Record Reviews
27 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | GORDON BECK ~ EXPERIMENTS WITH POPS
ART OF LIFE 1001 (Barcode: 804640100126) ~ UK ~ Jazz
Recorded: 1967 Released: 2001
Pianist / composer Gordon BeckFind albums by this artist is one of the true forefathers of modern British and European Jazz; a pioneer and revolutionary in every sense and a giant musician, who managed to free himself from the boundaries imposed by the American Jazz tradition and take the music a step further to a new sphere. What is even more remarkable and amazing is the fact that in contrast to most British and European musicians, who took their emancipation from the rigors of the past towards Free Jazz and Improvised Music, Beck remained firmly within the seemingly “mainstream” form, playing melodically and in strict time, and yet so much “out there” that for people who are able to hear the difference it’s truly staggering. Beck first came to prominence when he joined the group led by British Jazz legend Tubby HayesFind albums by this artist in 1962 and remained with him for several years as his regular pianist, performing and recording some of the most remarkable albums in the British Jazz history. Since 1967 Beck started to record as a leader and his trio became the “house band” of the famous Ronnie ScottFind albums by this artist’s London club. By the end of the 1960s he took part in the development of the British Jazz-Rock Fusion, playing with Phil WoodsFind albums by this artist in the European Rhythm MachineFind albums by this artist and later with NucleusFind albums by this artist. He became increasingly involved with other musicians from the European scene, especially with many French Jazz players (an association that thrives to these very days). His extensive discography accumulated over the years, both as leader and sideman, is a formidable body of work, which stands out as one of the most consistently excellent and creative. This album was Beck’s second (out of three) release on the tiny independent Major MinorFind albums on this label label, which in time became one of the most sought after British Jazz collector’s items. For the recording Beck expanded his trio (Jeff ClyneFind albums by this artist – bass and Tony OxleyFind albums by this artist – drums) to a quartet, with the addition of no other that guitarist John McLaughlinFind albums by this artist, known at the time as “Johnny”. Apart from the fact that this is one of the very few early McLaughlin recordings, and therefore of immense historical value, the entire quartet is probably one of the strongest and most extraordinary European ensembles, pioneering the European approach of collective playing. McLaughlin’s brilliant arpeggios, Oxley’s prophetic time keeping away from time, Clyne’s innovative bass explorations and Beck’s flights all over the keyboard collectively create an new amalgam of sounds, taking the music to a new dimension, previously unexplored. How ironic, considering that the material consists entirely from Pop songs popular at the time (hence the album’s title), but in the hands of these players the music becomes truly experimental, as promised by the album’s title. The album’s producer Ray HorricksFind albums by this artist writes in the original liner notes: “This could be the most creative Jazz quartet album ever recorded in Europe… previous quartet recordings in London, or on the Continent, and including the best, have consisted of a rhythm section accompanying a leading soloist; whereas this one features a genuine collective development along lines which no other group, except Gary BurtonFind albums by this artist’s in America, has yet proceeded”. How perceptive and prophetic… Kudos to Paul KohlerFind albums by this artist of Art Of LifeFind albums on this label Records for bringing this timeless masterpiece back to circulation. This music, 40 years after it was recorded, sounds better and more exciting than most of what one hears in contemporary Jazz. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | BURTON / METHENY / SWALLOW / SANCHEZ ~ QUARTET LIVE
CONCORD 888072313033 (Barcode: 888072313033) ~ USA ~ Jazz
Recorded: 2007 Released: 2009
In the 1960s the celebrated American vibraphonist / composer Gary BurtonFind albums by this artist led a quartet, which also included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Roy HaynesFind albums by this artist (and later Bob MosesFind albums by this artist). That quartet recorded a series of brilliant albums, which in retrospect clearly show how pioneering and revolutionary that music was at the time, giving birth to Jazz-Rock Fusion years ahead of anybody else in the US. The young and up-coming guitarist Pat MethenyFind albums by this artist joined that same quartet just a few years later (mid-1970s), adding his unique input to the quartet´s sublime legacy.
This live recording at the legendary Yoshi´s Jazz club in Oakland captures a reunion of the original (1970s) quartet with the exception of the Mexican drummer Antonio SanchezFind albums by this artist, who is of course a member of the much younger generation of Jazz players, but his remarkable qualities suited the occasion perfectly. They perform a series of mostly original compositions by the three veteran group members, which have all been performed at the time by the original quartet. A few compositions originating from outside the quartet, but performed at the time, as also included, those being by Chick CoreaFind albums by this artist, Carla BleyFind albums by this artist, Keith JarrettFind albums by this artist and Duke EllingtonFind albums by this artist.
This quartet treats these compositions quite differently in comparison to the original performances, bringing the arrangements up to date both sonically and stylistically, which awards them a second life. The overall level of performance is of course stellar, which is not surprising considering the aggregation of talent present. It is really great to hear Metheny play Jazz again, which he scarcely does with his own group. Both Burton and Swallow seem to be completely untouched by time and sound in top form. It is truly uplifting to see Jazz veterans being able to create music, which is fresh and valid today, as it was decades ago. Great stuff!
| | | CD 1 Recommend To A Friend |
  | GARY BURTON ~ DREAMS SO REAL – MUSIC OF CARLA BLEY
ECM 1072 (Barcode: 602517758308) ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2008
US vibraphonist / composer Gary BurtonFind albums by this artist is one of the pillars of American modern Jazz and his extraordinary legacy of recorded music includes a monumental body of work, spanning decades, styles and an incredible variety of sounds. On this very unique album, Burton and his quintet - which consists of two guitarists: British Mick GoodrickFind albums by this artist (one of the greatest and sadly little known guitar virtuosi) and US Pat MethenyFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist - play tribute to the great US composer Carla BleyFind albums by this artist. Bley´s compositions have been always a superb example of ingenuity and intelligence as much as deep lyricism and melodic perception. Stylistically in a universe of her own, Bley deserves a very special place on the pedestal of great 20th Century composers and this loving tribute is a proper example of the recognition of her talents. The presence of two electric guitarists on this album gives it a certain slightly Fusion touch, but definitely of the gentle sort, which suits the music perfectly. Brilliant stuff!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY BURTON ~ LIKE MINDS
CONCORD 013431480327 (Barcode: 013431480327) ~ USA ~ Jazz
Recorded: 1997 Released: 1998
This is an album by iconic American vibraphonist / composer / bandleader Gary BurtonFind albums by this artist, recorded in a quintet setting with a dreamy lineup, which includes pianist / composer Chick CoreaFind albums by this artist, guitarist Pat MethenyFind albums by this artist, British bassist Dave HollandFind albums by this artist and drummer Roy HaynesFind albums by this artist. The album presents ten tracks, nine of which are original compositions (four by Metheny, three by Corea and two by Burton) and one is a standard.
Apart for the fact that this is the first album on which Corea and Metheny play together, everything else about it is completely ordinary: the music is all within melodic mainstream Jazz, no challenge whatsoever, all perfectly executed of course by these brilliant musicians, but a classic example of music going nowhere really.
Of course many Jazz listeners can enjoy this album immensely, but in retrospect it left no lasting impression. Burton, Corea and Metheny play exactly like they always do on their own albums and the quintet does not reach an ensemble sound. The rhythm section is as perfect as possible, but again they just play completely ordinarily. As much as I love and respect the individual musicians playing here, this album just ain’t cutting it. And yes – it won the Grammy in 1999…
Overall, this is a typical American Jazz album of the late 1990s, which offers smooth, likeable music, which shows exactly what is wrong with American Jazz – it is just frozen in time for decades. Great for cocktail parties…
| | Updated: 03/03/2022Posted: 03/03/2022 | CD 1 Recommend To A Friend |
  | GARY BURTON ~ LOFTY FAKE ANAGRAM / A GENUINE TONG FUNERAL
BGO 723 (Barcode: 5017261207234) ~ USA ~ Jazz
Recorded: 1967 Released: 2006
Vibraphonist / composer Gary BurtonFind albums by this artist is one of greatest American Jazz musicians, with a long and outstanding career and a massive body of work. He is also one of relatively few American Jazz artists, who can be considered as true originals, embracing the Jazz tradition but at the same time constantly expanding the horizons of the music and exploring the terra incognita of the genre. This album takes us back to the early days of Burton’s musical path, when he was leading probably the most forward-thinking Jazz quartet of the day. Together with guitarist extraordinaire Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, the quartet ventured into some of the earliest examples of Jazz-Rock Fusion, years ahead of their contemporaries. The two original LPs, although both recorded in 1967, are quite different from each other. On Lofty Fake AnagramFind albums with this title the quartet explores mostly a series of original tunes by Burton and Swallow, with finesse and elegance, but also with fire and passion. On A Genuine Tong FuneralFind albums with this title Burton combines forces with another great and unorthodox American Jazz representative, pianist / composer Carla BleyFind albums by this artist. The music is her first full-scale Jazz composition for a band, which she calls a “Dark Opera Without Words”. The “without word” part was to bee soon remedied on her next spectacular project, the first true modern Jazz opera Escalator Over The HillFind albums with this title, which included a libretto by Paul HainesFind albums by this artist. For the recording of this music the quartet was expanded to a small orchestra with Carla Bley on piano, Steve LacyFind albums by this artist and the brilliant Argentinean player Gato BarbieriFind albums by this artist on saxophone, Michael MantlerFind albums by this artist (Carla’s close partner) on trumpet, Jimmy KnepperFind albums by this artist on trombone and Howard JohnsonFind albums by this artist on tuba. The music is of course completely unique and unprecedented, with Bley’s masterly usage of orchestration to create moods and sonic vistas, all of it years ahead of its time. Together these two recordings provide a glimpse at the period when American Jazz was still bubbling with creativity and excitement. Brilliant and essential stuff!
| | | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | GARY BURTON ~ NEW VIBE MAN IN TOWN / WHO IS GARY BURTON? / IN CONCERT
BGO 1519 (Barcode: 5017261215192) ~ USA ~ Jazz
Recorded: 1961 - 1968 Released: 2024
This is a reissue / remaster of three early albums by American vibraphonist / composer / bandleader Gary BurtonFind albums by this artist, released originally on the RCAFind albums on this label label. Burton started his musical career at a very early age and was considered a prodigy. Choosing the vibraphone as his “weapon of choice”, and his decision to play Jazz rather than classical music made him a sensation and he recorded the first of the albums included here at the age of eighteen, quite an unprecedented event at the time. CD1 presets his first two albums, eight and seven tracks, recorded in 1961 and 1962 respectively. CD2 presents the 10th album, with eight tracks recorded in 1968, which is the only live recording by Burton and the one before last album released on RCA.
“New Vibe Man In TownFind albums with this title” was recorded in a trio setting with bassist Gene ChericoFind albums by this artist and drummer Joe MorelloFind albums by this artist. All the tracks are standards. “Who is Gary Burton?Find albums with this title” was recorded in a septet setting with trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist, pianist Tommy FlanaganFind albums by this artist, bassist John NevesFind albums by this artist and drummers Morello or Chris SwansenFind albums by this artist. Four of the tracks are standards, two are by Swansen, who was Burton’s classmate at Berklee Collage of Music and finally one is by British trombonist / composer Michael GibbsFind albums by this artist, who was his Berklee teacher and later a lifelong friend and musical collaborator.
“In ConcertFind albums with this title” was recorded with the revolutionary quartet, which included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, and sounded like something from another planet, being one of the earliest Jazz-Rock Fusion ensembles, which changed the face of music. Except for one cover of a song by Bob DylanFind albums by this artist, all the tracks are originals, three composed by Burton, two by Coryell, one co-composed by the two and finally again one track by Gibbs.
Overall, this is a brilliant reminder of the early musical path by one of the most important American Jazz figures, which is perhaps also the most “non-American” Jazz figures, closer to the European sound and aesthetics than to his roots, which are still plainly present on his first two albums. This reissue joins the other three reissue projects of Gary Burton recordings on RCA, released by the great British BGOFind albums on this label label, which now cover ten of the eleven RCA recordings.
| | Updated: 29/07/2024Posted: 29/07/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GARY BURTON ~ SOMETHING`S COMING! / THE GROOVY SOUND OF MUSIC / THE TIME MACHINE
BGO 1241 (Barcode: 5017261212412) ~ USA ~ Jazz
Recorded: 1963 - 1966 Released: 2016
This is a reissue of three early albums by the legendary American Jazz vibraphonist / composer Gary BurtonFind albums by this artist (his third to fifth albums): "Something`s Coming!Find albums with this title" from 1964, "The Groovy Sound Of MusicFind albums with this title" from 1965 and "The Time MachineFind albums with this title" from 1966.
"Something`s Coming!" was recorded in a quartet setting with guitarist Jim HallFind albums by this artist, bassist Chuck IsraelsFind albums by this artist and drummer Larry BunkerFind albums by this artist. It presents seven pieces, two of which are original compositions by British composer Michael GibbsFind albums by this artist, one is by Hall and the remaining four are standards.
"The Groovy Sound Of Music", as the title suggests, includes Burton interpretations of eight songs from the musical "The Sound Of Music", recorded in a sextet setting with trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist, guitarist Joe PumaFind albums by this artist, bassist Steve SwallowFind albums by this artist and alternating drummers Joe HuntFind albums by this artist and Ed ShaughnessyFind albums by this artist.
"The Time Machine" was recorded in a trio setting with bassist Steve Swallow and drummer Larry Bunker. It presents ten pieces, four of which are original compositions by Burton, two by Gibbs, one by Swallow and the remaining three are standards.
These wonderful albums tell the story of the early days of Burton´s musical development and already point out towards several characteristics of his music in the later years, like his close friendship and cooperation with composer Michael Gibbs, his close association with bassist Steve Swallow, who would continue to record with Burton for many years, his appreciation and understanding of the role of the guitar in Jazz, which will soon after lead to his revolutionary cooperation with Larry CoryellFind albums by this artist and the birth of the American Jazz-Rock Fusion, etc.
Whereas the first two albums find Burton still engulfed in Bebop and Cool Jazz, the third album is distinctly different and shows his individual voice and stylistic differentiation from mainstream Jazz, which shifts into more sophisticated approach both as a player and a composer, which would eventually bring Burton to be much closer to European Jazz than almost any other of his compatriots.
Although these albums were recorded fifty years ago, they all sound absolutely fresh today and the music lost absolutely nothing of its wonderful vitality, musicality and exquisite taste. For Burton and vibraphone fans this is an absolute essential piece of Jazz history, but all music connoisseurs should find it absolutely delightful. Not to be missed!
| | Updated: 17/10/2016Posted: 17/10/2016 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GARY BURTON / CHICK COREA ~ CRYSTAL SILENCE (THE ECM RECORDINGS 1972-79)
ECM 2036/39 (Barcode: 602517680579) ~ USA ~ Jazz
Recorded: 1972 - 1979 Released: 2009
This wonderful Box Set contains the three albums by the legendary duo of US vibraphonist / composer Gary BurtonFind albums by this artist and pianist / composer Chick CoreaFind albums by this artist recorded in the 1970s and released on the ECMFind albums on this label label, which are "Crystal SilenceFind albums with this title" (ECM 1024) recorded in 1972, "DuetFind albums with this title" (ECM 1140) recorded in 1978 and the double live album "In ConcertFind albums with this title" (ECM 1182/83) recorded in 1979. The duo´s recordings revolutionized the approach to the format in Jazz and produced some of the finest music ever recorded, emphasizing the art of conversation and listening to each other, which is put before individual virtuosity. This edition presents the full live concert on CD for the first time. This is brilliant music from start to finish and a must to any serious listener!
Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form.
| | Updated: 26/01/2019Posted: | CD 4 Mini-Sleeve Box Set Recommend To A Friend |
  | CHICK COREA ~ THE MUSICIAN
STRETCH 888072026490 (Barcode: 888072026490) ~ USA ~ Jazz
Recorded: 2011 Released: 2016
As 2021 nears its end it’s time to commemorate the passing of one of the greatest heroes of American Jazz, keyboardist / composer / bandleader Chick CoreaFind albums by this artist, who sadly passed in February this year.
This is a 3CD album by Corea, recorded live at the NY Blue Note club in 2011, during the celebrations of his 70th Birthday. It features ten different lineups with thirty musicians, which span Corea’s extraordinary career and which produced some of the greatest American Jazz ever. The lineups include Return To ForeverFind albums by this artist, Five Peace BandFind albums by this artist, Electric BandFind albums by this artist, duos with Bobby McFerrinFind albums by this artist, Gary BurtonFind albums by this artist, Herbie HancockFind albums by this artist, Marcus RobertsFind albums by this artist and others. Together the collected list of musicians sounds like the Who’s Who of the 20th Century American Jazz (and a few Europeans for good measure).
For the avid Corea fans, who followed his career for five decades (up to that point) the album does not innovate of course, being primarily an overview and it excludes his early days, when he played mostly Avant-Garde Jazz, but a comprehensive summary would have taken a few more hours (or CDs) of course. But as it is, it offers four hours of incredible, diverse and superb music, performed by brilliant musicians, so one can’t go wrong here.
Overall, this is certainly a proper document of one of the many facets of Corea’s music, which embraced a plethora of styles, genres and approaches, from Avant-Garde to Fusion, always brilliant and completely unique. His Artistry will be sadly missed and his sweet personality, to those who met him, will be always a cherished memory.
| | Updated: 30/12/2021Posted: 30/12/2021 | CD 3 Recommend To A Friend |
  | CHICK COREA / GARY BURTON ~ LYRIC SUITE FOR SEXTET
ECM 1260 (Barcode: 042281527425) ~ USA ~ Jazz-Classical Fusion
Recorded: 1982 Released: 1993
Following a series of duet recordings for the ECMFind albums on this label label, pianist / composer Chick CoreaFind albums by this artist and vibraphonist / composer Gary BurtonFind albums by this artist cooperated once again on this project, which adds a string quartet to their wonderful duo, creating a sextet, albeit not a "classic" Jazz sextet one might expect. The music is a suite especially composed by Corea, which combines Jazz and contemporary Classical music, a trend Corea followed many times later on in his career. Both the music and the performances are brilliant, as usual with these two Master musicians, and every Corea / Burton follower will not miss this for the world. A must!
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  | CHICK COREA / GARY BURTON ~ HOT HOUSE
CONCORD 888072333635 (Barcode: 888072333635) ~ USA ~ Jazz
Recorded: 2011 Released: 2012
The duo of pianist / composer Chick CoreaFind albums by this artist and vibraphonist / composer Gary BurtonFind albums by this artist has a history of almost four decades behind it and proves to be not only one of the most stable musical collaborations, but also one of the most prolific. The body of music the duo managed to records over the years is truly staggering, and belongs today the everlasting heritage of the Jazz Art Form.
Most of the music the duo recorded in the past was composed by Corea and Burton and therefore for this new project they decided to concentrate on Jazz standards, albeit selecting the lesser known material. Only after the material for this album was completed, they tried out a new piece by Corea, which was eventually recorded by the duo with the support of a string quartet and added to this album. This last piece is a preview of things to come, as they say in the liner notes, which surely will be another celebration, when released.
Corea and Burton are both aestheticians in addition to being musicians / artists, which sets them aside from most of their contemporaries. They both share a burning love for elegance, sophistication and grace, which is then reflected in their music. Those listeners, who are open-minded enough to comprehend and recognize these qualities in music, which are often hidden in small details and even under the surface, are able to enjoy this music in full. Hearing Corea and Burton perform is like watching a pair of dancers swirling around each other in a passionate engagement. This is always music with a capital M, and one must acknowledge that their ability to continue astonish us time after time if truly astounding.
Listeners familiar with the duo´s output need little encouragement to plunge again into their magic universe, but should the reader of these lines be blissfully ignorant of their brilliance, this album might be just the first step in the right direction. Sublime stuff!
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  | CHICK COREA / GARY BURTON ~ THE NEW CRYSTAL SILENCE
CONCORD 230630 (Barcode: 888072306301) ~ USA ~ Jazz-Classical Fusion
Recorded: 2007 Released: 2008
The original 1972 ECMFind albums on this label "Crystal SilenceFind albums with this title" album by Chick CoreaFind albums by this artist and Gary BurtonFind albums by this artist was undoubtedly one of the pivotal Jazz recordings in every sense: the subtlety and the boldness of a duet setting with Corea´s intricate compositions and the unusual harmonics of the piano / vibraphone combination all contributed to the overall stunning result. Now, 35 years later, gray-haired and musically wiser, Corea and Burton decided to re-live the experience of creating music together and record an up-to-date version of their encounter. This time the project is much more ambitious, as the first of the two CDs presents the duo accompanied by a Symphony Orchestra (the Australian Sydney Symphony), playing a set of Corea´s compositions arranged for the orchestra by Tim GarlandFind albums by this artist. The second CD returns to the original intimate duo setting, which performs several more of Corea´s compositions and three standards. As expected, these performances are brilliant in every respect: on the technical level both musicians are virtuosi, and on the emotional level both are superbly lyrical and expressive. Corea´s compositions deserve all the status of classics of course and these new interpretations of familiar material shed a new light on its elegance and sophistication. This is an instant classic, a must for any serious Jazz connoisseur and a landmark recording. Wholeheartedly recommended!
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  | LARRY CORYELL ~ BAREFOOT MAN: SANPAKU
PURPLE PYRAMID 0460 (Barcode: 889466046025) ~ USA ~ Jazz-Rock Fusion
Recorded: 2015 Released: 2016
This is an album by the iconic American guitarist / composer / bandleader Larry CoryellFind albums by this artist, recorded in a quintet setting with saxophonist Dan JordanFind albums by this artist, pianist Lynne ArrialeFind albums by this artist, bassist John LeeFind albums by this artist and drummer Lee PiersonFind albums by this artist. The album presents seven original compositions, all composed by the leader. Although the album’s packaging gives no information about the place and date of recording, the music was most probably recorded in late 2015, which makes this one before last studio album by Coryell, who died in early 2017.
It is a bit puzzling why Coryell returned to the Fusion oriented music shortly before his death, after he spent over a decade playing almost straightforward Jazz, but whatever the reason might be, he was not only one of the American Fusion Godfathers but also definitely one of the genre’s best ever guitarists. Since the early days with Gary BurtonFind albums by this artist in the late 1960s, when his playing basically marked the origin of American Fusion, followed by his sensational work as leader of the Eleventh HouseFind albums by this artist, and countless other recordings with musicians from all over the world, his guitar playing was always a beacon of originality and talent. His last studio album “Seven SecretsFind albums with this title”, recorded with a reformed Eleventh House, was obviously a beautiful closure to his career, which lasted for six decades.
This album is also a beautiful example of Coryell’s music making, both as a composer of delicious tunes, a virtuosic guitar player and a leader, who always knew how to assemble a great team. Veteran bassist Lee, who goes back to the early days of Eleventh House, is in great form, but the decisive tone of this album is set by the superb acoustic piano playing by Arriale, whose lyricism is a great balance to the Funky atmosphere set by the rhythm section.
Overall, this is a wonderful tribute to Coryell’s career, which proves he was a sublime guitar player till the very end of his days. The music flows happily and the Funky / Fusion feel prevails, providing the perfect background for first class soloing by all the participants. This is what one can call “going in style”. Wholeheartedly recommended!
| | Updated: 11/05/2023Posted: 11/05/2023 | CD 1 Recommend To A Friend |
  | LARRY CORYELL ~ LAST SWING WITH IRELAND
ANGEL AIR 641 (Barcode: 5055011700413) ~ USA ~ Jazz
Recorded: 2016 Released: 2021
This is the last studio recording by the iconic American guitarist / composer Larry CoryellFind albums by this artist, captured just a few months before his untimely passing. The music was recorded in Ireland in an intimate trio setting with local bassist Dave RedmondFind albums by this artist and drummer Kevin BradyFind albums by this artist. The album presents six tracks, four of which are standards and two are originals co-composed by the trio members.
Coryell plays with incredible vigor and passion and his virtuosity is unblemished, which means that this album is a delightful farewell with his sublime and unique talent.
Coryell did not receive the due respect for his revolutionary role as a Godfather of American Jazz-Rock Fusion, starting with his absolutely amazing work with Gary BurtonFind albums by this artist in the 1960s and later his own groups, like The Eleventh HouseFind albums by this artist and duets / trios with other great guitarists, like Philip CatherineFind albums by this artist, Paco De LuciaFind albums by this artist, John McLaughlinFind albums by this artist and others. His extraordinary recording legacy includes over fifty albums as a leader and close to double that number as a sideman. In retrospect he remains as one of the greatest Guitar heroes of all time.
I have been fortunate to meet Larry Coryell many times, as well as his first wife Julie CoryellFind albums by this artist, who wrote one of the first books about Fusion and was a great photographer.
Overall, this is a delightful classic Jazz guitar album, which should delight every true guitar lover, even though it is not particularly innovative. It is, however, simply delightful!
| | Updated: 02/11/2021Posted: 02/11/2021 | CD 1 Digipak Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
| | | CD 2 Slipcase Remastered Recommend To A Friend |
  | MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69
TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz
Recorded: 1969 Released: 2018
This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970.
The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet.
The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track).
The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant.
Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures.
The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering.
Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative.
This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!
| | Updated: 28/06/2021Posted: 30/09/2018 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | NUCLEUS ~ HEMISPHERES
HUX 078 (Barcode: 682970000787) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 - 1971 Released: 2006
Led by trumpeter / composer Ian CarrFind albums by this artist, NucleusFind albums by this artist were not only the most important UK Jazz-Rock ensemble but in fact one of world’s pioneers of the genre. Carr created Nucleus to take the next step in his already well-established Jazz career. During the 1960s Carr was a co leader of the Don RendellFind albums by this artist / Ian Carr Quintet, one of the best UK modern Jazz ensembles. However by the end of the 1960s Carr felt a need to change his direction and move into the Rock influenced Jazz-Rock Fusion. Following the steps of US pioneers of the genre like Gary BurtonFind albums by this artist and Charles LloydFind albums by this artist and UK ensembles like the Graham Bond OrganizationFind albums by this artist, Carr put together a group of the best players on the UK scene to create Nucleus. The band was an instant success and a revelation, soon to be recognized as the leading force of the newborn genre. The first incarnation of the group included (in addition to Ian Carr who played trumpet and flugelhorn) Karl JenkinsFind albums by this artist on electric piano and oboe, Brian SmithFind albums by this artist on tenor and soprano saxophones, Chris SpeddingFind albums by this artist on guitar, Jeff ClyneFind albums by this artist on bass and John MarshallFind albums by this artist on drums. Between 1970 and 1971 this lineup recorded three fabulous albums: Elastic RockFind albums with this title, We`ll Talk About It LaterFind albums with this title and Solar PlexusFind albums with this title, which belong to the absolute classics of the genre. This album includes two live performances of this incarnation of Nucleus, recorded almost a year apart. The sound quality is truly amazing and the performances are stellar. Most of the material is taken from the a.m. three albums, but previously never released tunes are also included, which makes this album even more important. This is a prime example of European Jazz-Rock at its best, alive and kicking. Absolutely essential listening!
| | | CD 1 Remastered Recommend To A Friend |
  | OFF THE RECORD ~ THE CALL
OUT OF THE SHED ~ GERMANY ~ Jazz
Recorded: 2021 Released: 2022
This is the debut album by the European Jazz quartet Off The RecordFind albums by this artist, led by German guitarist / composer Ronny GraupeFind albums by this artist, which also includes Polish vibraphonist Dominik BukowskiFind albums by this artist, British bassist Phil DonkinFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. The album presents fifteen original compositions, all by the leader, first five and last nine grouped into two “mini-suites” and one solitary tune separating them.
Graupe first came to my attention as a member of the (then) new quartet led by Rolf KuhnFind albums by this artist, which included two young German Jazz musicians. I followed his career via his later recordings for the excellent WhyPlayJazzFind albums on this label label, which documents the burgeoning young German scene, of which Steidle is also an important member. Bukowski is of course an old acquaintance and surely one of the very best European vibraphone players since many years. I am less informed of the activities of Donkin, although he seems to be frantically busy as well, but somehow his albums never reached me so far.
The music is an excellent example of contemporary European Jazz, which is highly imaginative, exploring and inventive, rhythmically liberated and free-spirited, and yet completely coherent, and to some degree melody based. Guitar and vibraphone playing together always take me back five decades back to the prophetic Gary BurtonFind albums by this artist / Larry CoryellFind albums by this artist quartet recordings, which were Fusion precursors but never actually played Fusion per se, exactly what happens here. There is perhaps just a tinge of Fusiony moments, but none of its drudgery.
The individual and group performances are of course stellar, but nothing less should be expected from these highly experienced musicians. Graupe made an excellent choice by taking Bukowski aboard, creating a magical amalgam not only of sounds but more importantly of ideas. The polyrhythmic pulsations delivered by the rhythm section fit this music like a glove and are a true delight from start to finish.
Overall, this is European Jazz at its best, sophisticated and emotional, organized and free all in the best measures. This is definitely a piece of music modern Jazz lovers should put their hands on, with no regrets or hesitation whatsoever. Years of hard work and persistence pay off in music, and when combined with great amounts of talent, they work wonders.
| | Updated: 09/07/2022Posted: 09/07/2022 | CD 1 Digipak Recommend To A Friend |
  | MARCIN PATER ~ NOTHING BUT TROUBLE
EMME 1917 (Barcode: 850869006503) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2019
This is the debut album by young Polish Jazz vibraphonist / composer Marcin PaterFind albums by this artist recorded in a trio format with bassist Mateusz SzewczykFind albums by this artist and drummer Adam WajdzikFind albums by this artist. Guitarist Jakub MizerackiFind albums by this artist guests on three tracks. The album presents nine original compositions, eight of which were composed by Pater and one co-composed by him with other musician. The album was released by the Italian label EmmeFind albums on this label Records, as the result of the trio winning the first prize at the 2018 Jazz Juniors competition in Krakow.
The music is a wonderful amalgam of cross-genre explorations, moving between modern mainstream Jazz and Jazz-Rock Fusion, based on beautifully melodic themes. The level of all the compositions is truly excellent and very surprising considering the young age of the composer. The three tracks featuring Mizeracki are understandably much more Fusion oriented, due to the dominating sound of the electric guitar, whereas the trio tracks are much more airy and atmospheric.
Pater emerges as a surprising vibraphone Master, playing with remarkable confidence and technical proficiency. Every strike of his mallets is precise and superbly expressive, using sustain and delicate variations of the pressure to produce a wonderful palette of sounds. It is truly heartwarming to see the much neglected instrument finally being treated with respect and virtuosity it deserves.
The rest of the crew is also excellent of course. Szewczyk and Wajdzik support the leader with swinging fluidity and Mizeracki adds another layer to the music, stirring things up with his edgy approach, but also remarkable flexibility. Altogether the trio / quartet present a clockwork precision and a velvety sound, which work like a dream.
The album brings on some fond nostalgic memories or early Gary BurtonFind albums by this artist quartet featuring Larry CoryellFind albums by this artist (or the birth of Fusion), which are still some of best examples of vibraphone virtuosity not related to Bebop.
Overall a very impressive debut album, perhaps not very innovative musically, but very refreshing and focusing on a neglected and much loved instrument, which definitely put this album in the short list of best Polish Jazz debuts for 2019. Well done and definitely worth investigating!
| | Updated: 31/12/2019Posted: 31/12/2019 | CD 1 Recommend To A Friend |
  | ASTOR PIAZZOLLA / GARY BURTON ~ THE NEW TANGO
WEA 55069 (Barcode: 022925506924) ~ ARGENTINA ~ Jazz-World Fusion
Recorded: 1986 Released: 1987
Argentinean composer and bandoneón player Astor PiazzollaFind albums by this artist was one of the most important musicians of the 20th Century and his magnificent work contributed immensely to the popularization of the Argentinean tango in particular but also World Music in general. Piazzolla´s music always had strong ties with Jazz and this special project recorded at the Montreux Festival serves as a magnificent example of coexistence between the two worlds. Selecting the vibraphone virtuoso Gary BurtonFind albums by this artist as a guest soloist, Piazzolla composed a new suite for vibraphone and his New Tango Quintet, which is performed here with flare and passion. Music connoisseurs need little encouragement here, as this is a superb piece of music by any standard. Wholeheartedly recommended!
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  | DAVE PIKE SET ~ LIVE AT THE PHILHARMONIE
PROMISING MUSIC 44101 (Barcode: 602517545632) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2008
American vibraphonist / composer Dave PikeFind albums by this artist was one of quite a few American Jazz musicians, who left the US and settled in Europe in the late 1960s, stifled by the atmosphere of the US scene at the time, which seemed to them as limiting and confining, especially in comparison to the exciting and flourishing developments happening in Europe at the time. Settling in Germany, Pike formed a quartet with three wonderful German musicians: guitarist Volker KriegelFind albums by this artist, bassist Johann Anton RettenbacherFind albums by this artist and drummer Peter BaumeisterFind albums by this artist, which he called the Dave Pike SetFind albums by this artist.
The quartet was signed by the legendary German MPSFind albums on this label label and recorded a series of albums for the label, of which this was the third and the only live recording. Recorded at a concert, which was presented during the 1969 edition of the Berliner Jazztage Festival, the quartet flies gracefully through a set of original compositions (mostly by Pike and Kriegel), presenting a refreshing use of the vibraphone / guitar dual lead and a splendidly inventive, but solid support by the rhythm section. The compositions are quite different from each other stylistically, but always top-notch, with plenty of space for extended solos. Kriegel proves to be the most inventive player of the quartet and his amazing inventions and brilliant technique clearly show his early steps on his way to become one of Europe’s best Jazz and later Jazz-Rock Fusion players ever.
It is interesting to compare the Dave Pike Set with the Gary BurtonFind albums by this artist quartet, one of the most interesting American Jazz ensembles at the time, which also featured the vibraphone / guitar (Larry CoryellFind albums by this artist) double lead and experimented with time signatures and early Fusion, Psychedelics and World Music excursions. The similarities are truly quite amazing. In retrospect the music lost none of its charm and adventurous nature and remains a splendid example of the European scene at the time.
Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure and a great trip down the memory lane. Hopefully the other MPS recordings by this group will follow soon. Brilliant!
| | Updated: 28/08/2020Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | S. E. A. TRIO ~ INFLOW
VOICE MUSIC 1010 (Barcode: 5906489287466) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2024
This is the debut album by S. E. A. TrioFind albums by this artist, comprising of three prominent Polish Jazz musicians: vibraphonist Dominik BukowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents nine tracks, all of which are original compositions, six by Bukowski and three by Lemanczyk.
This is an ultra-rare opportunity to hear a vibraphone trio recording, which is a splendid occasion to explore this wonderful musical setting, with its naked minimalism and crystal clear sound. Bukowski could not have found a better rhythm section, since both Lemanczyk, which whom he records since decades, and Gradziuk, of RGGFind albums by this artist trio fame, are both superb instrumentalists, members of the very top of the Polish Jazz league. Their skills and talents are obviously perfect for this demanding task, as the fragile and intricate music is quite tricky.
Stylistically the music lies somewhere between ECMFind albums on this label era Gary BurtonFind albums by this artist and the Third Stream efforts by Polish Jazz vibraphone pioneer Jerzy MilianFind albums by this artist, revisiting the vibe (pun intended) of the “old days”, but without letting the nostalgia to cut any slack. The music is vibrant and fully alive, with all three instrumentalists displaying virtuosic fluency and up to date approach.
As already mentioned above, Lemanczyk is a natural choice for this project, but it’s a nice surprise to hear Gradziuk so well behaved and at the same time inventive here, proving again what a great drummer he really is.
Naturally, the spotlight is all on Bukowski as the soloist and main composer, but this album is an absolute team effort, as best Jazz albums always are. It is good to hear Bukowski in his natural habitat, doing what he loves, and keeping the smile on the listener’s lips at all time.
Overall, this is a splendid, beautiful Jazz album, with vibraphone at the helm, which is sadly a rare outing these days, featuring three of the top Polish Jazz players, which of course guarantees quality and class, felt from the first stroke of the mallets. Wholeheartedly recommended and an absolute must for vibraphone lovers.
| | Updated: 09/05/2024Posted: 09/05/2024 | CD 1 Digipak Recommend To A Friend |
  | ARTURO SANDOVAL ~ DEAR DIZ
CONCORD 33020 ~ CUBA ~ Jazz
Recorded: 2011 Released: 2012
This is a wonderful tribute album to the legendary trumpeter / composer Dizzy GillespieFind albums by this artist, one of the Godfathers of Bebop and Jazz most important innovators. This loving project is executed by Cuban trumpeter / composer Arturo SandovalFind albums by this artist, who always considered Diz as a father figure. Sandoval expressed his gratitude to the man is his book "Dizzy Gillespie – The Man Who Changed My Life" and this album is in many respects an extension of this book. Diz of course helped Sandoval to escape from Cuba and move to the US and later in the process of establishing a name for himself on the US scene.
Sandoval selected ten Jazz standards, nine of which were composed or co-composed by Diz and added a song especially written by him for this album. All the music was arranged in contemporary fashion, using many different settings, utilizing an orchestra and even a string quartet. The players are simply the crème de la crème of the American scene and the special guests / soloist include many legendary Jazz giants, such as vibraphonist Gary BurtonFind albums by this artist, organist Joey DeFrancescoFind albums by this artist, saxophonist Bob MintzerFind albums by this artist and many more.
All this music is obviously timeless, but hearing it in these beautiful arrangements and in contemporary sonic setting gives them a new dimension and sounds simply marvelous. I can´t imagine any Jazz connoisseur not enjoying this music, even if it is somewhat retro oriented. After all this is a tribute to the sublime Jazz tradition, which still sound as perfect as it did decades ago. Brilliant!
| | | CD 1 Recommend To A Friend |
  | STEVE SWALLOW ~ HOME
ECM 1160 (Barcode: 602567434870) ~ USA ~ Jazz & Poetry
Recorded: 1979 Released: 2019
This is a reissue of the debut album as a leader by American bassist / composer / bandleader Steve SwallowFind albums by this artist and his second release on the ECMFind albums on this label label, following the duo album with Gary BurtonFind albums by this artist entitled “Hotel HelloFind albums with this title”, released five years earlier. The album was recorded in a sextet setting with vocalist Sheila JordanFind albums by this artist, pianist Steve KuhnFind albums by this artist, saxophonist Dave LiebmanFind albums by this artist, synthesizer player Lyle MaysFind albums by this artist and drummer Bob MosesFind albums by this artist, and it presents ten tracks, all composed by Swallow, with lyrics by the American poet Robert CreeleyFind albums by this artist.
The music is strongly melodic and often outright romantic, perfectly suiting the “Jazz & Poetry” idiom and the idiosyncratic poetry by Creeley, who was a magician of the poetic expression and could tell a story in just a very few words. Jordan, my favorite American Jazz vocalist, is absolutely perfect for the role of the storyteller, and albeit the fact that the lyrics are often minimalist, she sets the mood for the entire album.
The music is quite mainstream oriented, with most of the melodic content carried by Kuhn, who is brilliant as always. Surprisingly, Liebman plays some of the most well-behaved saxophone solos of his career on this album, without pushing the boundaries. Mays stays mostly in the background, as does Moses, but Swallow’s round bass lines are firmly present.
Overall, this is a very well-played and sung “Jazz & Poetry” album, with excellent contributions by all the participants, but does not break any new ground or demands a particular intellectual effort to enjoy the music for what it is.
| | Updated: 11/10/2024Posted: 11/10/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | RALPH TOWNER / GARY BURTON ~ MATCHBOOK
ECM 1056 (Barcode: 602567434825) ~ USA ~ Jazz
Recorded: 1974 Released: 2019
This is a reissue of the 1st duo album by American Jazz legends guitarist / composer Ralph TownerFind albums by this artist and vibraphonist / composer Gary BurtonFind albums by this artist. The album presents nine tracks, six composed by Towner, one by Burton and two are standards. The album was recorded at the legendary Studio Bauer in Ludwigsburg, Germany, by the prominent recording engineer Martin WielandFind albums by this artist, who was in charge of recording a large part of the early albums by the ECMFind albums on this label label.
The music reflects perfectly the spirit of the early ECM recordings, on which the music, even when recorded by American musicians, had a distinct European aesthetics and sound. Based mostly on Towner’s beautiful, but quite complex themes, the music allows both musicians to improvise extensively, without losing touch with the underlying melodic themes. Both Towner, with his ensemble OregonFind albums by this artist, and Burton with his various projects, left mainstream American Jazz at the early stages of their careers, exploring many different areas, like World Music, Fusion, Classical influences and other musical avenues, which made them distinct from most American Jazz musicians, and which made ECM to release their music.
The telepathic communication between these two musicians is phenomenal and this album immediately falls into the “Art of the Duo” category. Although seemingly arriving from distant musical backgrounds, their openness to each other ideas is stunning and allows them to create dense and complex dialogues, which sound coherent and accessible despite their complexity.
Overall, this is a brilliant example of the new wave of music introduced by the ECM label at the first decade of its existence, which revolutionized Jazz (and beyond) in every possible aspect, and moved the epicenter of Jazz development across the pond. These two virtuosi are at their prime and this music is absolutely timeless, making this album a classic deserving an honorable place in every serious music collection.
| | Updated: 23/08/2024Posted: 23/08/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
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