Record Reviews

DORUZKA / FISCHMANN / NOVAK ~ GILGUL ANIMAL MUSIC 119 (Barcode: 8594211850261) ~ CZECH REPUBLIC ~ Jazz-World Fusion Recorded: 2023 Released: 2023 This is an album by the Czech Jazz trio comprising of guitarist / composer David DoruzkaFind albums by this artist, flautist / vocalist / composer Robert FischmannFind albums by this artist and drummer / percussionist Martin NovakFind albums by this artist. Three additional players participate on selected tracks: clarinetist / saxophonist Lubos SoukupFind albums by this artist, bass clarinetist / saxophonist Marcel BartaFind albums by this artist and trombonist Stepan JanousekFind albums by this artist. The album presents thirteen tracks, which include a four-part suite and a three-part suite, six of which are traditional Jewish / Hassidic melodies arranged by Fischmann, four are original compositions by Fischmann, two are by Doruzka and one is co-composed by all three trio members. Jewish music has been an important source of inspiration in contemporary Jazz, which I had an opportunity to witness closely as the Musical Director of the Singer Jazz Festival hold in Warsaw during the last decade. Some of those attempts to combine the genres were truly inspirational and impressive, others often suffered from opportunism and chalturism due to complete lack of understanding of the Cultural background and spirituality of the Jewish and Hassidic traditions. I an extremely happy to see that this beautiful album belongs to the former category. The music offers an intimate, completely acoustic and delicate treatments of traditional material, intertwined with original compositions, which match the overall atmosphere and spirit of the entire project. Most of the tracks are performed by the trio, but five offer an extended sextet arrangement, which is somewhat more Jazz oriented than the rest of the pieces, but again stay within the intimate and highly lyrical mood. There is definitely a strong dose of Easter European lyricism and melancholy involved as well. Although there are plenty of individual solos, the music is definitely more about the concept and overall message than about display of instrumental virtuosity. Fischmann’s flute work dominates the proceedings, as the leading melodic compass, with Doruzka supplying the harmonic layers and soloing occasionally, and the wonderfully sensitive drumming by Novak keeps the music flowing gently but firmly from one tune to another. The album offers a written essay by Fischmann, which explains the sources and inspirations for the individual songs, as well as the religious concept of transmigration of souls, which gives the album its title, and which is not unique to the Jewish tradition, but plays an important role in some of the Hassidic streams. On a personal note, I’d like to mention that this music is somewhat in the same spiritual sphere as the music by the excellent Polish Jazz trio BastardaFind albums by this artist, which I wholeheartedly recommend. Overall, this is beautiful and deeply moving album, which deserves to be heard by all music lovers, also those beyond the strict Jazz circles. As usual, the superb sound quality and production by the Animal MusicFind albums on this label label is as perfect as one might hope for, for which I am, as usual, grateful. Grab a copy as soon as possible!

Updated: 18/10/2023Posted: 18/10/2023

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JAROMIR HONZAK ~ HARD TO UNDERSTAND ANIMAL MUSIC 085 (Barcode: 8594155998715) ~ CZECH REPUBLIC ~ Jazz Recorded: 2019 Released: 2019 This is the tenth album as a leader by Czech Jazz bassist / composer Jaromir HonzakFind albums by this artist recorded by an all-Czech quintet comprising of some of the top Jazz players in the country: guitarist David DoruzkaFind albums by this artist, clarinetist / saxophonist Lubos SoukupFind albums by this artist, keyboardist Vit KristanFind albums by this artist and drummer Martin NovakFind albums by this artist. The album presents seven original compositions by Honzak and a couple of adaptations of a medieval theme. The music was splendidly recorded at the SONO Records studio and engineered by Milan CimfeFind albums by this artist, offering a spectacular sound quality. Listeners familiar with Honzak´s numerous recordings should be able to immediately recognize the two idiosyncratic qualities that are eminently present in his music: first and foremost the quality and depth of his compositions and then his unique way of playing the bass, both acoustic and electric. These qualities have ensured a certain seal of quality present in all his recordings in the last quarter of a Century, which not surprisingly has steadily strengthened over time. The sonority of the music and its somewhat mythical atmosphere is deeply European in nature, and offers a sublime amalgam of European music, which could be considered as Classical or folkloristic in its nature, with the Jazz idiom. It is hard to distinguish how much if this aesthetics is created subconsciously and how much is cleverly conceived, but regardless of the thought processes behind it, the result is simply overwhelming. This music could have never happened the way it does, touching on every string of the listener´s musical consciousness, if not the formidable team of musicians performing it. The strangely wonderful harmony achieved by Doruzka, Soukup and Kristan, which mixes acoustic and electric sounds into new sound vistas one could never imagine possible, is the heart of the magic that happens on this album. The use of the electronics by Kristan is simply masterly and his way of balancing the quantity of synthesized sounds with the acoustic ones is brilliant. Honzak is, as always, the spine of the entire complex structures created by the team and Novak keeps the time code wonderfully present, without being obtrusive. All these musicians are great masters of their relative instruments, which combined with their impeccable taste and talent results in music that is pure nectar to the ears. This album is a remarkable piece of music, which perhaps might demand certain intellectual as well as emotional involvement form the listener in order to be able to comprehend its depth and aesthetic beauty. Repeated listening sessions are highly recommended, since peeling layer after layer from this strange fruit is a delightful experience; "hard to understand"? not really if you approach this music with the same amount of love it was created with. Thank you Jaromir and co. for this beautiful gift of music!

Updated: 17/09/2020Posted: 17/09/2020

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JAROMIR HONZAK ~ THE BLUES OF A STRING HANGING IN THE WIND ANIMAL MUSIC 127 (Barcode: 8594211850452) ~ CZECH REPUBLIC ~ Jazz-Classical Fusion Recorded: 2023 Released: 2024 This is the 12th album by Czech Jazz bassist / composer / bandleader Jaromir HonzakFind albums by this artist, recorded with his regular quintet, with includes saxophonist Lubos SoukupFind albums by this artist, guitarist David DoruzkaFind albums by this artist, pianist Vit KristanFind albums by this artist and drummer Martin NovakFind albums by this artist, and the Prague Radio Symphony OrchestraFind albums by this artist, conducted by Bastien StilFind albums by this artist. The album presents eight tracks, which are in fact parts of a suite for Jazz quintet and Symphonic Orchestra, all composed by Honzak. The music was recorded live and offers an exceptional sound quality, as all Animal MusicFind albums on this label releases. Life is full of surprises, sometimes very pleasant ones, and writing about this album is one of them, as only a couple of days ago I wrote about another album, which is not only of very similar nature but also features almost identical lineup, both originating from the Czech Republic (see the “Scandinavian ImpressionsFind albums with this title” album by Soukup). Despite the obvious similarities, these two albums are also very different musically, which is even more wonderful. It is not a secret that Honzak is one of my favorite European bass players, but even more so composers. His music is always absolutely breathtaking, and despite its complexity, it manages to be superbly coherent and melodic. Here, with the additional layer of orchestral arrangements (by Tomas SykoraFind albums by this artist) on top of the Jazz quintet performances, the music is even more dense and intricate than usual, and yet, as usual, it is almost clairvoyant in its intellectual verity and emotional strength. The two layers, Jazz and orchestral, complement one another perfectly, but rather oddly, whereas Honzak uses the orchestra to expand the rhythmic and even improvisational nature of the music, rather than only support the harmonic / melodic elements, which is the usual modus operandi applied in most Jazz-Classical Fusion ventures, and as such this album stands out in its originality. It goes without saying that the quintet’s performances are nothing short of stellar, as expected. Soukup is in charge of the melody lines, leading the proceedings like the pied piper of Hamelin, Doruzka spices the mixture with his tasteful chords and strings of notes, Kristan sets the harmonic base and Novak tastefully sets the paste of things. And Honzak, like always, stands firmly, like the ship’s mast, in the epicenter of the music at all times, making sure everything works, as it is supposed to. Overall, Honzak delivers again a sublime piece of music, which offers a fascinating emotional journey, and which swipes the listener off his feet the minute the music starts, and never lets go. I can’t imagine anybody who loves music not to like this album, even if it sounds somewhat strange at the first moment. This is some of the finest music one can come across these days, and it should not be missed by whatever excuse. And yes, if you listen carefully, the Blues is there…

Updated: 12/08/2024Posted: 12/08/2024

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JAROMIR HONZAK ~ TWENTIES ANIMAL MUSIC 111 (Barcode: 8594211850131) ~ CZECH REPUBLIC ~ Jazz Recorded: 2022 Released: 2022 This is the eleventh album as a leader by Czech Jazz bassist / composer / bandleader Jaromir HonzakFind albums by this artist, recorded with his stable quintet, which includes also saxophonist Lubos SoukupFind albums by this artist, guitarist David DoruzkaFind albums by this artist, keyboardist Vit KristanFind albums by this artist and drummer Martin NovakFind albums by this artist. The album presents eight original compositions, all by Honzak. The music was recorded at the fabulous SONO Records studio, engineered by Adam KarlikFind albums by this artist and mixed by Milan CimfeFind albums by this artist, with the usual spectacular sound quality. I waited through the entire Covid period for this album with great anticipation, as Honzak’s music has a magic effect on me with its intrinsic tranquility and almost stoic unobtrusive peacefulness, which all of us desperately lacked when the world was going mad. Well, the world is still very much insane, but at least now the music is here to console. Honzak is a great songweaver and his melodies go always straight to one’s heart. Although the music is brilliantly performed by the quintet members, it just wouldn’t be enough to achieve its full effect without those melancholic themes underlying everything, leading the listeners subconsciously on the emotional plane. Even when the music is highly improvised and less melodic per se, it still is able to bond the listener to the flow, almost involuntarily. This album is perhaps the most Ambient / Electronic in its character, more than all Honzak’s earlier recordings, possibly an echo of his innermost fears and insecurities, that we all share. The musicians playing here are amongst the finest European instrumentalist out there. Doruzka (or the “young” Doruzka, as I call him) is absolutely phenomenal, growing and developing with every new album he plays on, being most probably one of the finest guitar players today. His role on this album is central and his playing sublime, which makes me very happy as he worked extremely hard to get where he is now. Soukup, Kristian and Novak create layers upon layers of sound, which fill the entire sonic space with dense, but not obtrusive contents, and concentrate less on soloing, which of course does not diminish their contribution. The leader’s bass playing is as expressive, imaginative and virtuosic as always. It is extremely difficult to comprehend how Honzak manages to consistently create such exquisite albums, one after another, but it is simply an undeniable reality. Overall, this is another masterpiece by the Czech Giant, who unwaveringly amazes with his quiet, humble and seemingly simple music, which is able to move proverbial mountains. This music penetrates deeper with every listening session, enabling the attentive listener to discover new hidden treasures time after time. I can do nothing but to raise the proverbial hat in deep respect for these eloquent, wonderful musicians and their fearless leader. Thank you for the music, my Friends!

Updated: 19/02/2023Posted: 19/02/2023

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TIBURTINA ENSEMBLE / DAVID DORUZKA TRIO ~ APOKALIPSIS ANIMAL MUSIC 041 (Barcode: 8594155997053) ~ CZECH REPUBLIC ~ Jazz-Classical Fusion Recorded: 2013 Released: 2013 This is an album by Czech female vocal septet called Tiburtina EnsembleFind albums by this artist, directed by Barbora SojkovaFind albums by this artist, and Czech Jazz guitarist David DoruzkaFind albums by this artist and his trio with saxophonist / bass clarinetist Marcel BartaFind albums by this artist and drummer Martin NovakFind albums by this artist. The album presents eighteen tracks recorded at the Zvikov Castle, which combine medieval music, mostly from the early fourteenth Century Las Huelgas Codex from Spain, based on Biblical texts (mostly the Book of Revelation or Apocalypse of St. John – hence the title) and contemporary improvisations by the trio led by Doruzka. The audacious attempt to bridge the almost Millennium long chasm, not only musical but also cultural and even spiritual, seems at first completely unimaginable, but this album proves that music is indeed timeless and the musicians are able to create an amalgam, which ignores the a.m. disparities. The original medieval vocal music is performed almost "untouched", in all its glory and divinity. The individual voices of the ensemble members as well as the choir parts are absolutely stunning, which is hardly surprising considering the Tiburtina Ensemble´s well earned reputation. However, the improvised parts by Doruzka and his cohorts are even more shocking, since their contemporary form and sound differs as totally as humanly possible from the medieval music, and yet are able to create a mystical bond between the two. Symbolically, like in the Book of Revelation, where the Good eventually triumphs over Evil, here the great stylistic division manages to be conquered by human ingenuity and love of music. Obviously this is no ordinary music, and it demands from the listener a complete submission to the overall sonic experience. Cultural background and knowledge of music history can be helpful, but is not necessary in order to absorb this wonderful and very potent offering, absolutely worth of every bit of effort needed to fully enjoy it. This is one of the most profound musical projects that try to bring medieval music into contemporary musical environment that I ever encountered, and as such it deserves a special praise, in addition to the wonderful sound recording and highly aesthetic packaging, all of which speak volumes of the Czech Culture and love of music and tradition. Kudus to all the people involved in this project and of course a warmest recommendation to all true music connoisseurs to get a copy ASAP. Hats off!

Updated: 16/10/2020Posted: 16/10/2020

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