Record Reviews
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  | DON CHERRY / KRZYSZTOF PENDERECKI ~ ACTIONS INTUITION 3606 (Barcode: 750447360624) ~ USA ~ Free Jazz / Improvised Music Recorded: 1971 Released: 2001
This is a reissue / remaster of one of the most iconic Jazz / Improvised Music recordings ever, recorded live during the 1971 Donaueshingen New Music Festival in 1971. It presents the American trumpeter / composer Don CherryFind albums by this artist accompanied by a large international orchestra, called The New Eternal Rhythm OrchestraFind albums by this artist, comprised of the crème de la crème of European Jazz musicians - trumpeters: Manfred SchoofFind albums by this artist (Germany), Kenny WheelerFind albums by this artist (UK), Tomasz StankoFind albums by this artist (Poland), guitarist Terje RypdalFind albums by this artist (Norway), trombonists: Paul RutherfordFind albums by this artist (UK), Albert MangelsdorffFind albums by this artist (Germany), saxophonists: Gerd DudekFind albums by this artist (Germany), Peter BrotzmannFind albums by this artist (Germany), Willem BreukerFind albums by this artist (Holland), flautist Gunter HampelFind albums by this artist (Germany), keyboardist Fred van HoveFind albums by this artist (Holland), bassists: Buschi NiebergallFind albums by this artist (Germany), Peter WarrenFind albums by this artist (US) and drummer Han BennikFind albums by this artist (Holland). The central piece of music performed here was composed and conducted by Polish Classical composer Krzysztof PendereckiFind albums by this artist. The album includes extensive bilingual liner notes, which describe the circumstances of the recording and include an interview with Penderecki.
The project was a brainchild of my Friend and Mentor Joachim BerendtFind albums by this artist, who was in charge of the Jazz section of the Donaueschingen New Music Festival at the time and presented some of most challenging and groundbreaking music of the era. Penderecki was a frequent guest at the festival and following a concert of the Globe Unity OrchestraFind albums by this artist during the 1967 season of the concerts, decided to write a piece for a Free Jazz ensemble, which came into fruition four years later.
The music is of course as brilliant as one might expect and sounds still completely innovative and fresh as it did at the time of the performance, losing nothing of its splendor over time. I discussed this recording with Maestro Penderecki during my last meeting with him before his passing, and he remembered the occasion very well. He respected Berendt for his tremendous knowledge and work towards expanding the Jazz genre’s recognition, as well as for his help to Polish musicians / composers during the Socialist era. We both mourned Berendt’s demise.
Overall, this is a superb piece of music, which although composed, is performed by an orchestra of Improvising Musicians, which makes it pretty unique, especially since it was recorded well over half a Century ago. If you are able to find a copy, this is a must have in every serious Jazz records collection.
| Updated: 02/09/2025Posted: 02/09/2025 | CD 1 Remastered Recommend To A Friend |
  | ALBERT MANGELSDORFF QUINTET ~ BIRDS OF UNDERGROUND MPS 602517175945 (Barcode: 602517175945) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2008
This is a reissue / remaster of an album by German trombonist / composer / bandleader Albert MangelsdorffFind albums by this artist, recorded with his all German quintet with saxophonists Heinz SauerFind albums by this artist and Gerd DudekFind albums by this artist (who also plays flute), bassist Buschi NiebergallFind albums by this artist and drummer Peter GigerFind albums by this artist. The album presents four lengthy tracks, three of which last for over ten minutes, two composed by Mangelsdorff and two co-composed by all five musicians.
The music presents some of the finest German / European Free Jazz / Improvised Music, which by the time this music was recorded, was in full bloom, expanding the American Free Jazz of the earlier decade into a coherent, fully developed and aesthetically solidified artistic expression. Despite the total Freedom, enjoyed by the musicians, the music is perfectly structured and logically developed, sometimes based on a briefly stated theme, and at other times springing into the open as if from nowhere.
All five musicians are true masters of their respective instruments, which results in breathtaking performances by them all. Most of the music is in a form of group improvisations, rather than soloing accompanied by the rest of the quintet, which results in a situation when all five musicians are soloing at the same time, which of course might be more difficult to follow, but is extremely potent musically.
Mangelsdorff’s performances on this album are absolutely awe striking and his early 1970s output remains his most productive and revolutionary period, including his first solo trombone recording “TrombirdsFind albums with this title”, recorded and released shortly before this album, which remains one of the most iconic trombone albums in all time.
Overall, this is an absolute gem of an album which aged beautifully with time and remains as one of the finest European Free Jazz recording in all time. Very few, if any, more impressive Free Jazz albums were recorded since, and it remains a brilliant reminder of Mangelsdorff’s genius and his pivotal role in European Jazz, as well as the greatest trombone virtuoso ever. Beyond essential! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 15/11/2024Posted: 15/11/2024 | CD 1 Remastered Essential Recommend To A Friend |
  | VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.33 POLSKIE RADIO 2182 (Barcode: 5907812241223) ~ POLAND ~ Jazz Recorded: 1967 Released: 2021
This is the thirty-third installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The tracks presented here were recorded live in October 1967 during the tenth Jazz Jamboree Festival in Warsaw and are the first volume of a collection of tracks from that event.
The first five tracks present the American multi-reed player Roland KirkFind albums by this artist and his quartet, which included pianist Ron BurtonFind albums by this artist (a.k.a. Rahn BurtonFind albums by this artist), bassist Steve NovoselFind albums by this artist and drummer Jimmy HoppsFind albums by this artist. The quartet performs two original compositions by Kirk and three standards, all pretty standard American Bebop, which at the time was already considered somewhat passé in comparison to the work done by the great American Jazz innovators headed by John ColtraneFind albums by this artist, who died just a few months before these tracks were recorded.
The next track presents the quintet led by great Polish pianist / composer Andrzej TrzaskowskiFind albums by this artist with saxophonists Janusz MuniakFind albums by this artist and Wlodzimierz NahornyFind albums by this artist, bassist Jacek OstaszewskiFind albums by this artist and drummer Sergiusz PerkowskiFind albums by this artist (mistakenly listed as Sergiusz Piotrowski). The quintet performs one lengthy version of an original composition by Trzaskowski, clearly showing that already at that time Polish Jazz was as good as anything originating across the pond and frankly the composition is light-years ahead of Bebop, somewhat on the thin line between composed and improvised music.
The next two tracks present the German quintet led by trumpeter Manfred SchoofFind albums by this artist with saxophonist Gerd DudekFind albums by this artist, pianist Alexander von SchlippenbachFind albums by this artist, bassist Buschi NiebergallFind albums by this artist and drummer Jaki LiebezeitFind albums by this artist (mistakenly listed as Liebezeit Jaki). The quintet performs two lengthy medleys, each of two compositions, all original by the members of the quintet. The music is a superb example of early European Free Jazz, which was exploding at the time across Europe, with Germany being one of the epicenters of the new direction. The music is absolutely sensational and sounds today as fresh as it was at the time of the recording, perfectly illustrating the notion that Free Jazz can make sense and be aesthetically viable. It also sadly proves that the genre did not move an inch ahead in the fifty-four years that passed since.
The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers liner notes, albeit those could have been better, considering the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.
| Updated: 23/07/2021Posted: 23/07/2021 | CD 1 Digipak Remastered Recommend To A Friend |
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