Record Reviews

POLISH JAZZ QUARTET ~ MEETS STUDIO M-2 GAD 054 (Barcode: 5901549197709) ~ POLAND ~ Jazz Recorded: 1964 - 1966 Released: 2017 This is a sensational archival album presenting the recordings by one of the formative modern Polish Jazz ensembles, the Polish Jazz QuartetFind albums by this artist, which comprised of saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist, pianist / composer Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist. The music included herein was recorded at the Polish Radio Studio M-2 with the studio orchestra conducted by Boguslaw KlimczukFind albums by this artist. Twelve wonderful pieces of early modern Polish Jazz are included on this album, seven of which are original compositions by Wroblewski, two are original compositions by Karolak and the remaining three are by other Polish composers, arranged by Wroblewski or Karolak. This album is the only source of recorded material by the Polish Jazz Quartet other than their debut album released in 1965 as the third volume of the legendary "Polish Jazz" series. The fact that the album does not include any American standards is extremely significant and points the way towards the development of the newborn Polish Jazz scene, which from its early days tried to create music different from the Jazz tradition, breaking away from the limitations and exploring new avenues, combining Jazz with the European musical tradition, local folklore and other influences, which eventually were to produce the "Polish Jazz Sound", which became an integral part of the Polish Cultural heritage. Stylistically the music moves between Swing, Bebop and Orchestral Jazz, still very much rooted in the American Jazz tradition, but already clearly trying to break away from it, which can be heard especially in Wroblewski´s masterful arrangements, which are very different from the American Big Band convention. The melodies are also much more sophisticated and diverse that the standard Bebop tunes, which served as vehicles for improvisation, whereas in the tunes present here the melodic contents has a much larger presence and position. The performances by all the musicians involved in these sessions are brilliant and one would never guess that this music was recorded beyond the Iron Curtain, where Jazz was in its early stages of development (at least on the National scale) and the musicians involved had very limited access to recorded material or performing experience. Listening to this album feels like taking a time machine trip five decades back in time, in order to visit the early childhood of modern Polish Jazz and the experience is truly magical. As usual the fact that this music is available for us to enjoy is by no means trivial and only thanks to the efforts of Michal WilczynskiFind albums by this artist, owner of the GADFind albums on this label Records label, it became a reality. Polish Jazz connoisseurs should be ever so grateful to this man for his unprecedented work.

Updated: 15/04/2017Posted: 15/04/2017

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ZZ QUARTET ~ MIDNIGHT IN EUROPE IN+OUT 77145 (Barcode: 798747714525) ~ CROATIA ~ Jazz-World Fusion Recorded: 2019 Released: 2021 This is the third album by the European Jazz ensemble called ZZ QuartetFind albums by this artist, co-led by Croatian guitarist Ratko ZjacaFind albums by this artist and Italian accordionist Simone ZanchiniFind albums by this artist with Macedonian (resident in Germany) bassist Martin GjakonovskiFind albums by this artist and American drummer Adam NussbaumFind albums by this artist. The music was recorded live and the album presents nine original compositions, four by Zjaca and five by Zanchini. The music is a wonderful amalgam of Jazz and European Folkloristic themes, excellently put together and brilliantly performed by the quartet. Accordion is of course a very dominant instrument and Zanchini takes the center stage most of the time, which is perfectly fine as his virtuosic delivery is worth every minute of attention. He is full of the Italian lyricism and incredible feel of melody, which many Italian musicians are blessed with. The fourteen minutes long ballad “Frida Is Vanished” is alone worth the price of the album and epitomizes the soulful atmosphere of the music perfectly. Zjaca adds the Jazz element to the music, soloing skillfully and accompanying the accordion amicably in the background. His music is more Blues oriented, adding different accents to the album as a whole and making it more diverse. The rhythm section is also playing impressively, with veteran Nussbaum, who needs no introduction, adding the perfect accents but playing delicately and sparingly. Gjakonovski, one of the rising young European bass stars, delivers everything expected of him. Overall this is an excellent album, full of great music and exciting performances, with a unique sound and atmosphere, which consolidates Jazz with many European cultural elements, mostly of Mediterranean origin. A delightful listening experience!

Updated: 05/07/2021Posted: 05/07/2021

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