Record Reviews

JERZY MILIAN ~ NEUROIMPRESSIONS GAD 050 (Barcode: 5901549197655) ~ POLAND ~ Jazz Recorded: 1970 - 1973 Released: 2016 This is the sixth installment of the archival series released by GADFind albums on this label Records, which presents the work of Polish Jazz vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist. This chapter is dedicated to Milian´s recordings from the early 1970s, done with small ensembles in Hungary and East Germany (DDR), captured during three separate sessions, each producing three tracks. All nine tracks are original compositions by Milian. The Hungarian session was recorded with a quartet led by trumpeter Rudolf TomsitsFind albums by this artist with included also pianist Gyorgy VukanFind albums by this artist, bassist Balazs BerkesFind albums by this artist and drummer Vilmos JavoriFind albums by this artist. Both East German sessions find Milian accompanied by the legendary saxophonist Ernst-Ludwig PetrowskyFind albums by this artist, bassist Klaus KochFind albums by this artist and drummer Willibald WinklerFind albums by this artist. Trumpeter Heinz BeckerFind albums by this artist participated on just one of these sessions. The music is by far the most Avant-Garde of all Milian´s compositions presented on this series, and although obviously composed, it sounds like spontaneously Improvised Music most of the time. Both the Hungarian and the East German musicians were at the time representatives of the East European Free Jazz / Improvised Music scene, and their bold and adventurous attitude put them on the same level as their counterparts from across the Iron Wall. Petrowsky´s saxophone work does not differ much from what Evan ParkerFind albums by this artist played at the time in the UK or Willem BreukerFind albums by this artist played in Netherlands and so on. From the historical perspective this album presents one more layer of Milian´s diversity and versatility, which is certainly much less known than his Big Band activity, which made him popular among listeners of less complex music. There is no doubt that Milian was able to take advantage of the opportunities the Eastern Block had to offer, in order to create some of the most audacious music made at the time anywhere on the planet. As usual the original recordings are excellently remastered and the booklet offer informative bi-lingual background information about the music and the time it was created at. It is yet another must for all East European Jazz fans and collectors!

Updated: 12/04/2019Posted: 15/01/2017

CD 1 Remastered Recommend To A Friend

JOHN TCHICAI ~ AFRODISIACA PROMISING MUSIC 44107 (Barcode: 602517689350) ~ DENMARK ~ Jazz Recorded: 1969 Released: 2008 Danish (of Congolese origin) saxophonist / composer John TchicaiFind albums by this artist was one of the very few European musicians involved with the development of Free Jazz in the US in the early 1960s, where he played with Don CherryFind albums by this artist, Archie SheppFind albums by this artist and John ColtraneFind albums by this artist. Upon his return to Denmark in the late 1960s, Tchicai became one of the leaders of European Free Jazz movement, as well as a visionary precursor of Jazz-World Fusion, dedicating much of his work to incorporating African Music into Jazz. This momentous recording documents one of the first major Jazz-World Fusion works, recorded by a Jazz orchestra with 26 players, mostly Danish musicians, with the Dutch saxophone colossus Willem BreukerFind albums by this artist as a guest. The title track is a 22 minutes long Jazz suite, performed by the orchestra and composed by trumpeter Hugh SteinmetzFind albums by this artist, with the soloist improvising individually and collectively on top. It is an amazing piece of music and a daring excursion into uncharted musical territory, which sounds as awesome and impressive today as it did at the tome of its recording, perhaps even more so in retrospect, considering how little experimenting is done these days. The rest of the album includes music composed by Tchicai and performed by smaller ensembles, emphasizing the concept of collective improvisation. The entire album was conceived and eventually brought to life by the legendary producer Joachim BerendtFind albums by this artist, who prophetically recognized the importance of Tchicai’s work and struggled ceaselessly to make this immensely complex project to come to fruition. The music remains a timeless manifest to the most creative period in Jazz, when the unexpected was truly expected. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure. Brilliant!

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

VARIOUS ARTISTS ~ SARAJEVO (SUITE) HARMONIA MUNDI 13039 (Barcode: 3366750130396) ~ FRANCE ~ Jazz & Poetry Recorded: 1993 Released: 1994 This is a brilliant and completely obscure European Jazz & Poetry album, which features a large group of creative Artists, dedicated to the commemorative effort of the bombing and destruction of the Bosnian city of Sarajevo during the Yugoslav Wars. The original music accompanies texts by Bosnian poet Abdulah SidranFind albums by this artist. The participating musicians include British Lindsay CooperFind albums by this artist, Phil MintonFind albums by this artist, Kate WestbrookFind albums by this artist, Mike WestbrookFind albums by this artist, Chris BiscoeFind albums by this artist, French Henri TexierFind albums by this artist and Louis SclavisFind albums by this artist, German Wolfgang PushingFind albums by this artist, Dutch Willem BreukerFind albums by this artist and many others. The music is absolutely sensational and combined with the deeply penetrating texts offers a shocking protest against war, political extremism, cruelty, intolerance and injustice. Musically it presents mostly contemporary Jazz themes sprinkled with Balkan folkloristic accents, but also some orchestral, Avant-Garde and Classical pieces, all creating a collage of music and words, which is impossible to stay indifferent to. Sadly, this is a rare example of protest in contemporary music, in contrast to what was happening in music in the 1960s, when the social / political protest was deeply intertwined in the music mainstream. Humanity is slowly becoming indifferent and therefore a project like this one is especially important and worth being remembered. Overall, this is an absolutely marvelous piece of music and poetry, which is also an example of Artists unified by a political issue, which needs to tackled. Performed by some of the best European musicians, actors, producers and other creative contributors, this album is as important for its aesthetics as for its moral significance. Sadly, it is extremely difficult to find a copy if this album today, but every effort to do so will be richly rewarded. A true gem of European Culture!

Updated: 25/06/2023Posted: 25/06/2023

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HANNES ZERBE ~ BLECH BAND EDEL CONTENT 4029759080541 (Barcode: 4029759080541) ~ GERMANY ~ Jazz-Classical Fusion Recorded: 1984 Released: 2012 This is a reissue (first time on CD) of the fascinating album by the Avant-Garde pianist / composer Hannes ZerbeFind albums by this artist and his Brass Band, an eighteen-piece brass ensemble consisting mostly of East German (DDR) players and three guests from behind the Iron Curtain: Dutch saxophonist Willem BreukerFind albums by this artist, British trumpeter Martin MayesFind albums by this artist and West German tuba player Pinguin MoschnerFind albums by this artist. Together they perform five pieces, one of which is an original composition by Zerbe, three are his arrangements of compositions by Austrian / Jewish composer Hans EislerFind albums by this artist and Russian composer Alexander MossolowFind albums by this artist and the remaining one is by German composer Paul DessauFind albums by this artist. Of course these three composers were all "approved" by the DDR regime (Eisler even composed the DDR National Anthem) and the choice is by no means incidental. The modus operandi applied by Zerbe is to play initially a straightforward part of the composition and then let the band enters a lengthy Free Form collective improvisation part, finally returning to the composition at the closing of each piece. This adventurous and highly unique approach proves very effective and the resulting music has a powerful impact. Of course Zerbe also pays tribute to the German Brass Band tradition, which was an important element of the German musical scene for centuries. Why such Avant-Garde music was allowed to exists and was recorded by the State label is a part of the many absurdities that existed in the Socialist countries at the time, with the Regime seeing Art in general and Jazz in particular a sort of pressure valve, which enabled the musicians to express themselves relatively freely, and using this as a tranquilizer of political unrest. As a result, some of the most advanced Avant-Garde music was created behind the Iron Curtain, with DDR and Poland leading the way. In retrospect this is an intriguing document of the era and a piece of music which is every bit as challenging today as it was at the time it was created. For Free Jazz / Improvised Music listeners this is something none of them would like to miss! Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems. Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!

Updated: 12/04/2019Posted: 13/05/2016

CD 1 Recommend To A Friend