Record Reviews

DOM MINASI ~ QUICK RESPONSE CDM 1005 (Barcode: 616892598527) ~ USA ~ Jazz Recorded: 2004 Released: 2004 This quartet date by US guitarist / composer Dom MinasiFind albums by this artist is quite different from his two trio recordings, which brought him back from a quarter of a century long self-imposed exile from recording and stormed the Jazz world with his amazing performances. Together with Mark WhitecageFind albums by this artist on tenor saxophone, Kyle KoehlerFind albums by this artist on organ and John BollingerFind albums by this artist on drums, Minasi presents a laid-back session, which re-examines the Jazz heritage in a contemporary setting. Of the nine compositions included on here, three are re-workings of standards and the other six are Minasi’s compositions, all kept in the “spirit” of Jazz tradition. Minasi’s followers might find this approach surprising, but it is really quite natural for him to play more or less “straight ahead” Jazz, as long as he retains his unique guitar voicing, which of course he does with flying colors here. His delicate and ever so sophisticated solos are truly delightful, time after time, with traces of Wes MontgomeryFind albums by this artist chords hidden under the surface. The other quartet members play along splendidly, with Whitecage and Koehler adding their tasteful solos, Koehler (when not soloing) supporting the perfect background layers and the basses (with his pedals) gluing the music together and Bollinger driving them all rhythmically. The retro sound of the organ is really delightful, at times somewhat resembling what Larry Young was doing in Tony Williams LifetimeFind albums by this artist. Playing “straight ahead” is a real challenge when the musicians want to retain the element of originality and creativity, which is exactly what happens on this album. For the less experienced Jazz lovers, who might find Minasi’s Avant-Garde work difficult to swallow at first, this is a great introduction to the magical word of his music. Grab it!

Updated: 12/04/2019Posted:

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DOM MINASI ~ THE VAMPIRE`S REVENGE CDM 1006 (Barcode: 616892693727) ~ USA ~ Jazz Recorded: 2005 Released: 2006 This momentous masterpiece by US guitarist / composer Dom MinasiFind albums by this artist is one of the most ambitious large scale Avant-Garde recordings I’ve come across since the turn of this Century. Although large scale Avant-Garde projects flourished in European Jazz in the late 1960s / 1970 (Keith TippetFind albums by this artist and his CentipedeFind albums by this artist ensemble, Mike WestbrookFind albums by this artist’s Orchestra and many others), the complexity, cost and logistics involved with such projects basically doomed the prospects for such recordings over time with the cultural climate and openness for such endeavors virtually disappearing. Therefore, before even examining the music as such, one must take one’s hat off to Minasi for pulling it all together. The album presents a concept Free Jazz suite, inspired by the writings of Ann RiceFind albums by this artist, to which Minasi was first exposed in the mid-1990s and since then was slowly building up his material for a large scale work on the subject of Vampires – one of the most mysterious and fascinating themes in our world of fantasy, legend and imagination. The last pieces of this complex work were completed just shortly before the recording actually took place. For the recording Minasi assembled a formidable gathering of his “regulars” - his trio members Ken FilianoFind albums by this artist on bass and Jackson KrallFind albums by this artist on drums, his DDTFind albums by this artist cellist Tomas UrlichFind albums by this artist, his singer wife Carol MennieFind albums by this artist, his quartet member saxophonist Mark WhitecageFind albums by this artist and his former quartet member saxophonist Blaise SiwulaFind albums by this artist. In addition he enlisted some of the most prominent names on the US Avant-Garde scene like Borah BergmanFind albums by this artist on piano, Perry RobinsonFind albums by this artist on clarinet and others. A total of 22 musicians participated in the recording sessions for this album, including the conductor Byron OlsonFind albums by this artist, who conducted the immensely complex big ensemble pieces. Describing the music is a task beyond any lingual skills – it is meant to be listened to rather that written about after all. I’ll only say that there is so much music here that it will take even the most experienced listener several listening sessions to start digesting this immense work. Moving between quiet contemplative moments and crescendos of expressionist power, the music tells a story, which each listener might interpret differently, but none can stay indifferent to. Even the most experienced Free Jazz and Avant-Garde listeners will find innovation and exploration of uncharted territory here, which in today’s music is such a rare commodity. It’s demanding, overwhelming, complex and intricate and at the same time communicative and deeply moving. A brilliant piece of modern music, which although known to few, constitutes a ray of hope in contemporary music, symbolizing the pursuit of new horizons by the few musicians, who still care about expanding them. Amazing stuff!

Updated: 12/04/2019Posted:

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