matter clearly suggest that this is a concept album and the pieces are in fact a song cycle.
The overall atmosphere, soaked in typical Polish melancholy, religious martyrology and solemn reflection is heavy and overbearing, and creates a piece of music that is definitely not easy to absorb or even listen to. The sound is mostly massive and daunting, often overdramatic and even cataclysmic, something which could easily be used as a horror movie soundtrack, rather than something listeners would chose to listen to voluntarily. The only piece, which is performed by just the vocalist and the Jazz quartet, is definitely the most coherent piece on the album.
The music, although dominated by Classical influences, manages to amalgamate strong folkloristic themes and subtle Jazz sensitivity and shows talent and dedication by the composer and all the musicians involved. It seems Stanislaw Slowinski is trying to conquer the musical world a bit too aggressively and a bit prematurely, even for such talented young men as he is. It is worth to remember that less is often more, both in music and life in general.
Having said all that, this is still definitely an unusual and ambitious album that deserves to be heard and appreciated. A little less intensity and drama next time should make everything just perfect.
| Updated: 25/02/2017Posted: 25/02/2017 | CD 1 Digipak Recommend To A Friend |
  | STANISLAW SLOWINSKI ~ VISIONS (BETWEEN LOVE AND DEATH) HEVHETIA 0163 (Barcode: 8588005258265) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017
This is the second album by Polish Jazz violinist / composer Stanislaw SlowinskiFind albums by this artist, recorded in a sextet setting with two of the musicians who played on his debut: trumpeter Zbigniew SzwajdychFind albums by this artist and bassist Justyn MalodobryFind albums by this artist and three new players: guitarist Szymon MikaFind albums by this artist, pianist Kuba PluzekFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Vocalist Joanna SlowinskaFind albums by this artist guests on one track. The album presents seven original compositions, six of which were composed by Slowinski and one is a collective improvisation.
The music is a continuation of the approach initiated by the debut, with major emphasis on the compositions, which have a suite-like structure, such that the entire album could be considered as one continuous piece of music. Although clearly melody based, the music allows individual freedom of expression and personal interpretation by the sextet members. The melodic themes are again mostly very lyrical and somewhat melancholic, but at the same time dynamic and multi-layered enough to keep the listener at his toes.
As expected form the sextet´s lineup, which consists of some of the most prominent representatives of the young Polish Jazz scene, the individual contributions are all fabulous. Szwajdych is the romantic element, Mika the Fusion oriented vigorous voice and the leader takes the role of a charmer, with his violin seductively swirling around the basic melody lines. With these three front-line players sadly there is very little solo space left for Pluzek, who is an excellent player but is limited here mostly (except for one track) to the role of an accompanist, which of course he fulfills perfectly. The dynamic rhythm section is an integral part of the sextet and steers the soloists safely across the sometimes troubled waters of the tricky compositions.
Overall this is an excellent sophomore album, which definitely stands up to the expectations aroused by the debut. The Polish Jazz violin school is proudly developing before our very eyes, which is a source of joy, and albums like this one confirm that Polish / European Jazz is doing well and manages to avoid stagnation. Well done indeed!
| Updated: 01/02/2018Posted: 01/02/2018 | CD 1 Digipak Recommend To A Friend |
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