Record Reviews
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  | AGA KIEPUSZEWSKA ~ SILENCE POLSKIE RADIO 1519 (Barcode: 5907812245191) ~ POLAND ~ Jazz Recorded: 2011 Released: 2012
This is the debut solo album by Polish Jazz vocalist / songwriter Aga KiepuszewskaFind albums by this artist, who also took part in the phenomenal album she recorded with the Polish Jazz ensemble SoundcheckFind albums by this artist, called "Marysia – Wiersze Z KazachstanuFind albums with this title". On this album Aga presents ten original songs, five of which were composed by Soundcheck´s leader, saxophonist Maciej KocinskiFind albums by this artist, two by keyboardist Nikola KolodziejczykFind albums by this artist, who accompanies Aga on this album, another two by keyboardist Kamil UrbanskiFind albums by this artist and the remaining one by Aga herself. Aga wrote the lyrics to eight of the songs (two in English and the rest in Polish) and the remaining two are poems by the great Polish poet and Nobel Prize laureate Czeslaw MiloszFind albums by this artist. One of the songs appears twice on the album, the second time as a bonus track in the form of a radio edit. The two other musicians supporting Aga on this album are bassist Maciej SzczycinskiFind albums by this artist and drummer Robert RaszFind albums by this artist.
This is definitely a very ambitious project, which reflects Aga´s many talents at their best. The fact that the album made little impact on the local scene is truly criminal, and the only logical explanation could be the astonishing plentitude of wonderful Jazz being produced in Poland these days, but nevertheless this is an album, which deserves much more attention.
As a vocalist, Aga emerges full of self confidence and wonderful sensibility, which is evident from the moment she opens her mouth. She is in full control of her voice, both on the acoustic as well as the emotional scales. Her timbre and mannerisms are remarkably close to those of the "other" Aga of Polish Jazz, Aga ZaryanFind albums by this artist of course. Perhaps the fact that Aga Kiepuszewska chose to sing deeply lyrical and poetic material and her innermost feelings are reflected in her vocals are the cause of the proximity. However, there is no attempt here of consciously copying Zaryan´s style, and the young Kiepuszewska will surely reach her completely unique and personal manner of expression in the not too distant feature.
The amazing lyrics Aga wrote for her songs are another big surprise, which in the age when completely moronic songs rule the airwaves, are truly exceptional. Deeply personal, these little pearls are remarkably poetic and meaningful, fitting the music perfectly. Good lyrics are so difficult to find these days and this album is full of them; how wonderful!
Aga gets a superb support from the trio, which accompanies her with obvious empathy and elegance. Kolodziejczyk is a great player with virtuosic qualities and remarkable sensitivity, and is one of the upcoming stars of the Polish Jazz scene. Szczycinski, who plays solidly and supportively, also uses arco passages and even utilizes the Middle Eastern oud to make the outmost effort to make this music as perfect as possible. Rasz also makes the best of it all, playing with varying intensity always in sync with the music and utilizing additional percussion instruments to enhance the overall result.
All in all this is a remarkable debut effort, which hopefully is a forerunner to other great achievements, just please Aga don´t keep us in suspense for too long. This is wholeheartedly recommended to all lovers of vocal Jazz, Polish Jazz and good music in all forms and shapes. Kudos!
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  | MARCIN LOSIK ~ EMOTIONAL PHRASING DOT TIME 9037 (Barcode: 604043903726) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015
This is the debut album by Polish Jazz pianist / composer Marcin LosikFind albums by this artist, recorded in a classic piano trio format with bassist Ksawery WojcinskiFind albums by this artist and drummer Robert RaszFind albums by this artist. It presents eight original compositions, all by Losik.
From the very onset of the music it is immediately clear that Losik is yet another representative of the incredibly talented new wave of Polish Jazz pianists / composers that is erupting on the local scene in the last decade. His highly sensitive, versatile and emotional piano playing is completely inconsistent with his age and so are his compositional abilities, which are revealed in full herein.
The music reflects beautifully the typical Polish approach to Jazz composition, which merges lyricism and romanticism with highly advanced harmonic development, leaving enough breathing space and air for the musicians to express themselves and to have a mystery element floating somewhere between the notes. All eight compositions are equally interesting and intelligent, which by itself is already an outstanding achievement.
The individual contributions by the trio members are all stellar, but all quite different from each other. Losik plays with passion but strokes the keys delicately and with great sensitivity, improvising elegantly and often playing around with the tempi, which could be well described by the album´s title. He leaves a lot of space for Wojcinski, who is carrying the burden of the metronome brilliantly along the way but also plays several dazzling solos. I must say that this is definitely some the best playing I have heard by Wojcinski over the years, solid, precise, highly melodic and technically brilliant. Rasz keeps his drumming well in check, painting the rhythmic textures amicably and most of all not trying to dominate the music. As a trio these musicians function as close to perfection as one might expect, obviously communicating and cooperating at all times.
If this is what Losik is able to show us on his debut album, it becomes truly frightening to contemplate what he can achieve in a decade. The young European musicians of today show a level of education and proficiency which musicians half a century ago achieved only after decades of playing experience. In any case this is definitely a most impressive debut, which deserves the attention of all fans of European Jazz, wherever they might be. Well done indeed!
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