Record Reviews

ROLF KUHN UNIT ~ STEREO MPS 4029759102908 (Barcode: 4029759102908) ~ GERMANY ~ Avant-Garde Jazz Recorded: 2015 Released: 2015 This is a sensational album by veteran German clarinetist / composer Rolf KuhnFind albums by this artist and his quartet, which also includes guitarist Ronny GraupeFind albums by this artist, bassist Johannes FinkFind albums by this artist and drummer Christian LillingerFind albums by this artist. Together they perform ten pieces, six of which were composed by Kuhn, two by Graupe, one by Fink and one by Gordon JenkinsFind albums by this artist. The album´s liner notes are completely uninformative about all the relevant details, like who plays what, who composed what and when the music was record, which is a gross negligence. At least it states that the album was engineered by the legendary Walter QuintusFind albums by this artist, and it sounds accordingly amazing. Aged 85 at the time this music was recorded, Kuhn seems to be younger and more vigorous musically then all his contemporaries, and to be honest most other musicians way younger then him. This quartet incorporates two young Berlin based musicians, who are considered to be representatives of the "now" German Jazz scene, mostly playing extreme contemporary Avant-Garde (Graupe and Lillinger were members of Hyperactive KidFind albums by this artist now known as Gropper / Graupe / LillingerFind albums by this artist trio). Fink is a representative of the mid-generation and also mostly associated with Free Jazz. The sheer audacity to play along these musicians, many decades younger than him, and feel completely integrated with them makes Kuhn an absolute marvel. The music is completely up to date, amalgamating Free Jazz, some electronics, Avant-Garde and Jazz tradition. This is probably the most experimental album Kuhn ever recorded, even though he often flirted with Free Jazz during his extensive career. His presence influences Graupe and Lillinger to actually play melody and rhythm, which they almost never do in their organic environment. This means that although the music is very adventurous, it is completely coherent and accessible even to listeners who have little experience with music of this kind earlier on. More experienced listeners will discover a whole new universe of music herein, with layer upon layer of complexity and ingenuity. The individual statements and the interplay between the quartet members are among the most marvelous musical moments of contemporary European Jazz, which has no parallels. This music is beyond time and space and takes the listener on a voyage of endless possibilities. The life and work of Rolf Kuhn are a wonderful example of the limitless power of talent and mind over obstacles and limitations. His illustrious recorded legacy is an endless source of sublime musical pleasures and this album is simply the jewel in the crown, the cherry on top, the top of the heap… Thank you Rolf for so many years of musical joys; Hats off and may you live forever!

Updated: 12/04/2019Posted: 23/09/2016

CD 1 Digipak Recommend To A Friend

NYPAN ~ STEREOTOMIC LOSEN 168 (Barcode: 7090025831683) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This is a live recording by a quartet led by Norwegian guitarist / composer Oyvind NypanFind albums by this artist, with pianist Bernt MoenFind albums by this artist, Swedish bassist Egil KalmanFind albums by this artist and drummer Ole MofjellFind albums by this artist. The album presents eight original compositions, all by Nypan. This is Nypan´s fourth album and his second release on the excellent Norwegian LosenFind albums on this label Records. The music is typical guitar focused modern Jazz, which in spite of the fact that the musicians are Scandinavian, sounds very American, both stylistically and aesthetically. The compositions are melody based, but allow relative freedom, which includes some irregular rhythmic patterns and open structure. The melody stays basically well in the background, serving only as a vehicle for the guitar and less often also the piano to play their respective solos. The rhythm section seems to have some difficulties to follow the leader during the complex pieces and stays respectfully way in the background most of the time. When the music enters a Free Improvisation mode, it sort of falls apart. When a quartet plays a slow ballad or a straightforward swinging music, everything works well, but the music becomes corny. Overall, although the participants are all very experienced and skilled musicians, the album lacks coherence and clarity to make it an enjoyable listening experience. Some melodic guitar parts are able to hold water for a while, but at some point the magic is simply lost. Guitar freaks might find this album interesting, at least in part, although it is rather difficult to grasp as a whole. Good intentions that did not pay off this time…Of course only my very personal view.

Updated: 16/05/2017Posted: 16/05/2017

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