Record Reviews

MONOSIES ~ STORIES OF THE GRAY CITY SOLITON 742 (Barcode: 5901571097428) ~ POLAND ~ Jazz Recorded: 2016 - 2017 Released: 2017 This is the debut album by the Polish Jazz quintet MonosiesFind albums by this artist, led by guitarist / composer Lukasz KomalaFind albums by this artist, which also includes trumpeter Zbigniew SzwajdychFind albums by this artist, pianist Michal SalamonFind albums by this artist, bassist Krzysztof AugustynFind albums by this artist and drummer Mateusz KaronFind albums by this artist. The album presents eight original compositions, all by Komala. The music is very melodic, well within mainstream Jazz with slight Fusion touches, which are pretty natural when lead guitar is involved. Most of the tunes are pretty slow tempo, melancholic / romantic in nature, but excellently put together. Typically for the young generation of Polish Jazz musicians, the musicians mature with solid compositional abilities, which is apparent on almost all debut albums released on the Polish Jazz scene. All the eight tunes on this album are little gems, which are a pleasure to listen to. All the members of the quintet are also excellent instrumentalists. Szwajdych plays several superb trumpet solos, which are well suited to the melodic line of the compositions. Salamon plays fluidly and always with the exact dynamics required at each specific moment, Augustyn solidly supports the flow of the music with his bottom line pulsations and Karon keeps the energy of the music kicking in. Komala produces some very unusual guitar sounds, especially when playing chords, obviously using a plethora of electronic devices. His solos are more Fusion than Jazz oriented, but they are concise, coherent and elegant, and certainly avoid the unnecessary doodling that plagues most contemporary Fusion recordings. Overall this is an excellent debut album, which is full of great tunes and excellent performances. Guitar fans should have a lot of fun with this, but all melodic Jazz connoisseurs will find this album to be an exciting listening experience. Perhaps not very innovative, but this is definitely a sold, well executed project which presents Komala as a gifted composer and the entire ensemble as an eloquent group of young Jazz lions. Well done indeed!

Updated: 10/11/2017Posted: 10/11/2017

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QUINDEPENDENCE ~ CIRCUMSTANCES NOT ON LABEL (Barcode: 5908254159688) ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is the debut album by young Polish Jazz ensemble QuindependenceFind albums by this artist which comprises of saxophonist / flautist Krzysztof MatejskiFind albums by this artist, trumpeter Dominik BorekFind albums by this artist, pianist Michal SalamonFind albums by this artist, bassist Milosz SkwirutFind albums by this artist and drummer Pawel NowakFind albums by this artist. The album presents seven tracks, four of which are original compositions (two each by Skwirut and Salamon), another two are arrangements of the first two of the fascinating seven piano pieces by Erik SatieFind albums by this artist called Gnossiennes and the last is a Polish Jazz standard by Zbigniew NamyslowskiFind albums by this artist. The music is modern melodic mainstream Jazz, with excellent original compositions and quite unusual complexity, which offers an excellent listening adventure. Although still full of the typical Polish lyricism and melancholy, the music goes beyond the typical conventions and boldly steps into new territory, which even much more established ensembles of this king rarely visit. The instrumental proficiency of these young players is also quite astounding, both on the individual level and as an ensemble. The complex music flows naturally and coherently, allowing for plenty of soloing opportunities and even some free form ensemble improvisation. Salamon, who is both a gifted composer and beautifully lyrical pianist (well remembered from the albums by F.O.U.R.S. CollectiveFind albums by this artist or MonosiesFind albums by this artist ensemble), sets the harmonic anchor for the proceedings and the horns deliver plenty of fiery moments. Skwirut not only keeps the music on track by his bass pulsations but also offers his two superb compositions, which are the most challenging pieces herein. Overall this is a wonderful debut album, which was sadly lost somewhere amongst the multitude of the excellent Polish Jazz releases at the time. Since the album was not followed by other releases, I assume it is not active any more, which is a pity. I have no idea how it arrived on my desk four years after it was released, but better late than never is absolutely true in this case as well.

Updated: 04/04/2020Posted: 04/04/2020

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