Record Reviews
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  | JOHN CAMERON ~ COVER LOVER / WARM & GENTLE VOCALION 8478 (Barcode: 765387847821) ~ UK ~ Jazz Recorded: 1966 - 1968 Released: 2011
British pianist / composer John CameronFind albums by this artist was one of the great mavericks on the local Jazz scene in the 1960s, when he was still performing himself. Later on Cameron concentrated on his work as a composer, arranger, bandleader contributing numerous film soundtracks, musicals, etc. This reissue brings to life two rare 1960s albums. The first features Cameron as pianist and vocalist, performing a set of songs he wrote, which are full of witty English humor. He is accompanied by four excellent musicians: saxophonists Ronnie RossFind albums by this artist and Art EllefsonFind albums by this artist, bassist Spike HeatleyFind albums by this artist and drummer Tony CarrFind albums by this artist. The second features an orchestra led by Cameron performing a set of Pop / Rock songs arranged by him, which is a typical easy-listening recording, but of high quality due to the superb Jazzy arrangements. This album is primarily of interest to followers of John Cameron´s music (myself included), but British Jazz enthusiasts might find it interesting as well.
| | CD 1 Remastered Recommend To A Friend |
  | JOHN CAMERON ~ KES (SOUNDTRACK) TRUNK 001 (Barcode: 5060033500026) ~ UK ~ Jazz Recorded: 1969 Released: 2001
Pianist / composer John CameronFind albums by this artist was active on the British Jazz scene in the 1960s, before moving on to become one of the country’s foremost composers of film scores. The music composed for the classic British film KesFind albums with this title, directed by Ken LoachFind albums by this artist, was Cameron’s first film score. The brilliant film, considered as one of the top 10 films ever made in Britain, was a culmination of the 1960s “new wave” cinematography movement, which produced a long list of superb films (mostly black and white) reflecting the life in post WW2 Britain. Cameron produced superb music for the film, a true masterpiece, which is completely viable on its own as well as being perfect for the film. Performed by a group of mostly Jazz musicians, some of which played with Cameron on his brilliant Off CentreFind albums with this title album: Harold McNairFind albums by this artist – flute, Ronnie RossFind albums by this artist – bass clarinet, Danny MossFind albums by this artist – clarinet, Tony CarrFind albums by this artist – drums and David SnellFind albums by this artist – harp. Cameron also arranged the orchestral background for some of the pieces, performed by a string section. It is completely unbelievable that this music remained unreleased in any form for over 30 years, and it took the initiative of one Jonny TrunkFind albums by this artist and his TrunkFind albums on this label Records label to bring it back to the surface. Kudos to Mr. Trunk and a big thank you for this wonderful gift of music. Brilliant stuff!
| | CD 1 Remastered Recommend To A Friend |
  | DIRECTIONS IN JAZZ UNIT ~ NEW DIRECTIONS IN JAZZ 1963-64 RHYTHM AND BLUES 090 (Barcode: 5060331753018) ~ UK ~ Jazz Recorded: 1963 - 1964 Released: 2022
This is an archival album presenting live recordings by the British Jazz ensemble Directions In Jazz UnitFind albums by this artist, led by vibraphonist / pianist / composer Bill Le SageFind albums by this artist. Those include a performance for the German NDR TV in Hamburg in 1964 and three (two in 1964 and one in 1963) sessions recorded by the BBC, altogether thirty-one tracks.
In 1961 Le Sage formed a quartet with saxophonist Ronnie RossFind albums by this artist, bassist Spike HeatleyFind albums by this artist and drummer Tony CarrFind albums by this artist, which was the foundation later to be expanded into the Directions In Jazz Unit, which also included saxophonist / flautist Johnny ScottFind albums by this artist, saxophonist / clarinetist Bob BurnsFind albums by this artist and the Freddie Alexander Cello EnsembleFind albums by this artist (a string quartet), a revolutionary lineup by any standard at the time. Le Sage, Ross and Scott composed most of the music performed by the ensemble, which additional contributions by other members of the ensemble and an odd standard here and there.
The music certainly includes the clear signs of the British Jazz making giant steps towards the emancipation from the American Jazz tradition and forming of an independent, unique new direction, which in the few short years to come would revolutionize British Jazz entirely. The unusual instrumentation used by the ensemble, with obvious European music influences, and the arrangements that are clearly more elegant and “relaxed”, as well as highly sophisticated, pave the way for the change to come. The quality of the original compositions is excellent from start to finish.
Although the recording is in Mono, the sound quality is excellent and every note of the music is perfectly audible, except for the 1963 BBC session, which lacks the clarity of sound of the rest of the material, but is still quite acceptable, especially in view of the historic importance of this material.
Overall, this is a wonderful time capsule of the early days of modern British Jazz, which is a delightful trip down the memory lane, and quite an educational perspective of the history of the British Jazz chronology. Kudos to the Rhythm And BluesFind albums on this label label for digging this material from the depths of the vaults and releasing it, keeping the memories alive. There is nothing more important than keeping our dying Culture alive, as long as we can.
| Updated: 08/05/2023Posted: 01/10/2022 | CD 2 Recommend To A Friend |
  | TUBBY HAYES ~ HIP! THE UNTOLD STORY OF TUBBY HAYES` 1965 RHYTHM AND BLUES 080 (Barcode: 5060331752790) ~ UK ~ Jazz Recorded: 1965 Released: 2021
This is an archival 2CD album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents three radio broadcasts, all previously unreleased, all captured in 1965, a year in which no studio recordings by Hayes were made and he did not head a regular ensemble of his own, as a result of his troubled personal life riddled by health and addiction problems. However, when it came to live performances, Hayes, as this album shows, was still the greatest saxophonist active on the British Isles at the time.
CD1 presents a ten tracks broadcast by the Commonwealth Jazz OrchestraFind albums by this artist, led by Hayes and featuring some of the greatest British Jazz musicians, like trumpeters Shake KeaneFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Bobby WellinsFind albums by this artist and Ronnie RossFind albums by this artist, pianist Stan TraceyFind albums by this artist and others. Vocalist Joy MarshallFind albums by this artist appears on three tracks. The Big Band / Orchestra performs three originals by Hayes, including the fabulous “100% ProofFind albums with this title”, which will become the title track of his studio album two years later. Two more British originals are by trumpeter / composer of Jimmy DeucharFind albums by this artist, a regular Hayes’ collaborator. The rest of the material comprises of great arrangements of Jazz standards.
CD2 presents two Hayes’ quartet broadcasts, with pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummers Benny GoodmanFind albums by this artist or Ronnie StephensonFind albums by this artist (who also plays on the Orchestra tracks). The last five tracks (second broadcast) offer a somewhat lower sound quality, but the quality of the music is certainly as admirable as the rest of the music on this album.
The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading.
Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes, who sadly left us tragically way to prematurely. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all.
| Updated: 17/01/2023Posted: 17/01/2023 | CD 2 Recommend To A Friend |
  | TONY KINSEY ~ INTRODUCING / JAZZ AT THE FLAMINGO SESSION VOCALION 4213 (Barcode: 765387421328) ~ UK ~ Jazz Recorded: 1956 - 1957 Released: 2003
Drummer / composer / arranger Tony KinseyFind albums by this artist was one of the brightest stars on the modern British Jazz scene at its inception. Founder member of the Johnny Dankworth SevenFind albums by this artist in 1950, Kinsey later started to lead his own quintet and the first of the two albums included on this wonderful reissue is his debut recording with that quintet. Featuring a double saxophone front line the quintet included saxophonists Don RendellFind albums by this artist and Ronnie RossFind albums by this artist, pianist / vibraphonist Bill Le SageFind albums by this artist and bassist Pete BlanninFind albums by this artist. The second album is a live recording done just a few months after the debut and features the same rhythm section with two different saxophonists: Joe HarriottFind albums by this artist and Bob EffordFind albums by this artist. The music is mostly Jazz standards with few originals by Kinsey, Le Sage and Harriott, but the arrangements are completely different from the usual Bebop approach, adding some Cool and European tradition into the mix. The result clearly shows the seeds of the complete revolution and emancipation from the American Jazz that would follow just a few years after these recordings were made. Clearly Rendell and Harriott are such virtuosi players that they could blow any American saxophonist off the stage with ease. This is some of the best European early modern Jazz and the beautifully remastered sound just makes everything perfect. Absolutely brilliant stuff!
| Updated: 01/06/2018Posted: | CD 2 Remastered Recommend To A Friend |
  | WES MONTGOMERY ~ THE NDR HAMBURG STUDIO RECORDINGS JAZZLINE 77078 (Barcode: 4049774770784) ~ USA ~ Jazz Recorded: 1965 Released: 2021
This is an archival album by the seminal American guitarist / composer Wes MontgomeryFind albums by this artist, recorded live on April 30, 1965, during his European tour, which also included an appearance at the Ronnie ScottFind albums by this artist’s club in London just prior to this recording. Montgomery is supported by a dreamy octet, which includes British saxophonists Scott and Ronnie RossFind albums by this artist, and drummer Ronnie StephensonFind albums by this artist (the 3 Ronnies), Austrian saxophonist Hans KollerFind albums by this artist, American (resident in Europe from 1963) saxophonist Johnny GriffinFind albums by this artist, French pianist Martial SolalFind albums by this artist and bassist Michel GaudryFind albums by this artist. The album presents ten tracks, four of which are Montgomery’s originals, two are by Ross, one each by Solal and Griffin, one is by Thelonious MonkFind albums by this artist and one is a standard. The recording offers a brilliant sound quality. The bonus BD offers a half an hour glimpse at the octet’s rehearsal a couple of days before the concert.
Montgomery was at the top of his career at the time and his death, which came just three years after this recording was made, was a complete shock and a tragic premature end of his life and career.
The guitarist feels absolutely delighted supported by these European musicians, who offered already at that time a much more refined, delicate and ambitious approach to the Bebop atmosphere, and presented a highly sophisticated individual abilities as soloists.
The music is performed at a relaxed atmosphere, which emphasizes the obvious camaraderie between the musicians, and is in interesting document of the European scene at the time, as well as a tribute to Montgomery’s brilliant and innovative approach to the guitar.
Overall, for the many fans of Montgomery, this is an absolute must, not only as a document of his performances, but especially due to the unusual setting in which these recordings were made. One has to be grateful to those Germans, who keep all that historical material in perfect form, as usual.
| Updated: 09/02/2024Posted: 09/02/2024 | CD+BD 2 Digipak Remastered Recommend To A Friend |
  | CLARK TERRY ~ CLARK AFTER DARK MPS 4029759115700 (Barcode: 4029759115700) ~ USA ~ Jazz Recorded: 1977 Released: 2016
This is a reissue of an album by American trumpeter / composer and flugelhorn pioneer Clark TerryFind albums by this artist, which was his second of two albums for MPSFind albums on this label and which was produced by the British music critic / producer Mike HennesseyFind albums by this artist. The album presents ten Jazz ballads, nine of which are standards and one, which was written especially for this album by the German trombonist / bandleader / arranger / composer Peter HerbolzheimerFind albums by this artist. The album was recorded in London and features a mind-blowing huge orchestra, which includes the absolute crème de la crème of the British Jazz musicians, which does not appear on any other recording, and as such is absolutely unique. Some of the names include trumpeters: Derek WatkinsFind albums by this artist, Tony FisherFind albums by this artist and Kenny WheelerFind albums by this artist, trombonists: Dave HorlerFind albums by this artist and Nat PeckFind albums by this artist, reed players: Stan SulzmannFind albums by this artist, Tony CoeFind albums by this artist and Ronnie RossFind albums by this artist, pianist Gordon BeckFind albums by this artist, guitarist Martin KershawFind albums by this artist, bassist Chris LaurenceFind albums by this artist and many others.
The music is definitely on the lighter side of Jazz, but Terry´s brilliant technique and enormous feel are definitely worth hearing. But the real hidden gem on this album is the brilliant performance by the orchestra and the superb arrangements. It is an exceptional example of the artistry of orchestration and of course the actual execution of the sophisticated arrangements by a group of immensely talented players. For British Jazz connoisseurs this is a rare gem, which is know by very few members of the proud community.
As usual with reissues, it is great to have this gem back in circulation, for new generation of fans to discover and for those who lost the copy of the original vinyl issue to re-discover past pleasures. May the Force be with you! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 28/05/2018Posted: 23/12/2016 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
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