Record Reviews

NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75 JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion Recorded: 1975 Released: 2021 This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here. The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history. “Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music. The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version. Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music. As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.

Updated: 03/07/2021Posted: 03/07/2021

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NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz Recorded: 1973 Released: 2007 The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums. Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture. Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved. Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!

CD 1 Remastered Essential Recommend To A Friend

JULIAN ARGÜELLES ~ AS ABOVE SO BELOW PROVOCATEUR 1033 (Barcode: 5038491103325) ~ UK ~ Jazz-Classical Fusion Recorded: 2002 Released: 2003 British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his second on the prestigious ProvocateurFind albums on this label label (and 6th as a leader), was recorded with a splendid octet, which includes both young British Jazz players and seasoned veterans, including Stan SulzmannFind albums by this artist (sax) and Henry LowtherFind albums by this artist (trumpet), and a 20-piece string ensemble. The music is a beautiful synthesis of Jazz and contemporary Classical Music that is surely Julian’s most ambitious and far-reaching work as a composer. The tranquil and contemplative themes are splendidly orchestrated and the octet performs in perfect harmony with the string ensemble. Deeply moving and uplifting, this music combines formal musical structures and improvisation in a most elegant way. Serious Jazz connoisseurs as well as those who love Classical Music are both for a treat. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984 TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz Recorded: 1964 - 1984 Released: 2018 This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation. On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck. The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony. The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD. The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one). The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs. Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience. The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product. Absolutely essential to all British / European Jazz connoisseurs!

Updated: 16/02/2019Posted: 15/02/2019

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

GORDON BECK / GYROSCOPE ~ PROGRESS JAZZ IN BRITAIN 12 (Barcode: 5060774190777) ~ UK ~ Jazz Recorded: 1973 - 1974 Released: 2024 This is an archival album by the British pianist / composer / bandleader Gordon BeckFind albums by this artist, which collects the available recordings of the short-lived GyroscopeFind albums by this artist ensemble from 1973 and 1974. The work on this project goes back a few years, to the early days of the Jazz In BritainFind albums on this label label, and after being delayed for various reasons, was finally released in 2024. The convoluted story of the “making of…” is described in the wonderfully informative extended booklet, included with the 3CD album. The album presents eighteen lengthy tracks, sourced from rehearsals, live gigs and radio broadcasts. Four of these tracks were previously released on cassette only on Beck’s JaguarFind albums on this label Records label as “One, Two, Three… Go!Find albums with this title”, and the rest are all previously unreleased. Gyroscope consisted of Beck on piano / electric piano, saxophonist / flautist Brian SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Saxophonist / flautist Stan SulzmannFind albums by this artist replaced Smith in late 1973. The music, as expected, is absolutely brilliant, which is not surprising to anybody familiar with Beck’s work as leader and sideman. His extensive recorded legacy, which spans over thirty albums, is full of sublime music, which has always been one of my personal British Jazz favorites. His 1980s / 1990s releases on French OwlFind albums on this label and JMSFind albums on this label labels are among my favorites, but everything he recorded was blessed by his incredible talent and good taste. These early 1970s recordings are especially interesting for two reasons: Firstly, the extensive use of the electric piano: Beck was enamored with the instrument and managed to create way more than one would expect was possible from the limited (in comparison to the acoustic piano) instrumented, being a true innovator, which is plainly audible on this album. Secondly, the stylistic freedom, which was somewhat typical at the time especially in British Jazz, which allowed an unrestrained mixture of Jazz subgenres to united “under one roof” so to speak. As a result, we can hear on this album Latin, Funk, Modern Jazz, Modal, post-Bebop and even some Free Jazz touches, which swiftly move from one to the other, in complete fluency and harmony. Overall, this is a true gem of an album, worth the long wait, which is richly rewarded by the sublime musical content. For me it is one of the most important Jazz In Britain releases so far, not only because of my personal love of everything Gordon Beck related, but because it offers a comprehensive, well researched and put together piece of British Jazz history. As such, it is of course absolutely essential to all British Jazz lovers!

Updated: 12/01/2025Posted: 12/01/2025

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CLARVIS / SULZMANN / HYMAS ~ FOR ALL THE SAINTS VILLAGE LIFE 97123 (Barcode: 5024777971238) ~ UK ~ Jazz-World Fusion Recorded: 1996 Released: 1997 This is the debut album by British Jazz trio called For All The SaintsFind albums by this artist, which comprises of pianist Tony HymasFind albums by this artist, saxophonist / flautist Stan SulzmannFind albums by this artist and drummer Paul ClarvisFind albums by this artist. The album presents twelve tracks, seven of which are improvisations on traditional tunes from different Cultural spheres, and five are original compositions by the trio members. The music is a wonderful amalgam of Jazz and World Music elements, treated with a lot of Freedom and recorded in a relaxed atmosphere, which allows the three musicians to exchange ideas without any pressure. The album offers a very unique spacey sound as a result of the recording being captured at a church (All Saints Church in Petersham), which also gave the trio / album its name / title. The result is mostly quite removed from the original traditional sources, so one must not expect to hear exact quotes, but just hints and most of all the atmosphere and perhaps a rhythmic characteristic of the source, rather than explicit World Music vistas. On the other hand, the music is definitely not completely Freely Improvised, which results in a perfect balance between familiar elements and Free improvisations, making it accessible to relatively wide audiences. The album was released on the Village LifeFind albums on this label label, owned by Clarvis, and is sadly pretty obscure among the British Jazz enthusiasts, like most of the excellent releases on that label, all of which deserve a much wider recognition. My friendly advice is to grab anything still available on that label, before they are all sold out. Overall, this is an excellent Jazz-World Fusion, emphasizing the Free / Improvised Music influences. This is definitely one of Sultzmann’s most Free oriented recordings and since everything recorded by him deserves of course special attention to the British Jazz community, as he is still grossly underrated, despite his contribution lasting decades. This is another true gem!

Updated: 05/07/2023Posted: 05/07/2023

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GRAHAM COLLIER ~ DOWN ANOTHER ROAD / SONGS FOR MY FATHER / MOSAICS BGO 767 (Barcode: 5017261207678) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2007 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album collects the three albums Collier recorded for the FontanaFind albums on this label / PhilipsFind albums on this label labels in 1969 / 1970, following his debut recording on DeramFind albums on this label from 1967. He composed all the music presented here (except one tune) and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Harry BeckettFind albums by this artist (trumpet), Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Alan WakemanFind albums by this artist, Bob SydorFind albums by this artist, Tony RobertsFind albums by this artist (saxophone), Karl JenkinsFind albums by this artist (oboe), Nick EvansFind albums by this artist, Derek WadsworthFind albums by this artist (trombone), Philip LeeFind albums by this artist (guitar), John TaylorFind albums by this artist, Geoff CastleFind albums by this artist (piano) and John MarshallFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

GRAHAM COLLIER ~ DOWN ANOTHER ROAD @ STOCKHOLM JAZZ DAYS `69 MY ONLY DESIRE 005 (Barcode: 5052442022411) ~ UK ~ Jazz Recorded: 1969 Released: 2023 This is an archival live album by British Jazz bassist / composer / bandleader / educator Graham CollierFind albums by this artist, recorded by the Swedish Radio on August 24, 1969, which presents Collier’s sextet with trumpeter Harry BecketFind albums by this artist, trombonist Nick EvansFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, pianist / oboist Karl JenkinsFind albums by this artist and drummer John MarshallFind albums by this artist. The album presents six original compositions, five by Collier and one by Jenkins, five of which appear on the album “Down Another RoadFind albums with this title”, released a few months earlier. The remaining composition (“Burblings For Bob”) makes here its only appearance on record. The album includes informative liner notes by Collier’s biographer Duncan HeiningFind albums by this artist. Although this was only the second album by Collier, his stylistic direction was already firmly set and represented the new British Jazz, which developed quite independently form the American Jazz tradition. Collier was one of the pioneers of the new direction, which embraced ensemble approach, Free Improvisation in parallel to clearly defined melodic themes, advanced polyrhythmic drumming and some World Music influences. This live recording is quite different in many aspects from the studio recording, and as such is of course invaluable. And of course hearing Graham’s voice introducing the tunes touches many personal memories. The sound quality is excellent and the cooperation between Jon GriffithsFind albums by this artist, My Only DesireFind albums on this label label owner, and the Swedish Radio, is a blessing and offers the British Jazz fans already the third album of previously unheard material, which is absolutely fabulous. Hopefully more such releases will follow suit. A small personal note: one of the tracks present here, called “Aberdeen Angus”, is also present on the Graham Collier’s album “Adam`s MarbleFind albums with this title”, which I released on my JazzisFind albums on this label Records label in 1995, and which is completely different from the version presented here. Overall, this is a superb historical document of the British Jazz scene and an excellent example of some of the most brilliant music created in Britain by the end of the 1960s, which was a true age of discovery and explosive development. Absolutely essential to all British Jazz enthusiasts and record collectors.

Updated: 10/03/2023Posted: 10/03/2023

CD 1 Mini-Sleeve Recommend To A Friend

MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO. BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion Recorded: 1968 - 1972 Released: 2019 This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles. The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks. However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering. Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss. Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance. Absolutely not to be missed!

Updated: 02/09/2020Posted: 01/09/2020

CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend

JOHN DANKWORTH ~ FULL CIRCLE / LIFELINE VOCALION 8484 (Barcode: 765387848422) ~ UK ~ Jazz Recorded: 1971 - 1973 Released: 2011 This fantastic reissue brings back to life two excellent albums by the great British saxophonist / bandleader / composer John DankworthFind albums by this artist. Recorded at the heat of the Jazz-Rock Fusion explosion, both albums are superb examples how these new directions were absorbed and incorporated by Dankworth, who was always sensitive to the latest musical developments and kept changing his approach to Big Band arrangements accordingly. The Band includes the cream of the crop of the British scene at the time, with such revered players as: trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist and Tony CoeFind albums by this artist, trombonists Michael GibbsFind albums by this artist and Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist and many other excellent players. The music is all original, written by Dankworth and other band members. Beautifully remastered by the great Michael J. DuttonFind albums by this artist the music sounds fresh and alive. This is an excellent example of British Jazz at its finest hour and should not be missed by anybody who likes British / European Jazz.

Updated: 31/05/2017Posted:

CD 2 Remastered Recommend To A Friend

EUROPEAN JAZZ ENSEMBLE ~ 30TH ANNIVERSARY TOUR 2006 KONNEX 5225 (Barcode: 4017867031876) ~ GERMANY ~ Jazz Recorded: 2006 Released: 2009 The European Jazz EnsembleFind albums by this artist is a "cooperative" group of top European Jazz musicians, which tours and records together for the last 30 years. Over time, an incredible parade of talent passed through the ranks of this group, each of the musicians being a leader and acknowledged instrumentalist / composer of the highest statue. The list of the players on this album, for example, is truly scary for anyone familiar with European Jazz: Alan SkidmoreFind albums by this artist, Stan SulzmannFind albums by this artist, Gerd DudekFind albums by this artist and Charlie MarianoFind albums by this artist (the only non-European by birth but very much so by spirit) on saxophone, Jiri StivinFind albums by this artist on flute, Manfred SchoofFind albums by this artist and Pino MinafraFind albums by this artist on trumpet, Joachim KuhnFind albums by this artist on piano, Ali HaurandFind albums by this artist on bass, and Daniel HumairFind albums by this artist and Tony LevinFind albums by this artist on drums. These brilliant musicians perform a set of no less brilliant compositions, with predictably brilliant arrangements – what can I say, the album is just one nasty piece of superb music, kicking badly from start to finish. Although basically the performances are by a big band, in truth the individual soloist are given plenty of opportunity to stretch out, backed up only by the rhythm section, which makes this album likeable even for people, who have a slight adversity to big band albums (God only knows why). Regardless of ones specific likes and dislikes might be, this is a kind of recording that any true Jazz fan can not ignore. The subtle musical trickery, known only by the European Jazzers, is so obvious here, that I´d recommend this album to every American big band fan, to learn what really can be achieved with such potent "instrument". Brilliant! (Oh yes, I already said so…).

Updated: 18/07/2020Posted:

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EUROPEAN JAZZ ENSEMBLE ~ MEETS THE KHAN FAMILY M.A MUSIC 807 ~ GERMANY ~ Jazz-World Fusion Recorded: 1992 Released: 1992 This is a live album by the European Jazz EnsembleFind albums by this artist, a collective of Jazz musicians led by German bassist Ali HaurandFind albums by this artist (who died in 2018), which included in its various configurations since 1976 the absolute crème de la crème of European Jazz representatives. The lineup on this album comprises, in addition to Haurand, of trumpeters Thomas HebererFind albums by this artist, Manfred SchoofFind albums by this artist and Rainer WinterschladenFind albums by this artist, saxophonists Ernst-Ludwig PetrowskyFind albums by this artist, Gerd DudekFind albums by this artist and Stan SulzmannFind albums by this artist, guitarist Philip CatherineFind albums by this artist, pianists Joachim KuhnFind albums by this artist and Rob van den BroeckFind albums by this artist, vocalist Uschi BruningFind albums by this artist and drummer Tony LevinFind albums by this artist (of the twelve musicians two are British, one Belgian and one Dutch, and the rest are Germans). On this album they invited three Indian musicians, members of the extended Khan family: Ustad Zamir Ahmed KhanFind albums by this artist on sitar, Irshad Hussain KhanFind albums by this artist on tabla and Ustad Munir KhanFind albums by this artist on sarangi. The album presents four tracks, two lasing over fifteen minutes and two over twenty minutes, one each composed by Danish trumpeter Allan BotschinskyFind albums by this artist (a former member of the ensemble), Sultzmann, Kuhn and Schoof. The music is a wonderful example of Jazz-World Fusion, with the entire ensemble and the guests offer a group improvisation based on pre-composed themes, but expanding the music way beyond the original melodies, as expected. The ensemble plays some parts in a Big Band manner, but most of the time the music involves group improvisations between the ensemble members and the guests, often flying far and away from the initial source. Since all the musicians on this album are superb instrumentalists, the level of the performances is nothing short of stunning. All the albums by this ensemble are excellent documents of the diversity and complexity of the European scene, and here they are able to create new cross-genre musical explorations. Overall, this is a very interesting and rather unique Jazz-World Music album, which presents a meeting between Big Band Jazz and Indian traditional music, which usually is performed in a much more intimate lineup. These musicians prove again that music has no stylistic borders, and gifted musicians are able to communicate within any musical environment without any obstacles. Wholeheartedly recommended!

Updated: 17/08/2024Posted: 16/08/2024

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FOR ALL THE SAINTS / THE SOLID STRINGS ~ BUBBLING UNDER VILLAGE LIFE 98116 (Barcode: 5037013981168) ~ UK ~ Jazz-Classical Fusion Recorded: 1998 Released: 1998 This is an album by British Jazz trio called For All The SaintsFind albums by this artist, which comprises of pianist Tony HymasFind albums by this artist, saxophonist / flautist Stan SulzmannFind albums by this artist and drummer Paul ClarvisFind albums by this artist, recorded with the Solid StringsFind albums by this artist string quartet led by violinist Sonia SlanyFind albums by this artist. The album presents five tracks, one each composed by Sultzmann and Hymas, two by Slany and the last piece being partly traditional and partly composed by Sultzmann. The music is a wonderful amalgam of Jazz and Classical Music elements, but also many other less obvious influences, like World Music and Folklore. The septet sounds like a fully organic musical unit and the Jazz and Classical elements complement each perfectly, creating a brilliant chamber atmosphere of delicate beauty and depth. The pieces are all perfectly structured, most lasting close to or over the ten minutes’ mark, and the string arrangements, despite the fact of being quite complex, are highly melodic and rhythmically suitable for the Jazz improvisations by the trio, creating together a highly aesthetic musical treat. The album was released on the Village Life label, owned by Clarvis, and is sadly pretty obscure among the British Jazz enthusiasts, like most of the excellent releases on that label, all of which deserve a much wider recognition. My friendly advice is to grab anything still available on that label, before they are all sold out. Overall, this is a brilliant Jazz-Classical Fusion offering of the highest class, which offers wonderful compositions, arrangements and performances, which make this music ageless and completely resistant to passing time. Everything recorded by Sultzmann deserves of course special attention to the British Jazz community, as he is still grossly underrated, despite his contribution lasting decades. This is a true gem!

Updated: 30/06/2023Posted: 30/06/2023

CD 1 Recommend To A Friend

MICHAEL GIBBS ~ JUST AHEAD BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz Recorded: 1972 Released: 2005 Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!

CD 2 Slipcase Remastered Recommend To A Friend

MICHAEL GIBBS ~ REVISITING TANGLEWOOD 63: THE EARLY TAPES JAZZ IN BRITAIN 24 (Barcode: 5060774190227) ~ UK ~ Big Band Jazz Recorded: 1970 Released: 2021 This is an archival album by British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which presents two radio broadcasts of live sessions, recorded in May and November of 1970. The lineups of the Orchestra / Big Band (thirteen or sixteen members respectively) consists of Top British Jazz musicians at the time, some of which took part in the recording of the seminal “Tanglewood 63Find albums with this title” album, which was recorded shortly after the second session. The collective personnel includes: trumpeters Henry LowtherFind albums by this artist, Nigel CarterFind albums by this artist and Harold BeckettFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Gibbs, tuba player Dick HartFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Jim PhillipFind albums by this artist and Tony RobertsFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Roy BabbingtonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummers John MarshallFind albums by this artist and Clive ThackerFind albums by this artist and finally vibraphonist / percussionist Frank RicottiFind albums by this artist. The album presents seven tracks, four from the first session and three from the second. Those include all five compositions included on the “Tanglewood 63” album. In addition, it also presents “Country RoadsFind albums with this title”, written by Gary Burton and Steve Swallow, which appeared first on the Burton’s 1968 album by the same name, which included a couple of compositions by Gibbs and one co-composed piece by Gibbs and Burton, and which would have to wait for a couple of years to appear on the 1972 Gibbs “Just AheadFind albums with this title” album. The last track is “June The 15, 1967”, which appeared initially on the Burton’s 1967 “Lofty Fake AnagramsFind albums with this title” album, which also included two compositions by Gibbs, including this one, and which would have to wait for forty-two years to appear on the 2012 Gibbs “Back In The DaysFind albums with this title” album. The music is, as everything Gibbs ever recorded, absolutely heavenly, both as far as the compositions and the performances are concerned. The formidable team of musicians, under his direction, is able to achieve peaks never earlier encountered in British Jazz orchestral music, and these archival recordings are absolutely fascinating, especially when compared to the final version of most of the music included here, recorded on the “Tanglewood 63” album. So far, this is definitely my favorite release on the new Jazz In BritainFind albums on this label label, which does a splendid job digging out treasures from dusty vaults, especially so because this album also offers the best sound quality of all their releases so far. So as usual, hats off for the team behind the label and waiting for more of your gems. A bit more attention to details won’t hurt…

Updated: 29/06/2021Posted: 28/06/2021

CD 1 Digipak Recommend To A Friend

VOLKER KRIEGEL ~ LIFT! MPS 602527148595 (Barcode: 602527148595) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1973 Released: 2011 This is a reissue of the fourth album by German guitarist / composer / bandleader Volker KriegelFind albums by this artist. It was recorded with a team of top European Jazz musicians at the time, which include British saxophonist Stan SulzmannFind albums by this artist, pianist John TaylorFind albums by this artist and drummer John MarshallFind albums by this artist, Polish violinist Zbigniew SeifertFind albums by this artist, German bassist Eberhard WeberFind albums by this artist and Dutch percussionist Cees SeeFind albums by this artist. The album presents eight original compositions, five by Kriegel and three by Weber. The music is brilliant, as expected, and the album is a great opportunity to hear the atmosphere of musical camaraderie that swept Europe at the time this album was recorded, which resulted in many international projects like this one. For Polish Jazz enthusiasts this is a rare opportunity to hear Seifert on the verge of his tragically short international career before his death. It also shows the central role of MPSFind albums on this label Records in cementing the European Jazz idiom at the time, with a wide bridge between UK, Western and Eastern Europe, bringing musicians together to create and inspire each other. Of course producer / journalist and my Mentor Joachim BerendtFind albums by this artist had a huge role in creating this scene in his capacity as producer for MPS Records and director of several German Jazz festivals. Stylistically the music is a mixture of Jazz-Rock Fusion and Free Jazz, with highly expressive soloing by Sulzmann, Seifert and Kriegel and excellent support by the expanded rhythm section. Excellently recorded, as all MPS projects, this music lost nothing of its relevance over time and sounds absolutely fresh today. Kriegel’s many fans will of course find his unique guitar playing style at its full exposure here, and his role as one of the central figures of European Jazz in the 1970s is also fully confirmed here. Overall this is a definite “blast from the past”, which deserves to be heard, although it’s pretty tough to find a copy of this album today. Surely worth the effort of trying! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 20/07/2021Posted: 20/07/2021

CD 1 Oversampling Remastered Recommend To A Friend

CHRIS LAURENCE ~ NEW VIEW BASHO 018 (Barcode: 832929001826) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business. And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost. It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!

CD 1 Digipak Recommend To A Friend

DAVE SAUL ~ REVERENCE ASC 034 ~ UK ~ Jazz Recorded: 1999 Released: 1999 This is the only album by British Jazz pianist / composer Dave SaulFind albums by this artist, who died in 2013. The album was recorded in a quintet setting with trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Stuart LaurenceFind albums by this artist (Chris’ son). The album presents eight original compositions, all by the leader. Released over twenty-three years ago, this album it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is absolutely marvelous from start to finish, a little British Jazz gem, which deserves to be heard by all British Jazz enthusiasts. Saul was always around playing often with the best musicians, but never achieved enough recognition or had opportunity to record, except for this album. His compositions are beautifully melodic and offer a superb vehicle for this quintet to fly sky-high. Wheeler and Sulzmann offer superb soloing and the rhythm section is always there right on the money. Saul, always a bit bashful and introvert, solos sparingly but his piano playing is wonderfully intertwined within the music at all times. The music has that British Jazz “twang”, that I love so much, and which is immediately recognizable. Overall, this is an excellent British Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team. It is an essential fragment in every serious British Jazz collection.

Updated: 31/03/2023Posted: 31/03/2023

CD 1 Recommend To A Friend

STAN SULZMANN ~ FEUDAL RABBITS AH UM 011 ~ UK ~ Jazz Recorded: 1990 Released: 1991 This is a wonderful and completely obscure album by British saxophonist / flautist / clarinetist / composer / bandleader Stan SulzmannFind albums by this artist, recorded with bassist Mick HuttonFind albums by this artist, bass guitarist Patrick BettisonFind albums by this artist and drummer Steve ArguellesFind albums by this artist. The album presents nine tracks, seven of which are original compositions by Sulzmann, one is by Hutton and finally one is a Kenny WheelerFind albums by this artist composition. The album was released on the short-lived legendary Ah UmFind albums on this label label. The unusual instrumentation, which presents a double bass lineup, presents the electric bass as a lead instrument and the acoustic bass as part of the rhythm section. The music is based on melodic themes, masterfully, as usual, weaved by Sultzmann and the intimate quartet setting is ideal for this delicate, often fragile music, which is deeply touching. Sultzmann is of course brilliant as one might expect, but Bettison’s bass guitar parts are a delightful surprise, full of romance and wonderful feeling, in complete contrast to the Fusion oriented way the instrument is usually played. Overall, this is a hidden British Jazz gem, which took me years to find a copy of, but the wait was definitely worth it big time. If you can find a copy, grab it, no questions asked! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 10/03/2025Posted: 10/03/2025

CD 1 Recommend To A Friend

STAN SULZMANN ~ ON LOAN WITH GRATITUDE JAZZ IN BRITAIN 48 (Barcode: 5060774190500) ~ UK ~ Jazz Recorded: 1974 - 1977 Released: 2023 This is an expanded and long overdue reissue / remaster of the debut album as a leader by British Jazz saxophonist / flautist Stan SulzmannFind albums by this artist, recorded in a quartet setting with keyboardist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Bassist Chris LaurenceFind albums by this artist appears on one track. The album was originally released on the MosaicFind albums on this label label, owned by Graham CollierFind albums by this artist and presented just three tracks, one of which was a three-part suite. Sadly, the studio tapes were lost and the music was transferred from a vinyl copy. This expanded 2CD edition adds no less than eight bonus tracks, recorded before the album recording and taken from tape archives, which include early versions of two of the tracks on the album, including the suite. All the music was composed by Sulzmann. The music, to which I have often returned to over the years, is absolutely sensational, as expected. Sultzmann and his cohorts were among the finest British Jazz players / composers of the period and by the mid-1970s were all at their full capacity, producing brilliant, vibrant and highly original music, probably the best British Jazz ever. The Mosaic label was one of the first independent / musician-owned British Jazz labels and offered an opportunity to release original music by other musicians, in addition to presenting the music by its owner. Sadly, several of the albums released at the time, remain still unreleased on CD to this very day, waiting for the good people of the Jazz In BritainFind albums on this label label to follow the example set by this wonderful reissue. In addition to the brilliant performances (and compositions of course) by the leader, the album also features extensive contributions by the great and sadly departed John Taylor, whose performances herein are absolutely delightful, and for his many followers this album is an essential addition to his splendid legacy. The Mathewson / Levin rhythm section is also a great reminder of their contribution to the British Jazz scene, each in his very own way, and both also sadly not with us anymore, and a tribute to their memory. Overall, this is another “straight between the eyes” class of release, overdue but not forgotten gem, which now can now be discovered by new generations or all those less fortunate British Jazz lovers, who don’t own the original vinyl release. Just keep them coming you archive magicians!

Updated: 10/09/2023Posted: 10/09/2023

CD 2 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

STAN SULZMANN BIG BAND ~ BIRTHDAYS, BIRTHDAYS VILLAGE LIFE 99108 (Barcode: 5037013991082) ~ UK ~ Big Band Jazz Recorded: 1999 Released: 1999 This is a wonderful Big Band album by another British Jazz silent hero, saxophonist / composer Stan SulzmannFind albums by this artist. The music was recorded by an absolutely dreamy Big Band, which comprises of the crème de la crème of British Jazz musicians, like trumpeters Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Pete HurtFind albums by this artist, guitarist John ParricelliFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, which released this album, and many others. The album presents thirteen relatively short pieces, all (except one arrangement of a standard) original compositions by Sultzmann, composed over a period of many years, collected here as part of the celebrations of his 50th Birthday. Although strongly present on the British Jazz scene since many years and with dozens (actually well over a hundred as far as my collection reveals) of albums recorded as a leader and sideman, Sultzmann stays mostly in the shadows and is rarely in the limelight, despite his mammoth achievements and legacy. This album is a sublime example of the European approach to Big Band Jazz, where the entire ensemble plays like one metaphysical being rather than a collection of individuals, and where the sound of the ensemble is more important than the soloing, although when solos are played, they are all stunning. The compositions are all beautifully melodic and complex enough to keep the listener fascinated at all times. The album is a fitting tribute to Sultzmann’s activity up to that point, which of course continues to this very day. Overall, this is a superb Big Band Jazz album in every respect, which offers wonderful music and brilliant performances by everybody involved. The British Jazz feel is omnipresent here, which adds to the charm. Obviously this album deserves to be a part of every serious British Jazz collection, and I am ashamed to admit that I missed it for over two decades, now however, it is happily united with the rest of my collection.

Updated: 20/01/2023Posted: 20/01/2023

CD 1 Recommend To A Friend

STAN SULZMANN / JOHN PARRICELLI / KENNY WHEELER ~ ORDESA SYMBOL 20011001 (Barcode: 5060010600053) ~ UK ~ Jazz Recorded: 2001 Released: 2002 This is a criminally little known album by three top British Jazz musicians: saxophonist / flautist Stan SulzmannFind albums by this artist, guitarist John ParricelliFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist recorded in a onetime only trio setting. The album presents nine pieces, four of which are original compositions by Wheeler, two each by Parricelli and Sulzmann and one is a standard. The intimate setting seems to ideally suit all three participants and the lack of a rhythm section allows for delicate and mellow interplays unrestricted by precise timing as well as exquisite intensive soloing. Although melody based, the music offers a lot of freedom and challenging interplays along the way. The album offers a wonderful opportunity to listen to all three veterans truly exposed and enjoy both their individual contributions and the interplay they develop along the way. Each note here is precise and well balanced in relation to what is being played by the other musicians in a marvelous harmony. Quite naturally Parricelli, playing the harmonic instrument, holds the role of accompanist behind solos and duets played by his cohorts, in addition to his soloing, which makes him the backbone of the entire proceeding, but his accompaniment is beautifully kept in the background and completely unobtrusive. Overall this is an absolutely delightful piece of British Jazz at its best, and deserves to be known to the many fans of the idiom, despite the fact that it is sadly quite impossible to find today – nevertheless the effort to chase it down is fully justified. For the many Kenny Wheeler fans this is an absolute must have of course as his playing here is Godly by all standards. A true gem of an album!

Updated: 13/01/2021Posted: 13/01/2021

CD 1 Recommend To A Friend

STAN SULZMANN / JOHN TAYLOR ~ DOUBLE EXPOSURE INVERSION 002 (Barcode: 5070000076713) ~ UK ~ Jazz Recorded: 1990 Released: 2016 This is an archival album by the fabulous British Jazz duo of saxophonist / flautist / composer Stan SulzmannFind albums by this artist and keyboardist / composer John TaylorFind albums by this artist, recorded in 1990 and released 26 years later on a small British label InversionFind albums on this label Records, owned by Brian MillerFind albums by this artist, another British Jazz legend. The album presents thirteen tracks, all composed or co-composed by Sultzmann and Taylor. The music is absolutely delightful, serene and lyrical, with strong influences by European Classical music, but also full of Jazz hints and the respective musical preferences by both participants. Much of the music was spontaneously improvised “on the spot”, but for an outsider the result sounds completely coherent and beautifully developed, as if devised and planned long ahead. The fact that this completely forgotten session finally sees the light of day is a revelation, since it shows many less familiar facets of both these marvelous musicians and the superb fellowship they were able to enjoy, producing some of the most touching British Jazz, as if by accident. Overall, this is a major discovery for the dedicated British Jazz fans, and a joy to see this little gem available, since hiding it from the public would have been a sad and regrettable event. It goes without saying that this album deserves an honorable spot in every serious British Jazz collection!

Updated: 21/12/2023Posted: 21/12/2023

CD 1 Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR SEXTET ~ FRAGMENT JAZZ IN BRITAIN 32 (Barcode: 5060774190326) ~ UK ~ Jazz Recorded: 1975 Released: 2022 This is a reissue / remaster of the album recorded by the British pianist / composer John TaylorFind albums by this artist and his sextet, which also included trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The album was originally released on cassette only on the legendary JaguarFind albums on this label label, owned by pianist / composer Gordon BeckFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a superb example of the iconoclastic British Jazz, which reached its peak in the mid-1970s after several years of dramatic development, which characterized the scene since the late 1960s. The British Jazz managed to crystalize its very own sound and feel, which was instantly recognizable, even though it encompassed an astonishing variety of musical styles, ranging from almost mainstream / melody based Jazz to extreme Avant Garde. Of course those individuals / ensembles, which knew how to embrace both the charm of a beautiful melody and the powerful expressiveness of complex improvisation, like the sextet present on this recording, were the most effective. The six individuals playing here were all top British Jazz Artists at the time, each with his own rich legacy already in place by the time this music was recorded. It was an “all stars” ensemble by any standard, but of course there was nothing extraordinary about it, as almost every other ensemble on the scene at the time could be also acknowledged as an “all stars” gathering, since the scene was literally exploding with talent and activity. Over the years John Taylor created an immense body of Jazz compositions and an extensive recorded legacy, which reflect his sublime ability to weave an intricate, yet romantic melody. His life-long cooperation with Wheeler, widely documented on record, was one of the most fruitful Jazz engines in retrospect, but no Taylor discography could be complete without this particular album, which for so many years remained a hidden secret shared by the British Jazz fanatics. The fact that it is now reissued is a true milestone for the excellent Jazz In BritainFind albums on this label label, which never ceases to surprise and delight those of us, who truly love this music. Overall, this is a monumental release as far as British Jazz is concerned, closing a major gap in so many record collections of dedicated fans, all of which are both happy and grateful. The great talent of Taylor, the superb performances by Wheeler and the rest of the sextet members, and most importantly the everlasting magic of the music, which is every bit as fresh as it was at the time it was recorded, all come together to create a “crown jewel” of an album, which no British Jazz fan can ignore. Thank you Gentlemen for your labor of love, which we all enjoy.

Updated: 13/07/2022Posted: 13/07/2022

CD 1 Digipak Remastered Recommend To A Friend

CLARK TERRY ~ CLARK AFTER DARK MPS 4029759115700 (Barcode: 4029759115700) ~ USA ~ Jazz Recorded: 1977 Released: 2016 This is a reissue of an album by American trumpeter / composer and flugelhorn pioneer Clark TerryFind albums by this artist, which was his second of two albums for MPSFind albums on this label and which was produced by the British music critic / producer Mike HennesseyFind albums by this artist. The album presents ten Jazz ballads, nine of which are standards and one, which was written especially for this album by the German trombonist / bandleader / arranger / composer Peter HerbolzheimerFind albums by this artist. The album was recorded in London and features a mind-blowing huge orchestra, which includes the absolute crème de la crème of the British Jazz musicians, which does not appear on any other recording, and as such is absolutely unique. Some of the names include trumpeters: Derek WatkinsFind albums by this artist, Tony FisherFind albums by this artist and Kenny WheelerFind albums by this artist, trombonists: Dave HorlerFind albums by this artist and Nat PeckFind albums by this artist, reed players: Stan SulzmannFind albums by this artist, Tony CoeFind albums by this artist and Ronnie RossFind albums by this artist, pianist Gordon BeckFind albums by this artist, guitarist Martin KershawFind albums by this artist, bassist Chris LaurenceFind albums by this artist and many others. The music is definitely on the lighter side of Jazz, but Terry´s brilliant technique and enormous feel are definitely worth hearing. But the real hidden gem on this album is the brilliant performance by the orchestra and the superb arrangements. It is an exceptional example of the artistry of orchestration and of course the actual execution of the sophisticated arrangements by a group of immensely talented players. For British Jazz connoisseurs this is a rare gem, which is know by very few members of the proud community. As usual with reissues, it is great to have this gem back in circulation, for new generation of fans to discover and for those who lost the copy of the original vinyl issue to re-discover past pleasures. May the Force be with you! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 23/12/2016

CD 1 Mini-Sleeve Remastered Recommend To A Friend

TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz Recorded: 1980 - 1983 Released: 2023 This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist. Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is. The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured. The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s. Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness. Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!

Updated: 12/03/2023Posted: 12/03/2023

CD 2 Digipak Remastered Recommend To A Friend

KENNY WHEELER ~ KAYAK AH UM 012 (Barcode: 5017771001223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is a criminally little known album by the celebrated British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, released on the short-lived and sadly forgotten Ah UmFind albums on this label Records, owned by Nick PurnellFind albums by this artist. Wheeler leads a splendid ensemble, which comprises of the absolute crème de la crème of the British Jazz scene at the time: saxophonists Stan SulzmannFind albums by this artist and Julian ArguellesFind albums by this artist, French horn player John RookFind albums by this artist, trombonists Dave HorlerFind albums by this artist and Dave StewartFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and American drummer Peter ErskineFind albums by this artist. Trombonist Chris PyneFind albums by this artist and pianist John HorlerFind albums by this artist are added on the four last tracks only. The album presents seven Wheeler originals, the last four of which create a suite. All the music was recorded during a one-day session, which is absolutely amazing considering the complexity of the arrangements, but of course all these musicians were absolute Masters of the trade. The music is obviously absolutely brilliant, as everything Wheeler ever created and most of it was never recorded by Wheeler again with other ensembles. He briefly describes the origin of all the compositions on the album in the liner notes, one of which is a wonderfully crafted tribute to Chick CoreaFind albums by this artist´s compositions, a rather unlikely connection, but nevertheless true. The playing is of course also magnificent from start to finish, with plenty of wonderful solos by the participants and a superb ensemble performance, typical of British Jazz at its absolute best. The music was also excellently recorded with wonderful separation and perfect sound quality, which of curse enhances the listening pleasure even more. Overall this is lost perfect gem which deserves a proud place in any serious British Jazz collection, and although quite difficult to come by these days, it is by all means worth the effort needed to hunt for it. Essential Kenny Wheeler! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 16/03/2019

CD 1 Recommend To A Friend

KENNY WHEELER ~ MUSIC FOR LARGE & SMALL ENSEMBLES ECM 1415/16 (Barcode: 042284315227) ~ UK ~ Jazz Recorded: 1990 Released: 1990 Trumpeter / composer Kenny WheelerFind albums by this artist has been one of the great pillars of the British and international Jazz scene for five consecutive decades. His role as one of the most creative protagonists of the British / European Jazz revolution in the 1960s / 1970s was invaluable, but Wheeler continued his seemingly endless streak of creativity into the 21st Century, staying relevant and up to date, with very few rivaling forces of his magnitude. This album, in retrospect, is in many respects a pinnacle of his recording career and firmly belongs to the exclusive club of the top Jazz recordings of all time. Wheeler present here some of his best and most ambitious compositions, both as a composer for a large Jazz orchestra and a small Jazz combo, like the quintet featured here. The list of names of the participating musicians – all 19 of them – reads like the who´s who of modern British Jazz with a couple of American guests (guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist) added for good measure. Pianist John TaylorFind albums by this artist, his wife the divine vocalist Norma WinstoneFind albums by this artist, bassist Dave HollandFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist Paul RutherfordFind albums by this artist and saxophonist Stan SulzmannFind albums by this artist are just the more familiar of these names. The music is of course heavenly, regardless of the large or small format, both melodically, harmonically and structurally. Wheeler emerges as a Master composer and bandleader and the resulting music is a source of immense pleasure, both aesthetically and intellectually. This is a masterpiece and an essential piece of music, which is a worthy addition to any serious music library. Beyond essential! Visitors' Comments Christopher  Brice Truly (and surprisingly) "Essential"; I generally avoid large ensembles, but this is different as the individual voices of the specific participants were planned for and can be clearly heard

CD 2 Essential Recommend To A Friend

KENNY WHEELER ~ SONGS FOR QUINTET ECM 2388 (Barcode: 602547046536) ~ UK ~ Jazz Recorded: 2013 Released: 2015 I am writing these words with heavy heart, realizing that this is an epitaph of sorts, as this is the last album by British (Canadian born) Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded less than a year before his distressing death. Wheeler´s music was a continuous element of the soundtrack of my life for over fifty years and I was lucky to hear him performing live and talk to him on various occasions and of course listening to his numerous albums, always following his endeavors, from near and far. For me Wheeler always epitomized the absolute essence of Jazz: intelligence, sensitivity, superb ability to compose unforgettable melodies, or as he liked to call them "songs", and most importantly his open-mindedness and courage to step beyond the obvious and the familiar into terra incognita. It is impossible to imagine the modern British Jazz, and in fact European Jazz as a whole, without his crucial contributions, as he was always there in the eye of the hurricane of its essentially important developments. This album presents a recording by an all British quintet, which includes two British Jazz veterans of the first post WWII generation: saxophonist Stan SulzmannFind albums by this artist (born 1948) and bassist Chris LaurenceFind albums by this artist (born 1949) and two veterans of slightly younger generation: guitarist John ParricelliFind albums by this artist (born 1959) and drummer Martin FranceFind albums by this artist (born 1964). Together they perform nine original compositions by Wheeler, which are again called "songs", as they are all beautifully melodic. The quintet expands these melodic themes into modern Jazz miniatures, with a typical British Jazz elegance, minimalism and virtuosity. All music created by Wheeler over time became part of the absolutely classic Jazz heritage and this album is no different. Both the compositions and their treatment by the quintet are simply perfect in every respect and the listener is treated to a "final product" of the highest quality, being simply left to relax and enjoy this glorious music. Whatever one´s musical background and level of Jazz appreciation, this music is simply beyond being analyzed and its aesthetics should suffice to be recognized as a masterpiece. Of course life will continue, as it always does, regardless of who is left behind. The collective human heritage, which has been expanded and enriched by Wheeler´s presence, will be hopefully properly remembered and cherished. Although in today´s world humanity suffers from the ever shortening attention span, the human ingenuity and culture will prevail in the long rage, provided of course that humanity manages to avoid self obliteration. Wheeler´s recordings are all beautiful gems and let´s treat them as such, today, tomorrow, forever…

CD 1 Digipak Recommend To A Friend