Record Reviews

FOLLOW DICES ~ CZULOSC NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2023 Released: 2023 This is the second album by Polish Jazz quartet Follow DicesFind albums by this artist, which comprises of violinist Mikolaj KostkaFind albums by this artist, pianist Franciszek RaczkowskiFind albums by this artist, bassist Jan Jerzy KolackiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine original compositions, seven by Kostka and one each by Raczkowski and Kolacki. The album is a refined version of the impressive debut album by this wonderful acoustic quartet of highly skilled young Jazz players, released five years earlier. The compositions are much more focused and emphasize the lyrical elements of Polish tradition, both from the Folkloristic and Classical sources, all perfectly intertwined within the Jazz components with grace and sophistication. Kostka matured and perfected his violin technique and sound to such a level, that he can be counted easily as one of the top Jazz violinists in the country, and hearing his development as performer, and to no lesser degree as composer, is a real joy. Raczkowski also polished his piano playing and his soloing on this album sounds truly impressive. The rhythm section fills the gaps precisely and tastefully, exactly as the doctor prescribed. Perhaps even more importantly, the cohesion and interplay of the quartet as a whole is the finest achievement herein, and is an absolute aesthetic wonder. Overall, this is simply a classic example of Polish Jazz at its best, with the typical Polish melancholy at the helm and ingenious use of all the right aesthetic elements that make the perfect puzzle complete. A true uplifting experience, which fills the listener with tears of joy in the corners of his eyes, at least in my case. It’s been a while since I have heard an album of this level of quality and I bow deeply to these Artists in a gesture of gratitude.

Updated: 21/03/2024Posted: 20/03/2024

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FOLLOW DICES ~ ETERNAL COLORS SJ 029 (Barcode: 5912596066320) ~ POLAND ~ Jazz-World Fusion Recorded: 2018 Released: 2018 This is the debut album by the Polish quartet Follow DicesFind albums by this artist, comprising of pianist Franciszek RaczkowskiFind albums by this artist, violinist Mikolaj KostkaFind albums by this artist, bassist Jan Jerzy KolackiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents thirteen relatively short original compositions, five of which were composed by all four members of the quartet, four by Kostka, two by Raczkowski (one of them with Wajdzik) and two by Kolacki (one of them with Tobiasz GottfriedFind albums by this artist). The album was beautifully recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist. The music is a wonderful amalgam of Jazz and Polish Folklore influences, with traces of contemporary Classical and Nordic ambiance. The separate pieces can be easily conceived as a continuous suite, as they present a coherent compositional unity and harmonic consistency, as well as stylistic European Jazz aesthetic. Although based on solid melodic themes, the music is generously open and allows free improvisation between the melodic statements. Constantly floating rhythmically and harmonically, the music is in many aspects an epitome of modern European Jazz at its best, presenting intellectual and emotional involvement complementing each other in perfect equilibrium. All four of these young musicians emerge triumphantly from this ambitious and often quite complex music. Raczkowski weaves the harmonic magic carpet upon which the music floats, Kostka ornaments the proceedings with his romantic and soulful melodic statements, Kolacki is, as expected, the pillar of stability and the beacon pointing out the way and Wajdzik is the master of good taste and delicacy not disturbing the fragile rhythms and playing exactly as much as needed. The unity and cooperation among the band members is truly exemplary. The album distinctly presents the best of what can be defined as Polishness in contemporary Polish music, i.e. it borrows wisely from the tradition, more conceptually than literally, emphasizing the Polish lyricism and melancholy majestically and with elegance and flair. If someone is looking for an example of "Polish Jazz", this is perhaps one of the best recent examples of the idiom. There is no doubt that this is a stunning debut effort, which hopefully paves a way for a fruitful future. As such, it is so far one of the strongest albums that landed on my desk (and in my ears) this year, which is a rare distinction. I can only recommend it to all music connoisseurs all over the world, as music of such quality and depth is very precious and rare. Well done Gentlemen!

Updated: 23/07/2018Posted: 23/07/2018

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ANDRZEJ KOWALSKI ~ ABSTRAKT NOT ON LABEL (Barcode: 5907653893612) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2019 Released: 2019 This is the debut album by young Polish Jazz guitarist / composer Andrzej KowalskiFind albums by this artist recorded in a quartet setting with saxophonist Robert WypasekFind albums by this artist, bassist Jan WierzbickiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine original compositions, all by Kowalski. It was recorded at the excellent Monochrom Studio and offers a high sound quality. The music is excellent modern mainstream Fusion, based on solid compositions which incorporate melodic themes and quite unusual rhythmic structures, creating a dynamically diverse atmosphere of tension. The compositions are way more complex than the average Fusion material and certainly more sophisticated and intelligently weaved. These four young musicians share the responsibility for the music the quartet produces quite equally, which is rather unusual. Although the guitar and the saxophone deliver most of the soloing, as expected, the rhythm section is also constantly busy with laying out the complex pulsations and quirky tempi changes, all clearly audible for the entire duration of the music, as well as soloing impressively. Overall this is a surprising and unusual debut album, which manages to step outside of the conventional Fusion frameset by adding more freedom, both harmonically and rhythmically, rejuvenating the somewhat stale genre and proving that it is still able to astonish the listener. The level of performances by these young musicians proves again that the Polish Jazz scene enjoys an incredible surge of juvenile blood transfusion into its veins, which keeps it alive and sparkling.

Updated: 29/10/2019Posted: 29/10/2019

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INGA LEWANDOWSKA ~ CHOPIN SONGS OP. 74 SOLITON 1313 (Barcode: 5903684233137) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2022 This is an album by Polish Jazz vocalist Inga LewandowskaFind albums by this artist, recorded with local Jazz musicians: trumpeter Jan ChojnackiFind albums by this artist, pianist Przemyslaw RaminiakFind albums by this artist, bassist Grzegorz PiaseckiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine of the seventeen songs composed by the Polish National composer Frederic ChopinFind albums by this artist, collected together as Op. 74, with lyrics by various Polish poets. The music was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, as offers a splendid sound quality. This album is in fact a “remake” of an album Lewandowska recorded some twenty years earlier with pianist Kuba Stankiewicz, entitled “Chopin Songbook Op. 74”, which offers a 2CD bi-lingual version of this material, but this recording offers a completely new arrangements and instrumentation, in addition to twenty years of experience, and as such is a valid attempt. Of course my opinion about serious molestation of Chopin’s music by Polish Jazz musicians are still sound and valid, but again, since this is something that was done already, at least it can’t add any harm. As perilous as this material might become, all in all I quite like this album. Lewandowska has an idiosynchratic voice, which takes a while to get used to, but her vocalese and the vocal gymnastics she performs here are quite impressive, which keeps the listen in suspense. Her articulation and theatrical pronunciations are great fun and she obviously knows what she wants. For example, on the last track of this album she sings accompanied only by the bass, and still manages to hold the melody and improvise, like a pro. The instrumental work is as perfect as one might wish for, with Chojnacki ornamenting the proceedings with his trumpet solos and Raminiak’s accompaniment being right on at all times, with several great solos added as well. The rhythm section adds a supportive pulse and as already mentioned the bass also plays splendidly along with the vocals. Overall, this is a very pleasant and splendidly executed album, which should keep all Vocal Jazz fans happy, not to mention the many Chopin a la Jazz fans out there, who never seem to get enough. Although the lyrics are in Polish, this is of secondary importance here. Have fun and enjoy!

Updated: 03/02/2023Posted: 03/02/2023

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MARCIN PATER ~ NOTHING BUT TROUBLE EMME 1917 (Barcode: 850869006503) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album by young Polish Jazz vibraphonist / composer Marcin PaterFind albums by this artist recorded in a trio format with bassist Mateusz SzewczykFind albums by this artist and drummer Adam WajdzikFind albums by this artist. Guitarist Jakub MizerackiFind albums by this artist guests on three tracks. The album presents nine original compositions, eight of which were composed by Pater and one co-composed by him with other musician. The album was released by the Italian label EmmeFind albums on this label Records, as the result of the trio winning the first prize at the 2018 Jazz Juniors competition in Krakow. The music is a wonderful amalgam of cross-genre explorations, moving between modern mainstream Jazz and Jazz-Rock Fusion, based on beautifully melodic themes. The level of all the compositions is truly excellent and very surprising considering the young age of the composer. The three tracks featuring Mizeracki are understandably much more Fusion oriented, due to the dominating sound of the electric guitar, whereas the trio tracks are much more airy and atmospheric. Pater emerges as a surprising vibraphone Master, playing with remarkable confidence and technical proficiency. Every strike of his mallets is precise and superbly expressive, using sustain and delicate variations of the pressure to produce a wonderful palette of sounds. It is truly heartwarming to see the much neglected instrument finally being treated with respect and virtuosity it deserves. The rest of the crew is also excellent of course. Szewczyk and Wajdzik support the leader with swinging fluidity and Mizeracki adds another layer to the music, stirring things up with his edgy approach, but also remarkable flexibility. Altogether the trio / quartet present a clockwork precision and a velvety sound, which work like a dream. The album brings on some fond nostalgic memories or early Gary BurtonFind albums by this artist quartet featuring Larry CoryellFind albums by this artist (or the birth of Fusion), which are still some of best examples of vibraphone virtuosity not related to Bebop. Overall a very impressive debut album, perhaps not very innovative musically, but very refreshing and focusing on a neglected and much loved instrument, which definitely put this album in the short list of best Polish Jazz debuts for 2019. Well done and definitely worth investigating!

Updated: 31/12/2019Posted: 31/12/2019

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