Record Reviews

PEO ALFONSI ~ ITACA EGEA 153 (Barcode: 8015948001530) ~ ITALY ~ Jazz Recorded: 2008 Released: 2009 This is an album by Italian Jazz guitarist / composer Peo AlfonsiFind albums by this artist, recorded with clarinetists Gabriele MirabassiFind albums by this artist, American trumpeter Kyle GregoryFind albums by this artist, bassist Salvatore MaioreFind albums by this artist and percussionist Antonio MambelliFind albums by this artist. The album presents eleven tracks, all of which are original compositions by Alfonsi. The music is exquisitely melodic, full of typical Italian lyricism and melodious passion, beautifully performed by all the participants, who play in various settings between duet and quintet. The music is entirely acoustic and the crystal clear sound quality lets the listener to hear every little nuance captured during the recording. This album is a perfect example of the Mediterranean Jazz, which is full of diverse folkloristic influences, with everything between Medieval Music, Romanticism and delicate Middle Eastern aromas. All the musicians are Masters of their instruments, with Mirabassi being probably the most renowned one, but they all play magnificently. Gregory is a great surprise, as his playing is totally free of the American Jazz mannerisms, and completely compatible with the European Jazz aesthetics, which prevail here. His sound fondly resembles that of the great Kenny WheelerFind albums by this artist. Overall, this is a touching and wonderfully performed piece of music, which should satisfy even the most demanding music connoisseurs. I stumbled on this album by accident, but the revelation was absolutely overwhelming. Wholeheartedly recommended!

Updated: 04/03/2024Posted: 04/03/2024

CD 1 Digibook Recommend To A Friend

NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius. The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording. Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

CD 2 Remastered Essential Recommend To A Friend

TOM ARTHURS ~ ONE YEAR OZELLA 077 (Barcode: 4038952000775) ~ UK ~ Avant-Garde Jazz-Classical Fusion Recorded: 2016 Released: 2018 This is an album by British trumpeter / composer Tom ArthursFind albums by this artist recorded in a trio format with his long time collaborator pianist Richard FairhurstFind albums by this artist and Finnish drummer Markku OunaskariFind albums by this artist. The album presents six original compositions, all by Arthurs. The music is beautifully intimate, with melodic themes sketched lightly and later improvised upon just by being gently touched by the trio members, like a balloon floating in the air. Obviously minimalist and brilliantly transparent, the music is deeply moving and in complete contrast to its form completely overwhelming and mesmerizing. All three musicians are masters of achieving the maximum effect with a minimal number of notes and sounds. As a result the music they create consists as much of the sounds they produce as of the silence trapped within the music. The calmness and the elegance of this music are completely unique and stand above most of contemporary Jazz / Improvised Music efforts of this kind. Arthurs indicates that the inspiration to his open compositions originates in the process of cinematic work by the Russian director Anderi TarkovskyFind albums by this artist (especially the making of his masterpiece "Mirrors"), which was based on filming a huge amount of scenes and then shuffling the selected material around until the end product was finally reached. Arthurs describes his process of creating the music on this album as "Composing like Tarkovsky", which in his case manages to achieve the same astounding outcome as in the case of Tarkovsky´s movies. It is impossible to categorize this music by the existing genre categories, as it escapes classification, perhaps even pointing to a new musical direction, which is based on European modernism but incorporates all the beauty and emotion from all known genres and is an absolute mind-blowing and soul-expanding experience. "Quiet is the new loud", which was initially coined to describe the Nordic pop music, is hereby expanded to apply to all contemporary music. Perhaps subconsciously, but unmistakably, this album marks a new phase for British Jazz as well, with the Kenny WheelerFind albums by this artist / John TaylorFind albums by this artist spirit omnipresent here, but taken a step further no doubt. Overall this is a magnificent piece of music, one of the best to arrive on my desk in 2018, and wholeheartedly recommended to everybody who still looks at music as a source of joy and enlightenment.

Updated: 23/10/2018Posted: 23/10/2018

CD 1 Digipak Recommend To A Friend

TOM ARTHURS / RICHARD FAIRHURST ~ MESMER BABEL 2767 (Barcode: 5028159027674) ~ UK ~ Jazz Recorded: 2006 Released: 2007 This is the debut album by the British Jazz duo, comprising of trumpeter / composer Tom ArthursFind albums by this artist and pianist / composer Richard FairhurstFind albums by this artist. The album presents nine tracks, five of which are original compositions by Arthurs, two by Fairhurst, one is co-composed by the two and finally one is by German saxophonist / composer Lothar OhlmeierFind albums by this artist. This intimate and absolutely beautiful album is one of several recordings involving these two brilliant musicians, which are all exemplary. Both are among my favorite cotemporary British Jazz musicians and excellent composers, who manage to continue the legacy of the previous generation, which established the British Jazz sound in the 1960s and 1970s. Arthurs proudly carries on the sonic tradition of Kenny WheelerFind albums by this artist and Fairhurst that of John TaylorFind albums by this artist, and as such they simply can’t go wrong as far as my ears are concerned. The difficult and unconventional piano / trumpet duo works absolutely perfectly here, despite the complexity, both harmonic and rhythmic, of the music, which can be also heard on their second duo album “Postcards From PushkinFind albums with this title” and their trio album “One YearFind albums with this title”, which are also absolutely delightful. They have both recorded extensively with many European Jazz musicians. It took me a while to find a copy of this album, which is a great example of the “Art of the Duo”. I think it is still available, so my warm recommendation is to grab one ASAP, as you simply can’t go wrong with these two young pillars of the British Jazz scene, especially if you haven’t heard anything by them so far. Once you hear it, you will be hooked, I promise!

Updated: 28/04/2023Posted: 28/04/2023

CD 1 Digipak Recommend To A Friend

TOM ARTHURS / RICHARD FAIRHURST ~ POSTCARDS FROM PUSHKIN BABEL 1194 (Barcode: 5028159000011) ~ UK ~ Jazz Recorded: 2009 Released: 2011 This is the second album by splendid British Jazz duo comprising of trumpeter / composer Tom ArthursFind albums by this artist and pianist / composer Richard FairhurstFind albums by this artist, which presents an ambitious Jazz & Poetry project of compositions based on poems by the Russian literary genius Alexander PushkinFind albums by this artist. Commissioned and recorded by the BBC, the music was composed by Arthurs, but includes obvious improvised stretches. Of the seven pieces included on the album, one is a trumpet solo and the remaining ones are duo performances based on six fragments of Pushkin´s poems. Since his arrival on the scene Arthurs rapidly achieved a reputation of a brilliant player and composer, backed up by a series of impressive recordings, of which this one is only a tip of an iceberg. His tonality and phrasing often display a fond memory of the work by Kenny WheelerFind albums by this artist, but having said that, he certainly has his very own voice. Arthurs seems to feel perfectly comfortable in any Jazz idiom, both the restrained melodic context and a completely improvised setting, which of course makes him one of the most versatile trumpet / flugelhorn players out there. These intimate duets are wonderful examples of Jazz minimalism, where less is more every inch of the way. Both musicians obviously share a telepathic communication, which only happens amongst the best out there. The composed melodies and the improvised parts flow completely naturally and merge the two instruments into one voice. The wonderful natural ambience of the St. Giles Cripplegate church (located in the heart of the Barbican, London) adds its beauty to the tones made by the musicians, creating an unforgettable overall result. Of course music like this requires the listener to immerse himself totally within the sound waves; nothing less will do. But the resulting aesthetic reward is sure to follow suit, fulfilling and overwhelming. Minimalistic environment with a stunning depth is all this is about. Perhaps not for everyone, but this music should not be missed by any serious music connoisseur, especially by those particularly attached to British Jazz. This album proves beyond any doubt that the British Jazz scene still has a lot to offer, even if the pioneering generation of its Godfathers is slowly disappearing. Young Lions like Arthurs have a heavy responsibility to keep the splendid tradition alive and judging by his achievements he´s certainly up to it. A beautiful, delicate, sophisticated gem of an album – a must have!

Updated: 10/09/2016Posted: 10/09/2016

CD 1 Digipak Recommend To A Friend

AZIMUTH ~ AZIMUTH / THE TOUCHSTONE / DEPART ECM 1546/48 (Barcode: 731452301024) ~ UK ~ Jazz Recorded: 1977 - 1979 Released: 1994 This wonderful Box Set contains the first three albums by the superb British trio AzimuthFind albums by this artist, which consists of three Jazz icons: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, recorded in the 1970s and released on the ECMFind albums on this label label, which are "AzimuthFind albums with this title" (ECM 1099) recorded in 1977, "The TouchstoneFind albums with this title" (ECM 1130) recorded in 1978 and "DepartFind albums with this title" (ECM 1163) recorded in 1979. On the last album the trio is expanded to a quartet with the participation of the US guitar virtuoso Ralph TownerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form. Visitors' Comments Christopher  Brice It´s a pleasure to be able to fill in the "back story" to the relatively recent Azimuth albums - thanks to ECM and of course to Adam!

Updated: 26/01/2019Posted:

CD 3 Box Set Recommend To A Friend

AZIMUTH ~ AZIMUTH `85 ECM 1298 (Barcode: 042282752024) ~ UK ~ Jazz Recorded: 1985 Released: 1990 This is the 4th album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended!

CD 1 Recommend To A Friend

AZIMUTH ~ HOW IT WAS THEN… NEVER AGAIN ECM 1538 (Barcode: 731452382023) ~ UK ~ Jazz Recorded: 1994 Released: 1995 This is the 5th (and so far last) album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Visitors' Comments Christopher  Brice Really exciting stuff: Kenny Wheeler double tracks on some pieces - the spirit flies! And John Taylor plays some bass lines on the piano strings. But these odd facts make it sound gimmicky, which it is not - I second Adam´s comment that this is "above all aesthetically fulfilling and deeply moving"

CD 1 Recommend To A Friend

GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984 TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz Recorded: 1964 - 1984 Released: 2018 This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation. On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck. The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony. The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD. The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one). The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs. Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience. The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product. Absolutely essential to all British / European Jazz connoisseurs!

Updated: 16/02/2019Posted: 15/02/2019

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

JANE IRA BLOOM ~ ART AND AVIATION ARABESQUE 107 (Barcode: 026724010729) ~ USA ~ Jazz Recorded: 1992 Released: 1992 This is an album by American Jazz saxophonist / composer Jane Ira BloomFind albums by this artist, recorded with British Jazz trumpeter Kenny WheelerFind albums by this artist and American musicians: trumpeter Ron HortonFind albums by this artist, pianist Kenny WernerFind albums by this artist, bassists Rufus ReidFind albums by this artist or Michael FormanekFind albums by this artist and drummer Jerry GranelliFind albums by this artist. The album presents nine tracks, seven of which are original compositions by the leader and two are standards. As far as I know this is one of two recordings by Bloom with Wheeler and since it was released over thirty years ago it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. Bloom is one of my favorite American Jazz musicians / composers since she appeared on the scene in the 1980s. She is daring and original and is also one of the pioneers of incorporating electronics in her music. Her music sounds more like European Jazz rather than American, which is quite refreshing. This album has especially somewhat ECMish sound and atmosphere, which must have been influenced by Wheeler’s presence. For the many Wheeler followers, he can be heard playing some marvelous trumpet parts here, easily comparable to his best work on more renowned albums. Overall, this is an excellent modern Jazz album, performed by first class musicians and is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 12/05/2023Posted: 29/03/2023

CD 1 Recommend To A Friend

JANE IRA BLOOM ~ THE NEARNESS ARABESQUE 120 (Barcode: 026724012020) ~ USA ~ Jazz Recorded: 1995 Released: 1996 This is an album by American Jazz saxophonist / composer Jane Ira BloomFind albums by this artist, recorded with British Jazz trumpeter Kenny WheelerFind albums by this artist and American musicians: trombonist Julian PriesterFind albums by this artist, pianist Fred HerschFind albums by this artist, bassist Rufus ReidFind albums by this artist and drummer Bobby PreviteFind albums by this artist. The album presents thirteen tracks, eight of which are original compositions by the leader and five are standards. As far as I know this is the second recording by Bloom with Wheeler, following the “Art And AviationFind albums with this title” album from 1992, and since it was released almost thirty years ago it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. Bloom is one of my favorite American Jazz musicians / composers since she appeared on the scene in the 1980s. She is daring and original and is also one of the pioneers of incorporating electronics in her music. Her music sounds more like European Jazz rather than American, which is quite refreshing. This album has especially somewhat ECMish sound and atmosphere, which must have been influenced by Wheeler’s presence. For the many Wheeler followers, he can be heard playing some marvelous trumpet parts here, easily comparable to his best work on more renowned albums. Overall, this is an excellent modern Jazz album, performed by first class musicians and is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 29/05/2023Posted: 29/05/2023

CD 1 Recommend To A Friend

FRANCY BOLAND ORCHESTRA ~ BLUE FAME / RED HOT / WHITE HEAT MPS 602517643888 (Barcode: 602517643888) ~ BELGIUM ~ Big Band Jazz Recorded: 1976 Released: 2008 This is a reissue of the three albums recorded by the Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist and his Orchestra, originally recorded in 1976 and released on the legendary MPSFind albums on this label label. The 2CD album presents eighteen tracks, which include original compositions by Boland and Jazz standards, all arranged by him. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Sal NisticoFind albums by this artist, trumpeter Benny BaileyFind albums by this artist, and many other excellent musicians. American drummer Kenny ClarkeFind albums by this artist and Boland co-led The Kenny Clarke / Francy Boland Big BandFind albums by this artist between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist. The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Personally Mathewson’s bass playing on this album is an absolute wonder and alone worth the price of this album, but of course every note played here is simply exceptional. For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Holy Grail! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 09/08/2021Posted: 08/08/2021

CD 2 Oversampling Remastered Recommend To A Friend

TIM BRADY / KENNY WHEELER ~ VISIONS JUSTIN TIME 8413 (Barcode: 068944841325) ~ CANADA ~ Avant-Garde Jazz-Classical Fusion Recorded: 1985 - 1988 Released: 1988 This is a very unusual album by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded with the Canadian contemporary Avant-Garde Classical Music composer and Jazz guitarist Tim BradyFind albums by this artist. The album presents the five movements composition "Visions" for string orchestra and improvisational soloist (in this case Kenny Wheeler on flugelhorn / cornet) performed by L`Orchestre de Chambre de MontrealFind albums by this artist conducted by Wanda KaluznyFind albums by this artist. Additionally the album also presents three duets by Brady on guitar and Wheeler, one solo piece for guitar and electronics and three solo pieces for guitar, all composed and performed by Brady. Over the years Wheeler often visited Canada and performed with Canadian musicians, never neglecting his Canadian origins, but this recording is a very rare and unprecedented venture into Avant-Garde Classical Music by Wheeler and as such a rare gem in his recorded legacy. Wheeler obviously feels perfectly at home playing with the orchestra and his spectacular performances here seem to be as natural as one can imagine within an Avant-Garde piece, which turns out to be quite "tame" as far as Avant-Garde Classical Music is concerned. The balance and interplay between the string orchestra and the flugelhorn works out wonderfully, and the entire piece is a truly delightful musical experience. The duos and solo pieces are quite a different realm, much closer to Improvised Music and Avant-Garde Jazz. The intimacy of the duets is a rare opportunity to hear a close conversation between the two musicians and the solo pieces open a window into the fascinating world of Brady´s guitar vistas. Brady is often praised as one of the most original Jazz guitarist out there and this is certainly a most inviting opportunity to get familiar with his works. Overall this is a fascinating offering of little known music and an absolute must for Kenny Wheeler connoisseurs and collectors, highly recommended!

Updated: 12/04/2019Posted: 26/03/2019

CD 1 Recommend To A Friend

ANTHONY BRAXTON ~ CREATIVE ORCHESTRA (KÖLN) 1978 HATOLOGY 644 (Barcode: 752156064428) ~ USA ~ Jazz Recorded: 1978 Released: 2009 This is a long overdue reissue of the legendary album by American musician / composer / bandleader Anthony BraxtonFind albums by this artist, one of the most iconic figures of the late 20th Century Free Jazz and Avant-Garde music scene and probably the most important Jazz pioneer in the post John ColtraneFind albums by this artist era. The album captures a live concert, recorded in Germany (Braxton was always an icon in Europe, and hardly ever taken seriously at home), with Braxton conducting a huge orchestra performing his compositions. The orchestra includes some of the most important and celebrated Free Jazz players, such as trumpeters Kenny WheelerFind albums by this artist and Leo SmithFind albums by this artist, saxophonists Vinny GoliaFind albums by this artist and Marty EhrlichFind albums by this artist, trombonists Ray AndersonFind albums by this artist and George LewisFind albums by this artist, pianist Marilyn CrispellFind albums by this artist, bassist John LindbergFind albums by this artist and many others. The sound and overall effect of the orchestra performing this music is simply magnificent, and leaves the listener completely dazed. The music just rolls on all over one´s mind, constantly entering new territory both sonically and rhythmically. People familiar with Braxton´s music need no encouragement to plunge into this masterpiece, and those less familiar should definitely try this one in particular, as it might prove to be more accessible. Definitely a masterpiece!

Updated: 12/04/2019Posted:

CD 2 Mini-Sleeve Oversampling Remastered Recommend To A Friend

BOB BROOKMEYER & KENNY WHEELER ~ ISLAND ARTISTS HOUSE 0006 (Barcode: 827867000628) ~ USA ~ Jazz Recorded: 2002 Released: 2003 This is a wonderful and criminally little known album by American trombonist Bob BrookmeyerFind albums by this artist and British (of Canadian origin) trumpeter Kenny WheelerFind albums by this artist, recorded in a quintet setting with American (of Finnish origin) pianist Frank CarlbergFind albums by this artist, bassist Jeremy AllenFind albums by this artist and drummer John HollenbeckFind albums by this artist. The album presents seven original compositions, four by Wheeler and three by Brookmeyer. The CD comes accompanied by a bonus DVD, which includes high resolution mixes, a documentary about the recording, Artists interviews and other goodies. This is the first cooperation between Brookmeyer and Wheeler, but the obvious mutual respect and affinity, combined by extensive experience, results in a superb dialogue between the two, which culminates in the duo improvisations but is present throughout the album´s entire duration. The excellent rhythm section is ideally suited to put the two veterans on the foreground but support them superbly with unobtrusive performance, which includes elegant soloing. The music is all within mainstream Jazz idiom, soaked with the typical Wheeler´s melancholy, which is instantly recognizable in his compositions and Brookmeyer´s cool, which dominates his compositions. All the compositions fit ideally into a coherent whole, which reflects the Jazz aesthetics at its best, as well as the many years of experience these two Masters share. Although perhaps somewhat less challenging than Wheeler´s European recordings (on ECMFind albums on this label and other European labels), this music is by no means less elegant or artistically fulfilling, displaying simply another facet of his Jazz universe. I can´t imagine any true Wheeler connoisseur who could consider not having this superb album on his collection. Overall this is an absolute marvel of an album, which should keep every Jazz lover on this planet happy. Sadly this is extremely difficult to find these days, but absolutely worth the effort!

Updated: 30/06/2020Posted: 30/06/2020

CD+DVD 2 Audiophile Recommend To A Friend

BILL BRUFORD ~ FEELS GOOD TO ME WINTERFOLD 003 (Barcode: 604388638222) ~ UK ~ Progressive Rock Recorded: 1977 Released: 2005 1st album by Bill BrufordFind albums by this artist and one of the most revolutionary albums of both Prog and Fusion. The cast of characters involved tells the whole story: Dave StewartFind albums by this artist - keyboards, Allan HoldsworthFind albums by this artist - guitar, Annette PeacockFind albums by this artist - vocals, Jeff BerlinFind albums by this artist - bass and Kenny WheelerFind albums by this artist - trumpet; In short the creme de la creme of the UK Prog / Fusion / Jazz scene. The album includes all Bruford`s compositions, which vary in tempo and style, but are all innovative and fascinating. The playing, as expected, is extraordinary, with many inspired solos and apparent virtuosity. Heavenly stuff - absolutely essential!

CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

MARKUS BURGER / JAN VON KLEWITZ ~ ACCIDENTAL TOURISTS CHALLENGE 73403 (Barcode: 608917340327) ~ GERMANY ~ Jazz Recorded: 1993 Released: 2015 This is an album by German pianist / composer Markus BurgerFind albums by this artist and saxophonist / composer Jan von KlewitzFind albums by this artist, which is a lovely tribute to the legendary British trumpeter / composer Kenny WheelerFind albums by this artist, who also takes part in this project, as does British vocalist Norma WinstoneFind albums by this artist, German trombonist Stefan LottermannFind albums by this artist, bassist Martin GjakonovskiFind albums by this artist and drummer Felix AstorFind albums by this artist. The album was recorded live and remained unreleased for twenty two years, to be finally released following the lamented passing of Wheeler. The album presents eight original compositions, four each by Burger and von Klewitz, arranged as series of five movements and three codas. The music is quintessential modern European Jazz, which floats between Free Form and more organized / melodic moments, all beautifully performed by the German / British septet. Despite the rather busy setting the music is full of breathing space and offers some spectacular collective improvisations, which are wonderfully ornamented by Winstone´s stunning vocal parts. The album also presents some relaxed, melodic passages, with Winstone singing lyrics, (which she most probably wrote although the album´s liner notes don´t mention this explicitly). The entire eight part suite flows naturally and coherently and offers a fertile ground for the superb soloing by all participants, as well as collective contributions. Wheeler performs several stellar solos, which are pure mastership. Overall this is a highly exciting musical journey and a superb document of the talents of the two composers as much as the spectacular abilities of Wheeler and Winstone. Considering the fact that this music was being hidden in the vault for so long, it is a great pleasure to be able to listen to it, better late than never. The album suffers from imperfect sound quality at times, but this recording was never actually meant to be released commercially, and of course in view of the importance of this document, the sound quality issue becomes secondary. For the many Wheeler / Winstone enthusiasts, this is a must have of course, so spread the word and grab it as long as it is available. Highly recommended!

Updated: 29/01/2019Posted: 27/06/2018

CD 1 Slipcase Recommend To A Friend

IAN CARR DOUBLE QUINTET ~ SOLAR SESSION JAZZ IN BRITAIN 25 (Barcode: 5060774190227) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 Released: 2021 This is an archival album by British trumpeter / composer / bandleader / author Ian CarrFind albums by this artist, which presents a radio broadcast of a live session, recorded in October of 1970. The lineup is a tentet (or double quintet), which consists of Top British Jazz musicians of the time, some of which were members of Carr’s band NucleusFind albums by this artist at the time and other were invited to record the Nucleus third album “Solar PlexusFind albums with this title”: trumpeter Harold BeckettFind albums by this artist, saxophonists Brian SmithFind albums by this artist and Tony RobertsFind albums by this artist, bass clarinetist Karl JenkinsFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Ron MathewsonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer John MarshallFind albums by this artist, percussionist Chris KaranFind albums by this artist and finally synthesizer (VCS3) player Keith WinterFind albums by this artist. The album presents five tracks and the total playing time is only twenty-six minutes, which makes it rather an EP than a full CD. Perhaps with some patience more Ian Carr’s archival material might have been discovered to make this a more significant release, which of course does not undermine the value of the material included herein. The sound quality of this material is quite flat and a proper remaster might have added some glamour. This session was recorded shortly before the recording of “Solar Plexus” commenced, and includes abridged versions of most of the material that was eventually included on that album, which in today’s terms would have been called a “sneak preview”. The lineup misses the great Kenny WheelerFind albums by this artist, who took part in the recording of the “Solar Plexus” album, playing on some tracks, alongside Beckett, who played on the other tracks. The music, as wonderful as it is, appears somewhat hesitant and slightly “undercooked” in comparison to the future album’s versions, which makes this release slightly less essential than most of the Jazz In BritainFind albums on this label releases so far, but for Carr / Nucleus completists is probably essential. Overall this album is definitely worth investigating, although does not add anything highly significant to Ian Carr’s recorded legacy as such. As usual kudos to the label for digging this material up.

Updated: 22/06/2021Posted: 22/06/2021

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ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz Recorded: 1972 - 1974 Released: 2005 Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

CD 2 Remastered Recommend To A Friend

GRAHAM COLLIER ~ DEEP DARK BLUE CENTRE / PORTRAITS / THE ALTERNATE MOSAICS BGO 822 (Barcode: 5017261208224) ~ UK ~ Jazz Recorded: 1967 - 1972 Released: 2008 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album, which is a companion to the previous BGOFind albums on this label reissue of his early recordings, includes the very first recording by Collier released on DeramFind albums on this label in 1967, his last of the early 1970s recordings released on the tiny SaydiscFind albums by this artist label in 1972, before he established his own records label MosaicFind albums on this label, and a sensational never previously released alternate version of the live material, which produced the original "MosaicsFind albums with this title" album. He composed all the music presented here (except one tune) and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Alan WakemanFind albums by this artist, Bob SydorFind albums by this artist, Dave AaronFind albums by this artist (saxophone), Karl JenkinsFind albums by this artist (oboe), Ed SpeightFind albums by this artist, Philip LeeFind albums by this artist (guitar), Geoff CastleFind albums by this artist (piano) and John MarshallFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier of often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

GRAHAM COLLIER ~ HOARDED DREAMS CUNEIFORM 252 (Barcode: 045775025223) ~ UK ~ Jazz Recorded: 1983 Released: 2007 This extraordinary album contains a previously unreleased recording of Graham CollierFind albums by this artist’s Big Band performance of his suite “Hoarded Dreams”. The music was commissioned by the Arts Council of Great Britain (UK Government body that over the years faithfully supported UK Jazz scene and provided endless opportunities for UK musicians to compose and record) for the 1983 edition of the Bracknell Jazz Festival. For the occasion Collier assembled a spectacular Big Band (including 19 musicians), which he conducted. The players are a multi-national creme de la creme of European Jazz, with such distinguished names as Tomasz StankoFind albums by this artist (Poland), Juhani AaltonenFind albums by this artist (Finland), John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist (UK), Manfred SchoofFind albums by this artist (Germany), etc. This awesome personnel ensures that the performance is truly stellar, with soaring solos and endless display of virtuosity and collective interplay. The brilliant music, suiting elegantly and perfectly the purpose of providing solo space for such a broad group of instrumentalist proves again that Collier is undoubtedly one of the true Giants composers of Modern Jazz of the caliber of Charles MingusFind albums by this artist. Absolutely stunning! See also the Garahm Collier album released on Jazzis Records

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COPLAND / ABERCROMBIE / WHEELER ~ BRAND NEW CHALLENGE 70122 (Barcode: 608917012224) ~ USA ~ Jazz Recorded: 2004 Released: 2004 This is the second (and last) album by the trio comprising of American pianist / composer Marc CoplandFind albums by this artist, American guitarist / composer John AbercrombieFind albums by this artist and legendary British trumpeter / composer Kenny WheelerFind albums by this artist. The album presents nine tunes, seven of which are original compositions: two each by Copland and Wheeler and three by Abercrombie, and two are standards. This album continues the concept established on the debut album with the three Master musicians performing intimate interpretations of their compositions and standards, all of which are kept within the melodic mainstream idiom. The music is mostly delicate and lyrical, presenting the gentle side of these three illustrious musicians. The performances are of course wonderful from start to finish, as expected under these circumstances. Again this album exposes some of the most subtle and fragile guitar playing by Abercrombie, which should be a delightful discovery for his fans. Wheeler is also as brilliant as one might expect with every note perfectly articulated and the wonderful feel for melody present at all times. Copland keeps the music together, making a great job at it, especially in view of the absence of a rhythm section. The interplay and mutual respect these musicians demonstrate on this album is of the highest standard and the music breathes aesthetics and superb aptitude all along the way. Overall this is another superb album by the trio and a perfect companion to the debut, both of which deserve a place in any serious Jazz record collection. For Wheeler fans this is of course an absolute must!

Updated: 26/04/2019Posted: 26/04/2019

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COPLAND / ABERCROMBIE / WHEELER ~ THAT`S FOR SURE CHALLENGE 70098 (Barcode: 608917009828) ~ USA ~ Jazz Recorded: 2000 Released: 2001 This is the debut album by the trio comprising of American pianist / composer Marc CoplandFind albums by this artist, American guitarist / composer John AbercrombieFind albums by this artist and British trumpeter / composer Kenny WheelerFind albums by this artist. The album presents nine tunes, eight of which are original compositions: two by Copland and three each by Abercrombie and Wheeler, and one is a standard. The music is all quite conventional mainstream Jazz, mostly very melodic and low key, but of course all three participants are Masters of their trade, both as composers and players, so there is no shortage of great music here. The intimacy and the relaxed, friendly atmosphere of the entire session is the key, which allows the musicians to toy with their ideas and play as much for each other as for the sake of the recording. Abercrombie fans will find here some of the most melancholic guitar playing of his entire career, which of course is both surprising and delightful. Wheeler´s trumpet and flugelhorn are also at their absolute best, as he was at the absolute peak of his career at the time this music was recorded. Copland seems to be the quiet romantic here plying relatively few solo parts, but keeping the music together harmonically. Overall this is a delightful album, which showcases three mature Masters at the peak of their creative years, playing superbly together. No big surprises here, but who needs surprises when everything works out just perfectly. The trio recorded another album together four years later, which is very similar to this one and is also certainly worth being discovered. For the Wheeler fans and connoisseurs, this is an absolute must in their collection!

Updated: 04/04/2019Posted: 04/04/2019

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JOHN DANKWORTH ~ DUET FOR 16 VOCALION 6230 (Barcode: 765387623029) ~ UK ~ Jazz Recorded: 1959 Released: 2015 This is an archival recording by the British Jazz saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Taken from the BBC vaults, the music collected here was originally recorded during three sessions as part of the BBC´s transcription recordings, which were then broadcasted around the world by the BBC World Service. This particular recording includes spoken commentary in French and must have been intended for the French speaking territories; France, Belgium and perhaps Canada. Apart from the theme which is used as the opening and closing track, the album includes nineteen compositions, which include five Dankworth originals. Rest of the material is either standards or material composed by David LindupFind albums by this artist, who was the staff composer / arranger often collaborating with Dankworth. The orchestra´s lineup includes some of the top British Jazz players at the time, including the new arrival in UK, trumpeter Kenny WheelerFind albums by this artist. The excellent rhythm section comprised of pianist Derek SmithFind albums by this artist, bassist Eric DawsonFind albums by this artist and drummer Kenny ClareFind albums by this artist. Stylistically the music mimics the American Big Band tradition, which was very popular in Britain during the post-WWII period. Therefore the orchestra plays easy swinging music, which is very well executed, but hardly innovative or challenging in any way. Dankworth represents the transitional British Jazz generation, which was deeply rooted in the American tradition and never really moved into the modern Jazz idiom completely, although he was certainly open minded in comparison to many of his contemporaries, and did include a certain element of experimentation in his later work. These recordings are a snapshot of a period when Jazz was extremely popular and even served as dance music to a large part of the population. The popularity, however, demanded that the music would be kept strictly within closely defined melodic and rhythmic boundaries. One the modern British Jazz emerged by the mid 1960s Jazz naturally lost its popularity. Having said all that, this album is still a great fun to listen to and a wonderful piece of British Jazz history, which deserves to be remembered. Dankworth and his orchestra prove beyond a shadow of a doubt that Jazz can be played by Europeans without any inferiority complexes attached.

CD 1 Remastered Recommend To A Friend

JOHN DANKWORTH ~ FULL CIRCLE / LIFELINE VOCALION 8484 (Barcode: 765387848422) ~ UK ~ Jazz Recorded: 1971 - 1973 Released: 2011 This fantastic reissue brings back to life two excellent albums by the great British saxophonist / bandleader / composer John DankworthFind albums by this artist. Recorded at the heat of the Jazz-Rock Fusion explosion, both albums are superb examples how these new directions were absorbed and incorporated by Dankworth, who was always sensitive to the latest musical developments and kept changing his approach to Big Band arrangements accordingly. The Band includes the cream of the crop of the British scene at the time, with such revered players as: trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist and Tony CoeFind albums by this artist, trombonists Michael GibbsFind albums by this artist and Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist and many other excellent players. The music is all original, written by Dankworth and other band members. Beautifully remastered by the great Michael J. DuttonFind albums by this artist the music sounds fresh and alive. This is an excellent example of British Jazz at its finest hour and should not be missed by anybody who likes British / European Jazz.

Updated: 31/05/2017Posted:

CD 2 Remastered Recommend To A Friend

JOHN DANKWORTH ~ THE ZODIAC VARIATIONS / THE $1,000,000 COLLECTION VOCALION 8480 (Barcode: 765387848026) ~ UK ~ Jazz Recorded: 1964 - 1967 Released: 2011 Legendary British saxophonist / composer / arranger / bandleader John DankworthFind albums by this artist was one of the Godfathers of modern British Jazz. Although his career started in mid-1940s he was keen to pursue the sounds of Bee Bop, when those crossed the Atlantic and later pioneered the modern British Big Band sound. This album brings together two of thematic / "concept" Jazz suites written by Dankworth and performed by his Big Band / Orchestra, both being masterpieces of the genre. "The Zodiac VariationsFind albums with this title", recorded both in US and UK, feature some top American Jazz players as soloists: trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist and others. "The $1,000,000 CollectionFind albums with this title" (about famous paintings), recorded three years later, when the British Jazz scene was rapidly developing into a dew dimension, features many of the brilliant young players arriving on the scene, like trumpeters Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Tony RobertsFind albums by this artist and Tony CoeFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist and many others. Musically this is brilliant stuff, from start to finish of course. British Jazz fans will find this stuff delightful, and Big Band enthusiasts will have a field day with this. I don´t think there is anything else I need to add here, just grab it, if this is your cup of tea!

Updated: 31/05/2017Posted:

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JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY! VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz Recorded: 1963 - 1969 Released: 2012 This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent. "What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing. "Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!

CD 1 Remastered Recommend To A Friend

BOB DOWNES / OPEN MUSIC ~ ELECTRIC CITY ESOTERIC 2188 (Barcode: 5013929728820) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 Released: 2010 Flautist / composer Bob DownesFind albums by this artist is one of the most creative and innovative figures on the British Jazz scene, with a wide scope of cross-genre contributions from contemporary Classical Music via Jazz and Jazz-Rock to Free Jazz and Improvised Music. Downes was an integral part of the late 1960s / early 1970s revolution, that emerged in British and European Jazz, emancipating it from years of American influence and domination, and participated in numerous seminal recordings made during that period. His many activities were usually executed under the loosely defined umbrella name of Open MusicFind albums by this artist, which varied from a trio to a large ensemble and as the name suggests was completely free from any stylistic or genre restrictions. After recording several albums for mainstream record labels in his early days, Downes created his own record label, called OpenianFind albums on this label Records, on which he releases his projects, being one of the first musicians to do so. By the early 1980s Downes moved to Germany, where he lives and continues his work today. This incredible album presents Downes as a composer of Jazz-Rock oriented shorter pieces, packed with energy and intricate arrangements. The list of participating musicians is awe inspiring, with some of the most illustrious musicians on the scene at the time, like trumpeters Kenny WheelerFind albums by this artist, Ian CarrFind albums by this artist and Harry BeckettFind albums by this artist, guitarist Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, bassist Harry MillerFind albums by this artist and many others. The music is brilliant, breathtaking and captivating. The virtuosic performances are ample expressions of the underlying musical currents and once immersed in the magic sound, the listener is completely absorbed and mesmerized. They don´t make music like this any more, that´s for sure. Brilliant stuff!

CD 1 Oversampling Remastered Recommend To A Friend

MATHIAS EICK ~ SKALA ECM 2187 (Barcode: 602527432281) ~ NORWAY ~ Jazz Recorded: 2009 - 2010 Released: 2011 This is the 2nd album by Norwegian trumpeter / composer Mathias EickFind albums by this artist with his double-drums quintet comprising of very gifted young Norwegian Jazz musicians: pianist Andreas UlvoFind albums by this artist, bassist Audun ErlienFind albums by this artist and drummers Torstein LofthusFind albums by this artist and Gard NilssenFind albums by this artist. Three additional musicians also take part in the recording: keyboardist Morten QvenildFind albums by this artist, saxophonist Tore BrunborgFind albums by this artist and harpist Sidsel WalstadFind albums by this artist. Eick also plays vibraphone, guitar and bass. This extended instrumental capability allows for a "big" sound, although it is used with caution and extremely good taste. Eick is often compared to Kenny WheelerFind albums by this artist, which of course is a great honor, and hopefully he will carry the wonderful trumpet / flugelhorn tradition Wheeler so tastefully developed in the last five decades. It´s good to see Jazz having a bright future!

CD 1 Slipcase Recommend To A Friend

RICHARD FAIRHURST & JOHN TAYLOR ~ DUETS BASHO 49 (Barcode: 832929004926) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This wonderful and criminally little known album by British Jazz pianists Richard FairhurstFind albums by this artist and John TaylorFind albums by this artist presents a series of eleven piano duets performed by the two. The music includes two original compositions by Fairhurst, two pieces co-composed by them both, one composition by Taylor, another one by Kenny WheelerFind albums by this artist, a two-part piece by Pete SabertonFind albums by this artist and finally a trio of Bill EvansFind albums by this artist compositions. The music is splendidly recorded and offers a true feast to Jazz piano lovers. Separated by a generation age gap, Fairhurst (born 1975) and Taylor (born 1942) are able to bridge that gap without a hitch, playing in perfect harmony both technically and spiritually. Their treatment of the Evans compositions is absolutely breathtaking and manages to preserve the delicate climate and lyricism of the original compositions and yet transform them to a more European Jazz sensitivity. But the entire selection of tunes is brilliant from start to finish and a true delight to Jazz connoisseurs, who might try and guess who plays what, which for a trained ear is not that difficult. The idea of this project was born when Fairhurst was invited to take part in the Steinway Two Pianos Festival in London in 2010 and asked John to join him, and continued when John asked Richard to take part in his 70th Birthday Celebration concert in 2012, which allowed them to collect enough material suitable for a recording session, which resulted in this album. Sadly less than two years after this album was recorded John departed prematurely and the album was released posthumously. Overall this is a classic example of Jazz piano duet performance and the "Art of the Duo" idiom and a beautiful memento of John´s artistry. For the many followers of Taylor´s music this is an absolute must of course, but Fairhurst is also to be complimented on his brilliant playing, which is definitely worthy of being closely followed! A true gem!

Updated: 03/09/2020Posted: 03/09/2020

CD 1 Digipak Recommend To A Friend

GEORGIE FAME ~ THE TWO FACES OF FAME / THE THIRD FACE OF FAME BGO 708 (Barcode: 5017261207081) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2006 Contrary to popular opinion, British singer / songwriter / keyboardist Georgie FameFind albums by this artist was born to be a Jazz singer. Although his early career developed during the fabulous late 1960s and was mostly visible on the Pop scene, with several hit singles, his albums were another story entirely. Backed up by the cream of the crop of British Jazz musicians, Fame delivered his superbly sensitive vocals with elegance, always spiced with a dash of the typical British humor. Looking at the list of musicians playing on these two albums one can find such names as John McLaughlinFind albums by this artist (guitar), Tony OxleyFind albums by this artist (drums), Gordon BeckFind albums by this artist (piano), Jeff ClyneFind albums by this artist (bass), Peter KingFind albums by this artist (sax), Kenny WheelerFind albums by this artist (trumpet), Lynn DobsonFind albums by this artist (sax) and many more – a list that reads like a who´s who of the burgeoning late 1960s UK Jazz scene. Fame tackles quite a few vocal standards on these album, many of the great American songbook classics as well as some newer songs by British composers. Overall these two albums are a great example of how great music lasts forever and the 40 years that passed since they were recorded seem to make it even better, given the shape of contemporary music mayhem. Absolutely delightful!

CD 1 Slipcase Remastered Recommend To A Friend

CLAUDIO FASOLI / KENNY WHEELER / JEAN-FRANCOIS JENNY-CLARK ~ LAND AZZURRA 1328 (Barcode: 8028980739422) ~ ITALY ~ Jazz Recorded: 1988 Released: 2018 This is a reissue of a brilliant album by the European Jazz trio consisting of Italian saxophonist Claudio FasoliFind albums by this artist, British trumpeter Kenny WheelerFind albums by this artist and French bassist Jean-Francois Jenny-ClarkFind albums by this artist. The album presents nine tracks, all composed by Fasoli. By the time this album was recorded, European Jazz had already a distinct, clearly defined character and aesthetics, of which this album is a superb example. The music is based on beautiful melodic themes, but is completely open to enable Free improvisations, complete freedom of expression and as much of an ensemble sound, as a trio setting is able to provide. The performances are all nothing short of stellar and the soloing bloodcurdling, with plenty of amazing saxophone / trumpet unisono passages and duets, supported exquisitely by the sublime bass lines. The intimate drumless trio setting is ideal to make all the individual statements perfectly audible and the sound quality offers a perfect balance between the instruments. Wheeler’s many followers should find his playing on this album to be absolutely amazing, and this recording is one of many of his recordings made with Italian musicians. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. Overall, this is a superb European Jazz recording, which sadly is relatively obscure, but remains among the finest examples of the many international collaborations that make European Jazz so interesting. The sophistication, delicacy and amazing level of musicianship present here is absolutely timeless!

Updated: 24/06/2023Posted: 23/06/2023

CD 1 Remastered Recommend To A Friend

PIERRE FAVRE ~ WINDOW STEPS ECM 1584 (Barcode: 731452934826) ~ SWITZERLAND ~ Jazz Recorded: 1995 Released: 1996 This is a wonderful album by Swiss Jazz drummer / composer Pierre FavreFind albums by this artist recorded with an international team of Jazz stars: British (of Canadian origin) trumpeter Kenny WheelerFind albums by this artist, Italian saxophonist Roberto OttavianoFind albums by this artist, American cellist David DarlingFind albums by this artist and bassist Steve SwallowFind albums by this artist. The album presents seven original compositions: four by Favre, one by Darling and two co-composed by members of the band. The music was superbly recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist. The music is beautifully melodic, contemplative and strangely Nordic in character, although no Scandinavian players are present. It borders on contemporary Chamber Music and includes some New Age accents, but is first and foremost elegantly European and completely artistically uncompromising. Both Darling and Swallow, who are American musicians, have played with European musicians throughout their extensive careers, and this influence can be felt here clearly. The instrumental performances are all stellar, as expected, and although most of the music in minimalist and subdued, there is enough space for formidable soloing, especially by Wheeler, who plays some outstanding notes on this album. Many Wheeler followers are not aware of his playing on this album and this is why I decided to add this review now, although the music was recorded two and a half decades earlier. But of course the rest of this splendid team also contributes generously and the album offers a continuous graceful musical joy ride, which used to characterize most of ECMFind albums on this label releases in the early days of the label´s activity. This album is wholeheartedly recommended to all European Jazz connoisseurs and absolute must to all lovers of Kenny Wheeler´s artistry.

Updated: 27/08/2020Posted: 27/08/2020

CD 1 Recommend To A Friend

MAYNARD FERGUSON ~ M. F. HORN / M. F. HORN 2 / M. F. HORN 3 BGO 1110 (Barcode: 5017261211101) ~ CANADA ~ Brass Rock Recorded: 1970 - 1973 Released: 2013 This is a reissue of three albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the second, fourth and fifth albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. The first two albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings except the last, i.e. the third album included here, which was produced by Teo MaceroFind albums by this artist and which was mostly recorded in UK and had some minor touches added later in the US. "M. F. HornFind albums with this title" was released as "The World Of Maynard FergusonFind albums with this title" in the US. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. The "M. F. Horn" series of albums reflects that glorious period perfectly! The first two "M. F. Horn" albums and the album "Alive & Well In LondonFind albums with this title" (released as "Maynard FergusonFind albums with this title" in the US), which was "sandwiched" between them, follow a similar formula of presenting a mixture of wonderful arrangements of popular songs and original compositions, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonists Chris PyneFind albums by this artist and Derek WadsworthFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and other top British Jazz players at the time. "M. F. Horn 3Find albums with this title" is somewhat different in the choice of material, as it does not include covers of popular material but includes soundtracks, Jazz standards and no less than three original compositions by pianist Pete Jackson. It is generally considered as the Jazziest album of the "M. F. Horn" series, probably due to the fact that Macero produced it, but in retrospect it is undoubtedly an integral part of the same musical direction and spirit. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value and deserves an honorable place in any serious music collection. An absolute must!

Updated: 29/05/2020Posted: 29/05/2020

CD 2 Slipcase Remastered Recommend To A Friend

MAYNARD FERGUSON ~ THE BALLAD STYLE OF MAYNARD FERGUSON / ALIVE & WELL IN LONDON BGO 1206 (Barcode: 5017261212061) ~ CANADA ~ Brass Rock Recorded: 1969 - 1971 Released: 2016 This is a reissue of two albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the first and third albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. Both albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. However his ambitions had to be postponed for a while, due to the fact that CBS was mostly a Pop / MOR repertoire oriented label and wanted, at least until the label heads could be persuaded otherwise, start Ferguson´s CBS stretch with a much more commercial recording, which resulted in the recording of "The Ballad Style Of Maynard FergusonFind albums with this title". The material consisted of eleven arrangements of well known movie themes and other popular songs, but in the capable hands of Mansfield and his superb orchestra, which included some of the best British Jazz musicians at the time, and of course Ferguson´s fabulous trumpet playing characterized by the piercing high notes, the album, although certainly widely appealing, remains a masterpiece of Jazz flavored popular orchestral music. "Alive & Well In LondonFind albums with this title" (a.k.a. "Maynard FergusonFind albums with this title") is a completely different story. It followed the recording of the second album for CBS entitled "M. F. HornFind albums with this title" (a.k.a. "The World Of Maynard FergusonFind albums with this title"), which gave a birth to a series of "M. F. Horn" albums, and which opened a new chapter in Ferguson´s recording legacy, which find him playing a soaring Jazz-Rock / Brass Rock arrangements of popular songs and original material by the members of the orchestra. This album includes eleven popular songs, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonist Chris PyneFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and others. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value. Wholeheartedly recommended!

Updated: 19/04/2020Posted: 17/04/2020

CD 1 Slipcase Remastered Recommend To A Friend

JURGEN FRIEDRICH ~ SUMMERFLOOD CTI 4011220018214 (Barcode: 4011220018214) ~ GERMANY ~ Jazz Recorded: 1998 Released: 1998 This is the debut album by German Jazz pianist / composer Jurgen FriedrichFind albums by this artist, recorded with his quartet, which also includes saxophonist Claudius ValkFind albums by this artist, bassist Volker HeinzeFind albums by this artist and British drummer Darren BeckettFind albums by this artist, expanded to a quintet by the presence of the iconic British trumpeter Kenny WheelerFind albums by this artist. The album presents seven original compositions, all by the leader. Friedrich, who studied with British pianist / composer John TaylorFind albums by this artist, was introduced by Taylor to the music of Wheeler, which made a great impact on his musical outlook, and when he planned the recording of this, his debut album, he asked Wheeler to participate. If subjected to a blindfold test, the music sounds remarkably alike a British Jazz album, and with the first note uttered by Wheeler, it becomes completely recognizable and “familiar”. This does not mean, of course, that the young musicians participating in the recording are copying anything. After all the music is completely original and wonderfully weaved and the playing is highly inspired. It only exemplifies the influence that iconic musicians like Taylor and Wheeler were able pass down to the young generation of musicians, at least at the early stages of their careers. I was completely unaware of this album until a few weeks ago and of course grabbed it immediately to complete my Wheeler discography, but it turned out to be a beautiful piece of music, which is definitely worth getting familiar with, on top of the fact that Wheeler plays several outstanding and spine-chilling solos on this album. Overall, this is a remarkable debut as well as a sublime piece of Wheeler’s recording legacy, which should not be missed by his many followers. I am not familiar with later musical explorations by Friedrich, but judging by what this album has to offer, they are definitely worthy of exploring. In short, this is a true gem that lost nothing of its sparkle over time.

Updated: 12/02/2022Posted: 12/02/2022

CD 1 Recommend To A Friend

MICHAEL GIBBS ~ JUST AHEAD BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz Recorded: 1972 Released: 2005 Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!

CD 2 Slipcase Remastered Recommend To A Friend

MICHAEL GIBBS ~ MICHAEL GIBBS / TANGLEWOOD 63 VOCALION 4253 (Barcode: 765387425326) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2005 Composer / arranger / bandleader / trombonist Michael GibbsFind albums by this artist was born in Rhodesia (now Zimbabwe). In his early twenties he moved to the US, where he studied both Jazz and Classical music at the Berklee College of Music, the Boston Conservatory and the Tanglewood Institute, where he studied with renowned classical composers Aaron CoplandFind albums by this artist and Lukas FossFind albums by this artist. In 1965 Gibbs settled in London and immediately was absorbed into the burgeoning local Jazz scene, first as a trombonist, and later when he stopped to play the instrument, as a composer, arranger and bandleader. Over the years he assembled an impressive body of work as a composer, which has been considered as some of the most innovative and daring forays into the fusion of Classical, Jazz and Rock. He recorded many of his compositions using large ensembles, which comprised of the best British and later also European Jazz musicians, all of which are considered masterpieces. He also composed music for cinema and created many incredible arrangements for albums in the Rock and Jazz areas. This album combines his two first albums, composed for and performed by huge ensembles including brass, string and rhythm sections and including around 30 musicians. The names of the participants resemble the “who’s who” of the British Jazz scene at the time and the main soloists are: Chris SpeddingFind albums by this artist, Ray RussellFind albums by this artist (guitar), Kenny WheelerFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist, John SurmanFind albums by this artist, Mike OsborneFind albums by this artist (sax), Gordon BeckFind albums by this artist (piano), Jack BruceFind albums by this artist, Brian OdgersFind albums by this artist (bass), Tony OxleyFind albums by this artist, John MarshallFind albums by this artist (drums) and many more. The music is quite incredible of course, very difficult to classify, as it flows between genres and musical landscapes disregarding any preconceptions. Gibbs is a master at creating an internal tension in his scores, which is often expressed by the role the brass and rhythm sections play against each other, with the brass section representing the jazzy elements and the rhythm section (especially the guitar) the rock elements. The music is often contemplative and moves slowly, similarly to many of the modern Classical music pieces, influenced obviously by the composer’s teachers and resembling sometimes even the work of Philip GlassFind albums by this artist. Definitely not easy listening, but a highly rewarding intellectual experience. For the lack of a better alternative I’ve decided to classify it under Jazz, but this music is truly beyond classification and constitutes a class of its own. Fascinating!

CD 2 Remastered Recommend To A Friend

MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991 DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion Recorded: 1991 Released: 2018 This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions. Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts. Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him. This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish. The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.

Updated: 29/05/2018Posted: 22/05/2018

CD 2 Mini-Sleeve Remastered Recommend To A Friend

MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69 TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz Recorded: 1969 Released: 2018 This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970. The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet. The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track). The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant. Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures. The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering. Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative. This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!

Updated: 28/06/2021Posted: 30/09/2018

CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend

MICHEL GIBBS ORCHESTRA ~ BY THE WAY AH UM 016 (Barcode: 5017771102029) ~ UK ~ Jazz Recorded: 1993 Released: 1993 This is an album by British Jazz trombonist / composer / arranger / bandleader Michael GibbsFind albums by this artist and his Anglo-American Orchestra commemorating the orchestra´s 25th Anniversary. The members of the orchestra include many of the top British Jazz players, like trumpeter Kenny WheelerFind albums by this artist, saxophonist Evan ParkerFind albums by this artist, pianist John TaylorFind albums by this artist, drummer John MarshallFind albums by this artist and the young (at the time) saxophonist Julian ArguellesFind albums by this artist and guitarists Mike WalkerFind albums by this artist and John ParricelliFind albums by this artist. The Americans include saxophonist Charlie MarianoFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist. The album presents eleven original compositions, all by Gibbs, which span the entire 25 years period, some of which already appeared on earlier recordings and other that are performed here for the first time. Gibbs´ followers will find this album consistent with his earlier recordings and with his unique orchestral approach and sound colors. Gibbs treats the orchestra like a palette and paints bright sound vistas with zest and vivid imagination. As usual the pieces allow for extensive soloing, which on this album reaches many remarkable peaks. Gibbs´ affinity to Rock is also evident, as is his tendency to feature the guitar as one of the main ingredients of the orchestra with plenty of soloing, which on this album is performed by Walker, who has a profound Bluesy feel and sensitivity. Overall this is another superb album by a great Master of the orchestral Jazz idiom, who had very few parallels over the years and still dominates the scene today. This music lost nothing of its power or beauty over time and is a great document of the period, similar to the recently released album with the Gibbs Orchestra featuring John ScofieldFind albums by this artist from 1991 ("Symphony Hall, Birmingham 1991Find albums with this title"). This is one of the most obscure albums by Michael Gibbs, probably due to the fact that it was released by the short lived small independent British Ah UmFind albums on this label label, founded by musician / producer Nick PurnellFind albums by this artist, and has been available for many years. Wholeheartedly recommended and if you can dig it out somehow, don´t even think twice – grab it as it is worth its weight in gold! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 29/05/2018

CD 1 Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz Recorded: 1970 Released: 2005 American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.

Updated: 14/08/2021Posted:

CD 1 Remastered Recommend To A Friend

JOE HARRIOTT ~ CHRONOLOGY LIVE 1968-69 JAZZ IN BRITAIN 09 (Barcode: 5060774190241) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2021 This is an archival album by the British saxophonist / composer Joe HarriottFind albums by this artist. The album presents five tracks by Harriott’s quintet with trumpeter Kenny WheelerFind albums by this artist, pianist Pat SmytheFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Bill EydenFind albums by this artist and two tracks recorded with the Harry South Big BandFind albums by this artist, which included many of the top British Jazz players of the time. One of the tracks is a Harriott original and another is a Wheeler original and the rest are standards. Although Harriott passed like a comet over the British Jazz firmament, he was certainly a key figure, a sage and a pioneer, light-years ahead of most of his peers. His own original Free Jazz ideas, some of the earliest on the global Jazz timeline, were so advanced and unique that even the shortsighted American Jazz clique recognized them as revolutionary and Harriott was the first British Jazz musician to receive a five-star review in the US DownBeat magazine. His first two albums, including the iconic “Free FormFind albums with this title” (1960), were also released in the US, followed by two UK releases: “AbstractFind albums with this title” (1962) and “MovementFind albums with this title” (1963), a threesome that defined the British Jazz emancipation. His involvement in the pioneering Jazz-World Fusion with John MayerFind albums by this artist, which resulted in the “Indo-Jazz Fusions” recordings was another glorious achievement. The music present on this album is one of the latest evidence of his recording career, which completely ceased by 1970, and his last years, ridden by illness remain tragically silent until his death in 1973. By the late 1960s Harriott returned to play conventional, Bebop based music, often with some Caribbean influences, which is what we can hear here. He is still a brilliant saxophonist by all means, and his performances, as well as those of his quintet members and the Big Band, are all definitely worth hearing, albeit by far less exciting than his earlier work. Although the recordings are mono, the sound quality is acceptable and allows the listener to enjoy the music in full. Kenny Wheeler does steal the show here and there, as expected. Considering the fact that this music was previously unreleased, this is a worthy edition to Harriott’s recorded legacy. This CD release, made following an earlier LP release of this material, is a step in the right direction, which means that the people behind the Jazz In BritainFind albums on this label listen to our voices and are not completely blinded by the vinyl hype. Good work Guys!

Updated: 24/07/2021Posted: 24/07/2021

CD 1 Digipak Recommend To A Friend

JOE HARRIOTT / JOHN MAYER ~ INDO-JAZZ SUITE RHINO 081227960148 (Barcode: 081227960148) ~ UK ~ Jazz-World Fusion Recorded: 1966 Released: 2013 This is a reissue of one of the most groundbreaking and revolutionary British Jazz albums, a debut recording by the ensemble that comprised of Jazz and Classical Indian Music players, which resulted in the birth of Jazz-World Fusion. The Jazz players, led by legendary saxophonist / composer Joe HarriottFind albums by this artist, a pioneer of British Free Jazz and again here of the British World-Jazz Fusion, included also trumpeter Eddie BlairFind albums by this artist (although most sources say Kenny WheelerFind albums by this artist, but I have the original LP), pianist Pat SmytheFind albums by this artist, bassist Rick LairdFind albums by this artist (although most sources say Coleridge GoodeFind albums by this artist, but I have the original LP) and drummer Allan GanleyFind albums by this artist. The Indian players included violinist / harpsichord player / composer John MayerFind albums by this artist, sitar player Diwan MotiharFind albums by this artist, tambura player Chandrahas PaigankarFind albums by this artist and tabla player Keshav SatheFind albums by this artist. The double quintet (or tentet) is completed by Classical flautist Chris TaylorFind albums by this artist. Together the ensemble performs four original compositions, all by Mayer. I have already written extensively about this music so I´ll only reiterate that it is completely unique, insanely ahead of its time and heroically pioneering, combining two idioms that seemed to be completely separated from each other. Thanks to Mayer´s superb compositions and his understanding of European music, he was able to amalgamate the Jazz improvisations and the Indian ragas and other traditional forms, despite the disparity in melody, harmony and above all rhythmic patterns between these two idioms. The result is simply divine and honestly, despite many attempts to replicate this amalgam by other musicians over the time, nothing sounds as natural, elegant and aesthetically perfect as this music. It is worth to ponder why this seemingly impossible blend worked out so well; the answer of course requires the understanding of the cultural and social atmosphere that existed in Britain in the mid-1960s, but especially so in London, which became the cultural center of the world with musicians from the British Commonwealth flooding the London scene and bringing with them their own musical traditions: Caribbean, Indian, African and others. All these cultures were embraced and absorbed without reservations of phobias, a natural, voluntary multiculti music being created in the process in Pop, Rock and Jazz. The music on this album and the further recordings by the [AJoe Harriott and John Mayer Double Quintet} are a wonderful example of that brief, but enchanted period of the British Music history. This album is an absolutely essential recorded document of the development of British and later European Jazz, which deserves to be listened to and studied by every music student in the world. This is music of everlasting value and its message of human tolerance, acceptance and unity is a beacon of hope, especially in the Dark Age we are living in now.

Updated: 20/05/2016Posted: 16/05/2016

CD 1 Essential Recommend To A Friend

TUBBY HAYES ~ HIP! THE UNTOLD STORY OF TUBBY HAYES` 1965 RHYTHM AND BLUES 080 (Barcode: 5060331752790) ~ UK ~ Jazz Recorded: 1965 Released: 2021 This is an archival 2CD album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents three radio broadcasts, all previously unreleased, all captured in 1965, a year in which no studio recordings by Hayes were made and he did not head a regular ensemble of his own, as a result of his troubled personal life riddled by health and addiction problems. However, when it came to live performances, Hayes, as this album shows, was still the greatest saxophonist active on the British Isles at the time. CD1 presents a ten tracks broadcast by the Commonwealth Jazz OrchestraFind albums by this artist, led by Hayes and featuring some of the greatest British Jazz musicians, like trumpeters Shake KeaneFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Bobby WellinsFind albums by this artist and Ronnie RossFind albums by this artist, pianist Stan TraceyFind albums by this artist and others. Vocalist Joy MarshallFind albums by this artist appears on three tracks. The Big Band / Orchestra performs three originals by Hayes, including the fabulous “100% ProofFind albums with this title”, which will become the title track of his studio album two years later. Two more British originals are by trumpeter / composer of Jimmy DeucharFind albums by this artist, a regular Hayes’ collaborator. The rest of the material comprises of great arrangements of Jazz standards. CD2 presents two Hayes’ quartet broadcasts, with pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummers Benny GoodmanFind albums by this artist or Ronnie StephensonFind albums by this artist (who also plays on the Orchestra tracks). The last five tracks (second broadcast) offer a somewhat lower sound quality, but the quality of the music is certainly as admirable as the rest of the music on this album. The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading. Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes, who sadly left us tragically way to prematurely. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all.

Updated: 17/01/2023Posted: 17/01/2023

CD 2 Recommend To A Friend

PETER HERBOLZHEIMER ~ HIP WALK – THE COMPLETE POLYDOR RECORDINGS POLYDOR 602547650023 (Barcode: 602547650023) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1970 - 1978 Released: 2015 This phenomenal Box Set collects all the seven albums recorded by the German trombonist / composer / arranger / bandleader Peter HerbolzheimerFind albums by this artist during the 1970s, which were released at the time on PolydorFind albums on this label Records. He also recorded several albums in the 1970s for MPSFind albums on this label Records. His international Big Band / Orchestra, called Rhythm Combination & BrassFind albums by this artist, included the absolute crème de la crème of European Jazz musicians from Germany, Scandinavia, Holland and Britain. The list of the names reads like a European Jazz encyclopedia and includes trumpeters Palle MikkelborgFind albums by this artist, Kenny WheelerFind albums by this artist and Derek WatkinsFind albums by this artist and dozens of other first rate players. Herbolzheimer had a wonderful gift as an arranger and bandleader, treating his orchestra like a virtuoso multi-instrumentalist. His multi-layered and incredibly complex rhythmic arrangements are to this very day among the best ever and emphasize superbly the difference in approach to the Big Band between American and European Jazz. Although the music is in most cases very accessible, it is at the same time profoundly elegant and sophisticated, which means that it can be listened to on several different levels of comprehension. In retrospect this set also demonstrates that Major record labels at that time invested in interesting musical projects even if the costs were significant and the commercial significance unclear. The music is a wonderful amalgam of Pop / Jazz / Funk / Soul and many other sub-genres, being truly cross-genre before even that term was coined. For Big Band / Orchestral Music connoisseurs this is of course an absolute must and considering the fact that these albums are absolutely unavailable since decades, it is a miracle to have this music back in circulation. Wholeheartedly recommended and not to be missed!

Updated: 26/01/2019Posted: 01/01/2017

CD 4 Box Set Remastered Bonus Tracks Essential Recommend To A Friend

HERSCH / WINSTONE / WHEELER / CLARVIS ~ 4 IN PERSPECTIVE VILLAGE LIFE 00909 (Barcode: 5037013009091) ~ UK ~ Jazz Recorded: 1999 Released: 2000 This is a beautiful and criminally little know album recorded by the quartet comprising of American pianist / composer Fred HerschFind albums by this artist and three British Jazz musicians: vocalist Diva Norma WinstoneFind albums by this artist, trumpeter Giant Kenny WheelerFind albums by this artist and highly respected drummer Paul ClarvisFind albums by this artist. It documents a live performance by the quartet recorded at St Barnabas Church in Oxford. The album presents nine tracks, four of which are original compositions by Hersch (one featuring lyrics by Winstone), one is an improvised piece credited to all four participants, one is a Wheeler composition with lyrics by Winstone and three are standards. The music is of course brilliant from start to finish. Hersch, despite his American ancestry (nobody´s perfect), was always spiritually way closer to European music than most American musicians, and as a result his music can be considered a part of the European Jazz tradition. Of course he played with Winstone and Wheeler many times before this occasion, and the mutual amity is obvious. The music ranges from straightforward classics to improvised pieces, which for me are the highlight of the proceedings. The personal performances are all superb, as expected. Winstone uses her theatrical lyrics delivery masterfully and her vocalese parts are priceless as always. Wheeler ornaments the proceeding with excellent trumpet parts. Hersch plays wonderfully and his piano parts are full of the romantic notions he is renowned for, displaying his obvious virtuosity. Clarvis, who has the toughest job here, uses his percussion instruments with grace and intelligence managing not to spoil the acoustic ambience and still be clearly heard. Overall this is a brilliant piece of music and a must in any serious British Jazz collection, especially for the many Winstone and Wheeler connoisseurs. Not easy to get hold of but definitely worth the effort. Wholeheartedly recommended!

Updated: 06/04/2019Posted: 06/04/2019

CD 1 Recommend To A Friend

JULIA HULSMANN ~ IN FULL VIEW ECM 2306 (Barcode: 602537177776) ~ GERMANY ~ Jazz Recorded: 2012 Released: 2013 This is the third album as a leader on the ECMFind albums on this label label by German pianist / composer Julia HulsmannFind albums by this artist, recorded in a quartet setting with British trumpeter Tom ArthursFind albums by this artist and German bassist Marc MuellbauerFind albums by this artist and drummer Heinrich KobberlingFind albums by this artist. The album presents thirteen relatively short compositions, four by Hulsmann, one by Arthurs, four by Muellbauer, one by Kobberling and the remaining three originating outside of the quartet lineup. The album was recorded at the legendary Rainbow Studio in Oslo with Jan Erik KongshaugFind albums by this artist presiding at the controls. The first and immediate impression the listener is exposed to on this album is the stunning trumpet / flugelhorn work by Arthurs, which brings on a potent resemblance to the work of the lamented British trumpeter Kenny WheelerFind albums by this artist. However, soon enough it becomes very apparent that Arthurs has his very own personal voice, and the Wheeler resemblance is simply our desire to find a successor who would continue Wheeler´s magic rather than what Arthurs in fact delivers herein. But obviously Arthurs is destined to suffer from the "Wheeler likeness" syndrome for a while But yes, Arthurs definitely steals the show on this album, as Hulsmann and the rhythm section are often reduced to an accompanying trio, which seems to suit everybody concerned just fine. Her solo work is mostly limited and she is happy to step back and leave the center stage to Arthurs, which is a very smart move under the circumstances. The music itself suffers from a lack of compositional coherence and continuity and sounds somewhat alike for the entire duration of the album, with just slight tempi changes and limited harmonic versatility. As a result this album is a classic example of what ECM critics call "much ado about nothing". So eventually it all boils down to this: an album that would have been altogether quite unremarkable is saved by the brilliant trumpet parts, which are fabulous but can´t really hide its flaws and weakness.

Updated: 11/09/2016Posted: 11/09/2016

CD 1 Slipcase Recommend To A Friend

JASKULKE & WYLEZOL ~ DUODRAM LALALA KONCERT NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is an album by Polish duo DuoDramFind albums by this artist, which pairs pianists / composers Slawomir JaskulkeFind albums by this artist and Piotr WylezolFind albums by this artist. Recorded live, the album presents five original compositions (three by Jaskulke and two by Wylezol) and one composition by Kenny WheelerFind albums by this artist, all performed on two pianos. It is very difficult to relate to this music within the Jazz framework, and the fact that both pianists are primarily known as Jazz artists, makes it is even more difficult to pinpoint exactly what this music is all about. The melodic themes are repeated and swapped between the pianists back and forth, there are lots of chords and notes in the air, swirling like snowflakes in the wind, but once the flakes land on the ground nothing remains in the air… Somehow this music does not touch me at all, sounding like a New Age effort of producing soothing background music rather than anything that one can hold to. Of course Jaskulke and Wylezol are both superb piano players, as evident from their numerous other recordings, but this effort simply does not take off as far as I am concerned. Of course I suppose many other listeners might enjoy this music immensely, therefore I urge fans of Jaskulke and Wylezol to listen to it by themselves and making their own minds.

CD 1 Mini-Sleeve Recommend To A Friend

INGRID JENSEN / STEVE TRESELER ~ INVISIBLE SOUNDS: FOR KENNY WHEELER WHIRLWIND 4729 (Barcode: 4055388386570) ~ CANADA ~ Jazz Recorded: 2015 - 2016 Released: 2018 This is an album by a quintet co-led by Canadian Jazz trumpeter Ingrid JensenFind albums by this artist and American saxophonist Steve TreselerFind albums by this artist, with American pianist Geoffrey KeezerFind albums by this artist, bassist Martin WindFind albums by this artist and drummer Jon WikanFind albums by this artist. Two additional musicians participate on selected tracks. The album presents ten tracks, eight of which are compositions by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist and the remaining tracks are composed one each by Jensen and Treseler. As the title suggests, the album is a tribute to the great composing quality of Wheeler, which is plainly evident herein. Jensen has a sound and technique that mimic those of Wheeler pretty closely, the rest of the team are professional American Jazz musicians, obviously able to play the tunes, but not aspiring to reproduce the magic that Wheeler’s ensembles managed to create when he was aboard. Nevertheless, the music is brilliant enough to make the album worth listening to, and the album is a nice gesture honoring Wheeler’s exceptional compositions. Overall, this is a tribute to Wheeler’s compositions, performed by professional musicians, who somehow lack the spark to make them sound as spectacular as they should. For Wheeler completists, this is a worthwhile addition to their collection.

Updated: 13/08/2023Posted: 13/08/2023

CD 1 Mini-Sleeve Recommend To A Friend

CHRIS KASE ~ A SONG WE ONCE KNEW SATCHMO JAZZ 00021 (Barcode: 8424295341549) ~ USA ~ Jazz Recorded: 2000 Released: 2001 This is the third album by American (resident in Spain) Jazz trumpeter / composer Chris KaseFind albums by this artist, recorded in a quintet setting with British Jazz trumpeter Kenny WheelerFind albums by this artist, Spanish pianist Albert BoverFind albums by this artist, German bassists Johannes WeidenmuellerFind albums by this artist and Spanish drummer Marc MiraltaFind albums by this artist. The album presents eight tracks, six of which are original compositions by the leader and two are by Wheeler. As far as I know this is the only recording by Kase with Wheeler and since it was released over twenty-two years ago it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The quintet offers a highly unusual double trumpet front line, which is obviously heavens on earth for Jazz trumpet lovers. The music is all excellent modern Jazz, with great melodic themes and first-class performances, crowned by the unisono trumpet phrases and trumpet duels, in addition to the “normal” trumpet solos and superb rhythm section support. Overall, this is an excellent modern Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 30/03/2023Posted: 30/03/2023

CD 1 Recommend To A Friend

ZLATKO KAUCIC ~ EMOTIONAL PLAYGROUNDS IKTIUS 519 (Barcode: 8016540051923) ~ SLOVENIA ~ Jazz-World Fusion Recorded: 1997 Released: 1998 This is an album by Slovenian Jazz drummer / composer Zlatko KaucicFind albums by this artist, recorded with a British / Italian team, which includes trumpeter Kenny WheelerFind albums by this artist, saxophonist Gianluigi TrovesiFind albums by this artist and bassist Paolino Dalla PortaFind albums by this artist. Pianist Bruno CesselliFind albums by this artist guests on two tracks. The Mixed Choir of Slovenian Radio and TVFind albums by this artist also takes part in the recording. The album presents seven tracks, three of which are arrangements of traditional Folk songs and four are original compositions by Kaucic. The music is a beautiful amalgam of modern European Jazz and Folklore (mostly Balkan), splendidly put together and arranged by Kaucic, and superbly played by this excellent team. The extended compositions develop slowly and offer emotional swings and tempi changes, as well as open improvisations and dramatic statements by the choir, in short quite an eventful journey. The two quintet tracks are more mainstream oriented and the excellent piano playing by Cesselli sets an almost romantic mood. For the many Wheeler followers, he can be heard playing some marvelous trumpet parts here, easily comparable to his best work on more renowned albums. Sadly, this gem is almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. Overall, this is an excellent Jazz-World Fusion album, performed by some of the best European Jazz improvisers. Released by a small Italian record label this album disappeared from the surface, but is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid musical concept and superb performances by the entire team.

Updated: 26/03/2023Posted: 26/03/2023

CD 1 Recommend To A Friend

KLAUS KONIG ORCHESTRA ~ AT THE END OF THE UNIVERSE ENJA 6078 (Barcode: 063757607823) ~ GERMANY ~ Big Band Jazz Recorded: 1990 Released: 1991 This is the third album by German composer / conductor Klaus KonigFind albums by this artist, recorded live at the Berlin JazzFest with a large Orchestra comprising of many top European and some American Jazz musicians, including British Jazz trumpeter Kenny WheelerFind albums by this artist, Russian (resident in Germany) pianist Simon NabatovFind albums by this artist, French clarinetist Louis SclavisFind albums by this artist, American saxophonist Jane Ira BloomFind albums by this artist and many more. The album presents eight tracks, all composed by Konig, which are parts of a suite, which as the title suggests, is dedicated to the British Sci-Fi writer Douglas AdamsFind albums by this artist. Wheeler took part also in a recording of the fifth album by Konig, entitled “Time FragmentsFind albums with this title”. Since this is a large orchestral recording, Wheeler’s soloing is perhaps less prominent than on his small group recordings, but is especially important here, in view of Kenny’s love of large ensembles. Both albums seem to be available without much ado. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is an absolutely fascinating European Orchestral Jazz, which offers some melodic themes but the performance is full of very open / Free Form improvisations, which altogether offers a challenging, but highly rewarding listening experience and a great example of the European approach to Big Band music, which is diametrically opposed to the American Tradition. Konig certainly manages to combine the basic elements of the Jazz tradition with contemporary / almost Avant-Garde facets of the genre and the result is simply astounding. His work as a composer is certainly highly unconventional and deserves to be followed, as his recording legacy certainly proves. Overall, this is an excellent modern Big Band / Orchestral Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 04/04/2023Posted: 02/04/2023

CD 1 Recommend To A Friend

KLAUS KONIG ORCHESTRA ~ TIME FRAGMENTS ENJA 8076 (Barcode: 063757807629) ~ GERMANY ~ Big Band Jazz Recorded: 1994 Released: 1994 This is the fifth album by German composer / conductor Klaus KonigFind albums by this artist, recorded with a twelve-piece Orchestra comprising of many top European and American Jazz musicians, including, among others British Jazz trumpeter Kenny WheelerFind albums by this artist, French tuba player Michel GodardFind albums by this artist, American violinist Mark FeldmanFind albums by this artist, bassist Mark DresserFind albums by this artist and drummer Gerry HemingwayFind albums by this artist. The album presents seven tracks, all composed by Konig, which are parts of a suite. This is the fourth installment of a five-suite cycle by Konig. Wheeler took part also in a recording of the third album by Konig, entitled “At The End Of The UniverseFind albums with this title”. Since this is a large orchestral recording, Wheeler’s soloing is perhaps less prominent than on his small group recordings, but are especially important here, in view of Kenny’s love of large ensembles. Both albums seem to be available without much ado. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is an absolutely fascinating European Orchestral Jazz, which offers some melodic themes but the performance is full of very open / Free Form improvisations, which altogether offers a challenging, but highly rewarding listening experience and a great example of the European approach to Big Band music, which is diametrically opposed to the American Tradition. Konig certainly manages to combine the basic elements of the Jazz tradition with contemporary / almost Avant-Garde facets of the genre and the result is simply astounding. His work as a composer is certainly highly unconventional and deserves to be followed, as his recording legacy certainly proves. Overall, this is an excellent modern Big Band / Orchestral Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 27/05/2023Posted: 27/05/2023

CD 1 Recommend To A Friend

LEE KONITZ / KENNY WHEELER ~ OLDEN TIMES – LIVE AT BIRDLAND NEUBURG CHALLENGE 71146 (Barcode: 608917114621) ~ USA ~ Jazz Recorded: 1999 Released: 2016 This is a reissue / remaster of a live album by the quartet co-led by American saxophonist / composer Lee KonitzFind albums by this artist and British trumpeter / composer Kenny WheelerFind albums by this artist, with a German rhythm section comprising of pianist Frank WunschFind albums by this artist and bassist Gunnar PlumerFind albums by this artist. The album presents ten tracks (one of which is a bonus on this new edition), three of which are composed by Konitz, four by Wheeler, two by Wunsch and one by Plumer. The album offers a beautiful sound quality and ambience. The music is all highly melodic mainstream Jazz, superbly performed by these great musicians. The absence of drums aids the gentle, intimate atmosphere, and shifts the responsibility of keeping time to the bassist, who stands up to the challenge formidably. The interplay between Konitz and Wheeler is simply marvelous, both being lost romantics and highly sensitive songweavers, which results in truly heartwarming music. Although this is one of the least known albums in Wheeler’s discography, it is one of most wonderful examples of his sublime trumpet / flugelhorn work, and is a must to all his many followers. Konitz also plays as sweetly and seductively as he is able, and together they are simply irresistible. Overall, this is a wonderful piece of music, seemingly unpretentious and subdued, but full of artistry and elegance, which is only rarely achieved to such degree. In short, this is an absolute must for true Jazz lovers and an indispensable piece for all Wheeler collectors!

Updated: 14/12/2024Posted: 14/12/2024

CD 1 Remastered Bonus Tracks Recommend To A Friend

LA VOCE ~ MUSIC FOR VOICES, TRUMPET AND BASS JARO 4208 (Barcode: 4006180420825) ~ GERMANY ~ Jazz-World Fusion Recorded: 1997 Released: 1997 This is the only album by the ensemble La VoceFind albums by this artist, which consists of German trumpeter Ulrich BeckerhoffFind albums by this artist and bassist Hartmut KrachtFind albums by this artist and a vocal trio: British Norma WinstoneFind albums by this artist, Brazilian Rosani ReisFind albums by this artist and Italian Giacomo di BenedettoFind albums by this artist. The album presents twelve pieces, mostly composed or co-composed by Beckerhoff with other ensemble members, with one traditional melody and two Brazilian standards. The music is an eclectic collection of Jazz-World Fusion pieces beautifully arranged for the ensemble, which balances between the vocal parts and trumpet solos, with the bass being the only rhythmic thread. The atmosphere is delicate and somewhat mysteriously lyrical, and although influenced by many World Music elements, is basically very European in its sophisticated ambience and openness. The vocalists perform an entire spectrum of vocal artistry, from superb vocal harmonies to individual vocalese outings and even a satirical version of Rap, and the album is a wonderful collection of vocal treasures, which connoisseurs of eclectic vocal Jazz performances should be delighted with. Beckerhoff´s trumpet playing is somewhat similar to Kenny WheelerFind albums by this artist´s artistry and therefore the pieces that feature duets between him and Norma Winstone have a familiar resonance to them. Kracht does a truly remarkable job keeping the entire performance in check rhythmically and his round and fully-bodied bass pulsations are a true fundament upon which the music rests. Overall this is a beautiful, unique and sadly little know project, which still sounds fresh and meaningful over twenty years after it was recorded, and will surely withstand the tides of time successfully in the future. Wholeheartedly recommended and if you can get it, grab a copy!

Updated: 10/12/2018Posted: 10/12/2018

CD 1 Recommend To A Friend

CHRIS LAURENCE ~ KEN WHEELER: SOME GNU ONES JAZZ IN BRITAIN 29 (Barcode: 5060774190296) ~ UK ~ Jazz Recorded: 2020 - 2021 Released: 2021 This is a wonderful EP album by British Jazz bassist / composer Chris LaurenceFind albums by this artist, which presents three pieces composed by the iconic British (of Canadian origin) trumpeter / composer Kenny WheelerFind albums by this artist specifically for Laurence. Two of the pieces were given to Laurence in manuscript form, one of them in incomplete form, which was finalized especially for this recording by Pete ChurchillFind albums by this artist. One of the pieces (“C-Man”) was recorded on the legendary 1992 “KayakFind albums with this title” album by Wheeler, featuring Laurence on bass. The music was beautifully recorded by a superb team, which includes, alongside Laurence, vibraphonist Frank RicottiFind albums by this artist, guitarist John ParricelliFind albums by this artist, drummer Martin FranceFind albums by this artist, trumpeter Tom WalshFind albums by this artist and a string quintet. The music is everything one could expect from Wheeler’s compositions, a dreamy, lyrical and superbly melodic Jazz, which is completely timeless and eternal. The superb recording quality and the performances by the participating musicians are nothing short of heavenly. Overall, this is a true “two birds with one stone”: Wheeler’s sublime music and the playing of Laurence, who has for so long been an unheralded hero of the British Jazz scene, a highly sensitive and totally reliable musician. Despite the less than half an hour time mark, this is an immediate classic recording, which deserves an honorable place in every decent British Jazz collection. Again well done by the small crew of the Jazz In BritainFind albums on this label label.

Updated: 12/12/2021Posted: 12/12/2021

CD 1 Digipak Recommend To A Friend

CHRIS LAURENCE ~ NEW VIEW BASHO 018 (Barcode: 832929001826) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business. And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost. It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!

CD 1 Digipak Recommend To A Friend

LONDON JAZZ CHAMBER GROUP ~ ADAM`S RIB SUITE ACROBAT 4259 (Barcode: 824046425920) ~ UK ~ Jazz-Classical Fusion Recorded: 1970 Released: 2007 This is a reissue of the of the album by the London Jazz Chamber GroupFind albums by this artist, which combines a Jazz sextet: trumpeter Kenny WheelerFind albums by this artist, saxophonist / flautist Roy WilloxFind albums by this artist, pianist Ken MouleFind albums by this artist, guitarist Louis StewartFind albums by this artist, bassist Lennie BushFind albums by this artist and drummer Ronnie StevensonFind albums by this artist and a string quartet led by violist Patrick HallingFind albums by this artist. They perform together an eleven-part suite composed by Moule. The music is a marvelous collection of melodic themes, brilliantly arranged for a Jazz sexted and a string quartet, which is Moule’s greatest achievement in his long and diverse musical career. These excellent players perform the music with panache and gusto, as expected, and the string arrangements are completely unique and innovative floating between Classical and stage music. For some completely unknown reason this album is completely unknown and I have never seen it mentioned anywhere, despite the fact that is a National Treasure as far as British Jazz is concerned. So here it is in full splendor, including the original cover art – which will hopefully nor be banned by the FB automata – and which proves that nakedness is not always pornography, and can be Art. Overall, this is great and very unusual Jazz album, which withstood the tides of time brilliantly and should have an honorable place in every serious British Jazz collection.

Updated: 07/02/2025Posted: 07/02/2025

CD 1 Recommend To A Friend

LONDON TROMBONE QUARTET ~ SOME OF OUR BEST FRIENDS ASC 011 (Barcode: 5029716000239) ~ UK ~ Jazz Recorded: 1995 Released: 1995 This is the only album by the British Jazz ensemble called London Trombone QuartetFind albums by this artist, which consisted of four trombonists: Pete BeachillFind albums by this artist, Richard EdwardsFind albums by this artist, Mark NightingaleFind albums by this artist and Dave StewartFind albums by this artist. The album was recorded with some top British Jazz musicians active at the time: pianists Pete SabertonFind albums by this artist, John HorlerFind albums by this artist and Dave ArchFind albums by this artist, bassists Chris LaurenceFind albums by this artist, Geraint RobertsFind albums by this artist and Laurence CottleFind albums by this artist, drummers Ian ThomasFind albums by this artist and Dave BryantFind albums by this artist, saxophonists Stan SultzmannFind albums by this artist, Pete HurtFind albums by this artist, Andy MacintoshFind albums by this artist, Julian ArguellesFind albums by this artist and Dave O`HigginsFind albums by this artist, guitarists Mike WalkerFind albums by this artist and John ParricelliFind albums by this artist, percussionist Frank RicottiFind albums by this artist, trumpeters Derek WatkinsFind albums by this artist, Henry LowtherFind albums by this artist and Gerard PresencerFind albums by this artist. The album presents eleven original compositions by Beachill (3), Sultzmann (2), and one each by Kenny WheelerFind albums by this artist, Arch, Nightingale, Colin TownsFind albums by this artist, Dick WalterFind albums by this artist and Saberton. Although Wheeler did not play on this album, one of his tunes was recorded. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is a marvelous example of modern British Jazz, based on excellent original compositions and performed by the crème de la crème of British Jazz musicians active in the 1990s. The trombone quartet was quite a unique ensemble of course and they offered very unique arrangements featuring the trombone at the focus, proving the possibilities of the instrument in the hands of great musicians. Overall, this is an excellent British Jazz album, performed by first class musicians, which is absolutely worth digging for to discover the splendid music and superb performances by the entire team.

Updated: 06/04/2023Posted: 06/04/2023

CD 1 Recommend To A Friend

JOHN MAYER / INDO-JAZZ FUSIONS ~ INJA FMR 069 ~ UK ~ Jazz-World Fusion Recorded: 2000 Released: 2000 British violinist / composer John MayerFind albums by this artist invented the fusion between Jazz and traditional Indian music in the 1960s, when he and the brilliant saxophonist Joe HarriottFind albums by this artist co-led an ensemble, which recorded a series of groundbreaking albums which fused the two musical genres, being one of the pioneers of Jazz-World Fusion. Unfortunately the ensemble ceased to exist when Harriott died tragically in 1973. From that time on Meyer continued his work mainly in the field of Classical music, but by the end of 1990s he formed a new ensemble called Indo-Jazz FusionsFind albums by this artist and recorded with them a series of superb albums until his death in 2004. The ensemble was a nonet and included Mayer on violin and eight young but extremely talented musicians, with his son Jonathan MayerFind albums by this artist on sitar, Harjinda MataruFind albums by this artist on tabla, James McDowallFind albums by this artist on flute, Carlos Lopez-RealFind albums by this artist on saxophone, David SmithFind albums by this artist on trumpet, Simon ColamFind albums by this artist on piano, David FosterFind albums by this artist on bass and Andrew BrattFind albums by this artist on drums. Mayer wrote most of the fantastic music performed by the ensemble, but the great Kenny WheelerFind albums by this artist composed the title track of this album. The music is a direct continuation of the stuff the Mayer-Harriott group was doing, missing of course Harriott’s virtuosity, but nevertheless still formidable. Mayer’s beautiful melodies are perfect vehicles for the improvised passages and solos by the ensemble’s members and everything falls into place just flawlessly. One can hardly imagine a better cross-pollination between cultures and we should all be grateful to Mayer for pursuing this wonderful dream. Delightful!

CD 1 Recommend To A Friend

ANDY MIDDLETON ~ REINVENTING THE WORLD INTUITION 33102 (Barcode: 750447331020) ~ USA ~ Jazz Recorded: 2001 Released: 2003 This is the fourth album as a leader by American (resident in Vienna) saxophonist / composer Andy MiddletonFind albums by this artist recorded with a superb team of musicians including Canadian saxophonist Sheila CooperFind albums by this artist, British (of Canadian origin) trumpet Maestro Kenny WheelerFind albums by this artist, German trombonist Nils WogramFind albums by this artist, Canadian clarinetist Darcy HepnerFind albums by this artist, American pianist Henry HeyFind albums by this artist and bassist John HebertFind albums by this artist and Canadian drummer Owen HowardFind albums by this artist. The album presents nine original compositions, all composed by Middleton and a short bass intro to one of the tunes composed by Hebert. The music is all modern mainstream Jazz, based on the superb compositions by Middleton, which serve as ideal vehicles for the excellent performances by the instrumentalists. The compositions are interesting and coherent, and are all splendidly arranged for the large ensemble, which allows individual members to solo extensively and produce a harmonious ensemble sound all around. For Wheeler´s followers, this album offers plenty hair-raising examples of his genius and is therefore a highly recommended addition to every serious British Jazz connoisseur´s collection. On a personal note; I met Andy in person a few years ago and we have had opportunity to meet regularly since during an annual event, which in time developed into a friendship. It took me a while to get hold of this album, which is not an easy task, but apparently not an impossible one – so get hold of a copy as long as it is possible!

Updated: 03/02/2025Posted: 27/09/2020

CD 1 Recommend To A Friend

NUCLEUS ~ SOLAR PLEXUS / BELLADONNA BGO 566 (Barcode: 5017261205667) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 - 1972 Released: 2002 3rd and 4th albums from 1971/1972 by the groundbreaking UK Jazz-Rock Fusion group NucleusFind albums by this artist, which included some of the best Fusion players of all times. `Solar Plexus` is more Jazz rooted, with brilliant contributions from trumpeter Kenny WheelerFind albums by this artist and guitar by Chris SpeddingFind albums by this artist. `Belladonna` is more Fusion oriented, with some blistering guitar from Allan HoldsworthFind albums by this artist and inspired piano work by Gordon BeckFind albums by this artist. Absolute must!

CD 2 Remastered Recommend To A Friend

THIERRY PEALA ~ INNER TRACES NAIVE 3298492261024 (Barcode: 3298492261024) ~ FRANCE ~ Jazz Recorded: 2000 Released: 2000 This is the debut album by French Jazz vocalist Thierry PealaFind albums by this artist. Subtitled “A Kenny Wheeler Songbook”, it presents twelve compositions by British trumpeter / composer Kenny WheelerFind albums by this artist, with lyrics by various lyricist, including British Diva Norma WinstoneFind albums by this artist, who also sings duets with Peala on four tracks. Other musicians include French pianist Bruno AngeliniFind albums by this artist, Italian bassist Riccardo Del FraFind albums by this artist, drummers British Steve ArguellesFind albums by this artist and French Christophe MarguetFind albums by this artist, and finally the Maestro Wheeler himself on trumpet. The music is absolutely delightful from start to finish, which is hardly surprising, and showcases a lesser known facet of Wheeler’s work as a composer of songs, rather than instrumental music. The album is completely unknown to most Wheeler followers and does not appear in Wheeler’s discographies (and Norma Winstone’s discographies as well), which I am familiar with. I stumbled upon it quite accidentally and thanks God I did, as it is an outright marvel. Of course the Wheeler’s compositions are all wonderful, but the vocal interpretations by Peala are also brilliant, as is the instrumental work by all participants. Wheeler plays on ten tracks, as usual stunningly, including some overdubbed duets with himself. Del Fra’s superb bass playing is second to none and Angelini proves to be a highly sensitive accompanist. In short, this is a breathtaking album in every respect, and the fact that I was not aware of it is a travesty, now finally amended. And yes, there is the French accent (all the lyrics are in English), which normally could be an issue, bus somehow in this case this is a charming effect to the whole affair. Overall, this is a sublime album of modern vocal Jazz, beautifully sung and played by the Master musicians, and an important, albeit almost completely hidden, part of Wheeler’s recorded legacy. Of course it is a must for every Wheeler’s records collector, which probably is not that easy to find by now. A truly delightful, heart melting piece of music!

Updated: 14/08/2024Posted: 14/08/2024

CD 1 Recommend To A Friend

BARTOSZ PERNAL / MICHAL SZKIL ~ JAZZ GETXO ERRABAL 065 (Barcode: 8436010304357) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 Like several other young Polish Jazz ensembles before them, the quintet co-led by trombonist Bartosz PernalFind albums by this artist and pianist Michal SzkilFind albums by this artist won the international Jazz Festival Competition at Getxo, Spain, and as a result their concert was released by a local record label, which is also their debut album. In addition to Pernal and Szkil the quintet also includes trumpeter Maurycy WojcinskiFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The live recording presents five tunes, three of which are original compositions by Pernal, one is a John ColtraneFind albums by this artist composition and the remaining one is a Kenny WheelerFind albums by this artist piece. As usual in such cases it is quite amazing to witness the level of musicianship and skill presented by these young musicians. Obviously well schooled and full of individual talent they create energetic and highly sophisticated modern mainstream. The original compositions are all top notch and their treatment of the standards is unusual and very sensitive. Of course the live recording reveals also minor glitches committed in the heat of the process, but those are completely insignificant in the overall view of things. The quintet has a somewhat unusual sound with the trombone / trumpet front, which adds to its attraction. As far as the individual performances are concerned, the two co-leaders present the highest level of technical skill and inventiveness. Szkil is particularly worth following as his piano magic will surely find a large following sooner or later. The trumpeter is full of bravado and imagination, but he keeps missing a note here and there, which is noticeable. The rhythm section is excellent and adds a significant layer to the overall sound and presentation. Overall here comes another group of young Polish Jazz lions, which will create the next generation of the local Jazz scene in the years to come. Considering how great they are already, the future definitely looks bright!

CD 1 Digipak Recommend To A Friend

MICHEL PORTAL ~ ANY WAY LABEL BLEU 6544 (Barcode: 3149025057877) ~ FRANCE ~ Jazz-World Fusion Recorded: 1991 - 1992 Released: 1993 This is an album by legendary French bass clarinetist / saxophonist / composer / bandleader Michel PortalFind albums by this artist, recorded with a large gathering of international Jazz musicians, which includes French violinist Didier LockwoodFind albums by this artist, bassist Jean-Francois Jenny-ClarkFind albums by this artist, percussionist Mino CineluFind albums by this artist and guitarist Nguyen LeFind albums by this artist, British trumpeter Kenny WheelerFind albums by this artist, American keyboardist Gil GoldsteinFind albums by this artist and bassist Victor BaileyFind albums by this artist, Indian percussionist Trilok GurtuFind albums by this artist, Swiss drummer Daniel HumairFind albums by this artist and others. The album presents six lengthy tracks, five of which are original compositions by Portal and one is by Cinelu. The music is based on beautiful composed themes, on which the participants improvise with obvious skill and imagination. There are strong World Music influences and excellent group improvisations. The leader plays mostly the bass clarinet, and his fame as one of the greatest virtuosi of that instrument is of course fully justified. The solo by Wheeler on the last racks is alone worth having this album in one’s collection. There is an atmosphere of mutual respect and great fun, and the musicians are obviously jamming and enjoying themselves, which is felt in the resulting music, mixing the Jazz elements with Funk and Ethnic drumming, which is very effective. Overall, this is a very unusual album, which creates an amalgam of European Jazz and Ethnic / World percussive elements, and offers some extraordinary improvised parts by some of the best musicians on this planet. A true joy!

Updated: 04/02/2025Posted: 04/02/2025

CD 1 Recommend To A Friend

FRANCISZEK POSPIESZALSKI ~ ACCUMULATED THOUGHTS NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is the second album by young Polish Jazz bassist / composer Franciszek PospieszalskiFind albums by this artist, this time recorded in a classic piano trio Jazz setting with pianist Franciszek RaczkowskiFind albums by this artist and Hungarian drummer Peter SomosFind albums by this artist. The album presents eight tracks, seven of which are original compositions by Pospieszalski and one is by the legendary British trumpeter / composer Kenny WheelerFind albums by this artist. The music was recorded at the now legendary Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the expected exceptional sound quality. In complete contrast to his debut album, which was an explosion of youthful exploration and discovery flirting mostly with Free Jazz and a myriad of other influences, this album is completely focused on melodic modern Jazz, coherent compositions and superb instrumental work by the trio. Pospieszalski emerges here as a gifted composer, who is able to weave interesting and multilayered themes, as well as a superb bassist, with refined technique and remarkable feel for the music. His work as a trio member and as a soloist is absolutely spotless and inspired. Raczkowski, who is a relative newcomer on the Polish scene, made an impressive progress as a player since his own debut album recorded three years earlier, and his splendid performances on acoustic and electric piano are a true delight from start to finish. His progress is heartwarming and definitely paves his way towards the incredibly crowded Polish Jazz pianist clique. Somos is an excellent drummer, which is mostly evident from the fact that he is rather felt that heard. His elegant sense of rhythm and subtle use of his instrument are remarkable. Overall this is a wonderful piano trio Jazz album, up to date and vibrant, full of excellent music and brilliant playing, definitely one of the most exciting of the kind that came to my attention in quite a while. Congratulations are in order for the chameleonic transformation Pospieszalski went through and for putting this trio together and I can´t wait to hear the next album by these young lions. A breathe of fresh air!

Updated: 15/04/2019Posted: 15/04/2019

CD 1 Mini-Sleeve Recommend To A Friend

PRINTMAKERS ~ WESTERLY BASHO 46 (Barcode: 832929004629) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful debut album by the British Jazz ensemble The PrintmakersFind albums by this artist, which comprises of top Jazz musicians spanning several generations: the wonderful vocalist / lyricist Norma WinstoneFind albums by this artist, pianist / composer Nikki IlesFind albums by this artist, saxophonist Mark LockheartFind albums by this artist, guitarist Mike WalkerFind albums by this artist, bassist Steve WattsFind albums by this artist and drummer James MaddrenFind albums by this artist. The album presents ten tunes, three of which were composed by Iles with lyrics by Winstone, two with music by Ralph TownerFind albums by this artist and lyrics by Winstone, one tune each composed by John TaylorFind albums by this artist and Iles, both without lyrics, a song by Steve SwallowFind albums by this artist and finally two are the ensemble´s interpretations of familiar Pop songs, one each by Paul SimonFind albums by this artist and Joni MitchellFind albums by this artist. The music was recorded live in a room of a country house and offers superb sound quality. The album is dedicated to the memory of the great Kenny WheelerFind albums by this artist. The music is everything one might expect from this formidable lineup: superb vocals and excellent playing from start to finish, elegant, somewhat restrained and always exactly with the right dose of emotional involvement and professional musicality. There is an obvious affinity and respect between the participants and a harmonious teamwork, which truly pays off. On the two tunes that do not feature lyrics, Winstone performs her fabulous vocalese parts, which are her trademark since many years. There is plenty of opportunity for great solo parts by Lockheart, Iles and Walker, and the rhythm section keeps the music flowing gently but precisely in time and in perfect harmony. Although the entire album is characterized by a relaxed, calm atmosphere, the music is rich and full of intrinsic vitality. Stylistically one might consider this to be "mainstream Jazz", but this music has absolutely nothing in common with the American version of mainstream Jazz, which of course is all for the best. It is great to see Winstone active and at full power, as if for her time is standing absolutely still. Having enjoyed her work for five decades, I can say that her music making is a safe heaven of good taste and aesthetic excellence, one of a very few of such kind. This album is relatively little known by Jazz connoisseurs, and therefore it is wholeheartedly recommended to all true music lovers and British Jazz enthusiasts to grab a copy as long as it is still in circulation.

Updated: 29/05/2018Posted: 29/05/2018

CD 1 Digipak Recommend To A Friend

NICK PURNELL ~ ONETWOTHREE AH UM 006 ~ UK ~ Big Band Jazz Recorded: 1990 Released: 1991 This is the only album by British Jazz composer / arranger Nick PurnellFind albums by this artist, recorded with a dreamy large Orchestra, which included such luminaries as trumpeter Kenny WheelerFind albums by this artist, saxophonist Julian ArguellesFind albums by this artist, trombonist Michael GibbsFind albums by this artist, keyboardist Django BatesFind albums by this artist, pianist John TaylorFind albums by this artist and American drummer Peter ErskineFind albums by this artist among others. The album presents ten tracks, all original compositions by Purnell and arranged by him. The music is absolutely dreamy large ensemble Jazz, based on superbly composed themes and perfectly arranged to utilize the superb lineup, that performs the music. Wheler, Taylor and Arguelles performs dazzling soli through the whole album, and many other musicians also get an opportunity to show their chops. Although there are many musicians taking part in this recording, the music is rather subtle and delicate, which is rather typical of the British Jazz approach to orchestral music, which emphasizes the ensemble spirit and strong harmony, without utilizing the full power and might available, in favor of style and elegance, somewhat similar to the orchestral work by Michael Gibbs and his ensembles. Overall, this is a lovely piece of orchestral British Jazz, sadly completely forgotten but absolutely worthy of being remembered. The album is probably not that easy to find, but if it crosses your field of vision, do not hesitate for even one moment, before you grab it! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 11/02/2025

CD 1 Recommend To A Friend

DON RENDELL ~ SIX CLASSIC ALBUMS PLUS BONUS TRACKS REAL GONE JAZZ 496 (Barcode: 5036408174123) ~ UK ~ Jazz Recorded: 1955 - 1961 Released: 2015 This is a reissue of early recordings by the legendary British Jazz saxophonist / composer / bandleader Don RendellFind albums by this artist, one of the greatest pioneers of modern British Jazz. Rendell, born 1926, was one of the relatively few British Jazz musicians, who thrived during the Swing and Bebop eras, but who embraced modern Jazz by the mid-1960s and became one of the pillars of the transformation the British Jazz went through during that period, creating a new Jazz idiom by breaking the ties with the American Jazz tradition. Although Rendell made his first recording already in 1949, this set collects recordings made between 1955 and 1961, which present Rendell making a shift from Swing via Bebop and into early modern Jazz, a fascinating journey by any standard. These recordings include albums and an EP he recorded as a leader as well as recordings by other leaders he took part in, and tracks from a two Various Artists collections, which included his contributions. The four albums Rendell recorded as a leader are: "Meet Don RendellFind albums with this title" from 1955, "Don Rendell Presents The Jazz SixFind albums with this title" (featuring Kenny WheelerFind albums by this artist) from 1957, "PlaytimeFind albums with this title" from 1958 and finally "Roarin`Find albums with this title" (featuring Graham BondFind albums by this artist) from 1961. The two albums on which Rendell appears as a sideman are: Johnny KeatingFind albums by this artist All Stars ("British JazzFind albums with this title") from 1956 and pianist´s Ken MouleFind albums by this artist septet ("Ken Moule Arranges ForFind albums with this title") from 1956. Overall this is a fascinating collection of great Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set! Side Note The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain. There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history. The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.

Updated: 27/05/2018Posted: 30/05/2016

CD 4 Digipak Remastered Recommend To A Friend

GREG RUNIONS GROUP ~ BUT NOT FORGOTTEN GRIND 101 ~ CANADA ~ Jazz Recorded: 1993 Released: 1997 This is an album by Canadian Jazz vibraphonist / composer Greg RunionsFind albums by this artist, recorded with his Canadian group, which also includes British (born in Canada) trumpeter Kenny WheelerFind albums by this artist as a guest. The other players are saxophonist Andrew RathbunFind albums by this artist, guitarist Dave BartonFind albums by this artist, pianist Brian DickinsonFind albums by this artist, bassist Arthur RothFind albums by this artist and drummer Mike CassellsFind albums by this artist. The album presents eight original compositions, four by Runions, two by Barton and one each by Rathbun and Roth. Although Wheeler moved to UK from Canada in 1952 (when he was twenty-two years old) he maintained close ties with his Canadian roots and often performed and recorded with local musicians during his regular visits in Canada. This is one of such recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is a beautiful example of modern mainstream melodic Jazz, which sounds very European, almost ECMish, rather than American, which is quite surprising. The melodies are well structured and the arrangements delicate, allowing all the instruments to be heard in perfect balance. All the musicians are obviously well schooled and technically up to the challenge. For the many Wheeler followers, he can be heard playing some marvelous trumpet parts here, easily comparable to his best work on more renowned albums. Overall, this is an excellent modern Jazz album, performed by first class musicians. Released independently by Runions this album disappeared from the surface, but is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 28/03/2023Posted: 28/03/2023

CD 1 Recommend To A Friend

DAVE SAUL ~ REVERENCE ASC 034 ~ UK ~ Jazz Recorded: 1999 Released: 1999 This is the only album by British Jazz pianist / composer Dave SaulFind albums by this artist, who died in 2013. The album was recorded in a quintet setting with trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Stuart LaurenceFind albums by this artist (Chris’ son). The album presents eight original compositions, all by the leader. Released over twenty-three years ago, this album it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is absolutely marvelous from start to finish, a little British Jazz gem, which deserves to be heard by all British Jazz enthusiasts. Saul was always around playing often with the best musicians, but never achieved enough recognition or had opportunity to record, except for this album. His compositions are beautifully melodic and offer a superb vehicle for this quintet to fly sky-high. Wheeler and Sulzmann offer superb soloing and the rhythm section is always there right on the money. Saul, always a bit bashful and introvert, solos sparingly but his piano playing is wonderfully intertwined within the music at all times. The music has that British Jazz “twang”, that I love so much, and which is immediately recognizable. Overall, this is an excellent British Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team. It is an essential fragment in every serious British Jazz collection.

Updated: 31/03/2023Posted: 31/03/2023

CD 1 Recommend To A Friend

SCHMOLLING / ARTHURS / KUHNE ~ TICHO UNIT 4551 (Barcode: 7640114795510) ~ GERMANY ~ Jazz Recorded: 2013 Released: 2014 This is a brilliant debut album by a trio consisting of German pianist / composer Marc SchmollingFind albums by this artist (a son of Czech poetess Inka MachulkovaFind albums by this artist), female vocalist Almut KuhneFind albums by this artist and British trumpeter Tom ArthursFind albums by this artist. The eight pieces (one composition is repeated twice as the opening and closing track of the album) are based on pre-composed themes, which are then freely improvised upon by the trio members. The unique piano / trumpet / vocals lineup invokes an immediate associative comparison to the legendary British trio AzimuthFind albums by this artist (John TaylorFind albums by this artist, Kenny WheelerFind albums by this artist, Norma WinstoneFind albums by this artist), and some similarities are of course detectable, but this album is much more oriented towards the Free Jazz / Improvised Music openness, whereas Azimuth, as revolutionary and amazing as it was at the time, was overall much more melodic and structured in form. All three individual contributors are first class musicians of course: Schmolling plays delicately and lyrically, Arthurs is simply brilliant with an incredible technique and extraordinary sensitivity, emerging as one of the top British contemporary trumpeters and Kuhne is a sensational surprise, with stunning vocal abilities combining the powers of modern female Jazz vocal Divas, like Julie TippettsFind albums by this artist, Norma Winstone, Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist and others. She is definitely worth watching very carefully in the future. The trio works also perfectly as a unit; Arthurs and Kuhne converse fiercely, exchanging vocal and trumpet phrases like never heard before, while Schmolling keeps the music in control with his guiding chords. The overall ensemble result is simply breathtaking. This is a kind of music that combines the free spirit with the essence of European culture, often based on reserve and intrinsic discipline. Overall this is a excellent piece of music, which holds new surprises with every time it is played, full of wonderful aesthetics and urgency to discover, an example of ambitious creation that works out perfectly and in spite of its intimacy creates a whole universe of sounds and feelings. It is great to see that intelligent music is still being made in our cultural void, which of course keeps those, who are open enough to listen to it, resistant to the brainlessness out there. Wholeheartedly recommended!

Updated: 26/04/2016Posted: 26/04/2016

CD 1 Digipak Recommend To A Friend

SCOTTISH NATIONAL JAZZ ORCHESTRA ~ SWEET SISTER SUITE SPARTACUS 026 (Barcode: 880992150637) ~ UK ~ Big Band Jazz Recorded: 2017 Released: 2018 This is a criminally little known British Jazz gem, an eight-parts suite composed and arranged by the brilliant Kenny WheelerFind albums by this artist, commissioned in 1996 by the Scottish National Jazz OrchestraFind albums by this artist (SNJOFind albums by this artist) directed by saxophonist / composer Tommy SmithFind albums by this artist. The suite was recorded only in 2017, three years after Wheeler’s departure, by the seventeen members of the SNJO and two guest soloists: trumpeter Laura JurdFind albums by this artist and Greek vocalist Irini ArabatziFind albums by this artist. The music is absolutely stunning, as expected, a classic Wheeler piece of Art and a brilliant example of his extended orchestral works. Performed splendidly by the SNJO members and the two guests, the music flows flawlessly between the suite parts, always perfectly balanced and elegant. This album adds yet another splendid piece of Wheeler’s composed works to the long list of his orchestral Jazz masterpieces. The wonderful touch of adding vocalese to the Big Band arrangements, which in many cases were executed by the divine Norma WinstoneFind albums by this artist, are superbly done here by the young Arabatzi, who is definitely worth keeping an eye (well, ear) on. The trumpet soli by Jurd are also excellent, and bear a certain nostalgic similarity to Wheeler’s tone. She is also definitely worth following. Overall, this album is a must to all British Jazz lovers, Kenny Wheeler fans and orchestral Jazz enthusiasts, offering some of the absolutely stunning modern British Jazz out there. The fact that this music was recorded over twenty years after Wheeler submitted it to the SNJO, is a sad reminder of twisted fate of British Jazz, but “better late than never” is perfectly right in this case, as it would have been criminal for this music to disappear unrecorded. Grab a copy while they last!

Updated: 11/02/2023Posted: 11/02/2023

CD 1 Mini-Sleeve Recommend To A Friend

JAN SIMONS ~ ANSWER SILENCE 0002 (Barcode: 6418770600230) ~ FINLAND ~ Jazz Recorded: 1999 Released: 1999 This is the debut album by Finnish Jazz bassist / composer Jan SimonsFind albums by this artist, recorded with a sextet which surprisingly includes the great British trumpeter Kenny WheelerFind albums by this artist alongside young (at the time) Finnish players: saxophonist Manuel DunkelFind albums by this artist, guitarist Niklas WinterFind albums by this artist, pianist Samuli MikkonenFind albums by this artist and already well known drummer Markku OunaskariFind albums by this artist. The album presents eleven original compositions, six by Simons, two by Winter and three co-composed by all the five Finnish musicians participating on the album. The music is beautifully melodic, typically full of Finnish lyricism and Nordic climates, but which also allows for openness and freedom during the many excellent solo parts. The level of the compositions is impressively mature and coherent and the entire album is a true European Jazz gem. As expected, Wheeler plays splendidly alongside these much younger musicians, but their performances are by all means equally expressive and impressive. As a result the album presents an ensemble effort with Wheeler accepting the role of an equal participant, rather than a star guest, which perfectly fits his good natured character and his respect towards fellow musicians, which he displayed throughout his entire career. For people not familiar with Finnish Jazz (sadly not many Jazz fans are even aware of the fact that Jazz exists in Finland), this is a wonderful opportunity to get exposed to one of the most interesting and advanced European Jazz scenes out there. After following the Finnish Jazz closely since the 1960s, I have developed a deep and profound love and respect towards Finnish Jazz and was able to write quite a lot on the subject as well as count many Finnish Jazz musicians as personal friends since many years. Thanks to a splendid level of Jazz education and a lively local scene, as well as the geographic proximity to other Scandinavian Jazz centers, Finnish Jazz was able to produce over the years many first-rate European Jazz musicians and a fabulous legacy of hundreds of Jazz albums, which include some of the most impressive European Jazz recordings ever made. Overall this is of course a rare opportunity to hear Wheeler play with young and relatively unknown musicians, which for his many connoisseurs and collectors of his albums is an absolute must. But at the same time the album is a great introduction to modern Finnish Jazz at its best, which hopefully will prompt some listeners to discover that fascinating scene. Wholeheartedly recommended!

Updated: 28/03/2019Posted: 28/03/2019

CD 1 Recommend To A Friend

ALAN SKIDMORE ~ A SUPREME LOVE CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz Recorded: 1961 - 2019 Released: 2023 This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued. Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians. The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6. The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true. Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.

Updated: 01/10/2024Posted: 21/06/2023

CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend

ALAN SKIDMORE ~ ONCE UPON A TIME… VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz Recorded: 1970 Released: 2005 The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!

CD 1 Remastered Essential Recommend To A Friend

TERRY SMITH ~ FALL OUT SUNBEAM 5008 (Barcode: 5051125500819) ~ UK ~ Jazz Recorded: 1968 Released: 2006 Guitarist / composer Terry SmithFind albums by this artist was one of the busiest musicians on the British Jazz scene in the late 1960s. Voted the best Jazz guitarist in the 1968 polls, when this album was recorded, Smith was not only playing at the regular Jazz venues around London, but was also a member of the backup group of singer Scott WalkerFind albums by this artist, who was at the peak of his popularity at the time. Walker, although extremely successful as a Pop artists, had a keen musical ear and was trying to get away from the sugary Pop image by employing some of the best Jazz musicians at the time In his band, which was led by no other than the legendary Ronnie ScottFind albums by this artist. Walker used his influence with his label (PhilipsFind albums on this label) to offer a recording opportunity to some of the young and extremely talented musicians in the band, which led to the recording of this debut album by Terry Smith. As this album shows, Smith already had an extraordinary technique and feel for Jazz. Based on the tradition created by players like Kenny BurrellFind albums by this artist and Wes MontgomeryFind albums by this artist, Smith took his guitar work a few steps further adding his personal touch. Of course just a few months later Smith would become one of the founding members of the British Jazz-Rock ensemble IfFind albums by this artist, which successfully competed with their American counterparts like Blood, Sweat & TearsFind albums by this artist and ChicagoFind albums by this artist. On this album Smith is accompanied by some of the best British Jazz musicians at the time, including Kenny WheelerFind albums by this artist on trumpet, Ray WarleighFind albums by this artist on sax and flute, Gordon BeckFind albums by this artist on piano and Ron MathewsonFind albums by this artist on bass. Of the eight tracks on this album, three are his originals and the rest standards, beautifully arranged for a big Jazz ensemble. Two of the tracks are performed by Smith’s trio with Bob StuckleyFind albums by this artist on organ and Chris KarenFind albums by this artist on drums. This is an excellent album by all means and it’s great to have it back from oblivion after all these years. Recommended!

CD 1 Remastered Recommend To A Friend

TASSOS SPILIOTOPOULOS ~ ARCHIPELAGOS F-IRE 32 (Barcode: 5060092193221) ~ GREECE ~ Jazz-Rock Fusion Recorded: 2009 Released: 2010 This is the second album by Greek (resident in London at the time) guitarist / composer Tassos SpiliotopoulosFind albums by this artist, recorded in a trio format with his customary cohorts at the time: Israeli bassist Yaron StaviFind albums by this artist and drummer Asaf SirkisFind albums by this artist, both also resident in London. Two guest musicians appear, each on one track only: guitarist John ParricelliFind albums by this artist and legendary (sadly no longer with us) trumpeter Kenny WheelerFind albums by this artist, who plays a brilliant solo like only he could. The album presents eight original tracks, all composed and arranged by Spiliotopoulos. Spiliotopoulos is certainly one of the most original voices among contemporary guitarists, playing and composing in a completely unique style which is incomparable with any other guitar player that I have heard and immediately recognizable. Considering the fact that there are countless guitar players out there, his individuality is already a great asset. Combined with his virtuosic abilities, it makes Spiliotopoulos a phenomenon worth following. The music is a sort of Jazz-Rock Fusion, mostly sonically, as the actual melodies are way more delicate and complex than the average Fusion production, full of beautiful melancholy and intrinsic Mediterranean peace of mind. Spiliotopoulos, Stavi and Sirkis fir together ideally, as documented also on other recordings they are all featured on, and it shows. The interplay and camaraderie present here are simply marvelous. Overall this is a beautiful album recorded by three Master musicians, which proves that Jazz-Rock Fusion has still something to offer when taken seriously. Wholeheartedly recommended, and if you can find a copy grab it ASAP.

Updated: 11/03/2016Posted: 11/03/2016

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SPLINTERS ~ INCLUSIVITY JAZZ IN BRITAIN 26 (Barcode: 5060774190258) ~ UK ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2021 This is an archival 3CD album by British Jazz supergroup SplintersFind albums by this artist, which presents two live recordings, both from 1972, the first at the legendary London 100 Club (on CD 1 and 2) and the second from the opening night at the (then) newly opened Grass Roots club (on CD 3). The music was captured on cassettes and was carefully restored to today’s standard as far as possible. The 100 Club material was previously released in part by the Reel RecordingsFind albums on this label label in 2009 as “Split The DifferenceFind albums with this title”, and is here presented in its full form and the Grass Roots material is previously unreleased. The album is released in a lavish LP sized book format, and includes beautiful photographs by Jack KirbyFind albums by this artist and extensive essay by Simon SpillettFind albums by this artist – an obvious work of love and dedication, which is the modus operandi of the Jazz In BritainFind albums on this label label. The Splinters collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, pianist Stan TraceyFind albums by this artist (b. 1926), who appears on CD 1 and 3 only, drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. Overall, as with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of long improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted: 07/12/2021

CD 3 Digibook Remastered Essential Recommend To A Friend

SPLINTERS ~ SPLIT THE DIFFERENCE REEL RECORDINGS 013 (Barcode: 775020938328) ~ UK ~ Jazz Recorded: 1972 Released: 2009 The Canadian Reel Recordings label does it again! Following a series of splendid British Jazz archival releases, which expose many previously unheard musical creations during the Golden Age of British Jazz, this addition to its catalogue is perhaps the most sensational and revealing. Obviously the feverish activity, that characterized this unprecedented period, produced a vast amount of groundbreaking music, which unfortunately was only partially captured on tape. Therefore unearthing another piece of that wonderful puzzle is always exciting and educational. The SplintersFind albums by this artist collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, recorded live at the legendary 100 Club, London´s primary Jazz dungeon for many years, pianist Stan TraceyFind albums by this artist (b. 1926), drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. As with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of two long (47 and 30 minutes) improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

SPRING HEEL JACK ~ AMASSED THIRSTY EAR 57123 (Barcode: 700435712324) ~ UK ~ Free Jazz / Improvised Music Recorded: 2002 Released: 2002 This is an album by British electronic music duo Spring Heel JackFind albums by this artist, consisting of John CoxonFind albums by this artist and Ashley WalesFind albums by this artist. Following the release of three Drum & Bass albums in the 1990s, the duo switched their musical direction and with the turn of the Millennium released a series of recordings made with international group of Free Jazz / Avant-Garde musicians, like those appearing on this album: British saxophonist Evan ParkerFind albums by this artist, trombonist Paul RutherfordFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist and bassists John EdwardsFind albums by this artist and George TrebarFind albums by this artist, American pianist Matthew ShippFind albums by this artist, Dutch drummer Han BenninkFind albums by this artist and others. The album presents eight original compositions co-composed by the participating musicians. The music is as experimental and weird as one might expect from the above lineup, which of course is something some of us love dearly ;) Long improvisations and intimate conversations between these wonderful musicians are always worth listening to and honestly the electronic music elements by the duo are not really significant here, more like background and general ornamentation. The music is very serene and held back, offering a multitude of wonderful soli, in particular those by Evans and Wheeler, which are nothing short of spectacular. The musicians form duos, trios, quartets and a constantly changing lineup, which offers not one dull moment for the duration. The overall atmosphere of freedom and lack of boundaries contributes greatly to the creative powers of the participants and the result is really surprising. For British Free Jazz / Improvised Music enthusiasts this album, which they are most probably nor aware of its existence, is a treasure chest of great discoveries and something definitely worth checking out, well deserving a place in their record collections. Apparently this album is still available, so grab a copy as long as those last. Overall this is a little known gem, which is definitely a great surprise!

Updated: 14/10/2020Posted: 14/10/2020

CD 1 Recommend To A Friend

JOHN STEVENS ~ AT THE PLOUGH `79 FMR 215 (Barcode: 649849982766) ~ UK ~ Jazz Recorded: 1979 Released: 2007 British drummer John StevensFind albums by this artist was one of the great heroes of the local scene and a great pioneer of the European Free Jazz / Improvised Music. Together with such distinguished British improvisers as Kenny WheelerFind albums by this artist, Evan ParkerFind albums by this artist, Paul RutherfordFind albums by this artist, Trevor WattsFind albums by this artist, Derek BaileyFind albums by this artist and Barry GuyFind albums by this artist, Stevens laid the foundations of the modern British Jazz revolution in the mid 1960s, when he started his Spontaneous Music EnsembleFind albums by this artist (SME), which he led for many years. SME recorded extensively through the 1970s, when the Improvised Music movement was at its peak. Later on he also recorded with many other European improvising musicians from the continent and continued to record for small independent labels. Stevens died in 1994 (at the age of 54) and left an immense legacy of recorded music, as well as a crucial contribution to the development of the Jazz Art Form. This live recording at the legendary London pub “The Plough”, which served as the meeting place of the Improvised Music scene in the 1970s, captures the John Stevens Trio with saxophone giant Mike OsborneFind albums by this artist and superb young (at the time) bassist Paul RogersFind albums by this artist. The set was recorded on a portable tape machine, which means that the sound quality is limited, but it does not affect the intensity and the brilliance of the music. The trio performs three Osborne originals and three interpretations of Jazz standards, which of course get quite a work-over. All three musicians are simply brilliant and the fans of this music should be grateful it was preserved for posterity, especially in view of the rather limited availability of live material by Osborne. Great to have this lost treasure rediscovered and available for all of us to enjoy. A gem!

CD 1 Digipak Recommend To A Friend

STAN SULZMANN ~ FEUDAL RABBITS AH UM 011 ~ UK ~ Jazz Recorded: 1990 Released: 1991 This is a wonderful and completely obscure album by British saxophonist / flautist / clarinetist / composer / bandleader Stan SulzmannFind albums by this artist, recorded with bassist Mick HuttonFind albums by this artist, bass guitarist Patrick BettisonFind albums by this artist and drummer Steve ArguellesFind albums by this artist. The album presents nine tracks, seven of which are original compositions by Sulzmann, one is by Hutton and finally one is a Kenny WheelerFind albums by this artist composition. The album was released on the short-lived legendary Ah UmFind albums on this label label. The unusual instrumentation, which presents a double bass lineup, presents the electric bass as a lead instrument and the acoustic bass as part of the rhythm section. The music is based on melodic themes, masterfully, as usual, weaved by Sultzmann and the intimate quartet setting is ideal for this delicate, often fragile music, which is deeply touching. Sultzmann is of course brilliant as one might expect, but Bettison’s bass guitar parts are a delightful surprise, full of romance and wonderful feeling, in complete contrast to the Fusion oriented way the instrument is usually played. Overall, this is a hidden British Jazz gem, which took me years to find a copy of, but the wait was definitely worth it big time. If you can find a copy, grab it, no questions asked! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 10/03/2025Posted: 10/03/2025

CD 1 Recommend To A Friend

STAN SULZMANN BIG BAND ~ BIRTHDAYS, BIRTHDAYS VILLAGE LIFE 99108 (Barcode: 5037013991082) ~ UK ~ Big Band Jazz Recorded: 1999 Released: 1999 This is a wonderful Big Band album by another British Jazz silent hero, saxophonist / composer Stan SulzmannFind albums by this artist. The music was recorded by an absolutely dreamy Big Band, which comprises of the crème de la crème of British Jazz musicians, like trumpeters Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Pete HurtFind albums by this artist, guitarist John ParricelliFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, which released this album, and many others. The album presents thirteen relatively short pieces, all (except one arrangement of a standard) original compositions by Sultzmann, composed over a period of many years, collected here as part of the celebrations of his 50th Birthday. Although strongly present on the British Jazz scene since many years and with dozens (actually well over a hundred as far as my collection reveals) of albums recorded as a leader and sideman, Sultzmann stays mostly in the shadows and is rarely in the limelight, despite his mammoth achievements and legacy. This album is a sublime example of the European approach to Big Band Jazz, where the entire ensemble plays like one metaphysical being rather than a collection of individuals, and where the sound of the ensemble is more important than the soloing, although when solos are played, they are all stunning. The compositions are all beautifully melodic and complex enough to keep the listener fascinated at all times. The album is a fitting tribute to Sultzmann’s activity up to that point, which of course continues to this very day. Overall, this is a superb Big Band Jazz album in every respect, which offers wonderful music and brilliant performances by everybody involved. The British Jazz feel is omnipresent here, which adds to the charm. Obviously this album deserves to be a part of every serious British Jazz collection, and I am ashamed to admit that I missed it for over two decades, now however, it is happily united with the rest of my collection.

Updated: 20/01/2023Posted: 20/01/2023

CD 1 Recommend To A Friend

STAN SULZMANN / JOHN PARRICELLI / KENNY WHEELER ~ ORDESA SYMBOL 20011001 (Barcode: 5060010600053) ~ UK ~ Jazz Recorded: 2001 Released: 2002 This is a criminally little known album by three top British Jazz musicians: saxophonist / flautist Stan SulzmannFind albums by this artist, guitarist John ParricelliFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist recorded in a onetime only trio setting. The album presents nine pieces, four of which are original compositions by Wheeler, two each by Parricelli and Sulzmann and one is a standard. The intimate setting seems to ideally suit all three participants and the lack of a rhythm section allows for delicate and mellow interplays unrestricted by precise timing as well as exquisite intensive soloing. Although melody based, the music offers a lot of freedom and challenging interplays along the way. The album offers a wonderful opportunity to listen to all three veterans truly exposed and enjoy both their individual contributions and the interplay they develop along the way. Each note here is precise and well balanced in relation to what is being played by the other musicians in a marvelous harmony. Quite naturally Parricelli, playing the harmonic instrument, holds the role of accompanist behind solos and duets played by his cohorts, in addition to his soloing, which makes him the backbone of the entire proceeding, but his accompaniment is beautifully kept in the background and completely unobtrusive. Overall this is an absolutely delightful piece of British Jazz at its best, and deserves to be known to the many fans of the idiom, despite the fact that it is sadly quite impossible to find today – nevertheless the effort to chase it down is fully justified. For the many Kenny Wheeler fans this is an absolute must have of course as his playing here is Godly by all standards. A true gem of an album!

Updated: 13/01/2021Posted: 13/01/2021

CD 1 Recommend To A Friend

JOHN SURMAN ~ JOHN SURMAN VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz Recorded: 1968 Released: 2005 Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.

CD 1 Remastered Recommend To A Friend

JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69 VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2006 Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!

CD 1 Remastered Essential Recommend To A Friend

TAYLOR / WHEELER / DEL FRA ~ OVERNIGHT SKETCH 333022 (Barcode: 3700079700180) ~ UK ~ Jazz Recorded: 2001 Released: 2002 This is a wonderful and sadly little know album by a trio comprising of the British Jazz Masters, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist and veteran Italian (resident in Paris) bassist Riccardo Del FraFind albums by this artist. The album presents eleven original compositions, five by Wheeler, four by Taylor and two by Del Fra. The music (recorded in 2001) is sublimely lyrical and melodic, intimate and delicate, but fascinating from start to finish. In many respects it represents the last phase in the extensive creative lives of Taylor (who died in 2015) and Wheeler (who died in 2014) and reflects their decades long musical cooperation. Del Fra is an ideal partner for this intimate setting, with his superb technique and European sensitivities. All but three compositions present here do not appear on any other recordings, which makes this album even more unique. Well settled in their ways and majestically mature, Taylor and Wheeler bounce around single notes and phrases, like acrobats, obviously feeling happy about the emerging music. Del Fra provides a steady, yet virtuosic plane upon which the melodic content is free to move ahead, in perfect harmony. The trio´s approach is closer to "love making" with the music than consciously making an effort to articulate the notes, which is a delightful process. Overall this is an absolute gem of an album, which deserves a proud place in any serious European / British Jazz collection and is an essential must have for Taylor and Wheeler connoisseurs. Not easy to find these days but absolutely wholeheartedly recommended!

Updated: 19/03/2019Posted: 19/03/2019

CD 1 Digipak Recommend To A Friend

JOHN TAYLOR ~ ANGEL OF THE PRESENCE CAM JAZZ 7778 (Barcode: 8024709777829) ~ UK ~ Jazz Recorded: 2004 Released: 2005 This is the debut album by the last trio led by British Jazz pianist / composer John TaylorFind albums by this artist with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist. The album presents eight pieces, four composed by Taylor and two each by Kenny WheelerFind albums by this artist and Steve SwallowFind albums by this artist. The music was recorded "live in the studio" at the fabulous Bauer Studios in Ludwigsburg and offers a sublime sound quality. The trio recorded four albums between 2004 and 2006, which are all breathtakingly beautiful and constitute a pinnacle of Taylor´s recording career in the last period of his life ending with his premature death in 2015. The music is a classic example of Jazz piano trio mastery, which has but a few equals in the Century long history of Jazz music. Just a few other great trios managed to find a perfect balance between the piano and the rhythm section, like the one offered here. With each and every note perfectly audible and perfectly uttered, the music becomes a flux of emotional and intellectual stimulation of the highest possible level. Taylor´s playing was always a fountain of lyricism, and with age his touch of the keyboard become somewhat more sparing as if each note meant everything there was to say at a given moment. Of course the trio became a perfect vehicle as a result of common respect and telepathic understanding between all three members, becoming way more than just the sum of its ingredients. Danielsson and France become natural extensions of Taylor´s musical personality, and the unison proves to be unbeatable. The choice of material reflects Taylor´s lifelong friendships with Wheeler and Swallow and their common creative legacy well documented on their recordings together, which of course are highly recommended. Overall this is one of the finest Jazz piano trio recordings, not only in Taylor´s discography, but in Jazz history in general, which means it truly is an indispensable ingredient of any serious music collection. Absolutely essential!

Updated: 05/09/2020Posted: 05/09/2020

CD 1 Essential Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ ROSSLYN ECM 1751 (Barcode: 601215992427) ~ UK ~ Jazz Recorded: 2002 Released: 2003 Despite the fact that British pianist / composer John TaylorFind albums by this artist appears on dozens of albums released by the German ECMFind albums on this label label, this is the only one released under his name. Recorded in a classic Jazz piano trio setting with American bassist Marc JohnsonFind albums by this artist and drummer Joey BaronFind albums by this artist. It is the trio’s only recording, captured at the fabulous Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist, offering a stunning sound quality. The album presents seven tracks, five of which are original compositions by Taylor, one is by his lifetime brother in arms Kenny WheelerFind albums by this artist and finally one is a standard. The music presents mostly the poetic, deeply lyrical side of Taylor’s personality, both as composer and performer. The compositions are mostly melody based, but offer a long stretches of open space, which allow less rigor and allows creative freedom. Taylor is ab absolute focus of the album, with the rhythm section being utterly respective and restrained, accompanying the piano delicately, but with great thoughtfulness and taste. This approach adds to the delicate atmosphere, which is almost meditative at times, emphasizing the “less is more” approach. The album celebrated Taylor’s 60th birthday and was perhaps one of his most reflective moments in his long standing career, with every note perfectly articulated and the melodies full of the unique Englishness, which always characterized Taylor’s music. In retrospect it is definitely one of his best recordings of all time, and an absolute must in any decent British Jazz collection. Overall this is an absolute classic Jazz album in every respects and an absolute ultimate Jazz piano trio recording in many respects, which should serve as an example of what Jazz is all about, and the perfect combination of melody and freedom. Absolutely essential!

Updated: 02/04/2021Posted: 02/04/2021

CD 1 Slipcase Essential Recommend To A Friend

JOHN TAYLOR SEXTET ~ FRAGMENT JAZZ IN BRITAIN 32 (Barcode: 5060774190326) ~ UK ~ Jazz Recorded: 1975 Released: 2022 This is a reissue / remaster of the album recorded by the British pianist / composer John TaylorFind albums by this artist and his sextet, which also included trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The album was originally released on cassette only on the legendary JaguarFind albums on this label label, owned by pianist / composer Gordon BeckFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a superb example of the iconoclastic British Jazz, which reached its peak in the mid-1970s after several years of dramatic development, which characterized the scene since the late 1960s. The British Jazz managed to crystalize its very own sound and feel, which was instantly recognizable, even though it encompassed an astonishing variety of musical styles, ranging from almost mainstream / melody based Jazz to extreme Avant Garde. Of course those individuals / ensembles, which knew how to embrace both the charm of a beautiful melody and the powerful expressiveness of complex improvisation, like the sextet present on this recording, were the most effective. The six individuals playing here were all top British Jazz Artists at the time, each with his own rich legacy already in place by the time this music was recorded. It was an “all stars” ensemble by any standard, but of course there was nothing extraordinary about it, as almost every other ensemble on the scene at the time could be also acknowledged as an “all stars” gathering, since the scene was literally exploding with talent and activity. Over the years John Taylor created an immense body of Jazz compositions and an extensive recorded legacy, which reflect his sublime ability to weave an intricate, yet romantic melody. His life-long cooperation with Wheeler, widely documented on record, was one of the most fruitful Jazz engines in retrospect, but no Taylor discography could be complete without this particular album, which for so many years remained a hidden secret shared by the British Jazz fanatics. The fact that it is now reissued is a true milestone for the excellent Jazz In BritainFind albums on this label label, which never ceases to surprise and delight those of us, who truly love this music. Overall, this is a monumental release as far as British Jazz is concerned, closing a major gap in so many record collections of dedicated fans, all of which are both happy and grateful. The great talent of Taylor, the superb performances by Wheeler and the rest of the sextet members, and most importantly the everlasting magic of the music, which is every bit as fresh as it was at the time it was recorded, all come together to create a “crown jewel” of an album, which no British Jazz fan can ignore. Thank you Gentlemen for your labor of love, which we all enjoy.

Updated: 13/07/2022Posted: 13/07/2022

CD 1 Digipak Remastered Recommend To A Friend

CLARK TERRY ~ CLARK AFTER DARK MPS 4029759115700 (Barcode: 4029759115700) ~ USA ~ Jazz Recorded: 1977 Released: 2016 This is a reissue of an album by American trumpeter / composer and flugelhorn pioneer Clark TerryFind albums by this artist, which was his second of two albums for MPSFind albums on this label and which was produced by the British music critic / producer Mike HennesseyFind albums by this artist. The album presents ten Jazz ballads, nine of which are standards and one, which was written especially for this album by the German trombonist / bandleader / arranger / composer Peter HerbolzheimerFind albums by this artist. The album was recorded in London and features a mind-blowing huge orchestra, which includes the absolute crème de la crème of the British Jazz musicians, which does not appear on any other recording, and as such is absolutely unique. Some of the names include trumpeters: Derek WatkinsFind albums by this artist, Tony FisherFind albums by this artist and Kenny WheelerFind albums by this artist, trombonists: Dave HorlerFind albums by this artist and Nat PeckFind albums by this artist, reed players: Stan SulzmannFind albums by this artist, Tony CoeFind albums by this artist and Ronnie RossFind albums by this artist, pianist Gordon BeckFind albums by this artist, guitarist Martin KershawFind albums by this artist, bassist Chris LaurenceFind albums by this artist and many others. The music is definitely on the lighter side of Jazz, but Terry´s brilliant technique and enormous feel are definitely worth hearing. But the real hidden gem on this album is the brilliant performance by the orchestra and the superb arrangements. It is an exceptional example of the artistry of orchestration and of course the actual execution of the sophisticated arrangements by a group of immensely talented players. For British Jazz connoisseurs this is a rare gem, which is know by very few members of the proud community. As usual with reissues, it is great to have this gem back in circulation, for new generation of fans to discover and for those who lost the copy of the original vinyl issue to re-discover past pleasures. May the Force be with you! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 23/12/2016

CD 1 Mini-Sleeve Remastered Recommend To A Friend

BARBARA THOMPSON ~ FIRST LIGHT JAZZ IN BRITAIN 54 (Barcode: 5060774190524) ~ UK ~ Jazz Recorded: 1971 - 1972 Released: 2023 This is an album collecting three archival live recordings / radio broadcasts by the late British Jazz saxophonist / composer / bandleader Barbara ThompsonFind albums by this artist, which present her in various settings with the crème de la crème of the British Jazz musicians active in the early 1970s. As a result, it is a companion album to the tremendous 14CD Box Set “Live At The BBCFind albums with this title” by Barbara Thompson, released in 2020 by RepertoireFind albums on this label Records, offering material uncovered after the Box Set was released. This album, released by the Jazz In BritainFind albums on this label label, is a completely non-commercial release, with all profits from the album going to the Cure Parkinson’s Trust, a moving gesture by all the people involved, including Barbara’s and Jon HisemanFind albums by this artist’s daughter Ana GraceyFind albums by this artist and Jazz In Britain founder John ThurlowFind albums by this artist. We all still mourn Barbara’s and Jon’s untimely departures of course. The first two tracks present the Group EFind albums by this artist, which comprised of (in addition to Barbara) vocalist Pepi LemerFind albums by this artist, pianist Peter LemerFind albums by this artist, bassist Johnny DyaniFind albums by this artist and drummer Laurie AllanFind albums by this artist. The music is Avant-Garde Jazz, with superb vocal parts by Lemer, who sadly is often forgotten, but was one of the most interesting Jazz vocalist of the period. The next three tracks present a suite for a Big Band, called “The Awakening”, co-composed by Barbara and Jon. The band features a dreamy lineup of eleven instrumentalists and a vocalist – no other than my beloved Norma WinstoneFind albums by this artist – which reads like a Who’s Who of the modern British Jazz and is conducted by Neil ArdleyFind albums by this artist. The players are: trumpeters Ian HamerFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Don RendellFind albums by this artist and Barbara Thompson, cellist Charles TunnellFind albums by this artist, pianist Howard RileyFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jon Hiseman. The music is absolutely brilliant and very typical of the Big Band recordings recorded at the time by Neil Ardley, Mike WestbrookFind albums by this artist and others. The vocal parts by Winstone are, not surprisingly, my favorite jewels, but the entire suite is simply divine and the fact it was discovered and now released is no less than sensational. The last five tracks are by Barbara’s group JubiabaFind albums by this artist, which comprised of (in addition to Barbara) trumpeters George ChisholmFind albums by this artist and Ian CarrFind albums by this artist, Wadsworth, Le Sage, Peter Lemer, bassist Roy BabbingtonFind albums by this artist, drummer Martin DrewFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. It presents the early version of the band, which was essentially dedicated to combining Jazz with World Music influences, mostly Latin. As far as I am aware, this is the earliest recordings by Jubiaba captured on tape. Overall, this is an absolute jewel from start to finish and an absolute must to all British Jazz enthusiasts, and in retrospect one of the most surprising and important releases by the Jazz In Britain label so far. The Big Band piece alone is a beacon symbolizing the birth of the modern British Jazz, with everything it stands for: ingenuity, originality, groundbreaking musical thinking and enormous talent. Hats off to everybody involved!

Updated: 26/07/2023Posted: 26/07/2023

CD 1 Mini-Sleeve Recommend To A Friend

TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz Recorded: 1980 - 1983 Released: 2023 This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist. Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is. The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured. The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s. Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness. Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!

Updated: 12/03/2023Posted: 12/03/2023

CD 2 Digipak Remastered Recommend To A Friend

STAN TRACEY ~ UNDER MILK WOOD IN HAMBURG RESTEAMED 117 (Barcode: 5060138617209) ~ UK ~ Jazz Recorded: 1966 Released: 2022 This is a truly sensational archive release of an album by one of Godfathers of the modern British Jazz, pianist / composer / bandleader Stan TraceyFind albums by this artist. In 1965 Tracey released the iconic “Under Milk WoodFind albums with this title” album, which presented a Jazz suite based on the play for voices of the same name, by Welsh poet Dylan ThomasFind albums by this artist. Tracey’s original album was recorded by his quartet, which included saxophonist Bobby WellinsFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jackie DouganFind albums by this artist. A few months after the release of the album, which achieved instantaneous recognition as a masterpiece, in March 1966, Tracey was invited by the German NDR network to record a radio broadcast, for which he extended his quartet into a quintet, adding the great ex-Canadian trumpeter Kenny WheelerFind albums by this artist. The broadcast was recorded, but remained unreleased on record until now. The recording sound quality is beyond perfection as is the performance by the quintet. It includes a short spoken introduction by Tracey. “Under Milk Wood” is undoubtedly one of the most groundbreaking modern European Jazz recordings, presenting the innovations of the British Jazz, which are audible only so subtly here, but already clearly distinguishing this music from the American Jazz tradition. Tracey was about to push the boundaries of British Jazz in the next decades, remaining a head figure of the local scene, highly respected by his peers. His idiosyncratic way of playing the piano made him instantly recognizable in any setting and completely unique to this very day. It is fascinating to compare the original quartet recording with this quintet version, which allows the full impact of Wheeler on the music to be hear perfectly clearly. Therefore, this version sound even more advanced and revolutionary than the original, as Wheeler adventurous spirit is exposed here in full as well as his uniquely brilliant trumpet / flugelhorn technique. Overall, this album is one of the most sensational discoveries in recorded British Jazz history and the fact that is remained hidden for almost six decades and is now available, sounding as if recorded here and now is a bloody miracle. Needless to say, it is an absolute must in any serious British Jazz record collection.

Updated: 21/12/2022Posted: 20/12/2022

CD 1 Remastered Recommend To A Friend

UNITED JAZZ + ROCK ENSEMBLE ~ DIE NEUNTE VON UNITED MOOD 6472 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1996 Released: 1996 This is the 9th album (5th live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The fifth lineup of the group, which recorded this album, included also British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist, German saxophonist Christof LauerFind albums by this artist and American (resident in Germany) bassist Dave KingFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note) and presents nine tracks, eight of which are original compositions by the ensemble members: two each by Kriegel and Mangelsdorff and one each by Carr, Dauner, Lauer and Thompson, and one is a Jazz standard by Billy StrayhornFind albums by this artist, arranged by van Rooyen. The album reflects the constant musical development of the ensemble and seemingly endless collection of musical ideas. The music becomes ever more complex and ambitious, often of orchestral scale, but never loses an iota of the Rock and Funk elements, combining everything into a unique amalgam, which always kept them apart from any competition or comparison. With three trumpeters on board the Big Band sound is always potent and the brass arrangements are more complex than ever. All members of the group get an opportunity to solo, but the main idea is to present an “ensemble” sound, rather than a collection of individuals. The fact that the ensemble sounds as good live as in the studio testifies as to the remarkable level of musicianship and the joy of playing together. Listeners familiar with the recordings by the individual members of the ensemble will often find the recordings by the ensemble quite different and innovative, as the mutual influence between the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous recordings over time. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 06/01/2025Posted: 05/01/2025

CD 1 Recommend To A Friend

UNITED JAZZ + ROCK ENSEMBLE ~ LIVE IN BERLIN MOOD 33.620 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1981 Released: 1988 This is a reissue / remaster of the 4th album (2nd live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The second lineup of the group, which recorded this album, included also two British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents nine tracks, all of which are original compositions by the ensemble members: two each by Dauner, Mariano, Kriegel and Carr and one by Mangelsdorff. The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. With three trumpeters on board the Big Band sound is even more potent than on the two earlier albums and the brass arrangements are more complex. The overall sound of this album is similar to the sound of the British Jazz ensembles, like NucleusFind albums by this artist or Michael GibbsFind albums by this artist ensembles. This live recording proves how the strong the ensemble was live and how masterfully they handled the complex arrangements and multi-part compositions. Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 29/12/2024Posted: 22/12/2024

CD 1 Remastered Recommend To A Friend

UNITED JAZZ + ROCK ENSEMBLE ~ NA ENDLICH! MOOD 6382 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1992 Released: 1992 This is the 8th album (4th live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The fourth lineup of the group, which recorded this album, included also British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist (back again), American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and American (resident in Germany) bassist Dave KingFind albums by this artist (who replaced Eberhard WeberFind albums by this artist). The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents eight tracks (one spoken intro), six of which are original compositions by the ensemble members: two by Dauner and one each by Mariano, Kriegel, Mangelsdorff and Thompson, and for the first time a Jazz standard by Duke EllingtonFind albums by this artist, arranged by Thompson. The album reflects the constant musical development of the ensemble and seemingly endless collection of musical ideas. The music becomes ever more complex and ambitious, often of orchestral scale, but never loses an iota of the Rock and Funk elements, combining everything into a unique amalgam, which always kept them apart from any competition or comparison. With three trumpeters on board the Big Band sound is always potent and the brass arrangements are more complex than ever. All members of the group get an opportunity to solo, but the main idea is to present an “ensemble” sound, rather than a collection of individuals. The fact that the ensemble sounds as good live as in the studio testifies as to the remarkable level of musicianship and the joy of playing together. Listeners familiar with the recordings by the individual members of the ensemble will often find the recordings by the ensemble quite different and innovative, as the mutual influence between the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous recordings over time. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 06/01/2025Posted: 03/01/2025

CD 1 Recommend To A Friend

UNITED JAZZ + ROCK ENSEMBLE ~ THE BREAK EVEN POINT MOOD 33.619 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1979 Released: 1988 This is a reissue / remaster of the 3rd album (2nd studio recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The second lineup of the group, which recorded this album, included also two British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents eight tracks, all of which are original compositions by the ensemble members: one each by Mangelsdorff, Carr, Kriegel, Thompson, Weber, Dauner, Mariano and Wheeler. The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. With three trumpeters on board the Big Band sound is even more potent than on the two earlier albums and the brass arrangements are more complex. The overall sound of this album is similar to the sound of the British Jazz ensembles, like NucleusFind albums by this artist or Michael GibbsFind albums by this artist ensembles. Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 22/12/2024Posted: 17/12/2024

CD 1 Remastered Recommend To A Friend

UNITED JAZZ + ROCK ENSEMBLE ~ UNITED LIVE OPUS SECHS MOOD 33.621 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1984 Released: 1988 This is a reissue / remaster of the 6th album (3rd live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The third lineup of the group, which recorded this album, included also British trumpeter Ian CarrFind albums by this artist, German trumpeter Johannes FaberFind albums by this artist (who replaced Kenny WheelerFind albums by this artist), American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents six tracks, all of which are original compositions by the ensemble members: one each by Dauner, Kriegel (co-composed with his keyboardist Thomas BettermannFind albums by this artist), Carr, Mangelsdorff, Thompson and Weber. If anybody wanders what happened to the 5th album by the ensemble, it was a collection of tracks from the first four albums, appropriately called “Zwischenbilantz”, and is not included in this series of reviews. The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. With three trumpeters on board the Big Band sound is even more potent than on the two earlier albums and the brass arrangements are more complex. The overall sound of this album is similar to the sound of the British Jazz ensembles, like NucleusFind albums by this artist or Michael GibbsFind albums by this artist ensembles. This live recording proves how the strong the ensemble was live and how masterfully they handled the complex arrangements and multi-part compositions. Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 29/12/2024Posted: 29/12/2024

CD 1 Remastered Recommend To A Friend

UNIVERSITY OF TORONTO JAZZ ORCHESTRA ~ SWEET RUBY SUITE NOT ON LABEL ~ CANADA ~ Jazz Recorded: 2016 Released: 2016 This is a lovely album recorded by the University Of Toronto Jazz OrchestraFind albums by this artist directed by Gordon FooteFind albums by this artist and featuring two guest stars: the British vocalist Norma WinstoneFind albums by this artist and American saxophonist Dave LiebmanFind albums by this artist. The album is a tribute to trumpeter / composer Kenny WheelerFind albums by this artist, who although associated with British / European Jazz, was born in Canada and left for Britain in 1952 when he was just 22 years old. The album presents four compositions, all by Wheeler and with lyrics by Winstone, including the title piece, which lasts almost half an hour and which Wheeler first recorded with the Canadian Maritime Jazz OrchestraFind albums by this artist in 2002. Wheeler´s music is of course irresistible and when combined with a fine orchestra, Winstone´s vocal performances and Liebman´s saxophone pyrotechnics, the album is a most pleasant listening experience. The orchestra, although consisting of students of the Faculty of Music of the University, performs splendidly, including the soloing by some of the orchestra members. It is perhaps less polished and biting than other orchestras involving experienced Jazz veterans, especially so in Europe, but all thing considers there is nothing wrong with the way they perform the music and overall they stand up to the challenge with shining colors. Winstone, as usual, delivers heartfelt and musically thrilling vocal parts, which are always a true honey on the ears. She is probably the most reliable Jazz vocalist ever and in the span of the last five decades I have never heard her sing anything less than perfect. Liebman, as expected, also delivers what he does best; wonderfully structured and devilishly complex soprano saxophone solos, which beautifully ornament and enrich the proceedings. The album was released in a very modest packaging and it seems that it is not commercially available, which is a great pity as it truly deserves to be heard by as many Jazz connoisseurs as possible. If you can find it – grab it ASAP before it will become nowhere to be found. Wholeheartedly recommended!

Updated: 23/06/2018Posted: 23/06/2018

CD 1 Mini-Sleeve Recommend To A Friend

UPPER AUSTRIAN JAZZ ORCHESTRA ~ DEFERENCE TO ANTON BRUCKNER ATS 0771 (Barcode: 9005216007714) ~ AUSTRIA ~ Jazz-Classical Fusion Recorded: 2002 Released: 2012 This is an album by veteran Austrian Jazz Big Band called The Upper Austrian Jazz OrchestraFind albums by this artist, which presents a tribute to the music by the great Austrian composer Anton BrucknerFind albums by this artist, one of the most complex and often enigmatic Classical composers in history. The album was recorded in a studio in contrast to most other recordings by the orchestra, which are usually live recordings. Led by saxophonist Christian MaurerFind albums by this artist, the orchestra includes four trumpets, five saxophones, four trombones and a four piece rhythm section. Vocalist Ali GagglFind albums by this artist appears as a guest. The album presents nine compositions inspired by the works of Bruckner, seven of which are composed by orchestra members and one each by Michael GibbsFind albums by this artist and Kenny WheelerFind albums by this artist. Although obviously a Jazz-Classical Fusion project, the music on this album is much more intricate and complex than most other projects of this kind. Usually Jazz-Classical Fusion deals with interpretation of works by Classical composers – see the Vienna Art OrchestraFind albums by this artist albums with music by the Strauss Family or Wolfgang Amadeus MozartFind albums by this artist (just to stay in Austria both with the Jazz and Classical ingredients of the fusion elements). On this album however, the Bruckner "elements" are more suggested than quoted directly, which of course is much more difficulty to conceive to start with and finally execute. But the UAJO manages to achieve the goal brilliantly and with its usual panache and flair. Like with the music by Bruckner, which is certainly far from being easily understood, the music on this album might prove to be slightly more difficult than other UAJO recordings as far as the average listener is concerned. It definitely requires a very attentive listening and perhaps even several listening sessions to be appreciated in its full glory. But it is certainly worth the effort and presents European Big Band Jazz at its best and most elaborate reflection. As usual the album offers many superb soli and extraordinary orchestral work of the highest caliber. Overall this is another recording by the UAJO, which deserves an honorable place on the shelf of every serious record collection. Connoisseurs of Big Band Jazz will be delighted of course as will be serious Jazz-Classical Fusion enthusiasts. Very highly and wholeheartedly recommended!

Updated: 08/09/2021Posted: 04/05/2019

CD 1 Recommend To A Friend

UPPER AUSTRIAN JAZZ ORCHESTRA / KENNY WHEELER ~ PLAYS THE MUSIC OF KENNY WHEELER WEST WIND 2097 (Barcode: 4011778320975) ~ AUSTRIA ~ Jazz Recorded: 1995 Released: 1996 This is the debut album by the Austrian Jazz Big Band called The Upper Austrian Jazz OrchestraFind albums by this artist, founded in 1991 and is still very active almost three decades later. Over the years the orchestra invited many prominent Jazz musicians as guest artists and this album documents the first of such collaborations, which features the legendary British Jazz trumpeter / composer Kenny WheelerFind albums by this artist. The orchestra on this album consists of five saxophones, four trumpets, four trombones and a rhythm section (guitar / piano / bass / drums) and of course includes also Wheeler on trumpet and flugelhorn as well as guest vocalist Ali GagglFind albums by this artist. Together they perform nine compositions, six of which are Wheeler originals and three are standards, all of which were arranged by Wheeler. The music was recorded live and offers a wonderful sound quality. The album was produced by saxophonist / composer Christian MaurerFind albums by this artist, who is the living soul and the leader of the orchestra. Of course Austria is a country with a deeply rooted brass tradition and therefore the existence of excellent Austrian Big Bands (Jazz and otherwise) is hardly surprising. It is after all in Austria where the most important European Jazz Big Band, the legendary Vienna Art OrchestraFind albums by this artist, was formed in 1977. The Upper Austrian Jazz Orchestra has many subtle stylistic links to the Vienna Art Orchestra, like the use of a female vocalist singing mostly vocalese featured as a member of the orchestra, which was the VAO´s trademark. UAJO is perhaps less adventurous and more "disciplined", but some similarities, at least on this album, are obvious. The music should be familiar to Wheeler´s acolytes and spans his entire career up to the time of the recording of this album, going back to his early album "Windmill TilterFind albums with this title" and including his very recent (at the time) compositions. The wonderful arrangements keep the overall sound of the Big Band beautifully coherent, despite the diversity of the material and allow plenty of space for the orchestra members to play a long series of stunning solos, including Wheeler himself. The vocal parts are an absolute cherry on top. The treatment of the orchestra as one enormously potent musical instrument is wonderfully expressed here, with the emphasis on the European Jazz aesthetics, in which modesty and minimalism are more important than power and showmanship. The perfect harmony achieved by the orchestra throughout this album is miraculous, especially in view of the fact that this is a live recording. Overall this is an absolute gem of an album, which should be an integral part of every Kenny Wheeler collection, but also a schoolbook example of what European Jazz Big Band music is all about. Essential listening!

Updated: 12/04/2019Posted: 12/04/2019

CD 2 Recommend To A Friend

VANDOORN ~ THE QUESTION IS ME RIFF 85030 ~ NETHERLANDS ~ Jazz Recorded: 1993 Released: 1994 This is the debut album by Dutch Jazz vocalist Ineke van DoornFind albums by this artist (later VandoornFind albums by this artist), recorded with a quintet which includes guitarist Marc van VugtFind albums by this artist, pianist Joren van VlietFind albums by this artist, bassist Wiro MahieuFind albums by this artist and drummer Chris StrikFind albums by this artist. British trumpeter Kenny WheelerFind albums by this artist guests on three tracks and Canadian pianist Don ThompsonFind albums by this artist guests on one track. The album presents nine tracks, all of which feature lyrics by van Doorn, seven were composed by van Vugt and one each by Wheeler and Thompson. The album offers a collection of nice songs, all performed without a hitch by these young (at the time) musicians, who are obviously well schooled and talented. The couple of van Doorn and van Vugt continue their music career to this very day and continue to record albums. Obviously my interest in this album was the presence of Wheeler, who perform brilliantly here, as always. His openness to play and record with young musician the world over is a fascinating story and makes collecting a “complete” collection of his recordings quite a challenge, which of course I gladly take a part in. Overall, this is a charming, a bit naïve but still sounding good today album by a Dutch couple, with Wheeler playing marvelous soli on three tracks and contributing music to one song. Another Wheeler discography rarity in the collection.

Updated: 18/02/2025Posted: 18/02/2025

CD 1 Recommend To A Friend

ERWIN VANN ~ WORLDS J.A.S. (Barcode: 5425001210039) ~ BELGIUM ~ Jazz-World Fusion Recorded: 1995 - 1998 Released: 1998 This is an album by Belgian Jazz saxophonist / composer Erwin VannFind albums by this artist recorded with a superb international team which includes British vocalist Norma WinstoneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, Belgian keyboardist Michel HerrFind albums by this artist and drummer Dre PallemaertsFind albums by this artist, American guitarist Pete McCannFind albums by this artist and bassist Lindsey HornerFind albums by this artist, a couple of percussionists, a string quartet and a choir. The album presents eight original compositions, all by Vann, four of which feature lyrics written by Winstone. The music is beautifully melodic modern European Jazz, with obvious British Jazz tinge (well, Wheeler & Winstone) and World-Music influence, superbly arranged using the entire wealth of the instruments, string quartet and choir, but allowing the sublime vocal parts by Winstone to be clearly heard and undisturbed by the intense instrumental and vocal backing. Her vocals are, as always mesmerizing and deeply moving, which of course hardly surprising. The instrumental work is stunning and Wheeler gets extensive soloing parts, where his trumpet magic to be distinctly heard, and which turns this album into an absolute gem, sadly little known to his many followers. Vann also plays superbly and his melancholic / lyrical solo parts are all excellently fitted to the context. The rhythm section supports the soloists with grace and precision, without being obtrusive and the percussionists ornament the proceedings with an exotic feel, again subtly and delicately in order to allow the listener focus on the soli. The album offers over an hour of diverse and intense musical experience, which requires attentive listening but is not overbearing at any time and flows smoothly from one tune to another. Most of the compositions are slow and contemplative, with a reflective mood, which takes the listener on a dreamy musical journey of exploration. Overall this is wonder album, full of superb compositions and extraordinary performances, which is criminally little known to European Jazz connoisseurs and deserves to be re-discovered a quarter of a Century after it was created. For Wheeler and Winstone fans this is an absolute must have of course. Wholeheartedly recommended!

Updated: 07/08/2020Posted: 07/08/2020

CD 1 Digipak Recommend To A Friend

ERIC VLOEIMANS ~ BITCHES AND FAIRY TALES CHALLENGE 70061 (Barcode: 608917006124) ~ NETHERLANDS ~ Jazz Recorded: 1998 Released: 2010 This is the third album as a leader by Dutch trumpeter / composer Eric VloeimansFind albums by this artist recorded with the dreamy trio comprising of British pianist John TaylorFind albums by this artist and American bassist Marc JohnsonFind albums by this artist and drummer Joey BaronFind albums by this artist, which recorded the great album "RosslynFind albums with this title" for ECMFind albums on this label a few years later. The album presents thirteen original compositions, ten composed by Vloeimans and three short interludes co-composed by him and Taylor. The music is brilliant modern European Jazz, based on open compositions, which allow the quartet to improvise intensively, at times quite freely, and to utilize polyrhythmic structures, which the rhythm section wizardly carries on. The music is diverse and highly interesting from start to finish, and in retrospect this is one of the most interesting European Jazz recordings of the 1990s. Vloeimans and Taylor manage to create a superb synergy, which also characterized the work of Taylor with Kenny WheelerFind albums by this artist, and Vloeimans´ trumpet playing bears many similarities to the idiosyncratic style of Wheeler. Interestingly the American rhythm section displays completely non-American aesthetics, which sets it apart from most rhythm sections originating in the US, and which enables the sublime musical atmosphere created on this album, ideally suited to the two Europeans on board. Of course they are not the only example of American rhythm sections free of the decades-long clichés cemented by Bebop, but they are certainly a most welcome exception. This music lost absolutely nothing of its power and originality over time and still sounds as interesting and fresh as it did at the time it was recorded. Taylor´s enthusiasts will wind his work here as brilliant as ever and since the album seems to be still available, it´s about time to grab a copy – satisfaction guaranteed!

Updated: 02/10/2020Posted: 02/10/2020

CD 1 Recommend To A Friend

ERIC VLOEIMANS ~ UMAI CHALLENGE 70087 (Barcode: 608917008722) ~ NETHERLANDS ~ Jazz Recorded: 2000 Released: 2000 This is the fourth album by Dutch trumpeter / composer Eric VloeimansFind albums by this artist recorded in a quartet setting with British pianist John TaylorFind albums by this artist, Italian bassist Furio Di CastriFind albums by this artist and American drummer Joe LaBarberaFind albums by this artist. It is his second recording with Taylor following the "Bitches And Fairy TalesFind albums with this title" album recorded a couple of years earlier. The album presents thirteen tracks, nine of which are original compositions by Vloeimans. The music is typical modern European Jazz, based on excellent compositions, which are melody driven but open enough to allow intensive interplay between the quartet members and extensive improvisations. The individual compositions present a diverse palette demanding serious listening involvement, but are aesthetically rewarding and interesting. The four musicians are highly regarded instrumentalists, which of course is plainly obvious from the very first notes. Vloeimans takes most of the soloing duties upon himself, with Taylor staying relatively in the background, with only occasional soloing, but his beautiful piano accompaniment parts are an integral part of the entire musical fabric. The rhythm section is fully involved in the interplay and both Di Castri and LaBarbera solo occasionally, showing their respective chops. At times the music bring fond memories of the music made by Taylor with his friend and long time collaborator Kenny WheelerFind albums by this artist, which of course is a feast to the listeners´ ears. Overall this is an excellent modern Jazz album, full of great music and excellent performances, which should keep any connoisseur of European Jazz happy and although recorded some twenty years ago, still sounds great today!

Updated: 02/10/2020Posted: 31/08/2020

CD 1 Recommend To A Friend

MANFRED PAUL WEINBERGER / STEPHAN BRAUN ~ CONFIDENCE ATS 0979 (Barcode: 9005216009794) ~ AUSTRIA ~ Jazz Recorded: 2021 Released: 2022 This is an album by the duo comprising of Austrian trumpeter / composer Manfred Paul WeinbergerFind albums by this artist and German cellist / composer Stephan BraunFind albums by this artist. The album presents twelve tracks, ten of which are original compositions (seven by Weinberger and three by Braun) and two are Jazz standards (one by Thelonious MonkFind albums by this artist and another by Kenny WheelerFind albums by this artist). The music is a classic “Art of the Duo” setting, which manages to overcome the obvious limitations and despite the minimalist format creates rich and diverse musical vistas. The fact that Braun applies many different techniques to his 5-string cello, making it sound like several different instruments, as well as his use of some electronics and percussion, add up to a much more versatile effect that expected. As a result, the music flows and changes continuously, keeping the listener on his toes. Weinberger is an excellent trumpeter and this minimalist setting does not limit him at all, enabling him to utilize his wonderfully lyrical tone and brilliant technique. Overall, this is a very pleasant and highly interesting album, which takes the listener to visit and experience a wide range of moods and tonalities, and despite the unusual instrumentation is able to sound familiar and absorbing. For Jazz listeners, who like the duo setting, this is especially a worthwhile new experience, but all Jazz listeners should find here something to their liking. Warmly recommended!

Updated: 23/02/2022Posted: 23/02/2022

CD 1 Mini-Sleeve Recommend To A Friend

MANFRED PAUL WEINBERGER NONET ~ IN PRESENCE OF KENNY WHEELER ATS 0970 (Barcode: 9005216009701) ~ AUSTRIA ~ Big Band Jazz Recorded: 2020 Released: 2021 This is an album by Austrian trumpeter / composer Manfred Paul WeinbergerFind albums by this artist and his nonet, which comprises of members of the Upper Austrian Jazz OrchestraFind albums by this artist, including saxophonist Christian MaurerFind albums by this artist and pianist Helmar HillFind albums by this artist among others. As the title suggests, the album is a tribute to the Canadian born British trumpeter / composer Kenny WheelerFind albums by this artist, who cooperated with the UAJO and recorded the splendid “Plays The Music Of Kenny WheelerFind albums with this title” album with the orchestra in 1995. The album presents nine original compositions, eight by Weinberger and one by Hill. The liner notes by another UAJO collaborator, British composer / arranger Michael GibbsFind albums by this artist, sum the essence of this project astutely. The nonet sounds much like a condensed version of the UAJO and offers all of its advantages: brilliant ensemble performances, excellent soloing and above all great compositions, which, as Gibbs says, would surely please Wheeler as well. The modern European Jazz approach, which uses the wonderful palette of a bigger ensemble to the max is the chief asset of this music, which enables it to sound fresh and innovative. For experienced listeners there are plenty of hidden typical quotations and hints to Wheeler’s way of doing things as well as Jazz tradition of course, but also European Classical treasures, one openly stated (Edvard GriegFind albums by this artist) and others subtly hidden in the shadows. Weinberger’s compositions offer a wide scope of approaches, both melodically and harmonically, with various degrees of proximity to the Jazz tradition, which of course also characterized Wheeler’s splendid output over the years. There is of course no shame in admitting the great Master’s influence, which Weinberger emphasizes in his short essay included in the album’s booklet. Overall, this is an excellent European Jazz album, which although recorded by "only” a nonet, firmly resides in the Jazz Big Band idiom and which does that wonderful genre a credit. Full of great music and brilliant performances, this album is a true pleasure to listen to, and more importantly also to find many original approaches, which large Jazz ensembles have to offer. Warmly recommended!

Updated: 12/05/2023Posted: 23/09/2021

CD 1 Mini-Sleeve Recommend To A Friend

MIKE WESTBROOK ~ CITADEL / ROOM 315 BGO 713 (Barcode: 5017261207135) ~ UK ~ Big Band Jazz Recorded: 1975 Released: 2006 This magnificent album marks a pivotal point in the career of pianist / composer Mike WestbrookFind albums by this artist, a transition between the first and the second phases of his monumental life’s achievement. Since it is a suite composed for and performed by a large ensemble (19 musicians in this case), it continues the pioneering work by Westbrook as a composer of large scale orchestral music and closes the cycle which started with the debut "CelebrationFind albums with this title" and continued with "ReleaseFind albums with this title", "Marching SongsFind albums with this title", "Love SongsFind albums with this title" and "MetropolisFind albums with this title". In between “Metropolis” and "Citadel / Room 315Find albums with this title" Westbrook ventured into Jazz-Rock Fusion with the group Solid Gold CadillacFind albums by this artist, returning to Jazz with the new suite, which was commissioned by the Swedish Radio Jazz Group with John SurmanFind albums by this artist as a guest soloist. It was first performed and recorded in 1974, but for various reasons the recording was not released, so Westbrook decided to record it with a British lineup, following several performances in UK a year later. As usual in his case, he managed to assemble the best Jazz players on the British Jazz scene to participate in the recording, including John Surman as the main soloist on baritone and soprano saxophone, with Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist on trumpet, Dave MacRaeFind albums by this artist on piano, Brian GoddingFind albums by this artist on guitar, Chris LaurenceFind albums by this artist on bass and Allan JacksonFind albums by this artist on drums and many others. The music is of course brilliant, as always, but surprisingly more melodic and accessible than most of his earlier works, with clear “winks” towards the work of Duke EllingtonFind albums by this artist. Superbly arranged and performed, this is an epic achievement, sadly one of the last great Jazz works of such scale, as the climate in Britain was about to change very soon and the magnificent Golden Decade was facing an inevitable comedown. Westbrook was of course to continue his extraordinary work as a composer, but his albums will be gradually released on small independent labels and sell meagerly. Well, we still have this essential recording to re-visit any time we feel a need to refill out batteries with some highly charged musical delight. Essential!

Updated: 12/03/2022Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2 RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz Recorded: 1969 Released: 2009 This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!

Updated: 10/03/2023Posted:

CD 2 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

CD 1 Remastered Essential Recommend To A Friend

WHEELER / O`MARA / DARLING / ELGART ~ WHEELER / O`MARA / DARLING / ELGART KOALA 22 (Barcode: 4006759703427) ~ UK ~ Jazz Recorded: 1990 Released: 1991 This is the only album by the Jazz quartet which comprises of British trumpeter Kenny WheelerFind albums by this artist, Australian guitarist Peter O`MaraFind albums by this artist and American bassist Wayne DarlingFind albums by this artist and drummer Bill ElgartFind albums by this artist. O`Mara, Darling and Elgart settled in Europe in the 1970s and early 1980s and enjoyed a fruitful career as players, composers and educators, also playing and recording together as a trio for many years. They invited Wheeler to play with them on a tour and this album is a document of their work together as a quartet. The album presents eight original compositions, four by O`Mara, two by Wheeler and one each by Darling and Elgart. The music is typical modern mainstream Jazz, with excellent melodic compositions and clever arrangements, obviously superbly executed by these veteran musicians. O`Mara plays some wonderful guitar licks and proves that he is sadly one of the most underrated Jazz guitarists around. Wheeler is absolutely marvelous on trumpet and flugelhorn, maintaining his unique personal sound which is simply unmatched. The sound of the electric guitar invokes some slight Fusion associations, but this music has very little to do with Fusion per se. The last, longest and most interesting track on the album moves into more open territory coming momentarily close to Free Jazz, but again this is not the mainline on this album. Although there is no groundbreaking innovation here, the album offers an unusual instrumentation with the trumpet / guitar harmony and solid beautiful music, combined with first class performances, which should pass the strictest scrutiny by any true Jazz connoisseur. For the many Wheeler fans this little known album us of course an absolute must!

Updated: 15/06/2019Posted: 15/06/2019

CD 1 Recommend To A Friend

KENNY WHEELER ~ 1976 JUST A MEMORY 9506 (Barcode: 068944950621) ~ UK ~ Jazz Recorded: 1976 Released: 1996 This is a reissue of a relatively obscure album by British Jazz trumpeter Kenny WheelerFind albums by this artist, recorded in a quintet setting with Canadian saxophonist Art EllefsonFind albums by this artist, pianist Gary WilliamsonFind albums by this artist and bassist Dave YoungFind albums by this artist and American drummer Marty MorellFind albums by this artist (of Bill EvansFind albums by this artist’ fame). The music was recorded by a Canadian Radio station and originally released by the radio’s label, remaining almost completely “buried”. The album presents six tracks, four of which are original compositions by Wheeler, and one each are by Morell and Ellefson. The music is, not surprisingly, absolutely fabulous, with a modern sound emphasized by the presence of electric piano, which adds a slight Fusiony kick. The quintet members are all highly proficient musicians, who play with confidence and obvious affinity. The entire session has a distinct British Jazz tinge, despite the fact that Wheeler is the only British connection, but his presence and compositions have a dominant influence on the entire proceedings. The music is highly melodic, with the specific Wheeler’s romanticism prevailing, and the quintet follows his lead amicably. Wheeler delivers some divine soloing, which is heart melting, as usual, and the album is definitely as good as all the material Wheeler recorded in UK and Europe at the time. Overall, this is a brilliant document of Wheeler’s artistry, which is in very sense as good as his celebrated European recordings done at the time. It is of course an absolute must for all Wheeler enthusiasts / collectors and deserves an honorable place in every serious British Jazz record collection.

Updated: 24/04/2023Posted: 24/04/2023

CD 1 Recommend To A Friend

KENNY WHEELER ~ A LONG TIME AGO ECM 1691 (Barcode: 731454719025) ~ UK ~ Jazz Recorded: 1997 - 1998 Released: 1999 This is the 8th and so far the last ECMFind albums on this label album by the great British trumpeter / composer Kenny WheelerFind albums by this artist. Subtitled "Music for Brass Ensemble and Soloists", this outstanding album presents a set of Wheeler´s magnificent compositions, including two suites, performed by a Brass octet and three soloists – himself on trumpet, pianist John TaylorFind albums by this artist and guitarist John ParricelliFind albums by this artist. With no rhythm section, the music sounds quite different than one might have expected from a large ensemble, but in Wheeler´s hands it all works like magic, which of course is hardly surprising. Multi-layered melody lines and intricate arrangements don´t stay in the way of the listener to enjoy every note of this music, which is most warmly recommended for most people with a taste for adventure and a sense of aesthetics. Not to be missed!

CD 1 Slipcase Recommend To A Friend

KENNY WHEELER ~ ANGEL SONG ECM 1607 (Barcode: 731453309821) ~ UK ~ Jazz Recorded: 1996 Released: 1997 This is a painfully beautiful album by British trumpeter / composer Kenny WheelerFind albums by this artist, one the most creative and artistically perfect Jazz musicians on this planet. Here in a drum-less quartet with veteran US saxophonist Lee KonitzFind albums by this artist, guitarist Bill FrisellFind albums by this artist and British genius bass player Dave HollandFind albums by this artist. The album presents nine new original compositions by Wheeler, all quite lyrical and exquisitely melodic, as always. It is very interesting to hear Konitz and Frisell play here in a serene and somewhat subdued way, contrary to their usual expressive and more energetic approach. Holland is truly amazing, taking the rhythmic duties all upon him and still managing to add some melody lines as well. This is angelic music indeed, in every respect, a perfect piece of music from start to finish and a must to any serious Jazz connoisseur. Wholeheartedly recommended!

CD 1 Slipcase Recommend To A Friend

KENNY WHEELER ~ AROUND 6 ECM 1156 (Barcode: 731452912428) ~ UK ~ Jazz Recorded: 1979 Released: 1990 This is the third album on the ECMFind albums on this label label by the great British (born in Canada) trumpeter / composer Kenny WheelerFind albums by this artist, one of the Godfathers of modern British and European Jazz. Recorded in a sextet setting, the album combines the forces of several superb European musicians: British saxophonist Evan ParkerFind albums by this artist, Swedish trombonist Eje ThelinFind albums by this artist, US (resident in Europe) vibraphonist Tom van der GeldFind albums by this artist, French bassist Jean-Francois Jenny-ClarkFind albums by this artist and Finnish drummer Edward VesalaFind albums by this artist. The sextet performs six original compositions by Wheeler, two of which are expanded pieces over ten minutes long and one is a solo trumpet piece. In many respects this album is quite different from all other recordings Wheeler made for ECM, mostly due to the presence of Parker, who belongs to the radical Free Jazz circle, which almost never (except for the very early days) manages to get any exposure on the label. Wheeler, however, seems to have absolutely no problem with Parker being a part of the lineup and switches elegantly between the melodic / lyrical compositions or passages within a composition, into the wild free realms Parker resides in. There are very few recordings, which manage to create such a wonderful cross-genre symbiosis like this one, and therefore this album is in retrospect one of the most interesting ECM recordings. All the players here have been major figures on the European Jazz scene since many years and participated in countless recording sessions from the mid 1960s all throughout the 1970s and Wheeler´s capability to bring them together as part of this project is truly admirable. The level of performance is absolutely dazzling and combined with the level of freedom the musicians are granted by the leader they are able to express themselves to the max, which is clearly evident to the listener. This music lost absolutely nothing of its power and beauty over time, on the contrary listening to this album only makes one wonder why such ambitious and groundbreaking music is rarely being recorded today. This is an absolute gem and every record collection will be greatly enriched by having this album as one of its items. Grab it if you can find it!

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KENNY WHEELER ~ CALIFORNIA DAYDREAM MUSIDISC 500292 (Barcode: 3229265002926) ~ UK ~ Jazz Recorded: 1991 Released: 1992 This is a wonderful live album by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded in a Paris club in a quartet setting with American pianist Jeff GardnerFind albums by this artist, Dutch bassist Hein Van De GeynFind albums by this artist and French drummer Andre CeccarelliFind albums by this artist. Together they perform seven original compositions; three by Wheeler and two each by Van De Geyn and Gardner. Although seemingly just another live Wheeler recording, this album presents one of the most intimate and focused opportunities to listen to his artistry and his Masterly performances happening right in front of the listener´s ears, completely undisturbed. Wheeler is the primary soloist here and all the seven tracks feature his extended solo performances which can rarely be found on any other recording of this kind with such emphasis and intensity. All three musicians playing alongside Wheeler are veteran performers, with highly developed Jazz sensitivities, who accompany the Master amicably and support him all the way through, sensing quite naturally the rare opportunity to let him express his sublime artistry and staying relatively in the shadows during the proceedings. Van De Geyn and Gardner perform a few splendid solos themselves, but as already stated this is pure unadulterated Kenny Wheeler in the spotlight for us to delight in. Of course this is an absolute must have for Wheeler fans and admirers, and although quite difficult to find these days, it is definitely worth pursuing. Absolutely delightful serving of Wheeler at his very best!

Updated: 22/03/2019Posted: 22/03/2019

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KENNY WHEELER ~ DEER WAN ECM 1102 (Barcode: 042282938527) ~ UK ~ Jazz Recorded: 1977 Released: 1991 This is the second album on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. After recording several albums as a leader and countless others as a sideman and being an integral part of the British modern Jazz revolution in the UK in the 1960s / 1970s, Wheeler slowly expanded his international career, continuing with this extraordinary recording. Accompanied by a brilliant quartet consisting of Norwegian saxophonist Jan GarbarekFind albums by this artist, US guitarist John AbercrombieFind albums by this artist, British bassist Dave HollandFind albums by this artist and US drummer Jack DeJohnetteFind albums by this artist, the quintet plays just four original compositions by Wheeler, one of which is an extended suite over 16 minutes long. US acoustic guitarist Ralph TownerFind albums by this artist guests on one track. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the 33 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Essential Recommend To A Friend

KENNY WHEELER ~ DOUBLE, DOUBLE YOU ECM 1262 (Barcode: 042281567520) ~ UK ~ Jazz Recorded: 1983 Released: 1984 This is the 4th recording on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. After recording several albums as a leader and countless others as a sideman and being an integral part of the British modern Jazz revolution in the UK in the 1960s / 1970s, Wheeler slowly expanded his international career. Accompanied by British musicians: pianist John TaylorFind albums by this artist and bassist Dave HollandFind albums by this artist and American musicians: saxophonist Michael BreckerFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist, the quintet plays just four original compositions by Wheeler, one of which is an extended suite over 23 minutes long. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the almost 30 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Essential Recommend To A Friend

KENNY WHEELER ~ GNU HIGH ECM 1069 (Barcode: 602517775985) ~ UK ~ Jazz Recorded: 1975 Released: 2008 This is the first recording on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. After recording several albums as a leader and countless others as a sideman and being an integral part of the British modern Jazz revolution in the UK in the 1960s / 1970s, Wheeler slowly expanded his international career, starting with this extraordinary recording. Accompanied by a brilliant trio consisting of pianist Keith JarrettFind albums by this artist (his last ever recording as a sideman), bassist Dave HollandFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist, the quartet plays just three original compositions by Wheeler, one of which is an extended suite over 21 minutes long. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the 35 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Mini-Sleeve Essential Recommend To A Friend

KENNY WHEELER ~ KAYAK AH UM 012 (Barcode: 5017771001223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is a criminally little known album by the celebrated British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, released on the short-lived and sadly forgotten Ah UmFind albums on this label Records, owned by Nick PurnellFind albums by this artist. Wheeler leads a splendid ensemble, which comprises of the absolute crème de la crème of the British Jazz scene at the time: saxophonists Stan SulzmannFind albums by this artist and Julian ArguellesFind albums by this artist, French horn player John RookFind albums by this artist, trombonists Dave HorlerFind albums by this artist and Dave StewartFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and American drummer Peter ErskineFind albums by this artist. Trombonist Chris PyneFind albums by this artist and pianist John HorlerFind albums by this artist are added on the four last tracks only. The album presents seven Wheeler originals, the last four of which create a suite. All the music was recorded during a one-day session, which is absolutely amazing considering the complexity of the arrangements, but of course all these musicians were absolute Masters of the trade. The music is obviously absolutely brilliant, as everything Wheeler ever created and most of it was never recorded by Wheeler again with other ensembles. He briefly describes the origin of all the compositions on the album in the liner notes, one of which is a wonderfully crafted tribute to Chick CoreaFind albums by this artist´s compositions, a rather unlikely connection, but nevertheless true. The playing is of course also magnificent from start to finish, with plenty of wonderful solos by the participants and a superb ensemble performance, typical of British Jazz at its absolute best. The music was also excellently recorded with wonderful separation and perfect sound quality, which of curse enhances the listening pleasure even more. Overall this is lost perfect gem which deserves a proud place in any serious British Jazz collection, and although quite difficult to come by these days, it is by all means worth the effort needed to hunt for it. Essential Kenny Wheeler! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 16/03/2019

CD 1 Recommend To A Friend

KENNY WHEELER ~ MUSIC FOR LARGE & SMALL ENSEMBLES ECM 1415/16 (Barcode: 042284315227) ~ UK ~ Jazz Recorded: 1990 Released: 1990 Trumpeter / composer Kenny WheelerFind albums by this artist has been one of the great pillars of the British and international Jazz scene for five consecutive decades. His role as one of the most creative protagonists of the British / European Jazz revolution in the 1960s / 1970s was invaluable, but Wheeler continued his seemingly endless streak of creativity into the 21st Century, staying relevant and up to date, with very few rivaling forces of his magnitude. This album, in retrospect, is in many respects a pinnacle of his recording career and firmly belongs to the exclusive club of the top Jazz recordings of all time. Wheeler present here some of his best and most ambitious compositions, both as a composer for a large Jazz orchestra and a small Jazz combo, like the quintet featured here. The list of names of the participating musicians – all 19 of them – reads like the who´s who of modern British Jazz with a couple of American guests (guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist) added for good measure. Pianist John TaylorFind albums by this artist, his wife the divine vocalist Norma WinstoneFind albums by this artist, bassist Dave HollandFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist Paul RutherfordFind albums by this artist and saxophonist Stan SulzmannFind albums by this artist are just the more familiar of these names. The music is of course heavenly, regardless of the large or small format, both melodically, harmonically and structurally. Wheeler emerges as a Master composer and bandleader and the resulting music is a source of immense pleasure, both aesthetically and intellectually. This is a masterpiece and an essential piece of music, which is a worthy addition to any serious music library. Beyond essential! Visitors' Comments Christopher  Brice Truly (and surprisingly) "Essential"; I generally avoid large ensembles, but this is different as the individual voices of the specific participants were planned for and can be clearly heard

CD 2 Essential Recommend To A Friend

KENNY WHEELER ~ ONE OF MANY CAM JAZZ 5042 (Barcode: 016728504225) ~ UK ~ Jazz Recorded: 2006 Released: 2011 This is an intimate trio recording by the British trumpeter / composer Kenny WheelerFind albums by this artist with his lifelong musical partner British pianist John TaylorFind albums by this artist and American bassist Steve SwallowFind albums by this artist (who plays electric bass). The three veterans play nine original compositions, all by Wheeler (one of which is repeated twice in duo and trio versions). The music was exquisitely recorded at the legendary Bauer Studio in Ludwigsburg (Germany) in 2006 but released only five years later. A year earlier (2005) Wheeler recorded three albums in the same studio: a quartet date "What Now?Find albums with this title", a duo with Taylor and a string quartet "Other PeopleFind albums with this title" and another duo with Taylor "On The Way To TwoFind albums with this title", all released on the Italian CAM JazzFind albums on this label label. The music is typical "chamber" Wheeler setting, with the emphasis on his melodic ballad compositions. As always, the music is superbly executed by the telepathic Wheeler / Taylor duo, which this time gets a wonderful rhythmic and harmonic support from Swallow. His bass guitar often sounds here like a guitar and its beautiful tone adds another layer to the usual duo performances. In fact this is probably one of the most beautiful recordings by Swallow, who after all appears on hundreds of albums. Aged 76 at the time of the recording, Wheeler is in perfect control of his instrument and his playing technique, delivering clear and moving statements like only he could, without trying to dazzle. His intrinsic modesty and honesty are behind his strength and power of expression. The collected Kenny Wheeler recordings released on the CAM label document the wonderfully fruitful period of his long career, which sadly was also his last. They present a portrait of a mature Artist, who played the music he loved, accompanied by superb musicians, whom he respected and trusted. It is also a wonderful portrait of the mature European Jazz at its best, full of finesse, elegance and sophistication, a music Wheeler was a great pioneer of five decades earlier. This is an instant and timeless Jazz classic of course, a piece of music one can relay on every time it is played, regardless of how many times one has already listened to it. An absolute must!

Updated: 10/04/2020Posted: 22/09/2018

CD 1 Recommend To A Friend

KENNY WHEELER ~ OTHER PEOPLE CAM JAZZ 7801 (Barcode: 8024709780126) ~ UK ~ Jazz-Classical Fusion Recorded: 2005 Released: 2008 This is the fifth album for the Italian CAM JazzFind albums on this label label by the British trumpeter / composer Kenny WheelerFind albums by this artist and one of three albums recorded in late 2005 at the legendary Bauer Studio in Ludwigsburg. Wheeler is accompanied by his faithful musical partner, British pianist John TaylorFind albums by this artist, and although Taylor appears as a "guest" here, this is as much a duo album as the other duo album recorded at the time, entitled "On The Way To TwoFind albums with this title". The major difference is of course the presence of the Austrian Hugo Wolf String QuartetFind albums by this artist, which marks the first time Wheeler recorded with a string quartet. The album presents eight original compositions, all composed by Wheeler and including his string arrangements. Two of the compositions do not feature his trumpet and are entirely string quartet pieces. Aged 75 at the time of the recording, Wheeler proves that he is as vital and searching as a young musician and his handling of the string quartet both as a composer and an arranger is truly exceptional, showing his versatility and immense talent, which of course is nothing new to his followers. All the music, both the Jazz oriented pieces and the more Classical ones, are exquisite as are the performances, and the album, especially due to the presence of the string quartet, is an important and unique piece of Wheeler´s legacy. Taylor´s contributions on this album are by no means secondary, and his essential piano harmonies and delicate finger work are an indispensable part of the music. The exceptional musical combination of the talents of these two Giants is a wonderful example of the "Art of the Duo" idiom. Overall this is a lyrical, deeply melodic music, which ignores stylistic conventions and offers an exceptional cross-genre musical experience, which is a delight from start to finish. Wheeler delivers yet another masterpiece in the long chain of his masterful recordings and the album is an absolute must to Wheeler / British Jazz aficionados. Not to be missed!

Updated: 10/04/2020Posted: 24/07/2018

CD 1 Recommend To A Friend

KENNY WHEELER ~ SONGS FOR QUINTET ECM 2388 (Barcode: 602547046536) ~ UK ~ Jazz Recorded: 2013 Released: 2015 I am writing these words with heavy heart, realizing that this is an epitaph of sorts, as this is the last album by British (Canadian born) Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded less than a year before his distressing death. Wheeler´s music was a continuous element of the soundtrack of my life for over fifty years and I was lucky to hear him performing live and talk to him on various occasions and of course listening to his numerous albums, always following his endeavors, from near and far. For me Wheeler always epitomized the absolute essence of Jazz: intelligence, sensitivity, superb ability to compose unforgettable melodies, or as he liked to call them "songs", and most importantly his open-mindedness and courage to step beyond the obvious and the familiar into terra incognita. It is impossible to imagine the modern British Jazz, and in fact European Jazz as a whole, without his crucial contributions, as he was always there in the eye of the hurricane of its essentially important developments. This album presents a recording by an all British quintet, which includes two British Jazz veterans of the first post WWII generation: saxophonist Stan SulzmannFind albums by this artist (born 1948) and bassist Chris LaurenceFind albums by this artist (born 1949) and two veterans of slightly younger generation: guitarist John ParricelliFind albums by this artist (born 1959) and drummer Martin FranceFind albums by this artist (born 1964). Together they perform nine original compositions by Wheeler, which are again called "songs", as they are all beautifully melodic. The quintet expands these melodic themes into modern Jazz miniatures, with a typical British Jazz elegance, minimalism and virtuosity. All music created by Wheeler over time became part of the absolutely classic Jazz heritage and this album is no different. Both the compositions and their treatment by the quintet are simply perfect in every respect and the listener is treated to a "final product" of the highest quality, being simply left to relax and enjoy this glorious music. Whatever one´s musical background and level of Jazz appreciation, this music is simply beyond being analyzed and its aesthetics should suffice to be recognized as a masterpiece. Of course life will continue, as it always does, regardless of who is left behind. The collective human heritage, which has been expanded and enriched by Wheeler´s presence, will be hopefully properly remembered and cherished. Although in today´s world humanity suffers from the ever shortening attention span, the human ingenuity and culture will prevail in the long rage, provided of course that humanity manages to avoid self obliteration. Wheeler´s recordings are all beautiful gems and let´s treat them as such, today, tomorrow, forever…

CD 1 Digipak Recommend To A Friend

KENNY WHEELER ~ THE WIDOW IN THE WINDOW ECM 1417 (Barcode: 042284319829) ~ UK ~ Jazz Recorded: 1990 Released: 1990 This is the 6th recording on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. It was recorded at the same sessions, which produced the marvelous "Music For Large & Small EnsemblesFind albums with this title" album with the same core musicians: British pianist John TaylorFind albums by this artist and bassist Dave HollandFind albums by this artist and American guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist. The quintet plays six original compositions by Wheeler, all of which are painfully beautiful and deeply moving. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the 20 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Essential Recommend To A Friend

KENNY WHEELER ~ WINDMILL TILTER BGO 0944 (Barcode: 5017261209443) ~ UK ~ Jazz Recorded: 1968 Released: 2010 Canadian-born trumpeter / composer Kenny WheelerFind albums by this artist arrived in London in 1952 and soon found himself emerged in the lively local Jazz scene. Playing with many different ensembles active at the time, he slowly earned the position of the country´s most respected, reliable and talented Jazz player. By the end of the 1950s Wheeler started an association with saxophonist /composer / bandleader Johnny DankworthFind albums by this artist, playing in his various ensembles, which would last for the next decade. In 1968 Dankworth suggested to Wheeler that he´d used a three months period of recovery from a surgery to compose a suite for a Jazz group and orchestra, a suggestion Wheeler accepted with open hands. The result was the magnificent piece of music presented here, based on the tragic story of Don Quixote. Performed by a quintet, which comprised of Wheeler, saxophonist / clarinetist Tony CoeFind albums by this artist, guitarist John McLaughlinFind albums by this artist, bassist Dave HollandFind albums by this artist and drummer John SpoonerFind albums by this artist and the Johnny Dankworth Orchestra, this milestone of British Jazz remains every bit as much relevant today as it was at the time of its recording. Similar in spirit to the Miles DavisFind albums by this artist / Gil EvansFind albums by this artist classic "Sketches Of SpainFind albums with this title", the suite firmly establishes Wheeler´s position as a major player on the global Jazz scene, which of course was reaffirmed time and again in years to come. This reissue, long time overdue, brings back to life an incredible treasure and listening to it makes life worth living!

Updated: 28/02/2024Posted:

CD 1 Slipcase Remastered Recommend To A Friend

KENNY WHEELER / COLOURS JAZZ ORCHESTRA ~ NINETEEN PLUS ONE ASTARTE 001 (Barcode: 8015948301838) ~ UK ~ Jazz Recorded: 2007 Released: 2008 This is a relatively little known album by the British Jazz icon trumpeter / composer / arranger Kenny WheelerFind albums by this artist recorded with a nineteen players strong Italian Colours Jazz OrchestraFind albums by this artist conducted by Massimo MorgantiFind albums by this artist and featuring vocalist Diana TortoFind albums by this artist and Wheeler as main soloists. The album presents eight compositions, seven of which are Wheeler´s favorite standards arranged by him for the orchestra and one is an original composition by Wheeler. Jazz orchestras (the larger the better) where of course one of Wheeler´s favorite habitats and his arrangements were always masterpieces of elegance and good taste, which is beautifully represented by the music included herein. The familiar Jazz standards are dressed up superbly in Wheeler´s arrangements and executed with grace and panache by the wonderful orchestra, in every minute detail. Overall the album is a schoolbook example of the Art of modern Jazz orchestral / Big Band arrangement techniques and performance, full of exquisite music and memorable solos by Wheeler, whose every trumpet / flugelhorn note was always nothing short of perfect. This is an absolute must for all Wheeler´s fans and connoisseurs of orchestral Jazz, and since this album seems to be still available online, my recommendation is to grab a copy as long as this is the case. Satisfaction guaranteed!

Updated: 18/12/2018Posted: 18/12/2018

CD 1 Slipcase Recommend To A Friend

KENNY WHEELER / BRIAN DICKINSON ~ STILL WATERS DODICILUNE 213 ~ UK ~ Jazz Recorded: 1998 Released: 1998 This is an album by the duo comprising of British (Canadian born) trumpeter / composer Kenny WheelerFind albums by this artist and Canadian pianist / composer Brian DickinsonFind albums by this artist. The album presents nine tracks, all of which are original compositions, five by Wheeler and four by Dickenson. The music is a marvelous collection of beautiful melodic themes, brilliantly performed by the duo, with plenty of space, which allows for extensive soloing by both musicians. Most of material is deeply lyrical and melancholic, which fits both players perfectly. The intimate duo format is an ideal setting for this material and lacks absolutely nothing, which might have enhanced it. For the many Wheeler fans, this criminally little know album is an absolute revelation in every sense, as it perfectly reflects his gentle character and outstanding virtuosity as a trumpeter, with his unique sound and aesthetic approach of unparalleled exquisiteness. Dickinson proves to be a perfect partner in crime on this recording, with his tender and fluid accompaniment, as well as the creator of the entire melodic / harmonic background layer of this recording. The album is a perfect example of the “Art of the Duo” phenomenon. Overall, this is an absolute gem of an album, which is a must have item in any serious Wheeler collection. It was released both on the Canadian Hornblower RecordingsFind albums on this label and on the Italian DodiciluneFind albums on this label label, and is quite difficult to find, but worth every effort.

Updated: 07/07/2024Posted: 07/07/2024

CD 1 Digipak Recommend To A Friend

KENNY WHEELER / SONNY GREENWICH ~ LIVE AT THE MONTREAL BISTRO JUSTIN TIME 114 (Barcode: 068944011421) ~ UK ~ Jazz Recorded: 1993 - 1997 Released: 1997 This is a little known live recording by the British Jazz trumpeter / composer Kenny WheelerFind albums by this artist with Canadian guitarist Sonny GreenwichFind albums by this artist and other top Canadian Jazz players: pianist Don ThompsonFind albums by this artist, bassist Jim VivianFind albums by this artist and drummer Barry ElmesFind albums by this artist. American drummer Joe LaBarberaFind albums by this artist plays on two tracks. The music was recorded during two Canadian appearances, four years apart, and presents six tracks: one original composition by Wheeler, another one by Thompson, two by Greenwich and two are standards. The music is all well within mainstream Jazz boundaries, with the original compositions being sufficient to keep the music interesting and the performances by all the participants are certainly solid enough to make the album worth listening too, not only due to Wheeler´s presence. The relaxed club atmosphere allows the musicians to stretch out and deliver lengthy soli, which are well structured and in case of Wheeler are simply phenomenal, as always. These are certainly not Wheeler´s most important or significant statements, but they are a nice document of his less demanding appearances with Canadian colleagues, during his visits in his former Homeland. For the many Wheeler´s followers and collectors, this is of course a must.

Updated: 19/12/2018Posted: 19/12/2018

CD 1 Recommend To A Friend

KENNY WHEELER / CHRISTIAN MAURER ~ LIVE AT THE PORGY & BESS PAO 10720 (Barcode: 9006834107206) ~ UK ~ Jazz Recorded: 1997 Released: 2000 This is a wonderful live album by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded at the legendary Viennese Jazz club Porgy & Bess with an Austrian quartet led by saxophonist Christian MaurerFind albums by this artist, which also included pianist Helmar HillFind albums by this artist, bassist Christian SteinerFind albums by this artist and drummer Alfred VollbauerFind albums by this artist. Together the quintet performs six compositions: three originals by Wheeler, one original each by Maurer and Vollbauer and one standard. The excellently recorded music allows an intimate experience of listening to Wheeler and his younger cohorts playing their hearts out. Obviously invigorated by the presence of these young, but by all means very able players, Wheeler is able to stretch out and play a series of wonderfully relaxed expanded soli, which are all as brilliant as expected. The most interesting piece on the album is the original piece by Vollbauer, which is the most open-form composition on the album and allows Wheeler to show his Free Jazz chops, which he used relatively rarely in the last years of his career. But of course his splendid balladry and mainstream playing is every bit as marvelous and worth being heard. The immediacy and obviously less formal atmosphere of this live session is a superb opportunity to get a glimpse of a somewhat less polished Wheeler performance in its full splendor, which is obviously worth its weight in gold. Overall the is a little known gem which is an absolute must for Wheeler´s many connoisseurs, a must in every serious collection of his extended discography and a piece of Jazz history, which deserves to be preserved for posterity.

Updated: 23/03/2019Posted: 23/03/2019

CD 1 Recommend To A Friend

KENNY WHEELER / JOHN TAYLOR ~ ON THE WAY TO TWO CAM JAZZ 5054 (Barcode: 016728505420) ~ UK ~ Jazz Recorded: 2005 Released: 2015 This is an exquisite duo album by two British Jazz icons: trumpeter / composer Kenny WheelerFind albums by this artist and pianist / composer John TaylorFind albums by this artist. Starting in 2004, Wheeler and Taylor recorded together on many occasions for the Italian CAM JazzFind albums on this label label, commencing with their debut duo album for the label, entitled "Where Do We Go From Here?Find albums with this title". In 2005 Wheeler recorded the album "What Now?Find albums with this title" in a quartet setting which included Taylor, and also the second duo album for the label with Taylor (recorded with a string quartet) entitled "Other PeopleFind albums with this title". But ten years later the label announced that another duo album was recorded by the two musicians that year, so far unreleased, and it was decided to release it to commemorate the first anniversary of Wheeler´s untimely passing. Taylor, who wrote a moving epitaph in memory of Wheeler for the album´s liner notes, tragically died shortly before the album was released, which made this album a tribute to them both. The album offers ten tacks, nine of which are original compositions (five by Wheeler, three by Wheeler and Taylor and one by Taylor) and one is a standard. In retrospect the collaboration between Wheeler and Taylor proved to be one of the most lasting and incredibly fruitful relationships in British / European Jazz. Although it spans many stylistic variations and settings, including the legendary AzimuthFind albums by this artist trio with Norma WinstoneFind albums by this artist, Wheeler and Taylor always complimented each other wonderfully, displaying typical European aesthetics and artistic finesse. Their collected recorded legacy is an incredible treasure chest of musical wonders and the essence of Jazz as a creative and developing idiom. The music on this album continues the trumpet / piano dialogue, which these two musicians simply brought to perfection. Beyond the melodic and harmonic beauty of the music, there is also the incredible personal rapport, the mutual respect and the obvious friendship, all exquisitely reflected in the music. Although released posthumously, this album is one more piece of the wondrous puzzle Wheeler and Taylor managed to construct in their lifetime, for all of us to enjoy and cherish. They both were magic song weavers of rare quality, and the world became sadly less livable with their passing. This is definitely a must have for all Wheeler / Taylor many connoisseurs all over the world, a missing crown jewel and a proverbial cherry on the top. Don’t even think about it twice, just grab it!

Updated: 10/04/2020Posted: 19/06/2018

CD 1 Recommend To A Friend

WINSTONE / WHEELER / FRESU / TAYLOR / DAMIANI / OXLEY ~ LIVE AT ROCCELLA JONICA SPLASC(H) 508 (Barcode: 716642050821) ~ UK ~ Jazz Recorded: 1984 Released: 2003 This is a reissue of a rather obscure live recording by a dreamy Anglo-Italian sextet comprising of British vocalist Norma WinstoneFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist and drummer Tony OxleyFind albums by this artist and Italian trumpeter Paolo FresuFind albums by this artist and bassist Paolo DamianiFind albums by this artist. Together they perform five original compositions, three by Wheeler (two of which are joined into a medley) and two by Damiani, one of which lasts for over twenty three minutes. The music is typical modern European Jazz, based on solid melodic themes but open to individual interpretations, which are expressed here by the solos performed by all the participants. The melodies are first presented by Winstone using her amazing vocalese statements and then are picked up by the rest of the sextet and subjected to open improvisation. The album is full of wonderful soloing and the double trumpet lineup is especially attractive with Wheeler and Fresu playing in tandem or jointly, creating some truly amazing statements. Taylor as always lays the harmonic background for the music and adds fiery solos on the way and the rhythm section keeps things moving ahead. Oxley´s drumming is definitely one of the most "straightforward" performances of his ever captured on record. Winstone´s neck breaking solos are the absolute highlight of this album and her full power of improvisation and amazing virtuosity are beautifully captured here. The informality of a concert setting and the extraordinary drumming by Oxley, which accompanies her vocal solos come together perfectly. Although the sound quality of the recording, even in this remastered version, is far from perfect, the music is so powerful and unique that the sound imperfections can be easily ignored. Since the sextet came together only once for this specific appearance, the album is a time capsule and a perfect historical document of European Jazz at its best in the mid-1980s. Wholeheartedly recommended!

Updated: 13/07/2018Posted: 13/07/2018

CD 1 Remastered Recommend To A Friend

NORMA WINSTONE ~ DESCANSADO: SONGS FOR FILMS ECM 2567 (Barcode: 602557869897) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is the fifth (fourth on the ECMFind albums on this label label) album by British Jazz diva vocalist / lyricist Norma WinstoneFind albums by this artist recorded in a trio format with Italian pianist Glauco VenierFind albums by this artist and German saxophonist / clarinetist Klaus GesingFind albums by this artist. Two additional musicians: Norwegian percussionist Helge Andreas NorbakkenFind albums by this artist and Italian cellist Mario BrunelloFind albums by this artist, appear as guest on the album. The album presents Winstone´s interpretations of eleven theme songs of cult, mostly European films, one of which is also repeated in a short solo piano version. Two of these songs have original English lyrics, Winstone wrote lyrics for six more of the themes and the remaining ones remain wordless vocalese pieces. Venier and Gesing wrote all the instrumental arrangements. The album is dedicated to two great British Jazz luminaries, who were inseparable from Winstone´s career over the years: pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, both sadly no longer with us. The music is an intimate, highly elegant and exquisite piece of European Culture, which has an inclusive approach to Art, in which Cinema, Music and all other Art forms are simply different aspects of the same aesthetics. On this album Winstone in sublimely minimalist, as is the instrumental accompaniment, which only amplifies the overall effect of immediacy and deep empathy with the original music. She is, as always, consistent with her established vocal techniques and expressions, which enable a wide palette of vocal possibilities that she wisely and thoughtfully employs. Of course all the musicians involved are Masters of their trade and their ability to cushion Winstone´s delicate vocal phrases with their magic touches is utterly radiant. Winstone´s albums are always a completely risk-free endeavors for me, pieces of sublime taste and perfect execution that one can "blindly" count on. It just occurred to me that I have known Norma longer that I know my wife, which seems to be forever. Since I met her in 1968 I have closely followed her achievements, often on the vanguard of the British / European Jazz, and she never ever disappointed me in any way. Such remarkable consistency and creative power is incredibly rare and I am grateful to her for five decades of musical delights. I suppose this music might not appeal to all Jazz enthusiasts. It is definitely fragile and somewhat Spartan, compelling the listener to make an intellectual and emotional effort in order to absorb it, as all great Art does. Being familiar with these cult films and their soundtracks clearly helps. It is haute culture, obviously, which in our Neanderthal world gets barely noted, but that means it is something worth living for. If you know Winstone´s work, this album will be undoubtedly one of the crown jewels, if you don´t this is perhaps a great opportunity to discover her. In any case, this is a brilliant piece of music, which is out there for everybody to love!

Updated: 27/05/2018Posted: 27/05/2018

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend

WUNSCH / STRAUCH SEXTET ~ JOANA`S WALTZ JAZZ`N`ARTS 3205 (Barcode: 4260089370036) ~ GERMANY ~ Jazz Recorded: 2004 Released: 2005 This is an album by German Jazz sextet co-led by pianist / composer Frank WunschFind albums by this artist and drummer Oliver StrauchFind albums by this artist, which also includes British trumpeter Kenny WheelerFind albums by this artist and German saxophonists Gerd DudekFind albums by this artist and August Wilhelm ScheerFind albums by this artist and bassist Paul G. UrlichFind albums by this artist. The album presents nine tracks, four of which are original compositions by Wunsch, three by Wheeler and two are standards. The album finds Wheeler among fellow German musicians, in one of several such encounters. He was always open and ready to participate in projects involving international lineups and in retrospect is probably the British Jazz musician, who recorded more often on the European scene than anybody else, in dozens of diverse settings. This is one of many Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is a marvelous example of modern European Jazz, based on melodic, somewhat melancholic themes, in an environment that suites Wheeler’s stylistic approach ideally. Wheeler has a lot of opportunity to solo, and this album offers some of Wheeler’s typically splendid work, which never ceases to amaze. Despite the fact that this is a sextet recording, most of the times it presents one soloist supported by the rhythm section, with limited appearances by the entire brass section, which creates an intimate, relaxed climate. Overall, this is an excellent modern European Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 12/05/2023Posted: 12/05/2023

CD 1 Digipak Recommend To A Friend

FABIO ZEPPETELLA ~ MOVING LINES DISCHI DELLA QUERCIA 128017 (Barcode: 027312801729) ~ ITALY ~ Jazz Recorded: 1995 Released: 1995 This is an album by Italian guitarist / composer Fabio ZeppetellaFind albums by this artist, recorded in a quartet setting with bassist Ares TavolazziFind albums by this artist, drummer Fabrizio SferraFind albums by this artist and British trumpeter Kenny WheelerFind albums by this artist. The album presents seven original compositions, five by the leader and two by Tavolazzi. It was released on the splendid Italian Dischi Della QuerciaFind albums on this label label, which released absolutely marvelous Jazz albums, but sadly is no longer active but was bought by the CAM JazzFind albums on this label label, which reissued most of that material. This is one of many albums Wheeler recorded in Italy with Italian musicians, where he was highly regarded, had many friends and frequently performed. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection. The music is a marvelous example of modern European Jazz, based on melodic, somewhat melancholic (as appropriate for Italian Jazz) theme, but performed with a lot of Freedom, which suites Wheeler’s stylistic approach ideally. Due to the intimate format of this recording and the fact that Wheeler has a lot of opportunity to solo, this album offers some of Wheeler’s best work ever captured on record (if such thing is possible). The pairing of guitar and trumpet is quite unusual, but works perfectly here. Overall, this is an excellent modern European Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.

Updated: 05/04/2023Posted: 05/04/2023

CD 1 Recommend To A Friend