Record Reviews

ESKAUBEI & TOMEK NOWAK QUARTET ~ TEGO CHCIALEM FOR TUNE 0117 (Barcode: 5906395808205) ~ POLAND ~ Jazz-Rap Fusion Recorded: 2016 Released: 2016 This is the second album by Polish Rap and Jazz ensemble which finds rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist) combining forces with a Jazz quartet led by trumpeter Tomek NowakFind albums by this artist, which also includes pianist Kuba PluzekFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Filip MozulFind albums by this artist. This time they are also supported by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) who performs turntablism, saxophonist Mateusz SliwaFind albums by this artist and vocalist Patrycja ZarychtaFind albums by this artist. A couple of guest musicians appear on one track. Together the ensemble performs ten original songs, seven of which were composed by Nowak, two by Pluzek and one by Mozul (an instrumental intro). Skubisz wrote the lyrics to all nine songs and was helped out by the guest on one of them. This album continues the direction set by its predecessor, which combines Funky / Groovy Jazz tunes with Rap. In contrast to most attempts of such amalgamation, in which the musical content is rather limited and mostly very sketchy not to say primitive, this album offers a series of excellent full fledged compositions, which easily hold their own ground musically. This is even more emphasized on this album with the addition of Sliwa and expanding the quartet into a quintet on about half of the tunes. The Rap elements, although occupying a separate plane, are fully integrated within the musical structures. The turntablism, courtesy of Mr. Krime, who is prominently featured on the album, brings this album up to date with updated sound trends The instrumental work by the quartet / quintet is excellent from start to finish. Nowak plays superb soulful / funky phrases, Sliwa adds strength creating a brass section feel and soul when he plays solo, Pluzek plays absolutely wicked keyboards, using a plethora of sounds and groovy touches, Wykpisz, who is a wonderful Jazz bassist, turns here into a wizard of Funk and Groove and finally Mozul takes care of the rhythmic continuum, steady as a rock and devilishly inventive; in short a dream team! The Rap, which in fact is more a form than contents, turns out to be a recitation of Poetry, which deals with a wide range of subject matter, which Skubisz and his generation are facing in this strange and cruel world, which is consistently becoming less human. The lyrics are often bitter and frustrating, but from time to time also touch upon dreams and hope. They are a great example how one can express protest and anger without using even one four (or in Polish five) letter word. Overall this is another great album by Skubisz and his cohorts, proving that their debut effort was not just a lucky coincidence. The Rap and Jazz concept is again proven to be valid and creatively sound and the execution is once more just right on the money. Hopefully the Artists involved in this project will develop the idiom further in their future recordings, and in the meantime we are happy to enjoy this excellent effort. Well done again!

Updated: 31/01/2017Posted: 31/01/2017

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AREK SKOLIK ~ PLAYS MINGUS BLUES&JAZZ 001 (Barcode: 5908254159664) ~ POLAND ~ Jazz Recorded: 2015 Released: 2017 This is an album by veteran Polish Jazz drummer Arek SkolikFind albums by this artist recorded in a trio setting with saxophonist Jaroslaw BothurFind albums by this artist and bassist Michal JarosFind albums by this artist. Vocalist Patrycja ZarychtaFind albums by this artist sings on one track. The album, as the title suggests, presents six compositions by Charles MingusFind albums by this artist, which are interpreted by Skolik and his crew. The music, as described by Skolik in the album´s liner notes, is a spontaneous jam session based on compositions by Mingus, recorded live in the studio. There is not much one can add to this description honestly, as the music is completely straight ahead, except perhaps for the fact that it is performed by a saxophone trio, but that is nothing extraordinary these days. This album might have been recorded five decades earlier, and no one would be able to tell the difference. All three players are highly professional and fluent and the execution is beyond reproach, as good as any American mainstream Jazz combo is able to perform, except that this is a Polish Jazz trio and one really expects to hear something beyond ordinary when Polish musicians are involved. Bothur has a wonderful tone on his tenor saxophone and his improvisations are inspired, Jaros plays excellent support behind the saxophone and Skolik is obviously a very sensitive drummer, playing both rhythm and melody, but there is nothing here that wasn´t heard already. Overall this is a nice mainstream Jazz album, which Bebop lovers should enjoy anywhere in the world, but which does not break any new ground. Recommended to Mingus aficionados!

Updated: 12/04/2024Posted: 08/04/2017

CD 1 Digipak Recommend To A Friend

MICHAL WIERBA / DOPPELGANGER PROJECT ~ ORANGE SKY CELESTIS 005 ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by young Polish Jazz pianist / composer Michal WierbaFind albums by this artist, known to local fans as the co-leader of a quintet with trumpeter Piotr SchmidtFind albums by this artist. This is a much more intimate project, basically a piano trio plus percussion and a female vocalist on three tracks. The participating musicians apart from Wierba are: bassist Jakub DworakFind albums by this artist, drummer Arek SkolikFind albums by this artist, percussionist Lukasz KurzydloFind albums by this artist and vocalist Patrycja ZarychtaFind albums by this artist. The album consists of ten tracks, five of which are Wierba originals, three are standards and one each is by Kurzydlo and Zarychta. Although Wierba is an excellent player by all standards, this album does him a terrible disservice. The music sounds like something played during a yuppie birthday party, always simplistic and pleasant, conformist and sugary sweet. Even the divine Jimmy RowlesFind albums by this artist´ composition "The Peacocks", played on solo piano like a Frederic ChopinFind albums by this artist nocturne, sounds completely ridiculous. The vocalist sings in English (again!) and I don´t need to repeat what I think about that. Even the album´s liner notes credit the wrong tracks to their composers, at least in the case of the a.m. Rowles composition and the tracks timings are wrong like on the last track. In short anything that could go wrong here simply did go wrong. This record should have never been recorded, nor released. I´m not adding another word…

CD 1 Recommend To A Friend