Record Reviews

ASSOCIATION P.C. / JEREMY STEIG ~ MAMA KUKU PROMISING MUSIC 44100 (Barcode: 602517542846) ~ NETHERLANDS ~ Jazz Recorded: 1973 Released: 2008 Association P.C.Find albums by this artist was one of several multi-national Jazz groups active in Europe during the late 1960 / 1970 explosive period of creative activity, which resulted in establishment of the European Jazz and its emancipation from the American Jazz traditions. With Britain as one epicenter of the new music, Netherlands, Germany and France were the other one. Their geographic proximity enabled the existence of multi-national groups, as the musicians were able to meet, rehearse and tour, all within a driving distance from their respective homes. These countries also had a common cultural background, which served as common bond between the musicians. The original group was formed by Dutch drummer Pierre CourboisFind albums by this artist (his initials are in the group’s name) with fellow Dutch players Jasper van`t HofFind albums by this artist – keyboards and Peter KrijnenFind albums by this artist – bass and the German guitarist Toto BlankeFind albums by this artist. Krijnen was soon replaced by German bass virtuoso Siggi BushFind albums by this artist. After van’t Hof left the group to form his own outfit (the legendary Pork PieFind albums by this artist), he was replaced by German keyboardist Joachim KuhnFind albums by this artist. The group recorded five albums, four of them on the legendary MPSFind albums on this label label, and this was the last of them. The idea for recording an album with American flautist Jeremy SteigFind albums by this artist was initiated by the legendary Jazz critic and resident MPS producer Joachim BerendtFind albums by this artist, who heard Steig perform at the Munich Jazz Festival, which was organized as one of the events for the Munich Olympic Games in 1972. Berendt was always looking for unusual musical combinations and inspired the (then) forming European Jazz scene by his unequivocal support and prophetic vision. Steig, although American, was always associated with the Avant-Garde and pursued his own search to expand his horizons beyond the stagnant Jazz mainstream. Therefore his rapport with the young European musicians, who were also on a quest to discover the unknown, happened naturally, as Berendt envisioned. The album was recorded live, another wise decision by Berendt, as the character of the music simply suited a spontaneous situation perfectly. Although Association P.C. is often associated with the European Jazz-Rock Fusion (probably due to the fact that electric guitar and keyboards were used), is fact the group had nothing to do with that genre. Blanke and Kuhn will later on play in or lead Jazz-Rock Fusion ensembles, but in that group they played quite a different sort of music, trying to expand Free Jazz (which served as a departure point) into Improvised Music. Steig understood that instinctively and cooperated beautifully. The peak of the album is reached on the 21+ minutes long spontaneously improvised piece, which was the original B-side of the LP. The performances are of course inspired and uplifting, as the musicians were all virtuosi and masters of their trade in spite of their young age. In retrospect the album caught for posterity a glorious moment and a fragment of what was happening on the European scene at the time, which makes it an immensely important document, in addition to being a superb musical experience, completely relevant to this very day. Kudos to Promising MusicFind albums on this label for the excellent remaster and elegant packaging of the reissue. A must!

Updated: 12/04/2019Posted:

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DAVE PIKE SET ~ LIVE AT THE PHILHARMONIE PROMISING MUSIC 44101 (Barcode: 602517545632) ~ USA ~ Jazz-Rock Fusion Recorded: 1969 Released: 2008 American vibraphonist / composer Dave PikeFind albums by this artist was one of quite a few American Jazz musicians, who left the US and settled in Europe in the late 1960s, stifled by the atmosphere of the US scene at the time, which seemed to them as limiting and confining, especially in comparison to the exciting and flourishing developments happening in Europe at the time. Settling in Germany, Pike formed a quartet with three wonderful German musicians: guitarist Volker KriegelFind albums by this artist, bassist Johann Anton RettenbacherFind albums by this artist and drummer Peter BaumeisterFind albums by this artist, which he called the Dave Pike SetFind albums by this artist. The quartet was signed by the legendary German MPSFind albums on this label label and recorded a series of albums for the label, of which this was the third and the only live recording. Recorded at a concert, which was presented during the 1969 edition of the Berliner Jazztage Festival, the quartet flies gracefully through a set of original compositions (mostly by Pike and Kriegel), presenting a refreshing use of the vibraphone / guitar dual lead and a splendidly inventive, but solid support by the rhythm section. The compositions are quite different from each other stylistically, but always top-notch, with plenty of space for extended solos. Kriegel proves to be the most inventive player of the quartet and his amazing inventions and brilliant technique clearly show his early steps on his way to become one of Europe’s best Jazz and later Jazz-Rock Fusion players ever. It is interesting to compare the Dave Pike Set with the Gary BurtonFind albums by this artist quartet, one of the most interesting American Jazz ensembles at the time, which also featured the vibraphone / guitar (Larry CoryellFind albums by this artist) double lead and experimented with time signatures and early Fusion, Psychedelics and World Music excursions. The similarities are truly quite amazing. In retrospect the music lost none of its charm and adventurous nature and remains a splendid example of the European scene at the time. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure and a great trip down the memory lane. Hopefully the other MPS recordings by this group will follow soon. Brilliant!

Updated: 28/08/2020Posted:

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DON SUGARCANE HARRIS ~ SUGAR CANE`S GOT THE BLUES PROMISING MUSIC 44102 (Barcode: 602517545731) ~ USA ~ Jazz-Rock Fusion Recorded: 1971 Released: 2008 American violinist Don Sugarcane HarrisFind albums by this artist was one of the very few great Blues / Rock / Fusion artists playing the fiddle. He came to prominence as a member of the revolutionary John MayallFind albums by this artist’s BluesbreakersFind albums by this artist group and later as a member of Frank ZappaFind albums by this artist’s groups. This album, recorded live during the Berliner Jazztage Festival, presents Harris both as a leader and a participant in the legendary “Violin Summit” super-group, assembled by producer Joachim BerendtFind albums by this artist. The solo appearance is in fact an offshoot project of the “Violin Summit”, which was a series of recordings on the legendary MPSFind albums on this label label, which celebrated the role of the violin in Jazz, Blues, Jazz-Rock Fusion and Rock and produced probably the most interesting document of music by violinists in the late 1960s / 1970s. The “Violin Summit” projects were based on a concept of a rhythm section and a series of violinist playing solo and in various combinations. The 1971 version of “Violin Summit”, which produced the “New Violin SummitFind albums with this title” double album, included also such great violin players as Jean-Luc PontyFind albums by this artist (France), Michal UrbaniakFind albums by this artist (Poland) and Nipso BrantnerFind albums by this artist (Germany) – none of them is heard here – and a fantastic rhythm section consisting of the Norwegian guitarist Terje RypdalFind albums by this artist, German keyboardist Wolfgang DaunerFind albums by this artist, New Zealander (resident in UK at the time) bassist Neville WhiteheadFind albums by this artist and British drummer Robert WyattFind albums by this artist. On the solo night Rypdal is replaced by German guitarist Volker KriegelFind albums by this artist. Surrounded by such illustrious musicians, Harris plays his heart out, improvising more daringly than ever before, no doubt inspired by the incredible performances by his European partners, who were musically much more advanced that Harris’ usual American companions. Overall the album presents a great event captured for posterity, with some amazing musical moments documenting the formation of the European Jazz-Rock Fusion, which bridges between such distant genres as the Blues and Free Jazz with elegance and vision. Beautifully remastered and packaged, this album is definitely worth investigation and attentive listening.

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GEORGE DUKE ~ FACES IN REFLECTION PROMISING MUSIC 44103 (Barcode: 602517546479) ~ USA ~ Jazz-Rock Fusion Recorded: 1973 Released: 2008 American keyboardist / composer George DukeFind albums by this artist first came to prominence in the late 1960s, when he recorded with the French violinist Jean-Luc PontyFind albums by this artist, who was invited to record in the US following his festival appearances. The association with Ponty opened quite a few doors for Duke, eventually leading to his stint with Frank ZappaFind albums by this artist, as well as his recording contract with the legendary MPSFind albums on this label label. He recorded 8 albums for the label between 1971 and 1976, of which this was the 3rd. Duke was a strange choice for MPS, as it concentrated mainly on presenting the European Jazz scene (the only exception was a series of albums recorded by Oscar PetersonFind albums by this artist), with strong Avant-Garde and later European Jazz-Rock Fusion, which was much more advanced that its American counterpart. Although Duke was closely associated with the US Jazz-Rock Fusion scene in the 1970s, playing with such prominent musicians like Stanley ClarkeFind albums by this artist, Billy CobhamFind albums by this artist and many others, his Fusion approach was strongly based on Blues, Funk and Soul, his “native” musical areas. Therefore his MPS recordings can be considered as some of the most commercial and accessible recordings ever released by this label. On this album Duke uses a trio (John HeardFind albums by this artist – bass and Leon Ndugu ChanclerFind albums by this artist – drums) and plays a wide array of synthesizers. He composed all but one of the tunes (the only composition, which isn’t his is by the Brazilian genius Milton NascimentoFind albums by this artist, and points towards Duke’s fascination with Brazilian music, which would flourish later in his career). There is no doubt about Duke’s brilliant technique as a player and his use of synthesizers is revolutionary at that time, but the compositions are definitely on the lighter side of Jazz and his vocals (however sparsely used) completely unnecessary. As much as I like Duke’s playing and many of his recordings, this is not one of his absolute highlights, even if it is much better that most of his later recordings starting from the 1980s and up to now. Nevertheless it is still a solid and enjoyable album worthy of being remembered. Of course many of his fans will enjoy this quality reissue with beautifully remastered sound and superb packaging.

Updated: 12/04/2019Posted:

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CHARLIE MARIANO ~ HELEN 12 TREES PROMISING MUSIC 44104 (Barcode: 602517546547) ~ USA ~ Jazz American saxophonist / composer Charlie MarianoFind albums by this artist was a fascinating musical figure and a prime example of the difference between the American and the European approach to music in the late 1960s / 1970s. With an established career as a Bebop player in the US, Mariano left his home to travel extensively in the Far East, exploring the culture and music of India, Japan and other Asian countries. Upon his return the West, he settled in Germany and became involved with the local / European scene, not willing to return to the limited and narrow-minded American music scene at the time. He was a member of many Avant-Garde groups, which at the time expanded the musical boundaries of both Jazz and Rock music, including such legendary outfits as EmbryoFind albums by this artist, Pork PieFind albums by this artist and United Jazz + Rock EnsembleFind albums by this artist. This recording for the legendary MPSFind albums on this label label, organized by the producer Joachim BerendtFind albums by this artist, presents a fascinating aspect of his activity at the time and in retrospect remains as one of his all time best albums. With a dreamy ensemble, which includes the Polish violin virtuoso Zbigniew SeifertFind albums by this artist, Czech keyboards wizard Jan HammerFind albums by this artist, British superstars: bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist and Indonesian percussionist Nippy NoyaFind albums by this artist (resident in Germany), Mariano delivers a fantastic session, featuring six of his originals and one composition by Hammer. He plays soprano and alto saxophones, flute and his beloved Indian reed instrument called nagaswaram, which became his trademark. The music is a great mixture of many musical elements, including strong World Music influences, some Free Jazz and some Jazz-Rock Fusion. This strange amalgam works extremely well, creating a unique atmosphere, which is on one hand different from most other efforts at the time and on the other hand includes them all. Seifert “steals” the show every time he plays, as his virtuosity is overwhelming, but the ensemble work is overall superb, with plenty excellent solos. Uneven rhythmic patterns, “strange” melodies, great performances – all the elements that make music interesting and challenging are here for the listener to enjoy. This is a true classic of the era when daring was considered part of the norm. This beautifully remastered and packaged reissue is most welcome by many Mariano and European Jazz fans all over the globe. A must!

Updated: 12/04/2019Posted:

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WOLFGANG DAUNER ~ FREE ACTION PROMISING MUSIC 44105 (Barcode: 602517554993) ~ GERMANY ~ Jazz Recorded: 1967 Released: 2008 German pianist / composer Wolfgang DaunerFind albums by this artist was one of the most important forefathers of European Jazz. A prolific composer, bandleader and activist, his contribution to the establishment of European Jazz and its emancipation from the restrains of the American Jazz tradition is truly immense. Dauner, who in addition to his musical activities, was also a prolific painter, always looked at music as an expression of an overall aesthetic / cultural point of view, with philosophical / social and even political undercurrents. Over the years Dauner created a most impressive body of work, encompassing many quite different styles and directions, spanning straightforward (but always unique) Jazz, Jazz-Rock Fusion, Free Jazz and Improvised Music. In the mid-1970s Dauner formed the revolutionary United Jazz + Rock EnsembleFind albums by this artist – a multi-national group of superb European players, which brought Jazz-Rock Fusion to a level of absolute Art. He also co-founded the independent MoodFind albums on this label Records label, which for many years documented some of the most important and unconventional European music (mostly Jazz). His early recordings on the legendary MPSFind albums on this label label (as leader and sideman) are in retrospect perhaps the most important from the historical point of view, as they demonstrate the boldness, inspiration and urge to explore uncharted musical territories. Encouraged and supported by the legendary Jazz critic and resident MPS producer Joachim BerendtFind albums by this artist, Dauner could freely express his visions, regardless how bold they might be, especially at the time. For this recording Dauner formed a septet, which included some of his regular cohorts like cellist / bassist Eberhard WeberFind albums by this artist and American (but living in Germany) drummer Fred BracefulFind albums by this artist. He added three excellent German young players: saxophonist Gerd DudekFind albums by this artist (who would later become one of the central figures of German Improvised Music and Free Jazz), bassist Jurgen KargFind albums by this artist and drummer / tabla player Mani NeumeierFind albums by this artist (later a member of the legendary Guru GuruFind albums by this artist group). As the last member of the septet Dauner selected the then little known French virtuoso violinist Jean-Luc PontyFind albums by this artist, who was of course destined to achieve worldwide recognition later on. The septet performs five of Dauner’s compositions, which provide a skeletal framework for group improvisations by the band members. The double bass / drums lineup allows for complex rhythmic patterns to evolve, and of course there is plenty of space for individual solo spots, but overall the music is mostly a group effort, Dauner uses “prepared piano” (i.e. differently tuned one) to achieve some novel sound approach. In retrospect this is a superb document of the birth of European Jazz, which takes the Free Jazz idiom and pushes it (here still ever so gently) into the Improvised Music realm. The music lost none of its power and inspiration over the years and for a “first time” listener should be quite an ear opener. Kudos to Promising MusicFind albums on this label for the excellent remaster and elegant packaging of the reissue. A must!

Updated: 31/01/2016Posted:

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BARNEY WILEN ~ DEAR PROF. LEARY PROMISING MUSIC 44106 (Barcode: 602517024816) ~ FRANCE ~ Jazz-Rock Fusion Recorded: 1968 Released: 2008 French saxophonist / composer Barney WilenFind albums by this artist is known to Jazz fans mostly for his role in the 1957 recording with Miles DavisFind albums by this artist of the legendary “Ascenseur pour l`échafaudFind albums with this title” soundtrack. But a decade later, Wilen left standard American Jazz behind and took an active role in the burgeoning new European scene in search of new musical adventures. He formed a group called Amazing Free Rock BandFind albums by this artist with young upcoming players like Swiss guitarist Mimi LorenziniFind albums by this artist, German keyboardist Joachim KuhnFind albums by this artist, German bassist Gunter LenzFind albums by this artist and two drummers, Italian Aldo RomanoFind albums by this artist and German Wolfgang PaapFind albums by this artist. As the group’s name suggests, they combined contemporary Rock with Free Jazz, creating an amalgam they called Free Rock. This album is a document of this attempt, and one of the earliest Jazz-Rock Fusion recordings. The material includes mostly contemporary Pop and Rock anthems, with a couple of original compositions and one Jazz composition by Ornette ColemanFind albums by this artist. The result is one of the wackiest albums ever recorded and a great document of the era. As the title suggests, Psychedelic instances probably had much to do with the resulting music. Although the music did not withstand the test of time as well as other MPS recordings, producer Joachim BerendtFind albums by this artist thought at the time that this experiment was worth preserving for posterity, and we are (in retrospect) grateful. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a great trip down the memory lane. Definitely worth investigating.

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JOHN TCHICAI ~ AFRODISIACA PROMISING MUSIC 44107 (Barcode: 602517689350) ~ DENMARK ~ Jazz Recorded: 1969 Released: 2008 Danish (of Congolese origin) saxophonist / composer John TchicaiFind albums by this artist was one of the very few European musicians involved with the development of Free Jazz in the US in the early 1960s, where he played with Don CherryFind albums by this artist, Archie SheppFind albums by this artist and John ColtraneFind albums by this artist. Upon his return to Denmark in the late 1960s, Tchicai became one of the leaders of European Free Jazz movement, as well as a visionary precursor of Jazz-World Fusion, dedicating much of his work to incorporating African Music into Jazz. This momentous recording documents one of the first major Jazz-World Fusion works, recorded by a Jazz orchestra with 26 players, mostly Danish musicians, with the Dutch saxophone colossus Willem BreukerFind albums by this artist as a guest. The title track is a 22 minutes long Jazz suite, performed by the orchestra and composed by trumpeter Hugh SteinmetzFind albums by this artist, with the soloist improvising individually and collectively on top. It is an amazing piece of music and a daring excursion into uncharted musical territory, which sounds as awesome and impressive today as it did at the tome of its recording, perhaps even more so in retrospect, considering how little experimenting is done these days. The rest of the album includes music composed by Tchicai and performed by smaller ensembles, emphasizing the concept of collective improvisation. The entire album was conceived and eventually brought to life by the legendary producer Joachim BerendtFind albums by this artist, who prophetically recognized the importance of Tchicai’s work and struggled ceaselessly to make this immensely complex project to come to fruition. The music remains a timeless manifest to the most creative period in Jazz, when the unexpected was truly expected. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure. Brilliant!

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PORK PIE ~ TRANSITORY PROMISING MUSIC 44108 (Barcode: 602517602427) ~ NETHERLANDS ~ Jazz Recorded: 1974 Released: 2008 Dutch keyboardist / composer Jasper van`t HofFind albums by this artist was one of the most prominent young Jazz musicians on the European scene in the late 1960s / 1970s and a pioneer of the new European Jazz, which emerged like a Phoenix on the ashes of the stagnant Jazz tradition. A founding member of the legendary Association P.C.Find albums by this artist, van`t Hof left the group in 1972 (to be replaced by Joachim KuhnFind albums by this artist) and a year later formed his own ensemble Pork PieFind albums by this artist (the name being a tribute to a famous Lester YoungFind albums by this artist tune) with four other excellent musicians: the veteran American (but resident in Germany) saxophonist Charlie MarianoFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, French bassist Jean-Francois Jenny-ClarkFind albums by this artist and Italian (but resident in France) drummer Aldo RomanoFind albums by this artist. The group recorded a couple of albums on the legendary German MPSFind albums on this label label, of which this was the first. The group played a completely innovative music, which moved freely between genres and included Free Jazz, Jazz-Rock Fusion, Psychedelic and World Music elements. All five members of the group were splendid musicians, blessed with virtuosity and inspiration, and the rapport between them was phenomenal. This album sounds today as advanced and oracular as it did at the time of the recording, losing nothing of its freshness, a true timeless masterpiece. The Brazilian percussionist Ivanir “Mandrake” Do NascimentoFind albums by this artist appears as a guest on some of the tracks and adds his magic to the mix. In retrospect this is a superb example of what was happening on the European Jazz scene at the time, underlining the perpetual quest for new forms of expression and ceaseless search for new musical vocabulary. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure and a great trip down the memory lane. Hopefully the other MPS recording by this group will follow soon. Brilliant!

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JAN HAMMER ~ MALINY MALINY PROMISING MUSIC 44109 (Barcode: 602517845954) ~ CZECHOSLOVAKIA ~ Jazz Recorded: 1968 Released: 2009 1st album by Czech pianist / composer Jan HammerFind albums by this artist, who would later become one of the cornerstone musicians of US Jazz-Rock Fusion movement as a member of John McLaughlinFind albums by this artist´s Mahavishnu OrchestraFind albums by this artist, as well as leader of his own groups. This live recording at the legendary Munich Domicile club, a meeting place of German and European Jazz scene for many years, is in many ways quite accidental. Hammer and his compatriot bassist George MrazFind albums by this artist (Jiri in Czech) were in Munich "in transit" actually heading for the US to join the Berklee College of Music in Boston, where they both received a scholarship. Of course they had been warmly received in Munich and gigged extensively waiting for the US trip to finalize. While there, the Soviet Block armies invaded their homeland in the infamous 1968 abrupt end of the "Czech Spring", one of the darkest moments of the Eastern-European history. Hammer and Mraz made the decision not to look back and moved to the US permanently, joining many other famous Czech musicians who were destined to build their career there, like Miroslav VitousFind albums by this artist for example. This recording is Hammer´s debut, presenting him on acoustic piano and organ, playing a set of his original compositions in a trio format with Mraz on electric bass and resident Domicile drummer (originally from Netherlands, but mostly active in Germany) Cees SeeFind albums by this artist on drums. The most striking effect of this recording is not hearing the "early" Hammer, already a highly accomplished pianist at the time with extensive classical training, but his Jazzy approach, which in years was about to move to the background of his output, which I personally see as a great shame. The music is also very interesting, with Hammer combining many Eastern-European motifs with Jazz, like many other Eastern-European musicians did at the time, creating some of the most memorable tunes in the process (see parallel work of Polish Jazz musicians). This is definitely a great historical document of the era and one can only be grateful to Promising MusicFind albums on this label for unearthing and reissuing this lovely musical glimpse into the past. As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!

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ALPHONSE MOUZON ~ VIRTUE PROMISING MUSIC 44110 (Barcode: 602517602410) ~ USA ~ Jazz-Rock Fusion Recorded: 1976 Released: 2009 In the early 1970s the name of US drummer Alphonse MouzonFind albums by this artist was almost synonymous with Jazz-Rock Fusion as one of its most prominent drummers, rivaled only by Billy CobhamFind albums by this artist. His stints with Weather ReportFind albums by this artist and Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist are prime examples of his extraordinary abilities and technique. But Mouzon could play modern Jazz as well as Fusion, and he played with the best, including McCoy TynerFind albums by this artist and many other "conventional" Jazz musicians. This album is a brainchild of the legendary producer Joachim BerendtFind albums by this artist, who was a great fan of Mouzon´s playing and invited him to record for the legendary MPSFind albums on this label label twice, before recording this one with him as a leader. For the album Mouzon assembled quite an unusual quartet, incorporating one of the greatest (and often underappreciated) saxophonist Gary BartzFind albums by this artist, which seemed truly inappropriate, as Bartz was more then anything a player in the John ColtraneFind albums by this artist tradition, which was hardly "in place" in a Funk / Fusion setting. The result of course proves that all fears were completely unfounded and the quartet works like a dream. Completed by keyboardist Stu GoldbergFind albums by this artist (a frequent guest on the MPS label), whose feel for Fusion and Funk was beyond reproach, and bassist Welton GiteFind albums by this artist (a legendary bass player, who was a member of SteppenwolfFind albums by this artist! and played with a plethora of Rock, Pop and Jazz acts) the quartet performs a set of compositions composed by Mouzon, playing their ass off from start to finish, producing one of the most energetic and brilliant Fusion albums with no weak moments whatsoever. Mouzon is of course brilliant, a monster rhythmic (and polyrhythmic) driving power at all times. Both Goldberg and Bartz get plenty of solo space and the overall result is a Fusion orgy of unearthly proportions. Although this album is rarely mentioned as a Fusion "classic", it definitely deserves the status, which anybody listening to it should easily recognize. We should be grateful to Promising MusicFind albums on this label for reissuing this classic treasure! As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!

Updated: 16/05/2016Posted:

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STU GOLDBERG ~ EYE OF THE BEHOLDER PROMISING MUSIC 44111 (Barcode: 602517845923) ~ USA ~ Jazz Recorded: 1981 Released: 2009 3rd (out of 4) albums recorded by US keyboardists / composer Stu GoldbergFind albums by this artist for the legendary German MPSFind albums on this label label, on which he also recorded several other albums as a sideman. This is his most ambitious project for the label, recorded with an expanded ensemble of nine musicians – a Jazz quintet and a string quartet – allowing him to present his original compositions in a broader musical landscape and with lush arrangements. Playing only the acoustic piano (in contrast to his usual use of keyboards), Goldberg performs his music with grace, sensitivity and obvious love, which fit the often romantic music perfectly. All the musicians are obviously highly skilled and dedicated, creating a perfect (perhaps a bit too perfect?) musical landscape. There is little musical innovation here, with the music flowing "pleasantly" even during the up-tempo numbers, thus being suitable for a wider (well beyond Jazz only) audience. Goldberg is clearly a great instrumentalist, running arpeggios up and down the scale with ease and elegance, but the format he chose to pursue here is dangerously close to being somewhat banal (never actually becoming so). As usual with the Promising MusicFind albums on this label the remastering, sound quality, packaging and extensive liner notes are beyond reproach.

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ZBIGNIEW SEIFERT ~ MAN OF THE LIGHT PROMISING MUSIC 44112 (Barcode: 602527326283) ~ POLAND ~ Jazz Recorded: 1976 Released: 2010 This exceptional album by Polish violin virtuoso / composer Zbigniew SeifertFind albums by this artist was the first major exposure of his talents outside of his motherland. Legendary MPSFind albums on this label producer Joachim BerendtFind albums by this artist, who had close ties to the Polish Jazz scene, was aware of Seifert´s incredible talent and managed to pull off this recording session, bringing on board a superb team of players, which consisted of German pianist Joachim KuhnFind albums by this artist and an American rhythm section: bassist Cecil McBeeFind albums by this artist and drummer Billy HartFind albums by this artist. Dutch pianist Jasper van`t HofFind albums by this artist also participates on one track. Seifert composed all the music on this album, which is a great example of typical Eastern European Jazz, which cleverly combines elements of modern American Jazz, especially that of John ColtraneFind albums by this artist, with Folklore and Classical influences. Seifert´s "obsession" with Coltrane´s music and his improvisational technique are plainly evident, especially during the up-tempo numbers. The album´s title track is dedicated to Coltrane´s pianist McCoy TynerFind albums by this artist. Hearing the album 35 years after it was recorded makes one realize how great music gets better with time, losing absolutely nothing of its initial grandeur. Both Seifert and Kuhn play some incredible solos here and the rhythm section supports them admirably every step of the way. Tragically, just three years after this music was recorded Seifert died, stricken by cancer, before his endless potential was realized and recognized properly. Seifert managed to record several albums in the US before his untimely death, but this album is definitely his most important and most perfect legacy. Absolutely essential! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 08/01/2021Posted:

CD 1 Mini-Sleeve Slipcase Oversampling Remastered Essential Recommend To A Friend

DON ELLIS ~ HAIKU PROMISING MUSIC 44113 (Barcode: 602527326337) ~ USA ~ Jazz-Classical Fusion Recorded: 1973 Released: 2010 The trumpeter / composer / bandleader Don EllisFind albums by this artist was probably the most "progressive" and open-minded American Jazz musician of his time. He experimented with odd meters, World Music / Folklore themes and hired European musicians as members of his ensembles and Big Band. His contacts with Europe were excellent and his friendship with legendary producer Joachim BerendtFind albums by this artist and the German MPSFind albums on this label label led to the release of two of his albums on MPS, when his US label ColumbiaFind albums on this label refused to record his novel ideas. These were sadly among his latest recordings prior to his untimely death just a few years later. This album was a second of the two MPS recordings and contains a beautiful suite for trumpet, Jazz group and orchestra, with ten themes based on ten short Japanese Haiku poems. Ellis plays wonderfully on this album, as do his colleagues: Bulgarian keyboardist Milcho LevievFind albums by this artist, legendary bassist Ray BrownFind albums by this artist, drummer John GuerinFind albums by this artist and guitarists Larry CarltonFind albums by this artist, David CohenFind albums by this artist and Tommy TedescoFind albums by this artist. The music is also wonderful, mostly melodic and gentle, but with the great orchestral arrangements and trumpet solos on top the overall effect is truly gorgeous. In many respects this is "the other side" of Ellis, compared to his highly energetic Big Band albums on Columbia. Brilliant stuff!

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IRENE SCHWEIZER ~ JAZZ MEETS INDIA PROMISING MUSIC 44114 (Barcode: 602527326238) ~ SWITZERLAND ~ Jazz-World Fusion Recorded: 1967 Released: 2010 This extraordinary album is one of the earliest Jazz-World Fusion excursions, in general and Jazz / Indian music in particular, preceded mainly by the British recording with the Joe HarriottFind albums by this artist / John MayerFind albums by this artist ensembles. This meeting, conceived by the legendary producer Joachim BerendtFind albums by this artist and originally released on the MPSFind albums on this label label, brings together the trio led by the Swiss pianist / composer Irene SchweizerFind albums by this artist, with bassist Uli TrepteFind albums by this artist and drummer Mani NeumeierFind albums by this artist with an Indian trio led by sitar player Dewan MotiharFind albums by this artist, tabla player Keshav SatheFind albums by this artist and tambura player Kusum ThakurFind albums by this artist. Two guest musicians are also present: trumpeter Manfred SchoofFind albums by this artist and saxophonist Barney WilenFind albums by this artist. Contrary to the above mentioned British encounters, which were more about improvising on Indian melodic themes, this meeting is based on Free Jazz, which makes everything much more intense and complex, but also interesting of course. Considering the fact that this music was conceived and recorded 45 years ago emphasizes Berendt´s visionary approach to music and his pivotal role in the development of European Jazz. This is not easy-listening material, but open-minded people will find this fascinating for sure. Not available for decades, this new edition is a momentous event for non-mainstream music. Not to be missed!

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DON SUGARCANE HARRIS ~ CUP FULL OF DREAMS PROMISING MUSIC 44115 (Barcode: 602527615967) ~ USA ~ Jazz-Rock Fusion Recorded: 1973 Released: 2011 This is the 4th album on the legendary German MPSFind albums on this label label by US virtuoso violinist / composer Don Sugarcane Harris. His stints with John MayallFind albums by this artist and Frank ZappaFind albums by this artist exposed his name to international Blues and Rock audiences, but his association with MPS placed him in the company of other great violinists during the "Violin Summit" projects run by legendary producer Joachim BerendtFind albums by this artist and established his well deserved reputation as exceptional player, composer and improviser. Harris composed all the music on this album, which is Blues related, but stretches far beyond the basic Blues structures and displays wonderful melodic qualities. He is supported by a great band, which includes keyboardist Dewey TerryFind albums by this artist, bassists Larry TaylorFind albums by this artist and Victor ConteFind albums by this artist, drummer Paul LagosFind albums by this artist and two superb guitarists: Harvey MendelFind albums by this artist and Randy ResnickFind albums by this artist. Saxophonist Richard AplanFind albums by this artist plays on one track. His advanced improvisations take the music beyond the Blues / Blues-Rock settings and turn it into a kind of Blues-Jazz Fusion, completely unique and charming. In retrospect the album lost none of its magic and still sounds fresh and invigorating. Sadly no longer with us, Harris recorded only sporadically after his MPS days, which is a great pity. This is a must to all violin lovers, but every music connoisseur should find something of interest here. Warmly recommended!

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JEAN-LUC PONTY ~ OPEN STRINGS PROMISING MUSIC 44116 (Barcode: 602527615936) ~ FRANCE ~ Jazz Recorded: 1971 Released: 2011 This magnificent album by French virtuoso violinist / composer Jean-Luc PontyFind albums by this artist is a great example of European Jazz at its best. The quintet, which recorded this album was Ponty´s regular group at the time, called ExperienceFind albums by this artist, and comprised of brilliant Belgian guitarist Philip CatherineFind albums by this artist, German pianist Joachim KuhnFind albums by this artist and American rhythm section: bassist Peter WarrenFind albums by this artist and drummer Oliver JohnsonFind albums by this artist. Ponty´s previous MPSFind albums on this label album "Sunday WalkFind albums with this title", recorded 4 years earlier, exposed Ponty´s revolutionary approach to his instrument, but this recording shows how much and how fast he advanced, moving from mainstream Jazz towards much more adventurous surroundings, often including Free, improvised passages. Of course his incredible sense of melody is still present, albeit subtly hidden sometimes. Ponty composed four of the five tunes (the first three are parts of a suite, which occupied Side A of the original LP). The last tune is composed by Kuhn. The playing is phenomenal all the way, both in the more melodic and the completely Free parts, perfectly summarizing the first period of Ponty´s musical journey. Not too long after recording this album Ponty will change his musical direction and create his own admirable brand of Fusion, which will bring him fame and international exposure. But this particular album remains his most notable Jazz achievement. Produced by the legendary Joachim BerendtFind albums by this artist, this is a must to all European Jazz fans and particularly those who love the violin. A classic!

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CECIL TAYLOR ~ FLY! FLY! FLY! FLY! FLY! PROMISING MUSIC 44117 (Barcode: 602537004287) ~ USA ~ Free Jazz / Improvised Music Recorded: 1980 Released: 2012 This is a reissue / remaster of a solo piano album by American Avant-Garde Jazz pianist / composer Cecil TaylorFind albums by this artist. The album presents eight original compositions by Taylor and it was produced by my Friend and Mentor Joachim BerendtFind albums by this artist. The packaging includes the original liner notes by Berendt which brilliantly emphasize his extraordinary vision of Jazz music. Included also are Taylor insights on the music as well as reflections by German Avant-Garde Jazz pioneer Alexander von SchlippenbachFind albums by this artist. The music is everything one might expect from Taylor, which is a completely unbounded freedom of Artistic imagination, combined with his own vision of Jazz and music and general. Despite the enormous complexity of the music it is subconsciously melodic, which of course removes the barriers often surrounding Improvised Music / Free Jazz. It is quite obvious that Taylor feels relaxed and fully appreciated in the elegant and respectful circumstances of the legendary MPSFind albums on this label studio in presence of Berendt and the studio owner / recording engineer Hans Georg Brunner-SchwerFind albums by this artist. It is no wonder that Taylor performed and recorded extensively in Europe, where his Art was wholeheartedly accepted and appreciated. Among his extensive, almost entirely live, discography this studio album stands out as one of the most coherent and concise pieces of music he ever recorded and is one of his most memorable performances. Overall, this is a precious document of the long-lasting career by one of the bravest and most influential Jazz Avant-Gardists, capturing him at a mid-point of his illustrious recording legacy. This album is an absolute must for the Improvised Music / Free Jazz enthusiasts, and considering the sound quality as well as the concentrated creative effort, it is a true gem of the genre! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 29/12/2023Posted: 30/06/2023

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend