Record Reviews
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  | JOHNNY GRIFFIN ~ POLISH RADIO JAZZ ARCHIVES VOL.11 POLSKIE RADIO 1630-1631 (Barcode: 5907812246303) ~ USA ~ Jazz Recorded: 1963 Released: 2014
This is the eleventh installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The material collected here on two CDs presents recordings made in 1963 at the sixth Jazz Jamboree festival in Warsaw by the legendary American saxophonist Johnny GriffinFind albums by this artist and his quintet. Prior to this recordings Griffin, like many of his Afro-American colleagues, moved to Europe, where Jazz was experiencing an explosive development and was considered an Art Form and racial discrimination was almost completely absent. The quintet includes fellow American pianist Kenny DrewFind albums by this artist, who settled in Europe a couple of years earlier, Dutch guitarist Wim OvergaauwFind albums by this artist, Dutch bassist Ruud JacobsFind albums by this artist and another American, drummer Robert Joseph (real name Robert Joseph Durham or Bobby DurhamFind albums by this artist as he was known to all – Polskie Radio should have known this). In fact the quintet never actually performed as a quintet, but rather as two quartets, one with guitar and without drums and the other with drums and without guitar.
The two CDs, spanning well over two hours, present only nine tracks, all of which are Jazz standards, all running between ten and almost thirty minutes, with extended improvisations, mostly by Griffin, but also some mighty fine work by Drew. Stylistically this is almost all Bebop at its finest and most sophisticated revelation. Griffin was at his absolute peak at that time and his playing is nothing short of stunning. His technical proficiency and superb feel for the music is simply breathtaking. Drew´s subtle accompaniment and beautiful solos are also priceless. All the rest of the crew is also outstanding. In retrospect this music is simply divine from start to finish, a painful reminder that they don´t make music like this any more. This is definitely one of the finest recordings by Griffin, and one of the best volumes of this series.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| Updated: 01/06/2018Posted: | CD 2 Digipak Remastered Recommend To A Friend |
  | DAVE PIKE SET ~ GOT THE FEELIN` WAGRAM 001 (Barcode: 637937777714) ~ USA ~ Jazz-Funk Fusion Recorded: 1968 Released: 1998
This is a reissue of the only album by American vibraphonist / composer Dave PikeFind albums by this artist and the first version of his European ensemble Dave Pike SetFind albums by this artist, formed after he moved to Europe. This lineup of the ensemble featured Dutch musicians: organist Rob FrankenFind albums by this artist, guitarist Joop ScholtenFind albums by this artist, bassist Ruud JacobsFind albums by this artist and drummer Louis DebijFind albums by this artist. The album presents twelve pieces, two of which were composed by Pike, five by Scholten, one by Franken and four were arrangements of Pop / Soul songs. Shortly after recording this album Pike moved to Germany where he was signed by the legendary MPSFind albums on this label label, for which he recorded six albums with the second lineup of the Dave Pike Set.
The album presents a wonderful early Jazz-Rock Fusion with strong Funk and Soul elements, which was a precursor of the later MPS recordings. The beautiful retro sound and the way the quintet plays is an absolute delight and in retrospect sounds absolutely "smashing" as one would say at the time.
This album is completely obscure and even hard-core fans of Pike are mostly not familiar with it at all. It took me a while to chase a copy of the reissue, which is almost as rare as the original LP from 1969.
Overall if you love this unique amalgam of Jazz / Rock / Soul and Funk, this album is a rare treat, definitely worth searching for. It works like a time machine taking you fifty years back from the first sound on. Brilliantly delightful!
| Updated: 25/09/2020Posted: 25/09/2020 | CD 1 Recommend To A Friend |
  | VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.12 POLSKIE RADIO 1632 (Barcode: 5907812246327) ~ POLAND ~ Jazz Recorded: 1963 Released: 2014
This is the twelfth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The material collected here presents recordings made in 1963 during the sixth Jazz Jamboree festival in Warsaw. The majority of the material, i.e. thirteen of the seventeen tracks, is performed by Dutch vocalist Rita ReysFind albums by this artist (who died a few months ago in July 2013) accompanied by a trio led by her husband pianist Pim JacobsFind albums by this artist with guitarist Wim OvergaauwFind albums by this artist and Pim´s brother bassist Ruud JacobsFind albums by this artist. In addition one instrumental track by the trio is also included. The remaining three tracks are performed by the top Polish Jazz musicians at the time: two by vibraphonist / composer Jerzy MilianFind albums by this artist accompanied by the Krzysztof KomedaFind albums by this artist trio with bassist Maciej SuzinFind albums by this artist and drummer Leszek DudziakFind albums by this artist; the last track is by the Komeda quintet, with saxophonist Michal UrbaniakFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassist Maciej Suzin and drummer Czeslaw BartkowskiFind albums by this artist. All the tracks are Jazz standards except for the last one, which is a Komeda composition.
Reys performs a set of classic vocal material, comprising of popular songs known to all Jazz listeners. Her singing is beautifully expressive, but not virtuosic and copying mannerisms from American vocal Jazz stars. She also has a slight foreign accent, but definitely passable. The accompaniment is elegant and supportive, with Pim´s piano playing being truly exceptional. The guitar plays sadly only a few solo spots, and when not soloing it is mostly hidden in the recording balance; as a result is seems Reys is accompanied mostly by a piano / bass duo only. Overall this is a fine presentation of mainstream Jazz vocals, nothing spectacular but a nice document of the moment in time.
The Milian tracks are also rather pale, well performed and all, but again nothing special. Komeda plays some great piano phrases, which are always delightful and the rhythm section is doing its job as expected. The Komeda quintet is obviously the most interesting track herein with a typical beautiful melody line only he could weave and the quintet playing along splendidly. One may wonder why these three tracks were selected as the "filler" for this album, as both ensembles (Milian´s and Komeda´s) played full sets, which would be very interesting in their entirety.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| | CD 1 Digipak Recommend To A Friend |
  | VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.13 POLSKIE RADIO 1663 (Barcode: 5907812246631) ~ POLAND ~ Jazz Recorded: 1963 Released: 2014
This is the thirteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The material collected here presents a second volume of recordings made in 1963 during the sixth Jazz Jamboree festival in Warsaw. It starts with two lengthy tracks, both treatments of classic Jazz standards, by the legendary American saxophonist Johnny GriffinFind albums by this artist and his quartet. Prior to this recordings Griffin, like many of his Afro-American colleagues, moved to Europe, where Jazz was experiencing an explosive development and was considered an Art Form and racial discrimination was almost completely absent. The quartet includes fellow American pianist Kenny DrewFind albums by this artist, who settled in Europe a couple of years earlier, Dutch guitarist Wim OvergaauwFind albums by this artist and Dutch bassist Ruud JacobsFind albums by this artist. Followers of this series are of course aware of the fact that the eleventh volume already presents a double CD with material recorded by Griffin at the same festival with the same musicians. Personally I´d have preferred to have that release expanded into a triple CD set and have all the Griffin sessions together, but I´m not the series´ editor.
Next come three tracks by the Danish trumpeter Allan BotschinskyFind albums by this artist and his quintet with American born saxophonist Ray PittsFind albums by this artist, who moved to Denmark in 1962, pianist Atti BjoernFind albums by this artist (name most probably miss spelt), bassist Benny NielsenFind albums by this artist and American drummer Robert Joseph (real name Robert Joseph Durham or Bobby DurhamFind albums by this artist as he was known to all – Polskie Radio should have known this, especially since I already made this comment / correction on the a.m. Griffin album – please read people! The music is all original and includes two compositions by Pitts and one by Botschinsky. It is typical bee bop, well played, especially by the leader who was a first rate trumpeter, but not extraordinary in any sense.
The two tracks closing the album are the most interesting for the Polish Jazz fans and they present the Zbigniew NamyslowskiFind albums by this artist quartet with pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz WojcikFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, the same quartet that would record several months later in Britain the legendary album "LolaFind albums with this title", the first significant exposure of Polish Jazz behind the Iron Curtain. Both are original compositions by Namyslowski, the first would be the title track of the British LP and the second seems to be the only appearance of this composition on record. These are the initial steps of the first golden decade of Polish Jazz, and as such their documentation is priceless, as is the music.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| | CD 1 Digipak Remastered Recommend To A Friend |
  | VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.20 POLSKIE RADIO 1872 (Barcode: 5907812248727) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015
This is the twentieth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The ten tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. The music was performed by four different ensembles, which are: a quartet led by the German brothers Rolf KuhnFind albums by this artist on clarinet and Joachim KuhnFind albums by this artist on piano with Polish rhythm section consisting of bassists Tadeusz WojcikFind albums by this artist or Juliusz SandeckiFind albums by this artist (here misspelled as Julian) and drummer Andrzej DabrowskiFind albums by this artist (four tracks), a trio led by Hungarian bass virtuoso Aladar PegeFind albums by this artist with Polish pianist Wojciech KarolakFind albums by this artist and drummer Andrzej Dabrowski (also four tracks), a quintet led by Polish pianist / composer Andrzej TrzaskowskiFind albums by this artist with trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Jacek OstaszewskiFind albums by this artist and drummer Adam JedrzejowskiFind albums by this artist (one track only) and finally a trio led by Dutch pianist Pim JacobsFind albums by this artist with his brother Ruud JacobsFind albums by this artist on bass and guitarist Wim OvergaauwFind albums by this artist (also one track only).
Most of the music consists of standards and the only original material is one piece by Rolf Kuhn and the only track by the Trzaskowski quintet, which was composed by Stanko and which is absolutely the best and most interesting track on this album.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| Updated: 02/12/2016Posted: | CD 1 Digipak Recommend To A Friend |
  | VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.21 POLSKIE RADIO 1873 (Barcode: 5907812248734) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015
This is the twenty-first installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The seventeen tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. This is second part of the Jazz Jamboree 1964 recordings. The music was performed by four different ensembles, which are: the Polish Radio Jazz OrchestraFind albums by this artist conducted by Andrzej KurylewiczFind albums by this artist (four tracks), the Czechoslovak Gustav Brom OrchestraFind albums by this artist (five tracks), the Polish Traditional Jazz ensemble Warsaw StompersFind albums by this artist (three tracks) and finally the Dutch singer Rita ReysFind albums by this artist accompanied by a trio led by her husband pianist Pim JacobsFind albums by this artist with his brother Ruud JacobsFind albums by this artist on bass and guitarist Wim OvergaauwFind albums by this artist (five tracks).
Most of the music consists of standards, but the Polish Radio Orchestra plays two, the Gustav Brom Orchestra four and the Warsaw Stompers one original composition. The music performed by the Gustav Brom Orchestra is by far the most interesting part of this album, and includes very advanced modern compositions, arrangements and individual performances.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| | CD 1 Digipak Remastered Recommend To A Friend |
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